I'm A Teenager Get Me Out Of This Family (Script)

Embed Size (px)

DESCRIPTION

Play script: I'm A Teenager Get Me Out Of This Family

Citation preview

  • ALL RIGHTS RESERVED

    Copyright Protection. This play (the Play) is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all coun-tries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, and the Berne Convention.

    Reservation of Rights. All rights to this Play are strictly reserved, including, without limitation, profes-sional and amateur stage performance rights; motion picture, recitation, lecturing, public reading, radio broadcasting, television, video, and sound recording rights; rights to all other forms of mechanical or electronic reproduction now known or yet to be invented, such as CD-ROM, CD-I, DVD, photocopying, and information storage and retrieval systems; and the rights of translation into non-English languages.

    Performance Licensing and Royalty Payments. Amateur and stock performance rights to this Play are controlled exclusively by Playscripts, Inc. (Playscripts). No amateur or stock production groups or individuals may perform this Play without obtaining advance written permission from Playscripts. Required royalty fees for performing this Play are specified online at the Playscripts website (www.play-scripts.com). Such royalty fees may be subject to change without notice. Although this book may have been obtained for a particular licensed performance, such performance rights, if any, are not transferable. Required royalties must be paid every time the Play is performed before any audience, whether or not it is presented for profit and whether or not admission is charged. All licensing requests and inquiries concerning amateur and stock performance rights should be addressed to Playscripts (see contact infor-mation on opposite page).

    Restriction of Alterations. There shall be no deletions, alterations, or changes of any kind made to the Play, including the changing of character gender, the cutting of dialogue, the cutting of music, or the alteration of objectionable language, unless directly authorized by Playscripts. The title of the Play shall not be altered.

    Author Credit. Any individual or group receiving permission to produce this Play is required to give credit to the author as the sole and exclusive author of the Play. This obligation applies to the title page of every program distributed in connection with performances of the Play, and in any instance that the title of the Play appears for purposes of advertising, publicizing, or otherwise exploiting the Play and/or a production thereof. The name of the author must appear on a separate line, in which no other name appears, immediately beneath the title and of a font size at least 50% as large as the largest letter used in the title of the Play. No person, firm, or entity may receive credit larger or more prominent than that accorded the author. The name of the author may not be abbreviated or otherwise altered from the form in which it appears in this Play.

    Publisher Attribution. All programs, advertisements, and other printed material distributed or pub-lished in connection with the amateur or stock production of the Play shall include the following notice:

    Produced by special arrangement with Playscripts, Inc.(www.playscripts.com)

    Prohibition of Unauthorized Copying. Any unauthorized copying of this book or excerpts from this book is strictly forbidden by law. Except as otherwise permitted by applicable law, no part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means now known or yet to be invented, including, without limitation, photocopying or scanning, without prior permission from Playscripts.

    Statement of Non-affiliation. This Play may include references to brand names and trademarks owned by third parties, and may include references to public figures. Playscripts is not necessarily affiliated with these public figures, or with the owners of such trademarks and brand names. Such references are included solely for parody, political comment, or other permitted purposes.

    Permissions for Sound Recordings and Musical Works. This Play may contain directions calling for the performance of a portion, or all, of a musical work not included in the Plays score, or performance of a sound recording of such a musical work. Playscripts has not obtained permissions to perform such works. The producer of this Play is advised to obtain such permissions, if required in the context of the production. The producer is directed to the websites of the U.S. Copyright Office (www.copyright.gov), ASCAP (www.ascap.com), BMI (www.bmi.com), and NMPA (www.nmpa.org) for further information on the need to obtain permissions, and on procedures for obtaining such permissions.

    Inquiries concerning all other rights should be addressed to Playscripts, as well; such inquiries will be communicated to the author and the authors agent, as applicable.

    Im A Teenager Get Me Out of This Family (1st ed. - 09.02.10) - imateenagerCjpCopyright 2010 Jim Garvey

  • Playscripts, Inc. toll-freephone:1-866-New-Play450Seventhave,Suite809 email:[email protected],Ny10123 website:www.playscripts.com

    The Rules in Brief1) DoNOTperformthisPlaywithoutobtainingpriorpermission

    fromPlayscripts,andwithoutpayingtherequiredroyalty.

    2) DoNOTphotocopy, scan,orotherwiseduplicateanypartofthisbook.

    3) DoNOTalterthetextofthePlay,changeacharactersgender,deleteanydialogue,cutanymusic,oralteranyobjectionablelanguage,unlessexplicitlyauthorizedbyPlayscripts.

    4) DOprovidetherequiredcredittotheauthor(s)andtherequiredattributiontoPlayscriptsinallprogramsandpromotionallit-eratureassociatedwithanyperformanceofthisPlay.

    For more details on these and other rules, see the opposite page.

    Copyright Basics

    This Play is protected byUnited States and international copyrightlaw.Theselawsensurethatauthorsarerewardedforcreatingnewandvitaldramaticwork,andprotectthemagainsttheftandabuseoftheirwork.

    aplay isapieceofproperty, fullyownedby theauthor, just likeahouseor car.youmustobtainpermission touse thisproperty, andmustpayaroyaltyfeefortheprivilegewhetherornotyouchargeanadmissionfee.Playscriptscollectstheserequiredpaymentsonbehalfoftheauthor.

    Anyone who violates an authors copyright is liable as a copyright infringer under United States and international law.Playscriptsandtheauthorareentitledtoinstitutelegalactionforanysuchinfringe-ment,which can subject the infringer to actualdamages, statutorydamages,andattorneysfees.acourtmayimposestatutorydamagesofupto$150,000forwillfulcopyrightinfringements.U.S.copyrightlawalsoprovidesforpossiblecriminalsanctions.VisitthewebsiteoftheU.S.CopyrightOffice(www.copyright.gov)formoreinformation.

    THE BOTTOM LINE:Ifyoubreakcopyrightlaw,youarerobbingaplaywrightandopeningyourselftoexpensivelegalaction.Followtherules,andwhenindoubt,askus.

  • To Jonathan RandFor challenging me to do this

  • 6Cast of Characters

    MOM

    DaD

    JUlIe

    JOhNNIe

    MIlITaNTDaD

    CheFKID

    BeTh

    alIeN

    POlITICIaN

    aDVISOr

    SPOrTSKID

    CryINgMOM

    DaNCer

    DIaNe

    rIChKID

    BrUCe

    BeTTy

    CheerleaDer

    MOVIeSTar

  • 7Author Notes

    Therearealotofpartsinthisplay,whichgivesyoualotoffreedomtobecreative.Itcouldbefunifyouhad2actorsplayJohnnie,Julieandallthepotentialkidsandanother2actorsplayMomandDadand all the potential parents. Itwould certainlywork if you castevery single role.Or another optionwouldbe to cast Julie, John-nie,MomandDadandthenhaveacoupleofversatileactorsplayall thepotentials. Its entirelyup to you.youwere smart enoughtopurchasetherightstoputonthisplayIhavenodoubtyouaresmartenoughtofigureoutthebestwaytoputiton.Ihaveabsolutefaithinyourabilitiesyoutalentedpersonyou.gowild.IfyouwanttochangegendersandturnMilitantDadintoMilitantMom,bemyguest,orCryingMomintoCryingDad,byallmeans.youwanttoblackoutbetweenscenes?Doit.youwanttonotblackoutbetweenscenes?Thatscooltoo.havefun,becreative,butmostofallbeen-tertaining!Cheerstoyou!

    Jimgarvey

  • 9Im a Teenager geT me OuT Of ThIs famIly

    by Jim Garvey

    Scene 1

    (MOM paces across the stage as DaD relaxes and JOhNNIe sleeps. After a few moments JUlIe tiptoes in.)

    MOM.Dontyoumoveamuscle!

    JULIE.Dontwhomoveamuscle?

    MOM.Doyouknowwhattimeitis?

    JULIE.Timetogotosleep.goodnight.

    MOM.Kevin,dontyouhavesomethingtosaytoyourdaughter?

    DAD.Sleeptight?

    MOM.abouthercurfew!

    DAD.Ohright, (Not getting it:)hows itworkingout foryou?Feelappropriate?

    MOM. (Menacing stare at DaD:) Julie Foley it is three and a halfminutespastyourcurfew!

    JOHNNIE. (Waking up with a yawn:)wwhatsalltheyellingabout?

    MOM.DontyoubuttintothisJohnnieFoleyorIllgiveyousome-thingtoyellabout.

    JOHNNIE.what?

    MOM.youregrounded.

    JOHNNIE.Me?

    MOM.yesyou. (Turning to JUlIe:)andforyou

    JULIE.Iwasonlythreeandahalfminuteslate.

    MOM.Doyouknowhowlongittakesforsomethingbadtohappen?

    JULIE.Imguessingyoureabouttosaythreeandahalfminutes?

    MOM. One second. One second after curfew and youre askingfortroublefromtheloonieswiththehairandtheclothesandthefingernails.

    JULIE.Thehair,theclothes,andthefingernails?

    MOM.Thatsright.

  • 10 Jimgarvey

    JULIE.Dotheyalsohaveheads,shoulders,kneesandtoes?

    MOM.youregroundedJulie.groundedforamonth!

    JULIE. (Irritated groan.) This family is so ordinary! youre all soordinary.youandDadaresoordinary!

    MOM.howdareyou!

    JULIE.IwishIwishIhadinterestingparents,whodointerestingthings!IwishIcouldhavenewparents!

    MOM.Thenmaybeyoushouldplaceanadinthenewspaper.

    JULIE.MaybeIwill.

    MOM.Fine.

    JULIE.Fine.

    MOM.Fine.

    JULIE.Fine.

    MOM andJULIE.FINe!!!

    JULIE.Johnnie,letsgo.

    MOM.Kevin,letsgo.

    JOHNNIE andDAD.what?Me?No.why?

    (Scene.)

    Scene 2

    (JOhNNIe and JUlIe sit at a table a la judges on a competition show.)

    JOHNNIE.Thisisstupid.

    JULIE.Doyouwanttobegroundedordontyou?

    JOHNNIE.No,but

    JULIE.SolidarityJohnnie.Solidarity.herecomesthefirstprospective.

    MILITANT DAD.a-ten-hut.SecondClassCorporalJohngulliganreportingforduty.

    JULIE.Comeagain?

    MILITANT DAD.SecondClassCorporalJohngulliganreportingforduty.

    JULIE.Duty?Thisisjustaninterview.

  • Im a Teenager Get Me Out of This Family 11

    (MIlITaNTDaD says nothing, just stares ahead in silence.)

    JOHNNIE.areyougoingtositdown?

    MILITANT DAD.waitingforpermission,sir!

    JULIE.Byallmeans,pleasesitdown.

    MILITANT DAD.Thatisnottheproperphrasing.

    JULIE.Permissiongranted,sir?

    (Nothing. He keeps standing.)

    JOHNNIE.atyourleisuresolider?

    JULIE.Sitboy,sit.

    JOHNNIE.hesnotadog.

    JULIE.Sientente.

    JOHNNIE.Spanishreally?howaboutatease?

    MILITANT DAD. (Salutes and sits.)

    JOHNNIE.gome!

    JULIE.Okthatwasalittleodd,butneverthelessawaywegosoweregoingtoaskyouacoupleofquestions.

    MILITANT DAD.Fireatwill.

    JOHNNIE.whichoneswill?heh,heh,aww.

    (MIlITaNTDaD doesnt flinch.)

    JOHNNIE. (Writing in notepad:) Note to self, does not appreciatetypicaldadhumor.Strikeone.

    JULIE.QuestionOne. Im going to themall, do youagivemeyourkeysandgivemeyourcreditcard.OrBgivemethekeystothenewcaryoujustboughtmeandgivememyownlimitlesscreditcard?

    MILITANT DAD.Cwedonotdriveanywhere.wewillmarchinsinglefile.left,right,left,right.wouldyouliketopractice?

    JOHNNIE.Imgoodthanks.

    JULIE.Ok,soyoureintofitnessIappreciatethat.Thatsimportant.Sinceyoudidntrespondtothecreditcardpart (Jotting in notepad:)I will just assume that was my own limitless credit card. NextquestionItsaschoolnightwhattimeshouldIbehome?

    MILITANT DAD.16hundredhours.

    JULIE.NoImsorry.Isaidwhattime.

  • 12 Jimgarvey

    MILITANT DAD.16hundredhours.

    JOHNNIE.Thatsfourpm.

    MILITANT DAD.Thatsright.Just intimeforcalisthenicsbeforedinnerat18hundredhoursandlightsoutat19hundredhours.

    JULIE. (Counting on her fingers, then in shock:)7PM!

    MILITANT DAD.youllneedyour10hoursofsleep.

    JULIE. (Counting on her fingers, then in shock:)5aM!?NeXT!

    (Scene.)

    Scene 3

    (MOM and DaD sit on the couch in the living room.)

    DAD.Thisseemsallkindsofwrong.

    MOM.wereteachingthemalesson.

    DAD.andwhatlessonisthatexactly?

    MOM.Idontknow.Butweareparents.Thepointistoteachthemalesson,notnecessarilyaspecificlessonperse.

    (A knock.)

    MOM.Oh,heresthefirstcandidate.BeniceKevin.Comein!

    (CheFKID enters in full chef garb.)

    DAD.Ohno.hethinkshesthePillsburydoughboy!

    CHEF KID.Madame,Mounsier.Vat a pleasure it is forme to bemeetingyou.

    MOM.IsthataFrenchaccentIdetect?

    CHEF KID.OuiMadame.Icomefromthecountryoflovetostudytheamericanartofcooking.

    MOM.achildwithatalentKevin!whatanicechangeofpace.

    CHEF KID.Ibakedthesecookiesforyouthismorning.Tryzem.

    DAD.wowthesearereallygood.

    MOM.Itslikeafoodpartyinmymouth.

    CHEF KID.Ohzouaretookind.

    MOM.Idoabitofbakingaswell.haveacupcake.

  • Im a Teenager Get Me Out of This Family 13

    (The CheF KID takes a bite and then spits the cupcake out everywhere.)

    CHEF KID. (No longer having a French accent:)whatisthat?areyoutryingtotortureme?

    MOM.Thatsnotnice!

    DAD.hey.wheredyouraccentgo?

    CHEF KID. (Throwing French accent back on:)whoops,ImeanstheyarenothorribleMadame.

    MOM.Nothorrible?Isthatsupposedtobeacompliment?

    DAD.andwhydoesthatFrenchaccentkeepcomingandgoing?

    CHEF KID.Mediocre?Isthatbetter?

    MOM.No.

    DAD.whatabouttheFrenchaccent?

    CHEF KID. (Dropping the accent:)youcaughtme.Itsallalie.IdonthaveaFrenchaccent.ImnotreallyfromFrance.Imfrom[Real town nearby, preferably your schools biggest rival].

    MOM.whywouldyoulie?

    DAD.Becausehesfrom[Real town nearby].haveyouevermetany-onefrom[Real town nearby].Oddgroupofpeople.Canyoublamehim?

    CHEF KID.Iwasbornin[Real town nearby].grewupapoorfarmchild,raisingpolarbearsandcatfish.Iusedtohavetomilkthefisheverymorninginthecoldunforgivingpre-dawndarkness.ItwastheonlywayPacouldpayforMassurgery.

    DAD.Thatsnottrueisit?

    CHEF KID.No,noitsnot.Inevermilkedthefish.Iwontlietoyou.Ididntevengrowuponafarm.InrealityIlivedinasmallhousewith12brothersandelevensisters.Myparentsdidntevengivemearealname.Tothisdaytheyonlyrefertomeasnumber18.ThatswhyImheretoday.

    MOM.Thatshorrible!

    DAD.Thatsnottrueeither,isit?

    CHEF KID.youreright.Thatsnottrue.Icannottellalie.Inreality,Imjustapoorcheftryingtosellhiscookiestonicefolksandfindafamilythatloveshim.growingupinthecircusitsonlynaturaltowantasmallnuclearfamilytocallyourown.IfIeverhavetowalk

  • 14 Jimgarvey

    onanotherhorse,orswallowanotherbatchoffire,climboutofan-otherclowncaritwillbetoosoon.

    DAD.yourelyingagain.

    CHEF KID. alas, so is my curse. ever since that witch in thePhilippinescursedmeforsleepinginherwillowbed

    DAD.Stop.

    MOM.youdidntevenmakethosecookies!Didyou?

    CHEF KID.IthinkImjustgoingtogonow.

    DAD.Thatsprobablyagoodidea.

    (Scene.)

    Scene 4

    JULIE.Thankyouforcoming.

    BETH.Thankyouforhavingme.

    JULIE.Ourpleasure.youreverywelldressed.Isthatgucci?

    BETH.Myappearanceisveryimportanttome.

    JULIE.gladtohearthat.Tomeaswell

    BETH. (Cutting her off:)youvegota little,a little somethingrighthere,yeahonyourcheek.

    JULIE. (Rubbing at her cheek:)Isitlikefoodor?

    BETH.Oh. (Realizing:)Dontbother.Itwontcomeoff.Itsjustyourface.Mybadasyoukidssay.

    JULIE. lets just get into the questions, shall we? First question.whenitcomestopunishmentyou

    BETH. (Cutting her off:)yourhair.

    JULIE.Ohthanks!youlikeit?

    BETH.hasitalwaysbeenthatlength?

    JULIE.well,Imean

    BETH.Imbeingrude.

    JULIE.alittle.

    BETH.Illgetmoretothepoint.wouldyoubeopentomaybe,justalittle,slight,inconsequentialdoingitcompletelydifferently?

  • Im a Teenager Get Me Out of This Family 15

    JULIE.Idontknow.Ikindof

    BETH.wellIguessitispointlessunlesswegetyouafaceliftisntit?

    JULIE.afacelift?Imonly[Real age].

    BETH.andhowdoyou look inabathingsuit?wouldyoumindputtingoneonandcomingbackout?

    JULIE.yesIwouldmind.Ivehadjustaboutenough

    BETH.howabouttalents?youdontlooktalented,butImhopingthereissomethinghidden?Sing?Dance?Baton?Ihearbatonistheittalentthisseason.

    JULIE.whatareyougettingat?

    BETH.Ifwearegoingtosweepthepageantcircuitwearegoingtohavetogetcracking.Imeanletsbehonest,yourenotgettinganyyounger.

    JULIE.Imgoingtohavetoaskyoutoleave.

    BETH. Saying such thingswill notwin you any pointswith thejudges.

    (JOhNNIe has been laughing the entire time.)

    JOHNNIE.Thisisthemostamazingthingever.Ivebeensayingforyearsshesnotpretty.MyoldMomusedtogetmadatme.youregonnabegreat!

    BETH.you,ontheotherhand,willmakeabeautifulgirl.youhavetheperfectbonestructuretowinpageants.

    JOHNNIE.NeXT!

    (Scene.)

    Scene 5

    MOM.Soallen,whatbringsyououtlookingfornewparents?

    ALIEN. I am from theplanetwahollala. Ineedhuman family tolivewithsoIcanstudyyourpeople,learnyoureducation,siphonallyournaturalresourcesbacktowahollala,thenejectyourplanetfromthisuniverse.

    (MOM and DaD sit in silence. Then finally)

    DAD.atleastyourehonest.

  • 16 Jimgarvey

    MOM.honestysthebestpolicyIalwayssay.

    DAD.Itsthetruth.Thelastkidwehadinherewasatotalliar.

    (Scene.)

    Scene 6

    JULIE.andwhydoyouwanttobeourmother?

    POLITICIAN.Idont.

    JULIE.youdont?

    POLITICIAN.Notatall.

    JOHNNIE.Thenwhyareyouhere?

    POLITICIAN.Imupforre-election.

    ADVISOR.Familyequalsatwelve-pointbumpinthepoll.

    JOHNNIE.andyourecurrently

    ADVISOR.8pointsback.

    POLITICIAN. yes or noyou would or would not be open topretendingyouactuallycamefrommybody.

    JOHNNIE.wouldntpeoplecatchon?

    POLITICIAN.wetelleveryonethatyouvanishedfromthehospitalasbabies,wereraisedbygorillaswithoutknowingIexisteduntilIfoundyouandsavedyou.

    ADVISOR.loveit.

    JOHNNIE.IthinkthatsthemovieTarzan.

    POLITICIAN.OK.howaboutthisyouwereindeepdarksleepsinacastleandIrescuedyouwithmymotherlykiss.

    ADVISOR.Believable.

    JOHNNIE.KindofSleepingBeautymeetsthegraduatebutnotinagoodway.

    POLITICIAN.Oras babies you crawled into Santas sack andwereraisedattheNorthPolebelievingyouwereelves.

    ADVISOR.Ibuyit.

    JOHNNIE.elf.ThewillFerrellmovie.

    POLITICIAN.ThisisprovingtougherthanIthought.

  • Im a Teenager Get Me Out of This Family 17

    (POlITICIaN thinks for a beat or two before jumping with excitement.)

    POLITICIAN. Ive got it!My competitor convinced you that youwereresponsibleformydeath,soyouranaway,wereraisedbyawarthogandameerkatandnowIvefoundyou.

    ADVISOR.Thatcantbeamovie.

    POLITICIAN.Ithinkwevefigureditout!

    ADVISOR.high-fives.

    JOHNNIE.lionKing.

    (The next two lines should be read at the same time:)

    POLITICIAN.awww.Shucks.Thoughtwehadthatone.

    ADVISOR.Dangit.Shoot.

    JULIE. Itsbeenawhilesince thatmoviecameout.Maybenoonewillremember?

    (Scene.)

    Scene 7

    (MOM and DaD sit jaws dropped listening to SPOrTSKID talk a mile a minute.)

    SPORTS KID.Iwakeupat4andthenyou (Referencing DaD:)andIgoforan8-milejog,thenIhavehockeypracticeat5am,rowingat6:30,breakfastat8lotsofprotein,nocarbs,eggwhitesaregood,andgreensifitworkedforPopeyeitworksforme.9isdecathlonpractice, 10 oclock private lessonswithmy personal quarterbackcoach,11ampracticewithmypersonalbasketballcoach,12quicklunchpreferablyliquid,12:30boxing,1:30wehitthebattingcageslotsof energydrinks andenergybars, 3 oclockb-ballpractice, 5oclockfigureskating,6oclockspeedskating,7oclockhighcarblow protein dinner, 7:30 luge practice, 8:30 bobsled practice, 9:30bocce,10oclocklightsout.

    (MOM and DaD stare at SPOrTSKID in silence for a long beat before MOM finally speaks:)

    MOM.whataboutschool?

    SPORTS KID. home school. you read the books to me while Ipractice.

    MOM.Oh.

  • 18 Jimgarvey

    SPORTS KID.alright,nowTuesday.wakeupat 4 am, thenyou (Referencing DaD:)andIgofora12-milejog

    (Scene.)

    Scene 8

    (The woman sitting across from JOhNNIe and JUlIe is bawling her eyes out and she does so throughout the entire scene.)

    JULIE.whyareyoucrying?

    CRYING MOM.B-b-becauseIjustloveyoutwosomuch.

    JOHNNIE.Soyoucrybecauseyourehappy?

    CRYING MOM.Buttothink,youregrowingup.youregoingt-t-t-toleavemesoon.

    JULIE.andwhenyouresad?

    CRYING MOM.andifIcatcheitherofyoustealingalcoholfromthecupboard,ImgonnaImgonna

    JOHNNIE.andwhenyouremad?

    CRYING MOM.Butthatisntimportant.whatisimportantisthatweregoingtobeafamilysoon.arealhonesttogoodnessfamily.

    JULIE.andwhenyoureunrealisticallyoptimistic.Next!

    (Scene.)

    Scene 9

    RICH KID.Mom,Dad,pleasuretomeetyou.Imrich.

    MOM.Nicetomeetyourich.

    RICH KID.No,mynamesBrian.IwasonlynotingthatIamrich,asinindependentlywealthy.

    DAD.IlikewhatImhearing.

    RICH KID.andIlikewhatImseeingKevin.IsitOKthatIcallyouKevin?

    DAD.IfthisallworksoutIthinkwedprobablygowithDad.

    RICH KID.NowKevin,tellmehowarethingsatwork?economysbeentough.youbeenfeelingit?havingtroublekeepingyourheadabove water? Does it feel some days like you might be sinkingbeneathitall?

  • Im a Teenager Get Me Out of This Family 19

    MOM.NowBrian,weappreciatethatyoumighthavesomemoneyandbewelloffandall,butasparentswetakegreatjoyinprovidingforourchildren.wewouldneveraskyoutocontribute.

    RICH KID.wouldntdreamofitShirley.IsitOKifIcallyouShirley?

    MOM.wellifthisallworksoutIthinkwedprobablygowithMom.

    RICH KID.SurethingShirley,Iwouldneverwanttostepinasthemajorbreadwinnerinyourfamily.youhavesuchlittleself-respectandself-importanceleft,Iwouldntdreamoftakingthatawayfromyou.

    MOM.Thankyou.

    DAD.waitwhat?

    RICH KID.ButIdohaveaninvestmentopportunityforyouboth,sothatyoucanprovideandlivethelifeyougaveuponsomanyyearsago.

    DAD.werenotinterestedinanygetrichquickschemes,Brian.

    RICH KID.really? (Looks around.) Is that aplastic coveronyourcouch?wasthatVolvoIsawinthedrivewayfromthe90s?howsthegetrichlong-termschemeworkingoutforyou,Kevin?

    MOM.Nowyouwaitjustonesecond.

    DAD. (A 180-degree turn:)wheredoIsign?

    MOM.Kevin!youhaventevenheardtheinvestmentyet.

    DAD.OK,right,letshearit.

    RICH KID.Ivegotthisfriend,hegotmeandtwoofhisfriendstoinvestinthisproject,nowwereeachgettingthreeofourfriends,thenyoulleachgetthreeofyourfriends

    DAD.Brian,thatsapyramidscheme.

    RICH KID.Idontthinkso.

    DAD. (Pulls out a poster board and draws on it.)Oneguygotyouandtwoofyourfriends,andthenyoueacharegettingthreefriends,andtheyreeachgettingthreefriends.whatsthatlookliketoyou?

    RICH KID.Clouds?

    DAD.Itsapyramid!

    RICH KID.OK,OK,youdontlikethatone.Idigitbaby.Idigit.howaboutthis?youandIopenaquoteunquoteinvestmentfirm.wegetpeople to invest, send them fakemonthlybalance reports.If anyonewants outwe just pay them outwith the new peoplesinvestments?huh?huh?Canyadigit?howsthattasteonyourlips?

  • 20 Jimgarvey

    MOM.ThatsaPonzischemeBrian.

    RICH KID. alright, fine Securities and exchange Commission.Ididntknowyouweregoingtobesuchsticklers. Ihaveone lastopportunity.IrecentlygotanemailfromthisguyinNigeria.hesofferingtosendus10millioncash.he justneedsafewthousandandanamericanscreditcardandsocialsecuritynumbertoaccessthemoney.Iknowwhatyourethinkingbutitstotallylegit.hesaprince!

    DAD.goodbyeBrian.

    RICH KID.Itsallgood.Igetit.Nohardfeelings.Oh,butcouldIbychanceborrowoneofyourcreditcards?Igottapayforparking.Ileftmywalletinmyotherpants.

    (Momentary silence like MOM and DaD are about to tell him off, then at the same time)

    DAD.Sure.hereyago.IsVisaOK?OrdotheyonlytakeaMeX?

    MOM. Takemine. Justmail it backwhen youre done,OK?andkeepthereceipt!

    (Scene.)

    Scene 10

    BRUCE.ladiesandgentleman,childrenofallages,putyourhandstogetherforyournewwwwwparrrrrrrrrreeeeeents.Standing5-11,lookingfantasticinhistracksuitBrrrrrruce.

    Barelyaninchover5feet,youknowherasthewomanlookingsogoodinhertracksuititoughttobeacrime

    BETTY.Betty.

    BRUCE.B-to-the-etttttttttay.

    JULIE.Iliketheenthusiasm.Bravo.haveaseat.

    BRUCE.Notonthistracksuit,notonmywatch.

    JULIE. (Slightly confused:) Ok then, couple questions. Firstwhatmakesyouthinkyoudbegoodparentsforus?

    BRUCE.Twowords,twosyllablesTrack.Suits.

    JULIE.huh?

    JOHNNIE.Thatsoneword.

    BRUCE.really?

  • Im a Teenager Get Me Out of This Family 21

    JOHNNIE.Definitely.

    BRUCE. you sure? Sounds like two though, right? Track. Suits.Track.Suits.

    JOHNNIE.Definitelyone.

    BETTY.OK,whatever, here, so listen right, ok so like this is thethingright,youcouldchooseotherparents,sure,whatever,ok,butheresthethingwegottracksuits.

    (JOhNNIe and JUlIe look at each other simultaneously con-fused for a moment and then turn in unison with their confused looks focused on BrUCe and BeTTy.)

    BRUCE.youwannagoforawalkinthepark?

    BETTY.Tracksuits.

    BRUCE.Swimatthepool?

    BETTY.Tracksuits.

    BRUCE.Praisethelord?

    BETTY.Tracksuits.

    BRUCE.holiday.Family.Photo.Me.her.you.you.

    BETTY.SantaTracksuits.

    JOHNNIE.whatsthefascinationwithtracksuits?

    BRUCE. (Duh:)Theyretracksuits.

    JULIE.letmeputitanotherway.Isthereanythingyoulikeotherthantracksuits?

    (Long silence as BrUCe and BeTTy look at each other deep in thought.)

    BRUCE.Velourtracksuits.

    (Scene.)

    Scene 11

    DANCER.Thankyouforhavingme,Mr.andMrs.Foley.

    MOM.Ourpleasure.youresuchadelightfulyounglady.

    DANCER.Thatskindofyoutosay.likeIsaid,Iwakeuponmyown,domyhomeworkrightafterschool, Idomychoreswithoutbeingasked,Idontthinkagalshoulddateuntilshesincollege,Im

  • 22 Jimgarvey

    averyhealthyeater,verypolite,butwell, there isonethingyoushouldprobablyknow.

    MOM.andwhatsthatdear?

    DANCER.well,whatIreallywanttodoisdance.

    (DaNCers feet start tapping incessantly.)

    MOM.whatareyoudoing?

    (She jumps up on table and throws her body into dancing convul-sions. She is a terrible dancer. She continues to dance for the rest of the scene.)

    DANCER.Icantcontrolit.MylegsjusttakeoverandIjustneedtodance.letthemusictakecontrol.letthemusictakecontrol.letthemusictakecontrol.

    DAD.whatmusic?

    DANCER.Themusicinmymind.

    (Music starts playing.)

    DANCER.Canyouhearit?

    DAD.Oddly,yes.howdidyoudothat?

    DANCER.withmymind!

    MOM.andwhatdoyoucallthatmove?

    DANCER.Thedecapitatedcaterpillar.IknowImnotverygood.

    MOM. (Being kind:)Oh,Iwouldntsaythat.

    DAD.Iwould.

    DANCER.ButIloveit.Ijustloveit.Itslikebreathing.andIknowalltheclassics.

    MOM.likethefoxtrot,andthesalsa?

    DANCER. No. like the Chicken Dance, The electric Slide, thelimbo. (She proceeds to do a terrible version of each. On the Limbo she bends so far back she cant get up, but still her body continues to vibe to the music.)

    DANCER.alittlehelp?

    (MOM and DaD just look at each other confused.)

    DANCER.No?OK.Itsallgood.Imcool.Imstillgoing.

    (Scene.)

  • Im a Teenager Get Me Out of This Family 23

    Scene 12

    (JUlIe and JOhNNIe are looking up at the ceiling, listening to all the banging from the dancer. Finally JUlIe acknowledges DIaNe.)

    DIANE.lookatmewhenImtalkingtoyou!

    JOHNNIE.Itsjustthenoise.Itsoundslikesomeonesdancing

    JULIE.Ordying.

    DIANE.Donotmakemerepeatmyselfyounglady!

    JULIE.Sorry?Sotelluswhyshouldwechooseyoutobeourmother?

    DIANE.BecauseIsaidso!

    JULIE.youdontneedtoyell.

    DIANE.youwanttohearyelling?Illshowyouyelling.

    JOHNNIE.everyonerelax.weregonnagetthroughthis.Doyouwork?Doyouhaveajob?

    DIANE.Moneydoesntgrowontrees!

    JOHNNIE.areyouonlyspeaking inmomclichs? Is thatwhatshappeningrightnow?

    DIANE.IbroughtyouintothisworldIcantakeyououtofit!

    JULIE.Noyoudidnt.

    DIANE.youregrounded!

    JULIE.NoImnot.

    DIANE.gotoyourroom!

    JULIE.No.

    DIANE.Dontmakemespankyou!

    JOHNNIE.Pleaseleave.

    DIANE.Finishyourvegetablesornodessertmister!

    JOHNNIE.Imnoteatinganyvegetables.

    JULIE.leave.Now.

    DIANE. (Teary-eyed:)Oh,theygrowupsofast!

    (Scene.)

  • 24 Jimgarvey

    Scene 13

    CHEERLEADER.Beaggressive,B-eaggressive,B-e-a-g-g-r-e-S-S-I-V-e,aggressive,B-eaggressive!goteam!goTeam!woohooo!

    MOM.wellwasntthatinteresting.

    CHEERLEADER.Didyoulikeit?Didyoureallylikeit?yourenotjustsayingyoudidwhenyoudidntright?right?

    DAD.youdmakeaterrificspellingbeecontestant.

    CHEERLEADER.Doyouwanttohearanotherone?reboundThat

    MOM andDAD. (Cutting her off:)No!

    MOM. (Gathering herself:)Thatwontbenecessary,dear,thankyou.whydontyoutellusalittlebitaboutyourself?whatdoyouliketodoinyourfreetime?

    CHEERLEADER.whatdoyouwantmetoliketodoinmyfreetime?

    MOM.Comeagaindear?

    CHEERLEADER.Ohmygosh!youhatecheerleaders!

    (She rips her cheerleading costume off to reveal a glee club cos-tume. She blows a pitch pipe.)

    CHEERLEADER.ahhhh.

    MOM andDAD. (Cutting her off:)No!

    CHEERLEADER.whatswrong?youdontlikeacapella? (She pulls a guitar out of nowhere.)

    DAD.werejusttryingtofindoutmoreaboutyouasaperson.

    CHEERLEADER.wellImacheerleader,andImindramaclub,andchess club, andmodelunitednations, anddebate club, yearbook,gleeclub

    DAD.why?whatareyoutryingtoprove?

    CHEERLEADER.Nothing.Itsjusthaaaaavaaaaaadrequiresextra-curriculars.

    DAD.andgoingtoharvardisimportanttoyou?

    CHEERLEADER. Of course,Mom andDad toldme Iwas goingtherewhentheyenteredmeintotheFutureleadersOfTheworldPre-SchoolForespeciallygiftedChildrenwithreallyreallyreallyrichParents.

    MOM. Speaking of your parents, whats the deal?why are youlookingfornewparents?howdotheyfeelaboutthis?

  • In order to protect our associated authors against copyright infringement, we cannot currently present full electronic scripts. To purchase books with the full text, and to apply for performance rights, click ORDER or go back to:

    www.playscripts.com

    THIS PLAY IS NOT OVER!