Identity CrisisJudgment and the Hollow Legal

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    University of Wollongong

    Research Online

    Faculty of Law - Papers (Archive) Faculty of Law, Humanities and the Arts

    2007

    Identity Crisis: Judgment and the Hollow LegalSubject

    Richard MohrUniversity of Wollongong, [email protected]

    Research Online is the open access institutional repository for the

    University of Wollongong. For further information contact the UOW

    Library: [email protected]

    Publication Detailsis article was originally published as Mohr, R, Identity Crisis: Judgment and the Hollow Legal Subject, Law Text Culture, 11, 2007,106 - 128.

    http://ro.uow.edu.au/http://ro.uow.edu.au/lawpapershttp://ro.uow.edu.au/lhahttp://ro.uow.edu.au/http://ro.uow.edu.au/lhahttp://ro.uow.edu.au/lawpapershttp://ro.uow.edu.au/http://ro.uow.edu.au/http://ro.uow.edu.au/
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    Identity Crisis: Judgment and the Hollow Legal Subject

    Abstract

    modern legal subject. ere is something missing, a gap in the middle of that subjectivity, which clouds our

    judgment. is split had its origin in the Enlightenment, its rst eect being the separation of knowing fromdoing. Our experience of the world could only be mediated through self-conscious sense data and thought,

    without our being in direct contact with the satisfaction of our needs or the consequences of our actions. isnew conception of subjectivity has become an impediment to judgment, since spliing the actor from thespectator, and the judge from the life of the community, results in a denial of the capacity to interpret facts inthe light of experience.

    Disciplines

    Law

    Publication Details

    is article was originally published as Mohr, R, Identity Crisis: Judgment and the Hollow Legal Subject, LawText Culture, 11, 2007, 106 - 128.

    is journal article is available at Research Online:hp://ro.uow.edu.au/lawpapers/44

    http://ro.uow.edu.au/lawpapers/44http://ro.uow.edu.au/lawpapers/44
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    edited by

    Andrew T Kenyon and Peter D Rush

    Law Text Culture

    volume eleven

    Passages

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    This issue may be cited as

    (2007) 11 LTC

    ISSN 1332-9060

    Law Text Culture and contributors 2007

    Cover designed by Dawn Koester, Richard Mohr and Anthony Petre

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    Lienzo / The Shroud, 1999-2000

    Detail

    Courtesy of Teresa Margolles and

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    Production assistance provided by Dawn Koester

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    Law Text Culture incites a dialogue crossing disciplines, exciting, in each,

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    Politics: engaging the relationship of force and resistance.

    Aesthetics: eliciting the relationship of judgment and expression.

    Ethics: exploring the relationship of self and other.

    Law Text Culture is a trans-continental peer reviewed journal. It invites

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    For information on submission of manuscripts,

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    Identity crisis:

    Judgment and the hollow legal subject

    Richard Mohr

    A modern malaise

    In this article I will be suggesting that there is a problem with the

    modern legal subject. There is something missing, a gap in the middle

    of that subjectivity, which clouds our judgment. This split had its origin

    in the Enlightenment, its first effect being the separation of knowing

    from doing. Our experience of the world could only be mediated

    through self-conscious sense data and thought, without our being in

    direct contact with the satisfaction of our needs or the consequences of

    our actions. This new conception of subjectivity has become an

    impediment to judgment, since splitting the actor from the spectator,

    and the judge from the life of the community, results in a denial of the

    capacity to interpret facts in the light of experience.

    These broad claims are in urgent need of illustration; justification

    will take a little longer. Let me begin by illustrating my concerns with

    a well known contemporary instance. This is an account of a discussion

    between a journalist, Ron Suskind, and a White House aide, presumed

    by Walker to have been Karl Rove.

    The aide said that guys like me were in what we call the reality-based

    community, which he defined as people who believe that solutions emerge

    from your judicious study of discernible reality. I nodded and murmured

    something about enlightenment principles and empiricism. He cut me off.

    Thats not the way the world works anymore, he continued. Were an

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    Identity crisis: judgment and the hollow legal subject

    empire now and when we act we create our own reality. And while youre

    studying that reality judiciously as you will well act again, creating

    other new realities, which you can study too, and thats how things will

    sort out. Were historys actors and you, all of you, will be left to just study

    what we do (Suskind in Walker 2006).

    The context of this exchange, the White House under George W.

    Bush, flags the themes of responsibility for actions and allocation of

    liability or blame. These were illustrated by aNew Yorker cover at the

    time of the 2006 Congressional elections which highlighted the carnage

    in Iraq, showing Bush in a ruined antique shop, broken china

    everywhere, protesting his blamelessness to an appalled proprietor. In

    Suskinds account, the aide has split action off from a prior

    understanding of reality to promote a triumphalist decisionism. One

    can study reality judiciously, the aide says, whereas action takes place

    ahead of judgment. I am also intrigued by Suskinds own murmurings

    about enlightenment principles. Is this really an account of enlightened

    empiricism versus a post-enlightenment imperial will-to-power? I will

    show that this split between actors and spectators, doers and knowers,

    has deep roots in modern soil which can be traced to origins in the

    Enlightenment. Earlier conceptions of judgment, which involved thecapacity to act wisely, were overtaken by notions of taste and

    discernment: to judge was to pass judgment upon some external reality.

    This introduced a split which fundamentally compromises our capacity

    to gauge the wisdom of our actions in the light of desire, context and

    experience. Investigating the roots of this problem entails a critique of

    the conception of the legal subject.

    Yes, the journalists, commentators and academics can make

    disinterested empirical studies, but what is to guide our judgment and

    our actions in a complex political or ethical environment? The same

    White House administration, represented by Colin Powell at the United

    Nations Security Council on 5 February 2003, used an unmediatedempiricism as the basis of its argument for the invasion of Iraq: My

    colleagues, every statement I make today is backed up by sources,

    solid sources. These are not assertions. What we are giving you are

    facts and conclusions based on solid intelligence (Powell in Latour

    2005: 18).1

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    Latour highlights Powells denigration of argument in the face of

    the undisputable power of facts, presumed to speak for themselves.

    To find an alternative to this worn out clich, Latour (2005: 19) looks

    to Aristotles rhetoric and its proofs appropriate to things contingent

    and uncertain such as human actions and their consequences (Aristotle

    1960: 5).

    We will need to dig down to this ancient layer in the archeology of

    knowledge, but not just yet. First it is necessary to address the terms ofthis inquiry into the legal subject, whose responsibilities are more

    relevant to everyday life than are those of the White House. Each of

    us, president or citizen, must have ways of working out the right course

    of action. The question underlying this inquiry is: How can the legal

    subject decide the right way to act and to face responsibilities? That

    cannot be done by neglecting either experience or persuasive argument,

    yet these are the elements missing from each of the above contemporary

    examples. In this article I hope to identify the shortcomings of a legal

    subject cut off from sound judgment, to explore the origins of this gap,

    and to try to grasp some alternative conceptions which could reunite

    knowing and doing, responsibility and action, experience and judgment.

    The legal subject

    The very notion of the legal subject presents some difficulties which

    must be excavated before moving on to a wider analysis. I address this

    problem by inquiring, first, into some narrow conceptions of the legal

    subject as a pure creature of law. Then, through an analysis of the

    nature of subjectivity and the subject more broadly, I will show that

    the very notion of the subject derives from legal conceptions of our

    domination by authority. That notion of the subject was overtaken, in

    Enlightenment thought, by a conception of the thinking subject, the

    ego cogito. I draw on Agambens (2001) critique of this subject detachedfrom experience to rediscover a thick notion of subjectivity, further

    elaborated in recent work by Ricoeur (2004) which attributes

    responsibility and recognition to subjects.

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    Legal subjects appearing in the thin world of modern jurisprudence

    can be dismissed as unreal fictions, artificial semantic products ... of

    classical jurisprudence (Teubner 1989: 743). In a similar vein Goodrich

    (1986: 222-3) sees the legal subject as having only one biography,

    determined by a series of definitive moments. To this specifically legal

    and one-dimensional subject, he contrasts the subject of modernity

    whose multifaceted subjectivity is interwoven with history, whose

    individuality is always involved with collectivity. By using the term

    legal subject in a sense related to the fictitious concept of the person2,

    Kelsen (1967: 168) ties it to the artificial nature of a legal fiction which

    can as easily apply to a corporation as to a man (if less certainly to a

    woman, according to a contemporary Australian legal dictionary3).

    I propose a broader view of the legal subject, not least because the

    very notion of legal subjectivity is deeply bound up with our notions

    of responsibility and judgment, as will be seen more clearly below.

    Kerruish (1996: 96) helps us along this path by identifying the active

    element in subjectivity, if not specifically legal subjectivity, as a

    corrective to the bare abstraction of the legal person from the living

    being, interchangeable with any other legal person, lacking individuality

    or will. While we may note that Kerruishs legal person echoes

    Goodrichs determinate legal subject, she reserves the word subject

    itself for a more active role.

    In the modern usage of the term subject, which Williams traces to

    classical German philosophy, the subject, far from being cast under

    the domination of a sovereign (in the root sense of the word), takes on

    the properties of the subject of the verb, the acting I. This shift in

    meaning from subordination to self-initiated action is at the heart of

    the profound difficulty Williams finds in the term (Williams 1983:

    308-12).

    Another way of analysing the legal subject is by asking what the

    legal adds to, or subtracts from the subject itself. Let us begin by

    accepting that the subject, deriving from the notion of subjection, can

    also be understood in modernity as a self activating and self conscious

    being. Such a subject has a capacity for self actualisation which may

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    be inhibited or enhanced by the law. Kelsen notes the laws ability to

    set a limit to any self determination by limiting the rights the subject

    can claim, even in civil (private) law, through the regulation of property

    and the limits to contractual freedom (Kelsen 1967: 170-1). Benjamin

    (1986: 283) also identified the limiting effect of law, noting the

    tendency of modern law to divest the individual, at least as a legal

    subject, of all violence, even that directed only to natural ends. Because

    law is founded or preserved through violence, the state resists the

    capacity of the legal subjects to wage war or go on strike. In

    recognising this capacity of the legal subject not just to resist the law

    but even to found new law through insurrection or revolution,

    Benjamin (1986: 284ff) places huge (proto-)legal power in the hands

    of the subject, whose legal limitations are then mediated by forces within

    and beyond the power of the state.

    Ricoeur offers a more positive assessment of the capacity of the

    legal subject: indeed, the invention of the legal subject ... imports the

    idea of mutual recognition into our conceptual history (Ricoeur 2004:

    270). I will travel further down the path of recognition with Ricoeur4

    later in this article, but for now I simply note that his legal subject is

    the one who is responsible for actions, to whom blame or praise may

    be allocated, who may be held to account, through punishment or

    liability(Ricoeur 2004: 173-4). Far from being a passive subject of

    legal domination, or a mere legal fiction, here we find a legal subject

    upon which can be built our very conceptions of recognition and

    responsibility.

    To sum up my understanding of the legal subject, then, let me clarify

    the stretched and sometimes antagonistic meanings of these words.

    The subject was originally cast under the domination of an authority,

    from which it was but a short step to being under the authority of law.

    As the notion of the subject and subjectivity took on new meanings in

    opposition to objects, so to be a subject was to be an active, thinkingagent. Yet the concept of the legal subject survived from earlier notions

    of subjection, even as it took on new capacities as the one responsible

    for actions. Subjectivity may now be seen as an active principle that

    can be limited by law and at the same time held accountable for those

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    actions which may be imputed to it. This conception brings with it a

    far deeper conception of what it is to be a legal subject than the thin

    definition that confines itself to jurisprudence. I accept, and will

    elucidate, Ricoeurs contention that legal concepts including the legal

    subject flowed into modern practices of knowledge5 in the notion of

    recognition.

    The new subject of the Enlightenment

    The shift from the old legal subject to the subject of modernity took

    place from the 17th to the 18th century. The invention of modern

    subjectivity can be seen to bring with it a new self-consciousness side

    by side with a limitation of our responsibility for actions. This is a

    limitation imported from the new conception of the thinking subject. It

    can be traced in the passage of western philosophy from Descartes to

    Kant, whereby the self-conscious subject, the ego cogito, became split

    off from its physical self. This was announced by Descartes separation

    of esprit from res extensa, of the mind as subject from the body as a

    thing that simply took up space like other objects. I referred at the

    outset to the broader implications which flowed from this split, limitingthe capacity for judgment, responsibility and experience. In following

    sections I will deal with these topics in turn, considering their expression

    by Kant, their implications for the legal subject, and a critique which

    seeks a new foundation for legal identity.

    I have referred in passing to practices of knowledge: constellations

    or patterns of thinking and acting which are maintained by disciplines,

    institutions and the habitus of our daily lives. These patterns may be

    found in numerous cultural manifestations, the most stable and easily

    cited including philosophy, law and literature. While philosophy

    elaborates a tradition of thought, and is the form in which we may

    most easily discuss or dispute such matters, literature (like art in general)can operate as a vanguard, outlining new directions whose form may

    only later be analysed in more detail. Those outlines, sketchy and

    evocative as they are, speak to us in a different way from the formalised

    and consistent structures of the philosophers. Law offers an insight

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    into some of the deep structures connecting thought and action. It has

    coexisted with and perhaps outlived religion as a formalised unifying

    component of our ethical and practical social life.

    The method I follow here, then, tacks between literary, philosophical

    and legal analysis. My first illustration drew on accounts of public life

    in the White House in the early 21st century. I now propose a literary

    illustration, dating from four centuries earlier, which precedes the

    philosophical elaboration of the problem.

    Consciousness and experience in Don Quixote

    Don Quixote, the old subject of consciousness, was enchanted and can

    only make (fare) experience without ever having it. By his side, Sancho

    Panza is the old subject of experience, who can have experience without

    ever doing it (senza mai farla) (Agamben 2001: 18).

    These few tantalising lines from Agamben identify the split between

    experience and consciousness which appear in the first modern work

    of literature (Foucault 1994: 48), introducing the Baroques break with

    all previous systems of representation. These two literary charactersfrom the dawn of modernity prefigure the new trope of the subject

    split off from experience, of receptivity and spontaneity those two

    sources of human knowledge, originally differentiated in philosophy

    by Kant (Ricoeur 2004: 96). Publishing the first book ofDon Quixote

    in 1605, Cervantes preceded by a generation Descartes cogito ergo

    sum and Gracins identification of taste as the foundation of judgment.

    I will elaborate on these elements after taking a short ride with Don

    Quixote and Sancho Panza.

    Don Quixote gains all his understanding of the world through

    reading romances about knights and chivalry, to the extent that his

    brain is addled, his judgment gone.6 He is so bedazzled by these stories

    that he barely feels the pain of his beatings and he lives his life according

    to the laws of chivalry. Bereft of needs or wants, he adopts Dulcinea as

    his lady without ever seriously desiring her. He judges with no

    knowledge of circumstances or of consequences. Having heard the

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    cries of the servant Andrs who is being beaten by his master in the

    wood, Don Quixote concludes that they belong to some gentleman or

    lady in need who requires my assistance and help, and thanks heaven

    for giving him the opportunity to fulfil his calling as a knight. Don

    Quixote orders the man to stop beating Andrs, and pay him all the

    servant says he owes him. Believing that this decision will be respected,

    merely because he has uttered it, Don Quixote leaves the two. We are

    not surprised to discover later in the story that Andrs was beaten even

    more severely as a result of Don Quixotes intervention (Cervantes

    2003b: 35-7, 264-5). Quixote typifies pure agency which is incapable

    of learning from experience. In reply to Don Quixote saying, of one of

    their misadventures, let it be a lesson for the future, Sancho replies,

    Your grace will learn the lesson ... the same way Im a Turk (Cervantes

    2003b: 173).

    The squire Sancho, on the other hand, feels pain without reflecting

    on the injustice: it doesnt hurt at all to think about whether the beating

    they gave me was an offence or not, unlike the pain of the beating ...

    (Cervantes 2003b: 107). Later, after another beating, Don Quixote again

    muses on the causes of Sanchos pain.

    The cause of this pain no doubt must be ... that since the staff they used to

    beat you was long and tall, it hit the length of your back, which is where

    the parts that pain you are located; if it had hit more of you, more of you

    would be in pain.

    By God, said Sancho, your grace has cleared up a great doubt, and said

    it so nicely, too! Lord save us! Was the cause of my pain so hidden that you

    had to tell me I hurt where the staff hit me? If my ankles hurt, there might

    be a reason to try and guess why, but guessing that I hurt where I was

    beaten isnt much of a guess (Cervantes 2003b: 643).

    Sancho differs from Don Quixote in desiring food and other material

    things like money. Over a huge rabbit pie and an excellent wine, Sanchoand the squire of another knight7 marvel at the rules and knightly

    laws and opinions of their masters, which confine them to eating

    hazelnuts, dried fruits, thistles and roots.8

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    Sancho is no fool when it comes to judgment. His capacities are

    illustrated in several passages, the first in the context I have just

    mentioned, eating pie and drinking wine.9 Sanchos tastes are gluttonous

    but certain: discerning that the wine the other squire provided comes

    from Ciudad Real, he reacts to the others Bravo! What a winetaster!

    with this explanation:

    You cant fool me! ... You shouldnt think it was beyond me to know about

    this wine. Does it surprise you, Seor Squire, that I have so great andnatural an instinct for knowing wines that if I just smell one I know where

    it comes from, its lineage, its taste, its age, and how it will change, and

    everything else that has anything to do with it? But its no wonder, because

    in my family, on my fathers side, were the two best winetasters that La

    Mancha had in many years ... (Cervantes 2003b: 537).

    His judgment of the wine is as incontrovertible in its certainty and

    its corporeality as it is irrational.

    These vignettes fromDon Quixote introduce the gaps that I want to

    explore in the modern legal subject. Don Quixote judges on the basis

    of the romances and fables contained in his books. Reality must conform

    to his preconceptions, so that things appearing as they are and not ashe imagines them can only be enchanted. Bodily experience is a trigger

    for reflection rather than a source of pleasure, pain or satisfaction.

    Because he is unable to relate his experiences to his thoughts, or his

    judgments to their consequences, his ineptitude is unchecked and his

    actions reckless. Sancho, Agambens old subject of experience, knows

    things in their visceral immediacy. Totally lacking self-consciousness,

    he sees no point in reflection, but is in tune with his pain, his desires

    and their objects.

    Judgment

    The diverse subjects of Don Quixote and Sancho approach judgment

    in two entirely different senses in the above discussion. Don Quixote

    judges the dispute between Andrs and his master by reference to his

    own preconceptions of knightly virtue, rather than by the relevant

    events. He perceives Andrs as a gentleman rather than a servant, and

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    his master as a knight. All the notions he applies come from his

    romances, the books which his friends subsequently have walled up in

    his library to avoid any further damage. Judgment in this sense is derived

    from abstract and elaborate systems and may be called a priori

    judgment, since it is applied without regard to consequences any more

    than to circumstances.

    At the other extreme is Sanchos judgment of the wine, which is

    entirely free of any reflection or preconception. It is visceral andcorporeal, following immediately on Sanchos ingestion of the wine.

    This may appear to be judgment of an odd sort, since it is based purely

    on taste, in the narrow sense. In todays world we might associate such

    judgment with wine tastings and the prizes and consumer tips associated

    with them. Yet taste itself formed the basis of a long tradition of

    theorising about judgment, which began with Gracin (1601-58),

    another Spanish writer of the early 17th century (Gadamer 1989: 35).

    At the basis of this conception of judgment was the idea of

    discrimination, of separating what pleases from what disgusts, the

    beautiful from the ugly.

    The two approaches to judgment, of Don Quixote and Sancho, are

    so different that they seem to be entirely diverse activities. One seeks

    to apply some abstract principles to a situation that is beyond

    comprehension by the senses, the other responds with pleasure and

    discrimination to an immediate sensation. One is directed to righting

    wrongs and flows from an idealistic calling and desire for the good

    (mis buenos deseos 55), while the other satisfies appetites and elicits

    vulgar oaths in its appreciation.10 Yet these two activities came to be

    called by the same name, and their two strands were elaborated into

    theories of judgment, most famously by Kant.

    That such diverse actions can be brought together requires some

    analysis. Taking the reductive path typical of the Enlightenment, Kant

    built his theory of judgment in general on the immediacy of judgments

    of pleasure and displeasure. The difficulty of this position is that

    personal perceptions of taste may not be universal or communicable.

    Such immediate reactions are essentially indisputable, so that if I dont

    like oysters it will not be possible for an oyster lover to convince me

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    how good they are. There is, for Kant, no language for a communal

    debate over matters of personal taste.

    Kants reductive individualism led him to overlook an older notion

    of the relation of taste to ethics. Gracin, no doubt familiar with Don

    Quixote, had revived the idea that taste should be cultivated and

    educated within a humanist tradition owing much to Greek philosophy.

    Based in Aristotles practical reason of appetites and desires (to which

    I return below), Greek ethics ... is in a profound and comprehensivesense an ethics of good taste (Gadamer 1989: 40). This lends itself to

    development as we mature and learn wisdom. Here again we find

    Sancho to be the old subject of experience, with his innate and

    inherited sense of taste. His unself-conscious judgment is not tainted

    by that reflexive consciousness of modernity which, by the time of

    Kant was established at the heart of judgment. After Kant, judgment is

    based in transcendent justification of universal aesthetics no less than

    of reason.

    Kant saw the need for universal agreement in judgment so that,

    The judgment of taste requires the agreement of everyone, and he

    who describes anything as beautiful claims that everyone ought to give

    his approval to the object in question and also describe it as beautiful

    (Kant 1951: 19). Kant recognises the difficulty presented by various

    assessments in matters of taste and he later notes that we make claims

    for universality of judgment just as if it were objective (Kant 1951:

    32). He attempts to overcome the gap between the individuality of

    taste and the universality required of judgment by introducing the notion

    of taste as a kind of common sense, a sensus communis (40). He

    builds up the commonality of this sense by means of a set of theoretical

    propositions or rules for thinking. Two of these formal rules are entirely

    individualistic: to think for oneself, and always to think consistently.

    It is only through the principle of enlarged thought, to put ourselves

    in thought in the place of everyone else (40), that we can move outsidethe confines of our individual and personal tastes and thought processes.

    Yet even this movement towards a community or social collectivity is

    to be achieved formally and by working outwards from the mind of the

    judging individual.

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    This theoretical and formal means of working from the immediacy

    of perception and thought to the universality of a common sense makes

    a complete break with an older Roman tradition of the sensus communis

    compatible with the socialising and educative role of Aristotelian ethics

    (Gadamer 1989: 33). For Kant, deprived of any social conception of

    habits or categories of thought,11 judgment must work upwards from

    our immediate perceptions to find a common principle or rule under

    which it can be placed. For judgment to be determinant in Kants terms,

    one must give priority to the objectivity of the original experience and

    then one seeks the appropriate rule under which to place the singular

    experience (Ricoeur 2000: 95).

    That which Cervantes parodied as the enchantment of outdated

    romances ushers in the modern era of the thinking subject, the ego

    cogito, the esprit split off from the res extensa, the mind from the body

    (Agamben 2001, Descartes 1965). Kant systematised the ethics and

    epistemology inherent in this world view in his three critiques, of

    pure reason, of practical reason, and of judgment. Kants conception

    of practical reason recalls Don Quixote, lost in books, applying universal

    laws supersensuous and in abstracto to a sensuous world that

    swirls around him. The world of action is only empirical and can only

    belong to experience (Kant quoted Benhabib 1996: 187). 12 It is

    Sanchos world, or the world of Andrs beaten by his master. Benhabib

    points out that this lands human actions in the same empirical world as

    natural events, thus depriving us of an opportunity to understand them

    with reference to reasons (Benhabib 1996: 188).

    Here we have taken a leap from the personal immediacy of Sanchos

    experience and sense of taste to the abstract rules of Don Quixote. For

    rational disputation and determination, we must have a theoretical

    and practical use of reason (Gadamer 1989: 40), yet to make a judgment

    we must have the immediate experience of taste. Kant elevated the

    axiom of non-contradiction to the status of his highest ethical principle,while we step outside ourselves and our own thought processes only in

    order to place ourselves in the position of others. This suggests to Arendt

    that Kants general (or enlarged) standpoint was merely the standpoint

    of the spectator, in which she sees a basis for the seeming contradiction

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    between his almost boundless admiration for the French Revolution

    and his equally boundless opposition to any revolutionary undertaking

    on the part of the French citizens (Arendt 1982: 44).

    Kant elaborated the distinction between the engaged actor and the

    judging spectator (Arendt 1982: 48) by reference to aesthetic judgment

    in distinguishing between the taste of the judge and the genius of the

    artist. The latter produces art, just as the revolutionary acts on the

    political stage. The former judges the acts of the latter, finding thempleasing or displeasing but, having taste rather than genius, the judge

    as spectator can never act. This brings us back to the ethic of the Bush

    White House, where actors create a reality that can only be observed

    judiciously as you will by commentators, journalists or citizens.

    I hope by now I have succeeded in showing the links between the

    Enlightenment critique of judgment found in its highest form in Kant

    and the ethic of the White House aide, assumed by Suskind to oppose

    enlightenment principles and empiricism. The difficulty for Suskind

    is that while he may have found an adequate basis for empirical

    judgment of truth in the Enlightenment, the nexus between perception

    and action is too readily reduced to the contradiction between taste and

    genius, the spectator and the actor. He has not found a basis for judging

    actions within the political sphere. Worse still, when triumphal

    imperialism sets itself above the need to judge the prudence, morality

    or even the legality of its actions, and acts merely to create a new reality,

    that reality itself becomes a terrifying space dominated by the will to

    power.

    Responsibility for actions

    The legal subject must be capable of acting and of judging actions,

    must be prudent for the future and responsible for the past. She or he

    must have experience and must learn from it. That must be experience

    that takes account of the way the world is, not, like Don Quixotes,

    dismissing as enchanted anything that does not jibe with the romances

    of the opinions, laws and orders we found in books, nor, like that of the

    White House, turning its back on the circumstances in which it finds

    itself in order to create its own reality.

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    Nor does Sancho provide an alternative model for a legal subject.

    However satisfying his judgment may be to the appetites, he does not

    (unlike Don Quixote) have projects. He cannot decide how to act in

    order to achieve any particular outcome, because he simply reacts to

    those stimuli that are presented to him. As Agamben noted, he has

    experiences without ever doing (or making) them. As the old subject

    of experience, Sancho represents a way of being in the world that is

    about to be superseded by the reflective, self-conscious subject of

    modernity. That subject, as seen in Kant, is well suited to judging events

    as a spectator but, being split between judgment and action, theoretical

    and practical consciousness, it is lacking a sense of responsibility.

    Having identified responsibility as a crucial element to be

    rediscovered for modernity, Ricoeur looks back to the ancient Greek

    epics and tragedies in search of a recognition of self as a recognition

    of responsibility which predates the modern reflexive consciousness

    of self involved in this recognition (Ricoeur 2004: 149).

    The Greek heroes may lack the modern self-consciousness of

    reflection, yet they are recognised by their actions in numerous

    narratives of ethics, revenge and providence. Actions, motivations and

    justice are seen in ideas of responsibility for acts which are respected

    and admired. The acting and suffering man recognises that he is capable

    of certain accomplishments (Ricoeur 2004: 122). We may have trouble

    determining whether Oedipus was fully conscious of his actions: did

    he do them wilfully or was he acting out a plan of the gods? It is

    enough, concludes Ricoeur of Oedipus, that this message remains: it

    is the same man suffering who we recognise acting (Ricoeur 2004:

    135).

    Aristotle described this responsibility for the ethical decision as

    being at the basis of the human capacity to develop from bare life,

    which we share with animals, to the good life, lived in the polis. This is

    not a life lived in the mind: the happy man lives and fares [or acts]

    well; because what we have described is virtually a kind of good life or

    prosperity (Aristotle 1976: I viii, 78). We make these decisions using

    the sort of practical reasoning that Aristotle called phronesis or

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    prudence. Aristotles practical reasoning flows from desire and intention.

    It is wise to satisfy our appetites, but this wisdom comes from

    knowledge, and tempers the incontinence that may lead us to eat too

    much unhealthy food (Anscombe 1963: 33; Tredennick 1976). As

    McDowell (1996: 109) puts it, in Aristotles conception of human

    beings, rationality is integrally part of their animal nature. Just as

    recognition looks outward from the body to understand others in their

    physicality as well as their responsibilities, so also we reason in a body

    which has desires, needs and appetites.

    Experience and the body

    The importance of the body and the continuity of identity are the

    foundation of a profound sense of responsibility in Greek epics. Whether

    they are punished by men or by the Gods, whether or not they were

    fully aware of their transgressions, the heroes of these stories act and

    then face the consequences of those actions. The link between

    responsibility and physical identity is well illustrated in Homers telling

    of Odysseuss homecoming.

    Odysseus returns to his home in Ithaca disguised as an old beggar.

    The disguise is very effective, as one would expect since it was the

    work of the goddess Athene. Neither his son nor his wife, Penelope,

    nor any of the suitors of Penelope who have taken over his house,

    recognise him. The first to recognise Odysseus is his old dog, Argos,

    who, having seen his master again after nearly 20 years, suddenly dies

    (Homer 1980: XVII 209). The next to recognise Odysseus is the old

    woman Eurycleia who had nursed him as a child, who knows him by a

    scar on his thigh (XIX 239). The climax of the story follows rapidly:

    Odysseus takes vengeance on the suitors, slaughtering them in the

    dining hall. When he is revealed as Odysseus and reunited with the

    household, a tender longing came upon him to sob and weep, becausehe knew all of them once more, knew them from the heart (XXII 276).

    The centrality of the body is crucial to each of these events: Athene

    changes the bodily appearance of Odysseus; Argos recognises him in

    some sensual, doggy way; Eurycleia knows him by an old scar on his

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    body; the bloody slaughter, while it has a deep moral resonance, is

    enacted in physical struggle; and it is Odysseuss heart which is touched

    at the recognition of his household. When Homer recounts Eurycleias

    recognition of Odysseus there is a long digression into the events and

    actions which led to his wounding in a hunting accident (XIX 237-8).

    Experiences leave their marks like the scar of Odysseus. The body

    takes its central place in the narrative as the subject of identity and the

    predicate of experience.

    What was hollowed out from Don Quixote, as from the Kantian

    subject, was the capacity to have experience. It is missing because, if

    we only think inside our consciousness, we are sceptical about the

    knowability of the world we live in. Deprived of a social and empathetic

    understanding of other people, and split off from the consequences of

    our actions, the representations of things are privileged over their

    external in-itself reality, since in that interior monologue we think with

    representations rather than thinking real, material things.

    Phenomenology was to show that our mode of representation of

    the object derives from the various horizons of our own intentionality,

    announced as the ruin of representation (Lvinas 1959: 115, 117).13

    Despite the sense of loss conveyed by this phrase, the rediscovery of

    intentionality and of desire suggests to me more hope than despair.

    This is particularly so in regard to law and the legal subject. The legal

    subject who reunites agency with experience acts in a world which is

    responsive, in which actions are rewarded or frustrated by other people

    and by material objects. The theatre of our action is no longer a shadow-

    play on the walls of a cave, but one lived out in a world of material

    things and shared attention.14

    We cannot go backward to an age of unself-conscious innocence,

    whether that of Sancho Panza or of Aristotle.15 But in following the

    thread of Sanchos appetites or Aristotles desire we are led back to a

    world that feeds us, frustrates us or satisfies us. Aristotles is not a

    world of pure representations nor one of private and selfish greed, but

    a shared social world that does not separate virtue from pleasure. He

    illustrates this point by quoting an inscription from the entrance to a

    temple:

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    Justice is loveliest, and health is best,

    But sweetest to obtain is hearts desire (Aristotle 1976: I viii 79).

    McDowell takes up the challenge to found a new subjectivity on

    the acceptance of the immediacy of our animal nature, together with

    that Aristotelian development of ethical responsibility calledBildung

    in German. McDowell sketches out this subjectivity:

    An experiencing and acting subject is a living thing, with active and passive

    bodily powers that are genuinely her own; she is herself embodied,

    substantially present in the world that she experiences and acts on. This is

    a framework for reflection that really stands a chance of making traditional

    philosophy obsolete (McDowell 1996: 111).

    More than a framework for mere reflection, it is also a framework

    for action and responsibility, for experience and judgment. As such it

    may also make the traditional legal subject obsolete. I conclude by

    considering one or two practical implications that may flow from such

    a revised conception of the legal subject.

    Identity and interpretation

    The legal subject, as established at the outset, derives from our

    subjection to the authority of law. The Enlightenment and classical

    German philosophy brought a new, active sense to the subject. Now

    the subject is set against objects; it is the I which postulates itself as

    the subject of the verb. Yet this discovery was made from inside the

    reductive consciousness of the I think (therefore I am), which

    brought with it a separation from the social and the material world.

    The subject was liberated from daily dealings with authority at the

    expense of its integration with action, responsibility and judgment. As

    Agamben (2001: 26) puts it, the thinking I (io penso) was cut off from

    the empirical I (io empirico), the subject of consciousness split from

    the subject of experience.

    While conceptions of the legal subject may retreat into legal fictions

    and jurisprudential niceties, I have drawn here on a tradition which

    reconfirms the responsibility of the subject within a legal context.

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    Benjamin (1986: 300), that old horseman of the Apocalypse, approached

    this by postulating a legal subject capable not only of conforming to

    the law but even, under revolutionary conditions, of founding new law.

    Ricoeur recovers a subject who interacts with a social and material

    world, and not only with representations of it. By going beyond

    recognition of the object represented, Ricoeur opens the possibility

    of self-recognition. This reintroduces the subjects responsibility for

    acting, and so places the body at the centre of agency and of identity.

    I explore the practical consequences of this identity of the legal

    subject first, before turning to the implications of its capacity to learn

    from experience which flows from the corporeal responsibility for

    action.

    The legal subject must be identified in order to attribute blame,

    responsibility or rights to particular people. While the Roman persona

    could be exchanged depending on the role of the subject, like the

    theatrical mask from which the term derives, the responsible subject

    must have continuity over time. Whoever signed the contract or wielded

    the knife then must be the same one who is held accountable now.

    Legal administration guarantees that continuity through physical

    records, like identity cards, which collect data such as height or date of

    birth, as well as physical traces such as signatures16 and fingerprints.

    These partial records seek to capture certain physical characteristics of

    the subject. They return us to the other side of the split between

    consciousness and the body, esprit and res extensa. Physical

    identification relies on characteristics selected so as not to change over

    time, like Odysseuss scar. To the extent that they are attributable to a

    unique individual they capture one persons characteristics. When they

    are also used to allocate individuals to groups or to presumably exclusive

    categories, they essentialise identity as a blurred realm between the

    physical and the social: male or female; black, white or Hispanic (to

    use US categories); of Middle Eastern appearance (to use a descriptorpopular with the New South Wales police). These categories are derived

    from the politics of sex or race in specific communities, so the salient

    categories cease to be unique identifiers, instead grouping people

    forensically, into categories of suspects.

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    While the scar may be a useful identifying feature, the vulnerability

    of the body to changes wrought by violence or by more slow-acting

    ravages of time limits its identifiability over long periods. With the

    passage of time we change physically and personally while we continue

    to act and experience life. Time and experience leave their marks on

    our bodies, to be sure, but they also impact on our identity in a deeper

    sense. In rediscovering a legal subject who integrates the mental and

    the physical, the social and the material, we recognise the capacity for

    change over time. Identity ceases to be a definitive category and we

    are forced to recognise that todays self is not identical to yesterdays.

    The key difference between the legal subject split between agency

    and experience and this new legal subject is in the expanded possibility

    of interpretation. We learn the consequences of our own actions and

    the meaning of other peoples through experience. The legal subject of

    modernity must be capable of interpreting universal rules: in this sense,

    interpretation means interpreting the law. This one sided interpretation

    neglects the hermeneutics of the experience of living. This is evidenced

    in the denial of the experience of the judge, which legitimises only the

    interpretations which flow from the invisible life, the disembodied

    judge. Judges whose lives and hence experiences give them access to

    alternative interpretations are denigrated and investigated, as in the

    case of the Indigenous NSW Magistrate Pat OShane (Sydney Morning

    Herald18 January 2007; Khalilizadeh 2007), or overturned on appeal,

    as in the Canadian case ofR v S (R D) in which the first instance judge

    from a minority group understood the evidence of underprivileged

    young people in their own terms, giving it credence denied by the police.

    Those judges are seen to be embodied in a way that the majority are

    not (Nedelsky 1997).

    The legal subject I imagine is the embodied legal subject, black

    andwhite; victim, defendant andjudge. Judgment, as is clear in Kants

    Critique of Judgment, is not the exclusive preserve of the judge. Everylegal subject needs the interpretive skills of everyday life to make

    continuous ethical and legal judgments. And judges, just like other

    legal subjects, need the experience of life to enable them to interpret

    actions, and not just laws (Mohr 2005). We must go beyond Kantian

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    judgment, however, if we are to find a way of judging which can inform

    our actions, and not just our opinions as spectators. Neither judges nor

    presidents are exempt from the responsibility we all share as legal

    subjects, the responsibility for our actions.

    Notes

    1 Latours emphasis.

    2 Kelsen (1967: 168) appears to use the terms interchangeably in the heading

    to section 33 ofPure Theory of Law, The Legal Subject; The Person.

    3 A contemporary Australian legal dictionary defines person: A separate

    legal entity, recognised by the law as having rights and obligations. Even

    more revealing, it goes on, See also Association; Company; Incorporation;

    Incorporated association; Man; Unincorporated association. (Nygh and

    Butt 1998: 334). And make no mistake about the gender-specificity of

    man: at 281 it is defined as a person of the male sex.

    4 The translations fromParcours de la reconnaissance and from Agambens

    Infanzia e storia are my own. I cite the English translations in the reference

    list, to enable readers to do their own cross referencing (with apologies forany difficulties in matching up page references), but I have not had an

    opportunity to refer to them prior to publication. My reference to travelling

    down the path of recognition with Ricoeur alludes to a possible translation

    of his title, but not the one chosen by Pellauer.

    5 I intend this phrase to refer to the ways of thought and action, including

    Foucaults discipline and Bourdieus habitus, which make us who we are

    through knowing and doing.

    6 rematado ya su juicio (Cervantes 2003a: 38). Henceforth all page

    references to Spanish quotations are to this edition. All page references to

    English quotations are to Grossmans translation (Cervantes 2003b).

    7 This knight and squire turned out to be neighbours from La Mancha,

    but that (as they say) is another story.

    8 opinin que tiene y orden que guarda ... sus opiniones y leyes

    caballerescas (628).

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    9 The second (in chapter 44 of the second book) shows a different side of

    Sancho, when he is installed as governor and must adjudicate a number of

    bizarre disputes. These judgments are essentially canny ways of getting to

    justice in a roundabout way, highlighting the importance of deception and

    ruse. This curiously Baroque formula would require a longer analysis which

    may explore its echoes in Gracins attachment to dissimulation and ruse

    (Droit 2005). Several chapters later Sancho applies a version of the law of

    equity.

    10 On tasting the wine Sancho exclaims, Oh hideputa, bellaco, y como escatlico! (628) (which Grossman translates as, O whoreson, you damned

    rascal, but thats good! 537).

    11 Durkheims later attempt to socialise Kants category of the synthetic a

    priori is far from anything Kant dreamed of. Compare Taussigs critique

    of this move (1992: 126ff).

    12 The direct quotes are taken by Benhabib from Kants Critique of Practical

    Reason.

    13 Ricoeur (2004: 95) reprised Lvinas title as that of a chapter ofParcours

    de la reconnaissance .

    14 McDowell (1996: 35-6) notes that thinking about thinking often leads to a

    sideways-on understanding of our own thinking which fails to see thecentrality of shared attention to the world.

    15 Compare: I am not urging that we should try to regain Aristotles innocence.

    It would be crazy to regret the idea that natural science reveals a special

    kind of intelligibility, to be distinguished from the kind that is proper to

    meaning. (McDowell 1996: 109).

    16 Signatures, as performative expressions of commitment, have a distinct

    and more wilful character than involuntary physical characteristics.

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