Immersion Into Noise by Nechvatal 2011

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Immersion Ino Noise



Critical Climate ChangeSeries Editors: om Cohen and Claire Colebrook

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Immersion Ino Noise Joseph Nechvatal

A p MPusg – Uvsy Mcg Ly, A A, 2011

OPEN HUMANITIES PRESS



Firs ediion published by Open Humaniies Press 2011

Freely available online a htp://hdl.handle.ne/2027/spo.9618970.0001.001

Copyrigh © 2011 Joseph Nechvaal

Tis is an open access book, licensed under he Creaive Commons By Atribuion Share Alike license.Under his license, auhors allow anyone o download, reuse, reprin, modiy, disribue, and/or copy his book so long as he auhors and source are cied and resuling derivaive works are licensed underhe same or similar license. No permission is required rom he auhors or he publisher. Sauory airuse and oher righs are in no way aeced by he above.

Read more abou he license a creaivecommons.org/licenses/by-sa/3.0

Cover image: Joseph Nechvaal, sOuh pOle, 2011, compuer-roboic assised acrylic on canvas,50 x 50 cm, Galerie Richard, New York

ISBN-10: 1-60785-241-1

ISBN-13: 978-1-60785-241-4

www.publishing.umich.edu www.openhumaniiespress.org

Open Humaniies Press is an inernaional, scholar-led open access publishing collecive whose mis-sion is o make leading works o conemporary criical hough reely available worldwide. Bookspublished under he Open Humaniies Press imprin a MPublishing are produced hrough a uniqueparnership beween OHP’s ediorial board and he Universiy o Michigan Library, which provides alibrary-based managing and producion suppor inrasrucure o aciliae scholars o publish leadingresearch in book orm.

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Conens

Lis o Figures

Preace

T A Nsy Nlgs

Ns: bl s vs. H V

Ns Vs 9

Sgl--Ns Ey 0

M Nvs Ns Eys

Vl Ak w vs Ns Sms 99Ns Ags Oblv:

A Omjv Plsy Ns l 09

Noes

Bibliography

Addiional Licenses





Lis of Figures

Fgu 1: Upg, 1983, 11x14”, gp pp, Jsp Ncv

Fgu 2: Pc Pw, 1984, 11x14” gp pp, Jsp Ncv

Fgu 3: XS Op: Ssp T Bs 1986Fgu 4: Ec g As

Gt Lscux, Dg (Fc)

Fgu 5: Gs Pcs, 1984, 14x11” gp pp, Jsp Ncv

Fgu 6: S ssuy C Cppucc c - cp S M Ccz (R)

Fgu 7: D sc Ps Ccs (Ps)

Fgu 8: Rs Cp S Dg Cuc (Pu, Mxc)

Fgu 9: Rcc Otu Ay (Bv)

Fgu 10: I vw Eg Qu As’s Asc (Muc)

Fgu 11: Fs Sc’s éc Vus Gt, 1877 (L)

Fgu 12: I swy Vc H’s Hô ss (Busss)

Fgu 13: Ex vw A Guí’s Cs Bó (Bc)

Fgu 14: Ex vw Ps Ié y FcuCv (Huvs, Dô, Fc)

Fgu 15: Hs ppg c





Preface

O l s sgly lglly lk glblly m-, w mg ss bk - sv -v wys w s l wl g? Ts s

qs v s xl Immersion Ino Noise.F my l, yg s sv s, smbvl. Ossbly, vyg s m y— sg s ssy. As sl, m s vmg. F m, wv, s ssgly, l s mg sw qs s bv s b w llg syl.

wg s bk v m, -vly, s syl

ll s s ssy ( s vl) y—sly bs s v ss mmly lgbl,sl. ss ’s ssbly ss.

Sm lm , s m-sl, s mbg-w vls v v sl bg bsss, vls ss ll mms lws mm m. g. T my lg s y ms — vy ls ly l sy js w msks qly ss ls wl. gvm gs sg v vmz s— b s s by lg ll wll mg ss, w wy w ll. S m, sy -ss s sgly vlbl lyl sl mvm bs sksm s sgs q sl ws mg l kg g sl-, wl mg mk

bls. S s s s g sml-—s v sl m gl sm-m mssgs ll g, w mss m



10 Jsp Ncv

s ly ss gvml m-ls.

Ts lk sl- s ms b s bk.My l qs my ’s mmm

l s w s s bl m wl y w vs wss, l-g v sl, s ms ms bm ssblg sbjv lm vl: s s sl- vls m ls ll sm xsv s-l-ll mss m. w b ’s w l

g lg sl gm s bgvl by w gv sss bs ym sysms, -sm s mg.

bg s wg w ssm vlg vsl gv s s ll sgy s m lm s y-m ml, llgs ll lyss m-

bgs ss ssy m. Ts ws bs my bsv sy ll svsm s ss

g l mls m w -m ssg sl--gz g gz kwlg. S, s smw wg, v xl s qss g g s, g sm ll, ll, sl, lsl ss s, lg bw s vl s s.

B ws lwys l, m bgg , by my vlvm

w . my w s, m s g s lgy w 980s m wgs -ml blws wgs. F x-ml, s Fg .

F m, vly s ss ssm wlzm gw -ls bl, s s m y mly. Ns my bk sm s,

b s wll lwys gw s, -g w gs w s. T s s sl s s m s b s vl.



Pc 11

Ts v s ws s ls wl, l mg w s s vs, sss, s, lvs— w gs s s ll m- wl. O wl s ly l s mg s

w v y, ll vsy s s wy

sv s l slvs. S, my Immersion Ino Noise s s s s w mk-z mls l- by g s vl ys l .

Flly, Immersion Ino Noise s s l bk vlm sl ll vsy s. Ts s’s vsy lm mbs s sm mgy ss, m l ms mlss vs vly.

wl lk ly k m l lbk, my s O Hms Pss, Sg Jök m OHP, s Uvsy Mg sgl sss bgg s

Figure 1 – Uplifing, 1983, 11 x 14”, graphie on paper, Joseph Nechvaal. In hecollecion o he Frederick R. Weisman Ar Museum, Universiy o Minnesoa



12 Jsp Ncv

sy x . m vy gl m , w sk s s wk. Als, ws xss my g g-s ly s Mj Hm F Msè ll gg m ss G Lsx. Fm, xss my ks L F L Ssky -ly g x. Lsly, k ly my w, M-lNvl, gm— l— my sy bss.



Introduction

Te Ar of Noisy Noologies

Where here is simple inormaion processing, hereis simple experience, and where here is complex

inormaion processing, here is complex experience.— Dv Cs, “Fcg up P Cscusss”

[. . .] he value o an old work o ar should be assessed onhe basis o he amoun o radical heory ha can be drawn om i, on he basis o he nucleus o creaive sponaneiywhich he new creaors will be able o release om i [. . . ]

— Ru Vg, Te evoluion o Everyday Lie

Wha is real is he becoming isel, he block o becoming, no hesupposedly xed erms hrough which ha which becomes passes.

— Gs Duz Féx Gut, A Tousand Plaeaus

You never know wha is enough unless youknow wha is more han enough.— W B, Te Marriage o Heaven and Hell

Al l, mms s s ml. W m w sy immersion? s by ms ml-. s, lk , g. Ev w noise s w s g

w lsl mls svs b lsly sz. A w s s s, k sg ll noise music —v m blmlly—ar noise?

wl b ss ss jgm aesheics o noise

w skg s qss s. A s bg, wll v- sw m ms w wll s s ar o noise. Ts s wll b mb ly/sls q s, mbs sy gy ms my sml-



14 Jsp Ncv

sly b , sg y. Ts w s x wll gg m ym ly sy s -g svs xmls ss :ss g g — mms —culural noise.

Fs, w ms s s ks l gl ml mssv l lg, w ml -g (bl) sgs lgg, s mgs s

bl blmz mlx/m/gly sm-ms s inormaion overload. s, ll ss

mgs ly k s: w mg.

B w g ar noise ks slg s s vl/x by ms s zzy y s ar (smg vgly bs slk ls q). O s, y smls xl ( s sgl , b svl)

w Ws sy l y wl b . Hwv, by xm-g vs s v s, w s idea o ar vl mly s m s-

gy sly s g ml xy glll sgms g llv m ms.

As s mbs my ys vlly m b , s b m wl b culure.

s, s s ls b sl s lm -sl ll s w vly sm l sl ly sss llg sl l. wllk k s wll g s w s Glls Dlz’s

(9-99) vacuole. Ts mmms m Dlz’s Posscrip on Conrol Socieies. Dlz’s l s m-mm lgy— ll wk Wllm S. Bgs (9-997).

A vl s lk s ll’s mmb, mlly b s ll b ls s m . Vls ly sg l -gy, mg imbalance bw bgss ()

degradaion ( v) my sbss ll ss. Ty ls s vg b msl s v bg bl w ll. T vl s mj l ml ll.



T A Nsy Ngs 15

w g mb s g noise ar as a vacuole o noncom-municaion w ss sgl--s6 sylgl

bkg, w g m ml mg s—s vls - bk- wys l. L s mmg s s s vlssmms ly.

sqly, wll s beaic aspecs o noise (s s, negaion o negaion) bs -mms l ss s - bk ml b-s.7 Ts s wll b sgl--s ls, s ls

sgl -sl , ss, mg s sss sy ls. Ts s s ws -sg s s ss sbs s sgls ll mms.

O s wll l w b y lsbl ss- s l noise culure vl wk sysms.

S bg, ysz ( l) s8 ml mg sb m l

blmz l lv s vy m in lieu blsly s sl sl9 -gls (ssly)0 ls s.

As sq, s bk’s m s ss s b s y ss lv, lg -ssly m, q m w ms msy s glly s. As s, s sg gl s s lss lvg sl ll g,

m llg mmsv s s bs bs s sg (disenio). Ts mss s sg lsg—w sl s v mmsv ms s—ls s g -lvs ss y v m (exenio animi), s s -ly vlbl— s x—lll sgs. Ts s lly s sg s lll vsg s mm-

sv s m w: inus. A s sss b s g, sg g—s wll s g s sb.



16 Jsp Ncv

owards an Immersive Noise Consciousness

Te highes ar will be he one ha presens in is conens

o consciousness he housand-old problems o he ime; owhich one may noe ha his ar allows isel o be ossed by

he explosions o he las week, ha i pieces ogeher is parsagain and again while being shoved by he day beore.

— s z, Fz Jug, Gg Gsz, Mc Jc, RcHusc, G Pss, Ru Hus, Dada Manieso

...our previous hisory is no he peried block o

single visual space since, looked a obliquely, i canalways be seen o conain is momen o unease.

— Jcqu Rs, Sexualiy in he Field o Vision

vyy s, w s ms w s s ll-. lk ( ls ) ly: m immersive s-v. ms, ss s qly ss sm unsable ,

w l “” “slv” “sbl” s. Ds

ws lk “ls” “gg” s sb s s ss, ll ms w m l

bss—v ms s v s glly ms—-s sm g ss.

F ms, m sg m immersion sg ss: sss s, wk ss: s ss sbs vlv ssg sbl s smls vl m—s

w ’s gs w smg mllg. F v-sl , m wll b l ssg sbl w sg ’sw v mg—ls m yslly bs, ms, l. F consciousness , m s lms ms

w immersion. As w , v xls ssss v v

mssbl. A s Ml Dm (887-968) s, y-ms g w sm v s bjs b-

bly ms l slv blm yg wy ly w . Ts, Immersion Ino Noise wll k vy w s - s ( ) s lm: g mmsvs s sauraing border experience. S s sgs



T A Nsy Ngs 17

s gg s sys y , -lly m by s w— s — s (s) ssl s. By kg m bs ss s s, Immersion Ino Noise wll s slmy -sg my l. B wll ls ss Ws l s ss - s vl gl y immersive noise consciousness: s disurbing, sensorially reverberaing, compound unied eld.

ls, s l sgl s-g s s ( sysm) l sgl -

sg (vsl) s mmly s s “sw” glvs v mg. sgl ssg ( mg) bs w mg; s, s bg s sm sgl, b s smly s w by- vs. Ns blk, s, g mg mssg b m l mm. W s s s k mglssss s v mgl.

W s s m sgl ( ss) w w slsy. ws, sgl s ql w w x

bw y qy. W s s s lgs w lg, w s ll qs.

T F ls Ml Ss s g s w s bks, Genèse Te Parasie , w sb-ls s s inerer-ence. F m, s s s s xl ml (

)—w w lgl s ws g skbl.

s , ms s (gs) b - w s b ws lls. sw w vs vs s g by s (s ws s) ls b s y ss lgy lv sg being by g

s-wv vb qy. s, msm s-lsl s s ms ssm w-l sk sblsg xm s smlgy bs lxs ( ss wv ssbl), wl sg m gs my w



18 Jsp Ncv

s xs by lg mysl w s s,s sg qss y bw y . v s y g 99.8 ml s s l viral symphOny mvms w pOs-mOrem (008).

Ussgly, ly sg ly gl l- s lks--s s ( lss xmusique concrèe) ly ls my s s s m g-v ls, s ms w ws s s msllgy s. gl, s ml-

, s s bgs, ss, sysm s, w s,6

skg s, b ms s mlvs mls gl ms. gl ss, -g s wll b s gl wy. Bs s , b sm l . s, m msm vw, smg s wg

w . Sbsqly, wll xm w s sgs s w lv .

s, wll b lkg ll s bs s7 m my vw b s sg s s -. H, g vsly syls bs bk bw s s v x, sll sbls my ml ll s mlly l mgv bs ly x-ss lly s gl s g ssss. T s w

Js Ks s s. Ts s ml m wv,

s ls sls ssss ss, D. Dvlms, sys s sml ssy “Fg Pblm -ssss”, “ s g w kw m mly -ss x, b s g ”.8

Ag Glls Dlz, ssss s “ ssg, wss ssg, m lss ls m s, v vs”.9 Ts yss vs s m Tms

Mzg w ws Conscious Experience “lsm s g-- y ssss” “s glbl y ss-ss sms b ms gl mlgl s ss x”.0



T A Nsy Ngs 19

Ns s l, lb, l lg—b lmslwys g gly mlgl. Ns s s gg sy—b s v ssmlbl. Tm xml s wll b s sy s ms llw.

W ws s (bl) s w bm s ms (-bl v sbl). W ws gg x w ls s mg. B s b s s, msdesabilize s. ms lly jar . ms challenge. ms gl sy mblg.

Tg ls bw s s ms w

s w b s in ou ( sy g/m) - x s bms lly -.6 Ts sg s mlx ml s b s s bs y b x s lly vs s. s, lly sg s ls ss m s vy. Ts lls GllsDlz's wl sm “ s ly sl x-, x, j ”.7 w m s vss

w concepual noise homogeneiy blv w m ls m s s xl lvls s mm-s s.

Ns y, , vlvs xl v mlg sbl s s xs s b wly wly vl m b ss l sg - mmsy my vs (w s s s vyw).8

Gv s kg b s’s sl m (lly w g ss l lg g, s- by-s ms l smls bw gs) ar as noise— noise in ar —s wll s g s’s vwlmg s-ss qls xss: mlvl xss s ms g ly 9 xl lvl s-. m zg , , lly sg l xss w

my s lms v s yg sm s lmy s ws g vv y ( lg-l y) s mash chaosphere.0



20 Jsp Ncv

Ubly, ms s lzg lgs v bsly qvlly sl-ss g ws -, mblls (s y ms sm b) w s sl-sg lls, swg vslsm. Hwv, swkw qs lzg ms mmsv s m-msv s ssss s b s vsg s mmly bks qss: w mls w mk slvs,

w w slly, wy? ms vy sl-gmmg, sl w ss

sysz y s vs s vlbl llws

mv m w xss s kw lms kwlg x-, mv lm kw— mvm ml v.

ss s g sbj s— k s g — v ml s xmls s s s x by mysl s ss lsy. Ts xmls sbsqly b ws l w v m ll noise culure— b—noise

consciousness , s v lm, culure , ss s gly mbgs s w culure s mmly gss, s vbly bs bsv slsly x s s. F sm ms Hg A, b s (mysl l) w s m lgl ls w l sslss yl mss xll ws way o hear-ing, seeing and being.

W wll sw s wl mlg s s

ssss, g l bss qsg ws- lgl s b ws sl

w w w w s lk w w ys sk m- qss.



T A Nsy Ngs 21

Noisy Aesheics

Whaever is ted in any sor o excie he ideas o

pain and danger, ha is o say, whaever is in anysor errible, or is conversan abou errible objecs, or operaes in a manner analogous o error, is a sourceo he sublime; ha is, i is producive o he sronges

emoion which he mind is capable o eeling.— Eu Bu, A Philosophical Enquiry ino he

Origin o Our Ideas o he Sublime and Beauiul

T m aesheics s lly s sgs vm x. T g w 79 x by G-m ls Alx Glb Bmg (7-76) w m aesheic s x Mediaiones Philosophicae de Nonnullis ad Poema Perinenibus , g s sudy o atracion asconcerned solely wih discriminaing percepion. F Bmg,

ws, ss sl b s, lg ly w . Bmg's y, m ws - v m lg. F m, wsssy my l lm “ ms ” by s-sg ss ms lbly l by g lms lg v ly. s wy, v ss wls m vy. Bmg's g s g ws - by lsy G Wllm Lbz (66-76) Lbz's l B s v Wl (679-7).

T blms ss b by s bBmg, b b v sss by s sl m s lsy. mml K(7-80), w s Bmg's Meaphysica s x l-g, Bmg's s m aesheics s lyg l ssy kwlg. W mb w lg, s-s m lg sl w K ll gnoseology , y kwlg lss ll smlgy. Oly l ws

m ss s qss by s.

K s m aesheics g s ls lsm y m , by



22 Jsp Ncv

lvg wy y beauy ( lv, sg lsv) s ly sylgl qly ( wk) by mlg s bw m, m-bl, m s. F m, by s -m

bs w kw v w smg s bl by lyg s s. H ls m by -mbl bs, vy, w wll v s s. By, , ms s m sss-

bl. A s ms s. Ts ss Wl Bjm’s (89-90) ss s y s,

b s y .F m, s s ss ws by Ggs Bll (897-96) w s xss -y-l m , w k b s -vx (xss) gl w xl. Exss, Bll, s s m sls s an eecive passage beyond esablished limis , mls w xs v s w sl. W ks -v ml vw s—b yl, sm-

w s, v xls— s s s sl s open concep . T s sl s panheoris-ic. B my s m (bs my vs s s) -s s b mlly an exravagan aciviy o creaiviy.6

Hwv, w mg s ( l) s vl by kg b ss s s vsv ls k ml ss.7 wks w s s ls -s s x8 sy m: w ks s bk m

g s ssbls s s s g w lyg ssms xss s.9 As All S. Wsssys s sv bk Phanasmic adio , “Ns s w mg

b by g l mgs by sqly l-g y s g mg”.0 Ts bk s m g l mls s ssms, gg s m vl wys kg b s (w

s svgly).Ts gg sgy vs ms xmlyg vs m-s kg b s. B wll s s sy -s J Jm Wklm’s (77-768)



T A Nsy Ngs 23

lssl ls s s bg mly ml All lg, w smly ks sy g-s j, ml q bw smly gssbss lss v , gv s.

Pls s y s bm sbjv mb k l bw All lmss l Dys-s. A sblm, w s mx lm, vl, -s, sy. As Em Bk sys s A Philosophical Enquiry ino he Origin o Our Ideas o he Sublime and Beauiul: “T s-ss w blg sl-sv, g; y

smly l w ss mmly s; y -lgl w w v g, w bg lly s mss; s lg v ll ls, bs s , bs s g m y svls. Wv xs s lg ll sublime”. S s m, sb-lm mms s ms b mss -lgl lg (wss/ssss) w s g lms s l s glly sbjv

wl ssss sl.P s s s s, s, F Nzs

(8-900) s sm s l bg-s, lly s ls gesamkunswerkkonzep Die Gebur der ragödie (T B gy), Nzs's lsslGk m s ms. Te Birh o ragedy , Nzs s s All Dys ls m Gk gy. Ag Nzs, All l: s,

s, sl-ll gzg s sbsm wihin D-ys l: w s ml, ss, , z, v. Ts ll s s llws mg-v w Dyss , s s - k llgbl by All s.

H Nzs xm l bw Alllmss l Dys -sg gy

w s s gs s Gk s. By vkg w Gk m, Nzs ml jv jgm sbsq m ms lsm ss. G-lly skg, s s Nzs's g s



24 Jsp Ncv

ws l mb msm l vy my ssy ll ssss bs , ms ss, sblm xss .

lys G, s s w ss - s gv ss. O s wll- ws s Dys . T Dys ws ymswv, b Dyss (ls kw s Dyss, Bs /Bks), G w, x v eksasis. Dyss svs w bs v l m l, Sgm S w ws -y gll gl w vlv

skg kg y’s w, lg ss, g gss. By xgly mxg ss w mm-s (w ws vw s m -s) Gks w bl kg lg svl Sg Dys.

Sbsqly Sg S vlv v m s Dys eksasis w s ssss g k s g. T lm Dys eksasis ws

s zy w s v w s-l ml, s s g w. A ml ss ek-sasis en-husiasmós , ss w sylgls w mmsv v v wl mls y.

As w wll s , s vks vs y 6 s m vl, v s y qs y -s w m vbls. s bk, Poéique de l'espace (T P-

s S), Gs Bl (88-96) sks F ls Bl's (8-867) q s w vas , ws, Bl lms, ms Bl ws: w mks lly, s , y m. Ts, ssmgly xl sm, s , Bl s bv lllb s double consciousness: gw w s. A l ss ly gs ( l-

mly w) llly s kg. mbl wys, s s b sblm w s vl ls bm sl-lgs. O s, s ymb lg s ms ll



T A Nsy Ngs 25

ms s s, m Hlls FlmbyG, Ms, , F--Sèl, s y ll sgmlly ms gms w y-gg sgs.Ts s sly w s s y. Bs s’s sml vs, sblm (s s ) s gbly ggg(lly gg s s ms)7 v s s sylglly s lg s b w ss mly xsl

wy sml ms J-Pl S's (90-980) Being and Nohingness. m sublime slly s s vl vl w my s s sggs

v vsss mms b s, w s bl bg mlly s.Ns (msl vsl) v s s vs.

, w g, s lk l sb w ms l, ls ss bw s (y) mg by wy gg mbg. H, smbls ss lwys ly w s k bs xssv b, s s gs s ss (

ll y mly), by mg ssly vg wy v-g xsg. S xssv s s sw s ss y w mms vly ly wg lby.

sl sy svl my s s sbj s smmm g Ggs Bll's Visions o Excess (w Eg-ls sl 98) w bg xm w ( -lyz g my wk) vs s s ws s

xss.8 ms Bll ss, y “s my”, y sl gm (s s mg, y, s-) s m , wll b vbly by s w kwlg xss , skg msl, wll, gs s w lz lg, v , x, lss. M slly, Bll, m expendiure sbs s vy s gs my .9

Y Bll's mlsm sgsss sls gs s -ly s gly sl s s wk ms s mll lg mslvs bss. O sy

w ss s kg ss m , ll-



26 Jsp Ncv

m , ransgressions hrough excess. Ts Bll's Visions o Excess m-mly mss m s s smly w vl my lmss-lk gy g wgs m ly-980s(w w v m's s w l lgy l l ws).

S v Bll, sy s ’s bg lms gzbl s, x ll-v llss v s sys b, s' lg mms ; i isis subjec . G s , m ls, s bl g ss lysm qss vly bg b g scouner-manneris syl (s, xssv ); s syl ks m m s sl s s, s-gsbl by vlg lgl s w

bms -sl. s s non-represenaional couner-man-neris represenaion w bks s s mly

w mss m m mm. Ns s s, ,m sm yss, ls, m s

Figure 2 – Palace o Power , 11x14” graphie on paper, 1984, Joseph Nechvaal



T A Nsy Ngs 27

w w w lg ly by mss- m. s my x- s s s vly xssv mlssss w s lm mss- m lgy sl mls gz.

Noisy Mehodology

T m s s sgs s sggss -l ws sy bg (w gs x-ly s). Ts wll l vw s s-

s ws lgy lyss vy smvs. wll -llglly sysz s qss x-mls lgy l l ml s by lyg s lyg lsy sg. wll s l gv s lsy by g vsl s ms gs vs xsss s s xm mmsv s lsy m ll ssbl ss. O l s wll b sss subjec/objec g.

Ev g O Kbg slg sb- j m bj s “ l msm sv g-z g” s ms bs (-l) lvl,0 sbj/bj qs s s sss wll y sbl

by sg sy sbj/bj ss s gz, sS lb s , sbj/bj s s mlg ll ls mg, w l xss ly

by v s l (s s y). Lk ss sb- j/bj ss, l xss sl. H sbj/bj b ms mmsv sv ( b ws sy wy m) s ssbl ly w l s -ly omnijeciviy (s blw) w gzs ml - s ss. T s smg sbj ms mbl bj, bjv, wl-ssg s ss sbj. As w mg, w

y slgs mg y wll sv sll ssss b s l l, s s sbjvy bjvy -xs mjvy. s s mssbl v sl sbj sl bj s s v



28 Jsp Ncv

sl s l, b s ly mgbl lqssg j m.

Usl s omnijeciviy ( mysl - smmg m svs qm yss w ss m (vsly s sbjv lm) m(vsly s s bjv lm) xbly lk lg lvs (“sbjv”) syl mx w m bsls (“bjv”) syl—s mjvy s ssbl ly

w ls. s s w gzs m-l s ss sbjvy

bjvy. M slly, mjvy mgm s qm yss Dv Bm (97-99)—-égé Alb Es (879-9)— Kl Pbm, sylgl xbk Languages o he Brain. Pbm m s w b ss mms xl w mms sm b sb g b s wl. Emmy s s ws blv v s l smw b lls. Pbm, wv, m svy mms

llz, b smw s sb g b s wl. Ev w sbl mg s b, s mv, gsms ' ls ss mm-y. H kw ss l s m.Flly, ss m ms ss mlly xl-g s s b ws holography. T Pbm lg ml s xl g b.

T m, omnijeciviy , ss w G Ygbl's m

exra-objecive , w s sb sys sy-l s w m synaesheic cinema , gm y l-960s ssbly mb sbjv,bjv, -bjv s sys smls s-m m. Ts sys ws y mls by s sms by “-g --l l l -s mlly” ls-

g s bw s s l.

Ygbl v m synaesheic m A Ezwg's(908-966) syncreisic vision , w Ezwg z s bk, Te Hidden Order o Ar s oal Vision.



T A Nsy Ngs 29

A mmsv s s bks ms mind/body problem, mysl blm w m by ( wl sss by's s ys) l , w ssss ls jl sbsly mms.

As mmsv ssss, lly w m ssy, my b s b vby sl/-sl l m s llsv w Mzg ss s “ly ls sm m ly s”6 s ml ll ss -ssss. Ts -ls vby ms, w llmsMzg's s, s by wy s

mmsv s s ssss— w lssl v, sl-v . As s, mmsv wks mv gmy vw by/m wl w s b by s/Nwml l yss.

Bs s sgs mmsv ssss, b-s, mmsv s y s l vl ms vg sg w gy l vsl g wks

w w ls m m compos menis blgs.7 vs xm wl b vm y s v-sl g lyz sl ms sm s bw ss vsl kg vsl g w ss , s vw mmsv ssss ls lss mms s g ss. S vsl kg ssw b ss ssg sms -ys-l vsl-g mlss mg s wvs, vsl

gs s m vsl kg. Smlly, mmsv vslg, vsl kg, vsl k mk vbg, -ss, mll, y.

lz s ms s g m vsl s-s g bs s y. As lyl lsTms Mzg sys, “ ysl s wl ly l-mg slls wvlgs”, s-

lk ly, “ll w mys sbl ll mlss”.

8

kg s skg l bw gv wl bl wl yss ( lm w s s vbl m ), mks ss s kg,



30 Jsp Ncv

g, sl, x mms s s -llzw vbg, ss, mll, b y- qs w sl-ss mss g wss ss s.

Amg m m ss m s g-l b s é Dss' (96-60) gm m

by q s lms vlss w . y (9-007) sss Dss' ws v m m s l sm w b s l s s ss xm b y. By

s, G Wllm Lbz ss y sy-ys-l lllsm bs s y Monadology, s ml sys-m w v y lly lly y. Lbz'smlgl s v sbslly Glls Dlz, wsl lsl ls v ly m l m.

Bs bv sg ss ql y-bs-ls s-m mjv sgs g mm-s s, my mv s mmsv ss—

w -xlz w sl — b sbly sssg s slly ml ms xs. S mjv/mmsv s l b bl gg lv l w sl sls l ms vlms m vl-, sv xsv vs g ssl-ssss.

B s g s ll s sl--

ssss, ws ss hyper-noise9— noise asar consruced via conneced-compeing vecors.60 Ts - sggss lg ml l6 llws sm vss sss lly -xs. Ts y-s s bs my sg m ss

w s j w ll lsvss wlg. y-s, sgl--s , v bm k

, s sl- m ms my b - s xsv s bg. Ts bg s - vly mg b sb, s J g (9-99) sggss, s



T A Nsy Ngs 31

“l s w s, [...] m, glly b-s [...] s smss ll s m l's ”.6

S s w-s-lg sks s b gs m g ( m sm- s by s-l sylgl g ms/svs lsy).

A, s s, w s mg llw s l lms lvls ms xqs vl ssbls.

Bs w wll v s mlly sg slgs, w s s g. Bs w v s yg, ws s m.

owards a Noise Vision: he revoluion will be visualized

Fllwg s sss Noise Music ( PlHgy’s bk Noise/Music , lb Klly's Cracked Media: Te Sound o Maluncion, B LBll’s Background Noise: Perspecives on Sound Ar , Slm Vgl’s Lisening o Noise and Silence , Tms By Wl-lm Bly’s Micro Bionic: adical Elecronic Music And Sound Ar In Te21s Cenury , J Dms's Lisening Trough Te Noise SvGm’s Sonic Warare ll /ms-s ssss s) wll xmly my vsl y-s w ys-lly (b lly blss) lmss-sq, ll-v,

wll--lk mg s As Lsx, x-. H wll sk k eye noise: s vsl-g-v lvy sss mlls/gs ms

w vsl ggg. wll s visual noise s bg by ll-v, lb, s sb vsl wlls sl smm— ss wssly lzs vsl xss . wll snoise aggregae s summaional bu all-over ne-condiion/awareness o pluraliy in hyper-homogeneiy, a supplemenary order o diversiy wihin or-ders o noise. S v s, wll sggs, s bl g w ms . Ts v wll l w wll ll hyper-

cogniive noise w s my lss, lss gz m w gs wll b s ly m s sy vs lsv sy, ww sl,s, mb k by s bsy, b b gly -



32 Jsp Ncv

g sbly g by vl vg s s.6 sb-m s lss bl mg smglss s b vsly s , s xlly,slly ssbl.

Agly, ws s s s ar which precludes esablished signicance by replacing he assumpion o conclusivemeaning wih one o vial excess ( -bjv mm m-l sg). A sy y-gv s w l l vy s s s l l sysm by v s bg vyg ls wl mg ss.

T sgy ss y-yg ls ls - wk s l lks w gv mll s ssgs llw lly w bg ssbls. T l-y-bg ml w s lgy 6 (slly wlg mss blg vsv b) s sl--gmm-

bl l w xlly s vsgl, -l mls g slvs. As s s smlgl symblz.6

Ts sl- smlgl-sg s bs ms b ll s , sl bs,s yl xl sv zmzg wl mg y's g-qy, l-/mz vm. Ay lg--gl vsss sgs vs ysl qs mgs m-

bs. A mbs, ms b mmb, bss v sl gbl ly. Mv, s s l mk ss -

y's swlg, smgl m sy, gl s b s my bs b lk xl smm sy by kg vg y's sl mg s— s s s ls mm yg l ll w w , x s s vll msblss lm s sysm lss w g g, s s ws gl ys.

Ps sl s m b s g- m m ws, g -llgly s . H s. S, ms l mgy/s/x m glly ll



T A Nsy Ngs 33

s y lmly sms mk lss, m, vl -llgl ss. m s kwlg s my.

Ts sms b gm w Sgm F (86-99), s g bs w mk vs s sl kwlg b s by l my s.66 As sl, my vw, s s's blg s w my, vl, xl, smm-l ss— ms zmzg wl mg—s mg mk ll s bs ly g xlly ml-bs (y llly v) sl

m vm.Ts ml s ml w s sl ssj qls lz s (s w kw mmy ks lv lgs myss s -sl xsss). Sl s symbls (ssly) lllly ss l mmly lms ly. m s y s s s bly l ssss s wl. 67 Ns ,

, s m v g s ss w mmv s by s yg gmm smsg w gbg sss.

Ts sbj s vs, l sgy xl , slly ss m s w s (my ssm) l y sl sgss vgs ssy g.68 As sggs b, s-bs-g (wss) qs lm ssss

w s ly slgs bw l vly xg s. S xlsv lls l ssss (mb w s x),

ws sggs, my s bs sy w ly— xg ssm msm lg-l-bs m (ssly) s-sl -m sy.

T sy s, s, ll w smlgl ss m s sv w s vs s jss s, l w wss bs lg y gs-l vlm.69 , sms m s m sy -



34 Jsp Ncv

gs s / byss by llg ss mssml lgy, s slly sgssv s -m wll ms lkly sgly bk ms sy k-g—slg sy .

lsg s , js w m my vw ms m ss mms s s sss mssg bg w l vby sg: w mbss sg ls s s w ls,lé, vsl- sgl ss s w vby.

T mg l j v l bv wll,

, b sssg g ss by v-g sy kg/ w w ms s lg ly - s, lgs, sv s,70 b ls,smgl lm vl bss ls.7 Sym bs kg ( ms sl) wll bs s ly ly - vvs s s,ly l s l s lkg s v-l ss w s b -llglly lllly

ssbl.



Chapter 1

Ino Noise: abula Rasa vs. Horror Vacui

I consider mysel successul only when I do somehing ha resembles he lack o order I sense.

— R Ruscg

Is no perhaps all ecsasy in one world humiliaing sobriey in ha complemenary o i?

— W Bj, eecions

s m bv , wll ss my xs sgs s s mmsv l ll -

s g s s ss.7 T s w s s glly -s. B (s m lxgly) wll ss s ssv vsl, l l m s

b mmv lsl ms s .

Ns s k y g, s s v gg, s wss w. s s wls s bl m z y m.7 s wwks s m sl m ls s xsss ss.7 s -mgs ml, wl bg lwysm. A sm m, s s mly smgl. sggss s s s lsw by sbgg ss ms bl. H s v y s ss g sy wss, s w l m-ll mv . s ss s lg w D-lk llgl -

m.7

O sql s s -l gzmls, s s sylgl g- sbj's sy-lgl mvl v; s s w s l sy.



36 Jsp Ncv

H ssvss s. Ts s ms by jys s s ( s’) g lg x ’ssl sylgl s bly w s s. T ls zm y Glls D-lz Félx G (90-99), gl lvl, ss s vs ws zg s x, s -zm y gs ls -l -svsly kg , w s s

wll m vw ( ym, b b) immersion ino noise. A rhizome llly s -lk l sm

ms lg w sl z smll s ss-ss. lsl wgs Dlz G, m s ss m smlgy 76 ss ll s sml-sly.77 M slly, Dlz G zms w s “bl O mll. […] s bgg , b lwys ml (milieu) m w gws w vslls. ss l mlls w mss vg sbj bj”.78

Ns ms lvs zm Dys jy qly k w lvls mlxy, lwys lg Dys -s. ly, s (s ) ms jv polysemic , w wsms m Gk s mg many signs. A lysm w-ss s kwlgs ylly g mgs s sl w my s l by my, wss w s vsml g s ssm x v lsm. Ns s ly -

w ideals o sel-ranscendence , .Nvlss, sk sss, wll, , -

s my smw lss s lss ml s sboundary-quivering creaion ha involves he desrucion o he concepual ame ss my xss l w gvy ( smss). s , v m g lk ani-ar 79 s -lly s wy g y lly xg

w s b .

80

T sv -sg mms s x s s l m conscious-oaliy by mgg 's l y w wk.



I Ns: u Rs vs. H Vcu 37

Ulmly m, g, s s js rupure signiying ransmis-sion o excess and/or negaiviy s mly sg wll. b lvs llg. b bly s bg.

G s ms s lvy sl s s wk m b mlv ysl wy, ls ml s bw s w ls w s wgs . Ns, s ll s, sss v m, ly ss-xsv m noise wks m -x s s s irreversibiliy o ime.

As s b ss v m, s s g l,

s xs lly ss b-s. O ss vlsg l s slly y v v b. S s by s ’ m. Nvlss, s s, l’s s K’sml s sublime ideal—smg mv lslqy wy m w ws wkly sbls s bjv l

w wl, m sbj w , l b sb s m s (lg) s.8 K, Observaions on he

Feeling o he Beauiul and Sublime, sw s lllly ms bl kwg sblm lm ly, b s , ms , g K, w m blg mg s g l s ly w .

S w bg , wll mbk s ms m- s sm by mmbg w s bm w s s ll g w s w.

abulaing Cyberneic Hendrix

My l ws s l sbb sg. T ss s ly s ll, sl ss . My s ll s s - g 7 w Te Jimi Hendrix Experience D-mb , 968 g lsm s vy ls w—

wy m sg. Hx msl. Hwv sk-s w l js b my s glq bk ws-slg; sly ls, sjv s x.



38 Jsp Ncv

T y l ss s bls bk b -g ws xssg ss my w sl yb -mss, xml by Hx’s gg mxg l

w ls gs. As by J Js s Te Al-lure o Machinic Lie: Cyberneics, Aricial Lie, and he New AI , sl yb s (s bk sysms mly

bs s Nb W, 89-96) s y xlsss ms gz sysm msg (e.g ., l sly bk-ls w bls ybs l mlx lss m w—sl mlg

v smlgy w sl-mm w sy bw sy sg vm).8 blv v my w x sl Jm’ss ms, m g l m s s m v ss mlgm sl -s ws qk. g Js’s Te Allure o Machinic Lie, m ss q by W ybs8 w s-sss “sy m”, g s “l -

s” s “m sb ‘s’” gg.O s, Hx vly s sl-gg ss—

ss s b s -msl— sm m, s g m ms -lgl bl- b b, s gg w-ss w lgy s b. ss, s s s s msl lm ms m s m w sb-l ls b ls lvs

s vss— q sss— s l s sl sl gls (ssly) lss (g lgy). Ts v xss/s s-ss m sl l s v bl g

w w blmz lgy— s sv ( m) my gv sl smly. Ts s s ms s zm- ss ll y by mvg ws -

lz. As s, s ms ms k g lg lwys bllg s.




Noise Music

Glly skg, Noise Music s m s sb vs

v-g ms s my s lms s s -y, ss, ly, s, my, lz. g s ms s vl, Pl Hgy s

wk ll s J Bll (99-007), Ggs B-ll T A (90-969) , g wk, s sy s. H s s ms s “sv, -

w”, “lkg skll, bg ” “ g m-ss”, s s s sg w 8 y llms. Hgy s s J g's ms 4'33"—

w ss g l ms “sl”—ss bgg s ms .8 F Hgy, noise mu-sic , s w 4'33", s ms m l ss -s ly s bw “sbl” s (ly lymsl s) sbl “s” mk ll s ms mEk S (866-9) NON Gl B.

Dgls K, s wk, Noise, Waer, Mea: A Hisory o Sound inhe Ars , ssss s s s mm xls s A A, Gg B, Wllm Bgs, Sg Ess,Flxs, All Kw, Ml Ml, Yk O, Jks Pllk, L-g ssl Dzg Vv.8

Noise: Te Poliical Economy o Music , Jqs Al xls ls bw s ms sy.86 H s s ms s sl g mss w

s s s sbss sy, vlg sg w s-l ll ls.87

Lk m m my , s ms ks -ss v gv s ss ss m s- mgv wys. O s smg sly bl m smg v s gly w ssbly b s s s-sl sblm .

m sm wy ly mss w s by - ïv , sm my gl s mss x by lgs s s w-s, 8-k g, vyl s. My ss ly bl w s-gg



40 Jsp Ncv

vs, b v w slz g qm s-m sw ( xml, ++ sw s g my viralsymphOny).88

F m, s mbs sml ll-lsv l-z g sympaheic vibraion , js s sgs vb sym gm, slly w g sysmll jus inonaion. Js , ms, s sysm g

w sz ll vls sl s ll by - s sbs l s s (vls bw , s

s svly, l m ss). Ssly s mvl m ms (mly w my) s-bly sss by 0-y s ss -ms ss, js v ml ly (ml-) ms wsl ls by y 00 by m mm.

Ns ms s,89 vs ys slly llly g s, mly l sgls -l msl sms. Ns ms my ls -

ml gs, s, ss m, bk, lv mss, sm s sw, b sms, -ms-l vl lms s s ws s. T Fs mvm ws m vlm s s,90 s

ws D mvm9 ( m xml bg Anisympho-ny Jym Glys m by H Hö Bl Al0, 99 w k sls)9 — l Sls Flxs mvms, slly Flxs ss J Js, Ys ,

Gg B, Wl Vsll, Yk O, Wl D M's Ocean Music ,L M Yg, b Ws,9 ks Ksg Ml Kzk’s Broken Music.9

Dg ly 900s, mb ms s bg x-lg ly. mss s s Al Sbg s m sysms w, m, s s-s. Ts g vlm wlv- q s-

lsm. Te Emancipaion o Dissonance , Tms J. Hs, 90,sggs s vlm mg b sb s mv jsy s-ll Dys lss l s.9 my s ms s ss w xssv vlm s, -




lly l ms m w xmls s s Bys Nz, Jm Hx’s vsly m s bk, N Nls L ’s Meal Machine Music.

O xmls ms s-bs s l wks by s Xks, Klz Sks, Hlm Lm,T El Ms, ls w, ys m, yj k,Svvl s Lbs, Ws, b Vl, PsyV, J gly’s gs s s sl (slly Bas-cule VII' ), ms Hm Ns’s Og Mys T, L M Yg’s bw gg wks m l 960s, xml

23 VIII 64 2:50:45—3:11 am Te Volga Dela From Sudies In Te Bowed Disc' m Te Black ecord (969). Gs s s sl, sl, gl ms xl s-bs mls.

Lg ssl, s vy ly 0 y, ws -s s s ms s.96 Hs 9 ms, L'Are dei umori ,sl s Te Ar o Noises , s sl vl gv m m g y m mlx ss.ssl l ml ms g vs s

ms s s lm. H sg s mb s-gg vs ll m ssmbl ss m w m. A m s Gran Concero Fu-urisico (97) ws m w sg svl vl m , s ssl msl . N s g vsv svv, g ly sm v b s s ms. Alg ssl's wks v ll smbl m s ms, s g s b vlk s

ssl sg vl s g, my ss w ml w s ms.97

A ly D-l wk m 96 by Ml Dm ls wk w s, b lms sl wy.98 Hs y-m, WihHidden Noise ( À brui secre ), ws llbv xs s sm Dm mls w Wl Asbg.

W ls s w W ih Hidden Noise s sk ms mysy.

By 90s, mss Eg Vès Gg Al bg s ly ml msl sms—s s ly s— ms m s m wl.

Al’s bs-kw s ms s s 0 ms-lg Balle



42 Jsp Ncv

mécanique (9), glly v s msl mm D lm sm m by Dly My F Lé-g. Evlly lmmks mss s l svlv sly, lg lm s sll l Al. Nv-lss, Balle mécanique m s ms Ps 96. 90, m Bruis ( Noises) ws by Ljs Kssák, Hg, bls w w m svl vsl ms w ws- gms sms ls gs. sm, ss s s m.

A ssl, b m ms Lg ssl, ws

l Fs ms. A 78m m by m 9s ly svvg s g s gl -m. B s, Corale Serenaa , mb vl -sl ms s gs ms s ms. Fl mmsM ls ssmbl ss llg w sl s -gl . 9, A Hgg Pacic 231 , ms m-sl ms ms s sm lmv. Asy

Avmv's ms Symphony o Facory Sirens vlv vy s

ss wsls, bs s, y ss, s, gs,lly gs, m gs, y-ls, slly sg sm-

wsl m g sy gs Inernaionale Marseil-laise by m sg gs sls w -m y Bk 9.

90, Pl Hm Es yl s - s mgs 96 Eg Vs xm w -s by lyg m bkws vyg lybk ss. J

g s s Imaginary Landscape ss 99, w mb s, ss, , s Imaginary Landscape #4 ,wlv s.99

90s, P Blz (w m s m w vlly x-ssv ss lms) mb s s syls m slg s .00 Blz mv gsly gz q l slsm,

w gz vs ss s—, , vlm, k— ss wlv, l w wlv- sysm. U Hy wll S Fs, L Hs Jg bg msg ms “jk” ss smbls, sg




jkys w q ss ly- bkms, w s, ggs, m.

E, g l 90s, P S mmusique concrèe l ss , s- m s g m lly. Fllwg s, b E Am, ms ms mss s sKlz Sks, G.M. Kg, P Hy, s Xks, LM Yg, Dv , xl s-bs ms. l 97, A A (896-98) Pour en Finir avec le Jugemen de dieu (o Have Done Wih he Judgmen o God),

ll smgly m y xyl ss mx w vs ssv lms, mx w s lmg -m s, sms, gs, m, glssll.0

99, Nv lsm s, Yvs Kl, w Te MonooneSymphony , symy ss l , by m-sg s ss m vbl ms. Als 99, Blz b J g, w ws vsg Ps s ms Ek S. J g b sg ms v

m slg s g w ys, wg , jky ss, l ggy. Ps, g g l ms P S, w, w,

bg ssmblg s llgs m - s .T s S's Cinq éudes de bruis , Five Noise Eudes , sss lmv ss ms s.

Bk Nw Yk 9, g s s w llg,Williams Mix , m sm 600 gms g -

g ms I Ching . g's ly l s sg smm 9, w vl s Happening Blk M llg, 4'33" , s-ll vsl silen piece. T sw Dv s , ls l.Sm m l, w vg ly y s, l. A

wl , g vg ly g, ls l. A m, l m s m .

T ss w bg ly, w y ls sg vg m y lb s, lg m lgs sw wl g gs s.Oly l gz w g ss :



44 Jsp Ncv

s s g s sl. Ns my mk msl s slwys g.

97, Eg Vès x mssg ss slly s “msl” l Poème élecron-ique. Vès lz s ls wk mmsv, vg ss Espace s vs sky, s g mg, llg ll s,ss-ssg, vlg, g .

Amg qs s s w ml,sbv syss, mvs lv ls.

O My 8, 960, sx yg Js mss, lg ks

Ksg Ys , m G Ogk w w -gs s ms: Auomaism Objec . Ts gs ms mx l msl sms lg w v-m l, , l m, ll, s ss. Mv, s g ws ml, sg ss bg .

T sl Kss g , by 968, ss s sb Ms, b Sms S s-

lgl s w lg b sb s m-s. S sl sm , b w mss sb. A-m ss bm m s sb s s-m, s-sl l ss

by w s m. Ss ms s s j ms s s, xml L M Yg Flxs ms- 89 VI 8 C. 1:42-1:52 AM Paris Encore From Poem For Chairs, ables, Benches, Ec. Yg's ms wo Sounds (960) ws ms

ml ss wws, s Poem or ables, Chairsand Benches (960) s ss sg ss .

, ss -m ee noise mg v-g jzz w mss s s J l, P S-s, O lm, l yl, E Dly, A S, S Aks, Alb Ayl, P Bözm, J Z. 970s, sl x gs lk Svvl -

s Lbs, Bbmgs Ell S mb x- ms ss ls bl ss s ms-l/sl s.




A sm m, s sm wv sl sms w Tbbg Gsl, b Vl, NON (kBy ). Ts ss l lss zy -g, sk ss v ls s wy my g s s. 970s 980s, sls gs lk 9, H , Tbbg Gsl, l, L-

b, Sv Sl, T ml v Psyk Y, Smgm, Ns w W Esüz Nb m sl sms mxg l ml ss, gs vl “s-ms” (s s jkmms bs) lb sg m-

s. Ts sl ss xm w vyg gs s qs.O sm mvms l ssl s

l A N-D s qs s s s-smblg, mg, blg, .0 Bs lk ÉDés, L Sy, s D, lk DVA, Fx, As, N-l Emsss, Ws, Sv Hs, Sl Jüg SPK s llw. F m, s s lms -

y s. Ts ws b s bw vs lss s ms sgssv/s mm. ss, m s sbl m -s sgss w l g bk wll. Ts s -s sml g--k b msg Excessive Machine lm Barbarella.0

T s s-sl bly m ss glgy 970s, mb w smls

k k, sbls wv s, sg w s m-mly s s ms y.

L 's bl LP lbm, Meal Machine Music (97) s ly, wll-kw xml mml s s ms ms Ls Bgs s ll “gs lbm v m sy m m”. s ls b s “ws lbms ll m”. ws wll w l ms L

M Yg. Hs T El Ms ws sml mml m-s s g m-960s w Vlv Ug Jl, M Zzl, Hy Fly, Ags Mls, y , s. T T El Ms's s ss s



46 Jsp Ncv

l ml J l's sbsq b Vlv Ug s s b s bk.

J l y v ls s ms gs y m g m-sxs, s s l's Inside he Dream Syndicae s-s (T Dm Sy bg lv m gv by l llv wk w L M Yg).

T ly m s k ss k s, slly w g-zbl k sm, b w g s s l s, vyg gs ly, mvs, ws. O bl b s g s S Y w k s-

m wv s mss Gl B ys m(msl s L M Yg). M Mss, s bk wv, s ggssvly vv ly k s gslk Ms DNA w k k, v-g mmlsm m . m s s jy gs s ms ll Noise Fes ws gz by Ts M S Y NY s W lms J 98, llw

by S ls s k ss gz by Lv Skll mmbs

My, 98. Als bl s v s Unnished Music No.1: wo Vir- gins , v-g g by J L Yk O m 968ssg g ls s J L lys k sms s s , g ms lg w s s (-lg vb, ly s), gs s lys -gs, vss w Yk O, w vlzs -lb ss ss. Ty llw s g w s g 969 l Unnished Music No.2: Lie wih he Lions.

S l 980s J, s b l “s” s ms ( s japanoise) by s g- Mzbw (sym Js s s Msm Ak

w msl ws s by D s K Sws’s Mz j sylgl llg). O Js s ss lBms, ...., s, KK Nll, Ymzk Ms’s Ms,Slm, K, T Ggggg, Hs.0

Fllwg wk sl s ms, s k, wv s s, s b s mss ws mb-, ms gl-bs wk s sbl .0 Kms s s vlm s sgl mvm -




sbs s aesheic o ailure.06 Ps-sl s ss m 980s, 990s 000s l Alv N, Nls lls, By ,T Psy Wks, Sgl, S Vll, , Bw, PBK PllB. Klgl, Ab, wlg W s, Aw Ds, y G,b mb, My, Km s, Ms/slv ls, Ovl,Bs , Myb Ml, Kj S, Tss Kls(Nv-S), Fsz, Mw Uw, Ys , Ns Mk-'s Fs, Pl, A Dv Fs Lóz, mg my s. Hw, J Jlk, Vlllbs, Dms Sbs,møll Mml Ms DJs v b

sg s lms s s bzz, m lks s s v s ly 990s.07

T sy vw s-sl sy ks smbl ssbl ls ( vsy, x lks, s, mlgms, gy) Dlz G sw s. my ss, mysl l, D-lz G’s vs s-sl l - wy sbjvy 08 by mg bgss mul-

ipliciy l w ssy g dissension yl s.

abulaing Daamaics [ver. 2.0]

O Ob 9, 007 by Js msyj k Pm Ps ll Daamaics [ver 2.0].

A m, Daamaics [ver 2.0] ws ls l /vsl

k w ms m b ml m s wk. T s m wl l-s bw s s y. T ,wv, s s mlsm vly s, b s s lg gs . T s, mb g Daa-maics [ver 2.0] , w s v s-/- g, s s-gly bl éb. A s ym sbl s ssbls m bgg, ssly lg ss -

/ls m m wl swg sm sblm s.k mks s ms , lg vs ss

slwsss x l lm wy wl b vsly g s s mlgl g. T mlx sl-



48 Jsp Ncv

l wk s Myjm m m s. Slly M- yjm’s 996 sll L F l' m-, w m w lg slls w l w bss m gl g. B slls ss b LED sgl-lgs s lss bvy v-xgl mbs w b m . O sll-, ime Go ound , wy g gl mls sg vs l bs gs msg k wll. O s mysyg sll s, ms ssgsm Mona Lisa Overdrive.09

ime Go ound ws m l ss m -ls ss lgl sl m g(w gl m s ly m s bm -blm ml wk vms). Myjm’s s ss m ss sv g m vl m my w ss m.

By s, k’s v m s g g s, m k ml k ml -ll

w my s w —v s ss gm m x lg s -ss --sv. Ts l y s l vsl vl mks bl slss m ‘mml’ ss w k, s Daamaics [ver 2.0] ms mblg ml mms m w s ly. k’smx l s w l vl s sg- llg xg m. Ps wl v

b ssbl b bl v msl x m vsl .

k’s ms s m slg l ms s bl gg s xs, smms g s sy Mzbw. Gv s s g, k, qslsly, s mls gz. Ts g llws v-s mms v y xlg y

s -g my-l xy s lys bk-- w lb b l msl gggs l ml wvs l mb. g ls y s X-ks, L M Yg, Blz, Ax w.




B k’s my l s w ss s ll‘’, sy-s s s mxmm sy. My s-s s yj k ks s msl m - xs gl sl llg bs

bss s. T s jg s s sg, b ws qkly. ss ms b lk g bsss w - sl w.

lly, k’s ms ms m bs El- s s b x l m my-msl s. k’s ms, El

s s m v xss by lgg mb vs my b s w m sm m lg mb (sg- s ). S s mls xs g-mslgmy mms El gmy. vbly s s m s vw/ls sbj. T s bl, sy s wy vl's slxs vl s b bl.

T s ls, wv, s sl ly lv

k, ms bly lgl s ml zzy s w xss ly ss. s s ms s g sg s vy v m ssss.

B lly, y k’s s xy s l -ssss s q l x . Ys, s mss l s s vs s bl v

bs by sssg m. Tg xssv, k mks smmb g m v b ssl ls

v v b g b vs yms. B k’s ms s-lly ls b s w Dl Lw s Hisory o Bourgeois Percepion s s “bgs l l”, m zs s mlly l, -xv vly bjv.0

S, l, k’s lly msmzg s ws x- lwys b m. sy ‘b m’ s Daamaics [ver

2.0] s m m m sg (ll Nzs ml-l ms s llgl -sl/-yslms) v slv. T sg m ssg ss, s, sl s s ml-m s:



50 Jsp Ncv

w s gl/ml sg g g g g g g, b w slg vs ll zzlgél. S s vgs bs sg ss wk k m w g ss mbl : ym-yw. Gv ml my , k’s/v sg l b ly lg w D s lgy Hg Bll s z. s m gl-, s-l-ms s bs m .

Hw s Daamaics [ver 2.0] v s mls sg? k ss s gl lgy

gl wks bs ls—lly lgl xq-s ls mls s m w mll sy-l/sm gss ssm, ssly mssg sls ml lg wy. B lk O A (w smbls) k, s sg sg sg s s l, s-g w lg, ml mg my m. ss, k ly g l x-vl mms b ss, b s ml s

wy s b q vlzs: g g g g— vsl/ wls slss b ls symbls msm. llw k s v zzlg vs sm gk l g xss vs-à-vs lgy w lg s sysm. ss, s/ss s bs sg , gg slggs, .

Alors? S s sbsq vls bg lby

m bj gss? Ys, Daamaics [ver 2.0] s blsg, bsg, bl, bly, b v s sw/ Daamaics [ver 2.0] mlly mss s ssmlv Dys m-sms Nvls, b, Nvl, Bl, mb, Ag,Bll, Lém ssl. T s ly l g (lb

by wy g l g/smlz -smlz). B w s mssg Daamaics [ver 2.0] m

s vg mgy s s -, xss s ms llg gs. ss, Daamaics [ver 2.0] s ss lbs l’s sbss xs.




S yj k’s Daamaics [ver 2.0] s sg yg bg g w vl s sgs m ms lés. wy Daamaics [ver 2.0] s -m-sm. W k vly svly w -k sl- s qsslly g vs xll. A w w : w lly m—gm-l j-ss. B jl s b sly sl-, lkg, s s, g/m sy mss l l ( sw l l ss vkg svg) ml-l ml ms sss. Ts v w b

lkg, m, w Dlz sggs s (v Ps): smgl w bg l, l w bg bs.

abulaing Cecil aylor

k’s bg bk m by lyl Al lly Hll Nw Yk 8 Fby 00.Gv s gg msl g, l yl q slsly smls gz. W w sy s , w , yls gg s vls . Ts ly xg s s m s xqsly xl -y s my-l xy by lyg bk-- w lb-/l msl gms ml gggs lk vs s. ls mslly klg “y” w xqs ss Fs Wll, Xks, B Pwll, L M Yg,

Bms, J l, Ax w (kqs), S , J g , s, Tls Mk. Hs ms, , s vgs x wsmy ss xs, ls, .

l bg g 9, wkg w Sv Ly, Bll N-lg, Ds ls. (Nlg, x sym

bsss, s ms ' v m, lg Svsky Blz, msl bls x yl's, slly ms m ms ws wl.) T

g x, sx-wk ggm Fv S Nw Yk—llly g m jzz lb sly bm s lgy vs— m Nw Jzz Fsvl, w Vv 97.



52 Jsp Ncv

98, w El G, ls Nlg -my ( Looking Ahead), w J l U Ass(Colrane ime). yl ls m s w lbl 99, m ssss g 96 (Ms ll ml ssss msv -s bx s 99).

yl’s my l s w, ss, s ll en-velope. Evl, ms, vlvs s, gw, y s. Gw sss s s sy-ssy. D s sy-s s s mxmmsy, y s w s sl. Evl s

m lm mb, sv qly, l, s. My ss s l yl ks s msl -m vl xs m gl l s-l llg bs ll lg. Ys, k s ssbl mks lg sm ml A Ksl (90-98)(sbls s bks Beyond educionism Te Ghos in he Ma-chine) w yg ms l yl s m s my b x sl s sgl

l ll w lg ml.yl’s m slly s lg g sg

w s ls bgg (w sggs A mlssss lg w yl’s s s ) s myls.

T bg w s sls, w l -g sm m ly vlzs. Ts sls ll m-l xl w s l msl s bv.

ls my ys v m g ll msl s s-mlsly s. T ss ml Al lly Hll,g, y l ml wvs l mb. Ts m mlx msl kg.

yl’s ms ms m bs El s s b x l m my-m-sl s. yl’s ms, El s s m-

by lgg mb vs my b s w m sm m lg mb. T s ls, wv, - s sl ly lv yl’s ms ll v-s— v s/m. v-s s xmly El




v vy smll gs, b v lg gs ll gml s bk w. v s mb w El gmy w s mss l. T ls mb gl-z ss El gmy mlly, ms bly lgl s ml zzy s w s ly - ss.

P ss yl’s lyg w (sm-ms w) zzlg ss Jks Kll. Ts m-ls m—w l m sssly lyg ms--sè w s sks—wl b yby lyzg s

ms lg l. T lssl, bs mssm ws l by Dm Dvl. Plyg ly, ssvly . A mms l mjs vs

bllw— wm. Evyby w s v s yl ly lv—w w mss—kws s. H s s m by mg m s xg ls’sssvy b s ms l y msl mms.T ms ms bl ll. s s ms s

g s vy v m ssss.B lk w k, y yl’s s xy s l

ssss s g q l x . B lg ml gv-l ssg s sl --my ssbl s s vbs. Ys, s ms s lly lg s s s vs s bl v b-s by sssg m. Tg xssv v, yl mks smmb g m v b ssl ls

v v b g b vs yms, s s v s vs. Ys, lg ml

bs yl’s ss bs g Ksl's l ,s g mmsv l wls s ls, s mms sl b sz s sg sy- sb-wl ss w mb s. A yl’s mssvs s lvl mlx sy.

S yl’s ms s ss w, mzs, ls ms, s s ms l s w gs mg wk l w s wl, v g s



54 Jsp Ncv

wl l ss s mk . Hwv, m-s s mly x, s ms s y s g m, w jsms m-s bg m 's ms b s

wl l m, l sm y sl s .S xsvly gss lg/m -

ws ms l yl s s s bgsl l. s s l vy vs mly m ss l bs (w zs gs) vg ml bss, w s sk

l yl s ms sss g l ss v s— bs l lls ms xsv qls w ss ss v sbl js.

abulaing Power Elecronics

My s vlvm s s ms ws l ww M g yy wv ms. My jy-m ms Gl B, DNA, ys m (w wm ly ms, b m mly llb w wv s ll XS) s, l w my gwg kwlg Flxs Mmls ms s vs L M Yg, l m w s sss ellus Audio Cassete Magazine:6 Power Elec-ronics (986)7 —w l m mg Mzbw, l, Media

Myh (988).8

T bs ms b Power Elecronics Media Myh ws xl sv wl ’s g-qy l vm. S ws lmkg ss 980s’ swlg m sy, gl -s b Power Elecronics Media Myh ws lk -xl smm s y by lkg ss w k vg m’s sl s— s s s

l mm yg l ll w wl , x s s vll msbl ss lm—s gm sysm ls w g




g, s s, ws sslss - ys.

Ps sl s m b ws

g m gm m w, g ly w , ls kg, qsg -ss. S, ms l ll s lmly sm mk lss, m, vl ss. ,s lg bm ms b Power Elecronics Media Myh.

Ts ss b s s ms, sms m, lys sy bs vsl w s s my -s gz ll g s xsg m s , by sg s s, s my -ml sg lws v s w sgzl bss. As sl, my vw, s m bv, wsl-bs s 's s s w vl, x-l, smml ss— ms sbjv wl mg-— mg mk bs ly g m’s xlly ml-bs (y llly v) m

vm.S bslly bs, s, xl/smml y bg w sm m-l l w- ly xl, swg s w bs v-lk -

Figure 3 – XS he Opera: Shakespeare Teaer Boson 1986



56 Jsp Ncv

ml s bys, s slly gg wy w wv , v sbss m wls. s s -l, sbss, xl m gm, 80s—s sb-ss y s— lly sg vg Power Elecronics Media Myh s sbj slly sbl l-bs s .

El-bs s , by v s sv l s- y, s xsv ss vly. H, l s Power Elecronics Media Myh s bss, s y, s sm mmb: bl 980’s -

ss bqy/l. sqly, Power Elecronics Media Myh ( wk w) sl w. Power Elecronics Media Myh , w vw s s by - lvl 80s, s s y s s gl sg-s, s llv s bwlgly m lgy s w .

S, qs s js ws, w l ss symbl-lly s - w s s bss s-

l m? Ps ws ssbl bs kw, smw, ssymbl s—w, ll, l-skl, mk s — s-vly smgl.

Ts s sll, s, y. Bs mss Power Elec-ronics Media Myh , s slly lv glly-bs s vy b ls y's l-bs 's sly— ls k ( mk ) ll-mss-g smgl/lgl sg-l w w lv w

s s ( ls ). S vlg s s m vl, g sl sgs ( s ylly v-l ssbl sgs— m ss l by - ll sgs s sbvs slly ll sysm mg),l-bs s my s y lv lbl -sl smgl sgs (,bs s -sgs) w my mlly mv

mlly s w s. Y s s -kwlg s -ly ms , ms w, ms ss y, s s ls sml s m w ll gls mgs s s, b glg, xs.




ws s qvg sml s ms svg s swy v vy sml—s sml v-

bg—w sg vg b Power Elecronics Media Myh; swy by v mmls bs xssv yb bs— , w s y s bl ml s l by lssl g.9

Sly s yb l/sml ms l ls s gs m vwlmg sv sl msm, m xgg slg s— xl ssm msm lgl-bs

m (ssly) s-sl msy. T, s wy, Power Elecronics Media Myh sv s s mls/m ls z sy—s s vs l-ssy my s sl lgl sy's bsss w -sml l s-l.

My s , s m sy gs s / byss by llg ss mss lgy, s -

vs s m wll sgly bk ms s .Smlly, sml lgy—w s l--bs —ms ssbl l m slly s sl, ssy bs s vsly sxs/s. vsly, l lgy bls m-y s xss vs s s wys v bssbl. Ts, s vs s vs sml g s m gs llg wl's bl-

ss sl-svss. Ts s s lsy vs ml ss , ml, sml g-s llg l wl.

My js sy vs sml ly ss Power Elecronics Media Myh (sg sgs jmmg, -m-m, msmm, s) s gll/sl ms m-s sy y. T

ss’ wll- b mbgs sml ml s -s y l m jl ssss, s vs xl vs sml lks b mm-s. H, xssv sy bss, s s s



58 Jsp Ncv

, b ( ss) s ll s wy m s lm l s v s, s w -l sml lgy ms sz w -ssv m. A lm l -s w s s bs v-s w x-ssv bs ls s s s ss s ss ms m m gmsm.

W s s s lm l s m, w wll w ys.



Chapter 2

Noise Vision

...'consciousness' in he uncion o sel-reexiviyshould be operaing wihin he elemens o

he work (proposiion) o ar isel.— Jsp Ksu, Wihin he Conex: Modernism and Criical Pracice

Lascaux is he passage om he work world o he play world,which is he passage om he Homo Faber o he Homo Sapien.

— Ggs B, Lascaux: La Naissance de l'Ar

T s m s vsl s bs s -

lm l s qs, blv, js s ss Dlz/G m kg. Agly, D-lz/G s ss wl b ms vsly m sgms, ss, ls g vlv lzg s

wll s lzg s/sy vs.0 Ev s, kwl-g v ll ms, xls, s (lg m) vbly s ssss m s s ss ll l . Ts kwlgm wll m lly m s , s s s/sy -l s -s (-sl) smb s b gs sy s q y s mms s (w ls lk s) s ms gl bw mms mmsv s vm s lly sslv.

s lg, mg b ssbl s s condiions and

orders o conscious awareness in which percepion-cogniion (i.e., awarenesslinked o he process o orming inelligence) is ound o consis o m haneveryday (non-concepual) vision or hearing ypically reveals, by merging i wih some maniesaion suggesive o a magnicen more. Ts



60 Jsp Ncv

my b g s byssg bl sss g sssly x m-llg bs s xss v s w ll ss l w lzbl

b g s. W s mlgy expanded m g

mg gv by G Ygbl s bk Expanded Cinema ,s w sgsss xs smy bs s. W Ygbl ssss w lls expandedcinema , s “x ssss”.

By noise consciousness m, , mslls lgl/

lgl ss g y s sl l s- w s sg ml, ml y mssl-v wss, gs lg llws s x- ss xs w ssbly sgs, lbl w vsss. v bsv ( mysl) s s ws sm wl bg bs ss sg-sl w mb s w s x wsl-v.

Fm lsl sv, synhesis s by w, g, s lms sysm ssmbl v wl, s sq y s smg m m sm s mg s. Syss s m s-l, s lms s by lyss, b ssslyss by sg ls bg ss lg msv mwk.

Ag T A s Aesheic Teory, s-

s ms y s s g g b “sv s wl s s lms w my v ss g”. Ns s s js . Hwv, -sg s sy, sl-v sg-sl g lsg -qs sssg lmg s lgl svs msm(yl xl g), s s ssss ss -lg kss ls (b b) ys. T s w

bggs sy m mg sms wll— k. B s s sl-v, mms, sg-sl sls s-lgl svs s vs s ss-ss sss ssss s bg mg s-



Ns Vs 61

l. Sgm F (w w ms mmb ws s w s s l v ws wg ws ly) s s w s sgs s mg -ssss s mg m w ss lm. Mv,M Hgg (889-976) m being s ms -ss s bs w gly mms .

T mlgy consciousness ms vbm wih knowingness sms m L vb scire (w ms o know), s s wscience. B s s ll s s l . F ss-ss sms b lmly lk wb wv m/by,

vs slk-ss s m lg ss -ss s w sm-mlly l gm . Ts s w . G. llgw's ssss, gm ms, s w s “k g w ss lss ss m lg”s “sm mg”. Pgm ssss smg 0 y lgly lsl wk

Am ls Tms K w g s “g-

ss” s smly sgs bs l bsvs b ll bsv s y-l. F K, sy s ( wl g s wll) s z by vls lk.6 , ss ss s gms -l xsss g sbl ws sblm w sxl ss lb ll s v m s's g. T qs w F ss ss ms ss ll s wll

b m ms g. Ts s -blm wk-g ssm v s w m s mlly mls, sl, ss 7 kwlg l s l s w g ssss.8



62 Jsp Ncv

Nerve Noise Visualizaion

In he realm o he aecive imponderable, he image provided

by my nerves akes he orm o he highes inellecualiy,which I reuse o srip o is qualiy o inellecualiy.

— A Au, Manieso In Clear Language

O wy mb l's el scopic amosphere s k ms sy cogniive-visual acousics. Ts s qbl sg sl s g s -lly gg lg- w w ms ss

g ggg l s sg. s s vs s bg - w sbl s k ss , g, , mb, s s ll vslmms s bg smly ql, s . gv-v-g s sly ll by s g, gs ly, sb vsl s s ms ll l m w s s ssg ll mg. M sly, s s-lk gv-vs-ly wl vlv qvl w ss s ll envelope(vsly xl) s vsl s ss k,gw, , y ms l sl llg(w sl- ). S lls vw’s v sl-ss ggm w .

By syg s envelope noise vision ms mms, ss s bk s vsgs vsly

w M Jy s ll “l ll Ws l” “s svlsm ms m ”9 — s svlsm w, g Hl Fs, sssbj m bj, “g s sl s”.0 S vsgs l Gy Db's (9-99) q Sociey o he Specacle , Jql s's vsg sxly bjyg, ml, l gz, Ml F-l's (96-98) lyss gm.

W lkg b s vs, ms b mmb , -lsy, sy sms s sms jg b ls ls wl (b w ssy s), ss lyl s, w ssy, b



Ns Vs 63

ws. lsy, s m mk s s bwsy lyl sms. Oly w w kwlg svsg noise vision ks sy vy mg w s, ly w s s vs

b sy psychological hough-visionw y l v- b l m void o he supposiionalcenral vanishing-poin which he horizon-line had previously esablished.

T sy bg s , , s mss vs s by w gs b s ms by w s .

As J Ell Hs (80-98) lls s Ancien Ar and iual , s mmss, b mmss ms m 's ml xs-ss. W ms lly gz gv s vs ksl ly v m b w ml b m s ssss s s-ssbl. Plly gm q-y s vs s ms s s g s m sml mbllsm sg s vs ls vs gv ls y/m mlx. T l

y s vs j xs lg w l- v sls g smg sm-wwl. S s,ssms g s vs s zs ( s-gs sm-mv ss) g mmsvly sw ss s ssss wll b ss slly s s, s s mm l s zs sly m m 's ly sbl s s g m-msv ss.

s s, g lg w Ggs Bll s g s sgs m sm ss s s gs w vlly g, s s s, l s bly ml, w s zs sblm smsss m s,s vkg ms bw ss m s -ss v mm. T mvlls bs sss sblm smsss ms s vs wll b xl

s s. B, bg s, w ms k m ll - s ss w gg s l. All w s sly sg ss ll symbl,



64 Jsp Ncv

w s gs . s xlsvly by s w s l w syl m gs l s bss.

W s m, w sll w w vs gss mmsv s vs: s v.

W sll sl s v by kg m, g Msll ML (9-980), m ms m w ms mg.

A s pained cave s ll , mv g ml mlzl ws . Ov 00 l-S Agvs bg wll gs, gvgs, bs-l s sl-

s v b s-ws E l. L, m y bl lg, mg E bll ys g, w s ll BP (B Ps). T s l w m ls, bss -lgy, w Hm Hbls, l w lv A mll

ys g. Pl v b Pég g F b00,000 ys v Lsx ws sv by -M-g l.

Glly g Gv P (xmly 0,000

,000 ys g), l bg mblls wlls lgs w smll sllw vs.6 Sbsqly, s vs b-m ss s ms' s gl mggs, mgs lb ml lv ml s wl, s wll s ss jbl m v /lv g -gz sg, -, -v g -s w ss.

Hwv, s m mmb ll ms mls -

vs w glly s mls w . T Mgl l mly s ly s v Lsx v ,00lgbl mgs— As.7 T sg s wll b sss sly. B, s, w sms mlss w sv s sl m-s s l ss. ms s vs, Mgl-

s' vs b s sss ( lk g x) g ( smsly) wl bg mms ml qy lvl, s sss ll gs vs s lmly gbl



Ns Vs 65

l sgly. s s s s v ms b ss s l v mmsv gz s m l s l (mgl) mgs sv y smls -- s, g sm s - g l s , slly svy Lsx lg mb bk ss,ll w w gv, w bl lk g b s w sx ys.8

Ms ss g vsl mms m bgsmw 0,000 ys g, b m w -Mgs

Ag E bg g ls bs wsymbls. Lvg smll gs, y s s m sks s m bs; wv, (vly) y ssss bl

yg mmsv xs w k ls vs.Ts, vs y mblls, s ssbl s mmsv -s llv s, s w ws y y vl. Ts xs m by vs sl xy mmsv llg. T b-

w v wg, w ml ms m gls w gv k ,000 0,000 ys g by -Mg bks Vézè, Lsx, s s lg s m sg s m vlz Lsx. As mm ls bw s ml by v gs Lsx (b 7 mll) s ss Lsx m s V

bss. Nvlss, Sy Sgl ss Lsx v s bg“ s oal ar ”,9 Hw gl sks Lsx s

s vl ly.0

T ysl sy sks vlv s smgly -s-sl vy s g s v s ws , sv, sm s s lv s mssl g s mmsv s w m ss-ss l lg xy mmsv xs. T l ml gs ssg ms b m

v, w s sl mss m m b, sggss s ss ls lss -g yl s lv gy. Ts mmsv v s lwys mv-m ws sl-y. v s mv , s



66 Jsp Ncv

s, lly vlvs ss wy m y - w , w sy sy, wy m ss.

Ts, wy m lg s ss, m y-lg wl sm l, s l ms v s mmsv kss v ml b b-gg l. v's lk lg s sb-sl ws sy mms ms b lly s. T s w ms ml s g s l y's l s m v s v. N-bl s ms vs lg sx, l's l -

s sxl ls .

Sl s gss l 60 mll s lg. T mkbl ss l lg s s s s lg. sss lg sss l-y bsy, sss w sly v w w xg w. T s, w s gly 7 mll klms (b9 mll mls) m , s s s ll lg s, b w ms ll s s vbly ql

g lss g by 's ms vl g w lg ms . T gl wxg wg lgs mlly l s sy by

vsss gg ms s. lz w ssl s mb s lg s ss

wll-bg, ly ll g m vy v-s y w wl wl sms b s vsvmlly.

T ly-U Pll sw sg v s l lgy w sysms by ly mmbs ss. T v s bls m lms ll ssbl, v vg gvg. ly ms, l qs -Mg vlv bssm vgbl b ml , s , s gs,lg w blwg gm sslv slv wll. T

E sss -Mgs w sg N-ls w ssslly Ws Es m b 00,000 BP l y w ss by -Mgs, smm 0,000 BP. Nl l, kw s Ms, sws s -





68 Jsp Ncv

ss w x Lsx w vy bbly ls m v smmm b ly wk by mmbs g.

Alg Pll v s sv s vsq m m v , s msk ss U- Pll m mms slly lv s k, -ly zs, ss. smly, y lv , jyg s bz, sk s ms vs bk vgs w y l g m lms b v b ylg. T ssbly mbs lk bs sggss vs w -

ly slly. Nby lv s v, slyss vs' s v yl sgs m b- by s ml- lms s s by b

vss, sm ms gm- l b. Ts - vs w smbly m b s by w m bgs s xm ly s, s my ly by wlg blly g l w k ssgs 's wmb. Ts s ,

my sms, y mmsv ls sx w bm ly ml m mmsv ss

w sbsqly bm ssml P-lssl l (ss v myl lby ws blly -ly M s).

Bg m ml zs ssg ms b m by s l g v (lly -b by mssv vs), s mss m m b,

xssvss sly sk mgs l , sll sggs s mmsv ss w ss y-l s-s. mv m llm s, m ss, mv m ylg lm sm xs, ly -ms v's mss (sqly w mx-mz l l) s g s l ml s mslvs— smlsly, l xs ly.

T sl w ly mv msy ss, sss, s lgmbl wl, s bss m lv . W, l s g by ss -wg m-



Ns Vs 69

-l ss mv svvl, ls -l. As s, s s b sv vs ss ssgs, s, smms v ms, b s v, glly w, w s mmsv mxmm sy w s l--vw mssg mls.Ts mls wll s mmsv s 's sg vll s vlg y-ls w - s by wy xg ml l--vw w

vsl s. A s gl, my ms lvsly mls sm lk

sy s ls ls. Amls mslls ss mg s sls vg ls. Als, y vs s, v vlly s w, sm ml, -s w s xms. My sms s - s ml. A sm vs, s s Bsll,g ss g v, sg syl ss g lg syls ssy yl Gesam-kunswerk.

T vs blk mkbly mblls mbs , k,sl s m s xmly ,000 BP, -lsv (b lg) s Ag. mmly wlls, w

w b v (wg mms vlg ls) slly s ls s. Alwys ms mmsv sls gs wlls , mly, lgs, s s Alm, Lsx g. A Alm, ss sl ll m m (.8

) g, ssg mss, ls-, mmsv x. A Hms l P v, mms ms ly s bk sl lw llws bl wgs.

W s vs, l ly wmb k vs s s mgs mmls vy s gly s, lg . As sq, w v m ss

s vs l ymsm w s mmsv -lzs sm ssss m -l s w ws. H lg kwlg v Ws E s ssl m wss s



70 Jsp Ncv

ss v g s vbl mjy s wll v y vs, s v vlg g.Hwv, s s ls s w s vs, sl, xlsg sl s mblls vs s ssl vlm msv mmsv s y, s lg s ls l s ssbl w . Sly, s s w mssbl vy g l s.

T klm (. ml) lg Niaux v sysm6 FPys, klm (. mls) s-ws s-s-Aég

m M-Pyés l/s F s gl s -s xls s vs s s s lms v s w by F S ssbl bl.T s ll lgg sysm s w s v by g, mms wl b bsl k-ss sl w x , vbg, mssgs. T mb s kly l, s v ms sl bl m ° w mkly ss w

v slg l s. Sg w, lk ss k g l, vs ms 0 m lg (6 ) s mb, w s ly 0 ms w (98. ). Ts m-

b ls w g-vl, ssly slgm .O ms mbly w s s sk slmy

w s b by l. Pls ql w m m m. T 700 ms (,96 ) bw s mj g lg v, y

ly m mkgs wlls lvly my g,sm g m Bq. D s, sm 0 ssw svy w mlx mbs, ms lb bg Salon Noir (Blk Sl). Ts mb s gbl bs s Sl N m v's . T y Sl N s sgll by sm s s ly . ms g(.9 ) m w s s w m by bls

lg. By , wlls by 0 ms (.9 by 6.6) s w bsl wgs w j blk ls. Mv, ss, bs bx v b ls s. T sbly ,000 y l mls-



Ns Vs 71

m s ssg. F xml, 97, w gv bs w-lk sg w smll lv g- wll Sl N s l svys w bg 906.T ss ss gs gs s mbs ms sl vms v-ml mmsv .

ss, Sl N s yl s mmsvgm , lk ms vs, s ly lg s , byssg m ssbl ss. Ts

jy s ks mm m, s m s s

Ms. Tg ms kss, s l ssg ml ss ( sgs q ggm)s s x , v qg ssgwy gsb lks sm ss. Als w ms mmb vs -

v sylm m s s s g sv bs, ls, s.7 lly s ws m w w s G v, xml, ws b ms 00 bs. , b sklls

w s vlg ls v, s k l ll.

Vly, s s w puissan s b ssg by ml l, s ss vs w slly sy ss b ls xly ss s . Bll sys v Lsx, xml, ws “l gs” “lgs ”.8 T sk vlv -g my s gs s s by v b-ks w

v b l m s lg g sls. As sk ws l, by ssg g m v s mssblswll, mms (v l s) w l--

vw s m b s l g smsy l v ssss. ly lsk , w s l ssm by vsg slby ssgs, ms v b lbl s -

zyms. O ssms highly emoionally engaging level o aler immersiveconsciousness ws x. bk, eligious Concepions o he Sone Age and Teir Inuence

on European Tough , l Lvy ms s mmsv Pl-



72 Jsp Ncv

l v lgs v bm sbsq ys bls w ss g E-Am g ww, sms, mv gm gvs ss-

bly. my j , s s atainmen o such an adren-alinized cognizan sensaion was he poin v, s bjv raison d'êre , s s ss s gl s s sg ss vl m-

bs w s ly wg, smb ms. g, lly s v b s b a sie o glich ransporing capaciy.

Nerve Noise Visualizaion in he Grote de Lascaux

sqly, s vs b s s ls w conscious-ness became sel-consciously expanded ino a larger eld o virual noise. Tssms wll lls by sy mg-sw Grote de Lascaux w s mks ml s mgl w ss ly. T ms wly kw, gbly ms sl- (l, s s ls, w ym l sss w w ws msgly v s s), s G Ls-x 9 l l Pég, F, w mm vlg vsg.

As Ggs Bll sys, w kw ll mg Ls-x b w “ss s mk's s mss by sg ss-s”.0 A , mg mmsv s Lsx, my

s mss ws bg s s m m v sy s w sx, , m s- sg.

Lsx v ws sv Smb 90 by ll l g, sly ws g by sm v sv mgl mgg s m sl s-g sy . ls mmsvs ssss, s ssy svy w w s y

(gv gly l-b ls) vslz s w, s sms, w lz w llly glls Lsx. W ysz bly vs-lly s w s -vsl ( y xs) by llwg



Ns Vs 73

x gs lly mg s ssl l, sw. Ts symbl s s lz smz

w b z s a priori mgg w s s bm mgbl. A ly -v vslz s mmly bvs g Lsx'sl sl, s s Lsx k ll s vml ss qls ysl v, s by lzg b sg lg wlls, by sg ys-l blgs bsss s ls m ms mls' ms blls.

T s, vly, ws l s mb wl vy ll-v s mls ls xmy m vs ( ) s bss mg w s lv sz ss

w bvs s sl v-ll ms-l ss. Ts l vlsly v s mssbly s vs, s s s w- v gl vwg bsly, w v s l-

g (w s my w slg). s ls lgs s v, b smly ms slly v s ms llg, m vw, s Lsx ms -wlls lgs slly s w smsmmsv gs g qvg s sm-s- mls. M sl z s gs s g “ss v mls”. Fm, w oundaSalle desaureaux (Bll's mb), Lsx ls s sg

ms lssl Pll z (w lgs gs) kw s s l ms mmsv . O Blls w ss l-lk z s lms . ms(8 ) lg. Os sm glly ms (0 ), .6ms ( ), . ms ( ) lg, ws lgsgs Alm ly . ms (7 ) lg s Nx vg b .9 m ( ) lg.

Vly, lmv v s g ggs ss lg sm-s mg blls. B w s -lly wy s s gl ml ms xss g-lss (vl) ms w bs yg



74 Jsp Ncv

sggsg l. , w s sggs s 60° -El s,sly gm l g vly. T s -m g -vl El g g ls, ls, s ks . Mv, m-g gs smly blls, b bll-s, g

w s by y m smll mls(sgs, ss bs) ll gz ss sms m g s s. Fm, ml Sll s x sk m s slly lx s y vk llg g mgm l s

sm-sll w g.Bs wlls v v b w ysllz l- g lg lg g, gs glmm w sblskl w s g s vs. Tklly, gll sv s wll s v slg sgg vs-

w s k gs' l mkbly s wll sv.Ts glmmg ws g w my Msè ll g ws ll ll lgs (sg

llw lm gls w b ml w J wks) l g lg b vy gl vsl llw bg wks w v sy wklg lg(s l m s). A l wkl bs ll-

blw k.M b llw lms w sv s

Lsx v y w ll s sm m, w s -lkly, ms vslz w ly m lg s s v,

w lvly wmly s, l- s llm s wlls, w s x mss sggss m sm-m s,ms, m, w vbly xg s g sl -sm bm w ml wll s, l-ly gs bsy g, ly ly bl s mgv s.

W s sg s sy s vs sy -

s by m svss v's zs. W l w g sl mb s— m gl ll, smll k , slgly v mjs sz ss s mvm w-



Ns Vs 75

bss w w sw g—ws ss lsly ( vsly) yg w m, v s y bsv gs my vsl w s, lly g mg m s l-s/l-m sl (),

jl lssl Gk wl s sml sys (w w l-g/l-m). Ts ms s ssss s w J .Llly (9-00) lls “ss-jmg-kg”.6 Dlz/G-'s m xs s s becoming-animal. F m,“ bm ml s mvm, sk s ll s svy, ss sl, m

ss w ll ms m , s ll sgs,sgs, sgs, b m m -lz x, sgyg sgs”.7 Alg w s x lg mb bmg-ml m8 by sl-sg “m ss”,9 l vl gl s ssss s/sxl s s l b ml s-s v bsb m glz ss ly ( ly

w wl l s sss y g l/

xss ).Ts sl ssvy ws lly Axl glly,

glly llws vs Bll's mb, s v s m m mss v lg sly. H s ms sg .8 ms g (.6 ), w ms k gl ls k by ss bs -lk m ws s. H, lly, s lg bg l lsm mly. A ss gy ws vy , g,

by ly w ll s w l glly.S, wv, my l my g m l vy m - m g mly my sgs, lms s w m sl v slv vy. As sl -

vsly k l lg, l g bss g v m xlg m, lg w gs.

Lsx's zs, ms ssm, sml sy/symbl m-

g s w m lk m, y sl s vs mwk w x mmsv -ssss l b xss sbly. Ns vs s s



76 Jsp Ncv

vs gs lms lms; vg s ssbly x s s l sg.

O g s sl b Lsx s ss s glls s s ms vs (s s Nx), w x glly ll Te Chamber o Felines w ws m s s mss w v. As vsly sbls, mjy s s vs m “ ss”60 q vl, zs jy wgs ml sy. Ts l yslly, lk Lsx, s glly/sy w

lg mss, g sl ml ll lssg jsm s x (g L-G).6

T glly ssbl m ws Sha Pi , w wss l gs vs. T S s 6 m (0) l, js w g s mbly,lwy lg Pssgwy w mb Fls. s ms s w bs w s llly sllg s gs

b- lg m w ( sl m--v s Lsx). Hwv, ws llw s s.

Nvlss, js S/P s Abside (As), -s, sm-sl, mb-lk mb (lk s j -msq bslqs) xmly . ms m (b

ys) v vy wll s (lg lg) w hou-sands gl, vlg, gv wgs6 , qs, v l q vlg sg.

T lg As (w gs m .6 .7 ms g(b . 8.9 ) s ms m gl g) s smlly ly bk w s gvgs s s l w x m s s s-l s.6 m, s s As ws m s v sl lls “sgs, msly symbl, ms myss ms s” ll ss

mkg Lsx.

6

Glly As, wv, s b g by s( s ly wly bls slly vsg s,

by Ds Vl Al L-G's Lascaux Inconnu v g



Ns Vs 77

Abbé Gly s svl ys yg s xbl m- b) s w s y m lg v y l (slg mms . m gvg (8. ) s ms). ,

gz s g by ll-lsv sblm m- vsl sm. Nvlss, As s sm-lgbl “msv x” ll ms s

s g v, s mkg w M sllls Lsx's “vébl s” (l by).6 My ssssm, g,s s Lsx's vbl s vs .

Figure 4 – Enhanced deail image rom he Absideo he Grote deLascaux, Dordogne (France)



78 Jsp Ncv

Dsbg , Bll s ws ms mkblmbs v b s lmly “s” by .66

ws s, wv. , w ls s mb As ws sly s y bg, vll y-lzg, g g by s blss, lmss-sq, wll--lk mg xls (w Bll ll s ouillis) vlg, --bl skl wgs m

w, w ss vsl s m, x -gs vslly mg. H mls sms ss, sm lly lly , s lll l

by vm, ll mmgl w “x-y s jmbl”67 ls lg, mkbly, sllvm sg Pég , v m mkbly, Lsx's ly , ml xs llly -m Lsx. s xsv s sms mll-v (opic percepion s bjs sl m)ss vw w s vs xll: sgl , , , bm, l, g,

s s s wl. S vsl-g s homospaial s v-s, , s g Alb bg Te Emerging Goddess,msl g s vsl-g “s s sly”

w “ss ”.68 Ts msl qly s ly sggsv -sl ssss sl.

As sl s msl s vs As, l lg bg by l-lk mg ssl mgs l , s w ms ml

Bm/Pbm vs s ml . As s, sm m-s Pll l vy g sl sb-lz : lsm. Nlsm, s lg m gsg, b sg msl ss-ssg sllg

bl s bw wv gs, mms lg w w y v mg lb ss s-l gz. T s lg y s s gs

m , , ml vsl, s s mms vlg gs. T ls ll wk , , sm b m y vly sbj/bj sg



Ns Vs 79

y y vsl yg wsv s ssbl, ss mjv s.

Bll lm w ws s b As ws ss “b v x m m -lk vy”, y “y gv gs w lss v ”.69 Obvsly ss wk m l ml bm vlg sv s vsl mms. lk m, As sms ll vw s m-m sylgl bs s gly wv, - b, s, s l xss. B v svly

syszg vlg ml vl s mm wl, As m vv s - w lz my m ws wl (sg) smgly sg. B s sbss sgz by ss s, w ss b b bs vb b As mg yb mb g s b b lsm égréore mlx k s m w vw s single mea-

nihilisic mega-symbol. W s m-ls mg-symbl's blssss, As -

m ms s v's s ls. ly, sy s bl bg s sgs m (sy) b vl ks l wvs s ml (s s vlms vs) l mll--v smb xss.

Ts, , s s/sxl l sl sg s-m (by s s v s vs sl-ll) s s bl sl -s b vl. lly, w m syg b As s svsm, gm w w l ssly, s svs l s s l, sys-m g w mgs b bk w, xl, -

s, xl. H, As, w sm v l sysmsm sms q s, sysm -q s ( sm ls vls) m svs ws ss. H, w s msl s v-



80 Jsp Ncv

g x ybz: l j lsm s vls ( ls l sv sl m l lly -sbl lms gm lsm lsm). T As, ,ss sg ml bs s s mlx mg w g msss w s mvm ssss, l wvg wvg slvs. H, w s v s v -s s, b s s s s s w ls- s w sl.

Plly s w vlg s mgy s

As ll Absidiole , smll, -lk llw (lk sm-s-l smll s s ly ls s msq bslqs) js P. H, mms ssbly ly sl- mll-mms lys s s ss Absl As, w s ls g v, svly vw g sblmxss xl v -lg mms ssl: encased and wihheld excess. Assly, vs s lg

llg w v mls b, y, vs -sl s gl 's wmb. T mvl w qks As, , sms b s m l vs l w y mgbl (mmsv s) vs, ls sggs my b ys vs ssbl. s -ls xss svs sv qsg vly smy gs mk v s-g xbly l.

, bs vsl bl As, m v sv, s sly sk v

vsl kg s s l y s ss vs, , sss. H s ly ml sss (w -ssss my b s b sl-l sl-s) wls v y ms v , s As s m

w ylg sylgl gy w lly s-

ss. H, m sl blgs, k ws ssss ls v As's ss xssvxb.



Ns Vs 81

W g my mms s As, w msmmb v smls l vy vwg smgs lzs g-lvl gv vy, s vg yg -

vlvs s . lzs l bl- ssms yss s lls bs m ws lss bs (b bl ) mg ms /wl gs g/g ls m w vlly mgs . Kg m m's l l--vs s gly 0° vl by 80° zl As's l-l xs s ms, -

slg ooding-over eec As (w s sg g mmsv s ) s sm vsl y x- . Hwv, As, lvl vsv m-mlxy (gv m sg w smb vl ms mlx vsl ) ouillis ls llgs s lgbly bs bly y l gs g, s m m w vslz mb ws

ws s g s s mv s-

g vs, s s m vslly svg mls m w gl l mg.

B ls sg sysm, lxg s As, b ss sm wy s lkg s myss gsm , by bsbg s vsl , ws lkg sx/ . b, b: s gm w vslzg m xs, w xmg lsv lvs m ms

. Bg, bgs, gss: ll v s s-l ( sll sl) ; ll s w lgl/lgl s.

s gg ms ml m-ls slg,ss xs ly g s ssly ks v s xsv mg. Ys, ls mss, jbls s mls , ly w s sgg-

g mg-m b , b ls ms w s l sk ssg w w mks v s-l sy s v ml lg. Ts sg ssv vs ms v b m s-



82 Jsp Ncv

sy sly , s glls, vy smsmgs s mks vs l w ssvly - m sg yb s-msl mss. By skg sl vs s wy, As xlly ks gy yl mj (glss s mglsg w v w Psy) s smgly js gv v s g m—(s)—s. Ts s mj wy J g's m-sl ms/-ms 4'33" s mj, s, g s sly s sl s s. A, s s, s m

llss mss: mss llss llss mss. Ts s s ky s vs vl.O , As s b -

w lsy Hgl w ms our absoluesense is rs a pure being idenical wih non-being .

Algss sly mg s mksl m s ssbl s y lys s svll -gy s sg wy s gl mls ws -

smm. Ms s, wv, As s mmssm vsl s ssv, s bs mml bly mk g s symblz , gm w sy. T sl ssm s -mks s , js mk-mk b s s wll.

As xml, Abbé H Bl (877-96) (skg glly b Lsx) m sm mysyg, bs, g-m mks s g l s, ss

ws, L-G l s bs mks gy bs sxl ly w s sks s ml sgs, vls, gls qgls, ml. T s mx gm s w s, b ll w kw s b bss As s s ym ls sl/-sl s ( m-ls/mg-symbl

blssss w s s ky) w wk v s

my s. Hwv, by ms ll sms g-s m ms, s vlg s smls m s lk s. Ts s bs ly ssms g ly.



Ns Vs 83

T Abbé Gly, w lv Lsx v svl ys wlmkg vy s s, sv As svl re-engraved gures 70 w s g bg s s gs -s -sl ss gl g ls s -l lm cogniive dissonance , sylgl m g ml s w w m mbl y s l b qlly ssbl. H As's gv sssv vl w mmb B Mssm's vl s “ lv x w w mlly ss xs,ls ”.7

As s mm v, s s gm- -bg sv m y l s, w sll v kw.B s my yss As mb s gvss vslz l -l vlzg w js-- xg lg y/m wss -g, -l mjv ls vlvg sx g s ly v s vslzs.

W kw ms gv s l -

sss by x ( lgs m b) my vsl x s x vs vsl m . W w j s sb s vslz ss wk As my v b s bk smls x s-g s, m lk , s s ss -

bkg ml smls x s gly bss mg-l gzg. s mgbl s sg s wl ls

b m l gsg xs mvms sv s gm w wl l sss ,mg gs.

s ss s s lg l smls s s ls s-mgs wll (mms - mg l s) s sm ss s vw mg , lmly, v Hgl w v .7 s s,

wv, w s Lsx w mlsv b w by ss v ll, y b . Ps ss wy ssg vl wl b-



84 Jsp Ncv

y wll by g g w lmss-lk l jg w ml's vl ss.

Dv Lws-Wllms Tms Dws mk s , - mg , s slly vss,

b s mmy s l l vls s ls g wy ss s wl. Ty vw v mkgs s wl -ls sss, js s s s, m bss lll w mls s svs s Lsx ss ss my mv ss s's s, lly s

ss w syv ls. Ts g s l ss, s sms, w w sm ss () by l mls gs by vly ss. Al ss ssss

by yvl, ym mvms syv gs v-slly enropic vsl mg-ls ( m v m bs s m sysm—yw m y-

bll vsl x b—wihin vision). s bk, Alchemy

o Culure , gly g sg v (bs l kwlg ll g) m svl ss, Pll ls lz l sbs syvss ll s ly ll vlm.Cannabis saiva ws kw x s E mss v b vy Nl ss.7 ss, ,

w gm by lz yvl lms lwys x ym v sgg, mmg,

g lg. Ag Lws-Wllms/Dws's -sg sylgl ml, l w ll l sgs x ss vx g l m (vx l ss s vls s sg sg ss vllg g ssgwy). A sbjs m b ( mly

wss) lly mmsv wl.

O my sl As sv (/ ) s sg ss w sl s x s y xsl y, w vl sl s b vsm b blss. S s ssss ss -



Ns Vs 85

gm s w lvzs gs sl-ssss. s , A Tousand Plaeaus , Dlz G sbs s ws blssss s 's bmg body wihou organs (BwO) ms sl-sg sl ls mgg l msl ssy. Ag m, bodywihou organs s insubsanial sae o conneced being beyond represena-ion which concerns pure becomings and nomadic essences.7 Dlz G g sy body wihou organs “ss ss ss; s sbs m spaium s sl -sv, lkg xs. s s s s; s m

s s gv g— g sg ss ”.7 Ag B Mssm, sl A Tousand Plaeaus body wihou organs s “ lss wvg -g sgl ss, w s g mmlss”. Ts mlss m by's vs “gs z(s)” s “vby gs”, zs sy ss m-. H, body wihou organs s “ by s y ms, s y s y; s s by ms s

l, vly”.76

T bv ss sggs mgg wss, s ms, x, s sm, w s -l g s . Ts, s ssbl sy s ss m-s sgs g g w ly s gz g sl s. ly s ml -ssss wl sggs ssbl mkg qlvss s g w l ss ssss

l x s sy ggg.S Lws-Wllms/Dws's vslz s

m m l lgs J ls, s vs s F Msè l l. ls s jLws-Wllms Dws vsg sy-lgl ml m ll sbl s wy l v mslvs s x s s -

sv, gly sv, mmsv ss. v k s wk s, m , w mg x ssbl mmsv s s ls m s ss.



86 Jsp Ncv

T sylgl l s s ss - g sgs. Smmg, s, sgs ( sylgl l s enropic phe-nomena) v b sw b ly ss

w sys s vs ks ll-v l-lk qly. -slg m-ls gs l sgs, s ks, zgzgs, vs, lgs mg ls (ll As). ss, s ls, g s m ll , , g Lws-Wllms & Dws, x s g vx l

sms s ws mlly slg sg sbj mmsv sbjv wl. T bjv xl wl s -gssvly xl m vs s, s l ls gws v m .

Ts ss ysz g vs, ssls mbs l - mms s sm-l by gsg l l mll gms, w syv s m b; s mll -

gms w v sg ll sy lgs s g vsy, mysl ss. As -g gg gs l ss s w slly ls y blv llw m vl lll wlss ll bl sysms. s lms, s ss, -s, mslls l s w w ls

w m wys m ssbl mml s. myss gs, s ylly k

ss sg s g sl k ls, by zg, g bg, / g gs l-lg ls.

T vly xlg s l ss sssss y vm qxsm w ls m ks . T, , s -sg sbj xg l s ssss

ms l sm; ssss s sslly sm s, ssss, s ms, s sm s ls, lb vl g lvl -sy by mvl bg gs bs m. s



Ns Vs 87

s bss Wl Bjm m vls s vss b m sbj sm kwlg s s sb s, js s he convenions o conormis ideology mus be reaed ohe same scepicism as one applies o rapures and dreams.

s ms w v s s s g l ssss As v s, w my w sms s l ssss77 w As wl v ls wss . Fs, sml ssss s smms x- w ggg sx, s lsg lb bkg m wl's y sl s. Ts s m

s w ly w l s s, b w ls s sl m ll ss sy lm ml x vyy l. B s ls x- w bgs s-s-vs lg bs ly, s,l's v ml w bs mkg vs -s s by l s y.

skg s ly mmsv s s mlss,, m wy m Lsx's As w s s jl gl

svg s vl iner-special disembodied connecedness. S-g s s y my s s-ll s l v s Fès, ls F Pys. D g m v (lk As), l-m/l-ml g- ms s. T m/ml g s sg ly wll (w s sl U Pll v ). Js - svl vly gv ls, mm ml gs

w (s g As). ms

s s ml xss s m/ml g -ly s mg s 's -lgs - w sml sx mly sly. T s/sxl mmsv (s-sl) y s lbl.

Ts s xl k-s-xss As - b v, , k, sv s ms m ,wv sg. Tg bvsly mb w mg, w -

ly lkly v kw mg mg-s As ( mks Mgl l m). W kw g, w y, s w mm-sv s ml As m, w ws



88 Jsp Ncv

lls mg m mg, mkg m -lsv vlbl ss xssv bll, ym lg w sxl lmx. s s s s s my s smgly l lv s lbs s wms sls v m lvls sl-lg -. Fm s s y, mg b ssbl mmsv s ss ssss s s w conain a condi-ion in which realiy is perceived as consising o more han ha which every-day vision brings o ligh . S mmsv s ss byss ssvv sss g s vs -

x my.Blsg s s , b lvg As, lk w Pssgwy Sl-l s x ll s mbs kg ms . A l lk gy vs b sm mbl, sqé, ml-gs sxl , s ws m- my m sxl s bs my s ss y bll, s, k -

ll js s v qly mg mysl g w gg sxl . s s ss bg w ly bblg s ly l, ss, vg w, s w slls, ls m w vg lz ss s- qls mmsv s x.

W lly ss s s jmbl l ls,sm blly sl wl s , s lg ss gys wg w w bg my s

s sm wy ls ys g: wgs w lly bv s sw vs sysm's ms l sgls.

Ts As sm lz s m my w mmy ly l m lg gl vs wl l gls ss w m. W sl s mm s- ss vs szs w s w jmbl vl-g ml wgs , l -

llgbly.

78

W sy w ss As's bml-m s syl s lms , sv ls Ls s Fès v mblls, by Pég v- w sbsqly vs x y.



Ns Vs 89

O xg v Lsx, ss sy ss wsskg s s s lg, 's ys sgs sss g ssly w mgs -

mgs lg ll w mg vs 's . ws s g bg vs mblls.

Figure 5 – Gods o Poliics, 1984, 14x11” graphie on paper, Joseph Nechvaal



90 Jsp Ncv

T v mblls, lk As, s msly l-l l- lms mbly gv wgs , w lms ssbl w blly. A lg wlk s v y w b, , lk

As, ms s swbllg vg mslvs.H, , vsl-ml sysm sl-vs ssm ly l, lmly sg s wll by bsbg ls s- msl sy ssl m. Lk As, s llssly lb, y, ly ms, b l vs s s by y-ssss

bs xss, b ml s b v's m-s k ssbl lg. , s As Lsx,s ws blm ml l g-v ss l v ml-l -sql ssg.ly, wlls v sgl lssl

vw x s m w bg, , , - ym s/m-l. B s wsv mg by ls g w mg v llw

mblls s lms s w l ssm-s v q m, s Lsx mg .

W -ss l-, sy, smb bl mblls sggs m ws llv bs - sb vy ssbl s, lg w s-m s xsg llsly my bs smls-ly.79 W g y-vy s s v l ls, sw mblls s m- v w

by zg ss l sg g ms-g s 80 w gs, -g m w s m: ml blss s.

Nymphaea Nerve Noise

Exm g mmv symbl -

, mms s's vl lzg/lzgg s s m b gly inscribed parabolicspace s w sw As Lsx. A, s s, s bgs



Ns Vs 91

ll m w s l llsy l l, js sy symbl s.

s sms m l vs slss -y symbllly s s l g blg. H, mmsv s ssss sms s

b mly s vg lls -sl-m g sm-ls s s w ls sm bl mg l, l w gly svs s sy m . Ag Ngl Pk, ls ms symbls s by my s s g

sy my s mbm vsl wl, -sg ly msm.8 symblzs - ly l s gm g m w l

w bgg .T l s symbl mmsv l s om-

phalos, vl, sll, y- w s l. s s mmsv l, s wl s m by mls' sylgl s. T vg

mly b mls ws mk x w sl sl vs wl. Ts -s l l w m sy g wl ll lsmv b .

y w kw s s xs y, vlvs s y. ly ms, wv, smy

ws bs l g smlgy g w ws x mmvbl. T ws v s bg -

vs vyg s . s smlgy, vs sl ws mg s bg b by g s w ss, g vs slls, w . S wl

w y s s s xs vy y, qy ws blv s y g s ss . As s, sm s ws blv y s lg w , slg mvm

s y.T mls' qss my v b ly s l w l lm ss g w v mmsv s ml sy. Hwv,



92 Jsp Ncv

s ss w sll- my b qkly v ms gzg vw w yll gms sg sms, s w s w mls' vl lssl Gk myl. A l w mk l -sg lms mg m l s lms vslly wl ms bss l s, ls ms ws ml sgs.8

Agly, s s M g, ws lsy smlly s sl s y mls. A w s x, s, l s w s ls y/s,

s s s s (w ws s sb m s l) ll blsk ( ml m) bgs mkg vx w

w ll s gz. W sll qkly s s x s w s sy-

l (s l mls) s s-y l s gv w sl s gs Ws m y/s. Ts w v

sbls bl mmsv s s s ly -lly lg s mmsv ss, bl swllw/sm-ssml sbj v sl-v gm s xss sg. W w v s w m-lk s mblls v s sy mms s s mly sy ssvly mblls s s sv vl, l ml. s s s w wll w ss ym my

m w mks nymphaea g g8 lgy, mlgl wss w s lssm sml- vs s ss sll b svbl sg x-sv mg mmsv xs.

Nymphaea s m m s sb ml -sls s yms w w bs sml Agg w ss. A nymphaeum, ms, bm ml

ml l ym. Ts ml l s sm, b bs s ss w bs Gk l g gv (w sg), m l bm lbl

b l gs mml bl s.8



Ns Vs 93

Ds m lssl s Hlls ys, gsl l s y B s g m-l w y bm mm gs wly lls. A gs m nymphaea wl lm ssg s sm-bl s sv s ss yms, s s ss w m sg m . A- m s m, wv, s bw bl ymm v ymm. w l ys v b ss: s g , m A- v, l -ml y ( xml ,

w y lls, mms Nymm Hm Lm, x sll ll'Aq M, b m). v s, ymm ws l w l s lg mbl cavea . T s/ym-m ss my Hs G F Pm, xml.8

lly, y s s s s m ly xs s s sl ssg -s ad in-

nium. Ns s s ss/xss w kw s s-s m mm wl. Ns s ls ym gs g g w s lgy mmsv xl- m s sm sms lv. Ts, s g g's s s s/sxl ymm gv(bs s mls-m) w w sll bg

bl vs s's s gs by g gw s l s lg-

l ss ls-lgl s, b w s. W s smlg b s ym mls-m ym ss s sslss g s- 60° l s s w ls, lly ls, .

T g b s mby bl yll, s- , mylgl s, / smly

b lqly . ss, s s -s. T g'ss s s qlly, lg, sl, sls, bsy, l s; b ms sgly s lly mls symblzg m v w bk vsl m-



94 Jsp Ncv

x.86 B y ml s vs ms b s vy s m, sy, mlx, ssy s . T ymm s , s s vs s ys sly b wl ll sg mg.

W k lby s symbl mms sl, s lby ls gg ls sg b,87 lg w sl-svy g s. T s-sly wll bm, ll w s sl s ssss.H, lby sg s sg wks s gs s x by g s/m ,

ss, ss s/m s.T lby s ll s s blg b ls s. ms, w g -ml sss w smbwll -sm, vbly wl b g g wgsl mx w s. N kwg my s w , s ss ml l k wg ss b b l. As sl s bls bm Pg l.

T ls svvg lbys, ll lssl sv-g sg, k vgs g s s, sls m vs-sls, ll sl ms l b wlk g .Fll-sz lbys w vlbl svv ss ysgs mb gl, s vgw. Ely s-

vvg lby sgs v lm Pgl, Nlg Hlls, s w s bk ,000B, ,00 B m vssl Sy, ,00 B -

sb ly bl Pyls, Plss, G. T lbyvg s omba del Labirino , Nl mb88 Lz-zs, S, l vbly ,00 B s my

w mb, b l bls mk s . T lsv lbys v k s bv w P,

Vl m, ly, sb L Bz Ag Ely Ag (,000-00 B).

, s l g ll Gk Gs Gsss, ws gly vl Pg vlz b s vls 00 B, w v s m Egy ls M. Vs s bw



Ns Vs 95

B 67 B b lssl sv-g lby sg, b sq l ms. Ts lssl lby sg s blv v g w bl Tss M.

Ag Gk mylgy, Kg Ms sm(Dls) s lby l M; l-bll/l-m gy Ms's w Ps bll-Zs.Q Ps, vly sxlly ss by Kg Ms, - v Dls s vg ll-sz ml w w s l l sl, xsg ly vg. Zs,gs Gs (w ws b s v sl

) s m bll m mg, slg b l-m/l-bs M.T svl vs lg Tss M-

, b m sy s . w vy v As s l b q vy ys sv yg m sv ms sl b s b v by M,

w ws w lby. T vms w -s by l, bgg vy mly As wv b

bm . Flly, Tss, s Kg Ags, vl slv m by slyg M. A by bll gl -

v by Kg's g A, Tss lby,slw M x mlx s by llwg gl vll s vl, s g s wy -g l b.

Ts my ws wly kw, s Zs s l g Gk my-lgy , , bm ml sbsq m l. A

Pm, w vs, ws sq s sv-g lbys ms ll Hs Ls smm b y ws sy by Vsvs AD 79. s y ws Labyrinhus, hic habia Minoaurus.Ts mss ms w wll w Gk M-'s ss lby.

Alg lssl sg, lby m ws s

ms vms g m Em s ls svvg ll-sz lbys. A sg v ls-sl lby sg s s ( x), s ss by , ,



96 Jsp Ncv

mg by s x w g . T sg s sll ss-lly sl, wv. T ms g m lbys w

bl ms s s mzs. O m mzs ml - wks s, lk lby. Hwv, lk lby, y vmll gs ssbl s ( js s lby)

w s.T mm ms m wy my

lby mz sg. As wll s bg bl, my m m-ss w sl m sbsq s by lls vy

blgs y , s my xmls v svv. -

m ms mzs ss glly gl g ms w y ll, sg l l lls.Nmlly sq sz m, ms l sbj ws slyg M, b sm m lbys smly y M, l-m/l-ml s s s -s. Evlly mz s w s sml s ls (lss M) s s v s l w s mjs mz 9 ms (0 )

m w ss g ks. my s vs vw, s k wl vbl

w mjvly xs lss s wl bg gz s xg s j m-ms mlyg s. T vss s ss lz s ’s vms -lll ml s s. Fly, m-bs g s ssbly s par excellence w s-

z s bvsly y v vls s vs. g s smm ll ws s -

g v. Lk v, gss ( ssss) s m s-bl sg gv-vs/ssss lg ls bs mjv xg vs by mllg lgvy m. T svy l-90s by Am

sm Ew Hbbl (889-9) vs ws xgmls mkbl gs mmsv s g,s, lk v, g s m z xg lm-ly gv ssg. s s s m wl



Ns Vs 97

v lsm ( xml, s by l lg/ls Tms Aqs (-7)) z y , zm, l wl vsm w sl -ss vl lsm (k gs J-FçsMll (8-87), Tms Eks (8-96) Wslw Hm(86-90)) ly, v wl blgl ms g's sg . Ww s z y g, mms js ssss, s m w wl s, b

w lssl A wl ss m x-s, w s m l s b, bs ssg, -

lg, .Pyy ( AD -0), -Pl N-Pg - De Anro Nympharum ,89 lls s F sl ,v ls ms, vs l gs w s- gs gsss, lg b mls w v bl (g v Ly P A, mg s).90 By

wy g, lgl v s s y B Egy s g gv

ml mlx Kk. vs l g s, w sk wy s mlx b s sy ml Am ( ), b b ms mmsvly sggsv w s lm mv sl.

ws m Assy vlz Msm w sacred groves w w ms ss w v sl. Mv, lgl v sws sm Ms-m ss s s s w w

l w vy s s ws s m g s ml w l mmz/ Dmmz. Ts s ls w l m G

w sml s gvs w lm wl, b w bs ssml ml vs ll nymphs.9 T g's s s lly b vs g ss G, ss zzlg vs Plss lg by Ds9

swm ly Ss wk 008.Exly w Gk bg s sxlym smm m s kw. ssm s s



98 Jsp Ncv

l H m N A, b wy s s N A, w kw.

Ossbly, ml bsv s lg l , mg vsly m m ymm, Gk sl yms w ylly -l xms g w wll sg, sl gv s ( s v) w l vl . Ts mss g Gk emenos , s mv m mm l,, s s, ym Gsss. T m vs ym ws ll sm-l s mmsv s

w mms w yms, xml wSyx, A ym w sl s vs s G P.9 P, w lv vs, ws s ym Pl s g s G ly -

bl ml sxly, kw ggg sxl vy w vsyms m g. N v P ymss m w y v M Psss ws lb s s ms B gs.9 Y P s

b s w sayrs , w w Gk wl ss. Sys m by lw by g w glly - s vg svll w g s s, w xb s (yll). ly Gk y w -y s sv , b l y w s s bgsm sxy. Gk vss slly s-l slg sxlly v yms s s Ts (w m mk Al-ls, s, vlbl by g m ws v Syx).

Fw ls sy m vvly vlm g v By Nls. s s s-bs ymm ws by m l l gs m smllgs w s lm ls w, v v-lly ws E g (s ly s ml llly ss E gs). Gs l syl g-lly s sl, sm- ym m Pg bls (qly

Vs, m Gk H-bs Gss lv by A, ws mys s k v) k m by s sg bbblg w. Vs, ms b mmb, ws m Gss lv, glly s-



Ns Vs 99

s w blgl y vgl gs. Am, mG lv ( qvl Gk Es) ws s Vs. V-s's ll m s w ll s l

Jls s ( 00- B) w lm s m Vs v A-s Jl. s s l Vs lm Gss mg m, Vs Gx,

w m s ml Fm . H s-vl, Vl, s lb Al s. Ms l y kw m y B Hlls sl Venus de Milo , w wss by F bg Msé Lv s-

vy 80 sl Mls m z Vll 's(8-76) 9 g Worship o Venus Ms l P.

Dionysos is Back

W s ls m mmsv s vs y s ls-sl Gk s w s ssv w m s mls gll Sgm S kg, lg g gss. T Gk s s m- l v m bv m l ms, w ll mlmmy mmbs ly w J Hsss mlgy dromenon ( g ).9 Ts l-–-mmv-s s ss w w Emm-l Lvs (906-99), oaliy and Inniy, sys s bss sl ls: g-gvg (s s b l j

ysllz mmv y).96

B w s ms sg- s y s l orchesra , s w s sly sg . T ls l v-l ss sll llm js w s s sl. O ms mmb g ms s Asyls(-6 B), Sls (9-06 B), v Es (80-06B), s g, w ly sg b w l s, w mk s gs

gsss.Oglly, g m G ss sgl

lg s, sggsg g m bg s l lb mmy ( lm w g) w



100 Jsp Ncv

sm, bbly l s, sm bg xls s bg lb ( bg symbllly ). gly 0 B, Gk lssl g bg w Asyls, bl As' mj m m, GDys ( svl Dyss). Asyls's vlm gy ws ml vsly Gk m

ws lm s s. Asl lls s A-syls ws s s . Asyls's g - wk ws llw by Sls, wk y by gs g ls sg. Asl lls s Sls

ws s gy. Sls' wk ws llw by Es, g w s ms ssbl svg s m ly. Asl lls s , by Es' m, s l mb m s s s m s s. Es' wk ls -ss s ws mly vsg s viracual 97 s. A lv xml Es' wk, w ws bg my s s m by M Als G,

ws ly Te Bacchae, ls gs wk Es. Tg by lkg s ly sw smg s Gk g ms s y w x by As G Fsvl g Dm, l lgs svl G Dyss.

Te Bacchae , w s by s (ssg s s ml wss—ly by msk m— Dyss ll Bac-chae , m v m Bacchus , Ly m Dyss) lls

sy Dyss, Gk G w, vly ll s g bsl gly. T B s g maenads g Dyss's B zy, w by x-

bg v ms Dyss. Te Bacchae , Dys l s ssly w x-

l lb s s sgs s Dys blss. S Dys ws ws ly mysy ls

s G, wv, ms wly kw bgElss Els Myss. T w mysery s s ls q s b k s m ss.Ms sls blv, bss smy m lm Alx-



Ns Vs 101

ll, Gk Myss w ms m ms: deiknymena (gs sw), legomena (gss), dromena (gs ).

ly, by mg B, Dyss lbly ss g ssl b v, yl Kg Tbs,Ps, w vws l Dys gs ( Gksll s mysy ls orgia (.., gs)). Eg by Ps'ssl s s y, Dyss ws wm Tbs g s lm s sg Ps'sm.

T ly's s vs Ps’s ms sslv y Dyss's my s vl mlg ms s Dyss w sgs Dyss swly ss P-s llg ( lmly l ) ll s ws.By s g, mls Kg ws s w s, w-sg s m by s g, ms, ylss g,ss, sg Ps m s g. Dyss ls P-s by mkg Kg s m s bll, k l ws

ms, blv m Dyss, w Kg ws yg sb, ws G msl. Dyss s gy sa deus ex machina (G m m).

T s w s wk, s, w s ly -ss mly l l b smms g by s y. Ts s s bs s y Es T

w l s w s by hearon ( ss l) w ws sbsqly . T , Gks, ws sm-

ly he place o seeing , (w ss s) scene ( skene) ws w s ss.98 T l l wl ws orchesra , l g/lyg/sgg

w s m m g ymb. s ms v w l ( l lly b l-y Gsmkswk -) -

bw s -s, bw l, bw s

ms, bw vs sls, bw l wk ss, g Ws. All s mlss sm m g vly kg l sy s l w sg m y s. s s ls bw s s



102 Jsp Ncv

s s w w bsv, w ss m, mg s m s s y l— mv m dromenon m.

T s s l bs s qss s vsly m- l gm ss g. ss v sy w g - vlv sm s/sxl l l’s . As v-sly l, s g (mls) s l w v j w w mms

w gs gsss w ssbl. s m s mysl

's mls l s glly lk w s w ws xg mmsvs vs sms. A s s ws mk by bl slks s s l ly l bm sylz ml lls ml m g homo erecusg gss, sll l x-sl myl l. Ts s g lg mmsv s bl l mmy mmb sms.

l s -s l, lGk ml sy wl g ly m-ls m sv.99 T s vs s bw s,s ll Gk m -ws w s slm. ll ss, m sg, w w kw wlly, vl w Gks mv mls-bs s -s l gs s slg ll s s xl,

b wg ( , wm l), wl v

bs vw Dys svl. T T Dyss Als s xml.

W s w gm, m m l wlg w my s sly s w Dys l, g lly , s bs — sw. Tus a bulk o wesern ar as i has been conceived or abou 2,400 years begins wih he demise o immersive noisy paricipa-

ion and he adven o passive conemplaion g wg sm-g wy g. Nw s y s bmv m s m wl



Ns Vs 103

l s, l g s by mgs ss w sm-l sl mls-bs s .

W mss s mms s s, s ls bk l s by ggg w l 60°s-sv ss y ( w g vm ll mms).



Chapter 3

Signal-o-Noise Eye

Ani-Noise Vision of Linear rompe l'oeil Perspecive

T ss s lk w svy lssl l. -sqly, w vv s qy m w Pg sbjs s s Pg ms l -mg g w ss ls g.

w ss ls g, wv, s wm m l Q: vlm -l, l -sv, l sv g s m x y-.00 As b mysysbs s bk, echnology as Sympom and Dream, l s-v vs “vs k gmz s wl, w s w bm bsvs wl w s bm bj bsv”.0 Ts “bjv” g, w s mss z-l vsg , m l ls g wg, s, b ls m m l,

F Gm ss g sl. Wlkg s-s g, s s Vll 'Es, â ms M-l- Vllé, â S. Gm--Ly, y smsgs âxs L Vlly (s s mb, Bls, Azy-l-), s ll qs b ky vls y ml: m s w js by gly s w lssl qy. Ts vls l by wmysy ss s l l sv, s “l-

b y s” w bms lv gvmlgy.0

By lkg v ly ml g g gly ssv, ss vsl b s s w bms v.



Sg--Ns Ey 105

Sml Eg, s Te enaissance Discovery o Linear Perspecive ,zs s s s “ ms gzg vsbl wl -sl gm ms, s vly s g -s”.0 Uly, w gm gz y ss m s/s s vs/ml s ls v myss s w. T s ml gs s-s s mj s, , mg, mg -l bxg- s vs, ss s mm-sv sy w w v b xlg s . Ws, g Wllm vs, s ssg mg y mv “m s s-

vy v s qs ml lgl sm gmm g”.0 Mv, g Nm Bys s Vision and Paining: Te Logic o he Gaze , sv g l-lw lg x gaze sbl smmg glance, s ylg vsly ws sl sgl vw s ss b l sv ws, s, -mmsv -s ss. mysy s-s Bys's .0 lly s l wbbly

vs06 bsl vw ly b v by g-g bls’ l vsl . Oly by sblsg vw's l bs lk gl lm

by x svsm b s.07 T svs vw s sxl m mmsv , l by s w, xl ss bjvy g ms x-ls vysm. sgly, sy wl s s by smmbl ml gz bms sg, , x,

. ss l l rompe l'oeil sv, y,

mms, lgy m l ws g l symblss wy, mgy msblG. Ts svs symblz s xl Ew Psky's Perspecive as Symbolic Form s l mg s. Ts ss w s sg s l s x-

g El, mg m sls s 8 m w ws v y l perspeciva aricials. Hwv, y sv ls ly s Qlgs l s Gly y b, s sl, -



106 Jsp Ncv

s, w (lk G) xss bsvs s w m by slg g mb vs s gs -g m. Vwg g ss l ww, lk ls xlsv sgl vw s b-ms gmlly s l. W w v sl sbj s by gg ss mmsv s s by ssg l lg ms.

B ly ssly sl s lgl g, sl vs ls s s s sg

wl mv ssg l mmsv s.08

T gm sy mmsv wl s w wy s gm g vs sbvs sg wl smll smll mgbl s.09 O s, vs mjy m mgs ( ms vsl ) y sll lvs sz-l bs Q mg , s s mmsv s s w z m ssl s sbl.T v gy, sg y w w

s, s lsly sv, s ssg lll g, v vsl b s ss.0 ss l sv wv, ms b -mmb, s ly v w, s Psky g, s llb msbl ly q s ss s - wl ly bsl l .

Tg sy mly s lgy , sly lsy lgy m bl lvlss

ss. s -Pl s, l, sy, slgy w ws v s vly s sbjg- mg bg g ss. A sm m, s-s -ms sls s lm g gss by bly s s s, s lss lll, vlzs G m.By y, sv sy Gk s wll s L lssl

sy gv Q sls m ss vw q-y vlly ss lgy s l Als ll s E.



Sg--Ns Ey 107

Hwv, w ms k m g ss syl ( by mly L V (-9), D B-m, Mlgl B, ël Sz, z Vll) ly b , m b 9 0. -z, w sy Hg ss w Msm

bg (b ) b s s ly ly , ll mvms E J. M. W. , msssm, lly Pl éz (89-877) ss sl s, gmy m s by ws s

A Amy.

O s Hg ss w s sss sml s w vsly sw As Lsx,s s s gl, sumao ms, smky q s sg sg m ysls sl gs wk g mmsg m my, sm-mbbl qlbm. Sm s sbl, smly mbl, g k ls w s smggy y sl sylgl ms s vv

mmsv sly As Lsx. Tg sm, m-lmy ss (conrapposo) y vsly bs s s y ls ss vs s ms sg sl-l-v s gm -sv. Ts s s s smvs ms x, s, l s -sss m xsv l--vw (w s w v s s s-ql xg mms s). Ts mmsv (--svs) s g ss ws sumao uniy ,

lly bs bl v s m ws by l kwlg -l mvs. W sm, w s ss mmsv s- s s, , gmzs -sv. Ts sl sm

vslz, w bgs v vs s sym l-g, L V g s ss s reaise on Paining .

T g lg mbgs gbbss ks smgs wlls, w my sggs s ms vw s mgv vsy bly.



108 Jsp Ncv

Ts sm s y mgm vs x- gz xl mmsv s xss.

Hwv, m vg s sgy ws s l “” -sv w vl g ly- y ( ly Q) Fl. Fl Blls(77-6) s lly l bg s-v's gm sg, s ss g- (by ml) s s m l s.Blls ws ly s y ss l x-ms l mml y sv. Uqsbly,

Blls v s g “ sv” w ss s s s xly w msl s wl g l Bsy S. J Pzz lDm Fl, m lk gl s . T l g w s bks ly vw's . A y y-l ws ll g ml l. Gzg g y-l, vw smly wss gl s. B m ws l g,

vw w bl g s, ws s ly sv ws ssly sgsbl m gl.

Mv, Blls lyz m vs mmlly by s g sv ssl l vsg- z-l sss g (w s ls l w w-sv s by blq vsg s). W s s-mz bgs m svs sm vs-g g g ms gm s y. S

rompel'oeil , l sv ss sysm sgl- -sv l -g ml s, b l-lssm w vs vsbl . Ts sv ,g Hl Fs, “ws bs ms s-'s y ws sgl, s bl s w ml bl

vs”. H, ss vs g gm sv by jg lg l 60° vs sgl, x-y

s js s x ls sv s ani-immer-sivism s xsss -mb vss bw sb- j s.



Sg--Ns Ey 109

L Bs Alb s vw s sv's gl l w 6 bl s x De Picura (O P-g). Ag Eg, m Ws ss -v sbjs ms ms spaial homogeneiy s -m by z-l x gz.6 Wl s ssbl ss sv El s gmy l-mvl/g vss ( mms ) Ab

wks s, l s l ml - wkg sysm, s s m lm yslgy,lsy lgy g’s l window s w

ss Alb's vm. Ts vm, wv, ls -ml sg by bw sl ss sy ssl wl. s ww, w ws s vs bg , vlly ls bm gll w g7 s js s ls gll l sv w, g mysy, s bm ll vsl gmy m

wl.8 As sl, J Bg smmzs Alb's ww s-gg ms s “s l wll, s w vsbl s b

s”.9

sly, s sg sv Alb sg g-s mll xlly lssl s, w ly sss y vly smls xls s ls. Hwv, P-sky qly ms Alb Blls, ms , g bl sl ll vsls l s, v gl-l svsm by gg bmblg s gl.

S l’s g, sll w? W mms w s-m mb gsly bq/-bq m l b l S M ll z m ( 66 870),0 mysl sy w ms l s vs : vwlm, gl, ss- by xmly k ly syl. T mises en scène s -ssy g m mbl m bs ( skls

v ,000 mks) sly by svvs, Al Bs, smly ml k smly . T bm-bl, k, sb syx s s vv s b lg. T syl s l s sll v lvl.



110 Jsp Ncv

Ts mmsvly lv ss w bglg

vs sss w -s by s ml m-. A y, m w l bls v bsysmlly bsz by m- s blg

by s mmly, mks' vl b-

q vsl syl s ms m-ly sbgly ks. M y, bs y sk m w s v b mllg . y ss wl mmsv ss s m

my ssm b lms sy s l b m smb, sklss, sv s-l sllss m w lss skls sm s qv s b bly. T lb y y ws mlm glm, wv, b m/gl m gs lz s xss.

T m 's w-gm-lk lsms xml mmsv s ssl s-

g gv y-msy s sss l As Lsx's sm. H, s msy s by mszg m sg xy s yllss m y s m llly ss bw slvs sgs. Ts b sks w ll b sm m (g ) mms w- mll l.

Eqlly, y m m ss s glg l y's ss m smly ll vs m-gs y v s sgg msg. T y s mlly y mg l l

Figure 6 – Side ossuary in he Cimierodei Cappuccini locaed beneah he chapel

Sana Maria della Concezione (Rome)



Sg--Ns Ey 111

y ly bs s s s sm, v s wsl g-mg. T y s ss, , lk As, s s ll ss. A, s s, s m s lm mmsv l s. T, g m mmsv s s w mgs lg v y y sv l. , y'ssm-s m, ly g s. Fs vl m-l ls, w gs bs s ly m m-ss ssy w m m. H ll qlly j g w l s, s s mss, bl,xm, m j s bsy. B w sbly

gly g, m ms— blk s slly s-ls m ss l— mmsv lly m sl. Ayg lss s-, lss yg, lss zy, lss x, lss mg svs gz wl b bl /-ms , s ms b

w v vl bss s g. llw s s by vsg sl ly s

mbs m m wl b ly b

sy m s s sy. Hwv, lsly yg bk Ps my l g w F s ll empèe (wsm), mmly w vs mbs Ps, w

Figure 7 – Deail o a secion o he Parisian Caacombs (Paris)



112 Jsp Ncv

ssv s ml ss xsl xs Bq s.

T Ps mbs w bg 78 llwg s xv ll y ms, smmg bk Gll-mms, mv ms l l, b M-g qy m w ss bl Ps w g. Bwv sx mll skls w s s l sk sysmlly g by (smgly lssly)gs wlls. T wlk g slg mb g, ws v s-/- g, s sgly bl. A

s ym g s s sbls, ssly lg -ss mg sblm s w s s x lg w w msl sg. Ts s mms sbl mg l sxl s , s s, s m mblg ml mms m s ws ly. T mbs' g b-l m wksgs mlg, ssg, mysyg ss l-gy , s s, sly vs lm g m

g mmsvly sm m xs,ml w sl lg, l, bl wss mmgllgs lzs lm mgg s.

O g lg y s s s ss b-q mysl s s (lly Bq s bll -l sg Ps ), bsv Bq s s w w , w mk-blv rompe l'oeil s. , s mg w gl mlxs

l ws, bbg ss, ls s, g , wsglvs, wg lms, g vgs, sg ls, sl- gls. Bq s vs, s xss ws ss y bk bly l l s by ssgms s by v-sg m.

A g xml s s y s l-Bq l y Mx vllg S M zl s

vs Bq s. H, ll-v xssv -v wb s s s ms sm xl w ls s vyw lg glss, lvs s, -gls v, v x k s k y. S sy-



Sg--Ns Ey 113

s xss s yl L-Hs-Bq, w sls ll Churrigueresque , Ss Jsé g (66-7). Ts s b ll xg-g Bq s x l . O Mx xmls s y l -

bl m Js smy zlà sy l SDmg Pbl. H -v wb xs by bl g s ws ll yeseria , y ls wk w ws s

v vs s ml ml l. Ts q vlv w s ll argamasa ws lz wly HsQueréaro syl, w ws bslly by . B ys gms v g bs l vv l, sMx s ss lly g s glz mls w w s v vyg m blg çs ms ls.

As w v ly s, bs vs mg s-

s, Bq s g w mmsv s llgs wmy ssy sm bm mys -s. Alg l , v lb, vlq s l, sg ll s ss lms sgl yg wll. H, s wl Bq s vs ss wl mg sslly (m -l) wl. Ms mly, 7 y Bq s-

m j Ps vsl smly, by mg , by , vl ly svsm svlsm, svsly xl, sqss sbj m vm by sg sbj s sm s vs s .

Figure 8 – osario Chapel in SanoDomingo Church (Puebla, Mexico)



114 Jsp Ncv

l s s s bq 's m wlks s bk g ll ss ms sml. Bq -s s mmsv smls mmsv ss ws llg vwgl mb vs w s xss w mlly ssvlsm s lgm v s w g -lll v.

W ss Hg Bq s js s s ll-v -s, s ms , b s g vgs s -m. T Hg Bq's mll, sjv ss mg

s s smlsly s vws' sw,ss m sgl ss mg m , v s by s gg mvm s sss gz m b ss bl. As wv s, ss s b l, s m-sss v g mlv lly g- lms, wl Bq ly s v ( xs l-ly lms) g sb vl lms

v wl. Bq , s -gs, slly s, w my b g s g ws mg-l syss ymlly s b -

vs m s xbly wv . Als mg vlg ss Bq l-

v mmsv s s lgs sg y-msm w gsl. Emblm Bq ls ss (vlvg m s)

w s vk.Ts s Bq wy s bl x by s-

g sv l wl sm m skg msss vsy mvg sssss s ms.

W , s Bq v l vw m ss s mmsv s lv s mmy sy. s sly s s -

vsl sss s wy , lbs, m-ls smgl ss mms s, s Bq xs s m sm-gl llss w q s, s -



Sg--Ns Ey 115

lly, smm mkbly lg ss Gsmkswk ly by blg lms , sl, g, -m lgg g. T m s Gsmkswk sg

ws s wlly ssss, w ws bl's g y sy s ssss' ml sgmg. sqly, smglly Bq m-s m ws sbly w sv s syl w s bs s wl Gsl mss

w vy ss wsm g, sl mlxy,

s xss.Tg mly L ssbly ( sv m's sms v ms), xmls Bq s s, smglly -l lssl Gsmkswks Gm s s wll,lg Abby Mlk, As by Jkb P (660-76) B Abby Zwl, Gmy by J- Ml Fs (69-766). Sl , , s

l g Gsmkswk bw ll s s blg's sgs s s Gls ss(7) w y svs s s Msm M A V.T blg, Ls, l

b blg gs w Gsmkswk .Hwv js s ss s s, s sv Bq, lgs bm modus operandi m. H s ws m g -

s llss g lgm l l.Pvsly, ss b lly

sym ly sysm bs s-s glss. By ss m-ml s ll ss blg. ms, Bq s mm sg sbls g lsmly bw vslzg sbj glg

magnum opus. s s m w vslly sml-g gs mk sy b l B-q's xb s. s l, l, x,sl mwk ss sv wl-vw,



116 Jsp Ncv

q Bq w bsv ml sl lvls s m- bgsly l s mll s lv sgl mm-bl l s gs.

Plslly, s -ml sbmss vg-s s xs v Bq -sy sl-ssly swg ml lll ly -

v lgg mll mbgs sg xss. W msll eormaion ws m m ly 6 y w m m s w s gs s x-sss. T vs Ps s s s sl s m

l ly s w y -s, s m vly mlym ss. - gs l ( xsv) xssv L (M g) , Pss v s sml-y. H mmsss l. O s w s wl( l) bk s mlym s w ws bl g mmsv slls. Sll, s mmsv s N svll, m l w Couner-eor-

maion g, vgs -sv g m b 60g 68 w bl w, v m, glly xssv gm mmsv b. W , s- mbllsm bm, g ss l s

wl wk. Ts -sv vvl mmsv s x w l , s ws w ll, lvsly . Ts ss l s wk, lb w lgl bjvs llw

xs. Hly, s bjvs glly sly w m w bls s ss w ssbly ms l- by mkg l ysl mm lms w m b-g ly w s, g sml m s s sy / bs-l sl. Ts, w s w lls-s s x w ss sl sly s, mll m.

Agly, sss Bq vsl/llls gs by lgy ws s mlvl by wy sm sj sls y vs lls

w w s lg ss b v s v



Sg--Ns Ey 117

bms ly lbl s s ssv . Ts B-q sl ms sls g l, blm,lgl , b zzlg sg ss by bl-g sls mgs ms mjs s . Ts Bqxy vbly ws svy g g ml ss ms sl w lb g s ss qlbm. H vs y llss s

w, w v sklllly, bms ly vb. As s, s sss mss (g lgs) g mls m ly sy ms l m

w mlly mks mly q Bqms: é m b y s. s sys ss, , Bq's zm vsl j s -mg mmsv s m, ws wy m “” svs vsly vlss ssbls w vg w s g-ms ( svg ls s).

S svs ss v sy s

ls ms g ms vvly sly Bq ms- bel composo (bl ssmblg) s G LzB (98-680) w w s vs bq -ls m l-600s. Gv 's bk, BerniniFlighs o Love, he Ar o Devoion , blly ls w v blg lly w sgglg sly w s m by s s . lyss syszg Bq ls w B ssmbl, ms

mg lm q by Sg Ess (898-98) ly 0 y. My m , wv, s w slyss Fs l w S Lz, L m mmsv s w B l g , mw, bel composo mx-m q. , my s s sly l s ms, sgm -g ls bw gl bs s

l s, wg, lg. T wy w glss g x by lms g gl —w s vl m, lkg sky w sl , l



118 Jsp Ncv

ls, w vls l sky—ss sg gs-s xs m vs sss mmsv s m .

s w s ssy s s -lg l bel composo , w ms s w g, sl- “lk g smbl sg x vll xg m ” bs -lss ssmbl bw “mslls lbs s” s w s sm sy-s-l, s wll s g l s-

. Ts ls, w g s “g ms by mg s”, w xlly by B msl s g gs Fs l ly s y , b ls l w s m— ls gs .

bs s s sss wk , w lk g mysl gs vg s xss,slly, mysl lgy b s s-

s gls. F m bg qbblgs ls lgs w b ls l, s s vlv vy b-k 's lgl, smlgl, lsl s- gs, s g gl ws my s m's s g lss bw s m- xsv/mmsv ms. As s, s gl'sy lz ss w l ml -m ly.

T m angel s v m Gk w angelos w mscourier . mssgs lv b mv, gls y wg. W w sy gl s l, w m (s) s l virus ( w l) l.Virus ms b ly bly generae specialeecs. K, vy gl s ky lss kwlg w s bgg . Y x m-

s ml qly gls' bs w y l s wl lsl s v, m g g b s Mvl Ags b-w Ags Fss, llws S Ags (AD -



Sg--Ns Ey 119

0) Asl Dms, llws Tms Aqs (l lg w lgly -Pl kg gls

blv v b w by Dyss Ag). Ags- Fs S Bv (-7) g gs As-l Dms pure m xs gls w ms hylomorphic mater, m b w ls ss mbly. Ts, s m s ls mbly, gls sss qs-ml by (w msms b v -lg w s). Ts ws gl by b msb by l, wv, bs

l s qly ws qy s w w s, lk qm lg. Fllwg Bv ml, glsy B's Fs l mly -lg s

bs s m y-ssv sm-mly, b- ylm sm-s m.

Pmy Bv gllgy 7 y w bv ss, ss w w m ls Ps q Hly Es. H, gls bm -

gm s mml ylm sbs. T m Bv/Ags gllgy— w s b s —s lz sm-s yl-m s gl s l xs s s b-g ml y vlly bl w mml sly,

ws s ssss whie noise viracualiy.6

T mbl qly gl's ylm w s by s s B's Bq Fs l's bel composo by

l-lk wsm gs' sm-s ls bkg, w lly slls v g's slm lly m s m w glgs mg ws lg w sly -sm w vy s sy. Fm composo (by G Gmg (6-68)) gl y-lm gls s ss l sls vw

m x g s y w ls m s , m, l m lgs w ms ms b yslly ls lmsly sslvs ylm ms.



120 Jsp Ncv

Ts vy sm-s ylm g x-g by l ms s l gls ly Av, w s xls mg gy

vg My blw. T s ylm ls msmgg m g l l ssss -v ml sxly (js s Pg g) g bgs mmsv s sss.

O g bg l y g m Fs l, l l y b, sm-bs, s s lg

w smb lv ( lll w l v ls(ms P) m w s s glsk) mzs slly w l ss mlsxl s ls sx b. Fs- l's bel composo , ls gs mg ls gs, gvy- vm w y

bs bk m, sm by, lg. T vl yl-m bs s sl bs w ls

m ls m gw gssvly mv l-s l ls, g mss

bs g s ml g m, s - m ysl sy ylm -l.T ylm mlz bs s mxmm s- ls s s lg mg , ssly Fs l's bel composo w w s v-ly bks s g s sl b-lk s-

b s l s ssy. H mmb s swg s s sbm lms sss m

w ss m w s sss s/gsmss xg -ssmblg sl l, m-

bl, l-mms s ex-sasis (w llly ms gone ouside isel as sanding sill) yl symblsm v/g. As sss, “ ml, ms s go

ouside isel, s w ssy bmg vl x gs by ll mgs”.7

Ts ecsasy o going ouside o sel (w s b-lk ml -) s m s l. As mmsv



Sg--Ns Ey 121

s ss (s w v s lly As, g, w ) gv ls s l ym l ggs sl wy svs sms bl -g, s mms s b g symbl s vyg vlg s w mly gm ssy w g l. F w s w mm-sv/xsv s l, mms's mb vs s ly b-g w lly s sl s s mmly s(m) gs.

H Fs l's gm g s

s s s sg sl , s s, -s sy s s lly v-ls s m-g y s w y s gs sl y s, ms s

wgs S Ts Avl (-8) ss ggg mysl w s. Wl S Ts sbss mysl s wv-lk x b l -s ms ml sg mgs, s vlss

ssss x s bg ym, s vlsv.8 Ts bs, s ml sl ,

bm sm-s ml w B bs smg ms's lg lsg l msms,lg s l bel composo sll S Mll V w mbs s ms Ecsasy o S. Teresa (6):

w, kly, s b wm, k g, s gsm.

sqly, w B's l , b-s sg s s lm m s lm s-gss vlsvly by S. Ts's sm-s ls

wv-lk s mjv-lk ly. l, wg S. Ts ss m (qs-sxl) sl s s lvly vlbl m. H, , by

bg bl sl m lgy wy vs wb mbl,

gl g s vlg s ls m m mss -ylm m by. sssg ml by, B's gls g lsly ss- w b lmg sm w s



122 Jsp Ncv

s s m. Ts mks ylm gl s y-l y-ly ml lyz ms s xss sbj ml s m-s w mg s ll y imaginable-world. Tsmgbl-wl s m sbl ly wl y s gl wl (s w s-lk s) ,, s z s s gs ls,v s by s lm vy, , lm w slg vyg w w s s gvy.

Rococo Noise: Beween Opulen Habia and Non-Place

W sll w sw l mss m m llss ym s xvg -ms Bq . Ev m w Bq, - slls s vs gz mm v vw, sslg mms w mms s s vlvm s -ly lb ly. Uly, gy s w s mlx b lg l ml sl

by vmszg ls ly wl sl s-gy, w svs ss mzm— ss w sss sll x y.

Assly, mzm s l mss. Nvlss, g s s sm b w wys g sy xsvly s, g s. W s lly

g s m ococo m sg lsg ys 8 y, lg ws kwlg lly by Aém Fçs l s l s 8 w Aém Fçs'sslm s y s m s g Ls XV (70-77) bgg Ls XV.T m ws glly gy , ms lkly v m m ocaille , w, s sb g g,

ws syls x ggy sg s b g-

s w s g s. By : swl s lssl Gk ym's sgv vl l g, w vl s-s g, w ss lly ll-v mmsv



Sg--Ns Ey 123

s bs ll syl. W ss m slly b mby v-lk swl ll/ , s w sggss vy zm sbby g gl w w bs' lm-l sysm ( l vg sysm lms w lks w x, bsl ggl, yl-ms, ms), s l mlxy s mvg llg mmsv s m.

mjs ms, xb l s ss vsllg mlssly s lms v l l s -sy w g. T s raison d'êre sl s

l ml gmlz s-s -sv . , smsss ssl s s, l sy, s m sl -s s, s s l xbs ss xg ll-v. W bqs symmlvs s s s, ws sl sms s lly l vs bbs,ms ssl sy, , ly slgly mv, s

gv ym. 68, Pm A ( Kg

F) ws Jls H Ms (66-708), w Hll Ms Vslls. ws s s s m syl bg mg, ms kly gs ms vs s sgs P Lss (6-7) P L P (660-7). By bgg 8 y, mx Bq w lms lss-

sm (w z yl Ls XV) gv wy lg, m gll , sl w m-s g mmsv l. T sl - Ms bg sw ml gsm ss blg Bq. W Bq wlls, s lms b mssv l w s ws -sly s wl bg mls, sl ls, v-

s s s lly wl bg s w b lg. Sylslly, wl mlxs B-q s gm, s mgs m,

js ly s s m y. Ts syls s wy m



124 Jsp Ncv

lgy l Bq s P (ss Ps by Gv Fs mll s wk 6 l Jls Mz) bg lg syl (sb-sqly ll ) mllg sms sm ms Vslls. ls y Ls XV's g, s syl

ws my s w vlv L P's lg -, lg Ps hôels pariculiers (v mss) s s Hôl P s bl 70 l V-slls, s 70.

W Ls XV's 7, s s

ll égence mg. T ll-v lg wy l by P Lss P L P Jls H Ms ws l w w sy lsy ssg vs ms,ms, vl myls mx w g bbs / -s lvs sllg w mb. Ts s s, xml, Hôl 'Assy 79 w ws s w Pm A , Glls-M O (67-7).

A bl ég syl , kw s lyl lg-

ss, s Hôl L Nsllé (w Bq (Bk) F)s by Fçs-A Vssé (68-76) w bm sg L P's 76. F vlms syl w m by é J Ab (79-78) w -mll G â lly. mb Msl P Sl Msq, Ab x gl lg ss xs w llg, lg w sy sllwk sm lg bv s m-

s wlls, g svly s .Fllwg ég syl s w s ll ocaille

( ms xvg xss ) v s s m -s mg sggs s m. As s-, ll glly sll-wk mly ggs, b s 76 m bg b s ly sg- Hg , l, v-ll sg w l mlmy

l. L P's bs s b ll mbl-ls by J Ab l Js-Aèl Mss (69-70) Nls P (68-7) gs sg v y wk gl lg bm v m l wl



Sg--Ns Ey 125

mg lg s. Mss, w ws s glsm, s gs s s symml. Al-g ly smll m wk (s mk s

b ly : gl ls lzl s-bx (78)),s ws ws v Ls XV s-ms bl s sgs 7 s Oeuvre de Juse-Aurèle Meissonnier. ly, b ssbl ly l s: Lé Bs By (7), m B Bézvl Ps ( 76) b F-szk Blsk Ds (7).

Nls P, , ws ssbl m g-l s Hôl llé (7), Hôl Vlls (7),Hôl ql (7), Hôl Mz (76) Ps. Fl-lwg bl ll l ss, ml - ss ss gvgs by Agsbg blss M- Eglb (68-76) J Gg Hl (700-776), ll l ly s g E vl

w m l syl. B by 70 ll -

s gé F ws vslly w vlm. T ms m wksk s l s s by Gm B (667-7), w x m l s l. Nbl ws s Sl Ovl Pss Hôl Sbs (79) w

bl ym sss ms w xg -ls lg w ss ls by ls-Js N(700-777) l sls lg vg, ll sllg

l s.Bgg 7, l swy Gmy w v

m sgly sb s ls xs F. TsBv s s m v m s F -s, wl bg lss ly. T s Gm s ssyl w J Blz Nm (678-7) (lly gxmls s mzg l P's sz Wüzbg

(7) s Vzlg) Fçs vllés(678-768) (s m sz s sg s s s vl Amlbg) Bv Gg Wzl v Kbls (607-7) l v G (78-80) Bl. Bv As-



126 Jsp Ncv

, svv l y, wl F gv wy w sy N-lsssm by 770s.

Vy -s. A sg m Gm -ml x-

ss s ly x w m Bq xs smms mblg l b w k v

Figure 9 – Rococo inerior o he Otobeuren Abbey (Bavaria)



Sg--Ns Ey 127

sgy s ariicialia. F xml, Assm ssmg vllg Bv, rompe l'oeil l -s v sls bsb Vg My g l, wgy sbl ms s, ms ly vl gm Fs l s. T Bv s my s vls g ss mb w - w s mls bwlg my vs l-lss ss w gv s s, js lb v-l , b g blg, wg lg slls w ms s lm x gsbl

s mmsv s. A mvlls xml Bv s S. JNmk M (76) w s b kw s Asm-k (Asm ) s Eg Q Asm (69-70). W s b, sms Dm Asm(686-79), ms sms s S-lg Sß.

O g vsbl , smm

xml Bv xss. s yb s, g, sl wk g bg smg bw glm, lys, qx g. ws vwlm by v-sg lly m gy mbllsm slv gl xvg.

T Asm bs ls wk ls Esl Abby s-s Z. A xml Bv s b s Slss Nymbg, M, w

ws sg by J Bs Zmmm (680-78).F sgs mmsv vsl s B-

v bs z by Wsk (76-7)sg by Dmks Zmmm (68-766) w s lb(ssbly ss) sl ly slms. Ts s sv z s 8 y

w-m ml s bs vllgs, w

Bv, Swb, F ys: vllgs s s O-b, Wg, Os, Wlls, Nsm, Bbg Vzlg.



128 Jsp Ncv

Te Neo-Rococo Noise of he Dream King

yl 9 y N- s vs s bl ll s-s msv l sm—m s ls s-g blg sl, s, g w sls—sl b s s smlss mgs wl vg sg. Ts s ms glgy ll syl s s ll-v bjv bm sv lb N-. As w wll s, s s vsl ws s wy g F--Sèl (880-899) -l y 0 y's vg bjvs. Tsml g w s s bs s w smlls ls ( g ) s w s -

Figure 10 – Inerior view o Egid Quirin Asam’s Asamkirche (Munich)



Sg--Ns Ey 129

s Gsmkswkkz ( l-wk), m m Wg y. T lsl -sg Gsmkswk ws lvy -

ws g ll l lms sgl s s-m, slg sl- mmsv wl oal design.

Kg Lwg Bv ws b w P mg Ags , 8, ls s Kg Mxmll (8-86). ssg ws b, s sm s ly ys, -

vsly m Nymbg Slss l w s ms,gs s ss m Ov's Meamorphoses. 87,

g , P Lwg Lohengrin, by Wg (8-88) w ws M. Tsms, P Lwg v y Wg's 8 x Operaand Drama m s s s bm v by ll ms's bls s, lg “Ds Kswk Zk” (T A F) w Wg z Gs-mkswk.9 Ts Gsmkswk l, wy , - ss vy Wg's wks m Te Valkyrie

; lg Siegied, wiligh o he Gods, risan and Isolde, Te Mas-ersingers, Parsial. s s Gsmkswk s w Wgsw s oal drama 0 ws ss P Lwg.

86, P Lwg sw s s Wg's Lohengrin w m mss m (s Wss-ly Ksky (866-9)) sgg lg s m vl sv l ms s Gsmks-

wkkz ls. W P Lwg ws , s ,

Kg Mxmll , xly, mkg bgg g Kg Lwg Bv, Dream King , l bl gs Wg.

A vsg s s, s s sy, blv, Kg L- wg s sly msl wys s s m. Hs m g g wl xss lxg s ly ws wll l 88 w bl-

Js-Kl Hysms's (88-907) vl A ebours (Ags N), sy lsv ws w ys w sss vs lss w sl l -l. D F y, w s lms qvl F--Sèl



130 Jsp Ncv

Symbls y, s s m mls -s sl sy.

L, Kg Lwg's sy ls, ws bl - syl by Gg v Dllm (80-89) smbl P Vslls; M-A's (7-79) msyl lyg ws sg smbl l As ( m-ssv mmsv wk sl) w l j ml Lv. L s ly Lwg's ls ws lly s. O L, Kg Lwg s l: “O! s ssl s ss, s l ss w g

wl l g w w lv”.

L ls Kg's sls, Nsws (sg by E l (8-88)), Kg L lg s sl. L ws lg s g m sblm l by s m sg s mbl mF gs. ml s gs, mblls ms 0 m g (b 00 ) w-j bg gl s Fl. T L s mlé - s

ms (Bv N- s bs Bv L-, ly ls s syl) gl gl s vl g-. T Kg's T m, mll bs Byz b-sl, qs b mm s Kg Lwg vsw vy l s x. s wlls w lvls lg sggss mmsv mbll s s l s-s, w g, yy gl s s m ls. Y ms zzlg ms M m Kg's bm

(w w bs sgs by Eg Dllg (88-90)).Hwv, s xs s—ls by s lvs ly-

gl l L—w ls ms sly sg (ky) Kg Lwg's m lzs: mby

Vs G ( w bgs s bk s ym).T 9.9 m g ( ) Vs G ws sg by Fls

Sb (8-889) b 877 gs g. ws

q w l -lgg, sz bw, wv m l g, ll s ms m- sb Wg's s annhäuser . T Vs G

ws s b bl Nsws, b lk s-



Sg--Ns Ey 131

bl s, ws mv L by Dmb , 87, yl -

wk ws 876 877. D. Ml Pz, wg Wl Bl's bk Te Dream King: Ludwig II o Bavaria, -sbs g's s s w llws vs l m-g w “sg m bl ”, g oalheaer s “ s lk m sg”.6

T Vs G s s lvsly w k sls, gvg mss s Lsx-lk s s s.

Ag Nm Mll, s l g, m ll -s, “ms ly smls x xlg lg vsss”7 v s gls ss sg g s 9.9 m( ) g l xs (w xs s ms/w). T g ls s lly l -l m, l b llm by l lgs l s m Kg. T xl mls Vs G w Bl G ( Hg, Kg's qy, ws s w

k s s bl) Kg Mxmll's y g Hswg, w Lwg ly s . Vs G, v sv lgg s l b m

ly ms by m ms, lg w

Figure 11 – Fidelis Schabe’s decaden Venus Groto, 1877 (Linderho)



132 Jsp Ncv

sl bw js v annhäuser s g. ws vy m ws s llly llm sl-l Bv. O Kg Lwg s, “ ' w kw w

wks. js w s s”.8

Kg Lwg sll s ( sy ll w gs l-lsg ss annhäuser bl) ls l

w sg m s s G Vs. T G Vs s by sly gl mb w ls l mb. T s y s s mv l-g (l w w yms, ys yg s)

by g s. As m, lgs l b ll g ls, s l ms vk G Vs Höslbg g w äs ll

w Gss Lv. Ex m g s m by wy -lg s, sl-ll w ls lm-lks swgs ls.

By glg g mby kl-b v lg, Kg Lwg l s msl ms g's

mb s msl ly vy s, v wsly xg s v l- lgg s. O lg, w l b by -l wv m, Kg k w sws, symbls l blss mmly, lg w s g kl-b w wl bw by lky sv.

Wl Bl, s bk Te Dream King: Ludwig II o Bavaria , -s ws sgg s annhäuser g

b s wll sblml sgs v-s k mx s by sl s sbs “ks”.9 Ts s , wv, Bl ms, my bs.



Chapter 4

Modern Nervous Noise Eyes

Te Impruden Immersive Noise of he Fin-de-Siècle

As w sw w N-, m sy s g sg s s s zzy y. Ts - mlg s wl g ll-v s mks bgg wy m lsm ws A N-

v Gsmkswk ls. Ar Nouveau s F m mvm k s m-

ls m ymsq bl l ms wm. Tss ssl b-s ws xss ss Gsmks-

wk s, g vyg m ly lms wlls blg çs m-ss. As sg-s w b vlm s syl l VH, Hy V Vl, A Gí, H Gm (s-ss blw).

Bslly, A Nv s N E N Am-

syl / w s m 890s b N-N-lsssm Fs Wl W . ws ll Sile Libery, Jugendsil, Modernism, Nieuwe Kuns Sezessionsil svly ly,Gmy, S, Nls As, b ll ss, ss s w xg bw mj m s oal ar Gsmkswk s by g m l. T , w s mm- mmsv swy m xs, ws m w

vy s sy s gly g.F s, s slly sg m

A Nv's lzg Gsmkswk s. As m, bss A Nv s



134 Jsp Ncv

w ym vm-m ms, w swlg, l--v s l g s vls s.T ms m ms l w A Nv sgs wz by wg vs s gv: gsss, lls, vs, ssl vs wm. Hwv, s, , m -sl l ms, w ls s, s s k s, bs, ss, b ll ms Hg A Nv's ms s m-ss ml vl sb g s.

A A Nv s symml , s v -s sgl l s l s, b s yl sym-

mly s lwys sv oal design. S w s m s, s A Nv s s w vy -l, s vy bj A Nv s s lly l homogeneously noisy whole.

T bss mys ss s A N- v ws ws ll gs w slvss bg b by w sl vl ws bl ws ym/s ly

. s ss s vs mms w ssbly bbg ssss w msbl, vg m w bk ss sv s -

ws m sl -El sy wss. Ts gg l ssvy llws gs g ss-ss 's sgs gl, s -l s k ss s ms l s sl s w s-

lg lgg xs. As sl, ss swyg, bg, g, g, smkg, lg, bbg, -g, mlg, g, wg.

B V H (86-97), Blg s/ Bssls Vj Uvs ms Aw Bssls, s ky s A Nv mvm,

w, g , b s s ml G js sg

s ss Bssls Amy F A.Blgm's xsv sl vlm g , w ws bs mg, sl ss, l mg w wll- bgs ws ly ss xbg



M Nvus Ns Eys 135

s ly q wl sl ss by mmssg gll s. sl s ll vlm lg sl glss ss y s s w lgy bm vlbl ssbl ls g mbs. Gsg s w lgy, Ms H bk ml l ( s ll-lsv Gs-mkswk) by gvg s ss lz lg wll.

T s A Nv blg ws bl Bssls 89 by H, Hôl ssl. T Hôl ssl, 6, Js, ws bl H's Eml ssl s ms, s g sbls Bssls s

l A Nv.B H's s lylly g ss w wmsl bsqs (ls, wlss ls) s lly v- s 900 Maison Personnelle (sl m) w s l -, Amé, Bssls. s ms xqs ANv blgs wl bl. s lly mm-sv --sèl s ml s v g ml wslss s g , wblw, wls

ls w l m lgs s w , s, wg sw.

B H's v v ws sslly v lms0 ys (m 89 90) by ml m Bssls'--sèl bgs. Hwv, l g sy j ANv, sg gsly bs s ms v ls. sqly, Bssls ws v bl A Nv syl, w m ipso aco sl mv-

m . Bw 9 99 H sy Egl U Ss svly, s wls s l wss bm m sg ls.

Gsmkswk-s sg//s Hy V Vl (86-97) ls ws ky g mvm s ll s wl m (wlls, gs). V Vl s Bssls my, S-

éé V Vl, ll sgs s blgs,lg gs mlwk s v mg ss s w kg w s s ly w l Déblaiemen d'ar (89) Aperçus en vue d'une synhèse d'ar (89).



136 Jsp Ncv

V Vl v s s ll s s sm sl m j sl ms. Lv-g Gmy, bm ss w s Jugendsil

bm ly mmb Deusche Werkbund (w v m bl s l xb Köl 9). H s s-bly kw s Hv g S, s Bl 899 llb w Blg /sg/Ggs Lmm (86-96). Lmm ws slly gz s s, wll, ls. Hy V Vl's sl ss l s bm ml ss Sz-

sss mvm. W w msg svy A Gí l. A g 6, A Gí (8-96) l s mw s j sl Bl w qkly s-lm, Ol G s. Alg vl bE, Gí ws q w --sèl Blgm/F v-g mvms bs m ls bw B-l F w -ms mvms As

s, G vvl, msssm w w sss lll -ms l w q, b ws H-'s A Nv mvm Gí ms, smlgm xm w w mls w ss. Gí wslly ls w Gëll, w vll E ws Gëll w Gí s /-s w x ms ssv v A Nv -s gs Gsmkswkkz l, Vll-l-D

s bk Enreiens sur l'Archiecure (w b H Gí). Nwy s Kg Lwg vs 867 Ps, s mvl l w s by

Vll-l-D.Lk H's, Gí's vs A Nv s, s -

z by vwlmg lvy g wm, bss, ls w sl mmsv ly. T m-

ls lz by Gí ws s s g m s, m,l, wg-, glss bk. H ls s bk ls l l ss, s sq ls l m wvy ss



M Nvus Ns Eys 137

, ls ws s bk s m m s.

A Gí s x A Nv s sly w s 906 blg s Blló l , Pssg Gà, Bl, bl s -g ly bs slls w, s xl k s ç ml . W s Blló, Gímls s sm

xsg blg, smg g mmsv Gsmks- wk s Gí gly k sg vy sgl lm

blg, m xvgly - b ç ll ss ,lg glly gl . O x, Gí wsbl mb mbyly sgg ç ( gsly l-

l s) wl mg lg w gbgs Amll (900), bl by Js Pg l (869-96)

ys l. Pwl lls smbl sbsly mm-m l lgs s vs s lvl, g swlk, g g w s. Ts lgs b- by ggy vb-lk wvy ç xs w

bw s w blglly vkg ms, lmg ggylsq mg s. T ç sl, ly

Mjï s, smms svly s mlsml-lk ls, g w sg smll s lssmblg s l sls. Ax s sg mss swll-g s mb smll, lgly v bls wvl s ls.

T s ls s, wg sm -s s sl w gm ss, w x-

w sq wws . Ev wlls gly s l , s y v ml ws g l gsm. T wlls b m s, sm, sl, ly ml s lls

Figure 12 – Inerior sairway o VicorHora’s Hôel assel (Brussels)



138 Jsp Ncv

sss s g by ss s ms blg w s lg bg lsly -s xs y. g, lggs lgs m, gl slm by sly,vg y-l wlls

w bmly s

v s glly s wws. T g gl s sgls, w s mms mss bg w s wvm, mlmy w x. T mb m

l lms s, ml-m lg bg

s by g lls, ss ws , w s g s b l s zg-zg sl swll. T s v ll bls-k m ls s g s, lms s w blsg y ssly s v-g s.

T F s A Nv ws Ps y Ny.

Ny, sll wlly ml A Nvvm Msé l'El Ny's Sll à Mg(90) by Egè Vll (86-96). A Nv m Ps -lly by lb H Gm (867-9) w,s ms l kw, sg Ps m s, mg ss. 89 Gm ws blg sl Bg -g syl w vs H Bssls. s by w

s Hôl ssl, Gm m s ls sl Bg,sgg vy l, wll , ls, ls, , Gsmkswk m. A w z,sg bl Gsmkswk-bs A Nv Ps ws

Figure 13 – Exerior view o AnoniGaudí’s Casa Balló (Barcelona)



M Nvus Ns Eys 139

Fz J (87-9), l , s bl 90 L Sm blg.

Paining Modernis Noise

oday music, as i becomes coninually more complicaed,srives o amalgamae he mos dissonan, srange and harsh

sounds. In his way we come ever closer o noise-sound.— Lug Russ, Te Ar o Noises

As (by ss) s Gbl-ls Gly(808-87), msss g s s w-msl s vs wl smlsly sggs-g gm lms s. As s, ls ly s-ql l mllg --sèl F ss. O ks ml gs l M (80-96), -lly s xsv ss gs, Haysacks ( bw 890 89) ouen Cahedral ( bw 89 89)

Nymphéas, ss lg gs (9 w w by .0 ms (6.6 by )) w l l bs sGvy g's Bassin des Nymphéas. Fm 9 96 M x-b ll s gs wll--wll sll m, llg ms l'Og s ls Ps. B ls v s s s gs Ags (8-99),

Al Ssly (89-899) J-Féé Bzll (8-87).Ps-msssm x s s mmm, xml,

w Ggs S's (89-89) mmm 886 Plls vsUn Dimanche après-midi à la Grand Jate. H, vyg vss xbly lk g wg s s ms(k s wl) sls vlg gy -

vs m l y ms Egè sl (786-889). W s s Dvss gs S's Pl Sg (86-9), xml s g la Voile Jaune

90 w sws s sgg s vm. Pl é-z lkws xs s s s wy, s - 0 y s vs.



140 Jsp Ncv

As l L s bk La Géomerisaion del'Homme en Europe à L'Epoque Moderne , sgly M gmz m vs bm gl ml Ws, z by lyl sg w m-ss mmsv s vs s gmz gms. Ts s m lgl vs ws vss ls s y sl xlz s s. , mlgy ms sl m 0 y s, , ss. T mbl l w, s, -lly g b sl qly 0 y l, m-

g ss bz sbsl g lsylg mss sl gs ls. T vlm l, m, m wlsm sly smll m ssbl. S 900, s vl s s by 0 w, kw gy ss by 0 , xlsv w wy by 0 6, s mm by 0 7 w. S w wys sg vlv g sv, g s mk

0 y by x sy mms s.“A ‘m’ sbbl wsg lg ls ms

gm ss xss, ls sggs sl ssss. Fm s mss v ss, ll lly, bl mby my b sl by s ll gw w. By s ms, my s s mmy b w sgs sl s ”. S

w As Osm S (886-96) s ssy ll “Ns

Am Dwg” 96 Bs mgz FOM . Tssm lls s Abs Lsx, b w k s As Osm S?

S ws s s s l w ls, b w s l M A. H s sl s s w smg s lbl gy s g s msm lms ys Slss. wy,

s s w wm b ss, b w wm bmss ms s. Wy mss? Bs mg my mlxs v s y's sy ls s m-mm lgy—



M Nvus Ns Eys 141

l vsl m s sl m s l-gy—s gg s . A S’s s -m s g s s sss s lly. As

y my kw, msm, s, s w llws ly mj l w ws ssm g ss, ss , ms. S ws s s slly w s xms ,

w s bslly sl- wk w xv bk ls— bss ybs.

H s mssv, , lsl ms, s my s-

m g s b w ssls lb- sbj qs ( lss)s lly vlg smlgl ss. Plly s m-sss -s ( s ws ss -

vlvs wks zms), s b ss qs l s/sbj s g kwgms —s s g. Ag S’s -msm ms s . , m, sm-m wgs

A. O. S v bm mblm s qs gssy sbj w Jqs D (90-00) s sb s lgsm: -l ss bw sbjvy bjvy; bw bl v; bw sy ly,

bw ss ss lms.y, w s s ss bkg w -

ss sg ms m mm-s wk lgs. W w m -

lglly llg l s lg ls m, m sm ss m s; m sm l ly lms v b bk w by s-s l mms.

T ms xsl sgl vl s bsl by l- vl, wy lbg m l m, vsly lg lglly s

y (smlm-yly). Ts qly smgl vs slm s sm sg gg sl wmls w vs xs, vs w J Bll sll pornographic w Dlz G v ll schizoid.



142 Jsp Ncv

B s ss ly ly wgs A.O. S v-y wys wll mk sly. F s, y -ms, w ml w wk S, l m s vsm my bkg m.

As Osm S ws b s L lm. Dmlm bly F Sèl Egl s S m g, ss vlm w w b gz s l-,vsly ml, g y m Fl s(8-898) / Aby Bsly (87-898) b ly -xlz.

As yg m, S ws b m mmb Silver Sar , Als wly's (87-97) mgl . S's llgs y sy ws , -, by s sxl ls vy yg g w lly wmm Ps. m sy, S, ws m v, l s ss. s q sm g sg mg, w s sg slls glms. F S,s wll s wly, sq sx— wlg gs-

m—l ms ss mgl sysms. Hwv, s S's l l -sxl m, ssg s xss w l b “ m”,

w w s ss lsy w v g bw msl wly— vy s sysm

b s w b s mg/.0

90, g 7, S sl-bls s s ll- wgs bk sms l EAH INFENO.

, lm w ll “bqs wm -ssss” ( blv s ms mms mms gs), sg w ll “ ml”. F S, g w m , levels layers ssss, my bw con-scious unconscious. T s' v lly bl by

bw consciousness objec o consciousness , bw subjec

objec , bw acion siuaion. T s ly kss ssss w vs s sl-wss—m s lm bg, w w gg s/-s v ws , s lyzgly k y -



M Nvus Ns Eys 143

s . T msm s m ssly w , lss sl-ss w .

EAH INFENO sgs wl mm bly - v x -sxl b w S bg vl s -m wgs smw ms ssvsly m. Hs ws -sxl, sl, gys— S lm ws ll sx— w ws no , ws ml g: smlg sg. Mv,

w w bl s sl m sss v,s ss vl s ssy sl, gv by s sm-

l ms. 907, S sl-bls s ll wgs bl m HE BOOK OF SAYS w -sgs sl s y. T 909, S bg wk bk, s m sm-m wgs l HE BOOK OF PLEASUES w wk ys. Ts bk mg 9, s ll HE PSYCHOLOGY OF ECSASY. 9, l s s -s xb Bll Glly L-

. l my sm-m sks w wl l sl sl- msby . , ms S'ssm-m wks (m 90 w) w ssl- s lm w smms ll by -sv l llgs wkg g m. H, g msb-y , s “” bms ms. Ts ly mss smb s s l v-ms (s s vl ly) w s-ll sel s l m

by s j mz s. , Ss s bs mlsms s w s w g m by smb ss by m, by m ss Wllm Blk (77-87), L V-, Hs Hlb Yg (97-) Alb Dü (7-8). N b vl my. S q wlly wl l s ws m lz by s s mss. Tg

s m ls q, S lm b bl w s s mmy sgs s. Ts wgs b bk S b vsl-bls 9 ll A BOOK OF AUOMAIC DRW-



144 Jsp Ncv

INGS , bk ws smsly bls 97. M mwgs w ls w My 0, 9, g g L bmbgs, S's L ws bl by bmb.

s s gly xvg m ss swk sl-l/sl-ls S's lv ss-ls/s- s sly sbsbj s . Slly, S's gy lv ls s ss lss sbjvy s x sxl s sxl ss, ss w w vl ss lsl lss svgy yl s. H, x-

ml, w lss by ssss s l-mms w vl ly vm, qly sss sgssl mvg ssss wy m sl-ssss. Als s bvs bg ss -l x sl-ms—

w ll avaars. By g wl-ly s s( sm-k s) ssl symbl my sg g ssm qvl l ( ws b mg s s gz-s s-xs), S

ms ly vl, lg l s m. Hs ws l slly ls glss gs (w bgs llb-!) w b mk sm-m y mgl gs. ss, xg s w ss llv ll slvs. Ubly, s s

vw w s lg-sg ws-mysl-ll-- yl ml-slf— vw w w ll kw wll.

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sbj, js s ss ss lg vlz smls y lm ws mssbl?

Ls w S w s 96 ssy: “L bg s s my by s ms bm : bs ss w m xss, w l lm by vs y ws m, s my -m wg w lby lsw svbl”.

S's q ly llsy “”, -s vy vy-sx qlly smgl (s smbbl) k wy sg l-m wk .Hs m vy-sx ws l w w, “



M Nvus Ns Eys 145

s m lvs ll sxl ws ws -y”. A, “S s g m. A bms,

by s vly s w xssg ml lgg s jy”. B, , s -sxl jyl “” xs m-ly s s sysm ml s w lm g m sygs mlx mg. Ts sy-gs mg mm sl sls s-sm-wk m bl gl-sl y my l sblm by m sysm w -s. my l ls—b ls - by— mmm m-

-m-wb s m m bs w sly g s vg lss wl vbly. Ts gl-sl qsbly ks l w ms, b by b, xsv ggg smw bss sss vs, l s wg sg -m g s .

Ps by mlly sg vl-sl, S b -s s s gl y/y-bly, wkg s ,

vs-à-vs s s wl sllg lz s -gsm—s mg x vl s sl-ls. -ly s mkbl sx/mgl m mkg s sggss mlgy bs bsss lg ssy w vk s my gl wkg m — m lys l/-l w m ws sg s l-l sss sss m s w g sxly, ss w s b s ml s

lg m. T gl-s-sl s mg by sss bms gz by ss mmy ss lggs lv gl bssss. l-s s m, S s, “T s ms b wk ly w l w s l w -g— s, s’s s sl js s ssss. m, ss wll b vlv, sggsg s, ms—

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146 Jsp Ncv

“mss”. ms gl’s m l's s sml, S's lm m-vly s (lly w lm ws - vg m ms) sms . sbs-lss llvsy gz mgs s lb m -gmms lks vbs lly lglly- wk y, ms -bk vsl -m lgs by sl sy (s) m-s s, m m xl y sms -l. W ly w w y s ss w s. B w

s glly-sss s my x m sy s m smly ws -g w s b l ll? Ps s ssbly—sv g m ss —s w v y l m S’s wk wgs, s wll s s xls m sy. By wy sm-m sss, b - blmz, k-, sg g sg mx S sw s ss — gs

l w -b ms mll sls vm mg.

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v sml s. l s g vlg 99- l-m, v l-l l bs vl ml. Tssv ml, g bs , mks s ms m mv ss l. S -l, bl m, s, ss sk s m Fs/yls , w s lgy s-ml ly.

T S ws ssl ls sl ms s s l v. T lg s -l by s s w lll lm. F ms, s m mysy gl s g



M Nvus Ns Eys 147

ms x l-mms. Mv, s wsy smm wgs, w mls llsv s smg l sbls m— mb sb-

vs vly s—ly wll -y's s xssv s m s g.S's wgs ms, , l s my l-my mms w xbly ml s.

y s y-lg lssly lbl gl s/ s w w b, m s S , l sl l xss. Als, w sl mmb , w

l vm ym, s ls l m w ssbl. Ts bs bw s lvg bm smw bls. Ts, , lls S’s mlgy. s w s, -l s w-mmy s mm vs, s qsg

b lé s gly sl sl s. lly, ws mss g, ly, s -l lss sb-

vs ms , b w mly -

g l, y, sml, s .Ts s w s s m s-

y— y-sy lys s zm s -lk s. s s’s sk y, l, sv-g gl v lgy s s s m -gg ’s mysl sg. B s, w ms b Elgm bggg zg gs lv -lly,

wl g g s ly gv. H g, S ss s

xlly sw gz s sg blmz y gy g y-lg. S S mls sg k vs wys s vs v ml sss gl s s.

T ssbls -l, mlx-gl- s -gs sgg m gl m ml sym-

bls -sxl s s yl ss

vs sg sg wy S's (w s v-l mss m vg ss) s s ws smv ssbls lglly-- s .



148 Jsp Ncv

Ps S's -l sm-m s sw s wy ss sy’s v ws s gl llly-mgz ybg. H-sly, s my b lss w sv, b ls my b m w slly llw slvs vs.

W m s ss, -l s lm lgy s s s sl -ss, S ss s s wys w w my s s lgl lg m ls bly by x g v ly by ls. Ts s sw

qs “w sll b y?” bs xss gg s w my s.N smss As Osm S ( s ll-

v sl—w s b v s lgl y-g) s l lly s bm w ly-g vyg vl s wb y-s w w x m mlv s w mlly l blv by sy sl. B s, w ms vly s s

b w mly smg . F s Félx G s swy bk, Chaosmosis: An Ehico-Aesheic Paradigm , wk , s w s , s vy mg, g ss,

bq l xm mvsm ls - v sbj sl.

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wl-vw m by sl Ag w g mss mss vlly l gs, w g -

sg smg s smls l lms. Smlsly,ly w s s bg 90 w HMss (869-9) Fvs Sl 'Am Ps. l, bsm Pbl Pss (88-97) Gg Bq



M Nvus Ns Eys 149

(88-96) mg s l m svs -sl s, s bsm m s -s g lsm. Analyic Cubism (908-9) vs ss mg v ml-lk xl my gls vws, lg vlg lkg ls, s w s w Pss's90 vs Porrai o Daniel-Henry Kahnweiler .

s -sv, Aly bsm sws vw syszs gmy ml v ssmblly w vw's vlm s g

mb vs m. Aly bsm -lyzs syszs vs's mll vws ly by sly lg m(smlsly) swg b m m. As s,

Aly bs ssss sggss mb m m-ms s. Synheic Cubism mszs s -llssgm b wy g lms vm, s s gms wll-, jls / -gs. A g xml s 9 lgy, Naure More avec Chaise

Canée (Sll-l w g) by Pbl Pss.T ly mgs by D s H Hö -

lly lv s vs, xml w mzg Cu wihhe Kichen Knie Dada hrough he Las Weimar Beer-Belly Culural Epocho Germany m 99-0.

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vsl s sl xss s ssbly mlls my b w . Ts -v sms v .6

S w w lly mmsv wk Ds s/sg/yg/ K Sws (887-98) s H-v Merzbau (9-97), s s lg Jss ms Mzbw. ly-90s, Sws bg wkg

llg/lm w ll Schwiters-Säule w s gw v lg s m Hv.7 S gw w ss wlls, s w m mm-s m s s w w l v v l wk lly



150 Jsp Ncv

gw g lg, w g smllj . s y ws ll Merzbau (Mz-s).8 TsMzb ws b Nzs w Sws mv N-

wy s m. T bg Mzb ( Hs m Bk-k Lysk) w ws b w by l 9. T HvMzb, , b sy l All bmbgs 9,

b 97 Sws bg wk s l w lloal ar 9 —s Merzbarn. Ts wk ws b m lms ly ls w bjs mb . A lv Swsj m mmsv sv ws s z Merz-

bühne, “l-Mz-”.0

Tg s j ws v lz, lll mb oal heaer js w vlg E g 90s.

lg Sws' vms, w mg w s lSm's 90s s /ssmblg s gs s vs O'Hy M

Wsk, Nw Yk, All Kw w b s 966 bk Assemblages, Environmens, Happenings. Sm's llg g/lby-

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wk: xsv g w ss xbly m,vwlm, s w ssy msss.

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m Lg ssl’s wk s s s 9 ms- L'Are dei umori (sl s Te Ar o Noises) s sml. T s

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T bs lgl mbss vw s

mvg l ls ws ml l Fsm, s m ls s s/lz l msss. UmbB's (88-96) 9 g Saes o Mind II: Tose Who Go s mbl xml. sg m g, Fss, -



M Nvus Ns Eys 151

lsl ls Fl mms M (876-9), gl s m wl xssg j s, bs xml by ms s-g 90 bw F-s s s V wsl w g w 800,000 mss, l Agains Pas-Loving Venice , ws m.

b/Fsm v syss kg s s Ps-msssm w s b m vsl ,g sl ly s sv g sl g vlvm s s s sg. Ts

mlz l s wss sggs s-vsl -gs k by l v-g m-0y, s w wll s.

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bkg w bs k s s m . l, H sggss oal experience sms m Mx Es's s Köl xb 90, w Es ws j by ss w, lk m, w l bm Slss. T xb ws g m's l ws by ls gl Fs mm ss g bs vss.8

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s s ms ss . As H Ell- bg's bk, Te Discovery o he Unconscious: Te Hisory and Evoluiono Dynamic Psychiary , lly mss, F “sv” ss — w sy y , wl b J-M (8-89) P J (89-97), Del'Angoisse à l'Exase (O Ags Essy) —b F, wkg ws ss Js B (8-9), mg b s v s

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152 Jsp Ncv

sw, Ml Dm,9 lg mm ws g w ,00 l sks ll w wl gm- ly Gm mly ms, mlm by mll smll sg -bs. F l xb 9 Nw Yk Ms, l Firs Papers o Surrealism, D-m vm klms gl sg.60

W ms, , kwlg mmsv sms s mms s Sls mv-m sl, Palais Idéal F vl (86-9) w, my y, b gg swlg s g w vs

, s ss ms g-ç vll Bm b l gw mm mk. ws s by vll Hvs (Dôm) bw ys 879 9, sl 9,000 m s lb.

S qs: wy s qly m l bm gs-svly llg by vsl s— x, ls by —llwg S Wl W?6 Evly ws smgm bbs s 0 y m w

l s s vlm s s, y mlbl m ss ws xg s -l ssss. W xmls ll vsl s vs w s, s w v s, b s xls.

v smg ssss sy wsl llwg w v bmbg vl s s w ( s, Köl, L, ky)lmg w Am m bmbgs vl Js

s, Hsm Ags 6, 9 ( 0,000 vms) N-gsk Ags 9, 9 ( 70,000 vms), g wl'sss s lly.

T Alls' sg sv gs Gmy bg smxmm vss g ms 9. B U.S. s , mly 8 Egl ly, ws mbs mv l y. By

9, 8 Bmb mm l l m ks 700ls , ly 9, gl ,000 bmb l msss bmssbl. Ev m m ws vl E v lg-g gs, w ws P- Msg.



M Nvus Ns Eys 153

Hwv, Pl Vl, s sm Bunker Archaeology , -ly sggs l s sl ssss ss 9, w Nz s l lg V- blls mssl. Blls mssls k-ll ws vl by mmm g, g jy y v bl g by b bs w. Alg xms

b k b Wl W ys s blls mssls, m ws glly s v gs V- V- mssls l by Gmy

9 9. B s Vergelungswaen (Vg Ws) blms ls g v v s s s blls mssl vlm. sg mssls s lgl s m k my s s. As s, y b s s xss l-ly ( s blls mssls) m ( s s mssls).

9, Pmü bs sl Usm Bl-

, W v B s m V-. T V- ws .ms lg (7 ) s yl ws b 900 kg g xl-svs. T zl g ws b 0 klms (0 mls), k l slly ws b 00 klms (6 mls).

Figure 14 – Exerior view o he Palais Idéal by Faceur Cheval (Hauerives, Drôme, France)



154 Jsp Ncv

ws s gs Ps Smb 6, 9. w ys l, s m ,00 V-s ws gs G B ( ls M 7, 9). Blgm ws bmb lms s vly wm. g g m 60 klms (00 mls),

V- mk bgg s g. A w, b USs Sv U lg mbs V-s sm s l vlm mssl gms.

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y G Y L g Ss vl W (96-99). H ,6 Bsq l w kll, bqs FsF Bm (89-97), 889 w w, lg lly, wm, l by Al Hl's (889-9) Jk Hkl wls sv Ss ssm.

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s vs /vg s bm sgly s - b vss. Ts ss b vlbly s x sl ws w lg sy mly-mms slls (Sk 97), s m sg Sv mly-l Y Gg (9-968) Al, 96 ( s m s), s m m Am All Mss 969 w Nl Am-sg's lvs k m. k lgy bl mly

s l ws l mssls, lgly m wk ss k Ks slkvsky (87-9) (ws vsy ls m m Nkl FvFv (88-90)), Am b H. G (88-9) Gm Hm Ob (89-989). W k l-gy, s mly lly x , m-lk, - mss m sy. Vl vs s s

ssss s bk, War and Cinema: Te Logisics o Percepion , w s lz gz by mly -lgs mly llg - -mb's s. Ts “l” s xs



M Nvus Ns Eys 155

vs s mls sly lss s vs, mb/lg, s vlvs g g sgg l svs sq gmz b xls m. Ts w ss g xl ss s ms sgly, ms lly, xml by w s b-m kw s C3I ( s see cubed eye), l ml-y llg sl s l, mm, mm llg vl s l/gl sysm sgmm v U.S. mly's l sl. Hb Yk, s s-sy “Nl D Mly Uss S”, vs

s vvw s ws mlzg sgg ( ) s w ls Sg Ds v(SD) gm 980s s sg mlz s., Yk mks , “m bgg”, s s gm s b “mly mly, vl s”.6 98, s SD gm, Ps l g s “vs” w bm jvly ll Sar Wars , -s y s ssv sl ssss.

ly, s , m, s smgs sg, s s, s ms, s g w kss s xs gs s. Ts s wy m-bl ms ml s l s lz ssm. A s s l sw wy ms sg .

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s s s sxl s w l ggs, sm bl.6

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bs b by g ws kiloon (,000 s) megaon ( mll s) sb bls qvl

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Hsm, J, 9, ls gy qllg ,000s ( kls) ml xlsv m lss 0 s (60klgms) m. Fs bmbs, , v gv

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156 Jsp Ncv

T s l ws w bmbs lv by . W-s sg blls mssls, wv, v bm by ms m l ws. T U.S. skl l ws,

w l yg bmb ws s s xl 9, s k 967 w m ,000 ws 0 ys. T Sv skl s k b ,000 ws 988. Tg blls mssl ms , U Ss sml s ws, skg g y lw x-lsv w, yl. Ms U.S. sysms ws lss mg, w lgs bg -mg , s-

v m 96 g 987. Mwl, Sv U, s mk s ls slvg g blms, lg mssls g yls. T Sv ws x vmgs, w lgs bg 0 -mg w ly SS-7 Sl m 96 980 -mg w SS-9 S, ly m 967 98. H m-0 y,s bm g b my's gs s (l x- l l) s bls ss (-v -

l s xl). W m sg , gm w Vl, s ss

m-l s ws lly sm 9 w Gm k-l bmbs bg ll L w w-g, sg mm ss vlz, -mb, s, s m m lgs ws xl s -gly. As sq, m, ssss vl l

bmbg, m ws, mly ky vl

mlz -s s gly g bm zl l , w ss ys b bss ss . O s myg s w ss s s ws gl s-w g s 's s vs s s vs xs; ws lsy'ss, s Slsm Exslsm.

ms sm ss l s,

mzg D. Alb Hm ( bms Sz m-l m Bsl, Swzl) lly sv LSD (lysg ylm ) sm y k-l bmbs

bg m sky: 9. LSD ws s sysz 98



M Nvus Ns Eys 157

by Hm b kw w sysz l 9 w lly bsb smll m LSD (w s l-lss, lss, slss) s sv s vsy s.

W s gs, Hm, svyg m ws , l-

z w m s m w vyg sg.T m sm smm slg, bm w m sbs ly vsbl wl sss.

T blms LSD's xl s s, ylgy s s vy, b l x s w w lvl ssss mgs. As s ll m m g 960s 980s, sll m -sb LSD's sl s s y ly s x.

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j lss sslv. T wl sms s s smly -, sg xs m smms s w g w g-vlg ly. Ally, sbj ls ml vm smw gs w s wss m sbs ly w mks sm l ss g wll s. Ms mly, sbj s smw w ss unied ground o being , g, s w v s, s v Gsmkswk l s

bgg m.

Figure 15 – Hiroshima afer he dropping o he aomic bomb, 1945



158 Jsp Ncv

As Bm s v sw s, vyg vs sm , s s, smlss unied ground l-g l-b, LSD sms mk s vsbl. Fm,s unied ground paradigm bg lly g Ws -ssss js llwg Wl W 's bl ms lsv w J , s w wll s s , bg b lly vg s-w .

Te Noisiness of Jackson Pollock

As s l Sy's (899-987) New York imes'by Nvmb , 987, Jks Pllk (9-96) s Sy y: “Wy y lk y ? T ls yg, y lslly. Y ' blg m”. Fm s s-m, w kw v g Pllk k s s l( g) 9, ws bvsly ly w xg lgl s ws g 0 y s. Pllk m m vw w

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M Nvus Ns Eys 159

s sql drip gs w, s g bs vs, l vs , s v , g/ , by mkg lg swgs. Pllk, v bs Sls s, g -ss g ( -l) w llss gl-,by sg gss -l (g x

w mmy l s g) s sm m -llss, wl smlsly g sg m s. T ly sqs, w bly , sggsv bs sy ss ss

m. Ts sl sl - gmlsv ls Pllk ky s bls sy ss-ss. T slg lz, s gs sb vsl l l, maniess an omni-perspecivalism which isexemplary o he ambien omni-direcional aspecs o noise.

As v s 's bggs, 9 Pllk glg Mural, 1943 Pggy Gggm (898-979) -mss .7 by 6.0 ms (b 8 by 9.8 ). Pllk b

s g-sl wks by mls Mx mls Jsé Oz (88-99), xml s 99 l ml Mankind Hsl b Glj, by Mx mlss Dgv (886-97) Al Sqs (896-97). W Pggy Gggm mmss, sm vs wl wlls smll bj ml w s vslly ys-lly m by vw. Mural, 1943 s sl Pllk's lb ll-v -gs (w v sb-

msl s ss lg s) ls s s m, lk Am Nvj s s Az Nw Mx wm m.Pllk s mss Am s-g (mkg sgs s s, m w ml -s) 9 Nl Hsy Msm Nw Yk lly s b Nvj s-g (s mgl lg ms) -

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160 Jsp Ncv

By l-Sg 97, w w v blg E ss, Pllk bg w ss gs s w gllsBy Pss (900-98) (s Pggy Gggm ws mvg bk E) w ws Jy , 98, s w (m x-) l, v b T Sgs, Lg sl. As Ls Jackson Pollock, w wll v kw sly w l bkg bw Pllk's lsxb Gggm's glly Ar o Tis Cenury sw

ws g By Ps's glly. T ly w ms l s ws sg wy, js , Pllk ss

w jsbly ll s immersive noise . O s l- Pllk Ob 97 s b JSm Gggm F g (w ws w). AsL sggss, Pllk's l ml sms b s

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w Gbg w: “Pllk s wy by sl, by mbl, m , ml”. w s , Pl-

lk w s Gggm Fllws sm; “ lg mvbl s w bw sl ml..”. “ blv sl b yg m, y m lg s ws wll ml”. Pllk w l s s Possibiliies (W 97-8), mgz by s b Mwll (9-99) Hl sbg (906-978). Pllk's s's sm -l My Paining , w w wk

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M Nvus Ns Eys 161

b my ssbls s l vlm”. T sm yPllk l vw, “T g sms b k-g s wy m sl, sm s wll g. Sm my vss ml sz ... 9 by 8 ! B jy wkg bg wv v w 's l ”. W s sz s vss, Pllk s wk m -s m zlly, lyg m s . T l in he paining . By wkg ly , Pl-lk ws bl ly s gvy l s l m l, ws ls bl wlk ms-

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by sblsg s vsg-, b by lly lm-

g m s s m y llw vl s by vs ml sg s s w bg s by gs. H ws gswihou beginning or end , s vsly s sz vs s



162 Jsp Ncv

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M Nvus Ns Eys 163

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M Nvus Ns Eys 165

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166 Jsp Ncv

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M Nvus Ns Eys 167

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168 Jsp Ncv

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M Nvus Ns Eys 169

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170 Jsp Ncv

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M Nvus Ns Eys 171

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M Nvus Ns Eys 173

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M Nvus Ns Eys 175

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M Nvus Ns Eys 177

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M Nvus Ns Eys 179

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180 Jsp Ncv

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b mzg mv sml w B Gys (96-986) Wllm S. Bgs ll he hird mind. T m s

bs B Gys's svy s z's (896-96) D- wg m w wl g g ws ws sg m ms. Gys svl xms

w -s wl lvg gs s m w s Wl-lm S. Bgs. T Bgs s -s s bks Nova Express, Te icke Ta Exploded , s. Gys, , ws ssbl

bslly s-mmsv l Dream Machine v- bs sklg kg s g s.T l b Dream Machine s gs wv-lk

s w sb 0 Hz, qy l wvssmms s bsm ssbl m-g ss v ssss. As ss (lx) m ll

w m-g kg lg, sl y-s v-slzs my l wkl wk.

W sw Te Tird Mind xb ll 007 LPls ky Ps ( by Ug ) my s ssss my m. T sw wk m: l Bl, LB, M, By, J B, Vl , Vj lms,B , V Dws, Jy D, s Dlly, Us Fs,B Gl, b Gb, Ny Gssm, Hs Jss,B Gys Wllm Bgs, b K, K Klmk,Emm Kz, Aw L, S Ls, Hg Mkl, y Nl,

L Pss, J-F Sy, Js Sm, Pl Tk, Ay Wl, b W, S Wllms.

W s sg b s sqg sw s lk w his g sw s s jg ( ) m g sws by g llbv wk B Gys Wllm S. B-gs m ly 960s kw s Te Tird Mind. Mv, wl s Tird Mind x w s s -

w s mg xl?Bgs Gys, kw mly, s m, svy D ms s z's - q -vg kg Dream Machine v, wk g



M Nvus Ns Eys 181

ly 960s blsg j s -bs - m. A - m sss g mly s-smblg vs gms smg gv m mlly w x mg: +=. bgy All Gs-

bg (96-997), Celebrae Mysel , Gsbg’s vs, Bll Mg,s sm gss B Gys Wllm S. Bgsys l D - q llb bs Gsbg’s y s.

m-90’s, Gys Bgs llg -q s b gl l g gs s l -

y. Ts m s l ws yg B ws m, s ss ssg Gsbg’s s xs Bgs’s s - ws m w s—Gsbg s smglg ls l k.80 Ev m, Gsbg sl mNY Bgs ls s m g lk sx.8 As jk,Gsbg P Olvsky sm w ms -g m s m Bgs w , “Js vg l-l m”.8 Hwv, Bgs ws s m

- m s s q. WGsbg Olvsky v gs 96, Bgs ws wk-g v m v s -; Smmvll(90-976) w g slg s Bgs wsmkg llgs m wss gs wl lmg y ws w .8

Bgs, wv, s bg wk - vl, So Ma-chine , wg ml m s Te Word Hoard. Te Word Hoard s

ll Bgs’s mss w g, Ps, L- ll g m-l ms sv s bss m Bgs’ - wgs: Te So Machine, Nova Express, Te icke Ta Exploded, (g s Te Nova rilo- gy Nova Epic). Ev Naked Lunch ws k m ss Te WordHoard. A x ws ls ll Dead Fingers alk 96, ws xs m Naked Lunch, Te So Machine Te icke

Ta Exploded mb g w v. Als, v B-gs’s s llbs w B Gys Smmvll, - q ws mb w mgs, Gys's gs, s, v Smvll's s.



182 Jsp Ncv

T So Machine ms ws s bg ssmbl by Smmvll Ml Pm, Bgs’s ms. Sm-mvll ws glly skg blg ll - ms.Sly , Bgs wl bg llbg bk j- w B Gys sg - m, g ssm-

blg vs gms ss mgs gv m w x mg. Te Tird Mind s l bk y vsg llwg s m, y w s vwlm by sls y l b ms by s; - (m) m syss w sls. Gsbg -

m gly skl sm m, b llwg s vls m - q, v wl v mlyg .Nw Te Tird Mind sw. My wks v

’s ss m. O s, ms s BGys Wllm S. Bgs llb, Te Tird Mind. A - glly s v mqs s bls bk m ll Ls Agls y Msm A— s slls m: vw/. s gl

gg s svs s s gs xb.T s glms v sll/ml Ay

Wl’s (98-987) Screen ess m 96-966: g sl blk & w -m lms w vss Wl -y y s sll. H w s l s vslly s yl s E Sgwk (9-97), Ss S-g (9-00), N (98-988), J G, Js Mks, GMlg, Jk Sm (9-989), Pl Tk (9-988), L

sgs Ml Dm. T s s slly vs gv s -l s s lw lyg sl-. s bly jybl. Pls m s g w blk -g gms ll Angels by sg B (9-008) m 97-7.

ms m l, sy, ssl, lss, sgs ws v m l Bl,

Ny Gssm, y Nl glly. Evyg ws smgw, sx vl. T s l s ls—ms ll m slv blk. Bkg g glly w lg ws Ny Gssm’s ms blk-l s, ggssvly sg



M Nvus Ns Eys 183

ll ss lk ks s. Bl’s 969 mml mswk,Te Cahedral Evening , ggssvly m s w mmm gl b. Ts ws bk by s ms wk, Tree Elemens (96). T, gvg glly ss lms lbly Ol s 8 ws lg g sb blk--slv y N-l lgl slk-ss ml.8

T m lly llvly wk m l Pl Tk myss y sv Emm Kz (89-96). T w-l Pl Tk Mea Piece ; mvlls, w s-mml sl-s skly s y by ss wx lg yllw s-

lxgls ss llly s—sggsg ss l bw lss ssm. Ts m-m mx s - w lg mg-l m-ly Emm Kz’s gm wgs, w l lls ( lk) g . ws sy vs sm s-l s zg w b g m.

O ms bg lk- jlg l. smly mM By’s g sl (By lg mîs, D

Flv), b ssv s s w w ls ws m. Ws ll ws m ly v wk JB. W ws g ? O ss s ( mg)v s m s. S vbl g ss, wll, ms lk s s—s s ls w ms sy.B s k s yg sll sg bg Gb sk? Hs Te Spli-up Coniced Sink m 98 ls ly g m s ss vsl s symy, s

vly mblls blk sss Vl , s bs sll by S Ls, lyg x-ïv vss K Klmk. Hw s bg, s ïv wk m vy m ?

Nvlss, wll. O kg b sw my wy m, l sw’s w ls vy sgvly ïv ssé ( ls q, mg wy) l

ml-wk wl w w w s. By w, vss mlxy v sbls bl l-l y by mszg sysms llbv bly.O s s v v s z-



184 Jsp Ncv

v,86 Eg Tk ll wks vlv sss m-m symbss s w --

wk m lgy. S ys, ls m ws bg s l-s ïvy, vg js s sm ss m -g wg s sl sw vs v-l sw lg bs mlx -sm. Pl gssss v-g ybs, lg blgy v, m lgs, sb mgm ms, ms-ms, l l swms, ll m, Ng/H’smls, Te Tird Mind ly my m lk m g k-

g ly. N s. l g g b - vsv ggg ll/ll lg slm by slly ssmls vyg.

B , Ug mly ssmbl w mg. H yg. Js lk vy j, s sg, g sw , mx my xss m s m w mgs mg. Ts llbv wk B Gys Wllm Bgs

w v s — s y w ly -lllly sv (v g ws g s wk). T

ws s mss v (v -slg gs w sssly -m) sssy lly x— s sss—sl. Tssw g . T ws m ssmblg vsgms smg gv m mlly w xmg (lk sw sw olywholyover: A Composiion or Mu-

seum by John Cage Gggm Msm S, NY 99).Te Tird Mind s js s, b g, gs sw

w wl s g s s. W s s ms b. Aywy, g bk my m : s blg bw

s s k g g mss l-960s, w ms s mms s . s -sly s m blg qs ar as noise ambi-

ence ss. , ambience as ar is a uiul domain in which o nd hear o noise aesheic in all o is varieies and orms o maniesaion .T m ambience s llws Fk P's

arisic environmen s mg g ysl sylgl



M Nvus Ns Eys 185

s, w ml s's 'sllm l, ms wy.87 Ts s s wL M Yg's M Zzl's Dream House: lly mmsvlg sbl s vm w vs my mv b by m s-ss ls . A arisic ambien environmen s ky s mms s w sll .

Ar, Acion and Paricipaion, Fk P sw (w -l s-k s) vg sy s vm v w mb

m l s l -l ms. Ar, Acion and Paricipaion, s bk m w w my xmls m s , P mx-mxsss vlv ll sss v m m-l vlvm s, s lgy s v smls. ms ss 960s wkg sw x-l, g xml s GRV (G 'A Vsls), by J-P Vsly k Yvl, s V

Vsly— g lv ss w k V Vsly's sl s ws . GRV ws v Ps m960 968. T m m ws mg vl s mmbs llv vlly yms vy lk s lgl sls bs ll-v vs ll Labyrinhs.

T ls m vsg w sm k l s by sg vs ys l lg m-

l mvm. s Labyrinh, l 96 Ps Bl,y s ys’ wk bs l k vs.T y sv gg m y s s ws s s , -sw vy. O Al 9, 966, GRV Une Journée Dans la ue (Dy S) Ps w y v ssg -s vlv mslvs vs k vs s s v-

g m wlk v blks w / x s wl by wg lb sg sls. T g ssl- Nvmb 968 ws bs g ws ms-sbl m g j gm.



186 Jsp Ncv

lv s Nicolas Schöer Exhibiion sw Ps ll00, ss xs László Mly-Ngy’s (89-96) Bs Ligh Space Modulaor (9-0)88 — vsy ml-m s wk l g s lg bwms, lg, sw m— s smg lm Hg-b F s Nls Sö (9-99) s“ F yb A”. A vy ls, s ms ws - wl vwg l wk (msly mbl sl -l lgg s) bl m m msm F ly my Es EDF El.

W s mmly v s xl s ss Sö’s g, k sl, -, bsm, lm, V, v ms ( llb w PHy)—ll s s ymsm w ws g-lly by b-Fss s sl

by ss svss s s Nm Gb (890-977), APvs (866-96) Mly-Ngy. All w w -g s -msl sll m ms

m m, s ws Sö’s s wll. Söwv, mg wll , b lsgly m yb -s (s bk sysms (vy) mly bs s Nb W) y sggs m s sss ms gz sysm msg (e.g. , -l sly bk-ls). F Sö, s bl ybs l mlx s lss m w wk sl.

Hs CYSP 1 , m 96, s s s yb sl

sy m s l ms s vl by Pls my. T sl s s bs m ll-s, w s msm l b. Smll m-s l xs ls. Pl lls m bl sl ll vs ls l lg sy ( s sy). All s gs ss sl.

sqly, Sö’s k sll mss w bl lll W Mll's (898-969) ybs mlg v smlgy w sl-mm- w bsv's sy bw sy s-



M Nvus Ns Eys 187

g vm. Ts s ybs’ my slss sy-g ss sbj/bj ly ms s x.T s l ms, ls.

ly, ws m lg sws (sm y s) m wlg s sg ml mlsls. l lgs b vlvg ls ml ws,sg v-gg lgs sws g wll ss my ys. T ls ws vy bs v m ssg g smll wlg sls w s my s lg sm gl s g y vws.

Sö’s gl s, my mg ws slssly mx w sg lgs. As s, ws m l gl xlg s. gl, s y s x v- m vw mysl y, s l s lssv El sm, b lly v vl(viracive) m.

, xb ms Sö’s syls. Fs, s “s-ym” ss m 98 : ms

syss sl ym lms. Nx m “lm-y-m” ss 97, w lg js ms. s “-ym” wks 99, w , mvm s, lg l ll m g sm s-m s. Als

wll m ws Sö’s m g Cyberneic ower m96, w ws s Lg w 66 vlvg ms.

Gv - xb, sylslly ggg ms s vly -lkg. ,

sw ssgly ll , v g s ll ly Ps 960’s s “s g” sgs P b, w vlv s mvg mll ss ls.

Y my sbj/bj ly v s m.B gv s, sl’ Nls Sö’s wk b s sm-

g bj s? Ps s m k s ms smg s sv vs l-

ms sy. W mg js s wll s s sg s. O b, s g w lg. W s v wks 96, Sö s lly g s

ly sv v —s s ll ls sl -



188 Jsp Ncv

s bs V (w ). F m, l s s sw (w sw ms) s s llwg m b s Sö - s-g lll sy— lvg sy s y xs sl. s g s László Mly-Ngy’s Ligh Space Modulaor —w ws v by m q w 8 l blbs ls—ws -lly ms 90 Ps Wkb xb. S s N-ls Sö ly s yb , k sl,w l, , b s ky ly ml - lll — s-

gly s s vm bgg s y. Als sg mmsv s ms m s S Vbk's 966 Movie Drome , msl “mv-ml” s Nw Yk S w vw ssm s s lk slg ms m js.89 As

Vbk msl sb , Mv Dm s llws:“ sl m, smls mgs ll ss wl b j m-s. T ls w g

m w ws , s lms mll--vw s m-s. Tss mgs wl b j- s”.90 Ag Vbk, ls s -lg“ml-lx” s mg w (ly xssv) w m.

W ws m ws “l sl” l w “ly” (w Vbk ll m's “vsl-vly”) w s s “ ss lvls”.9 Ts msg s (s s g lm's mmsv l

ms llg FOV) ms w Js Mks ll abso-lue cinema.9

, Fs Tms, bs slly kw sx sj gm ll We Are Young w v l 88.6 sq ms (,9 sq ) Ex '67 Ml, - lg-sl mmsv js bs s s vglms lly swllwg . Tms s b s lg

slys “wl lk s w s g y lg k ms s: 's area y' jg ”.T mgs wl “m s sg y



M Nvus Ns Eys 189

y g y. S y' lg wkg w s b vlm”.9

N-mmsv s m mks s w s ll aming .Fmg s lm w s m ssl m- , s's w s m gv sl mg . E m lm, w -ss s mg j s, ms bss g ms sm wy s m g lss w g ms b gz. Svl s m w m g (ll aspec raios) v b s

m s. T ms mm, kw s Amy , s . , , sg mss m mllm lm. By sg 70 mllm lm sl mSls, mg w w zl s vl mss sv; b , bw . .6 .

A sml , ll w-s, ws smms v w xsv qm q mS by sg mllmlm mskg bm, b, gvg .7 ,

7 . Alg sm s 970s w lg w mm 70 mllm mgs, w smll sx mg ls .8 U Ss .66 E.

jg mg , 9 Yv Agm bg k s w ll ransormable srucures (qvl gs ls) ransormable objecs ( qv-l sl) w s ws blg k ss-

sv ss ls sv sq gg ls, ms, ls ss w mslvsm xlsv gls. Agm msl ll s

wks ransormable, b svs m l s w bss sm ls bg bl my l s, xml 9 , Nui . H x- s ms mmsvly w s oal Picure Environmen Salon

l'Eysé Ps. Ag G Ygbl, w Ml Dm, J g, Ay Wl (98-987), ws vlz “s-v Pl ss w 's



190 Jsp Ncv

bw s m”.9 Ts, w sy, s bss P A ( m 98 by Lw Allwy) s P

A s mgy my s qs lm vs-g sm kgg ss m ls.

Ms ly, P-Hgs Ay Wl's -msg, Exlg Pls vbls (E.P..) (w vlly b-m k g T Vlv Ug) s ms ssP s wk, s lys/ms w m-

b g vlm lg/s/lm sw w m s s ssss s wg g. E.P..

Hgs s w m sg 966 Pls ll S. Mk’s Pl Nw Yk y ll Polsky Dom Narodny. Wl Dom (m) m w ss w “sl wlg”, y S Jk ss, w s mvs sl js l b s wlls wll-lk s.Fv mv js w lz lg w v sl-y sljs w l g mg vy ss. Tsls w j ly lms, ws s ks wl

smms b ly, s bl w lv ms/llbl. A m-bll ls ws lz lg w s-lgs sb-lgs.9

E.P..'s s Hgs m v mlly zzlglgl sg ssss. H s H-g (lg-sw//lm-sw/lv-m) vgs ll-smg wy w ml s w v -vs, k s, / s ms lbs (s s lg-y Ps Gg (976-987) Nw Yk y, lb -

mmsv s sw s ml by mbg w-l s-sks s ). , w bqsm-bll (ws v ws bl v) ms b g-z s mmsv s wk sg s.

969, 0° mmsv s Gsmkswk ml ws s by Ls Agls wg Exms A -lgy (E.A..)96 j Ps-l Pvl Expo ’70

Osk, J. T 0° m s, ws y ws sw U.S.A. S A blm g Smb 969, ws smly lg-wg m s s m ,900 sq ms(,000 sq ) m myl ,0 m k



M Nvus Ns Eys 191

(,000 ) w s 7 ms (90 ) m 6. ms ( ) g.97

A P-Hg s mblm ll-smg m-msv s s s vsly m Js s YyKsm, w 98 mv m Nw Yk y. Ksm'sm bssss v b xssv ml lk-s( xy mlky ll gws) w s s ms vy sy xs. As jvl J, Ks-m vl bsssv-mlsv s s lglls, s m vsly. Ksm's blg sll-

s sv z wkg ll-vs s xs yg wm, w sg bl v w l bl-l, m v w l wll, s sw s,, w v w ws. As s sl s s, “T ws vs gl vls w lk m lk wy y

bg v vyg. Ty w wgs ws g sw y w ll v bk, gg wlls y v s s l s wy

m. Ts xs w yl”.98 As sl, s s Ksm ws gzg vwlm wl w s lk-s, s s xlsv mmsv-s ml ls s-P s-w v-g, v, s slls, gs, v gs , sy sylg-l bssss.

Ksm's sy Inniy Ne gs ms smll, vl-g, lg bs sks w l-ls ms

blss s. Ts, s, s gs sss v-sly sss ly s sblm. Mv, s ls s xy g Ne Painings l-90s ly-960s( xml Yellow Ne) w s vll wbb-y-l s mls by Jks Pllk. Ts mlmmsv-vll s y-s bms llz y b m slls 960s ly 970s.

As s s s, “ Nw Yk, ws g s s ww. S w , xm w g s my s w ls v by s. A ws g



192 Jsp Ncv

, s g sl, s l s vyg”.99 Ts s s lz slls epeiive Vision Dos Obsession. Dos Obsession, m .8 ms w by m-s lg by ms g (6 by 0 by 0 ) b -s yllw w sz blk s mly l wlls,, lg. T g, glly-s blls ( ws 9ms lg by ms g (0 by 0 )) sm l s m, g w blk s ll l s.

H gsq s sll epeiive Vision ws by wlkg s blk sly l s

ws ws v - s. -ml mqs w, bs v w s, g y m wlls lgs.

As Ksm s ssly mv by s bl- sl vsl-s-y z by ll-v s lk-s (s mmsv s s mls Ksm v sk lk-s), m mmsv slls sl s ss w xl sss smbm (sss

sl vs gv sl-by-mg) wll vsl sl-bl-, s w w m vw my mg w, sslv, vsl m ad innium wlls ms.T s s bg sl ws bg sly l.

mms m lly lg s vms, 96 Ksm s m-ms lg xsv mms s ad innium w s- Narcissus Garden , Kusama's Peep Show Endless Love oom ,

xml.Sylslly, s wk b s s syss O, P Psy-

l A, s bvs mmly s ss w L-s Sms' 966 oom 2 s Mg's vms (wls ms) s Spiegelraum ws l Environmens xb U 968 Mirror Environmen l Dm , Kssl. Mv, g lss mmly

ll-mssg, b s v m gly g w l ssymblsm lbl vm, 969 b Sm-s (98-97) bg g wks ls ll Nine Mirror Displacemens, Mirror Shore by lg ms b



M Nvus Ns Eys 193

jgl Yá. Sms k gs s y ms s g w y w g bk.

T l s Gl Alv, s 96-9 Cubic Environmen,ls m s v m ws mmsv s s -l sl, g Surace and exure (969), lmm

wll .0 by .60 ms sz (b 0. by 8. ). Hs Inerelazi-one Cromospeculare ws wl x, s , Ialics: L'ar ialien enre radiion e révoluion 1968-2008 sw V Plzz Gss 008. L P's Environmen ws ls s s vlg v gm w m ss b

ml g l v s -ssss lm mss vb s. lk m, Dmg Alvz m ms

mb lg ms ly ls s w j- sl-ss s w ad innium, s s 97 Mirror En-vironmen. s smgly mmsbl s mg sm xlsvly mly xl s gl, b s lsly, sssss sly. W sw s Ksm's sll Inniy Dos

Mirrored oom w w Fm ws v w szs l s s w m-m mg w blk-lg. By bg slssly lg wlls, l gl xlg s. gl, , y sx b m vw l s l ssvsm b lly v vl (viracive) m.

s ly s s s vsly, sbm, s ms s g l-960s, sly sm

m s-sls F sylgs Jqs L (90-98) ws bly blsg s y mirror sage m -

vlm l “T M-Ps s Fmv F ” Ecris (glly bls 99 F). TL m mirror sage l's gw w sylgl lg y w m ssbs w s sl. Ag L,

x vg sl m, llly gvly,gs l (s) sm s anicipaes andwills or onesel a homogeneous oal being v w g s m-



194 Jsp Ncv

. Hwv, s ly s v v, s 's sllb gms l q.00

Mv, L msz my lgg s m ss m, sy lgg(s s m lgss, lsy, s) sy-ly y. Hs mj vm ws s F's wk ms sl lgss vl by F

ws s l 0 y. T gx wll by l sylyss mk m m gs F ll l g 970s, l

Ss w Agl-Sx m ls m ly 980s .0

mg s s m ss m lms l-s -s s Am s B Nm's 968 s s -sll ll Ge Ou o My Mind, Ge Ou o Tis oom , ss my, smll, w m, ll ly w s sms mm ll s. Smly s, ss l-sks -

vsbly mb wlls w ly ml v sg mg j l. T s g s, y y-

m v blg s s ly l w lks s-s gv/s-s s s /ls. Hwv, w sl ms mss bg, sms m y s s ms ls b y lms slvs w ms, , lm lglb, b , sl s y w m-y s y, b gs s w s xs s

ssbl sbl, s m xsvs sl k. Ts ms s lgy slvs ms wy m ll js lm b m sg by ssg mmsv s ssss bzm .

ms mmsv s 960s w ssmy s , m sl b m

Dvzjj mvm Msw s l Lv Nsbg. TDvzjj mvm “sm s Mlv -” 0 m s w w ll Living Machines (..,k vms) bw ys 96 967. Lv Nsbg



M Nvus Ns Eys 195

msl b wkg s 96 g 967 sjs w sg aricial kineic milieus w wlgs k sss w m, g ly ly lz. ONsbg j ws k lby ws x 00ms (,60 ) b svl s -g lg mb sv s l ms m-mg, vs s, lm, ms, mm m, x, kbjs, smlls, v s. Ts ms s ls v ls z-Dz's vml l-vs llChromosauraions w ms -msl l x-

s w g vs ms bs, s bgg w q ssy by gg mg-s l s. sm s Chromosauraions , vs, - bg “m” sl l-blk mbs, ssg sq sv m ss w x-s s bl, , g. s Chromosauraions or a Public Place in he Open Air, xb V, z-Dz w ly l'Oé (Ps)

969 w ss w v ss g s-s ly l-ll bs. vs xb V-, s l ws by g s llw s l s s sssvly x- bsl bl, bsl bsl g. z-Dz sv oal vision 0 g smm s mms. Ml Pz ls ml l xs by sg lg m w sslly

bg x l lly m s wy s m ssy l s.

Ts s mss s “ k ssy-sml lb-y”0 k yblly g -l v -s s-m s vy glly z by processaesheic de-objecicaion msz s's

w lbl mllbl s ly m w -

glm ms. -l, “sl” m wlly w ms msl vs, s s wks m- : lm, v ls. Vs s s(lg s-s slls s wks) bg



196 Jsp Ncv

m mwk ss m l glly s. Pss A, l

A, Ewks, ws ss mm mv: - s vl ms bj s by msm/glly ml mv b x. H

ws g ws sy vm, l w l gl vy ws v m vy smly mls sms.

A s s x-l s s bmg s w wk , lly lsg sl

bs bw '' 'l' 's' 'wk'. Ts y s bs s by L M, A/L -s m Lvg A. Lvg A s m mg lsyl g lg-m m wks, sy wk/ly ss/-ss wllg m g l. M's Lvg A ms, w s s v s ys, l Tree-Day Blindold (97) -v

wk w g Hs w w ss s y -

g by . m (8 ) (98-8). Ts wk -l sl ss .

T 98 mmsv s m llb bw BllSm ls Hz ll Archiecural Hearing Aids s s mmsv Lvg A m sy wy, s v - sll w w s sysms -k mx sv sks s S Fs. S/m-s ws ms slly l s l l

s y.Nsly, Js E. Fy's (906-990) Bkly l m

7 Sx S ws mlly v w bgly b lqés, slls, bjs s wlls

w mg w sl s blk, g, bg v ss lm slls - b s, ssss, ms. Mssl slls, s smbl bs,

w b by l l s m, lm bs, glss bs. Bs llg, s mkys, bs, gs, wll ls ml.



M Nvus Ns Eys 197

T, , s S EOM's Pasaquan, bw 98 98 by E Ows M (908-986)0 l s lls s-ws Gg, smll w B Vs. Psq -sss g gss v s, s by s

w wlls, gs, blgs, mls, wlkwys—ll bllly , s . Ts ll-v s y ss sslly s ly m m sll A, m

wll lls w Ml 's l-960's Space Teaer . T ss 's Space Teaer ws g ssmbly ms smsjsbly m ywl w w g by

lg, lm, sl js. Esslly, Space Teaer ws x- vs Mly-Ngy's Space-Ligh Modulaor w my . 's ws “ lm m s l - s w mb l s”.06

Ts s sg jv s s ws ls J Ylk's l-960s Floaing Teaer . T Floaing Te-aer ss y 9.6 ms ( 0 ) m w yl sgs w js w s.

T y, w b l mll-js, ws ss v by s s.07 Hy Jbs J Bls's m Vorex Concers , lz m-ly bw 97 960 8 m (60 ) m M-s Plm S Fs's Gl G Pk mly sbls s/x l--vw bjv s wll. As by

Ygbl,08 Vorex Concers ss bs lg/ss w “- js” -

mx w sg s js sb lgs, x- w gl lk s. Bls xl Vorex y w bl “j mgs v m s gs wl m g w m , slg lg

wlls”.09 Als, Al mbll's m-960s vml Elecome-dia Teaer sv s bs s s s/xs . Plly sg mbll's 96 Black Zero -

vm, w gl vw “mlsm -vslvs”,0 s 968 llb w O P ml--l, ls- vm ll Black Gae Cologne , m



198 Jsp Ncv

vm l -sbls s s/x sl g E.

M ly, s ll s j s ws s vs m-s -- v sss lm--m by Bly Es ll Movie Head Box w s s Te Exremis Show AB N Nw Yk y 98. Esv m w s-bx w sl v my (lk mvHMD). H j l s-8 lm my -s'sç (w s sy l lmy)by v-g my vsl s, s /lml m-

gs s bx w s ss. A wlkmv m s ss mm m mll bs ss.

All bv xmls ms s b vl-g s w v s immersive noise ar : ms j s s s vl mbly b ly g x s l--vw.



Chapter 5

Viral Atack wihin Connecivis Noise Schemaics

{loop:le = ge-random-execuable-le;i rs-line-o-le = 1234567 hen goo loop;

prepend virus o le;}— F C, Compuer Viruses: Teory and Experimens

We canno be done wih viruses as long as heonology o nework culure is viral-like.

— Juss P, Te Universal Viral Machine

Dada is he viral opion o he virual cerainy.— A Cscu, Te Poshuman Dada Guide

W v s s lg s my lg b wlm. W ws s sbl l s — s sggsv smbl vs y v bls sg m l s lml l ls lms s y ms-svly - l s—s ls xsvly lbl

ll-v lg wk y: Wl W Wb.L’s vw w w g . O Ob 7, 969, w m-

s bg xgg mssgs w g lk lsm l my s xm by U Ss Dm Ds Av s Pjs

Agy (APA). ss s skg s sl -wk mly mms l svv s l y, v ms, s m s m m-m l w. H ws sg v lm y by, lly, ms l -ss kw my, US mly/sl mlx.



200 Jsp Ncv

vwg s sml s, m ss my vs s s mlz s l vl l s b my mvl ssbl bm mmsv s llwg S Wl W., sy s v mlz s wll

b ssly s mls . Evyg,vyw, ll zm wb mm: s s( wll b) zgs (s g) m mly ml w, g Hgl, ss sml m-lx ll vs , m s , l

ms. H ls lk s, vlbl ll y m,zs my yl sg w s ls y.

B sly, wb ls gs s s;s ybs, s y w ss m yx

wl-w m wk, m vl ly v gms, mgls b z s m ym ssl’s (877-9) s w l, lg w l, -

g w g. As w l m wks s-sl, vl wb s lly lly zzyg vy. s s vy ls vg m s - w m ks g sg ly ml mvs ( msms)s v g. Ts s w bl s Dm s sl m by smg s m v l-g. F xml, s s s lms ll

Kwb s K+F js v , bmsly wk Simulaion Mosaik Daa Klaenge m 99. Kw-

b s K+F (lly Yv Wllm, s Hübl Alx k) v xm w s ll inelligen agens—ls glm s m by mslvs (ls ll knowbos) llg vl ss (xblm-vms sb l wks). Ts s

s s w.

sms m wk s 6 lk s wll vl smg v g ll sm l-. S wk s wll s b ml-l, w



V Atc w Ccvs Ns Sccs 201

sl mls gwg s-ly by my ysl lm-s ( q lgl - sw s ).T lgm s lk s s ly (mlly) lm

by lk m mg, lk qm kwlg s , by w s mlly mmlly sbl. H k sy ssbls s s l-gy y ms.

Ns , v ms by w, s b bg y s xss, 's Wl W Wb, s,s ms lkg xss s . O Wb, m

b smly ss sys sysm mg y lk . Ts s s w w w ss-s ssmbl s, s wll s ks s s mg, w g llw s b lk ms s ysl gg s. Ts - l-lws w bk-ls s y s xm mly bbl mg. Nw s ss sms , g s -, bm m ssbl, m-

g ls s symbss bw m lgy l-. Assly, w s Wl W Wb(w sgs s g), s ss b -vs-sv wk y As s g.7 H s v -wss lly y-mgy ( slm-y vsy w s y-s) s s s s s l criical disance.

Ag mlz ( sbsq -mlz g) ssss s w wll b sg s -s vly w lk s lslz.

O lgy s slly m ly by s mly b ls by s ll, m, sl x. Ev s, -mm vsy s my v s s by vsg

sbly lzs lgy v s.

8

vsg w s ls lkg y, wllw sss bk, Digial Conagions: A Media Archaeology o Com- puer Viruses , by Jss Pkk. O l b gv ssmg



202 Jsp Ncv

bk w l wl b sl s s sggg -mm gmms w b lg Bll Gs Vs w-. Ally, s gm llg lk, v m-lgl , ly gg, y yslly glg, wk s wl w

w w s. A wl w s vl s gs— gly ss by—s-m sm-ms swgms w m mls lgs bg lv by sm g ly ly s sm--ly s l bg.

Tg J. G. Bll Wllm S. Bgs, Jss Pkk v-lss sks s s blk -- v v-l ll sy m vss llw by m-bl qsv s g ms v s, s-m, . A m vs s sl-lgm gm ss by sg s sl x-bl ms. A m vs bvs wy sml blgl vs, w ss by sg sl lvg lls. Ex-

g lgy, s vs gm s m inecion , l, xbl s l, s ll hos .

Digial Conagions s mg w ss, b w l-ms mmly ss ls s bl mvbly s, w s sv m ll — bml s lgl mz gl—m -slly kllg sl .

Ts mbl mby m s v by v-lk g bls, s Pkk vgly mss m- vss (sm-ms m/vm s ) l my gl l, b essenial s -ll lg sl. Ag Pkk, gl vss m lgy lg zs wkmz l s.

W my ws ll , Dlz G, mlgs m s ( m m s sss bw gs lms) bs l lgl m sgs v vl




ssy. O -wk lgy s mbl mb- -w s gms w bm- sl-g-z w vbl l gs ss glm-vlv v ss. Plg sg l vs smx ms, Pkk ws , “ vs ly sms

b l ll gl wl”.9 Pkk g-zs gl vss s wg lm smll s—s vss, by , mg ms bs ssm0 l. S s ly symbl/m- w ls m mly w sv ll

, s ml s, y ly m lg vm w y vly l.Mv, w lv , Pkk lly m-

ss m vss vbl x m-y g w my l ss. H s-ly s xl vs by sblsg ly s symbl mlly w l m by sx,

b by lg vl l/l ml ky ll s -

lyg gl lgy, s s bm- sl-gz, sb vy l mswk. Sss v g b

w vss lvg gsms js kg lssl ml-ls. A vs s jk gsm's blgl my l, w s by sg s DNA s. ss,Pkk sbs wk lgy s b l vl, w vvsly s viracual. B sm vss smly

yl s mslvs, y ls gg ss sl--

g ss: y yg mslvs v v g b y ls m g, by g s, Pkk ms, vlsgsg ss wk l lg.

wl y mm ms s ss ls-msm gl, lly ss msm s g s ggg w w sll . S m vss gz s xl symm ls bgg ll -

y (s) zs s-m m l s bgs w m (s) gl lgy. Ts s vs bk w sg, y gs, ms s lgs ms -l.



204 Jsp Ncv

B by -ll lv, sg vlsss Pkk’s bk ll ll s v y

w s ly gz gz s bm vsll lm wk lsm. As Pkk msl s, gz s s s l s ms ml v ss, mgs xs. Dgz s bl, ggl, ms s w w — w s ll lgs vllg bw xy ssm v bgv by smg vsbl— sky ss w v

b k l m w.

bg s lgs x, Digial Conagions lgs s g, sg slg y s ml lls.Pkk ls s g s by wg m, -wg -l s, s Glls Dlz Félx G ( wm my g lv s vgg bsss), FKl, Eg Tk, z v, N. K Hyls, LyMgls, Ml DL, B Mssm, B L, l G,Sy kl, Hmb M Fs Vl, Db L-

, Pl Vl. Ts ks lk w xmlsm ks , sl bls, mmlgl bs, sssmbly sg s, bl sxl llgs, by -l js, vs sss, lym ys,kls sy sss, ms ml lgs, lg blgy v , sv sbg ms, -bggg ky,gm sqg, s syw, kll ll ms, bllsbs ls, j s ly, vl mkg, mmy

ll ss, blgl wy, g ls, vsv s, jks, m-m symbss s -, sy k ss. All j w xl-l s. T sk s svg g vs vl-y s b sly g s vyw.

Digial Conagions’s glgl s ly ms-sv, s vs ssy s sss sl -

, lg g ms, F ’s g wk wm vss, J v Nm's lll m y (..y sysm sss m s sl-glg m-sm), v-g ybs, m mmy vs (HV),




vs A, lg ms J - wy, sly wggs Ms wm, Dwks’s mm (-gs ) y, v kw s ks mmszz. Fm, vl sl s sz s sqly s , yg sv bs bm lv (by m, ywy) 97 bk Te Shockwave ider by JB lb ybk vl by Nl Ss, SnowCrash , mg slv bks lly lms.

B l s, m, s ggg v s s ls w Pkk sks lv -

l m-lgl sv g vl ss sllg s w s y-l l l (-l). H ly ms vl sskgs, lk Tms S. y's ierra vl lgy j,vs qssl ls g sw lg s, wll , lgl bss m m, ll ll ss gl-

blzg wl.

H s blm s vs vs s mlssw (vs s m) l w m -s, s v bvl , s wmsl l l (-l). Usg vl -l’s s sm-m, sl- s qs, Pkk ss lvg m ss mgv Mbs s-lk lgl ss l.

Tg ssl, bss s ml vl - bs— lk s mv l l w s bly

sl- s sm-msly (s vss ), wlkg m M/Vl’s ss s lv-g sysms gl m sgs wk ws sg lgy. Pkk ks by g lym vss w bl vlv ss -vs bvs. Vs vss, kw s vs-s, xlly g -vs gms. Vss w v bv-

, sl-v vly gms b s, ls , s smg lv, v l l sgs ss w. H w mg ll J V Nm’s v l sg m sl b bs sg -



206 Jsp Ncv

m gs— lv gsms. T s msl b s s vly y, m, s llwg g v-s b byss bj-sbj ms.

ws , lg blgl vss w g-lly sv z bss sss y s, ms vss b, ls mls (lgms) s ss. , vss my b ll l y ly s g m m bm , vss ls mls my vy g m mgsml ss, lg ss svv sl vms.

Aly vs s mlxy v sbls w lsy ll y by mszg sysms bly, b Pkk sls s kg bgg bk ls bw gsm s vm; w m m ll viralosophy. Vlsy wl b sy vllsl l s g mlgsms sl sg vl gm ssl gl l m y ss vml m-

lxy -sm ls l s. W vlsy, vl s ms mg bm v-l—y ml— s l lg ms m ms, s ms s-s ymgs lglly w blglly m,bblslly.

S sv, m, yl s gg by g s bk, m, s sg g ms s-

m gzs -mls lg-mg gy bk sl-l ymsm ms w s bmgs my l s . A xml mg ssbly b s- bmg sgsss sbls bs /lgy/l s s m-bmb gv lsm Hy Fly.6 Ts mv vl yl s - mlls v w-sg lzs b lz-

s. H s ms bk l s s -l, s sll vm y. S s-ll vs s b jg ms s sl my yl, b by mbls ss mk sbl sss s




m xvg l l: gg mg, sl bk vl.7

Hw mg s s wk ysl x l?Ps &S()’s 00 xb I’ve heard abou…© Ms’A M l Vll Ps's my s v sls sggs m ssbly. &S() s vsgll m ssg Fçs , Sé Lvx,

J Nv; wkg w Bî D. g, y -lz gv gs ms s y ss. w y s Ms ’A M-

s l gwg x b sg (gv & - b) w w s s v b sss8 by -g sss l yg s. Vy sy-vl. Evs s y lg bs gw ss lg-m s.

ws s s, sw sl ls sm sbl s,ml-sls, lly mmsv yss mb w v m-s, bkg svs, D mvs b wgs/ls -

vl s gv gm wk.T s gl w y v ms m ymb sy vsl y-lg w sms ll ms s s. T mlly s wv xs llgs w bgs smly, ms-mmls s k sy gsj my ss. Gv g-lk, bm -l ms &S() sw by gv gm, l

v kg b vsy y-lg by S-ss. O ks mmly Gy Db’s ssy On Wild Archi-ecure , xml. Lk Sss, &S(), b m lg s by ss l v s m-g xs by l w. Ulmly &S() l m ws

jy Ss-lk mlxs ggms by wy mm-s - s l.

As &S() sy mslvs, “My sml v b- mg I’ve heard abou…© y lly l. s xs s xbly lk g -vs, bjv g lm gs, ss ll



208 Jsp Ncv

mly (v lgl), vb sl m g w m msms. F s s ly l…”. A, m s .

W s b smw ly m wv s g w wll ls lly mms lly xssv s.

A s s lg x sl sylgl bly w s sl s. gv-s s s b mlglly w -v s y— &S()’s ly l s m-g v sl sms mmsv x-y mb

( ly bl s glg sw) bs w sw s sg s smlss mms g-v s, vsl sms k s xqs sy. Sy lvls ms.

A smll y, s mg ws mg sl lly m-ms smw lk s y y. Lk s b 0 y, s w y-y sly mg m s gly w v ls m.

bs g lgm lg blg, s wk -qsbly ss w m ysm— ysm’s gs s mmb b mkg ’s s wk wl xllg lzss slyg m wk. Ev Bl/Dm y ls mssvy, -l lg, sbly. W ms ms l m ’s .

, sy I’ve heard abou…© vbly xll -

ly, , mssvss— g sly k mbvl—wl syg ll s ss.Ms mly, -l ms mb w s gw sl sy. S &S() ms vs s-l mlgl lsm, b y svw x -ly ml s. s y sk l ss wl-s-s y— s vlz—by sssg mb

m l ssss bly xs s gl gg ml ms ss sg.



Concuion

Noise Agains Oblivion: An Omnijecive

Philosophy of Noise Culure

o hink abou exisenial problems in such a way as

o leave ou he passion is anamoun o no hinking abou hem a all, since i is o orge he poin.— Sø Kg, Concluding Unscienic Posscrip

I now eel capable o evaluaing he evidence. Tereis or me an evidence in he realm o esh which has

nohing o do wih he evidence o reason.— A Au, Manieso In Clear Language

Philosophical heory is a pracice o conceps, and i mus be judged in he ligh o he oher pracices wih which i inereres.

— Gs Duz, Cinema 2

gm w ls y's Philosophy and he Mirror o Naure , my x ssg s gl mmsv s y s wll b s s s s -s, b s gl mv s g mly. Ts -l gl yss mks ss s mlgy s, by s vy , ms s slv bs mssbly g lsv xml . A smlmssbly s ls s, wv, w l ssssss,9 l w sss llg sl s. S, g s bk's lss s, s vs-

g ls s s by vlvg s gs smlgl qs qualiies (and levels) o awareness o our own consciousness w s lms w w bl -g g s .



210 Jsp Ncv

Eslly sm s m vlv ms, m l- ml my lsv mlgy ms ml l w- s, v g ls WHsbg m s bw s mmz vws b s m m gl v-g Zgs. , Glls Dlz ls s “ sl s s s lsy w s s ”.0 T, “ssx s ly bsvbl xml x”, s s Dlz s/lsy/ m-

lgl z sms b l ml s s smm. T ls zm y Dlz G, gl lvl, ss s vs-gl - ws zg , s zm y gs l-s -l -sv kg/mgg.

F m, Glls Dlz’s vs s-sl l wy s by mg bgss mlly ssy lm sss. g-

s wk, s s b m ysz ms -ms gl xss, ws s-lly s by zm kg Dlz G. Tsgl -sblss mbgsly v l s : s v g vs llg ( sy

bw) ls s. Ts y s ms sy acive visualizing paricipaion in privae inerpreaions—s s lgm m my s m sml-

-sg ggm. F xml, s ms J gm m m ls ss ll ss slly xl m ms l ss. (s), ls, l “s” ss (ss lwys l-y ywy) “msl” ss, s bwms s bms vy s, v, by.

Ts ms m ym ssl's ms s

vlv msm lb, xsm, ygms - by lgg—ll mlly s wkg q w xbl ly bl mgs, s, mms, llgvg mss g by sl g my



Ns Ags Ov: A Ojcv Pspy Ns Cuu 211

sg bq ly m m. ssl's q ss vl ls sl wll s, -m ssly s w gvs m lg -lgg y g slss, s ss wk sl, smg l, xl gsm s m w l zzlg s m vll -, g b g ml ss.

T mg ls s mm w ssl w s s s l bk, sysmlly msg mlss xy g lby xss blgs, sgss

ls s xs, w mk ll s vs g m-m l. ssl ss s ml sy - lly v ml m w s -ly m s, llg s lg .

ssl's ls bk, How I Wroe Cerain o My Books , s ls s l s ms, m w s -s w s msm ll s ml ms mly sb m, mkg v m w -

ll s ms— ms m. All s msm s s s l s bs -m lmg m. Ty l mys , lss . Ty s ssss ml m w g my ss s xl by ws mg: s s g b, g qs, -s ( xml ggy Ags lby)— s lymss s, vsbl sm

sly ss s bs, sg ls, slls, symbl lms ( s M).

W s wlly vsy lk s, ws sg-gs w 's b l b lgm sl--sg x ssly xssv, llsg sy. My s gl wss/lly mvs s q glb l s s

xg s sy. blv s-P s s l s w bs sgl -ms xss blmz l sml mk lvl g vss m



212 Jsp Ncv

wl mg mms s sl wk gls (ssly) ls s. Ts gl s s s sll s (by sk, by s, by g), s s-v ( m) gv sl sml.

S sv-v g mg v s w w s-sl ss lv lvs. Fs, v v x w sbly s s.6 Sly (bm mly), my m s sg by v-

wlmg mms smy— lg w w - s s jg.

F m, , bl s-P gl s bl -g (xlly) by g s ss lysm qss vly bg b g -ms s-v-v syl (v m s, xssv é)—syl ks s m s sl s s ,

by vlg lgl ms w bms-sl. Ts sv-v g mks jss ss Dlz/G m kg (-

g/sg).7

Agly, Dlz/G s wl b ms vsly m sgms, ss, ls g w vlv -lzg s wll s lzg s/sy vs.8 ss m, -sl, -ms vl gl sggs bks m s mly w P mss m m mm (g l b liked).

As v sw, s s b lkbl— b -l. s ly -m. s, , s Pl Hgy s, inicion.9 F m s, m sly, inicion o a pleasan us-raion ha can lead o creaive visualizaion.

Sbsqly, my s ls b lg-sg drôlemerde (y s).0 Ubly, s m bk s -ms ysl -s vl by Al Jy

(87-907) T llèg Pysq My ,98 by g ss ws s ls-y Paaphysics. Ts zls v m g ( sg) Jy's lsl ks.




F Jy, Pyss s -s lm by myss xms lws s v excepions— m l- mgy sms. Jy slly Pyss s “s mgy sls, w symbllly bs -s bjs, sb by vly, lms”.

99, Ml Dm g b sarap llèg Pysq, v b ms lks sbls w Ol ly mvm, slly g

b gs by ym Q (90-976). T bls wsm, J G (90-986), s sb msl s llw-

g Pysl . Pyss mks msl 969 Bls' sg “Mxwll's Slv Hmm” Abbey oad by mg s w s ysl s m. B lk l s wl, Pyss (lk sl) vgs s l gs by sbg ss llv .

Lk kg Jy, s msly vs -slxm w msg y ss sysm lyss.

js s. T s w mks -ms. B w sksm s ms x s ’s l ss ms P-yss s s ( mg v sy bg) m gbly, s lz sl sly s smg y . Nbly, ly v s s s sly s bsss w vlm, vlm (b vsl ) ss lms m ss bs mg by sg xs g wlly sjv s sm-

sly ysly g.Ts ly-jg-ss lvs y l s-

sl g s by yg g ms s -mly w vsl y: s mby bsvly gs. Sll, s x wk vly - s bs ms, sly ml ss bw vs ssms l lms sly s s

Pysl ks. O ms b ml s y-l s -ms mélg s ks slg sy . A, ls, ks g bk



214 Jsp Ncv

b skg , sg, bl ly l.

S ys, s s s b sl-s by ms , s s m mlg ll s - blsss, by w m s sslly sy my. s -ms b ml, l , . Pllgw s vlg sl s wl kg vylgg ( ls gglg) ll g .

W s, s wss m sl- qly ms, w mks ll sm ly

’s xbly. Ts s l mls ls’s kwlg mb ’s gbly—b s wll gv y . A s s w gvs wk s xy ss gy, gy sss l’s -my v bs s by mgs, by ss

by ws. Agly, s’s yss s lly bss Ub .

Ub s s Al Jy's Ubu oi , ly

ms sl w ws s m T l'Ov Ps 896. s m s D. Tg lgg skg l ly, Ub lls l sy Pè Ub, - Kg Pl, gsq g w mzs m-y y ml-lss lm. ws g wg Ub Jy bm s Pyss, s bs-lg s mgy sls s s s98 llèg Pysq. B Ub s mly

l s ss m wy, lvs m w s s lly—s s my v -slg, lk w w , s s wll l -ls s m ’s l g. T w mg yslly x xs s s b s s Maya s jy bs l ll m. S gbly b g ssl gy s— g

mm, ls.Dlz G's m s -xs m-sm s becoming-animal. F m “bm ml s mvm, sk s ll s svy, ss




sl, m ss w ll ms m -, s ll sgs, sgs, sgs, b m m lz x, sgyg sgs”.

Blg sss, sl gl xss s él sb -lzs ms s vy s s bl s (sm). Ts s w -x lg bmg--ml s m by sg m ss. Hwv, sgl -sml ss, w s ssms, ms w sk lb m sm, -

, w gs g my y s sl y xssv lgl vy.6

Ag Dlz G, zm vy s blss s bg. Ts s s my ss w sms sy-/ s s s ms s lms -ls my b lk. Mv, sy zm s lly ym s slssly lz by sl s ymsm s s s v w sm -sbls sgy ms

g. T sy zm s glly swmg sl bgs m m s . O l v ws lmg s w wll wll w my

bm gl zm's mll mss bs s vbly l mm ys g., sy zm's mll mss sg ss-vs

bw b gs sy lvl slgs, ms ms ss. A s s zm wl b ml

l vsss s w gvs b ss m-.

S sy bg lms gzbl s- x ll-v v s sys b s' l-g mms w s ms . I is is subjec . S bl lz s s g vl/xssv sm-ls sm s s my s vy g mg v-

bl (s w s) , s ms, s l/ s glly ms. T xsv lms w- s , by , ssvly v .






bllly) ggg s . As s, s ss sl s m-symbl x m l lk l.

Ts gl x m bly g s m m, s l sbsl bly sl-my (sl--gm)slvs s . s , s mms s s ss Kll Wl's heory o make-believe

w Wl ss s g cional ruhs w g's vvss vs lgl sl-m v v ss. Mv, Wl's y l s -s F Nzs's m ss “lgl s”,

w sw s “mss ly w ly mg wl bsl”, ssbl my. T ky vl mm-sv s’s l s ms mlg gl y s , wv, ls sg b ssm“l” sv w s s “mlly vslly vl”s s “vl g” sy mls.

Gv s sbs , s sbl j s xs slly qk smbm

my (v s ) lm s svg s ( ) l bw Dv Bm's m ml x-l . B s s ssss bv ll s ligh-ness o being w s s by meaphorical consciousness o passage l l s s v lls. Hs gl ssbly s lk lgl sl-gm-mbl s w l xg bw sm-

b/s b/sbmssv (v s mg),

ss l-s-myss6 mms s—s wll s, w Vlm Nbkv (899-977) wl s b, s“mbl lg”.7

As v l l, x- sv glly -g l Ws s ss. mms s's mlly sl, ll-v sv ym s-ls s s s s F--Sèl. Ts m-

gl y s w mly w s s b-g sg s wy m llss rompe l'oeil. mmsv s-’s60° g lvs v gzg bs lwss , s s, ss lm x by mkg



218 Jsp Ncv

v lm s g m ly sl.Mv, w s mmsv s vs s s m -ss l m w ls -mz l ss (wby m mss s l w s gs sg, s ssss) s smbly js-g s x ll ssss. Ts mss -l lzs Dlz broad scan , Dlz's -l yml slm vw lg y xs v swg sss s/m.8 H, mmsv s vsmy q sgly ml-lk mssg g s-

l xg smy s s s slwss. F, s Lg ssl s s sml x Te Ar o Noises ,“Evy ms l s m by s”.

Ns ssss s sslly gv llg - bl ssbly, — llg lls ssbl gvss w x x 's xss, sl mls s gv-vsl ss vlbl, s y . H s mms s s ss

w Ggs Bll's lll ms ymb x-ss (sl sggsv m x w s vs y m --l v s) s ml mvm ssss lms. T inensiy m ymb xss sx ym s s ky s g.

By sg mz, l, mgbl s -s w -lg ssl s, s ggs mls y sy gs ks -

x vs vm ms. Ts sl m mmsv s ss g y sl sgls l y m bm s s mk w gs sl bbl (by gzg l gs sl m bly vsmbm). Te subsequen and ulimae aesheic bene o noise ar,hen, is in ataining a prospecive realizaion o our percepual circuiry as a

sel-re-programmable operaion.Ts sl--gmmbl lgl s slly s s bw s sbj, sml w Wlgg s ls w w x by s




lm m w lls work: s s “smw bw” x .9 Hwv, lk w x, sl--gmmbl lgljsms ms mks g ss m-g s s s v ss ssl ls s vvk.60 Ts k lbl ssy lly w s- s s xlly m, s B Mssm lls s, “ w s, xss m, - y, vs wl b w l, y, ”.6

As mms s's m vby xss,

, ls s s bs smy m g s s l s lly Hgl ll absolue ( bsl ss s lly bg k -b-g) by wy -myss vy g s 's mb- ml. Ts vby xssy ss, w sss lss x s, mls s l-mysss smb sy's y s non-sie ss w J-Fçs Ly's (9-998) ss

mysl s v b lz my wl.6 By sy sy kg -s s -s, s- mmsv s ssbly s sslly non-logocenric,ecsaic, variaional, non-hierarchical , excessive. s lly exces-sive mms s ms vwlms vl x- (.., ww) w s , , s xss s gz s s mm-sv s by l bls. , s ly

g lg ws x ms sl,mmsv s lly s sl -mss sl mb sl--gmmg, lglly-m by vlg ls lms slss ( s) y. T sy xss ssy ggg s mm-sv kss s sl--gmmg mms s ssbly by w Jqs D s yl -

sl, ssv, s/sm.

6

, vly m-lly , lglly l, m s l, w x s sgly sb, l, s, houghullangor in noise sss ssl ss w v



220 Jsp Ncv

s b ms mlgy . s s, s lls negaive dialecical ideal o ar s m by T A w l vw l l ls ml vs w s llw s ssv sm-, mg s v-l lll vlvm (- s s) s kg ssml. s s s s sssss gv ll ly s w. F s Lg ssl sys s sml x, Te Ar o Noises ,“ ss s m m ll gl mv-ms vbs m sy, b gv g

ms sgly m s vbs”.T gv ll w -kwg yl s s m m s--ssss' lllss, s b ssg ss l - s xss mg xg sms-sbl y-s xs, s, ss, vwlms m y.6

Ns l (w w xss sqly sllws -

sl b ly gs) sggss ss immense inner incomplee-ness mmsbl w s-Hgl ssss, s Hgl m- s x mg m sgs gg vly. , s s-Hgl ssss xss s w mms s llgs sv lgl b-ls b lms sl. mms s, sl--gm-mbl g ks v s sly s sl s m-gmmg g xs ll (by s) vs-

ss s. S v, lgl sl ss k sl s sbs g , by s, ks sl s sly gg ss vbl vs.

Ts wl , w llg w s, b-y—y slly w l ms - (m s) k—ms sss lms (lzy ssms) s gmm by bgs wl-vw.

Ts sl-gmmg v, wv, qs ( s) w SøKkg (8-8) lls passion. , s s m ws s m hyper-cogniive w s s , m s b x m Dk Hggs's m pos-cogniive w




w sb l s-98 s vlms Inermedia 6 Hgs lly s g ss l m s s -m -l ml-l kg.66 Hggs mm Flxs l s/-s/ls/s-msHy Fly's s cogniive , m sss ss bm-g g s vy w Fly m s-Lgl-Psvs s ll belieess empiricism.67 Fly's 96x “ A” (s bls bk m by L M Yg

Jks M Lw 96 bl, An Anhology o Chance Opera-

ions) l g l bm kw s l A sg m m. Ag Fly, l A s “ w ml s conceps”, ws Hggs ss “ -ss g”, 98, ws “ lg mj sbj sxl”.68

, w ssy sg s l, g- (w vl-g) s g m m . ,

blv v sw llsv ss mb vl-g-

v x s lg ( mg lssy s) s.69 Ts g llbs w Sg- Zlsk ks s ly vly s s -s Zlsk ms 's l ms vly ls “s bw vl mssbl”.70

Vl s l xs ms gv-g wll-bg's ss w mssbl ( sb-g) xss , s, s sb mg.

s s lgl ss w s l l, mksxsv ms vs ls l by -ssg l s bw v -ss lm sly b xss ws b w w b slly v.

ll s, , s bl ( sg) w ss s s mms -v v—w smg

s v mv m sy. Ts, lly sg -v v s l s ly ssbl g ssg qs ssss ll cogniive dis-sonance. gv ss s sylgl m g m-



222 Jsp Ncv

l s w w m mbl y s l b qlly ssbl. A s w s sssl kg -y s ll sss s s v g g negaive capabiliy. Ts s lly m s l- , s Dlz sss, s “bl s vy v”.7

Als, w ms ll m Mssm's Dlz vl s “ lv x w w mlly ss xs,ls, ”.7

S ys, Noise Culure s bg sg -v -v my xym gvly ss. Sbs-

qly, s vl y x wl b lg w G Ygbl's y sys m, lly, smslm7 w s “wss ss 's w -”,7 by bg s by lgg x.7

Fm slgl vw,76 s l ss (gg wss lly ssbl) xsl s-ms blv— ll, blsé, v-sml gz l . s s s-l-m-

lss qs l sm w m imaginaive recepive, ssv, s. H, s l my v ml ss , ml, sml -gs l wl. , s mms sss s ml ( ll) sl s ml-gy s jl, x m x w v .sgly, lgl ssss xs lgsy l vb: v l iner-consciousness.

s l-v-, s sgl, s, lg- ssss .

s s, ls Bl's Paradis Ariciel ( Ari-cial Paradise) s sgly sg w s sy b ms s l. , Bl s mg s svs s l's my s, w s enlarge con-sciousness so ha i may approach he connecive eld o iner-consciousness.

Ggs Bll ms s ss s ssy Baudelaire , -lly by lkg Bl's mg w s mssbl. As s l ls s s m kwg,ssss ss b v bms -ll,




s vs qss sb sbl vs mss ls bjvsms ll .

Ts xmly lbl s g ss bss lx(b x) vss. , s w s ls vss(s bw s ) s l ks l. s s, Gv 's s B's bel composo s “vl x gs by ll mgs”77 s l s l. By wy sb sg mgg w mise en scène s, l bl sl-ssss my w s sl-sl mm-

ss y s w ss. ss, mms s s via negaiva , l vg sl-l ss gw xs.

T s, w s ls m b s ls w s vl s bg sy w bsxvg xssv ss my, w v lym 's ssbl ss. S ssbl xss s m x ls s s -

s lgl mgms, s s ()m sl lgl l. As s, s l s xs ss ssbly l w lby v v w Bl lls ar .

Ts, my s s A A's sl Le Téâre e Son Double (Te Teaer and is Double) ( s sm) ms b ms g m gsm -ly lg ssss by ggg lslly. Ev

g s ssy, “T T ly ls -s”, Jqs D sbs w A's y my b ss mssbl ms sbls s Ws g,78 s s sly wy s ll y (w s, s vsly x-l, vl s bbl) b l lll -s A's yss. Ts s s , w s s , xs l wk's llss (s mssbl mm

slly vs mmy ), s smlg vl s b-mlly s s m. s l, w sslly llg w x

bs.79 F xml, J g s m ms w



224 Jsp Ncv

bgs w s. M ly, s ms blgs ss vm ks m s. As

A's y ly, s llg w x b-s g s s m by vbg lv- w w my sense an inimae—i disagreeable—relaionship o he work. Tg mm xss l ssbls s mms s (w vlvs m v sly sg s-) s ( s lly ss g x)y-s, s w mvs gmy vw sl wl s b bl ss g

l l. blv my s xmls v mly s -l s l—, by g mysl ls s , v l s (b s-lv) s x-s wll l m l gz. Sbsqly, sms sm-lvg vl80 l w m mg -s s gl xs. Ts s sggss s M gsm’s s vw l w

by ls ls bg m w -g. H, ms x vly s lg ms sss s, lg y sls ms ss bl l—s s w my s ll ms m vvly mlly, mly w sv. S s sss b vlg qly sb m s ms llsss s.

T ml wss sggs gy s ss

mzs w s xlg b l. s ls kss w s (ylly g s b qly) (ylly g s g qly) mgl. H sly xy mx w w lsly s s. A s s mg ml xm: bsl mx w qls xm.

As w v s, sllg gss s l ss sm-ly s v s ws g-

l vl . B lx gl ()sgl gm, s s w mvs l, s w lll ms s bgg l sml l g,sm b. W m s sy s




s l s bmmg w yls, w vsy. T sl y ls, s, ms x-ls s l, vs, m s , s vsw, s mglly xs m l g m.

Ts s y vl-s l s vbl sg-m: bks bgs m kwgss -sl.s g ssss sss ly s vg v-gsm. As s, s qlvly qvly s. s l-s s lsg sg wly. s espri de corps ss bg w k xl s l xv-

g g w bs -lls l b . F w sg wll-bg ss x- b, -gsbl s, w mly sslv m by lgl ms s bg ml-s l sl-gmm s lzbl smm-l sl.8

Ns s svs 's lssl mllg m-s s vwlmg m w Hgl

Nzs ll absolue ( mg b by mm ss). As s sss, by xl, sl, sl, l-l lms w w s s (w ss l y s xbl ll ws lb- s) vyy vw wl.

s l sv (w s slly v xlm vsg z), vw mg s ws lkg mlx wl s g w-

w—s s. Ts ml sg wll w smll -gl g bw sbj's s vsbl

wl s by -sbls . Ts -sbls w-w s bm s-sl m's ml y. Bs -sbls ww, m ssvy s bm sgly

b, l, s, , s w. W s -y, ss xss mlxy ly -

ssly v, glss l -l . As sl, s b -mss l, mb s vs s bm s by bs lsv; -sbls bs w ms x-



226 Jsp Ncv

s gy, v8 lm.8 Ts vs s s-gly k bs s, sgl, w vs w ssg sg .

s, s l ss syl ssss mk by mss by -y gs ss.K m J g’s ms ss m sml w lwys ly s by s. W s vl ss-ss s w w s ss. g sggss l sm: w y sg m, y g s; b w ls m gz m, y my bm llgly s.

T vl s y ssss v b skg s s y ssss s xl w ssss s, s xl xly w ss sl. S blms g ssl s ss-ss v b wly sss lsw w lm, lly, lsy, s w vg sl sss. B w m ms y ssss s y sl-wss w l gs

( my lly), k w s g sssss mg b jsly l w -g s w ssss s (/ my )—s s, g xs.

Ll (zl) kg, m by Ew B,s y s x g wy m -

vl lgl (vl) gsss sm ll s,by sg g wy m x, s ws

v mbgy. Ag Alb bg, “ vlvss mv, s m s, -g ss ml”,8 ll kg s bl s-g ssss bl mls “wys sg”.8 l my s s s l, v mmsv s k-g mg w b lz s vl v ll gss, b s s sl. S bss -

s ml s s l's gl ll wy m sb-ls g s w mks , Pl Hgy’s ws, m ani-ascis 86 resisance.87




Ns , w s ml ss bl, sggss gl -s, w s s bss ms v vl s sg: s y. Sll, s, ss, s glly bl s() w s ls gv ss vlvs vlvm ( ) y ss ss(w bl lvg bss). S v g s sl gg vl- ll vs lgl wlssv w J g m l: ll ms w — m w s—s sly vbly v by

s, by v vbs. s lly ml v ll, s vg kg ws y—g sg sl w mms s— g mll lvs by vg wy m vly sms -g. S ssvy s by x-g— g —s l.

Ts ssvy, my sy s, s q y bs w lv mb, mb, s w , sl g sy mg/s

sm, b gls lss.88 Nsl s smls — wy —kg lg gssy sws v gs, s mszs s- l. Ts, s my s m slk lmss sml w w lv, sg ll lg, -mz, s.

D sy : s xs ssbly smg (smg w wg) by ssg ss

bw ll ssbl. T ss s s l- s vw ssbl, lg gs ssbl s ly mg (sgl) s by m -llgbly. s ss, sgl (g) s(g) mbly lk -mb. A s vls vsbly l, l, s s, w - . Y s l ssss

sml lsm (s ms As Lsx) by llwss sys l yes ss mls—s vs ss, bg ws s l.



228 Jsp Ncv

Ts y s ms sq. T s s mb, mmsv mm s m

w sgl ms w gs. Ns sssglss/gss by g s sl-wlg g sg-l: smg w b by l lgg.89

B s s vl. b wl y, g. b g w ms s mvlls: -mml gy ss ms s, b b bys— w -ms -ml sy.90 Bmsly, s gl , s s, l l js

vly: s s ly, my ss, ly bsss ss -msm.

sOOday

ully emplOy randOm pOsiiOns

chOOse he kingdOm O nOise aficiOnsemplOy bOdily recOnguraiOns

embrace randOm aficiOn iciOnsendure all iciOn OppOsiiOnsmasquerade yOurselves in visiOns

Oy wih cOnsan aficiOn respOnses prOccess randOm enOrmOus assumpiOns

emplOy andOm cOnac cOnguraiOnsendure nOisy ques ateniOns

cOnsanly





Noes

Introduction

1. Sg ps u s ssy “T Ascs Ns” , ygc y, "s" Ws gugs (søj, u, Gäusc, c.)s ss ggss, s, pwu su p

u suc s s, u g s. I s w g pcu w "s" cs G nausea , g y g s, us sscss, G Geräusch s v usc ( sug w), Rusc (cssy, xc). tp://www.uu.c/pps/s. [ccss 1/15/2008]

2. S Lug Russ’s s x Te Ar o Noises (1913) (Hs: Pg, 2005).

3. Iy, cuc us sp s. Ns s w s cuc; s jus s cs, s pc ssg, cc p, p c s xcu.

4. H I w cus cuu vus cu gs g pv g.

5. Gs Duz, “Psscp C Scs,” Negoiaions: 1972-1990 (Nw Y: Cu, 1995) 178.

6. Sg--s ( v SNR S/N) s cc ggsu, s us s (suc s scc sus, gcc sgg), s s sg pw s pw cupg sg. I ss cc s, sg--s cps v ssg (suc s usc) v cgu s. T g , ss usv cgu s s. I g pcssg, SNR g s

usuy s px vu s v px vus.

7. I vw Duz xps “y g y c vcus cuc, ccu s, s w c u c”. Gs Duz,“C Bcg,” s. M Jug, Negoiaions: 1972-1990 (Nw Y:Cu Uvsy Pss, 1995) 175.

8. N s, s pps s, s’ yg s’ uyg; jus s ygy s.

9. Guy D, Te Sociey o he Specacle (D: Bc R, 1976).

10. A , c us us css u scg w uw sgusg ss .



11. Dv Cs, "Fcg up Ps Cscusss," Journal o Consciousness Sudies: Conroversies in Science and he Humaniies 2.3 (1995):200-19; 208-10.

12. Ns pss us w pss sug xpcs s s y cuc syss s y non-signiying s w signals , signs.

13. M L. Ass, eading wih Michel Serres (Ay: SUNY Pss, 1999) 18.

14. Av tp://www.cv.g/s/VSypy

15. H cc usc uuy uzzss agile gsus P, Bs C, Ov, Cs Fsz / Mcs (Mus Ppp Ov J

W Mus Ms) xp.

16. Ipu gu sus s.

17. T cu x t s g c wsu w.

18. Cs, 200.

19. Gs Duz, Spinoza: Pracical Philosophy (S Fcsc: Cy Lgs, 1984) 21.

20. Ts Mzg, . Conscious Experience (P: Scög, 1995) 30.

21. As I pgy pssg, I s y w s.Fuy, pgy s pspy xpc u

pgy s us g ss "sujcv" xpcs vus yps; us cs v vsg sv scss, s s s scpv scc cvs c us xpc s w. I s, s ss, suy pss ppcs uxpc ug wc css s-c jcv y puy sujcv sps py u ccu. I pspc ss,pgy gs ss w jcvy sujcvy s y K s Criique o Pure eason w K pps us s w jcvy u ug u sujcvy- cgs. Pspc syss sc s cv sg s uu usu scs ug u xpc

pgc sp w. M wy, pgy s sc pspy ws pcp pups s suy p uxpc w tpg susp cs jcv y sujcv ssc. Hscy, pgy s pspc v y G psp ( c A Guvc) EuHuss (1859-1938) cc 1905 s sysc suy cscusss s-ps sp. Huss's cuc cu pspy ws sc scsu w g gs u cscusss w

y u cg cscus u pp w w. W s v s scuss s Huss's w xpc, sc sujcvy wc, ccg Huss, cps

ccss sc-pgc sp wc Huss cs sc s vc y c s, y cs, y vy sc w s w s. W v pgy, gus sus wg cscusss w u,s cy y Fc psp H Bgs (1859-1941).



232 Jsp Ncv

22. Py -sc uc s s usc pssy.

23. I s c, ''Ns s P Rvu'', B Ws ps u Luwg v Bv’s Grosse Fuge (1825) “su s” s uc .

Bv’s puss psu v s g stg s sv sg qu. H s, pcg w spg Allegro , y susquy pus spy. S ''Ns s P Rvu: , Wy Cuu s Sw Wc Dvus s Ow Fw'' Ay Is Mt Is,s. Noise & Capialism (Ds-S Ssá: Au Au (K ss),2009) 109-10.

24. S s s uscs I v pg tp://.wp.g/w/Ls__s_uscs

25. W c s, s w s s s g ssg.

26. I g w Ry Bss s ssy, “G s Os,” w cs “‘Ns’ s c xp y y sc pcccc, sc, cucuuw t c ss pcvccc w spc cvs gvg cssc ppu uscs”. Muliudes , 28 (Spg 2007).


28. Usysc cv y cu v suggss uvs cssspy pcsss s.

29. Nu's c u ps gugs.

30. Aspcs ucy v xcss qus cs s vs I cgz vy yg c u sv tc wps-s/ps-sucus wc z g ccps gs w wys y w spcc cuu vus pc ws pjuc vs pw. Sucus ccps y (sp y w Swss gus F Sussu (1857-1913), ps-sucuss u suc s, w pssy vpg sc g s s s c v g c.

31. I Te Allure o Machinic Lie , J Js ps s qu zg y

cug w s s cs s cg xy -sy ( y ps c cucv uc), s c s

vw gz s g p s uc sys scc ps wihin gc sucu (s sg s uxs us cuc pc). J Js, Te Allure o Machinic Lie. Cyberneics, Aricial Lie, and he New AI (Cg: MI Pss, 2008) 136-37.

32. Fu psycgy s cscusss w ss cgs: s wss sujcv spc ugc cvy (.., pss s s puc, wv s cu cus). T su-cgs vs s wv. F xp, s scs cscusss s y

xpc y gv s, s pps , wc s su pss cscusss. Fc W Js v Sc g (1775-1854), g w Iu K (1724-1804), y g

w c v c wg s u cscusss. Hwv, cscusss, Aus Huxy's (1894-1963) vw (s uc y W Js's (1842-1910)



Ns 233

suy Te Varieies o eligious Experience: A Sudy in Human Naure), s y g ppc ws us csuc c w vw s scv v. Aus Huxy (1970) 22. B Mssu up Huxy's/Js's"sucv" usg cscusss y sg w cscusss

s "v, v ucs wc uc cpxy c ucy xpss”. B Mssu, "T Auy Ac," Culural Criique (F1995) 83-109; 90.

33. L, , pgs, cvs, c , u c c;B cv -20 cuy Ps v-g y sc y jcg w sw s scs sy Suss. Csquy c Aé B's (1896-1966) gs cu u-. A W W II, s ug juCriique ug sgssvy pspc s L'Expérience Inérieure (I Expc) (1943), Le Coupable (Guy) (1944 ), Sur Niezsche (O

Nzsc) (1945) La Par Maudie (Accus S) (1947), B's ugg s v J-Pu S's gg pspc sc Ps Exss.

34. F Ggs B, xps -pucv xcss/xpu c u( vyg gs) s uxuy, , spcc, , py, ccvy ysc vus; s wc pc pss ss us s g s pss cvy s us g. F s cpsv vvw B's ug s g, s s Eroicism , s. My Dw, . C McC (L: Pgu, 2001) ,g w Ds H's B's g psus, Agains Archiecure

(Cg: MI Pss, 1990).35. As s . P M s v p s yy

s, s , vyy.

36. I su ss psc s wc I upg , wc I qus s ss v csgy gc s us cc syc s, s scy supp

y Sus Lg Feeling and Form w s s " s c s syc u g,” Sus K. Lg, Feeling and Form (NJ: Pc H , 1953) 40.

37. I L C s pp “T Hsy Ns” s cs s g vv su s y scc, c cgc ps.

38. W I us gy expanded I g c g gv y G Yug s Expanded Cinema s wc sgsss xcs cusy us u cus. W Yug scusss

w cs "xp c" s "xp cscusss,” G Yug, (Nw Y: E. P. Dut C, Ic. 1970) 41.

39. I scc, spcy pyscs cuc, s s ucus x cs s g (signal) g

cv c. W s s wys ps.

40. A S. Wss, Phanasmic adio (Du: Du Uvsy Pss, 1995) 90.

41. I pspc s, sujcvy s w u s pvg css ss ps s cs ps g



234 Jsp Ncv

s. I psgy, sujcvy s wg s sc 'sw pcps. Ts ps qus xpc y sss sg gg pysc gs, u sujc p. Ipyscs, sujcvy cus spss. I scs, sujcvs

s vw ss u uy ( xp) ps "jcv"qus gs u cgv ps gs tus.

42. T ccp su s suc s g s pc cp s "O Su" s v v wt -cuy AD y Cssus Lgus ( cuy AD). T u ss suy s: (1) xcc gug, (2) xpss g sp , (3.) pw pv cssy. T sv su, cp vw Cssus Lgus's s w s, s pp gsp s y w s xpc s xcg u usu ucy,

pvg ss w (s cgz y Lgus). Cus , ws gv spc pc y Eu Bu (1729-1797) s A Philosophical Enquiry Ino he Origin o Our Ideas o he Sublime and Beauiul (1757), sppu 18 cuy ss scs, wc ws s Fc 1765 G 1773. Accg Bu, su g (wc css

w uu) s cus y xu , , pps, sup-t. Bu sp ps s yp w g w s sc uvs.

43. Rcs (cc 1795-1840) s cuu v sp y wgs Eu Bu (1729-1797) Fc psp J Jcqus

Russu (1712-1778), (g s) cus vu psss suggs c puc w u psv pss sc g wc c pcv s gwy scxpcs uy.

44. Sg ps u s ssy "T Ascs Ns" Genèse , Fcpsp Mc Ss sc u u g--s ss. B p w ( w w pcv) ppsss cpxy, cps uu gus w s. (tp://

www.uu.c/pps/s. ccss 1/15/2008). W Ss y sgug u s ( ssg) s ps up vu

c. Is g pu s, cs s sp. As,Ss sss s cuc sw 's s p cuc'; c sys.

45. J. E Hs, Ancien Ar and iual (B--Av, Ws: MPss. 1913) 80.

46. I y, py s su ucy ssc w v.

47. Hs c sus s y v - ccscs swccy.

48. B s g sc, ug wys sgy u sc, gvs pc vc, s I gy pcs, pcy. I v pccvss cv sc pssv résisance . S s wys py sppg y gs. Bu w s s , Te ears o Eros , pv sp y tp vsu sgcy ss s



Ns 235

scs us g y csg u xpcs cug wy sjucv psgc I supuus pyscy g. I ss, u y w gs g s p sss

w cg cpc sc y- u ’s gsy mélange ,

mélange wc ps sppg u sycc s ps g ug. W I w Vézy vs s , I sc cy sg w us, g c s cuusy. Bu I ws u scv s gv! Merde! I p v t pvs p ppsc , u uc. I ss I us pss s s ss s s.

49. Ggs B, Visions o Excess (Mps: Uvsy Ms Pss,1985) 116-29.

50. Ot Kg, Borderline Condiions and Pahological Narcissism (Nw Y: Js

As. 1975) 26.51. Ns vs. usc, - sus vs. sus, vs. ;

pps ps sg g w s pps v-xg .

52. Sp t, Te Fuure Does No Compue: ranscending he Machines in Our Mids (Ssp: O'Ry Asscs, 1995).

53. G Yug, Expanded Cinema (Nw Y: E. P. Dut C, Ic. 1970) 81.

54. Yug, 85.

55. A Ezwg, Te Hidden Order o Ar (By: Uvsy CPss, 1967) 9.

56. Ts Mzg, . Conscious Experience (P: Scög, 1995) 14.

57. F cs u sy s Ey Tps, Te Soundscape o Moderniy Archiecural Acousics and he Culure o Lisening in America, 1900-1933 (Cg:MI Pss, 2004).

58. Mzg, 15.

59. Ts ccp ws sg Qu Mssux’s hyper-Chaos ws sc u Aer Finiude (64): suz w g spss u. Qu Mssux, Aer Finiude: An Essay on he Necessiy o Coningency , s. Ry Bss (L: Cuu, 2008).

60. Gv u gg c ccvy, gus, upcus,spg -cc u psgc z c gu yp (.. cc) c yp-s.

61. W w Mc Fucu (1926-1984) w s, sys c, c y p cs sc pw. Suy c vws w v sucv, s Bs Gys's Te oal Ar o Salinism: Avan- garde, Aesheic Dicaorship and Beyond (Pc: Pc Uvsy Pss, 1992)

susy s pp. Hwv, w s w s sps cg psss cg.

62. J Cg, Silence (L: C Bys, 1966) 14.

63. Excss s cs uvs s cuusy xpg.



236 Jsp Ncv

64. Wp s s Ngy Nögy vg " G ws νοῦς'' λόγος 'gs'. Ngy us us sysc suy gz vyg g w wg wg, ..: cgv uscc. I ss us sc scc cu p. I s suy gs

ug, gc, ggy, c." Av tps://scu.w.g/wp//w/Ngy.

65. T ss ppsg pspy psgc syz s pcs, u y gs y pss s u s y pps, cug Iu K's syc p, wcw ccu , g gs. K spc ws ssc p pcp x jcs.

66. Aug Fu ws sc s, uc scy ug s cpsv psycyc w ug s us

uc c psycyss x y s uss sc cvs.

67. I g, s sg Russ, s s Mc 11, 1911 ws:“I w ug ss ss u ug sc sscs s vus s ys w cs w scpx w su s”.

68. Expus ccpu/cuu xc vvg pwu upvss.

69. , xp, NoiseFold , cv vsu-usc-s pc

ws quy cs, scc vsu sc s. Tsw pc u xps us cgcsss pu vu 3-D jcs w sus. T

w gs up cqus cug - 3-D , c vsuz, c - s, A- su, g suscg, cpx c sucus vy gc pcsssus g sc vsu ss. T su s gc cc s xsg w c cyc sys.

70. Gv pssy s-c sg sss.

Chapter 1

71. T s ppuy g g cs s, s s u pcp pysc w.

72. S Ax Rss, Te es Is Noise: Lisening o he wenieh Cenury (Nw Y: F,Sus Gux, 2007) w w-cuy cpss cp c wg vy sus ppc pus uy puss (v s I ccp cy).

73. I vw J Cg s wsp cuc: "I gs uu wws p. I vs vyy pu vcs s u sus c ug ww, sp sus y , vusps. T s cuy w I cps. I y c cc w sc y usc”. (G B, 176).



Ns 237

74. Excss , I ws p u, y s ss upcvyp s w. F s ppc s ssy “Sc s Sxy: T O“Ex” Musc” y Ts By W By s Micro Bionic: adical Elecronic Music And Sound Ar In Te 21s Cenury.

75. Ds s xps pc s cgy w g w s sc pw. I cv s g, gc su-py (p y Ds I Fuus) ws c Zuc’s Cabare Volaire (u 1916 y Hug B s z, Hs Ap, Mc Jc Rc Husc).Suus ps y H-M Bzu A Jy's Ubu oi w c. F D s gg cv ug, s A Cscu's Poshuman Dada Guide (Pc: Pc Uvsy Pss, 2009).

76. T pspy wc s cc w s wg.

77. Gs Duz Féx Gut, Wha is Philosophy? (L: Vs, 1994) 7.

78. Gs Duz Féx Gut, A Tousand Plaeaus: Capialism and Schizophrenia(Mps: Uvsy Ms Pss, 1987) 21.

79. A- s w y x v cv cx u s u sus cgs u . A

w suc s Mc Ducp's Founain 1917 s p xp -.

80. J Cg's '-' usc s ps w sc sc s usc, u sc s sc qus. Tus, s

c p.

81. Pu Cw, Criical Aesheics and Posmodernism (Ox: CPss, 1993) 60.

82. J Js, Te Allure o Machinic Lie: Cyberneics, Aricial Lie, and he New AI (Cg: MI Pss, 2008) 26-8.

83. N W, Cyberneics or Conrol and Communicaion in he Animal and he Machine (Cg: MI Pss, 1961) 42.

84. Pu Hgy, Noise Music: A Hisory (L: Cuu, 2007).

85. Dugs K, Noise, Waer, Mea: A Hisory o Sound in he Ars (Cg: MIPss, 2001).

86. Jcqus At, Noise: Te Poliical Economy o Music (Mps: Uvsy Ms Pss, 1985).

87. A S. Wss, Phanasmic adio (Du: Du Uvsy Pss, 1995) 90.

88. S Arísica de Valencia, Aer Te Ne , 5 – 29 Ju 2008, Vc, Sp cgu:Observaori 2008 Aer Te Fuure (80).

89. O usg scc, wp, cv, g spcs cg cgy.

90. Lz My-Ngy cgz 1923 upc s I

Fuuss u pcp su usg s. I c Der Sorm #7, u us s w xp: "I v suggs cg gp pucv su pucv , s c wu p cusc , cusc , cuscp s gs y gvg cssy ichrireihen (c



238 Jsp Ncv

gvs)." H pss scps pug scs, cg "su s" pp "u usc cvs cs”. S UuWPps, A Brie hisory o Ani-ecords and Concepual ecords y R Rc.

91. “D pps s vyg, y s g, s p w ys ppss , sy css upsps, u vy spy s cs, gs gsspps”. Fs z’s "D Ms" [1918] "Lcu D" [1922], s Fc y R Mw Dada Painers and Poes , R Mw(Cg: Hv Uvsy Pss, 1989) 78-9. Lg Dss cu Hs(J) Ap, Sp u-Ap, H Höc, Ru Hus, Gg Gsz,

J H, Ku Scwts, Mx Es, Fcs Pc, M Ry, McDucp, Lus Ag, Js B, Hug B, Aé B, J Ct,Pu Eu, I.K. Bs, Mc Jc, Cé Pss, s z, HsRc ss w – u y ps vusBss Es v

Fyg-Lgv (é Es Pöz).92. Mw B, Te Dada Cyborg: Visions o he New Human in Weimar Berlin

(Mps: Uvsy Ms Pss, 2009) 50. As, I v y y Sp, cu T I D Acv T Uvsy Iw, pc Anisymphonie ws Gpscs Kt,Kuüs 232, 7:45 PM. T p pg ss 5 us: Proclamaiondada 1919 y Husc, Simulan-Gedich p y 7 pp, BruiisischesGedich p y Husc (s t 2 pcs gup gu cgy DADA-machine), Seelenauomobil y Hus, y,Gysc's Anisymphonie 3 vs, su Musikalische Kriegsguilloine.

T 3 vs Gysc 's pc provokaorische Sprize , chaoische Mundhöhle oder das submarine Flugzeug , zusammenklappbares Hyper-s-chendur .

93. Wts ss spy-p cs Fuxus pc Fuxs C S py y uc, s p w , guy usc

ws v.

94. Gy s s usc s c g LP cgs: cu gug p v . Hug csucvs Lászó My-Ngy s s xps 1920s.

95. Ts J. Hs, Te Emancipaion o Dissonance (By: Uvsy

C Pss, 1910).96. I Fuurism and Musical Noes , D L scusss ysus cs

Fc cps C-Bé; pup Isc Az. C-Bé s s vcps Symphony o Mechanical Forces 1910 u t vc s gus ss s ss.

97. I 1977, Hsc Acvs Cpy As Vc Bgz x Russ's w cu, G Fc Mf, v s-s csuc ccs. (Russ's g sus sy ug Sc W W). S Fuurism and Musical Noes

y D L UuW.c, gy p Arorum s s

y Mg S.

98. I 1912, Mc Ducp, g w App Pc, t pc Impressions o Aica , py y scu u RyRuss. Russ gy ws u Jus V, wc



Ns 239

v v g, sc w xy vygs cs, u c scss cpy s psvs xpy s us xs. Ducp c Russ w sp sTe Bride Sripped Bare by Her Bachelors, Even. I 1912, Ducp s pucg

pgs wgs pcg cz sx cs suc s Mechanics o Modesy Te Passage om he Virgin o he Bride . A s p , Fu wsxpg s cus cpx cs s wys sg g gs. Russ v gug cs puc xs ug us ps c/pus. Ts c- gc pvs w sgy pu spcc ss vy xu gs cs wg ccu . W s wg pcss, Russ sc u sc cs, cug pg c s v Impressionso Aica. Ts pg c wu y scs ss v cpu-c cgy s ppc vsu wc w v v us y, y cuy vs . Tus s ug Russ wg s p c g v-g s ug u u cuy,pssg ug Ducp Fuuss.

99. F scg scuss Cg’s Imaginary Landscape ws sp s, s A S. Wss, Phanasmic adio (Du: Du Uvsy Pss, 1995)49-55 w cus Imaginary Landscape #4 , 54-55.

100. Wss, 45-52.

101. Wss, 9-34.

102. T g D s sgs uuy xp y

y pgs H Höc (s Mtw B, Te Dada Cyborg: Visionso he New Human in Weimar Berlin (Mps: Uvsy Ms Pss,2009) 65-103, ssg God (c. 1917) y Bss Es v Fyg-Lgv M Lvgs Scg s T Pp Musu A’s Lus W Asg Cc. D qus c w c , s w s w c , s sg y v-gvs, cug Sus, Pp A, Pc A Dg A . Ds vcy cg scp ppu cuu, ucg gpc sg,vzg, .

103. Barbarella s 1968 c sc- sg J F c y Rg V

s Fc Barbarella ccs J-Cu Fs. By pppy pug ys Excessive Machine, py s uus uscsu y uc us sxu psu, sufc cus y gs.I scs v, v pp s ug B w psus s c, u c vs s sy us s. B suvvs s g.

104. S Pu Hgy’s ssy Full Wih Noise: Teory and Japanese Noise Music htp://www.cheory.ne/aricles.aspx?id=314 [ccss 28 Oc, 2010].

105. C Ky, Cracked Media: Te Sound o Maluncion (Cg: MIPss, 2009) 6-24.

106. K Csc, “T Ascs Fu: 'Ps-Dg' cs Cpy Cpu Musc,” Compuer Music Journal 24.4 (W 2002): 12–18.

107. Sv G, Conagious Noise: From Digial Gliches o Audio Viruses Juss P, y D. Sps (s.) Te Spam Book: On Viruses, Porn and



240 Jsp Ncv

Oher Anomalies From he Dark Side o Digial Culure (Css, NJ: HpPss, 2009) 128.

108. I s y sg cg sujcvy.

109. Mona Lisa Overdrive s cypu v y W Gs pus 1988 v Sprawl gy, wg Neuromancer Coun Zero.

110. D Lw, Hisory o Bourgeois Percepion (Ccg: Uvsy Ccg Pss,1982) 18-23; 26.

111. Op A: -g gc v wc us y-1960sgy sp y vus pc xps Mc Ducp.

112. Accg Au Ks's ccp (ss Beyond educionism Te Ghos in he Machine , 1967, 45-58), s cutg up sv pcpu

ws sc c ps, s su scuz ususg syc su-w ss u w spc spcu sv pcp's y. I s xpsé syc spcpgy suc c sg (p sssu-) w cc us .

113. Au Ks, Te Ghos in he Machine (Nw Y: Hucs, L Mc, 1967) Beyond educionism (Bs: Bc, 1971).

114. Ks, Te Ghos in he Machine , 45-58.

115. XS: Te Opera Opus ws wv v-g usc pc c y Rys C Jsp Ncv 1980s. J Lwc S sg Bs pc Yvs Mus c . Is ws xcss uc wp uup R Rg pscy. XS: Te Opera , Ssp T, Bs ws puc css sp sgs, 4 ups, sx cc gus, s, us, 35 spjc c. T u ws 90 us. Cgpy: Yvs Mus,35 cssss: Jsp Ncv. S Rst Bs, "Ivw-RysC & Jsp Ncv", ZG , (#12 F) / R Ky, "T Sw Rc", ZG (#12 F).

116. ellus ws c 1983 Nw Y Cy y ys, Cu Gu, cu, C Ps, cps s Hvsws/Su PASS. W

g cc, puc cu u ug pusg ws c, ss. W w w cug s

w pps s cc s ws g. Uwss w w w-w ss; sc ws w juxps

w cpy g w ppu , c cssv cuc w us vsu, usc,pc sp w. us s cv w tp://www.uu.c/su/us.

117. tp://www.uu.c/su/us_13.

118. tp://www.uu.c/su/us_20.119. S, xp, Ccg Musu Cpy A, Te ecord as Arwork om

Fuurism o Concepual Ar. Te Collecion o Germano Celan. Ex Cg, 1977.



Ns 241

Chapter 2

120. Duz, Gut, On Te Line (Nw Y: Sx(), 1983) 2.

121. G Yug, Expanded Cinema. ( Nw Y: E. P. Dut C, Ic., 1970) 41.122. N-cuc.

123. T s, s, cc, xcp.

124. T A, Aesheic Teory (L: Rug Kg Pu, 1984) 271.

125. R. G. Cgw, Principles o Ar (Ox: C Pss, 1938) 223.

126. R Sw, . Ideas Ta Shaped Our World: Undersanding he Grea Conceps o Ten and Now (L: Ms , 1997) 93.

127. J W, Te Social Producion o Ar (NY: Nw Y Uvsy Pss, 1993) 1.128. W, 92.

129. s B, M Jy, s. Vision in Conex (L: Rug, 1996) 31.

130. H Fs, . Vision and Visualiy , (St: By Pss,1988) x.

131. Guy D, Te Sociey o he Specacle (D: Bc R, 1976).

132. Jcqu Rs, Sexualiy in he Field o Vision (L: Vs, 1986).

133. Mc Fucu, Discipline and Punish: Te Birh o he Prison (Nw Y: Vg,1979) 201. Accg Fucu, j c ppc ( ccups sg y Bs psp Jy B (1748-1832) s spcps “ppss ccuus”) s uc ps ( y xsy) s cscusss ssus uc ucg pw.

134. J E Hs, Ancien Ar and iual (B--Av, Ws: MPss, 1913) 21.

135. H Sps w g -s w g M Es u17, 000 BP. A s css y c suc s s,

cs, ps ccs.

136. L’O 'E Ls Eyzs--yc-Su Grote de Pair-non-Pair G g xps.

137. Bgt Duc, Gs Duc, Discovering Lascaux (P à Luç: Es SuOus, 1990) 46.

138. Duc Duc, 55.

139. C Hj, . Ineracing ealiies (As: V2 Ogs, 1997) 21.

140. Hw Rg, Virual ealiy (Nw Y: Su Bs, 1991) 379-82.

141. A Ksy, ., Sexual Behavior in he Human Female (Pp:

Sus, 1953) 615.142. Bgg u 45,000 38,000 ys g g u 10,000.

143. Duc Duc, 57.

144. I ccps p ccg ’s pp w vuus ss.



242 Jsp Ncv

145. T ccp Gesamkunswerk (- w) s pps N-Pc g Rcs. Hwv, Rc Wg, w pcs g s -z s 1849 ypc ssys"T Aw Fuu" (Ds Kusw Zuu) "A Rvu"

(Kus u Rvu). "T Aw Fuu" s w pcp s. Ts pcs c " pp" wc z wy

wu cssy gg sss (suc s ws sssw ugs, gs sps) s Wg g xs ug p G s. Ts s Gesamkunswerk -pc ss. I t s v z cc-cus sc , ccscs Gesamkunswerk wz s cssy g puc us sp s pusu " c" wc wu cv ug syss wc vu s cu.

146. Ofcy scv y E C c 1906.147. M Rusp, Te Cave o Lascaux: Te Final Phoographic ecord (Nw Y:

As, 1987) 82.

148. Ggs B, Oeuvres Complees: Lascaux: La Naissance de l'Ar (Ps:G, 1979) 46.

149. C cc 17, 000 BP.

150. Ggs B, Oeuvres Complees: Lascaux: La Naissance de l'Ar (Ps:G, 1979) 37.

151. S pgs Cuv cv v 30, 000 ys , 3, 000 ys s cv pgs pvusy w y wc s s su Lscux.

152. M Rusp, Te Cave o Lascaux: Te Final Phoographic ecord (Nw Y: As, 1987) 81.

153. Fu up cup upus .

154. Bgt Duc, Gs Duc, Discovering Lascaux (P à Luç: Es SuOus, 1990) 74.

155. Sv M, Te Prehisory o he Mind: Te Cogniive Origins o Ar, eligion andScience (Cg: Cg Uvsy Pss, 1996) 165-67.

156. J C. Ly, Programming and Meaprogramming in he Human Bio-Compuer: Teoryand Experimens (Nw Y: B Bs, 1974) 40.

157. Duz, Gut, Nomadology: Te War Machine (Nw Y:Sx(), 1986) 13.

158. Duz, Gut, Nomadology , 36.

159. Duz Gut, Nomadology, 36.

160. Aé L-Gu, Te Ar o Prehisoric Man in Wesern Europe (L: Ts Hus, 1968) 163.

161. M Rusp, Te Cave o Lascaux: Te Final Phoographic ecord (Nw Y: As, 1987) 80.



Ns 243

162. L-Gu, 315.

163. M Rusp, Te Cave o Lascaux: Te Final Phoographic ecord (Nw Y: As,1987) 146-47.

164. Rusp, 146.

165. Rusp, 171.

166. Ggs B, Oeuvres Complees: Lascaux: La Naissance de l'Ar (Ps: G,1979) 58-9.

167. L-Gu, 315.

168. A Rg, Te Emerging Goddess (Ccg: Uvsy Ccg, 1979) 342.

169. B, 59.170. L-Gu, 316.

171. B Mssu, "T Auy Ac," Culural Criique (F 1995): 83-109 (91).

172. Hg's su css cg sp.

173. Rc Rugy, Te Alchemy o Culure: Inoxicans in Sociey (L: BsMusu Pss, 1993) 28.

174. Duz Gut, A Tousand Plaeaus: Capialism and Schizophrenia(Mps: Uvsy Ms Pss, 1987) 510.

175. Duz Gut, A Tousand Plaeaus , 153.

176. B Mssu, A User's Guide o Capialism and Schizophrenia: Deviaions om Deleuzeand Guatari (Cg: MI Pss, 1992) 70.

177. As u y -sc cs pss xcss.

178. L-Gu, 33.

179. Ts s Simulaneiy usc: tps wvg su gs.

180. sss s D diérance.

181. Ng Pc, Te Ancien Science o Geomancy (L: Ts Hus, 1979) 119.

182. Sus Lg, Feeling and Form: A Teory o Ar Developed om Philosophy in a New Key (Nw Y: Cs Sc's Ss, 1953) 69.

183. Grote Fc grota I.

184. N M, Heavenly Caves: eecions on he Garden Groto (L: A Uw, 1982) 17.

185. M, 18-20.

186. M, 7.

187. A S. Wss, Mirrors o Inniy: Te French Formal Garden and 17h Cenury Meaphysics (Nw Y: Pc Accu Pss, 1995) 48.



244 Jsp Ncv

188. Jcqus Bs . s. Archéologie: Les Grands Alas Universalis (Ps:Ecycp Uvss, 1985) 38-9.

189. D A Nypu s csqu p c

Pgs, wc p Pus's (AD 205-270) cgs w putg xpss pc ugc gc pccs. I u, Ppyy'sugc s w succ y s Icus (cc AD 250-312) (ws psz pu ugc cs N-Ps) Jcus(cc AD 255-315) w s scy ugy ( cpg s supu pws puc s sus).

190. Ppyy, L'Anro des Nymphes (Ps: Pé, 1918) 20.

191. Vc 's (1488-1576) pg Rssc , Nymph and Shepherd (1576), w Kussscs Musu V, uss ypccp uuy.

192. M, 13.

193. Dpc u w gs, s s g.

194. M, 15.

195. J E. Hs, Ancien Ar and iual (B--Av, Ws: MPss, 1913) 64.

196. Eu Lvs, oaliy and Inniy: An Essay on Exerioriy (Ptsug:Duqus Uvsy Pss, 1969) 72-7.

197. Viracualism s y I vp 1999. T vcus (viracualiy) g u y c sc pspy w cgy ccg sv vu y Ry A sct's C AvcIquy Icv As (CAA), Uvsy Ws Cg, Nwp, UK (w Py Cgu Uvsy Pyu). T I vp sccp vcu, wc svs c c w gc cgc. Vcu s s c y w s s. T ss vcu ccp s vu pucg cpu cgy s c wy s g usg cpy s

gs ss pc w s gg cpu ( vu) w ucpu cp ( cu). Ts gwc s

cc s c c ccés u s w I c vcu.Dgz s y p vcuy ss s y sg pcu y. F , vcu cgzs uss pw gz w g cuuy w vus uy pcyqus c u s cpg g . A y uc ws Gs Duz's cs Buc Spz, 17cuy psp w g t . I s "Spz:Pcc Pspy," Duz p ws cwg ss'pucvss, s Duz c w ss v us s ws g ss ss x cpsvss pg w gcu s cps w us, cy, s cpsus. I vcus sgs w ssy gg spcg g c spcs scc, cgy, y cscussscscusss suggg t pvg cpy sp u g wc vyg, vyw, c s cc zc w sss. Bu vcu s s pc-spu css ss



Ns 245

w s y c up suc y s y py pvs. W vcu c, sgs sujc uss sss,

wc s sy y s sgs. H, cus, spss scs fs w ccpu ppss.

I suggs (ccp) vcu ( viracualism viracualiy) y /égréore ccp pu g u w -us -spy wc s g g vu cu, ccpcs w y c ug y, wc s us spspys w s s-ug gsss wc cpu s pjc y.

198. Hs, 65.

199. Hs, 66.

Chapter 3

200. R Rysy, echnology as Sympom and Dream (L: Rug,1989) 83-93.

201. Rysy, 33.

202. Rysy, 33.

203. Su Eg, Te enaissance Discovery o Linear Perspecive (Nw Y: Hp Rw, 1976) 119.

204. W Ivs, Ar and Geomery (Nw Y: Dv, 1964) 69.

205. Rysy, 97-101.

206. Z Pyysy, "H T I Vsu F" Z Pyysy, .Compuaional Processes In Human Vision: An Inerdisciplinary Perspecive (Nw,NJ: Ax, 1988) 210-38.

207. Rysy, 42.

208. Cx Hs Rc sy Gardner's Ar hrough he Ages (Nw Y:Hcu, Bc Jvvc. 1975) 433.

209. Rysy, 77.

210. M Kp, Te Science o Ar: Opical Temes in Wesern Ar om Brunelleschi oSeura (Nw Hv: Y Uvsy Pss, 1990) 167-220.

211. Ew Psy, omb Sculpure: Four Lecures on is Changing Aspecs om Ancien Egyp o Bernini (Nw Y: As, 1991) 34.

212. Isgy Mc Ss v spc "Pysc Sc Sccs:T Cs u," s w pgs y u LSU Cg

A Dsg.

213. Rysy, 216-21.

214. A F cc g, s s cv cws c Fc.

215. H Fs, . Vision and Visualiy (St: By Pss, 1988) 7.

216. Eg, 9.



246 Jsp Ncv

217. Rysy, 71-82.

218. Rysy, 74.

219. J Bg, Ways o Seeing (Nw Y: Pgu Bs, 1977) 109.

220. Mc Scuy, Js Es, Gg Cs, Fanasic Archiecure: Personel and Eccenric Visions (Nw Y: Hy As, 1980) 177.

221. Jsp Ncv, “Hyp- Scpc Cps,” Arorum (Nv,1990): 130.

222. Jsp O'N, . Mexico: Splendors o Tiry Cenuries (Nw Y: MpMusu A, 1990) 27.

223. O'N, 358-59.

224. M Osw, "Sucug Vu U Spc: Asc Scs" P Dg, . Inelligen Environmens: Spaial Aspecs o he Inormaion evoluion (As: Esv, 1997) 451- 82; 457.

225. Gv C, Bernini: Flighs o Love, he Ar o Devoion (Ccg: T Uvsy Ccg Pss, 1995) 104.

226. As s whie noise viracualism s g pc g.Ts y vcu g s pps Ov's cssc x Meamorphoses , pps s gc s w w cug . T p y ccus Ws cuu s s Hs Ap Hpus.Hpus ws ypc, xcpy s, yug w w

w yp Scs y v. W Hpus jc sxu vcs, Scs s v . O spg y, Hpusspp u v p w ws Scs's . Scsy v , cg wppg y u s,

jus s, Ov sys, vy s u . S py gs s wuv sp , py y sw vy. Csquy,Hpus g p w. T pccsuc w s y s jc s py supps uy (ppss) (w) sxs. Ms s y quss spc csuc sx g, suggsg sx s xpss ug cuu, s ppsg cup s sxs /

ps. Accgy, w y vcu uvs, cs sg w/ suv y psc guus g, u g pc p-sxuy. G s vw s c cg. Csquy, g pc s sus sx ppss y csg w us O. I s pvc y / csucs sxuy, u s sxu csucs y. Ts cqu "ps" sc ss s p cqu "ps" pc ss ( vc vs). A , , s s s pc ss s s pw suggs psupps pyscs

wc s s pcs, sss vus wc s g pw v ug gs. Aspvusy , Hpus suggss w s vcus su psxu cs vuy, quxc s, , cus, sv s-xcss. T vcu s pc-spu css ss w s sxu s suc y sy py pvs. Bu I ' s css ss



Ns 247

csss ux cs. R, s sp s t ug g vcup, I u psu gg s p- s

w s gc pcsss.

227. Gv C, Bernini: Flighs o Love, he Ar o Devoion (Ccg: T Uvsy Ccg Pss, 1995) 104.

228. W Sc, Te eachings o he Mysics (Nw Y: Nw Ac, 1960) 11.

229. Cu v Wsg, Wagner: A Biography Volumes 1 and 2 (L: CgUvsy Pss, 1978) 332.

230. Jc S, ichard Wagner and he Synhesis o he Ars (D: Wy SUvsy Pss, 1960) 6.

231. Wssy Ksy, Te Ar o Spiriual Harmony (L: Cs, 1914) 5.

232. W Bu, Te Dream King: Ludwig II o Bavaria (Nw Y: Vg Pss,1970) 21-45.

233. Bu, 143.

234. Mc Scuy, Js Es, Gg Cs, Fanasic Archiecure: Personel and Eccenric Visions (Nw Y: Hy As, 1980) 59.

235. M, 115-17.

236. Bu, 234.

237. M, 116.

238. Bu, 151.

239. Bu, 151.

Chapter 4

240. Chaos magic s gy vusc ws y syss. I s wy, s cs gcs cs pcc - s cs gcs uy c gc sys svs.

241. Jsp Ncv, Immersive Ideals / Criical Disances (Cg: LAP L Acc Pusg, 2009) 76-82.

242. Ncv, "T As Fs," Blas 1 (Nv/Dc, 1991).

243. F s, s y owards an Immersive Inelligence: Essays on he Work o Ar inhe Age o Compuer echnology and Vir ual ealiy (1993-2006) (Nw Y: EgwsPss, 2009).

244. Ncv, "T As Fs."

245. Jsp Ncv, D Ggu, s. Excess in he echno-mediacraic Sociey (As: Musé 'As, 1992).

246. F -p cus s w s: Mtw B, Te Dada Cyborg: Visions o he New Human in Weimar Berlin , 65-103.

247. W Scc, Kur Schwiters (Nw Y: As, 1970) 129-39.



248 Jsp Ncv

248. A H, oal Ar: Environmens, Happenings, and Perormance (Nw Y:Ox Uvsy Pss, 1974) 18-20.

249. H, 19.

250. H, 20.

251. A Kpw, Assemblage, Environmens and Happenings (Nw Y: As,1966) 170-71.

252. H, 12.

253. I su, s cus Fpp s Mt, A Lug Russ,Gc B, R D Ags, C B, Fu Dp FcscCgu, g s.

254. Ty s sc u w c Inuizione: Fiore magico ransormabile

moorumorisa ( Inuiion: Magical ransormable moor-noise ower ) uusMs icosruzione dell'Universo (1915).

255. H, 13-16.

256. H, 24.

257. H, 26.

258. H, 24.

259. T cpc pus Ducp's ws 1911-1912, c ws w s xpsu Ry Russ, scp p

c v-g 20 cuy. T c cuy, Ducp, cs sy ss ug pu y u-sxu uy cc cz w ug.By ypzg u t, c s us ug ssss ps g-ups ug v ; g

u us sp u csc s, c ug w gz psy. I c, s psv , ws scDucp us c u g’s pss, w s, scpc puc c s gu u y s cz susc. I Te Bride Sripped Bare by he Bachelors, Even ,

wc pss c c v c ppus, Ducp, w scss cy, pps sy suc su. I

wy, Ducp suggss w (s vws) c us s s vc s-scc w ss sx. By czg sx s, s ss sx c cvs sxu gy scs gy.

260. H, 22-4.

261. T sus up s s pus wg w, s s s s.

262. H Y, "Nuc Dc M y Uss Spc," Daedalus:Weapons in Space Vol. I: Conceps and echnologies 114.2 (Spg 1985): 17-32; 20.

263. Ry Russ's ps, xp s scps ggs ps up uss u g spgus, ypc pc-cc ppus pg us u



Ns 249

ucscus sy sxu. H ps us ws cu sy ps u ’s cg sc gy, g w cz ss g W W I II, cus, Hs scvy psycyss(wc s s-sx sys) s s us sg cx

wc vw pss cpu s .

264. F g vvw s w, s Ez F, Jackson Pollock (Nw Y: Av Pss, 1983).

265. S y "Isv Ipcs" Ry Asct, ., Consciousness eamed:Conerence Proceedings (Nwp: CAA/Uvsy Ws Cg, 1997).

266. A Hs, A Primer o Happenings and Space/ime Ar (Nw Y: Sg EsPss, 1965) 6.

267. H, 162.

268. O Mc 9, 1960, u s p c w IKB Bup sus K's Monoone Symphony (wc css quy g sc, s wt y K 1949) gy pss

s gs sc gu.

269. Mg Lvjy, Posmodern Currens: Ar and Ariss in he Age o Elecronic Media . 2 E (Upp S Rv: Pc H, 1997) 55.

270. J Cg, On ober auschenberg, aris, and his work (s pus Mero, Milan , 1961); pus Silence 4 (M.I. Pss, Cg,Msscusts, 1970) 13.

271. S y An Ecsasy o Excess (Möcgc: Ju-Vg, 1991).

272. H, 93.

273. H, 114.

274. G Yug, Expanded Cinema (Nw Y: E. P. Dut C, Ic., 1970) 368.

275. Aw S, "D D D," Arorum (Fuy 1997): 66-73; 67.

276. S, 70.

277. Mg Lvjy, Posmodern Currens: Ar and Ariss in he Age o Elecronic Media:

Second Ediion (Upp S Rv: Pc H, 1997) 56.

278. S, 67.

279. S y "Isv Ipcs," New Observaions 116 (F 1997): 46-7.

280. B Mg, I Celebrae Mysel: Te Somewha Privae Lie o Allen Ginsberg (Nw Y:Pgu Bs, 2007) 318.

281. Buugs us Gsg v.

282. Mg, 318-19.

283. Mg, 331-32.

284. Oy y g y fcu c c scv w p s s us. I s, s us fcu w w v u w

w ( ) y .



250 Jsp Ncv

285. F y 1990s.

286. S z v, Nework Culure: Poliics or he Inormaion Age (L: PuPss, 2004).

287. S F Ppp, Ar, Acion and Paricipaion (Nw Y: Nw Y Uvsy,1975). S s s From echnological o Virual Ar (Cg: MI Pss, 2007).

288. Ru 1970 w cc Hv Uvsy's Busc-Rsg Musu.

289. S V, "Mvs: Dsps A, Syc M AcIgc." ake One Film Magazine 2.3 (1969): 14-16; 16.

290. S V, "Cuu: Ic Exp C: A Pps Ms." Film Culure 40 (Spg, 1966): 15-18; 16.

291. V, "Cuu: Ic Exp C: A Pps Ms," 17.

292. J-Csp Ryux, "Exp, Ex: Hég, s R cs 'u Ccp Eséqu s 'A Aés Sx," Omnibus 23 (Jv, 1998): 7.

293. Yug, 354-58.

294. Yug, 66.

295. Ay W P Hct, POPism: Te Warhol' 60. (L:

Hucs, 1980) 156.296. Exps A cgy (E.A..) ws -p x-xp

gz ss vp cs w ss gs.E.A.. c u pjcs xp s cpy scy p sp vu cgc cg. E.A.. ws v cc c z -scc cg s uucc su. R sv c ps--ps ccs w ss gs. I wsfcy uc 1967 y gs By Küv F Wu w ss R Ruscg R W. Ts pvusy c, s y 1966 w y g gz 9 Evenings: Teaer and Engineering , ss pc pss u ss gs. T pcs w Nw Y Cy's 69 Rg Ay, Lxg Avu w 25 26 Ss s g g sc 1913 Ay sw. Suc cs cu w s

w s scss 1960s, 1970s, 1980s cy uc supp xp su s J Cg, c Mc Cug, pp s Ay W. T pc E.A.. cvy s gy cs Pps Pv Exp '70 Os Jp w E.A.. ss gsc sg pg sv .

297. Yug, 416-17.

298. S, "D D D," 67.

299. S, "D D D," 68.



Ns 251

300. Jcqus Lc, "T M Sg s Fv Fuc I," Ecris: ASelecion (Nw Y: N) 1-7.

301. J W, Te Social Producion o Ar (Nw Y: Nw Y Uvsy Pss,

1993) 132 -36.302. Ppp, 158.

303. Ppp, 92.

304. Yug, 359.

305. M c s S EOM.

306. Yug, 371.

307. Yug, 391-92.

308. Yug, 387-91.

309. Yug, 389.

310. Yug, 381-83.

311. F suscps, s R. Muy Sc, Te Soundscape: Our Sonic Environmen and he urning o he World (Rcs, V: Dsy Bs, 1984).

Chapter 5

312. F vuss, s JussP , “Acvs Sw: Cpu Vuss Asss M Accs,” Te Spam Book: On Viruses, Porn,and Oher Anomalies om he Dark Side o Digial Culure. Es. Juss P, y Sps (Css: Hp Pss, 2009) 105-24.

313. Exps v biennale.py , cpu vus x 2001 Vc B y 0100101110101101.g, uc w J, c uss ysucs p w w sw s sc p.

314. Kwc Rsc KR+cF s guy v pp - s pcp pjcs, suc s scss, psps gs, pg

ccp c pjc.

315. O g c Lug Russ’s ee dei rumori ( Nework o Noises)pus 1914 gz Lacerba.

316. S xp tp://ss.g/xx/x. / tp://./

317. S Ry Asct, elemaic Embrace, Visionary Teories o Ar, echnology andConsciousness (By: Uvsy C Pss, 2003).

318. A xp s v g s S V's 1966pps ssy "Cuu: Ic Exp C: A Pps

Ms," ws pus Film Culure 40 (Spg, 1966). I s ssy pg 17, V c s s Mv Ds “gs” wc y “cpu -py” wu uc s g “cuc sg cs”. Accg V, “y s , c cucv s gs w w y suc, s pg c



252 Jsp Ncv

pss c cuy”. V s w s s pc suc g vsu “c” cu “ucy vw wg y” c puc “ ss w pcu”. Ts pcss g vsu -ws V “-cucs”.

319. Juss P, Digial Conagions: A Media Archaeology o Compuer Viruses (Nw Y:P Lg, 2007) 136.

320. T w parasie , sgy ug, s s noise Fc. F scuus c, s Mc Ss’s Te Parasie (Ps: Gss, 1980); Te Parasie , s. Lwc R. Sc (B: Js Hps Uvsy Pss,1982) eading wih Michel Serres y M L. Ass (Ay: SUNY Pss, 1999).

321. By, viracual s su cvy w sc cuzs/vus z u w vuy.

322. P, 5.323. Ts s csg s s z s "D Ms"

w ss, “Pps yu w us t w I yu D s vg c ps w ssc spcs ss w ws cvs”. F "D Ms" [1918] "Lcu D" [1922], s Fc y R Mw Te Dada Painers and Poes: An Anhology 2 E, (Cg: HvUvsy Pss, 1989) 78-9.

324. Rvuss ss w s --vuss. T sc pcp s vus us sw p -vus pg suc wy

vus s s . A--vuss su cus w - vus-vuss, wc vuss w s sc vuss.

325. Husc vus cs w y g c up y ug pg c. I uss c sssy, u ssxcu c w vus u w vus s y g. T s usc cg s c s u vyg, vus g g c s u v scp, wc c ppg u gg sucv x.

326. S tp://www.yy.g/ Hy Fy, "Mus Vgu: P-

Fuxus, Dug Fuxus, L Fuxus," A.B. Ov, Ubi Fluxus ibi mous 19901962(M: Mzzt, 1990) 99-128.

327. Suc g s y 2001 Compuer Virus Projec 2.0 w g s s s y pvus v ws y 1992ws w upcpgssv vus ps g/s g. Usg C++ w, I y pg c Sp S ugy y cpu vus pjc c (A-L) (.. syc sys xs vs ccsc u vg syss).

W Compuer Virus Projec 2.0, s c v uc vuss uus gs vg / g. T pjcsus ppu cv vuss ucg s gy v gcsys. Compuer Virus Projec 2.0 cvy ppgs v tcs g-s y “c-sycO 2000 (c)+ s -s (cp)”ss. H v gss v gc us vuy pcsss wc pp g-s y ec-sayricOn2000 (enhanced)+ bodies in he bi-sream (complian) ss. Ag



Ns 253

cqus us w s su c gc pg gc pgg. T w s s g v s pxs. Evy px's c s y RGB u vcs ps , g u cps vy px's c. T g w s gs.

Evy squ g g s jc pps g. A vus c v u g pc g w s cscuy csp sucs us suvv y vuss. T v

vus s s g pg cvy s ypc su cgc w. A vus w pc up s v, c cus c, cy u. T p s sp cus sccc sucu. V sucs pv psss xcug sucs ccg v cs wc vuss vg. A vus w pcv px s g jc s. I cg s c pss psc vuss. I c cus c, c vus s pg w s zsucs s; s c, s cg c cu px ( vus s ). Os c p pg cy u ss. Oc pg s xcu, wgcs c u y s. As vus xcus , vs jc squs cgs cu px. I c v pucs (puc sus suc 'v'). A vus csu suc w puc pc sug sgy . I’sg-pg cgs w u p. I s cgs,vy cyc pucs cg gy v vus. T vus w s s u gy w vy u, w us u gy, s (..

spps). I suvv, vus s pc up gy, wc c y y gg g. T cgs c px, gy cqus. T c w c s ccu. W c s vus’s v c w w ss p ss suvv. T xu u vuss c pssuusy (usuy 1000). W u s c, 'v' sucs g. I vus s ug gy w v u y, ws

w w s v c s p cp px s .

328. I s usg c P Jqu-Dz c s c ccgu 1774 c auomaic scribe. I s c s Mus 'A Hs Nuc, Swz.

Conclusion

329. Dv Cs, "Fcg up Ps Cscusss," Journal o Consciousness Sudies: Conroversies in Science and he Humaniies , 2.3 (1995):200-219; 211.

330. Gs Duz Féx Gut, Wha is Philosophy? (L: VsBs, 1994) 132.

331. Cs, 211.

332. A z y s - p s s g w spc z s s wc css-css. I pspc wgs Duz Gut s us s p psgy ( p spy wc scc w s wg) sps cs suusy.



254 Jsp Ncv

(Duz Gut, Wha is Philosophy? 7.) M spccy, Duz Gut z s wc s “uc O up. Is gg , u wys (u) wc gws wc vsps. I csus upcs w ss vg

sujc jc... “. Duz Gut, A Tousand Plaeaus: Capialismand Schizophrenia. (Mps: Uvsy Ms Pss, 1987) 21.

333. Vsy s pups sc pysc w py w vs wss cug spu, csc ysc s s s suc xpcsccss ug sujcv c vu.

W us vsy ss s vg c suc : ucvy s psycc gs. T g w s v“ u pcus” (s W B wu sy) u spcu vs

vsy ss . W B, xp, s us sy g y uvs sg g s. B

s-ug ( Ar Bru Ousider Ar) ss v, cu c vsy ws. T us sc vsy 15 cuy p Hyus Bscs g xp s. As p s Fc Sys (Gusv Mu O R) D’s us cc uc pcus(wc gw Sus cvs Mx Es, Sv D, Hs Ap, HsB Ju M). T vss Suss p

w z juxps s pss s. A pu u ss sucsgss, s vss c sc us pg u cwg ppc g ysy uvs.

334. Acv ug -ssg ss s w ug s s w

cps gv gcs wc.335. T u su/g supuc p-cps.

336. Ns y csu s ps cqu g c w cu w sc w.

337. Ts quy s u w usg pcc xsc wcDuz Gut v c schizoid. Accg , g s w sp cgcy ucgc/scz cuu. Duz, Gut, A Tousand Plaeaus: Capialism and Schizophrenia ( Mps: Uvsy Ms Pss, 1987).

338. Duz Gut, On Te Line (Nw Y: Sx(), 1983) 2.

339. Pu Hgy, Noise Music: A Hisory (L: Cuu, 2007) 122.

340. Pps s s cs/j cssy sys, sysucg s ss ucg.

341. A Jy, "W s Ppyscs?" Evergreen eview 13 (1963): 131-151; 131.

342. T ccp Maya I pspy s puy p,sus cc vyy w.

343. Pps s v Ms (g y p L-Rssc cc 1530-1600) ws sc v vugy gcuss gc: uu maniera (sy) wcMs s s . T usuy s wc vs t sp syz supcs sc.



Ns 255

344. Duz Gut, Nomadology: Te War Machine (Nw Y:Sx(), 1986) 13.

345. Duz Gut, Nomadology , 36.

346. J Cg s wt, “I cs v usc s s su, . T y us g sus, pcs gy-g, us wc cu, s wc uusc ssu, g c us v xpc. O y gv up s s pv c uc s u cv xpc”. J Cg, Silence (L: C Bys, 1961) 32.

347. Ts csps Dugs K’s c s s css y pc/sc, suc “w s s s g cuc, [...] g s xcy c pcs u s s sc s”. Dugs K, Noise, Waer, Mea: A Hisory o Sound in

he Ars ( Cg: MI Pss, 2001) 25.


349. N-wy pcs.

350. A ss cgv y-g css w Au Scpu's (1788-1860)ccp pure knowing subjec . Au Scpu, Te World as Will and Idea (L: Kg Pu, c, u C., 1907) 127.

351. S y s An Ecsasy o Excess (Möcgc: Ju-Vg) 3-7.

352. K W, Mimesis as Make-Believe: On he Foundaions o he epresenaional Ars (L: Hv Uvsy Pss, 1990) 11.

353. Fc Nzsc, Beyond Good and Evil (Eug: D Pss, 1907) 7.

354. R Rysy, echnology as Sympom and Dream (L: Rug,1989) 83-93.

355. H Fs, . Vision and Visualiy (St: By Pss, 1988) x.

356. T sc ugcy ccps xsc.

357. V Nv, Pale Fire (Nw Y: R Hus, 1989) 69.

358. R Bgu, "W, Ig Su: T N-Rps Scs Gs Duz," R Bgu, . Mimesis, Semiosis and Power (Pp: JBjs, 1991) 83-4.

359. Wgg Is, Te Ac o eading: A Teory o Aesheic esponses (L: Rug Kg Pu, 1978) 21.

360. I cp s usc v J Cg s xcusv spsy cps usc, u qus cv s tu s's p s w. W s cus sus v usc cps, (s) c cs

c-cps.361. B Mssu, "T Auy Ac," Culural Criique (F 1995): 83-109; 96.

I s g, I suggs s s Big Bang Sound , s su s ( s) su s v su ppgg s cpss

wvs ug ps/yg u y uvs s 100 700



256 Jsp Ncv

us ys Bg Bg tp://www.s.vg.u/~w8/sus/cs/x.pp (ccss 11/11/2008)

362. J-Fçs Ly, "Qu P?: Ivw w B Mc," Ar Press 125

(My 1988): 42-5; 45.363. Jcqus D, "T T Cuy Csu Rps,"

Jcqus D, Wriing and Dierence (Ccg: Uvsy Ccg Pss, 1978)232-250; 235.

364. S y “Iuc T A Excss c-cc Scy," NewObservaions 94 (1993).

365. Dc Hggs, A Dialecic o Cenuries: Noes owards a Teory o he New Ars (Nw Y: P Es, 1978) 12-17.

366. Hggs, 3-9.

367. Hy Fy. "Mus Vgu: P-Fuxus, Dug Fuxus, L Fuxus," A. B. Ov, 107.

368. Hggs, 8.

369. F s pc, s y owards an Immersive Inelligence: Essays on heWork o Ar in he Age o Compuer echnology and Virual ealiy (1993-2006) (Nw

Y: Egws Pss, 2009).

370. Qu C Hj, E. Ineracing ealiies (As: V2Ogs, 1997) 14.

371. Gs Duz, Logic o Sense (Nw Y: Cu Uvsy Pss, 1990) 151.

372. B Mssu, "T Auy Ac," Culural Criique (F 1995): 83-109; 91.

373. Tug I v v s , ppy sscy xp suppsc ws Dc 1967 scg Ay W’s **** (FOU SAS) 16/25 s/su/c/24 ps ws ug Augus 1966 Sp1967. w pjcs' gs w supps sg sc, xg s(c &w) s w s w sucs g.

374. G Yug, Expanded Cinema (Nw Y: E. P. Dut C, Ic., 1970) 111.

375. Yug, 87.

376. O cg v/pu scs wu ws s sg.

377. Gv C, Bernini: Flighs o Love, he Ar o Devoion ( Ccg: T Uvsy Ccg Pss, 1995) 104.

378. Jcqus D, "T T Cuy Csu Rps," Jcqus D, Wriing and Dierence (Ccg: Uvsy Ccg Pss,1978) 232-50.

379. F xp, s p usvs s t cc w u s ss.

380. Vuss, y gc , us cs s s-v.

381. F xp, s L C’s pp, “T Hsy Ns” wc C s cs s g vv su j scc, c, cgc ps.



Ns 257

382. A s xcp s sg, pug g cpss puc px g sc c.

383. Excug p xps s c s x g w s D

s: Vg Eggg’s Diagonal Symphony , 1921; Pu S/Cs S’s Manhatan, 1921; Hs Rc’s hyhmus 21 , 1921, hyhmus 23 , 1923-1925,Filmsudie , 1926, Vormitagsspuk , 1927-1928; Ré C’s Enr’ace , 1924; Mc Ducp’s Anémic Cinema , 1925.

384. A Rg, Te Emerging Goddess (Ccg: Uvsy Ccg, 1979) 345.

385. Rg, 12.

386. Rgss Lug Russ’s pcp p-scs (p-w) Fuusv, us cu g-wg scs cs v t us v-g s . Ty uc p ppu usc.

387. Pu Hgy, Noise Music: A Hisory (L: Cuu, 2007) 125.

388. Ts gu cssss w s pps s xp cy y u v (g cps) y s gg-cscus vvs ug g vu: w gssss ug sc us s scy ug.

389. I s ss, s qus su g s s g suc .

390. F pg vsg s sujc, s Qu Mssux’s Aer Finiude: An Essay on he Necessiy o Coningency (L: Cuu, 2008).



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Immersion Into Noise by Nechvatal 2011