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Image Grammar By Harry R. Noden

Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

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Page 1: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

Image Grammar

By Harry R. Noden

Page 2: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

“An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details that create a literary virtual reality.”

Harry R. Noden

Image Grammar

Page 3: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

“An amateur writer tells a story. A pro shows the story, creates a picture to look at instead of just words to read. A good author writes with a camera, not with a pen.”

Novelist Robert Newton Peck

Secrets of Successful Fiction

Page 4: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

Painting with Five Basic Brush Strokes

• The participle• The absolute• The appositive• Adjectives shifted out

of order• Action verbs

Page 5: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

Participles = an –ing verb tagged on the beginning or end of a sentence

Page 6: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

“The bear walked silently through the field.”

Page 7: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

“Languishing lazily on the log, the bear thought of salmon swimming into its hungry hands.”

“Roaring vociferously and posturing for an attack, the bear scared off the unwanted intruders with its growling.”

Page 8: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

Absolutes = a two-word combination – a noun and an –ing or –ed verb added onto a sentence

Page 9: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

“The mountain climber edged along the cliff.”

Page 10: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

“The mountain climber edged along the cliff, hands shaking, feet trembling.”

“Hands shaking, feet trembling, the mountain climber edged along the cliff.”

“Feet trembling on the snow-covered rocks, the mountain climber edged along the cliff.”

Page 11: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

Appositive – a noun that adds a second image to a preceding noun

Page 12: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

“The raccoon enjoys eating turtle eggs.”

Page 13: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

“The raccoon, a scavenger, enjoys eating turtle eggs.”

“The raccoon, a midnight scavenger who roams lake shorelines in search of food, enjoys eating turtle eggs.”

Page 14: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

Adjectives out of order = amplify the details of an image

Page 15: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

“The large, red-eyed, angry bull charged the intruder.”

Page 16: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

“The large bull, red-eyed and angry, charged the intruder.”

Page 17: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

By eliminating passive voice and reducing to be verbs (linking verbs), writers can energize action images and write in active voice.

Page 18: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

“The runaway horse was ridden into town by a blond-haired beauty.”

“The blond-haired beauty rode the runaway horse into town.”

Page 19: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

“The gravel road was on the right side of the barn.”

“The gravel road curled around the right side of the barn.”

Page 20: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details

• Participles• Absolutes• Appositives• Adjectives shifted

out of order• Action verbs

Page 21: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details
Page 22: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details
Page 23: Image Grammar By Harry R. Noden. “An ineffective writer sees broad impressions that evoke vague labels; a powerful writer visualizes specific details