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7/21/2019 Impressionist/Modern & Picasso Ceramics
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IMPRESSIONIST/MODERNSOUTH KENSINGTONFRIDAY 6 FEBRUARY 2015
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A
Andr, A., 75BBethy, E., 108Bombois, C., 9-12Bores. F., 71Bourdelle, .-A., 83Braque, G., 3Brasilier, A., 15, 16, 48,50, 51Brianchon, M., 100Buffet, B., 13, 14, 17
C
Camoin, C., 22Cariot, G., 117, 124Cocteau, J., 73
DdEspagnat, G., 128Dal, S., 72, 74Derain, A., 70, 86Dix, O., 27-31Domergue, J.-G., 129,131Domnguez, ., 69Dufy, J., 46, 95
Dufy, R., 77, 93, 98Dyf, M., 126
EErnst, M., 60, 63Esteban, F., 65
FFeininger, L., 26Foujita, L.T., 59, 64, 130Franck, P., 38
GGall, F., 118, 123, 125
Goerg, E.J., 121Grosz, G., 32Gurschner, H., 39, 42Gutfreund, O., 111
H
Hch, H., 23KKlimt, G., 43, 45Kokoschka, O., 37, 44Kubin, A., 40, 41Kupka, F., 24
LLanskoy, A., 103, 104Laug, A., 87Lebasque, H., 85Lebourg, A., 89, 92Lhote, A., 105
Liebermann, M., 35, 36Lipchitz, L., 78Luce, M., 133
MMaclet, E., 120Maillol, A., 84Malle, C., 122, 134Man-Katz, 80Manguin, H., 88Marc, R., 112Marquet, A., 20Masson, A., 58, 62
Mintchine, A., 81Mir, J., 61Montzin, P.E., 115Morandi, G., 52-54NNadal, C., 47, 94, 116
PPalencia, B., 49, 101,102Picabia, F., 66Picasso, P., 1, 2, 5, 201-270Pissarro, L-R., 119Pissarro, P., 127, 132Prax, V., 109
R
Rami, A., 271Rodin, A., 82
SSchuffenecker, C.-., 91Schwitters, K., 33, 34Severini, G., 67Sidaner, H. le, 76, 90Signac, P., 99Smet, L. de, 55, 56
TTerzian, G., 113, 114Tobiasse, T., 79
Trotin, H., 7VVenard, C., 96, 97, 106,107, 110Vivin, L., 6, 8Vlaminck, M. de, 18,19, 21
INDEX
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INTERNATIONAL IMPRESSIONIST, 20TH CENTURY,MODERN BRITISH AND CONTEMPORARY ART DEPARTMENTS
Email. First initial followed by last [email protected] (eg. Martha Baer = [email protected])
22/12/14
INTERNATIONAL DIRECTORSMartha Baer(Post-War and Contemporary Art)Tel: +1 212 636 2071Mariolina Bassetti(Post-War and Contemporary Art)Tel: +39 06 686 33 30Giovanna Bertazzoni(Impressionist/Modern Art)
Tel: +44 (0)20 7389 2542Olivier Camu(Impressionist/Modern Art)Tel: +44 (0)20 7389 2450Cyanne Chutkow(Impressionist/Modern Art)Tel: +1 212 636 2089Brett Gorvy(Post-War and Contemporary Art)Tel: +1 212 636 2342Loic Gouzer(Post-War and Contemporary Art)Tel: +1 212 636 2248Marianne Hoet(Post-War and Contemporary Art)Tel: +32 2 289 13 39Conor Jordan(Impressionist/Modern Art)Tel: +1 212 636 2074Sharon Kim(Impressionist/Modern Art)Tel: +1 212 636 2068Brooke Lampley(Impressionist/Modern Art)Tel: +1 212 636 2091John Lumley(Impressionist/Modern Art)Tel: +44 (0)20 7389 2055Robert Manley(Post-War and Contemporary Art)Tel: +1 212 636 2381Adrien Meyer(Impressionist/Modern Art)Tel: +1 212 636 2056Francis Outred(Post-War and Contemporary Art)Tel: +44 (0)20 7389 2270Laura Paulson(Post-War and Contemporary Art)Tel: +1 212 636 2134Jussi Pylkknen(Impressionist/Modern Art)Tel: +44 (0)20 7389 2452
Andreas Rumbler(Impressionist/Modern Art)Tel: +41 (0)44 268 10 17Jay Vincze(Impressionist/Modern Art)Tel: +44 (0)20 7389 2536Barrett White(Post-War and Contemporary Art)Tel: +1 212 636 2358
HONORARY CHAIRMAN,AMERICASChristopher BurgeTel: +1 212 636 2910
CHAIRMAN, AMERICAS
Impressionist/Modern ArtDerek GillmanTel: +1 212 636 2050
INTERNATIONAL MANAGINGDIRECTORS
Impressionist/Modern ArtErem Kassim-LakhaTel: +44 (0)20 7389 2701
Post-War and Contemporary ArtLori HotzTel: +1 212 707 5915
MANAGING DIRECTORSImpressionist/Modern Art, EMERITara RastrickTel: +44 (0)20 7389 2193
Impressionist/Modern ArtJulie KimTel: +1 212 636 2317
BUSINESS DIRECTORSPost-War and Contemporary ArtAmericasCara WalshTel: +1 212 484 4849
Post-War and Contemporary ArtEMERIVirginie MelinTel: +33 1 40 76 84 32
Post-War and Contemporary Art UKZoe AinscoughTel: +44 (0)20 7389 2958
SENIOR BUSINESS MANAGERS
Impressionist/Modern ArtNina FooteTel: +44 (0)20 7389 2675
Impressionist/Modern ArtEileen BrankovicTel: +1 212 636 2198
BUSINESS MANAGERS
Post-War and Contemporary Art,AmericasSarah WendellTel: +1 212 707 5901
Post-War and Contemporary Art, UKAstrid MascherTel: +44 (0)20 3219 6451
Impressionist/Modern Art, EuropeAoife LeachTel: +44 (0)20 7389 2109
ART ADVISORY ASIAN CLIENTSRebecca WeiXin LiTel: +852 2978 6796
PRIVATE SALES
Impressionist/Modern Ar tNew YorkAdrien MeyerTel: +1 212 636 2056
LondonLibert NutiTel: +44 (0)20 7389 2441
New YorkStefan Kist, Senior Business DirectorTel: +1 212 636 2205
Post War and Contemporary ArtNew YorkAlexis Klein
Tel: +1 212 641 3741LondonBeatriz OrdovasTel: +44 (0)20 7389 2920
WORLDWIDE
AMSTERDAMIMPRESSIONIST/MODERN ART
Jetske Homan van der HeideOdette van GinkelBenthe TupkerTel: +31 (0)20 575 5281
POST-WAR ANDCONTEMPORARY ART
Peter van der GraafJetske Homan van der HeideNina KretzschmarElvira JansenTel: +31 (0)20 575 5957
AUSTRIA
Angela BaillouTel: +43 1 533 88 12 14
BARCELONA
Carmen SchjaerTel: +34 93 487 82 59
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Salome Tan BoTel: +86 (0)10 8572 7900
BRUSSELS
Marianne HoetThibault StockmannTel: +32 2 289 13 35
DUSSELDORFArno VerkadeHerrad SchornTel: +49 (0)211 491 593 20
GENEVA
Nadja Scribante AmstutzEveline de ProyartAnne LamuniereTel: +41 (0)22 319 17 13
HONG KONG
Eric ChangElaine HoltJilly DingTel: +852 2978 9985
LONDON (KING STREET)
IMPRESSIONIST/MODERN ARTGiovanna BertazzoniOlivier CamuJay VinczeLibert NutiJason CareyCornelia SvedmanMichelle McMullanAdrienne Everwijn-DumasKeith GillAntoine LebouteillerOttavia MarchitelliAnnie WallingtonAnna Povejsilova
Tel: +44 (0)20 7389 2638POST-WAR ANDCONTEMPORARY ART
Francis OutredHugues JoffreLeonie MoschnerDina AminDarren LeakAlice de RoquemaurelBeatriz OrdovasRosanna WidenLeonie GraingerKatharine ArnoldTom BestCristian AlbuJacob UeckerAlexandra WernerAlessandro DiotalleviPaola FendiTel: +44 (0)20 7389 2221
MODERN BRITISH & IRISH ARTAndre ZlatingerNick OrchardTel: +44 (0)20 7389 2681
LONDO N (SOUTH KENSINGTON)
IMPRESSIONIST/MODERN ARTNatalie RadziwilImogen KerrAlbany BellTel: +44 (0)20 7389 2137Tel: +44 (0)20 7389 2137
POST-WAR ANDCONTEMPORARY ART
Bianca ChuZoe KlemmeTel: +44 (0)20 7389 2502
MODERN BRITISH & IRISH ARTAngus GranlundTel: +44 (0)20 7752 3107
MADRID
Guillermo CidTel: +34 91 532 6627
MILAN
Barbara GuidottiElena ZaccarelliTel: +39 02 303 283 30
MUNICHJutta NixdorfTel: +49 89 2420 9680
NEW YORK
IMPRESSIONIST/MODERN ART
Brooke LampleyCyanne ChutkowConor JordanSharon KimAdrien MeyerJessica FertigDavid Kleiweg de Zwaan
Morgan OsthimerVanessa FuscoSarah El-TamerAllegra BettiniEmma HanleyAlexander BerggruenAlyssa OvadisIsabel EllimanTel: +1 212 636 2050
POST-WAR ANDCONTEMPORARY ARTLoic GouzerBarrett WhiteAndy MassadJonathan LaibMartha BaerIngrid DudekKoji InoueSara FriedlanderJennifer YumAlexis Klein
Amelia ManderscheidSaara PritchardMichael GumenerEdouard BenvenisteEdward TangAna Maria CelisTel: +1 212 636 2100
PARISIMPRESSIONIST/MODERN ARTAnika GuntrumTudor DaviesPierre Martin-VivierTatiana Ruiz SanzFanny SaulayOlivia de FayetThomas MorinTel: +33 (0)1 40 76 85 91
POST-WAR ANDCONTEMPORARY ART
Edmond Francey
Laetitia BauduinChristophe Durand-RuelPaul NyzamEtienne SallonEkaterina KlimochkinaTel: +33 (0)1 40 76 84 34
ROMEMariolina BassettiRenato PennisiTel: +39 06 686 33 30
SYDNEYRonan Sulich
Tel: +612 93 26 14 22
TEL AVIV
Roni Gilat-BaharaffTel: +97 23 695 0695
TOKYO
Chie BantaGen Ogo+ 81 (0)3 6267 1766
ZURICH
Andreas RumblerHans-Peter KellerRene LahnPhilippe DavidJacqueline RiedererTel: +41 (0)44 268 10 12
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PAYMENT
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Fax: +44 (0)20 7389 2869VENDORS
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CONDITIONS OF SALE
This auction is subject toImportant Notices,
Conditions of Sale and to ReservesBUYING AT CHRISTIES
For an overview of the process, see theBuying at Christies section.
[15]
christies.com
IMPRESSIONIST/MODERNFriday 6 February 2015
AUCTION
Friday 6 February 2015
at 10.30 am Lots 1-134
and Picasso Ceramics at 2.00 pm
Lots 201-271
85 Old Brompton Road
London SW7 3LD
AUCTION CODE AND NUMBER
In sending absentee bids or makingenquiries, this sale should be referredto asMARTA-10393
STORAGE AND COLLECTION
Please refer to the important noticeat the back of the Picasso Ceramics
auction lots. Please note that
Cadogan Tates opening hours are
Monday to Friday 9am to 5pm,
and purchases transferred to their
warehouse are not available for
collection at weekends.
SERVICES
ABSENTEE BIDS
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Fax: +44 (0)20 7581 1403
AUCTION RESULTS
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TELEPHONE BIDS
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CLIENT LIAISON
Aina TruyolsTel: +44 (0)20 7752 3179
CLIENT SERVICES
Tel: +44 (0)20 7839 9060
Fax: +44 (0)20 7389 2869Email : [email protected]
SPECIALISTS
Natalie RadziwillHead of SaleTel:+44 (0)20 7752 [email protected]
Imogen KerrJunior SpecialistTel:+44 (0)20 7752 [email protected]
ADMINISTRATOR
Florence Woodfield MoraisTel:+44 (0)20 7752 [email protected]:+44 (0)20 7752 3283
First initial followed by last name @christies.com (eg. Imogen Kerr [email protected]).For general enquiries about this auction,email should be addressed to theauction administrator.
Front cover: Lot 9
DACS 2014.Inside front cover: Lot 87Page two and three: Lot 43 & 42
Picasso Ceramics cover: Lot 216 Succession Picasso/DACS, London 2014.
Picasso Ceramics Inside front cover &page one: Lots 225, 226 & 219
VIEWING
Saturday 31 January 11.00 am - 5.00 pmSunday 1 February 11.00 am - 5.00 pm
Monday 2 February 9.00 am - 7.30 pm
Tuesday 3 February 9.00 am - 5.00 pm
Wednesday 4 February 9.00 am - 5.00 pm
Thursday 5 February 9.00 am - 5.00 pm
AUCTIONEERS
Benthe Tupker and Tom Best
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h*1PABLO PICASSO (1881-1973)Tte dhommesigned, dated and inscribed Pour Roland Pozzi Picasso Le 18.6.63. (withinthe composition)felt-tip pen on the title page of a book10wx 8in. (27.8 x 21.2 cm.)Drawn on 18 June 1963
3,500-5,500 $5,500-8,600 4,400-6,900
PROVENANCE:
Roland Pozzi, and thence by descent to the present owner.
Maya Widmaier-Picasso has confirmed the authenticity of this work.
Claude Picasso has confirmed the authenticity of this work.
h2PABLO PICASSO (1881-1973)
Pour Nounourssigned, dated and inscribed Pour [...] Son ami Picasso Le 9.7.71. (within thecomposition)felt-tip pen on the frontispiece from a book8x 6 in. (20.9 x 15.2 cm.)Drawn on 9 July 1971
3,000-5,000 $4,800-7,900 3,800-6,300
PROVENANCE:
Maurice Bresnu, Cte dAzur, as a gift from the artist and thence by descent;sale, Htel Drouot, Paris, 12 February 2014, lot 80.Acquired at the above sale by the present owner.
Maya Widmaier-Picasso has confirmed the authenticity of this work.Claude Picasso has confirmed the authenticity of this work.
PROPERTY FROM THE COLLECTION OF RUDOLF AND LEONORE BLUM
h*3GEORGES BRAQUE (1882-1963)La tteplaster and waxLength: 4in. (10.4 cm.)Executed circa 1929-32
2,000-3,000 $3,200-4,700 2,600-3,800
PROVENANCE:
Jeanne Frank, New York.Rudolf & Leonore Blum, Zurich.
EXHIBITED:
Basel, Galerie Beyeler, Braque, July - September 1968.
Quentin Laurens, the holder of the Droit Moral, has confirmed that this
work is registered in his archives.
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5
h4KEES VAN DONGEN (1877-1968)Nu debout
signed van Dongen (lower right); signed with the initials, numbered andwith Andr Mettheys monogram No.7.V.D. (on the underside)
glazed ceramic plate
Diameter: 9in. (23.4 cm.)
Executed circa 1907, this work is unique
6,000-8,000 $9,500-13,000 7,600-10,000
Jacques Chalom des Cordes will include this plate in his forthcoming
van Dongen catalogue raisonnbeing prepared under the sponsorshipof the Wildenstein Institute.
h*5AFTER PABLO PICASSO (1881-1973)Femme la collerette
stitched with the signature and dated Picasso 3.7.38 (lower right) andnumbered and with the symbol 10/20 (on the reverse)
wool tapestry
82x 72in. (210.3 x 184 cm.)
Conceived in 1938 and executed by Marigold Enterprises in 1980 in a
numbered edition of 20 plus three hors commerce examples.
12,000-18,000 $19,000-28,000 16,000-23,000
This tapestry was conceived after Pablo Picassos eponymous oil
painting (Zervos 173).
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PROPERTY FROM THE COLLECTION OF HANS HELLMUT KIRST
6LOUIS VIVIN (1861-1936)Sacr-Coeursigned L.VIVIN (lower left)oil on canvas19wx 27qin. (50.5 x 69.7 cm.)
2,000-3,000 $3,200-4,700 2,600-3,800
PROVENANCE:
Acquired by the father of the present owner in the 1960s and thenceby descent.
EXHIBITED:
Salzburg, Residenzgalerie, Die Welt der Naiven Malerei, July -September 1964, no. 107.
Olivier Lorquin has confirmed the authenticity of this work.
PROPERTY FROM THE COLLECTION OF HANS HELLMUT KIRST
h7HECTOR TROTIN (1894-1966)Grande Fte de la Rosiresigned h.Trotin. (lower left)oil on panel18x 24 in. (46 x 61.2 cm.)
800-1,200 $1,300-1,900 1,100-1,500
PROVENANCE:
Acquired by the father of the present owner in the 1960s and thence
by descent.
PROPERTY FROM THE COLLECTION OF HANS HELLMUT KIRST
8LOUIS VIVIN (1861-1936)Scne de portsigned L.VIVIN (lower left)
oil on canvas18x 24 in. (46.3 x 61.3 cm.)
800-1,200 $1,300-1,900 1,100-1,500
PROVENANCE:
Acquired by the father of the present owner in the 1960s and thenceby descent.
Olivier Lorquin has confirmed the authenticity of this work.
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h*9CAMILLE BOMBOIS(1883-1970)
Avant de paratresigned Bombois C.lle (lower left)
oil on canvas
36x 23in. (92.2 x 60.5 cm.)Painted circa 1927
25,000-35,000 $40,000-55,000 32,000-44,000
PROVENANCE:
Perls Galleries, New York (no. 7363).
Acquired from the above by the present owner in the
1970s.
Olivier Lorquin and Didier Jumaux have confirmed
the authenticity of this work.
Camille Bombois worked from a young age in
a variety of jobs, as a sailor and a wrestler on
fairgrounds near Paris, painting in his spare t ime.
The circus would later serve as the inspiration
for many of his most important works. Meeting
German critic Wilhelm Uhde, a champion of
Nave Art, in 1922 sparked fruitful support for
Bombois that would see his representation in Paris
exhibitions. The following four lots are from this
time in the 1920s, when he was becoming known
within Parisian avant-garde circles.
Bombois painted with careful sensitivity, attention
and respect for each subject. They rosey-cheeked
buxom females inAvant de paratre and Les belles
contes bleuxdisplay strength, curvaceousnessand seriousness far away from the eleganceandchic of the Parisian upper class. The vividness of
colour in their clothing, flesh and surroundings,
and simplicity of form makes a direct and bold
statement.
The artists particular attention to detail holds
an intimate quality, a personal specificity that
alternates between the intriguing, the humorous
and the precious. Tiny caricatures can often
be found in the peripheral minutiae of each
composition; the tiny clothes on the washing
line in Promenade en banlieue, the tiny potplantsitting on the doorstep in Les nouvelles du village,the paintings within a painting ofAvant de
paratre.These are quiet murmurs of the generalmilieu of each situation and narrative which brings
a feeling of commentary, an added entertainment
and characterful humour to each work.
He paints true to life, what he sees, what he
loves spontaneously in daily life - Wilhelm Uhde
THE PROPERTY OF A CHICAGO COLLECTOR
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h*10CAMILLE BOMBOIS (1883-1970)Les beaux contes bleuxsigned Bombois C.lle (lower right)oil on canvas36x 28in. (92 x 73 cm.)Painted circa1925
18,000-25,000 $29,000-39,000 23,000-31,000
PROVENANCE:
Perls Galleries, New York.Acquired from the above by the present owner in the 1970s.
Olivier Lorquin and Didier Jumaux have confirmed the
authenticity of this work.
THE PROPERTY OF A CHICAGO COLLECTOR
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h*11CAMILLE BOMBOIS (1883-1970)Les nouvelles du villagesigned Bombois.C.lle (lower right)oil on canvas21x 18in. (54.8 x 46.3 cm.)Executed circa 1926
6,000-10,000 $9,500-16,000 7,600-13,000
PROVENANCE:
Perls Galleries, New York.Acquired from the above by the present owner in the1970s.
EXHIBITED:
DeKalb, Swen Parson Gallery, The Magic of Nave,1992; this exhibition later travelled to Beloit, WrightMuseum of Art, Charleston, Tarble Arts Center, WestLafayette, Purdue University Galleries and Elkhart,Midwest Museum of American Art.
Olivier Lorquin and Didier Jumaux have confirmed
the authenticity of this work.
h*12CAMILLE BOMBOIS (1883-1970)Promenade en banlieuesigned Bombois.C.lle (lower left)oil on canvas13 x 16in. (33.2 x 41 cm.)Painted circa 1929
5,000-8,000 $7,900-13,000 6,300-10,000
PROVENANCE:
Perls Galleries, New York.Acquired from the above by the present owner in the1970s.
EXHIBITED:
DeKalb, Swen Parson Gallery, The Magic of Nave,1992; this exhibition later travelled to Beloit, WrightMuseum of Art, Charleston, Tarble Arts Center, WestLafayette, Purdue University Galleries and Elkhart,Midwest Museum of American Art.
Olivier Lorquin and Didier Jumaux have confirmed
the authenticity of this work.
THE PROPERTY OF A CHICAGO COLLECTOR
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PROPERTY FROM A NOTABLE COLLECTION
h*13BERNARD BUFFET (1928-1999)Pain et ufs sur le platsigned and dated Bernard Buffet 55 (upper centre)oil on canvas15wx 68 win. (40.3 x 175 cm.)Painted in 1955
30,000-40,000 $48,000-63,000 38,000-50,000
PROVENANCE:
Anonymous sale, Htel Drouot, Paris, 16 December 1980, lot 54.Galerie Tamenaga, Tokyo (no. 186).Acquired from the above by the present owner in March 1981.
This work is sold with a photo-certificate from Galerie
Maurice Garnier and is recoreded in their Bernard Buffet
Archives.
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PROPERTY FROM A NOTABLE COLLECTION
h*14BERNARD BUFFET (1928-1999)Bouquet de fleurs dans un pot laitsigned and dated Bernard Buffet 54 (uppercentre)oil on canvas39x 21qin. (99.8 x 54.7 cm.)Painted in 1954
30,000-50,000
$48,000-79,000
38,000-63,000
PROVENANCE:Arthur Tooth & Sons, London.Anonymous sale, Sothebys, London, 30 June1983, lot 400.Galerie Tamenaga, Tokyo.Acquired from the above by the present ownerin 1984.
This work is sold with a photo-certificate from
Galerie Maurice Garnier and is recoreded in
their Bernard Buffet Archives.
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h*15ANDR BRASILIER (B. 1929)Chantal aux tulipessigned Andr Brasilier (lower right); signed,dated and inscribed Chantal aux tulipes AndrBrasilier 1972 (on the reverse)oil on canvas24x 18in. (61.2 x 46.3 cm.)
Painted in 1972
5,000-7,000 $7,900-11,000 6,300-8,800
PROVENANCE:
Private collection, Japan.
Alexis Brasilier has confirmed the authenticity
of this work and it will be included in the
forthcoming Andr Brasilier catalogue raisonn
h16ANDR BRASILIER (B. 1929)Nampteuil sous Muret, Aisnesigned Andr Brasilier (lower left); signed, datedand inscribed Nampteuil sous Muret (Aisne)Andr Brasilier 1966 (on the reverse)oil on canvas23x 28in. (60 x 73 cm.)Painted in 1966
10,000-15,000 $16,000-24,000
13,000-19,000
PROVENANCE:
Anonymous sale, Htel Drouot, Paris, 23 June1995, lot 53.Acquired at the above sale by the present owner.
This work is sold with a certificate from
Alexis Brasilier and it will be included in
the forthcoming Andr Brasilier catalogueraisonn.
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PROPERTY FROM A NOTABLE COLLECTION
h*17BERNARD BUFFET (1928-1999)Le moulin ventsigned and dated Bernard Buffet 51 (upper right)oil on canvas44wx 57in. (114 x 146.8 cm.)Painted in 1951
35,000-45,000 $55,000-71,000 44,000-57,000
PROVENANCE:
Galerie Tamenaga, Tokyo.Acquired from the above by the present owner in April 1981.
This work is sold with a photo-certificate from Galerie Maurice Garnier
and is recoreded in their Bernard Buffet Archives.
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PROPERTY FROMA NOTABLE COLLECTION
h*19MAURICE DE VLAMINCK(1876-1958)Le Sausseron Valmondoissigned Vlaminck (lower right)
oil on canvas
21x 25in. (54 x 65 cm.)
16,000-24,000$26,000-38,000
21,000-30,000
PROVENANCE:
Ernest de Frenne, Paris.
Private collection, France, by whom
acquired from the above in 1929, and
thence by descent; sale, Christies,
London, 2 December 1986, lot 389.
Galerie Tamenaga, Tokyo.
Acquired from the above by the present
owner in October 1990.
This work will be included in the
forthcoming catalogue critique ofMaurice de Vlamincks paintings,
drawings and ceramics being
prepared by Math Valls-Bled
and Godelieve de Vlaminck under
the sponsorship of the Wildenstein
Institute.
h*18MAURICE DE VLAMINCK(1876-1958)Rue Harlysigned Vlaminck (lower left)
pen and India ink on paper
13x 17qin. (35 x 44.3 cm.)
3,000-5,000$4,800-7,900
3,800-6,300
PROVENANCE:
Galerie Vildrac, Paris (no. 280).
Marcel Bernheim & Cie, Paris.
Private Collection, Japan, by whom
acquired in the 1930s/1940s and thence
by descent.
This work will be included in the
forthcoming catalogue critique ofMaurice de Vlamincks paintings,
drawings and ceramics beingprepared by Math Valls-Bled
and Godelieve de Vlaminck under
the sponsorship of the Wildenstein
Institute.
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PROPERTY FROM A DISTINGUISHED PRIVATE ENGLISH COLLECTION
20ALBERT MARQUET (1875-1947)La Frettesigned marquet (lower right)
oil on canvas
20 x 24 in. (50.7 x 61.6 cm.)
Painted in 1939
25,000-35,000 $40,000-55,000 32,000-44,000
PROVENANCE:
Anonymous sale, Sothebys, London, 27 June 1990, lot 219.
Acquired at the above sale by the present owner.
This work will be included in the critical catalogue of Albert Marquets
paintings being prepared by the Wildenstein Institute.
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PROPERTY FROM A NOTABLE COLLECTION
h*21MAURICE DE VLAMINCK (1876-1958)
Le tunnelsigned Vlaminck (lower left)
oil on canvas
18 x 21 qin. (45.8 x 54.7 cm.)
20,000-30,000 $32,000-47,000 26,000-38,000
PROVENANCE:
Galerie Tamenaga, Tokyo (no. 268).
Acquired from the above by the present owner in
October 1990.
This work will be included in the forthcoming
catalogue critique of Maurice de Vlamincks paintings,drawings and ceramics being prepared by Math
Valls-Bled and Godelieve de Vlaminck under the
sponsorship of the Wildenstein Institute.
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h22CHARLES CAMOIN (1879-1965)Le remorqueur dans le port de Saint-Tropezsigned Ch Camoin (lower left)oil on canvas21x 32 in. (54 x 81.5 cm.)Painted in 1928
20,000-30,000 $32,000-47,000 26,000-38,000
PROVENANCE:
Galerie Vildrac, Paris (no. 2479).Galerie E. Druet, Paris.Acquired by the present owner by the 1960s.
Anne-Marie Grammont-Camoin has confirmed the authenticity
of this work.
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h24FRANTIEK KUPKA (1871-1957)
Autour dun point (E.III)stamped with the artists signature (lower left)gouache and pencil on paper8qx 9 in. (21.6 x 23 cm.)Executed circa 1920
6,000-8,000 $9,500-13,000 7,600-10,000
PROVENANCE:
Galerie Karl Flinker, Paris.
Pierre Brull has confirmed the authenticity of this work.
h25ERICH BUCHHOLZ (1891-1972)Kompositionsigned and dated EBuchholz 21 (lower right); signed and dated EBuchholz 21 (on the reverse)brush and India ink on paper13x 10in. (34.7 x 27.3 cm.)Executed in 1921
1,000-1,500 $1,600-2,400 1,300-1,900
PROVENANCE:
Rose Fried Gallery, New York.Judith Rothschield, New York.Anonymous sale, Sothebys, New York, 22 June 2005, lot 382.Acquired at the above sale by the present owner.
EXHIBITED:
New York, Rose Fried Gallery, circa 1956.London, Annely Juda Fine Art,Abstraction 1910-1940, July - September 1980, no. 27.
h23HANNAH HCH (1889-1978)Katzesigned with the initials H.H. (lower right)watercolour and pen and India ink on paper4wx 5in. (12.5 x 13.6 cm.)Probably executed before 1930
1,000-1,500 $1,600-2,400 1,300-1,900
PROVENANCE:
The artists estate (with the estate stamp on the reverse of the artists mount)Private collection, England.
Dr. Ralf Burmeister has confirmed the authenticity of this work.
This watercolour is related to the oil Symbolic Landscape III of 1930. Inthe late 1920s Hannah Hch owned a cat called Nin, who according to
Dr. Burmeister is probably portrayed here.
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26
LYONEL FEININGER (1871-1956)Paris Faades IVsigned, dated and inscribed Feininger Paris Faades IV 31.VII.53 (lowermargin)watercolour, pen and ink and wash on paper19x 12in. (48.6 x 31.3 cm.)Executed on 31 July 1953
18,000-25,000 $29,000-39,000 23,000-31,000
PROVENANCE:
Private collection, Germany, by whom acquired in the 1960s thence bydescent; sale, Christies, London, 22 June 2011, lot 128.Acquired at the above sale by the present owner.
Achim Moeller, Managing Principal of The Lyonel Feininger Project LLC,has confirmed the authenticity of this work. The work is registered in
the archives of The Lyonel Feininger Project LLC, New York Berlin no.469-05-12-11.
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h27OTTO DIX (1891-1969)Betonierter Schtzengrabensigned DIX (lower right)
gouache on paper
11x 11in. (28.8 x 28.5 cm.)
Executed circa1916-1917
12,000-18,000 $19,000-28,000
16,000-23,000PROVENANCE:
Galerie Klihm, Munich.
Acquired from the above by the father of the present owner in 1972.
EXHIBITED:
Freiburg, Kunstverein, Otto Dix,1950, no. 61.Munich, Galerie Klihm, Otto Dix, Zeichnungen und Gouachen 1911-1918,1962, no. 19 (illustrated); exhibited here again in 1966 (no. 4) and 1971.
Stuttgart, Wrttembergischer Kunstverein, Otto Dix, Handzeichnungen,Gouachen, Radierungen von 1911-1928, 1963, no. 58.Nuremberg, Frnkische Galerie am Marientor, Otto Dix, 1965, no. 41.Baden-Baden, Galerie Dr. Ernst Hauswedell, Otto Dix,1967, no. 12.Dusseldorf, Kunstverein, Otto Dix, 1968, no. 5.Salzburg, Galerie Welz, Otto Dix, 1969, no. 11.
Essen, Museum Folkwang, Otto Dix, Aquarelle, Zeichnungen, RadierfolgeDer Krieg, December 1971 - January 1972, no. 16 (illustrated); thisexhibition later travelled to Frankfurt, Kunstverein, Bielefeld, Kunsthalle,
Rome, Galleria Giulia, Turin, Milan, Galleria del Levante, Bologna, Galleria
Forni and Bolzano, Galleria Goethe.
Rome, Galleria Giulia, Otto Dix, November 1972, no. 16.Munich, Museum Villa Stuck, Otto Dix, August - October 1985, p. 35, no. 11.Rome, Galleria Giulia, Otto Dix, 1985, no. 1 (illustrated).
LITERATURE:
O. Conzelmann, Der andere Dix, Sein Bild vom Menschen und vom Krieg,Stuttgart, 1983, no. 189 (illustrated p. 122).
S. Pfffle, Otto Dix, Werkverzeichnis der Aquarelle und Gouachen, Stuttgart,1991, no. G1917/4 (illustrated p. 267).
h28OTTO DIX (1891-1969)
Angressigned, dated and inscribed Angres DIX 16 (lower right)
charcoal on paper
11x 11in. (29 x 28.7 cm.)
Executed in Angres in 1916
10,000-15,000 $16,000-24,000
13,000-19,000PROVENANCE:
Galerie Klihm, Munich.
Acquired from the above by the father of the present owner in 1972.
EXHIBITED:
Nuremberg, Frnkische Galerie am Marientor, Otto Dix, 1965, no. 40.Dusseldorf, Kunstmuseum, Frhe Zeichnungen von Otto Dix, 1966, no. 25.Gttingen, StdtischesMuseum am Ritterplan, Otto Dix, Gesellschaftskritikund Kunst, September - October 1968, no. 18.Essen, Museum Folkwang, Otto Dix, Aquarelle, Zeichnungen, Radierfolge
Der Krieg, December 1971 - January 1972, no. 23; this exhibition later
travelled to Frankfurt, Kunstverein, Bielefeld, Kunsthalle, Rome, Galleria
Giulia, Turin, Milan, Galleria del Levante, Bologna, Galleria Forni and Bolzano
Galleria Goethe.
LITERATURE:
K. van Lil, Otto Dix und der Erste Weltkrieg, Die Natur des Menschen in derAusnahmesituation, Munich, 1999 (illustrated p. 143).U. Lorenz, Otto Dix,Das Werkverzeichnis der Zeichnungen und Pastelle, vol.1, Weimar, 2003, no. WK 5.4.49 (illustrated p. 418).
PROPERTY FROM A DISTINGUISHED ITALIAN COLLECTION
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h29OTTO DIX (1891-1969)Margotsigned and dated 1920.DIX (lower right) and inscribed Margot
(upper centre)
pencil on paper
16x 13 in. (42.5 x 33 cm.)
Drawn in 1920
8,000-12,000 $13,000-19,000 11,000-15,000
PROVENANCE:
Galerie Klihm, Munich.
Acquired from the above by the father of the present owner in 1972.
EXHIBITED:
Nuremberg, Frnkische Galerie am Marientor, Otto Dix, 1965, no. 59.Munich, Galerie Klihm, Otto Dix, 1966, no. VIII.Gttingen, Stdtisches Museum am Ritterplan, Otto Dix, Gesellschaftskritikund Kunst, September - October 1968, no. 39.Essen, Museum Folkwang, Otto Dix, Aquarelle, Zeichnungen, RadierfolgeDer Krieg, December 1971 - January 1972, no. 55; this exhibition latertravelled to Frankfurt, Kunstverein, Bielefeld, Kunsthalle, Rome, Galleria
Giulia, Turin, Milan, Galleria del Levante, Bologna, Galleria Forni and Bolzano,
Galleria Goethe.Munich, Museum Villa Stuck, Otto Dix, August - October 1985, no. 330.
LITERATURE:
B. S. Barton, Otto Dix und die Neue Sachlichkeit, Michigan, 1971, no. III.C.19.U. Lorenz, Otto Dix, Das Werkverzeichnis der Zeichnungen und Pastelle, vol.8, Weimar, 2003, no. EDV 5.3.2 (illustrated p. 707).
h30OTTO DIX (1891-1969)Hedwigsigned and dated DIX 1921 (lower right) and inscribed Hedwig
(upper right)
black crayon on paper
19x 13qin. (49.3 x 34.4 cm.)
Drawn in 1921
8,000-12,000 $13,000-19,000 11,000-15,000
PROVENANCE:
Hans Goltz, Munich.
Galerie Klihm, Munich.
Acquired from the above by the father of the present owner in 1972.
EXHIBITED:
Hamburg, Kunstverein,Otto Dix, 1966, no. 134; this exhibition later travelledto Frankfurt, Kunstverein.
Essen, Museum Folkwang, Otto Dix, Aquarelle, Zeichnungen, RadierfolgeDer Krieg, December 1971 - January 1972, no. 59 (illustrated); thisexhibition later travelled to Frankfurt, Kunstverein, Bielefeld, Kunsthalle,
Rome, Galleria Giulia, Turin, Milan, Galleria del Levante, Bologna, Galleria
Forni and Bolzano, Galleria Goethe.
Munich, Museum Villa Stuck, Otto Dix, August - October 1985, no. 333.LITERATURE:
H. Kinkel, Otto Dix, Protokolle der Hlle, Zeichnungen, Frankfurt & Hamburg,1968 (illustrated p. 66).
B.S. Barton, Otto Dix und die Neue Sachlichkeit, Michigan, 1971, no. IV.C.55U. Lorenz, Otto Dix,Das Werkverzeichnis der Zeichnungen und Pastelle, vol.8, Weimar, 2003, no. EDV 5.1.18 (illustrated p. 683).
This drawing is a study for the etching Vohse (Karsch 22). Accordingto Ulrike Lorenz, this is one of the few nude drawings which Otto Dix
directly translated into a print.
PROPERTY FROM A DISTINGUISHED ITALIAN COLLECTION
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32GEORGE GROSZ (1893-1959)Waffenschieber(recto)andSitzende Frau (verso)signed and inscribed GROSZ 136. Studie and with the artists
date stamp 21. Feb. 23. (on the reverse)
reed pen and India ink on paper
22x 18in. (56.8 x 46.2 cm.)
Executed in 1923
4,000-6,000 $6,300-9,400 5,100-7,500
PROVENANCE:
The artists estate, 1959 (with the Nachlass stamp and numbered
3.68.5 on the reverse).
Richard A. Cohn, New York.
Anonymous sale, Sothebys, New York, 5 October 1992, lot 101.
Tony Subal Kunsthandel, Vienna.
Acquired from the above by the present owner.
Ralph Jentsch has confirmed the authenticity of this work.32 (verso)
32 (recto)
PROPERTY FROM A DISTINGUISHED ITALIAN COLLECTION
h31OTTO DIX (1891-1969)Skizze zur Kriegsradierung Matrosen in
Antwerpensigned DIX (lower right); signed and DIX (on the reverse)
pencil on paper
12
x 17 in. (30.7 x 43.2 cm.)Drawn circa1923-1924, with further sketches on the reverse
4,000-6,000 $6,300-9,400 5,100-7,500
PROVENANCE:
Galerie Klihm, Munich.
Acquired from the above by the father of the present owner in
1972.
EXHIBITED:
Essen, Museum Folkwang, Otto Dix, Aquarelle, Zeichnungen,Radierfolge Der Krieg, December 1971 - January 1972, no.118 (illustrated); this exhibition later travelled to Frankfurt,
Kunstverein, Bielefeld, Kunsthalle, Rome, Galleria Giulia, Turin,
Milan, Galleria del Levante, Bologna, Galleria Forni and Bolzano,Galleria Goethe.
Rome, Galleria Giulia, Otto Dix, November 1972, no. 118.
LITERATURE:
B.S. Barton, Otto Dix und die Neue Sachlichkeit, Michigan, 1981,no. VII.C.8.
S. Pfffle, Otto Dix, Werkverzeichnis der Aquarelle und Gouachen,Stuttgart, 1991, p. 143 ff.
U. Lorenz, Otto Dix, Das Werkverzeichnis der Zeichnungen undPastelle, vol. 8, Weimar, 2003, no. EDV 12.0.17 (illustrated p. 893).
This drawing is a study for the etching Matrosen inAntwerpen (Karsch 101) which is part of Otto Dixs famous
series Der Krieg.
31
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h34KURT SCHWITTERS(1887-1948)Lake Windermere near Low Woodsigned with the initials and dated KS 46(lower right); signed, dated and inscribed KurtSchwitters 1946 Lake Windermere (on thereverse)oil on board10qx 14in. (26.8 x 36.6 cm.)Painted in 1946
7,000-9,000 $11,000-14,000
8,800-11,000PROVENANCE:
Anonymous sale, Sothebys, London,30 November 1967, lot 173.Acquired at the above sale by the present owner.
Dr. Karin Orchard and Dr. Isabel Schulz have
confirmed the authenticity of this work
and it will be included in the forthcoming
supplement to the Kurt Schwitters catalogueraisonn.
h33KURT SCHWITTERS(1887-1948)Ohne Titel (Norwegische Landschaftaus der Erinnerung)signed with the initials and dated KS 40 (lowerright)oil on panel
9wx 12in. (25.2 x 31.2 cm.)Painted in 1940
10,000-15,000 $16,000-24,000 13,000-19,000
PROVENANCE:
The artists estate.Edith Wantee Thomas, London, by descent fromthe above, and thence by descent.Private collection, England, as a gift from theabove.
EXHIBITED:
Kendal, Abbot Hall Art Gallery, Kurt Schwitters inEngland, January - February 1982, no. 2.
Sheffield, Mappin Art Gallery, Schwitters inBritain, May - June 1987; this exhibition latertravelled to Kendal, Abbot Hall Art Gallery.Newcastle upon Tyne, Baltic Centre forContemporary Art & Hatton Gallery, No Socks,Kurt Schwitters and the Merzbarn,April - May1999, no. 17.
LITERATURE:
K. Orchard & I. Schulz, Kurt Schwitters, CatalogueRaisonn, vol. 3, 1937-1948, Hanover, 2006, no.2647 (illustrated p. 253).
Kurt Schwitters painted this Norwegian landscape in 1940, when he was at one of the World
War II internment camps in England. A landscape painted from memory, full in colour with
strong hints of impasto, this work speaks of escapism, a utopian and somewhat expressionistic
vision of the great outdoors. This bears a striking contrast to the Dada collages for which he is
best known, however Schwitters enjoyed exploring both styles throughout his lifetime and subtle
commonalities are to be found between both, evidently in the recognizable colour scheme and,
where this work is concerned, in the tiny newsprint impressions evident upon close inspection
within the varnish. This piece belonged formerly to Edith Wantee Thomas whom Schwitters
would meet the year after it was painted, in December 1941, and who would remain his partner
for the rest of his life.
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36MAX LIEBERMANN (1847-1935)Badekarren und Pferd am Strand vonNoordwijksigned MLiebermann (lower left)black crayon on paper5x 8in. (13.4 x 21.4 cm.)Drawn in 1911
1,200-1,800 $1,900-2,800 1,600-2,300
PROVENANCE:
Private collection, England.
Drs Margreet Nouwen has confirmed the
authenticity of this drawing.
This drawing is a study for the oil GrnerBadekarren(Eberle 1911/19), painted in 1911.
PROPERTY FROM THE COLLECTION OF NIKKI VAN DER ZYL
35MAX LIEBERMANN (1847-1935)Buchenwald bei Ksen, study for Gedchtnisfeier frKaiser Friedrich III in Ksensigned MLiebermann (lower right)charcoal on paper
Drawn in 191118x 11qin. (46.1 x 29.1 cm.)
2,000-3,000 $3,200-4,700 2,600-3,800
PROVENANCE:
Georg Less, Breslau, by 1914.Anneliese van der Zyl-Less, Majorca, by descent from the above.Nikki van der Zyl, London, by descent from the above.
LITERATURE:
E. Hancke, Chronik, Eine Zeichnung von Liebermann, Buchenwald bei Ksen,in Kunst und Knstler, vol. 9, 12, 1. Sept. 1911, p. 650 (illustrated p. 608).E. Hancke, Max Liebermann, Sein Leben und seine Werke, Berlin 1914(illustrated p. 245, titled Buchenhalle in Ksen)
Exh. cat. Max Liebermann in seiner Zeit, Nationalgalerie Berlin, 1979/80,mentioned under no. 234.M. Eberle, Max Liebermann, Werkverzeichnis der Gemlde und lstudien,vol. 1, Munich 1995, p. 338.
Drs Margreet Nouwen has confirmed the authenticity of this drawing.
According to Drs Margreet Nouwen, this drawing is a study for the oilGedchtnisfeier fr Kaiser Friedrich III in Ksen (Eberle 1889/2) Tate Gallery,London, painted in 1889.
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38PHILIPP FRANCK (1860-1944)Birken im Neuen Garten, Vorfrhlingsigned and dated PHILIPP-FRANCK 1937 (lowerright)oil on canvas44x 47in. (112.3 x 120 cm.)Painted in 1937
8,000-12,000 $13,000-19,000 11,000-15,000
PROVENANCE:
Private collection, Rhodesia (Zimbabwe), andthence by descent to the present owner.
Wolfgang Immenhausen has confirmed the
authenticity of this painting.
According to Wolfgang Immenhausen, this
painting depicts the Neuer Garten in Berlin
Potsdam in early spring with Heiliger See and
Marmorpalais in the background.
THE PROPERTY OF A GENTLEMAN
h37OSKAR KOKOSCHKA(1886-1980)Mdchenaktsigned with the initials, dated and inscribed OK53 Salzburg (lower right)
wax crayon on paper11x 15in. (29.8 x 39.7)Executed in Salzburg in 1953
5,000-7,000 $7,900-11,000 6,300-8,800
PROVENANCE:
Private collection, Switzerland.Anonymous sale, Christies, London, 24 June1991, lot 92.Acquired at the above sale by the present owner.
EXHIBITED:
Graz, Kulturhaus der Stadt, Oskar Kokoschka,Farbstiftakte, Zeichnungen aus den vierziger
und fnfziger Jahren, June - September 1985,no. 16 (illustrated); this exhibition later travelledto Salzburg, Rupertinum and Bonn, RheinischesLandesmuseum.
Dr. Alfred Weidinger has confirmed the
authenticity of this work and it will be
included in the forthcoming third volume of
the Oskar Kokoschka catalogue raisonn ofdrawings and watercolours.
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PROPERTY FROM A PRIVATE ENGLISH COLLECTION
h39HERBERT GURSCHNER (1901-1975)Tiroler Paare im Schneesigned GURSCHNER. (lower left)oil on panel10x 8in. (27.4 x 22 cm.)
6,000-8,000 $9,500-13,000 7,600-10,000
PROVENANCE:
The artists estate and thence by descent to the present owner.
Roland Widder has confirmed the authenticity of this work.
h40ALFRED KUBIN (1877-1959)
Jger und Wilderersigned AKubin (lower right) and inscribed Jger und Wilderer (lower left)watercolour and pen and India ink on cadastre paperimage: 8x 8in. (22 x 21 cm.)sheet: 12x 11in. (32.3 x 28.8 cm.)
3,000-5,000 $4,800-7,900 3,800-6,300
PROVENANCE:
Anonymous sale, Sothebys, London, 5 December 1985, lot 529.Acquired at the above sale by the present owner.
Dr. Annegret Hoberg, Kubin-Archiv, Stdtische Galerie im
Lenbachhaus, Munich, has confirmed the authenticity of this work.
h41ALFRED KUBIN (1877-1959)
Abenteuer eines Kaiserssigned Kubin (lower right) and inscribed Abenteuer eines Kaisers (lowerleft)pencil on cadastre paper10x 14in. (26 x 36.2 cm.)
2,000-3,000 $3,200-4,700 2,600-3,800
PROVENANCE:
Donald Thomas Bergen, Kennebunkport, Maine.Anonymous sale, Sothebys, London, 26 June 1985, lot 338.Acquired at the above sale by the present owner.
Dr. Annegret Hoberg, Kubin-Archiv, Stdtische Galerie im
Lenbachhaus, Munich, has confirmed the authenticity of this work.
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PROPERTY FROM A PRIVATE ENGLISH COLLECTION
h42HERBERT GURSCHNER(1901-1975)
Alkoholsigned, indistinctly dated and inscribedH.GVRSCHNER.MVHLAV.19.TIROL.24(lower left)oil on burlap38qx 25qin. (98 x 64.8 cm.)Painted in Tirol in 1924
15,000-25,000
$24,000-39,000
19,000-31,000
PROVENANCE:
The artists estate and thence by descent tothe present owner.
Roland Widder has confirmed the
authenticity of this work.
Herbert Gurschners father was a wine
dealer and for many years had a typical
Austrian wine bar. According to Roland
Widder, this is likely to have inspired the
artist to paint this picture.
Gurschners compositions from the
1920s strongly recall the expressionistic
colour and mannerism of El Greco,
revered for his inventive uniquenessby many Modern artists. As remarked
by Desmond Chapman-Huston:In all
Gurschners crowded canvasses you will
find El Grecos unfailing upwardness;
if the Greek takes us out and beyond
ourselves, in doing so he never fails
to bear us heavenward as do Gothic
spires. () Gurschner has something
of this unique magic and, although he
does not at present know it he adores,
and freely uses, El Grecos soft yellow-
green half-ripe lemon; he has also the
masters love for, understanding of, and
skill in painting hands; he has much of
El Grecos living movement; he is not
static or dead. But vibrating vibrating
without glamour or noise, reposeful...
(C. & R. Widder, Herbert Gurschner, Ein
Tiroler in London, Innsbruck, 2000, pp.
42-43).
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PROPERTY FROM A PRIVATE ENGLISH COLLECTION
h44OSKAR KOKOSCHKA (1886-1980)Clematis und Rosensigned, dated and inscribed fr die liebe Doris zu Weihnachten OKokoschka1967 (lower right)watercolour on paper24x 19in. (62.9 x 49.8 cm.)Executed 1967
15,000-20,000 $24,000-31,000 19,000-25,000
PROVENANCE:
Private collection, England, a gift from the artist for Christmas 1967,and thence by descent to the present owner.
Dr Alfred Weidinger has confirmed the authenticity of this work.
43GUSTAV KLIMT (1862-1918)Stehend nach links, study for Bildnis Hermine Galliapencil on paper17wx 12in. (45.3 x 32.2 cm.)Drawn circa 1903-04
12,000-18,000 $19,000-28,000
16,000-23,000
PROVENANCE:
The artists estate.Rudolf Zimpel, by whom acquired from the above.Galleria del Levante, Milan.
EXHIBITED:
Vienna, Gustav Klimt, Eine Nachlese, 70 Bedeutende Zeichnungen,March - May 1963, no. 15 (illustrated).
LITERATURE:
A. Strobl, Gustav Klimt, Die Zeichnungen 1878-1903, Salzburg, 1980,no. 1034 (illustrated p. 297).
This work is a study for the oil Bildnis Hermine Gallia (Novotny-Dobai138), today in the National Gallery, London. Gallia was an importantpatron of the arts in Vienna during Gustav Klimts time and is the
subject of several important works by the artist.
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PROPERTY FROM A PRIVATE AUSTRALIAN COLLECTION
*45GUSTAV KLIMT (1862-1918)Stehender Frauenakt nach links, die Hnde an der Brustwith the Nachlass stamp (Lugt 1575; lower right; slightly faded) and inscribedR (lower right)
black crayon on paper
17x 12qin. (44.8 x 31.7 cm.)
Drawn circa 1898-1903
20,000-30,000 $32,000-47,000 26,000-38,000
PROVENANCE:
Fischer Fine Art, London.
Acquired from the above and thence by descent to the present owner.
EXHIBITED:
London, Fischer Fine Art Gallery, Gustav Klimt, Egon Schiele and artists fromthe Viennese Secession, July 1985.
LITERATURE:
A. Strobl, Gustav Klimt, Die Zeichnungen, Nachtrag, Salzburg, 1989,no. 3406 (illustrated p. 97).
This drawing is related to the oils Irrlichter and Beethovenfries
(Novotny-Dobai 127), according to Alice Strobl, this is probably
indicated by the inscribed R.
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h46JEAN DUFY (1888-1964)Bouquet danmones de tulipes etde mimosasigned Jean Dufy (lower right)watercolour and gouache on card21qx 16in. (54.7 x 41 cm.)Executed circa 1942-1945
8,000-12,000 $13,000-19,000 11,000-15,000
PROVENANCE:
Hammer Galleries, New York.
LITERATURE:
J. Bailly,Jean Dufy, Catalogue raisonn deloeuvre, vol. 2, Paris, 2010, no. J.1407 (illustratedp. 322).
h47CARLOS NADAL (1917-1998)Club nautiquesigned and dated CNadal 82 (lower centre);
signed and inscribed CLUB NAUTIQUECNadal(on the reverse)oil on paper laid down on canvas18x 21in. (46.2 x 55.3 cm.)Painted in 1982
7,000-10,000 $11,000-16,000 8,800-13,000
The Comit Nadal has confirmed the
authenticity of this work.
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h*48ANDR BRASILIER (B. 1929)Les peupliers dors (Vision dautomne)signed Andr Brasilier. (lower right); signed and inscribed Vision
dautomne. A.B. (on the reverse)
oil on canvas
57qx 38in. (146 x 97 cm.)
Painted in 1987
15,000-20,000 $24,000-31,000 19,000-25,000
PROVENANCE:
Galerie Etienne Sassi, Paris.
Private Collection, Japan.
EXHIBITED:
Vancouver, Buschlen Mowatt Gallery,Andr Brasilier, In Search of theInvisible, April - May 1988 (illustrated p. 63).
LITERATURE:
Y. le Pichon,Andr Brasilier, ses transfigurations, Paris, 1989 (illustrated p.
127).
X. de Coulanges,Andr Brasilier,Catalogue Raisonn 1982-2002, vol. I,
Lausanne, 2002,
no. 1987/59 (illustrated p. 101).
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PROPERTY FROM A PRIVATE COLLECTION
h*49BENJAMN PALENCIA (1894-1980)Serranillossigned B.Palencia 51 (lower left)oil on canvas35 x 45 qin. (89 x 115.5 cm. )
Painted in 1951
15,000-20,000 $24,000-31,000 19,000-25,000
PROVENANCE:
Biosca Galeria de Arte, Madrid (no. 15.699).Acquired by the present owner in the 1980s.
EXHIBITED:
Madrid, I Bienal Hispano Americana de Arte, 1951 (no. 248)(probably) Venice, XXVIII Biennale di Venezia, 1956.
LITERATURE:
L. F. Vivanco, Primera Bienal Hispano Americana de Arte, Madrid,1952 (illustrated)R. Faraldo, B. Palencia, Madrid, 1972 (illustrated)
Mr Ramn Palencia has confirmed the authenticity of this work.
This painting depicts the picturesque scene of the villageSerranillos which is located in the area of vila, Spain. BenjamnPalencia moved to a small village within this area in the late1940s.
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h*51ANDR BRASILIER (B. 1929)Le vase de Sicilesigned Andr Brasilier. (lower centre); signed, dated and inscribed Le Vasede Sicile A.B. 1979. (on the reverse)oil on canvas39x 28in. (100 x 73 cm.)
Painted in 1979
12,000-18,000 $19,000-28,000 16,000-23,000
PROVENANCE:
Anonymous sale, Shinwa Art, Tokyo, 22 March 2014, lot 121.Private Collection, Japan.
This work is sold with a certificate from Alexis Brasilier and it will be
included in the forthcoming Andr Brasilier catalogue raisonn.
h*50ANDR BRASILIER (B. 1929)Cavalcade au ciel rossigned Andr Brasilier. (lower right); signed, dated and inscribed Cavalcadeau Ciel ros A.B. 2010 (on the reverse)oil and pencil on canvas25x 18in. (65 x 46 cm.)
10,000-15,000 $16,000-24,000 13,000-19,000
PROVENANCE:
Private Collection, Japan.
This work is sold with a certificate from Alexis Brasilier and it will be
included in the forthcoming Andr Brasilier catalogue raisonn.
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h54GIORGIO MORANDI (1890-1964)Paesaggiosigned Morandi (lower centre)pencil on paper2x 3win. (7.1 x 9.8 cm.)
Drawn in 1963
4,000-6,000 $6,300-9,400 5,100-7,500
PROVENANCE:
Private collection, Bologna.Acquired from the above by the present owner.
The Centro Studi Giorgio Morandi has confirmed the
authenticity of this work.
h53GIORGIO MORANDI (1890-1964)Natura Mortasigned Morandi (lower centre)pencil on paper3x 4 in. (8 x 10.2 cm.)Drawn in 1962
8,000-12,000 $13,000-19,000 11,000-15,000
PROVENANCE:
Private collection, Milan.
The Centro Studi Giorgio Morandi has confirmed the
authenticity of this work.
h52GIORGIO MORANDI (1890-1964)Fiorisigned Morandi (lower centre)pencil on paper9qx 7win. (24 x 20 cm.)Drawn in 1950
8,000-12,000 $13,000-19,000 11,000-15,000
PROVENANCE:
T. Varni, Bologna.G. Golinelli, Bologna.Private collection, Alessandria.Anonymous sale, Finarte, Milan, 17 May 1990, lot 212.Acquired at the above sale by the present owner.
EXHIBITED:
Siena, Palazzo Pubblico, Morandi,I fiori, November 1990 -January 1991, no. 32 (illustrated).Piacenza, Galleria Braga, Morandi,Riflessioni sullopera,December 1991 - March 1992, no. 19 (illustrated).
LITERATURE:
E. Tavoni, Morandi, Disegni, vol. I, Bologna, 1981, no. 124(illustrated p. 143).E. Tavoni, Morandi,Disegni,Catalogo generale, Milan, 1994,no. 1950 1 (illustrated p. 108).
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h55LON DE SMET (1881-1966)Bateaux au portsigned with the monogram LDS (lower right)oil on board20x 19in. (52.6 x 49.2 cm.)
7,000-12,000 $11,000-19,000
8,800-15,000
PROVENANCE:
Private collection, Belgium, acquired directly fromthe artist, and thence by descent.
Piet Boyens has confirmed the authenticity of
this work.
h56LON DE SMET (1881-1966)Lever de soleil sur la rivire Lys,Ghentsigned with the monogram and dated1913 LDS (lower right)oil on canvas13 x 19 qin. (33.3 x 49.5 cm.)Painted in 1913
1,000-2,000 $1,600-3,100 1,300-2,500
PROVENANCE:
Private collection, Belgium, acquired directly fromthe artist, and thence by descent to the presentowner.
Piet Boyens has confirmed the authenticity of
this work.
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h57JOAN MIR (1893-1983)Les essencies de la terrasigned Mir. (lower right)
wax crayon and colour lithograph on Japan paper19x 14in. (50 x 35.7 cm.)Executed circa1968
15,000-25,000 $24,000-39,00019,000-31,000
ADOM (Association pour la dfense de loeuvre de Joan Mir) has confirmed the authenticity of this
work.
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h58ANDR MASSON (1896-1987)La statue agressivesigned Andr Masson (upper right); dated and inscribed La statue
agressive 1969 (on the reverse)oil on canvas
28x 36in. (73.2 x 92.2 cm.)
Painted in 1969
18,000-24,000 $29,000-38,00023,000-30,000
PROVENANCE:
Galerie Louise Leiris, Paris (no. 014190), by whom acquired directly
from the artist.
EXHIBITED:
Paris, Galerie Louise Leiris,Andr Masson, oeuvres rcentes, October -November 1970, no. 11 (illustrated p. 19).
London, Waddington Galleries,Andr Masson, Paintings, January -February 1972, no. 29.
Milan, Arte 92,Andr Masson, Opere 1943-1971, October 1990 -January 1991, no. 18 (illustrated p. 55).
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h60MAX ERNST (1891-1976)Initiale Psigned and dated max ernst 65 (lower right)frottage and crayon on paper10qx 8in. (26.9 x 20.8 cm.)
Executed in 1965
2,500-3,500 $4,000-5,5003,200-4,400
PROVENANCE:
Jean Hugues, Paris.Anonymous sale, Kornfeld & Klipstein, Bern, 18-21 June 1980, lot 317.Anonymous sale, Galerie Kornfeld, Bern, 21 June 1989, lot 373.Acquired at the above sale by the present owner.
LITERATURE:
W. Spies, S. & J. Metken, Max Ernst, Oeuvre-Katalog, Werke 1964-1969, Cologne, 2007, no. 4101(illustrated p. 130).
h59LONARD TSUGUHARU FOUJITA (1886-1968)Chat en alertesigned Foujit (lower right)pencil on paper12wx 9 in. (22.9 x 32.5 cm.)
2,000-3,000 $3,200-4,700
2,600-3,800
PROVENANCE:
Kimiyo Foujita, Paris, by descent from the artist; her Succession sale, HtelDrouot, 28 October 2013, lot 57.Acquired at the above sale by the present owner.
h*61AFTER JOAN MIR(1893-1983)La mangoustestitched with the signature and symbol MIRO (in the weave on the reverse)wool tapestry60x 77in. (153.3 x 197.3 cm.)Conceived in 1935
3,000-5,000 $4,800-7,9003,800-6,300
This motif was first executed as a
tapestry in 1960 by Marie Cuttoli in
an unnumbered edition and was later
reissued by Lucie Weill-Seligmann,Au pondes arts, in a limited edition of approx.10-15 examples.
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h62ANDR MASSON (1896-1987)Raptsigned andr Masson (lower right)oil on canvas20wx 19in. (53 x 50.2 cm.)Painted in 1955
12,000-18,000 $19,000-28,00016,000-23,000
PROVENANCE:
Galerie Louise Leiris, Paris (no. 06454 & 50513).Svensk-Franska Konstgalleriet, Stockholm, by 1961.Anonymous sale, Christies, London, 25 June 2008,lot 539.Acquired from the above sale by the present owner.
EXHIBITED:
Turun, Taidemuseo and Abo, Konstmuseum,Masson - Picasso, February - March 1961, no. 3.
The Comit Masson has confirmed the
authenticity of this work.
PROPERTY FROM A PRIVATE GERMAN COLLECTION
h63MAX ERNST (1891-1976)
Jeune homme aux bras croissstamped with the artists signature and numbered Max Ernst 3/31177 1687 (underneath); stamped with the goldsmiths mark and theFrench assay mark for silver (on the reverse)silverHeight: 8 in. (20.4 cm.)Conceived in 1967 and cast in an edition of three
15,000-20,000 $24,000-31,00019,000-25,000
PROVENANCE:
Hans Ravenborg, Hamburg, by whom acquired circa in the 1970s andthence by descent to the present owner.
LITERATURE:
C. Siaud & P. Hugo, Bijoux dartistes, hommage Franois Hugoorfvre, Aix-en-Provence, 2001, no. 1687 (another cast illustrated p.122).W. Spies, Max Ernst, Oeuvre-Katalog, Werke 1964-1969, Cologne,2007, no. 4599,I (another cast illustrated p. 385).
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h65
ESTEBAN FRANCS (1913-1976)Fantastic masks in greenoil, gouache and gouache on card22wx 28 win. (58.3 x 73.4 cm.)
2,000-3,000 $3,200-4,7002,600-3,800
PROVENANCE:
Edward James, West Dean.Duncan R. Miller Fine Arts, London.Anonymous sale, Christies, London, 29 March 1988, lot 376.Acquired at the above sale by the present owner.
EXHIBITED:
Worthing, Art Gallery, Paintings from the Collection of Edward James, 1963,no. 30.
h64LONARD TSUGUHARU FOUJITA (1886-1968)
Jeune fille et ses petits oiseauxsigned and dated Foujita 16-9-56 (lower centre)pencil on tracing paper11wx 7in. (30.1 x 19.5 cm.)Drawn on 16 September 1956
3,000-5,000 $4,800-7,9003,800-6,300
PROVENANCE:
Kimiyo Foujita, Paris, by descent from the artist; her Succession sale, HtelDrouot, 26 March 2013, lot 135.Acquired at the above sale by the present owner.
h66FRANCIS PICABIA (1879-1953)Caricaturesigned with the initials F.P. (lower left)pen and blue ink on paper10qx 8in. (26.8 x 20.8 cm.)Drawn circa 1947-1949
3,000-5,000 $4,800-7,9003,800-6,300
PROVENANCE:
Private collection, France, a gift from the artist.
Sold with a photo-certificate from the Comit Picabia.
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h67GINO SEVERINI (1883-1966)Natura mortasigned G.Severini (lower right)pen and India ink on paper8x 10 qin. (22 x 26.5 cm)Drawn circa1948
3,000-5,000 $4,800-7,9003,800-6,300
PROVENANCE:
Private Collection, Rhode Island.Anonymous sale, Skinner, Boston, 3 February 2012,lot 611.Acquired from the above sale by the present owner.
Romana Brunori Severini and Daniela Fonti have
confirmed the authenticity of this work.
h*68MAX ERNST (1891-1976) AND
YVETTE CAUQUIL-PRINCE (1928-2005)La ville entirestitched with the signature max Ernst and with the Yvette Cauquil-Prince monogram (lower centre); with the Yvette Cauquil-Prince label andnumbered 1/1 (on the reverse)hand-woven wool tapestry111win. x 169 qin. (284 x 431 cm.)Executed in 1975
10,000-15,000 $16,000-24,00013,000-19,000
PROVENANCE:
Acquired directly from Yvette Cauquil-Prince by the present owner in 1975.
EXHIBITED:
Le Mans,Yvette Cauquil-Prince, June September 1987 (illustrated).Veruela, Monasterio de Veruela,Yvette Cauquil-Prince Taller de Tapices, June- July 1993 (illustrated); this exhibition later travelled to Zaragoza, Palacio deSastago.Karuizawa, Muse dart Mercian, Tapisseries de Peintres, April - July 1996,no. 9, p. 38 (illustrated).Lige, Muse dArt Moderne & dArt Contemporain, Tapisseries de Peintre,March - May 1997, p. 22 (illustrated p. 23).Wien, Kunst Haus, Meister des 20. Jahrhunderts Tapisserien, Hommage andie Meisterweberin und Sammlung Jane Kahan, N. Y., February - May 2000(illustrated).Sarrebourg, Muse du Pays, Tapisseries dYvette Cauquil-Prince, May -September 2005, p. 20 (illustrated).
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h70
ANDR DERAIN (1880-1954)Tte danimal satiriquewith the atelier stamp (Lugt 668a; lower right)brush and India ink on paper9x 12in. (24.8 x 32.2 cm.)Executed circa 1940
1,500-2,500 $2,400-3,9001,900-3,100
PROVENANCE:
Brook Street Gallery, London.Maurice Goldman, New York.R. J. Lloyd-Davies, London.Anonymous sale, Christies, London, 20 March 1995, lot 32.
Anonymous sale, Christies, London, 21 April 2010, lot 56.Acquired at the above sale by the present owner.
This work is sold with a photo-certificate from Genevive Taillade.
h71FRANCISCO BORS (1898-1972)
Joueurs de cartesigned and dated Bors 28 (upper right)oil on canvas36x 28in. (93 x 73 cm.)Painted in 1928
6,000-8,000 $9,500-13,0007,600-10,000
PROVENANCE:
Private collection, France.
This work is sold with a photo-certificate from Carmen Bors.
h69SCAR DOMNGUEZ (1906-1958)Caballos aladossigned and dated Dominguez 51 (lower left)gouache and pen and ink on board11 x 13 in. (27.8 x 35 cm.)Executed in 1951
8,000-12,000 $13,000-19,00011,000-15,000
PROVENANCE:
Private Collection, Palma de Mallorca.Acquired from the above by the present owner.
EXHIBITED:
Barcelona, Sala Pars, scar Domguez, May 1989, no. 29.
LITERATURE:
R. de Sosa, Oscar Dominguez, Loeuvre peint, vol. I, London/Paris,1989, no. 201 (illustrated p. 225; titled La Course de chars).
This work is sold with a photo-certificate from Ana Vzquez
de Parga.
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h74SALVADOR DAL (1904-1989)tude pour La Cne, le Christ et les aptresballpoint pen and gouache on paper7wx 9in. (19.9 x 24.2 cm.)Executed in 1955, with further studies on the reverse
3,000-5,000 $4,800-7,9003,800-6,300
PROVENANCE:
Perrot-Moore, Cadaqus; sale, Artcurial, Paris, 1 July 2003, lot 134.Acquired at the above sale by the present owner.
EXHIBITED:
Vienna, Palais Auersperg, Salvador Dali, eine Austellung des Museu Perrot-Moore, Cadaques, March - April 1982, no. 118 (illustrated); this exhibitionlater travelled to Munich, Residenz and Perpignan, Palais des Rois deMajorque.
This work is sold with a certificate from Robert and Nicolas Descharnes.
This drawing is a study for Salvador Dals masterpiece La Cne(Descharnes1098), today in the National Gallery of Art, Washington.
h73JEAN COCTEAU (1889-1963)Tte dhomme aux yeux poissonsigned and dated Jean Cocteau 1960 (lower right)felt-tip pen on paper25x 19 qin. (64 x 49.6 cm.)Executed in 1960
2,000-3,000 $3,200-4,7002,600-3,800
PROVENANCE:
Private collection, Belgium.Acquired from the above by the present owner.
The Comit Cocteau has confirmed the authenticity of this work.
h72SALVADOR DAL (1904-1989)Composition abstraitesigned Dal (on a sheet on the reverse)oil, gouache and India ink on board6x 5win. (16.8 x 14.8 cm.)Executed in Cadaqus in November 1973
8,000-12,000 $13,000-19,00011,000-15,000
PROVENANCE:
Private collection, Palma de Mallorca.Acquired from the above by the present owner.
EXHIBITED:
Cadaqus, Museu, Salvador Dal, antolgica sobre paper, 1916-1980, July1996.
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h75ALBERT ANDR (1869-1954)
Jeune fille assise la fentre devant le jardinsigned Albert Andr (lower right)oil on canvas28wx 23 win. (73.4 x 60.5 cm.)Painted circa1928
6,000-8,000 $9,500-13,000 7,600-10,000
PROVENANCE:
Anonymous sale, Sothebys, London, 24 March 2004, lot 60.
Evelyne Yeatman has confirmed the authenticity of this work and it wil
be included in the forthcoming Albert Andr catalogue raisonne.
PROPERTY FROM A PRIVATE AUSTRALIAN COLLECTION
*76HENRI LE SIDANER (1862-1939)Sortie du soir
signed Le Sidaner (lower right)oil on panel8qx 13in. (21.8 x 35 cm.)Painted circa 1890-1895
6,000-8,000 $9,500-13,000 7,600-10,000
PROVENANCE:
Anonymous sale, Sothebys, London, 29 March 1984, lot 507.Acquired at the above sale and thence by descent to the present owner.
Yann Farinaux-Le Sidaner has confirmed the authenticity of this work
and it will be included in the forthcoming supplement of the catalogueraisonn currently in preparation.
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77RAOUL DUFY (1877-1953)Btiments, chafaudages, Rue Lepicsigned R Dufy (lower right)oil on canvas18x 15 in. (46 x 38 cm.)Painted in 1904
20,000-30,000 $32,000-47,000 26,000-38,000
PROVENANCE:
Private collection, France, acquired in 1972, and thence by descent to thepresent owner.
LITERATURE:
M. Laffaille, Raoul Dufy, catalogue raisonn de loeuvre peint,vol. 1, Geneva,1972, no. 78bis (illustrated p. 75).
With a decree dated 23 May 1863 the Napoleonic Rue de lEmpereur inMontmartre took the name of Rue Lepic. It was famous for its two moulinswhich survived the industrial revolution and were together known as Moulinde la Galette, famously painted by Auguste Renoir in 1876, and later also byother artists such as Vincent van Gogh and Pablo Picasso. Many intellectualsand artists lived in Rue Lepic, among them van Gogh and his brother Theo, aswell as the art dealer Alphonse Portiere; Louis Renault built and tested his firscar here in 1898.
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h*79THO TOBIASSE (B. 1927)
Jai vu fleurir Bethsabe au Jardin des Grenadessigned theo tobiasse (upper right), dated 82 (in the centre) and inscribed
Jai vu fleurir Bethsabe au Jardin des Grenades (lower right)
oil on canvas
45x 35 in. (116 x 89 cm.)
Painted in 1982
12,000-18,000 $19,000-28,000 16,000-23,000
PROVENANCE:
Nahan Galleries, New Orleans.
Acquired from the above by the present owner.
Catherine Faust-Tobiasse has confirmed the authenticity of this work
and it will be included in the forthcoming Tho Tobiasse catalogueraisonne.
PROPERTY FROM A PRIVATE COLLECTION
h*78JACQUES LIPCHITZ (1891-1973)Exodussigned, numbered and marked with the thumbprint J.Lipchitz 1/7 (on the
side underneath)
bronze with brown patina
Height: 21
in. (55.3 cm.)Conceived in 1947 and cast in a numbered edition of 7
22,000-28,000 $35,000-44,000 28,000-35,000
PROVENANCE:
Acquired by the present owner in the 1980s.
LITERATURE:
A.G. Wilkinson, The Sculpture of Jacques Lipchitz, A Catalogue Raisonn,vol.II,The American Years 1941-1973, London, 2000, no. 414, (another castillustrated p. 42).
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81ABRAHAM MINTCHINE(1898-1931)Nature mortesigned A.Mintchine. (upper right)
oil on canvas
21x 28in. (54 x 73 cm.)
7,000-12,000 $11,000-19,000 8,800-15,000
PROVENANCE:
Private collection, England, by whom acquired in
Paris in the early 1980s.
LITERATURE:
M. di Veroli & G. Testori,Abraham Mintchine, 1898-1931, Milan, 1981, no. 214 (illustrated p. 141).
h80MAN-KATZ (1894-1962)Portrait de H.R.signed Man-Katz (lower right)
oil on canvas
57x 38 in. (145.5 x 96.5 cm.)
Painted in 1955
15,000-20,000 $24,000-31,000 19,000-25,000
PROVENANCE:
Bernard Hayat, France.
Herv Richard Hayat, by descent from the above.
Acquired from the above by the present owner.
EXHIBITED:
Paris, Grand Palais, Salon dAutomne, November -December 1956, no. 883, p. 77.
This work is recorded in the archives of the
Man-Katz Museum, Haifa.
Bernard Hayat was a friend of the artist and the
father of the sitter, Herv Richard Hayat.
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SOLD BY THE EXECUTORS OF THE LATELADY IVOR SPENCER-CHURCHILL
82AUGUSTE RODIN (1840-1917)Balzac, tude type C (buste), 1re version, petit modlesigned A.Rodin (on the left shoulder) and inscribed with the foundry mark.Alexis.Rudier. .Fondeur.Paris. (on the right shoulder); stamped in reliefA.Rodin (on the inside)bronze with brown and black patinaHeight: 6 in. (15.3 cm.)Conceived in 1892, this cast executed by Alexis Rudier between 1918 and1927
10,000-15,000 $16,000-24,000 13,000-19,000
PROVENANCE:
Galerie Haussmann, Paris.Private collection, London, and thence by descent to the present owner.
LITERATURE:
A. Le Normand-Romain, The Bronzes of Rodin, Catalogue of Works in theMuse Rodin, Paris, 2007, no. S.1079 (other versions illustrated pp. 168-169).
This work will be included in the forthcoming Auguste Rodin cataloguecritique de loeuvre sculpt currently being prepared by the ComitRodin at Galerie Brame et Lorenceau under the direction of Jrme Le
Blay under the archive number 2014-4379B.
83MILE-ANTOINE BOURDELLE (1861-1929)Les trois riviressigned E. Bourdelle (lower centre)plaster relief6x 11in. (17 x 28.3 cm.)Executed circa 1896
2,000-3,000 $3,200-4,700 2,600-3,800
PROVENANCE:
Cloptre Bourdelle, Paris.Anonymous sale, Sothebys, London, 26 October 1994, lot 188.Acquired at the above sale by the present owner.
Colin Lemoine, Muse Bourdelle, Paris, has confirmed the authenticity
of this work.
84ARISTIDE MAILLOL (1861-1944)
Nu allongpencil on paper9x 11in. (23 x 28.2 cm.)With a further sketch of a nude on the reverse.
1,800-2,500 $2,900-3,900 2,300-3,100
PROVENANCE:
Succession de Madame W., Fonds dAtelier du peintre sculpteur Maillol, Nice28 November 2013, lot 309-7.Acquired at the above sale by the present owner.
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*85HENRI LEBASQUE (1865-1937)
Jeune fille aux poissonssigned HLebasque (lower left)oil on canvas29qx 20 in. (75 x 50.8 cm.)
8,000-12,000 $13,000-19,000
11,000-15,000
PROVENANCE:
M. Behrens, Germany.Anonymous sale, Christies, London, 3 December1985, lot 202.Private collection, Japan.
LITERATURE:
D. Bazetoux, Henri Lebasque, Catalogue raisonn,vol. I, Neuilly-sur-Marne, 2008, no. 1528 (illustratedp. 358).
Christine Lenoir and Maria de la Ville Fromoit have
confirmed the authenticity of this work.
THE PROPERTY OF A GENTLEMAN
h86ANDR DERAIN (1880-1954)Nu deboutsigned Derain (lower right)sanguine and pastel on paper25 x 16 in. (63.5 x 41.5 cm.)
3,000-5,000 $4,800-7,900 3,800-6,300
PROVENANCE:
Vincent Korda, England; and thence by descent to the present owner.
The Comit Andr Derain has confirmed the authenticity of this work.
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PROPERTY FROM A PRIVATE FRENCH COLLECTION
87ACHILLE LAUG (1861-1944)Verger en fleurssigned and indistinctly dated A.Laug 19... (lower right)
oil on canvas
19
x 28
in. (50 x 73 cm.)Painted circa 1920/1930
18,000-25,000 $29,000-39,000 23,000-31,000
PROVENANCE:
Private collection, Toulouse.
Anonymous sale, Chassaing Marambat, Toulouse, 8 November 2012,
lot 505.Acquired at the above sale by the present owner.
This work will be included in the Achille Laug catalogue raisonn
currently being prepared by Nicole Tamburini.
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PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION
h88HENRI MANGUIN (1874-1949)Le Golfe de Saint-Tropez depuis lOustaletsigned Manguin (lower right)
oil on canvas
15 x 24
in. (38 x 61.4 cm.)Painted in Summer/Autumn 1920
15,000-20,000 $24,000-31,000 19,000-25,000
PROVENANCE:
Galerie E. Druet, Paris.
Gemlde-Galerie Abels, Cologne.
Acquired from the above in 1964, and thence by descent to the present
owner.
EXHIBITED:
(probably) Paris, Galerie Montmorency, Quarante tableaux de Manguin,1958, no. 28 (titled Saint-Tropez, la ville blanche).
LITERATURE:
L. & C. Manguin & M.-C. Sainsaulieu, Henri Manguin, Catalogue raisonn deloeuvre peint, Neuchtel, 1980, no. 657 (illustrated p. 231).
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HENRI LE SIDANER(1862-1939)Le Palais, matin dt,Hampton Courtsigned Le Sidaner (lower right)oil and colour crayon on paper10x 15 in. (26.5 x 38.1 cm.)Executed circa1908
3,000-5,000
$4,800-7,900
3,800-6,300
PROVENANCE:
Anonymous sale, Sothebys,London, 30 November 1967, lot 55.
LITERATURE:
Y. Farinaux-le Sidaner, Le Sidaner,loeuvre peint et grav, Paris, 1989,no. 977 (illustrated p. 327).
This drawing is a study for theeponymous oil (Farinaux-le Sidaner,240) which the artist painted in thesame year.
89ALBERT LEBOURG(1849-1928)Larrive du bateau vapeur la Bouillesigned, dated and inscribedaLebourg Rouen 1920 (lower right)oil on canvas
18x 28win. (46.7 x 73.3 cm.)Painted in Rouen in 1920
10,000-15,000
$16,000-24,000
13,000-19,000
PROVENANCE:
Acquired by the present owner inthe late 1960s/early 1970s.
This work is sold with a photo-
certificate from Francois
Lespinasse.
54
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92ALBERT CHARLESLEBOURG (1849-1928)Remorqueur sur la Seineen aval de Rouensigned A.Lebourg (lower left)
oil on canvas
19x 28in. (48.8 x 73.1 cm.)
7,000-9,000
$11,000-14,000
8,800-11,000
PROVENANCE:
Anonymous sale, Sothebys,London, 29 June 1999, lot 243.
Acquired at the above sale by the
family of the present owner.
This work will be included in
the forthcoming Albert Lebourg
catalogue critiquebeing preparedby Rodolphe Walter under the
sponsorship of the Wildenstein
Institute.
91CLAUDE-MILESCHUFFENECKER(1851-1934)Notre Dame de Parissigned Schuffenecker (lower left;
enhanced)
oil on canvas
17x 23in. (43.5 x 60 cm.)Painted in 1895
15,000-25,000
$24,000-39,000
19,000-31,000
PROVENANCE:
Anonymous sale, Sothebys,
London, 30 November 1967, lot 46.
Acquired at the above sale by the
present owner.
EXHIBITED:
Paris, Galerie Contemporaine, 1938,
no. 3.Paris, Galerie de Berri, Hommage Schuffenecker,October 1954, no. 5.Cologne, Gemlde-Galerie Abels,
1966, no. 5.
LITERATURE:
J-E. Grossvogel, Claude-EmileSchuffenecker, Catalogue raisonn,vol. 1,San Francisco, 2000, no. 351(illustrated p. 132).
55
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