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Imagist Movement A Manifesto

Imagist Movement A Manifesto. EZRA POUND (1885-1972)

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Page 1: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

Imagist MovementA Manifesto

Page 2: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

EZRA POUND (1885-1972)

Page 3: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

The apparition of these

faces in the crowd;

    Petals on a wet, black

bough.

Page 4: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

• Like haiku, but adapted to modern world

Page 5: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

•Suggests more than its literal meaning

“Don't be descriptive; remember that the painter can describe a landscape much better than you can, and that he has to know a good deal more about it.”

Page 6: Imagist Movement A Manifesto. EZRA POUND (1885-1972)
Page 7: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

The Chinese Written Character As a Medium for Poetry

From a manuscript by Ernest Fenollosa,

Translated by Ezra Pound

Page 8: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

“An 'Image' is that which presents an intellectual and emotional complex in an instant of time. . . . “

“The image is not an idea. It is a radiant node or cluster; it is what I can, and must perforce, call a VORTEX, from which, and through which, and into which, ideas are constantly rushing.”

Page 9: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

The Structure of Detached Chinese Words:

“The earlier forms of these characters were pictorial, and their hold upon the imagination is little shaken, even in later conventional modifications. It is not so well known, perhaps, that a great number of these ideographic roots carry in them a verbal idea of action. It might be thought that a picture is naturally the picture of a thing, and that therefore the root ideas of Chinese are what grammar calls nouns.

But examination shows that a large number of the primitive Chinese characters, even the so-called radicals, are shorthand pictures of actions or processes.

Page 10: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

“For example, the ideograph meaning ‘to speak’ is a mouth with two words and a flame coming out of it….In this process of compounding, two things added together do not produce a third thing but suggest some fundamental relation between them.”

说 话 (modern

characters)

言 (ancient radical)

Page 11: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

“Poetry agrees with science and not with logic.”

How so? What does this mean to you?

Page 12: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

“The moment we use the copula, the moment we express subjective inclusions, poetry evaporates. The more concretely and vividly we express the interactions of things the better the poetry. We need in poetry thousands of active words, each doing its utmost to show forth the motive and vital forces. We can not exhibit the wealth of nature by mere summation, by the piling of sentences. Poetic thought works by suggestion, crowding maximum meaning into the single phrase pregnant, charged, and luminous from within.”  

Page 13: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

Other founding writings that Ezra Pound created about the Imagist movement are “A Retrospect,” and “A Few Don’ts.”

These ideas, published in 1918, influenced much of what was to come in 20th century poetry. You may access them here:

http://www.poetryfoundation.org/learning/essay/237886

Page 14: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

WRITE A POEM FOLLOWING THE IMAGIST RULES:• Direct treatment

of “the thing”• Every word

contributes to the presentation

• Compose in musical phrases

Page 15: Imagist Movement A Manifesto. EZRA POUND (1885-1972)

Other Imagist Poets

H.D. (Hilda Doolittle)

Amy Lowell

William Carlos Williams, who took Imagism a step further by insisting on a common, American, vernacular.