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VOLUME SIX · SPRING 2016 West Newton Kitchen Redesign by Vani Sayeed Studios Designer Glenn Gissler Creates a Modern Icon on Martha’s Vineyard DESIGN SPOTLIGHT ON MARY MCDONALD, MARISA MARCANTONIO & MILES REDD LIZ CAAN SPINS THE COLOR WHEEL TO CREATE MASTERFUL INTERIORS FOR A FAMILY IN WEST NEWTON KITCHEN ISSUE THE

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  • VOLUME S I X SPR ING 2016

    West Newton Kitchen Redesign by Vani Sayeed Studios

    Designer Glenn Gissler Creates a Modern Icon on Marthas Vineyard

    DES IGN SPOTL I GH T ON MARY MCDONALD , MAR ISA MARCANTON IO & M I L ES REDD

    LIZ CAANSP INS THE COLOR WHEEL

    TO CREATE MASTERFUL I N T ER IORS FOR A FAM I LY I N

    WES T NEWTON

    KITCHEN ISSUE

    THE

  • Exclusively at Webster & Company 1 Design Center Place Suite 242, Boston , MA, 617-261-9660 www.webstercompany.com

    www.jab.us

    USA_JAB_Anz_BOSTON_Ad.indd 1 16.02.16 13:04full page-IDB.indd 1 2/16/16 1:55 PM

  • 21Design

    liz caan

    VOLUME S IX SPR ING 2016

    DES IGN S T Y LE CULTURE CU I S I NE

    IN THIS ISSUE

    Also in this Issue

    5 Question & Answer with Michael Phillips 6 Dear Readers 54 Bath Trends

    On the Cover Boston Designer Liz Caan Spins the Color Wheel to Create Masterful Interiors

    for a Family in West Newton Page 21

    I DBOSTONMAGAZ INE .COM | 1

    9Bibliophile Boston

    new to the bookshelf

    14Design

    vani sayeed studios

    32Design

    glenn gissler

    43Style

    mcdonald, marcantonio & redd

    52Design

    kitchen envy

    30Designer Spotlight

    david webster & marni katz

    55Cuisine

    james beards all-american eats

    59Culture + Makers Guild

    kravet & museum of new mexico

  • Executive Editor michael phillips Editor-in-Chief chesie breen

    Creative Director george krauth

    Design Editor caroline sholl

    Market Editor sarah mccarthy | Showroom Liaison mary lewey

    Contributing Photographers eric roth jared kuzia gross & daley

    Copy Editor mary ross

    Publisher kathy bush-dutton | Published by new england home jamestown, l.p.

    Ailanthus

    Allstone

    Ann Sacks

    Apure

    Baker Furniture

    Berkeley House

    The Boston Shade Company / System 7

    The Bright Group

    Brookline Village Antiques

    Brunschwig & Fils

    Carlisle Wide Plank Floors

    Century Furniture

    Charles Spada

    Christopher Peacock Home

    Contract Sources

    Cowtan & Tout

    Creative Materials New England

    Creative Office Pavilion / Herman Miller

    DiscoverTile

    Donghia

    Downsview Kitchens

    Duralee / HC Monogram

    EcoModern Design

    Edelman Leather

    Farrow & Ball

    FDO Group

    Grand Rapids Furniture Company

    Grange Furniture

    ICON Group

    J.D. Staron

    JANUS et Cie

    Jewett Farms + Co.

    Kerwin

    Key Office Interiors

    Kravet Fabrics

    Lee Jofa

    Leicht Boston

    M-Geough

    Market Stalls

    The Martin Group, Inc.

    Masterpiece Framing

    Merida

    Osborne & Little

    Paris Ceramics

    Phillip Jeffries

    Porcelanosa

    Quadrille

    Ritz Associates

    Robert Allen | Beacon Hill

    Romo

    Scalamandre

    Schumacher

    Scott Group Studio

    Stark Carpet Corporation

    Stark Fabric Furniture Wallcovering

    Steven King Decorative Carpets

    Studio 534

    Tile Showcase

    Trianon Antiques

    WaterSpot

    Waterworks

    Webster & Company

    Your German Kitchen

    IDBOSTONMAGAZINE.COM

    ID BOSTON is the magazine of Boston Design Center, whose showrooms include:

    O N E D E S I G N C E N T E R P L A C E , B O S T O N , M A 0 2 2 1 0

    To advertise, please email Jill Korff at [email protected].

    20

    14 Jam

    estown, L.P. All righ

    ts reserved.

  • The Boston Design CenterOne Design Center Place Suite 101, Boston, MA

    To the trade 617.357.5525www.starkcarpet.com

    #StarkTouchRug: McCoy in Greystone

    Fabrics by StarkRoom by Philip LaBossiere

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  • Percy sofa, $1499; Aria cocktail table, $909; Avani rug, $899.375 Newbury Street, Boston

    roomandboard.com

    AMERICAN-MADE CLASSIC CONTEM PORARY

    HOME FURNISHINGS

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  • PLEASE TELL US ABOUT THE LAUNCH OF THE CENTER FOR WORKPLACE

    INNOVATION AT THE INNOVATION AND DESIGN BUILDING.

    As you know the Innovation and Design Building is home not just to the Boston Design

    Center but to a great number of professionals spanning many design disciplines:

    architects, interior designers, furniture designers, product designers, graphic designers,

    tech companies, foundations, and more. We are sitting on one of the worlds most

    compelling talent pools and our goal is to activate this group and create a multi-

    disciplinary endeavor and national platform for sharing the latest thinking in workplace

    design and innovation.

    HOW WILL YOU FORMALLY LAUNCH THE INITIATIVE?

    We started by reaching out to our community and found our ideal partner: Design

    Museum Foundation. They are an organization that is focused on exploring how design

    drives innovation. In a nutshell, that is our goal with the CWI. We liked that they were

    Boston-based, and we were attracted to their growing presence in major U.S. cities with

    an ability to produce pop-up programming and social media platforms across the country. From there we have formed an

    advisory council that will act as our think tank and ambassadors for CWI.

    DESCRIBE THE TYPE OF PROGRAMMING WE CAN EXPECT.

    We will launch this fall with a Workplace Innovation Summit signature event to be held annually, pulling together the thought

    leaders of the industry for keynote presentations, demonstrations, and workshops. We will offer regular programming

    throughout the year in the form of articles, videos, interviews, and multimedia content for member organizations.

    WHAT TOPICS WILL YOU EXPLORE?

    The design of how we work and where we work has always been important, but attention and discourse has crescendoed

    in recent years, as it is clear that well-designed workplaces translate into higher productivity, team happiness, employee

    retention, and increased revenue. We are going to tap into our collective resources and really explore how we can enhance

    these benchmark goals in the workplace. We hope our partners and friends at the Innovation and Design Building will take

    advantage of all that this endeavor has to offer.

    For all inquiries, please contact Michael at [email protected].

    MICHAEL PHILLIPSQUEST ION & ANSWER W I TH

    Michael Phillips

    President, Jamestown

    Executive Editor, ID BOSTON

  • DEAR READERSWelcome to ID BOSTON magazines first ever kitchen issue, which

    showcases three very distinct kitchens, each fulfilling a different

    fantasy and function. Lets take form off the table (ha!) for a minute;

    kitchens are really about way of life. They are not about appliances

    as much as they are about wiping a childs chocolate-smudged

    face while the smell of fresh-baked cookies wafts from the oven.

    Kitchens are about standing at a sink and looking out the window

    to reflect on the day as the sound of water washes away the noise.

    Kitchens are about our senses. In no other room are we more tactile

    and engaged with the elements that sustain us: touch, sight, smell,

    sound, and lets not forget taste.

    Full disclosureI do not really enjoy cooking the way I once did,

    but I still LOVE to eat and share the table with family and friends.

    I used to feel a little guilty about it; after all, what kind of a person doesnt want

    to cook for their family? The truth is, I am raising a family but I am also working

    insane hours, commuting, traveling, and active in my community. Something had

    to give. Through some sort of divine and unexpected osmosis, my family picked

    up the slack, resulting in a husband and three daughters who all are solid cooks

    who love and appreciate good food. Its funny how things work out. Even though

    Im not in charge of my kitchen, I am fully engaged and transported by the robust

    conversation, laughter, and bounty that unfold there.

    I can see other scenarios playing out in the kitchens we feature in this issue and

    imagine each one has a unique story to tell. Heres to form, function, fantasy, and

    finding a way of life that suits your style.

    As always, please be in touch: [email protected].

    Best,

    Chesie Breen

    Editor-in-Chief, ID BOSTON

    Follow me on Instagram @chesiebreen

    Lux Bond & Green_IDB-SPR16_1.00_v1.indd 1 2/17/16 4:06 PM

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  • NEW TO THE BOOKSHELF

    BIBLIOPHILE BOSTON

    I DBOSTONMAGAZ INE .COM | 9

  • MICHAEL S. SMITH THE CURATED HOUSE: CREATING STYLE, BEAUTY, AND BALANCE

    by Michael Smith with Julia Reed

    Michael Smith is at the pinnacle of his career and The Curated House is an up close and personal look at Smiths four private

    homeshis expansive Holmby Hills house, a Manhattan apartment that channels his love of Paris, an iconic desert retreat in

    Coachella Valley, and the hospitable United States Embassy Residence in Madrid, all of which he shares with his partner, James

    Costos, the U.S. Ambassador to Spain and Andorra. Twelve rich and varied projects showcasing Smiths most recent work are

    layered into this lush and inspiring book.

    Published by Rizzoli New York, 2015 | www.rizzoliusa.com

  • CAROLYNE ROEHM AT HOME IN THE GARDEN

    written and photographed by Carolyne Roehm

    For Carolyne Roehm, the garden has always been more than a canvas for

    beauty. In her most recent book, At Home in the Garden, she canvasses each

    of her luscious gardens at her historic Connecticut home, Weatherstone,

    through the four seasons. As beautiful and singular as these gardens are, the

    arrangements and tablescapes they inspire are some of the most splendid

    and inviting we have seen.

    Published by Potter Style New York, 2015 | www.potterstyle.com

  • KITCHEN

    by Mick De Giulio

    From famed American designer

    Mick De Giulio comes Kitchen, an

    extensive portfolio of his latest

    work. This book features the

    signature elements and finishes

    of his uber-luxurious kitchen

    interiors, along with a look at some

    of his designs that extend beyond

    the kitchen. A project in West

    Newton, Massachusetts, especially

    caught our eye.

    Published by Pointed Leaf Press, 2015 |

    www.pointedleafpress.com

  • Back Bay Shutter co. Inc.a designers best friend.

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  • VANI SAYEED STUDIOS

    14

  • VANI SAYEED STUDIOS

    WEST NEWTON KITCHEN REDESIGNED BY

    words by chesie breen photography by jared kuziaconstruction by fbn construction

  • 16 | I DBOSTONMAGAZ INE .COM

  • Vani Sayeed is a Newton, Massachusetts-based

    interior designer and artist who has received

    multiple PRISM Awards from the Builders and

    Remodelers Association of Greater Boston for

    interior design. This spring Sayeed will participate

    in the Boston Junior League show house. She

    has also been featured on HGTVs White Room

    Challenge, as well as published in several New

    England magazines. Her main challenges for this

    West Newton kitchen redesign were to open

    and brighten up the working space and provide a welcoming

    breakfast area for the family. The kitchen was chopped up into

    two roomsa small, dark pantry that was unutilized space, and

    a kitchen that did not reflect the needs and aesthetics of her

    clients. The breakfast area was somber and unappealing.

    To create a larger, more functional, light-filled space, she took

    down the internal wall. Continuing the streamlined appearance,

    all electrical outlets were installed as under-cabinet mounts,

    ensuring a seamless look to the walls. An integrated drain board

    negated the need for any countertop appliances.

    Sayeed opted for long sleek work surfaces of engineered stone.

    She installed high gloss upper cabinets and contrasted those with

    horizontal-grained English sycamore under-counter cabinets.

    The mix of components generates strong visual interest while

    maintaining the clean, contemporary look the client yearned for.

    The kitchen already benefited from substantial

    ceiling height, so she maximized the upper

    cabinets to full height, which created additional

    storage for items not used daily. An appliance

    garage holds bulky items and frees up counter

    space without breaking the visual line of the

    cabinetry.

    Because the interior space has no windows

    opening directly outside, Sayeed specified special

    LED lighting throughout the kitchen to mimic

    daylight. The backsplash is a pure white Thassos glass tile that

    bounces light around the room. Because kitchen sinks are often

    placed beneath windows, Sayeed created an internal window

    above this sink with a view into the family room.

    The sleek aesthetic carries over to the adjacent light-filled eat-in

    area. A built-in banquette, covered in a durable all-season fabric

    from Gloster through Ailanthus, offers cozy and comfortable

    seating around a custom designed steel-base white oak breakfast

    table, and includes spacious under-storage.

    The jewel of the kitchen is an ultimate bar area in a special

    metallic finish on wood. It creates an ambiance of sophisticated

    drama and grounds the entire space.

    Her main challenges for this West Newton kitchen redesign were to open and brighten up the working space and provide a

    welcoming breakfast area for the family.

    I DBOSTONMAGAZ INE .COM | 17

  • 18 | I DBOSTONMAGAZ INE .COM

    RESOURCE GUIDE

    APPLIANCES

    Speed oven: Miele

    Cooking range: Thermador

    Refrigerator: Thermador

    Sink: Julien J7

    Faucet: Blanco Culina Semi

    Professional, satin nickel

    Soap dispenser: Blanco Alta Soap/Lotion

    Dispenser, satin nickel

    Filtration system: Aqua Pure Model 3MFF100

    Garbage disposal: InSinkErator

    with SinkTop switch

    LIGHTING

    Kitchen and breakfast room recessed: LED lighting

    Under-cabinet lighting: Philips eW Profile

    Powercore 3000 K

    Plugmold: Legrand 2000TR Series

    OTHER

    Countertops: Silestone Frosty Carrina

    Backsplash: Allstone pure white Thassos

    glass tile precut to a custom 5 x 12 inch size, which

    eliminated the need for any small filler tiles

    Cabinets: Premier & Co. through

    Venegas and Company

    Wallpaper and textiles: Ailanthus

    Powder room: Thibaut Bribie from

    the Resort Collection

  • I DBOSTONMAGAZ INE .COM | 19

  • B R I G H T

    E L A N A D A Y B E D b y D O U G L A S L E V I N E | H A N D C R A F T E D I N A M E R I C A

    N E W Y O R K | C H I C A G O | D A L L A S | B O S T O N | 8 8 8 . 5 2 4 . 5 9 9 7 | B R I G H T C H A I R . C O M

    IDB ad - full page.indd 1 2/4/15 1:47 PM

  • SP INS THE COLOR WHEEL TO CREATE MASTERFUL I N T ER IORS

    FOR A FAM I LY I N WES T NEWTON

    words by chesie breen photography by eric roth

    LIZ CAAN

    I DBOSTONMAGAZ INE .COM | 21

    KITCHEN Lantern: Coleen & Company; Lucite counter stools: Design Within Reach; Upholstered counter stools and chair: Thibaut with JANUS et Cie fabric; Roman shades: Martin Group, Manuel

    Canovas; Cabinet wallpaper: Brunschwig & Fils, Les Touches Aqua; Dishes: Juliska. BUTLERS PANTRY Wallpaper: Studio 534, Katie Ridder, Leaf in violet; Cabinet hardware: Schoolhouse Electric.

    DINING ROOM Wallpaper: Lee Jofa, Cole & Son, Woods & Pears; Curtains: Martin Group, Manuel Canovas; Chandelier: Visual Comfort.

  • Liz Caan is one of Bostons most established designers, and a bright and talented

    face that everyone is always happy to see at the BDC. Her signature play of pattern,

    color, and texture has given some of the citys most historic homes energy and

    charm that reflect the more modern lifestyles of her clients. In the case of this newly

    built home in West Newton, Caan was given a very clear directive. The goal was to

    make the house happy, bright, and fun for this young family with three children and

    two dogs, says Caan.

    The family had lived in the house for about eight years and had done some work

    of their own, but it was time to spruce things up and tie the rooms together more

    definitively. The family room expectedly sees the most amount of play and they

    said they never used the living room, so my goal was to unify the entire floor and

    create spaces that were inviting and encourage more exploration and traffic. We

    tried to give each space some personality and also increase function, explains Caan.

    Furniture arrangements were changed in the family room to accommodate greater

    seating and a built-in wall was removed. In the living room, Caan also added more

    seating and color. I think we were successful in unifying the pieces the client had

    introduced, and we filled in the missing elements to achieve our goal, says Caan.

    In the kitchen, Caan changed all of the light fixtures and painted the cabinets, which

    had been glazed and looked dated. She also replaced the hardware to bring the

    kitchen more up to date. The butlers pantry received a great little facelift with Katie

    Ridder wallpaper, new hardware, freshly painted cabinets, and an ebony stained

    countertop that was previously mahogany. The goal was to make this little jewel box

    bridge the gap between the kitchen and the dining room, shares Caan.

    Liz Caan interiors are infused with character, wit, and individuality, and these

    interiors answer to that dictum.

    22 | I DBOSTONMAGAZ INE .COM

    The goal was to make the house happy, bright, and fun for this young family with three children and two dogs, says Caan.

    FOYER & LIVING ROOM

  • FAMILY ROOM

  • LIBRARY

  • FOYER & DINING ROOM

    I DBOSTONMAGAZ INE .COM | 25

    RESOURCE GUIDE

    Kitchen, butlers pantry, and dining room

    resources listed on page 21

    All other images labeled by room type with resources below

    FAMILY ROOM

    Sofa: Thibaut

    Ceiling wallpaper: Scalamandr

    Love seat fabric: Brunschwig & Fils

    Pair of upholstered chairs: Designers Guild

    Throw pillows: Quadrille, China Seas

    Upholstered side chair: Romo

    Area rug: Stark

    LIVING ROOM

    Wallpaper: Phillip Jeffries, What a Gem

    Orchid on ivory

    Throw pillows: Osborne & Little

    Coffee table: Worlds Away

    Wallpaper: Webster & Company, Phillip Jeffries

    Lamps: Made Goods

    Curtains: Martin Group, Manuel Canovas

    LIBRARY

    Paint: Benjamin Moore, Calypso Blue #727

    Area rug: Overstock

    Roman shades: Martin Group, Manuel Canovas

    FOYER

    Wallpaper: Schumacher, Sumba Sisal in ivory

    Stair runner: Stark

    Cowhide rug: Pure Rugs

    Black occasional chair: Noir Furniture

    via Liz Caan Interiors

    FOYER & DINING ROOM

  • LIVING ROOM

  • 27

  • 28 | I DBOSTONMAGAZ INE .COM

  • BOSTON SALEM FRAMINGHAM LANDRYANDARCARI.COM

    RUGS AND CARPETING

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  • 30 | I DBOSTONMAGAZ INE .COM

    KA

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    DAV I D WEBSTER AND MARN I KAT Z

    HIS & HERSInterviewing Webster & Company founder David Webster and Boston Globe design

    writer Marni Katz is like listening to a duet with inspired choreography, lyrics, and

    repartee. The incubation of their collaboration is the Webster Art Project, a major

    show featuring the work of New England artists, currently on display at Webster &

    Company through April.

    Webster has long been a supporter of the arts and served on the Foundation Board

    of MassArt, and Katz comes from a family with strong lineage in the Provincetown

    Art Association and Museum. Webster gave Katz his wish list and she went to

    work curating. His criteria specified that all works be large scale and have a strong

    color field. The more messy, drippy, and abstract the better, and contemporary

    landscapes would work as well.

    Katz delivered a collection of works by artists from all over New England, including

    Portland, Maine, whichaccording to Katzis the new Brooklyn. Webster spun his

    magic, finding a way to put the jigsaw puzzle of large and varied work together, and

    installed it throughout his showroom.

    2

    DW 1

    MK 1

  • 1 Portrait of Marni Katz 2 Our dining table in Boston is surrounded on three sides with art 3 Flowers from my garden on the Cape: Im better at cutting than growing 4 The School of the Museum of Fine Arts, Boston art sale in November is my favorite place to source artwork 5 A performance from the Cape Dance Festival at the Province Lands Amphitheater in Provincetown

    6 My official debut as a curator was in the model apartment I decorated at Troy Boston in SoWa

    1 David Webster in his eponymous showroom at the Boston Design Center 2 My 1969 Mercedes Pagoda 280SL in taupe 3 Blazer buttons from the Burlington Arcade, London 4 Tom Ford eyeglasses and Grey Vetiver 5 My Westie, Annie Lore and my Scotty, Maisey 6 Round button mirror by Clare Graham from JF Chen, Los Angeles 7 Sculptures Between and Gathering by Math Monahan

    6 7

    4

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  • interior design by glenn gissler, asid

    architecture by robert miklos faia of designlab architects with zachary hinchliffe aia

    words by chesie breen

    photography by gross & daley

    CREATES A LIVABLE MODERNIST ICON ON MARTHAS VINEYARD

    GLE

    NN GISSL

    ER

  • 33

    In the kitchen, Blue Ribbon woven wood shades from

    Finelines frame Eureka Sophie Micro light fixtures from International Lights.

  • Interior designer Glenn Gissler partnered with Bob Miklos of

    DesignLAB Architects to create this modernist blend of soft

    livable interiors and clean architectural lines in an iconic house

    on Marthas Vineyard for longtime clients.

    Gissler is no stranger to modernist interiors. He has designed

    several residences and showrooms for the fashion designer

    Michael Kors. Soft palettes, interesting materials, and mid-

    century accents embody his signature style, which makes him

    the go-to choice for a sophisticated roster of clients.

    The joy of furnishing this house, which features double height

    glass rooms, was being involved from footprint to finish; the

    challenge was to create an interior that would mirror the

    modernity of the architecture without falling into timeworn

    solutions, says Gissler.

    Clich it is not. There is a diversity and warmth to the choice of

    materials that creates subtle texture without the noise. Clean

    lines comingle with unexpected choices of mid-century and

    custom furniture. The palette is one of pale earth tones: the color

    of sand, seashells, and stone derived from the land and seascapes

    of Marthas Vineyard.

    On the exterior of the sublime structure, the lines of the roof

    cladding stand in juxtaposition to many other horizontal and

    vertical elements that merge in visual harmony.

    In the living room, the massive Japanese-inspired coffee table by

    Tucker Robbins sets the tone for rugged elegance. Towering glass

    walls and doors are curtained in Perennials fabric from Boston-

    based Finelines. The studio sofa, designed by Thomas OBrien for

    Hickory Chair, is upholstered in Meru, a Sunbrella fabric from

    Donghia. The room is anchored by a large sea grass area rug on

    bluestone floors and a massive dry-stack stone wall encases the

    fireplace. Carefully chosen mid-century furnishings introduce

    warm woods, and a pair of vintage armchairs by Robsjohn-

    Gibbings for Widdicomb hold court in the center.

    At the other end of this expansive room is the dining area, which

    features a Gary dining table by Dennis Miller, made from antique

    stained planks. The custom chandelier is by Daniel Berglund.

    These combined spaces open onto a generously sized outdoor

    terrace.

    A kitchen with pristine white-lacquered millwork catches the

    abundant natural light and expands into the adjacent sunroom

    where driftwood-toned wicker chairs complement the bluestone

    floor and natural timber ceiling.

    The bedrooms are smartly finished and decorated in soft

    palettes. The house flows seamlessly from room to room, and

    one imagines hearing only the delicate shuffle of a slipper.

    RESOURCE KEY

    Above

    The hallway is lined with custom mahogany cabinets topped

    with a collection of vintage oil jars.

    Opposite

    Terraces expand the footprint of the house.

    The dining room table is from Dennis Miller, and the custom

    chandelier is from Daniel Berglund.

    I DBOSTONMAGAZ INE .COM | 35

  • WWW.WEBSTERCOMPANY.COM I 617.261.9660

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  • WWW.WEBSTERCOMPANY.COM I 617.261.9660

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    RESOURCE KEY

    1 The living room features a Thomas OBrien studio sofa covered in Donghia/Sunbrella fabric and a pair of

    T.H. Robsjohn-Gibbings armchairs beneath

    a vintage Artichoke lamp by Poul Henningsen.

    2 Gissler opted for Bisazza glass mosaic tiles in the bathroom and an undermount sink from Kohler.

    2

    1

    I DBOSTONMAGAZ INE .COM | 37

  • On the screened porch, outdoor

    furniture was sourced

    through Smith & Hawken.

    38

  • 40 | I DBOSTONMAGAZ INE .COM

  • RESOURCE KEY

    1

    2

    1 In the master bedroom, a vintage textile adorns the bed, paired with custom bedside tables from Nutech Interiors.

    2 The guest room enjoys a vintage Sol LeWitt exhibition poster.

    Opposite

    A guest room with headboard from

    West Elm and vintage lamp.

    I DBOSTONMAGAZ INE .COM | 41

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  • ST Y LE

    MARY McDONALD

    Previewing Celebrity Designer Mary McDonalds Schumacher Fabric Collection

    words by chesie breen photography by eric roth

    We sat down with the whirling dervish of talent, charm, energy, and witalso known as Mary McDonaldto preview the

    newest additions to her dynamite fabric collection for Schumacher. Mary held court in a sea of boldly patterned blue and

    white pillows with gusty trims and beading. The names are almost as fun as the designs: Tahiti, Tikki, Tonga, Puka

    Diamond, Hula, and Bora Bora. They dont just set the tonethey sweep you away. The colors are heavily rooted in

    marine blues, oysters, espresso bean blacks, and warm tobaccos. They are exotically chic and warmly hospitable all at

    once. Sounds just like Mary McDonald.

    1 Mary McDonald in front of the aptly named Mrs. Howell grasscloth 2 Mary McDonald and ID BOSTON editor Chesie Breen previewing Tahiti Tape, a new trim in her Schumacher collection 3 "Puka Diamond" in black sand, sea oyster, and marine 4 "Bermuda Blossoms" in slate and jet 5 Mary McDonald flanked by pillows in Palm Frond and Puka Diamond, both in marine

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  • ST Y LE

    MARISA MARCANTONIO We Bumped into Top Blogger and Trend Analyst Marisa Marcantonio and Shopped the BDC in Force

    words by chesie breen photography by eric roth

    You never know whom youre going to bump into at the BDC. Mary

    McDonald and I set out to shop for clients when we bumped into

    the creator of the top design blog Stylebeat Marisa Marcantonio,

    who was in town to research trends for an upcoming BDC Trends

    Forecast. Together, off we went to Waterworks, Phillip Jeffries, J.D.

    Staron, Christopher Peacock, WaterSpot, Tile Showcase, Ailanthus,

    the Martin Group, Charles Spada, JANUS et Cie, and more. We

    ended in the Market Stalls, which now have a long waitlist. We

    covered a lot of ground in an unexpected wayone of the many

    things we love about the BDC.

    1 Marcantonio at Charles Spada 2 Visiting the Market Stalls 3 Marcantonio and McDonald at Schumacher

    4 + 5 Previewing more fabric

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  • MARISA MARCANTONIO

  • CH INO ISER I E

    TRUE OR FAUX

    THE CONSIDERED INTERIOR

    Creating Captivating Dcor Guided by Personality and Style

    Stylebeat Creator Marisa Marcantonio Presents

    1 Bamboo Lemongrass by Designers Guild, pattern PDG652/01, designersguild.com. Available to the trade at Osborne & Little. 2 de Gournay Earlham in standard colorway on emerald green silk panels.

    Photo courtesy of BFA.

    1 Kershaw Plain wallpaper by Nina Campbell, pattern #NCW4204. Available to the trade at Osborne & Little, osborneandlittle.com. 2 Schumachers Tortoise wallpaper in Amazon from the Celerie Kemble III collection. Available at fschumacher.com. 3 Finch side table by Thomas

    OBrien for Century crafted in oak solids and veneer. Available through Cabot House. 4 Subtly geometric in form, this AERIN Malachite Green Geo vase features a narrow neck and shapely base, and is further embellished with 18k gold detailing. The pattern, reminiscent of Venetian green marble, was created by a unique glaze application technique finessed by an

    Italian craftsman in the 1950s. Available through aerin.com.

    In her Boston Design Market trend presentation this

    past fall, top blogger Marisa Marcantonio asked

    the question: What makes an interior captivating?

    In her view, todays interiors are imbued with

    individuality and personality, mixing a wide range of

    design styles and movements. A home that captures

    the personality of its owners incorporates a well-

    curated assortment of collected artwork, decorative

    accessories, and personal objects. In her talk, Marisa

    explored how to create these personal moments

    by identifying key trends in the marketplace,

    highlighting what design elements and styles are in

    the air. She demonstrated how to mix these versatile

    pieces into interior design projects. Here is a capsule

    version of the trends she identified.

    BOHEM IAN WANDERLUS T

    1 Anais, an exquisite 6-ply oversized silk ikat by Jim Thompson, highlights the natural hand-reeled texture of matte Thai silk with classic and elegant results. Available in seven colorways through Webster & Company and jimthompsonfabrics.com. 2 This deep seated and skirted Cape May armchair from Kravet is upholstered in Kravet Megalli printed linen in Currants. Available to the trade at curatedkravet.com. 3 Konya fabric by Osborne & Little, pattern #F6741. Available to the trade at osborneandlittle.com. 4 Aqua Pomegranate Suzani print,

    similar to shown vintage version, available through stfrank.com.

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  • SEASONLESS TROP ICAL BLUE & WH I T E

    AV I AR YTR I ED & TRUE TRAD

    1 The Hadley etagere from the Charlotte Barnes collection, available through Charles Spada. 2 For her first fabric collection with Lee Jofa, renowned tastemaker Bunny Williams shares her modern vision and appreciation for gracious Southern living through beautifully rendered prints and weaves. Bunny Williams Home Furniture is also available through Lee Jofa, leejofa.com. 3 The plush, skirted Carmen sofa with a scroll arm is outfitted in Kravet blue velvet and

    trimmed with Diane von Furstenberg Geo Club Border in indigo. Available to the trade at curatedkravet.com.

    1 Arini wallpaper by Matthew Williamson, pattern #W6806. Available to the trade at Osborne & Little, osborneandlittle.com. 2 Mulberry Homes Game Birds Velvet is a stunning, multicolored fabric from the Bohemian Romance collection. Available to the trade through Lee Jofa.

    3 Peacock chintz in Emerald by Miles Redd for Schumacher. Available at fschumacher.com.

    1 Pierre Freys Mauritius 100% linen reveals a stylized and romantic depiction of palm trees, printed on linen and available in two colorways. 2 Jungle Life Imprim fabric in heavy silk twill from the Herms Home collection. Available through dedar.com.

    Photo by Studio des Fleurs. 3 The paperbacked wallcovering La Perouse by Braqueni features a pattern dating from the Second Empire. Named after the renowned explorer La Perouse, this botanical print on silk takes you on a faraway journey to the delicate

    hanging gardens of Asia. Available through pierrefrey.com.

    1 Fade (#7226) in Sea Spray on White Manila Hemp by Phillip Jeffries. Available at phillipjeffries.com.

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  • MEAN INGFUL I ND I V I DUAL

    MARBLE

    1 Ondine cocktail table by Windsor Smith for Century in maple solids and pin-knotty walnut veneer. 2 Dedars Margaritas, a highly pictorial floral design with assertive brushstrokes, is reminiscent of the painting techniques of 20th-century American

    expressionist art, which digital printing is able to reproduce faithfully. Available from dedar.com. 3 Pearl cocktail table available through Bernhardt, bernhardt.com. 4 Pierre Freys Kagura print in Tutti Frutti depicts partially overlapping traditional

    Japanese theater masks in bold colors on 100% linen. From pierrefrey.com.

    1 AERINs Iveala sconce with alabaster shade offers a warm glow and plenty of Art Deco character. Available from aerin.com. 2 Inspired by the purity of a Greek key motif, the legs of the classic and simple Clio side table are stainless steel finished in a special PVD gold color then topped with honed white marble. This table is the perfect example of understated elegance, and would work equally well in both modern and traditional spaces. Available from arteriorshome.com. 3 The Greer marble bowl is a stylish, structural piece

    crafted from exquisite marble. Available to the trade through curatedkravet.com.

    TR IBAL

    1 An assortment of fabrics from the Journeys Around the World collection; shown in Watom and Alatao. Available from Pierre Frey, pierrefrey.com.

    2 Charleston by Travers, available through showrooms, zimmer-rohde.com. 3 Zanzibar side table, available through bungalow5.com. 4 Bora Bora print embellished from Mary McDonald II, Schumacher through fschumacher.com.

    5 Papunya, Oceanie, and Empreinte by Pierre Frey, pierrefrey.com. 6 Pachinko by Nina Campbell for Osborne & Little, osborneandlittle.com.

    For more from Marisa Marcantonio, visit

    www.stylebeatblog.com

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  • For the Discerning Customer.At Cumar, weve sourced, crafted and installed the finest quality natural stone surfaces for seven generations. Today, we offer the areas largest selection of natural stone surfaces, including granite, limestone, slate and some of the most exotic semi-precious materials you can find.

    Visit our warehouse today and let your imagination run wild. Or check us out on Facebook at CUMAR Marble and Granite.

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    For the Discerning Customer.At Cumar, weve sourced, crafted and installed the finest quality natural stone surfaces for seven generations. Today, we offer the areas largest selection of natural stone surfaces, including granite, limestone, slate and some of the most exotic semi-precious materials you can find.

    Visit our warehouse today and let your imagination run wild. Or check us out on Facebook at CUMAR Marble and Granite.

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  • ST Y LE

    MILES REDDMarket Spotlight: The BDC and Schumacher Welcome Design

    Sensation Miles Redd as our Keynote Speaker

    words by chesie breen

    The BDC is pleased to partner with Schumacher to welcome multi-talented

    designer Miles Redd as our Spring Market keynote speaker. Miles Redd is an

    editorial sensation who has carved out an enviable niche by turning out rooms

    that are playful mlanges of high and low, invigorated with whimsy, scale,

    and modernity rooted in classic decorating. I strive to create spaces that

    are livelyand party readybecause isnt that what life should be, declares

    Redd. Atlanta-born Redd honed his design skills at New York University before

    working for the legendary design duo Bunny Williams and John Rosselli. He

    spent ten years as creative director for Oscar de la Renta Home. His new

    collection for Schumacher is full of spirit and playful motifs, but at the end of the

    day it remains classically rooted, making it possible for the design pendulum to

    swing both ways in any interior. Theres no imitating Miles Reddhes a classic

    through and through.

    1 Capri shown in multiple colorways 2 Portrait of Miles Redd 35 Brighton Pavilion series

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  • 52 | I DBOSTONMAGAZ INE .COM

    The Culinary Collection from Christopher Peacock is the perfect blend of

    industrial chic and old world charm. This culinary masterpiece conjures the

    grand kitchens built in the 1800s to service large estates.

    The polished copper hardware is a showstopper and proprietary to Christopher

    Peacock, as is the hand-painted white oil-based low luster paint. If you want

    to make sure your paint looks rich, textured, and authentic, insist that it be oil-

    based. There is no substitute, and it is a myth that you cant wipe it off. Plus,

    it will stand the test of time.

    This kitchen is a nod to the colors, style, and romantic countrysides of

    Denmark, the Netherlands, and Flanders. It is as relevant today as you would

    imagine it to be set in a large estate built in the 1800s. The wider door stiles

    and rails, non-beaded frames, and rounded hutches make this collection

    inherently traditional and thoroughly modern all at once.

    Dropping in on Christopher Peacock

    KITCHEN ENVY

  • I DBOSTONMAGAZ INE .COM | 53

  • 1 Gold fixtures are back! What was once considered outdated is now all the rage. Designer Bath has seen an influx of gold fixtures that can really give a space new life. 2 If youre looking for a sleek look, you can now find flush mount shower heads with or without lights. Shower heads in general are becoming more stylish. A lot of the new shower heads this season

    channel the pendant light vibe. 3 Technology never fails to impress. Steam showers are now available with integrated controls that manage all shower functions and can be directed with your cell phone. 4 Drain covers can be beautiful! Decorative covers are available in a variety of designs and finishes.

    Designer Bath and Salem Plumbing Supply has been the go-to

    location for all kitchen and bath needs since 1945. The family

    owned business prides itself on providing customers with the best

    selection of quality products and the highest level of personal

    service. Their spectacular 4,500 square foot showroom north

    of Boston offers an array of products that are sure to inspire. In

    addition, their talented group of associates are able to awaken

    clients imaginations to create the space of their dreams.

    With spring upon us, Jason Sevinor of Designer Bath and Salem

    Plumbing Supply shares the top trends for the season.

    BATH TRENDS

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  • 1 A famous portrait of legendary culinary duo Julia Child and James Beard in Childs Cambridge, Massachusetts kitchen; photo by Dan

    Wynn Elisabeth Wynn; courtesy of the James Beard Foundation

    2 James Beards All-American Eats: Recipes and Stories from Our Best-Loved Local Restaurants (Rizzoli New York)

    CU IS I NE

    BY THE BOOK

    JAMES BEARDS CLASSIC ALL-AMERICAN EATS:

    RECIPES AND STORIES FROM

    OUR BEST-LOVED LOCAL RESTAURANTS

    The James Beard Foundation is Americas most prestigious

    culinary organization, with a mission to celebrate, nurture, and

    honor the countrys diverse culinary heritage through programs

    that educate and inspire. A cookbook author and beloved

    teacher, James Beard was a champion of American cuisine and

    his friendship with the legendary Julia Child is widely considered

    one of the greatest culinary alliances of all time. This dynamic

    duo of cuisine met in 1961, around the time that Childs first

    cookbook, Mastering the Art of French Cooking, was published.

    After working with a bevy of French chefs, Child saw Beard as a

    breath of fresh air and the focal point of American gastronomy.

    She believed it was Beard who truly made the culinary profession

    a recognized and respected one.

    After Beards death, it was Child who pushed to keep his house

    and start the James Beard Foundation. Thanks to the strong bond

    between these two masters of gastronomy, up-and-coming chefs

    now have the chance to make their mark on the world.

    In this book, the renowned James Beard Foundation chooses the

    greatest of Americas homegrown eateries and presents recipes

    of their crave-worthy foods. Every town has one: a humble

    restaurant serving up soul-satisfying food, where the flavors

    are the best, and the atmosphere is authentic. In the Northeast

    the book pays homage to Watermans Beach Lobster in South

    Thomaston, Maine, where 100200 pounds of lobster meat is

    picked daily for their famous lobster rolls. Also well worth the

    detour is Pollys Pancake Parlor in Sugar Hill, New Hampshire,

    where they put an original spin on grandmothers oatmeal with

    their signature oatmeal bread. Make sure to grab some maple

    sugar cookies for the ride home.

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  • Preheat the oven to 425F. Line a cookie sheet with parchment paper.

    In a large bowl or the bowl of a stand mixer, beat together the maple sugar

    and butter until the mixture is smooth and fluffy. Add the egg and salt to

    the bowl and stir to combine. Add the milk and stir to combine. Add the

    flour and stir just until the mixture is thoroughly combined and forms a

    soft, sticky dough. Cover the bowl of dough with plastic wrap and place in

    the refrigerator to chill until the dough is firm enough to roll, 2 to 3 hours.

    Remove half the dough from the bowl; leave the remaining dough in the

    refrigerator so it stays cold. Place the dough on a well-floured large cutting

    board and roll out to -inch thickness. Using a cookie cutter, cut out

    shapes or rounds and place them on the prepared cookie sheet. (If the

    dough becomes too sticky to cut as it warms up, place the cutting board

    with the rolled dough back in the refrigerator for 15 minutes, or place the

    bottom of a well-chilled baking sheet on top of the dough for a few minutes

    to cool it.) Sprinkle the dough rounds with additional maple sugar. Bake

    until the cookies are lightly browned, 8 to 10 minutes, rotating the cookie

    sheet halfway through the baking time. Repeat with the remaining dough.

    Remove the cookie sheet from the oven. Let the cookies sit on the cookie

    sheet for 2 minutes before transferring to a cooling rack to cool completely,

    10 to 15 minutes. Store in an airtight container for up to 1 week.

    2 cups granulated maple sugar,

    plus extra for sprinkling

    K cup (1 stick) unsalted butter,

    at room temperature

    1 large egg

    1 teaspoon salt

    K cup whole milk

    3 cups unbleached all-purpose flour

    I NGRED I EN TS

    MAPLE SUGAR COOKIES

    Pollys Pancake Parlor, Sugar Hill, NH

    AN EXCERP T. . .

    James Beards All-American Eats

    Makes 36 cookies

    These thin, chewy cookies are baked with

    maple sugar and sold year-round at the

    bakery run out of Pollys Pancake Parlor.

    The restaurant makes its own maple sugar,

    heating local maple syrup to just the right

    temperature before cooling and pressing

    it through a very fine sifter to produce the

    golden, granulated sweetener. Luckily for

    less intrepid home cooks, they also sell the

    sugar online. Similar in texture to tea biscuits,

    these buttery cookies are perfect for dunking

    into a cup of milky coffee.

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  • Inspired by Kravets Fabric Collection with the Museum of New Mexico, ID BOSTON Turns its Lens on Santa Fe and Taos

    words by chesie breen

    I first visited Santa Fe and Taos, New Mexico, with my family in the early 80s.

    My uncle for whom I was named was and still does live in Santa Fe. It was a

    time when Santa Fe was exploding on the national scene and Ralph Lauren

    could be seen regularly buying up turquoise necklaces and concho belts in the

    town square. I vividly remember my visit to the Georgia OKeefe house and

    feeling like I was sitting in the kitchen with this remarkable artist whose work

    represented a singular look I had not studied in my mostly Renaissance-driven

    art history class at the Hockaday School in Dallas, Texas.

    CULT URE & MAKERS GU I LD

    KRAVET

    59

  • 60 | I DBOSTONMAGAZ INE .COM

    From Santa Fe we drove to Taos, where my education and intrigue

    with that part of the world was forever opened up. In later years

    I went on to study the life of the American artist Millicent Rogers

    after first reading about her in The Power of Style by Annette

    Tapert and Diana Edkins. In her sunset years, Rogers made Taos

    her home, where she designed jewelry made of gold, silver,

    and copper, reminiscent of the work done by the ancient Incas,

    Aztecs, and the Ashanti tribe of West Africa. She wore traditional

    Navajo costume while dyeing velvet in her rustic kitchen, once

    a 17th-century fort. Authenticity was one of Millicents traits.

    According to Tapert and Edkins, when Rogers passed away,

    the entire Pueblo community wrapped in their colorful native

    blankets entered a white mans cathedral for the first time in their

    lives to pay respect to the gringo woman who had understood

    and supported them.

    Shop the new Museum of New Mexico collection at the Kravet showroom in the Boston Design Center, suite #126

  • When Kravet announced their fifth collaboration with the Museum

    of New Mexico, they had my attention. Kravet has always been

    a great leader and steward in the design community. They are

    wicked smart and always ahead of the trends, and not just when

    it comes to color or style. They understand partnerships and

    movements, and this collaboration embodies their sixth sense.

    Renowned textile designer and Museum of International Folk Art

    donor Alexander Girard quoted an Italian proverb when asked why

    he collected the folk art of the worlds artisan: Tutto il mondo

    paese or The whole world is hometown. In the words of Pamela

    Kelly, Vice President of Licensing and Brand Management for the

    museum: In partnering with us and by choosing such a broad

    spectrum of museum textiles for inspiration, Kravet too is saying

    the whole world is hometown and that there are no foreigners.

    Inspiration for these modern interpretations of traditional designs

    was drawn primarily from small-scale patterns and embroideries

    in the museums 25,000-piece textile and dress collection. Color

    and texture inspirations come from pottery, basketry, textiles,

    and cut paper patterns. The resulting rich textures and pops of

    vivid color conjure the crisp blue sky, fiery red earth, and an array

    of complementary hues, both hot and cool, that we see when we

    close our eyes and picture the New Mexico landscape.

    In the fall, the Museum of New Mexico Foundation hosted an

    inaugural design summit, which Kravet helped sponsor, where

    home furnishings industry leaders gathered in Santa Fe to discuss

    Design, Creativity, and Ethics: How Museums and Global

    Cultures Inspire Trends in Interiors and Fashion.

    According to Kelly, The summit [was] about encouraging the

    dialogue between the artist/designer and the cultural material

    and its maker. We would like to see designers who turn to

    global cultures for inspiration give credit to the material, maker,

    and cultural traditions. By doing such, they imbue integrity and

    authenticity to the final product. Drawing on the cultural material

    should be about interpretation, not reproduction.

    In reviewing this collection, we salute our friends at Kravet

    for leading this charge and continuing to act as leaders and

    visionaries in the ever-expanding world of design.

    I DBOSTONMAGAZ INE .COM | 61

    1 + 2 Inspiration for the collection was drawn primarily from small-scale patterns and embroideries in the 25,000-piece textile and dress collection at the Museum

    of International Folk Art. 3 Iconic Native American textile and ceramic pieces from the Museum of Indian Arts & Culture influenced many of the collections

    designs. 4 Museum of New Mexico pillows are available through Kravet on CuratedKravet.com.

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  • NC ID Boston Ad 20140902 CS A.indd 2 9/11/14 12:00 PM

  • PHOTOGRAPHYCREDITS

    cover

    Photo by Eric Roth

    page five

    Question & Answer with Michael Phillips

    Portrait by Garrett Rowland Photography

    page six

    Dear Readers

    Photos by Eric Roth

    pages nine to twelve

    Bibliophile Boston

    Covers courtesy of Rizzoli New York,

    Potter Style, and Pointed Leaf Press

    Page 10 photo by Bjrn Wallander

    Page 11 photos by Carolyne Roehm

    Page 12 photos by Dave Burk Photography

    with photo styling by Hilary Rose

    pages fourteen to nineteen

    Vani Sayeed Studios

    Photos by Jared Kuzia

    pages twenty-one to twenty-eight

    Liz Caan

    Photos by Eric Roth

    pages thirty & thirty-one

    His & Hers

    His portrait by Dan Cutrona and photos by Eric Roth

    Her photos courtesy of Marni Katz

    pages thirty-two to forty-one

    Glenn Gissler

    Photos by Gross & Daley

    page forty-three

    Mary McDonald

    Photos by Eric Roth

    pages forty-four to forty-eight

    Marisa Marcantonio

    Page 44 photos by Eric Roth

    Pages 4648 photos courtesy of Marisa

    Marcantonio with selects noted within the captions

    page fifty-one

    Miles Redd

    Photos courtesy of the designer

    pages fifty-two & fifty-three

    Kitchen Envy

    Photos courtesy of Christopher Peacock and

    Designer Bath and Salem Plumbing Supply

    page fifty-four

    Bath Trends

    Photos courtesy of Designer Bath and

    Salem Plumbing Supply

    pages fifty-five & fifty-six

    Cuisine

    Page 55 photo by Dan Wynn Elisabeth Wynn,

    courtesy of the James Beard Foundation

    Cover art courtesy of Rizzoli New York

    Page 56 photo Ben Fink

    pages fifty-nine to sixty-one

    Culture & Makers Guild

    Kravet photos courtesy of Kravet

    Museum of New Mexico photos

    by Eric Laignell

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