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P O R T _F O L I

|isaac w

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STUDENT WORKS bachelor of environmental des ign in archi tecture

M E L V I L L E S T R E E T D E V E L O P M E N T { H O B A R T } G A S W O R K S { L A U N C E S T O N }T O W N S V I L L E L I B R A R YI N V E R E S K L I B R A R YM O D E L ISAAC WI LL IAMS DE SIGN OBJECTS graphic des ign product des ign, product ion & sales

O V E RV I E WB A S S B R A N D S P A R T Y I N T H E P A D D O C K Y O U N G E R D R YA SA S S O R T E D I M A G E S

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contents isaac wi l l iams port fol io page

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massing creating a plaza at the intersec-tion {fed by three main paths}

second f loor plan appartments / b ike store & showers / indoor & outdoor cummunity space {weekend markets}

pattern informing di-rect ion

market

exist ing c irculat ion key eater ies

ground f loor plan permenant local market / retai l / interpretaion / b ike store

visual connect ion from street edge into the

inspired by nature contextual-ised by the city “urban contour”

secondary paths from alleyways

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T h e m a i n a i m o f t h e s c h e m e i s t o c o n t r i b u t e t o t h e f u t u r e o f t h e c i t y o f H o b a r t b y s h o w c a s i n g a n e w h i g h - d e n s i t y m o d e l o f u r b a n i s a t i o n f o r T a s m a n i a . T h i s m o d -e l a i m s t o p r o v e t h a t t h i s l i v i n g m o d e l c a n w o r k w i t h i n i t s c o n t e x t . I t i n c l u d e s n e w f o r m s o f s e l f - e x p r e s s i o n i n t r o d u c i n g i d e n t i t y i n t o h i g h - d e n s i t y l i v i n g . I t c o n t r i b u t e s n o t o n l y t o t h e r e s i d e n t s b u t a l s o t o t h e c o m m u n i t y { t h r o u g h t h e m a n y p u b l i c f e a t u r e s , w e e k e n d m a r k e t s , a p u b l i c g y m , p u b l i c b i k e s h o w e r s a n d s t o r a g e , r e t a i l a n d c o m m e r c i a l o p t i o n s } . t h i s l i v i n g m o d e l i n c l u d e s t h e m e a n s f o r r e s i d e n t s t o d e l v e i n t o a n e w l e v e l o f s e l f - s u s t a i n a b i l i t y , b e i n g a b l e t o g r o w a n d e v e n s e l l t h e i r o w n p r o d u c e . A l l i n a l l c r e a t i n g a c o m m u n i t y w i t h i n t h a t t h e n c o n t r i b u t e s a n d i n t e r a c t s w i t h i t s w i d e r c o m m u n i t y , n o t o n l y b y t h e f a c i l i t i e s a n d o p p o r t u n i t i e s i t p r o v i d e s b u t w h a t i t c a n d e m o n s t r a t e a s w e r e t h i n k h o w w e d e s i g n l i v i n g e n v i r o n m e n t s i n t o t h e f u t u r e .

MELVILLE STREET DE VE L -

OPMENT | 3 R D Y E A R D E S I G N S T U D I O | H I G H - D E N S I T Y R E S I D E N T I A L / C O M -M E R C I A L / C O M M U N I T Y D E V E L O P M E N T | H O B A R T C B D , T A S M A N I A |

diagramsoverv iew ||

plans |

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Another key to this scheme is the Elizabeth Street facade. Elizabeth is a major street in Hobart full of shops and eateries. It runs from the waterfront, through the cbd and central Ho-bart, to North Hobart. So the buildings presence on this front is key.The aims for the facade are shown in the diagrams below. 'An abstract billboard for what's within', to give the internal func-tions of the building an external face. Not intended to be a literal representation, the intertwining tree form of the facade displays growth and that what's within is full of life and most of all something new. The entrance features double height space, communicating ideas of the sublime and awe to create interest. Whilst the height also allows you to see through in and view more of the site, giving a sense of permeability to give any member of the public the feeling that they are welcome to enter. Whilst respecting its context, by following the awning level stepping pattern that occurs down the majority of Elizabeth Street.

ELIZABETH STREET _ FACADE

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an abstract bi l lboard for whats within

emulat ing awning stepping {response to context}

‘greening the facade‘

facade render{archicad-art lant is-photoshop}

pattern development

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When a new build goes up on a site there is the risk that its history will be lost. Due to the sale of this scheme, there is also a risk that surrounding buildings, with historical importance, will have their significance and voice of the past, lost within the city. To meet these issues, the scheme features a room with transparent roof and wall situ-ated to view one of the surrounding build-ings (with particular historical significance) that risks being covered. This part of the scheme acts as an interpretation center and aims to give users an understanding of the history of the site, surrounding build-ings and the city of Hobart, forever tying the scheme to its history and context.

These two strategies address the aims of sustainability, self-expression and iden-tity in this scheme. With the idea of this scheme being a flagship model for new ur-ban living in Tasmania, I aimed to include as many loved attributes and opportunities of the quarter acre {front/back yard} block, that many Tasmanians see as ‘ ideal’ . As well as community and privacy I identified self-expression as another key factor of this. The ‘greening the facade’ strategy al-lows all residents to access their own sec-tion of the Elizabeth Street facade. Behind the laser cut steel facade there is a system of planting options provided for residents to customise the planting and ‘greening’ of what acts as a billboard for the scheme, just as they could in their own front yard. In addition, to meet the sustainability goals and to give the residents the same oppor-tunities as if they had a back yard, each apartment either has its own personal planter boxes or access to a shared gar-den space, giving the ability to grow their own produce.

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‘greening the facade’

preserving history

gardening strategy diagram

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i s k e y t o t h e s u c c e s s o f t h i s s c h e m e . I t p r o v i d e s p o i n t t h a t p r o v i d e s a n e u t r a l s p a c e l i n k i n g t h e p r i v a t e a n d p u b l i c w i t h i n t h e c o m p l e x a n d f u r t h e r l i n k i n g t h e c o m p l e x t o t h e w i d e r c o m m u n i t y . I t s l o -c a t i o n c o m e s f r o m w h a t I f o u n d t o b e a n i n -t e r s e c t i n g p o i n t o f t h e t h r e e e x i s t i n g c i r c u l a -t i o n p a t h s o f t h e s i t e { w h e n i t w a s a c a r p a r k } . B y r e s p e c t i n g t h e s e o r i g i n a l p a t h s , t h e h o p e i s t h a t t h e c o m m u n i t y w i l l f i r s t e n g a g e w i t h t h e s i t e a s t h e y u s e d t o a n d t h e n f u r t h e r i n t e r a c t w i t h t h e r e s t o f t h e s i t e b y v e n t u r e i n t o t h e n e w p a t h w a y s t h a t s t e m f r o m t h e ‘ p l a z a ’ a n d t h e p a t h s t h e y k n o w . T h e t o p l e v e l o f t h e p l a z a i s d e s i g n e d t o a l s o f u n c t i o n a s a m a r k e t s p a c e , w h i c h i s l i n k e d t o f l e x i b l e i n d o o r s p a c e t h r o u g h c o l l a p s i b l e d o o r s , m a k i n g t h i s a l a r g e a r e a w i t h a v a r i e t y o f f u n c t i o n s f o r t h e c o m m u n i t y t o u t i -l i s e .

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second f loor plan appartments / b ike store & showers / indoor & outdoor cummunity space {weekend markets}

ground f loor plan permenant local market / retai l / interpretaion / b ike store

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this page

opposite page

structural columns

floor plates

lift shafts

load bearing masonry

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structural strategy diagram

section locations

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| 3RD YEAR DESIGN STUDIO | MEDIUM SCALE ADAPTIVE REUSE | LAUNCESTON, TASMANIA |

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t e x t i l e f a c i l i t y / p u b l i c l a u n d r y / c a f é / f l e x i b l e c o m m u n i t y s p a c e / i n t e r p r e t a t i o n { h i s t o r y }

This scheme aims to breathe new l i fe into what is a histor ic s i te for the c i ty of Launceston, in-sert ing new funct ion, whi lst respect ing i ts past . The s i te has been unused for generat ions, so a big dr iver for this project is for the design to display i ts new funct ions and clear ly show how to interact with a s i te that is seen as unusable by i ts community . The strategy I have used to treat this s i te and brief is best shown in the diagram 001 below. This strategy is implemented by insert ing an almost jo inery l ike ser ies of addit ions that read as one new insert ion 'st i tching' a l l the elements of the s i te together {the st i tching idea also al ludes to the new text i le funct ion of the s i te} this insert ion consists of a l imited pal let of materia ls that contrast the old to high-l ight the history of the s i te. There is a strong horizontal emphasis that works to contrast the vert ical emphasis of the exist ing. The horizontal plates of the insert ion provide c lear direct ion, l inking al l the new funct ions of the s i te , including the one new bui ld. The new bui ld strategy repl icates exist ing forms, introduces the materia ls of the new insert ion but then extrudes from the exist ing form.

G A S W O R K S

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c l e a r l y d i s t i n g u i s h o l d f r o m n e w

t h e n e w t o v e r y o b v i o u s l y c o m m u n i c a t e n e w f u n c t i o n a n d d i r e c t i o n t h r o u g h a s i t e t h a t h a s b e e n v i e w e d a s u n u s a b l e b y i t s c o m m u n i t y f o r m a n y y e a r s

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G A S W O R K S

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site / ground f loor plan

c l e a r l y d i s t i n g u i s h o l d f r o m n e w

t h e n e w t o v e r y o b v i o u s l y c o m m u n i c a t e n e w f u n c t i o n a n d d i r e c t i o n t h r o u g h a s i t e t h a t h a s b e e n v i e w e d a s u n u s -a b l e b y i t s c o m m u n i t y f o r m a n y y e a r s

second f loor plan

information platform

third f loor plan al l upper leve ls funct ion as studio space

f irst f loor plan

n e w b u i l d s t r a t e g y exist ing form + new materia l {exist ing form} + extrusion of form

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section A {archicad-photoshop}

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view two publ ic laundromat{archicad-photoshop}

view three c imit iere street entrance

The development of this project is strongly informed by i ts conceptual dr iver and a range of responses to an already ut i l ised part of the Townsvi l le University s i te. The idea behind the con-ceptual dr iver is , seeking shelter from the heat , under the shade of a tree, to read or just think. As the diagram descr ibes, this idea is e ight inter locking tree forms, providing a completely shaded mass for the funct ions of the bui lding to then be placed within. The exist ing pathways through the s i te direct ly shapes the c irculat ion of this new bui ld. Ut i l is ing an exist ing form of c irculat ion wi l l ground the bui lding and help integrate i t into the larger university s i te.

| 2 RD YEAR DE SIGN STUD IO | ME D I UM SCALE COMMUN I T Y | TOWNSVI LLE UN I VERSI T Y L I BRARY |

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conceptual driver site analysis site analysis

cool breeze

existing pathway

best views

dry river bank

developed concept showing structure & circulation

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ground f loor plan cafe / computer hub / public lounge / bike lockup / front desk

looking north from the south east corner of the site

second f loor plan f lex ible f loor space / courtyard / seminar rooms / k i tchenette

cafe & internet hub

f irst f loor plan outdoor reading / art, architec-ture & history library / study rooms / offices

southern cafe entrance

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| 2RD YEAR DESIGN STUDIO | MEDIUM SCALE COMMUNITY | UNIVERSITY OF TASMANIA {INVERESK} LIBRARY |T h e s i t e f o r t h i s s c h e m e i s a d j a c e n t t o w h e r e I c o m p l e t e d m y b a c h e l o r o f e n v i r o n -m e n t a l d e s i g n . K n o w i n g t h e s i t e w e l l , I i d e n t i f i e d t h e o p p o r t u n i t y t o c o n t r i b u t e a m a j o r e l e m e n t t h a t t h i s r e l a t i v e l y n e w c a m p u s i s l a c k i n g . T h e c a m p u s c o n s i s t s o f t h e S c h o o l o f V i s u a l a n d P e r f o r m i n g A r t s , a n d t h e S c h o o l o f A r c h i t e c t u r e a n d D e s i g n , t h e Q u e e n V i c t o r i a M u s e u m a n d A r t G a l l e r y a s w e l l a s t h e T a s m a n i a n P o l y t e c h n i c C o l l e g e . T h e f i r s t t h r e e a r e h o u s e d w i t h i n o l d r a i l w a y w o r k s h o p s o f t h e i n v e r e s k c u l t u r a l p r e c i n c t a n d l a c k a n y r e a l c o n n e c t i o n . T h i s p r o j e c t g i v e s t h e o p p o r t u n i t y t o i n t r o d u c e a s p a c e t h a t l i n k s t h e m t o g e t h e r , p r o v i d i n g a c o m -m o n g r o u n d / s o c i a l h u b f o r t h e p r e c i n c t . T h e m a i n f u n c t i o n o f t h i s b u i l d i n g i s t h e l i b r a r y b u t w i t h t h e c a f é , h e a p s o f s e a t i n g , i n t e r n e t a c c e s s , a s w e l l d e d i c a t e d f l e x i b l e s p a c e , t h i s i s t h e p e r f e c t s p a c e f o r c r e a t i v e s h a r i n g a n d i n t e r a c t i o n . D u e t o t h i s p r o j e c t s c l o s e p r o x i m i t y t o t h e u n i q u e a n d i c o n i c s a w t o o t h f o r m s t h a t a r e t h r o u g h o u t t h i s s i t e , I i d e n t i f i e d t h e n e e d t o f i r s t c r e a t e a f o r m t h a t s a t p e a c e -f u l l y w i t h t h e s e o r i g i n a l f o r m s . A s t h e d i a g r a m d e s c r i b e s , f r o m t h i s t h e a d d i t i o n o f n e w m a t e r i a l a n d f u r t h e r f o r m s a s s e r t s t h e b u i l d i n g a s , a n e w a d d i t i o n w i t h a n e w f u n c t i o n , t o b e t h e s o c i a l h u b l i n k i n g a l l p a r t s t o g e t h e r .

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C O N T E X T + S T R O N G C O N N E C T I O N + N E W

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overv iew|

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site plan

view from tram tracks / main entrance {archicad-hand pen drawing}

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BRIEF Incorporate three theories into the detailing of one section of the ‘Melville Street’ projectIt was an exploration of theories and didn’t have to find its way to the final project, but in many ways it informed design decisions throughout the project.

QUEER SPACE I made the stair bays open, drawing attention to the normally unnoticed. Then treated it with bright and beautiful organic forms, to beautify the ignored. The idea was to make it seating and public storage space, so to make it a place to further interact with, but due to time constraints this was lefts out of the model.

SEMIOTICS Using the connections people form with symbols to cre-ate a metaphor for a new model of urbanisation, i took the icon most people identify with house and formed a system of attaching a large number of these forms together. The intention is that people see the symbol of what they know as ‘home’ or ‘house’ fl ipped upside down, on its side and connected to hundreds of others of these forms, displaying the projects ideas of showcasing an example of a new model of urban living for Tasmania.

THE SUBLIME Introducing elements of the sublime into the entrance helps to amplify the message on display, but also to draw attention and invite the public in and though into the spaces beyond the street front.

1 : 2 0 T H E O R E T I C A L D E T A I L M O D E L

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overv iew

3rd year history & theory _ a theoret ical explorat ion of the Melv i l le Street project

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I S A A C W I L L I A M SD E S I G N O BJ E C T S

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overv iew isaac wi l l iams des ign objects| |

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studio

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studio set up for screen printing and jewlery production

necklace with packaging

hardwood / nylon / copper necklace

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Bass Brands prov ides profess iona l brand ing and market ing and the most e f f i -c ient channe ls for the producers o f Tasmanian Produce . Wi th the overa l l goa l o f l ink ing ‘ Tasmanian produce to the wor ld ’ .

I saac Wi l l i ams Des ign Objects i s co l laborat ing w i th Bass Brands to prov ide graph ic so lut ions , in i t ia l l y for the company i t s se l f and then the producers bass brands w i l l work w i th . So far th is has been in the form of brand ing ; pro-v id ing logo des ign , bus iness cards , le t ter heads and webs i te appearance .

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bridport scal lops branding|

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business card design

section of the branding document

branding for client ‘Brid-port Scallops‘

branding pattern

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P a r t y I n T h e P a d d o c k i s B u r n s C r e e k ' s I n d e p e n d e n t M u s i c & A r t ' s F e s t i v a l h e l d i n N o r t h e r n T a s m a -n i a i n l a t e F e b r u a r y e a c h y e a r .

I h a v e b e e n l u c k y e n o u g h t o b e i n v o l v e d w i t h t h e f e s t i v a l s i n c e i t s o r i g i n s . O v e r t h e l a s t t h r e e y e a r s I h a v e t a k e n o n n u m e r o u s r o l e s . A s w e l l a s b e i n g a v o i c e w i t h i n t h e k e y o r g a n i s i n g c r e w m y r o l e s h a v e i n c l u d e d ; o r g a n i s -i n g t h e s i t e d r a w i n g s f o r c o u n c i l a p p r o v a l , a g r a p h i c b a s e d d e s i g n r o l e t h a t h a s e x t e n d e d a c r o s s p r o d u c i n g t h e f e s t i v a l l o g o s , l a n y a r d s , b a n n e r s & w r i s t b a n d s , w o r k i n g w i t h t h e w e b s i t e d e s i g n -e r t o p r o d u c e t h e w e b s i t e a r t & a s s i s t i n g i n m a i n t a i n i n g t h e s o -c i a l m e d i a p r e s e n c e i n t h e l e a d u p t o t h e f e s t i v a l . I n t h e l a s t t w o y e a r s a s w e l l a s p r o d u c i n g t h e m e r c h a n d i s e d e s i g n s I h a v e a l s o b e e n i n c h a r g e o f a l l a s p e c t s ( o r -d e r i n g , s a l e s , b u d g e t i n g ) r i g h t u p t o b e i n g h e a v i l y i n v o l v e d i n t h e p r o d u c t i o n p r o c e s s a n d c u s t o m d e s i g n i n g t h e s t y l e s f o r t h e 2 0 1 5 f e s t i v a l .

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D A Y S1 D A Y D A Y SD A Y S

T h e B e a ut i f u l G i r l s A l l day J i n j a S a fa r i DUNE RATS The Smith Street Band The Delta Riggs Willow Beats Tommy Franklin PUP Luca Brasi Dappled Cities KLP Little Bastard Drunk Mums Yo u n g e r D rya s T h e M i d d l e N a m e s A ko u o Save The Clock Tower The Dead Love GREAT CYNICS Sheriff Lepers and Crooks OUR HOUSE The Familiars BRIGGIE SMALLS

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STAGE

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ARTIST 1

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V I P

H O R R O C K S H O E D O W N S T A G E

T E N T

M A I N S T A G E

Z I G G Y ALBERTS

Z I G G Y ALBERTS

1:25 - 1:45 2:30 - 2:50

O P E N I N GCEREMONY

A M

11:35 - 11:50

12:25 - 12:40

PAT &JAYDENBANJO

10:45 - 11:00

H O R R O C K S H O E D O W N S T A G E

T E N T

M A I N S T A G E

S A T U R D A Y

F R I D A Y

3:35 - 3:55 5:45 - 6:05 6:55 - 7:15 8:00 - 8:20 9:05 - 9:25

HELOISE & THEBONESHACK

4:40 - 5:00

HELOISE & THEBONESHACK

DIRTUR-TLES

DIRTUR-TLES

B R I G G YS M A L L S

T O M M YFRANKLIN

8:35 - 8:557:30 - 7:506:25 - 6:454:30 - 4:503:35 - 3:55

I S A A C B O W E N

I S A A C B O W E N

11:00 - 11:20

9:40 - 10:00

1 0 : 1 0 - 1 0 : 4 5 1 1 : 0 0 - 1 1 : 3 5 1 1 : 5 0 - 1 2 : 2 5 1 2 : 4 0 - 1 : 2 5 1 0 : 0 0 - 1 0 : 1 0 1 : 4 5 - 2 : 3 0 2 : 5 0 - 3 : 3 5 3 : 5 5 - 4 : 4 0 5 : 0 0 - 5 : 4 5 6 : 0 5 - 6 : 5 5 8 : 2 0 - 9 : 0 57 : 1 5 - 8 : 0 0 9 : 3 0 - 1 0 : 3 0 1 1 : 0 0 - 1 2 : 0 0 1 2 : 2 0 - 2 : 2 0

3 : 5 5 - 4 : 3 03 : 0 0 - 3 : 3 5 4 : 5 0 - 5 : 3 0 5 : 4 0 - 6 : 2 5 6 : 4 5 - 7 : 3 0 7 : 5 0 - 8 : 3 5 8 : 5 5 - 9 : 4 0

5:30 - 5:40

1 0 : 0 0 - 1 1 : 0 0 1 1 : 2 0 - 1 2 : 2 0 1 2 : 3 0 - 1 : 3 0

1 : 3 0 - 4 : 0 0

CAZS L A T E R

CAZS L A T E R

T R O L L YD O G & T H E S Q U A D

J I M ISTEEL

J I M ISTEEL

K L PTRIPPLE J HOUSE PARTY

THE WHITE ROSE P R O J E C T THE FAMILIARS L E P E R S &

C R O O K ST H E D E A D L O V E

S A V E T H EC L O C K T O W E R

Y O U N G E RD R Y A S

L I T T L EB A S T A R D

THE MIDDLEN A M E S A L L D A YD U N E

R A T SW I L L O WB E A T S

T H E D E L T A R I G G S

THE BEAUTIFUL GIRLS

O U R H O U S E D J ’ S

THE SAXONS THE GREATC Y N I C S

S H E R I F F D R U N K M U M S

P U P D A P P L E DC I T I E S

L U C AB R A S I

T H E S M I T HSTREET BAND

J I N J AS A F A R I

A K O U O

1 0 A M A MP M1 P M1 1 1 2 2 3 5 1 0 1 1 1 2 14 6 8 97 2 3 4

2 : 3 0 - 4 : 3 0

O U R H O U S E D J ’ S

PIAN O

B A D B E E F

B A D B E E F

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2015 graphic symbol set

studio set up for screen printing and jewlery production

festival logo two square format

2015 lanyard designs

2015 playing times

festival logo two square format

2015 countdown graphics promo

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YOUNGER

Y o u n g e r D r y a s a r e t h e h a r d w o r k i n g , h a r d -e r p l a y i n g , a l t e r n a t i v e r o o t s r o c k 5 p i e c e , w i t h a l l s h a d e s o f r o o t s , r o c k , r e g g a e a n d a m o d e r n v e r s i o n o f d e l t a b l u e s w i t h a h a r d e r t w i s t f l o w i n g t h r o u g h t h e i r m u s i c .

Y o u n g e r D r y a s , a r e a l s o m y b a n d a n d o v e r t h e l a s t f e w y e a r s I h a v e h a d m a n y o p p o r -t u n i t i e s t o f u r t h e r m y g r a p h i c a n d c r e a t i v e s k i l l s i n p r o m o t i o n a n d m a r k e t i n g . D e s i g n i n g n u m e r o u s l o g o s a n d p o s t e r s h a s e x p a n d e d m y p r o g r a m k n o w l e d g e e n o r m o u s l y { a d o b e p h o t o s h o p , i l l u s t r a t o r a n d i n d e s i g n } .

O t h e r d e s i g n i n v o l v e m e n t i n c l u d e s d e -s i g n i n g , o r d e r i n g a n d s e l l i n g t w o d i f f e r e n t l i n e s o f m e r c h a n d i s e . A s w e l l a s l e a r n i n g s c r e e n - p r i n t i n g t o p r o d u c e o n e o f t h e l i n e s b y h a n d .

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graphic for first run of merchandise

single artwork

single artwork facebook

tour artwork facebook

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hand drawn _ laser cut timber jewlery & packaging

2015 PITP set up banners on display

2015 PITP merchandise graphic back print

2015 merch stall set up

2015 merch stall set up

John Pawson theoretical maquette

2014 PITP five panel & bucket hats

SITE architects theoretical maquette

jewlery package ready for sale in a local store

2015 PITP graphic splatter pattern

first jewlery design

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FRONTBACK

Recommended Please keep all your logo’s and text inside this safe area.

Finished Size 700mm x 3000mm

Bleed

Double Sided Bali Flag TemplateTotal Height with Pole - 3500mm Image Size - 700mm x 3000mm

place artwork in the “artwork” layer.”guides”as you please.

* Don’t forget to: - Outline all fonts - Provide PMS colours - Embed all Images - Supply high resolution images (300 dpi)

*Banners can be supplied at 25%

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2015 PITP location diagram

two examples of banners for PITP 2015

theoretical detail model threshold study {gasworks project}

2015 PITP website homepage www.partyinthepaddockfestival.com.au

market layout

2015 PITP website, merch update

2015 PITP instagram post example

PITP TV logo design

2015 PITP merch white longsleeve

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PITP wristband artwork 2014 & 2015

laser cut necklace hardwood, cotton

tie dying PITP 2015 merchandise

PITP 2015 instagram post example 2

3rd year final pin up Melville Street Project

interactive, facade model Melville Street Project

2015 PITP in full swing

2014 PITP merch black hoodie

2014 PITP facebook & instagram display pic

interactive, facade model Melville Street Project

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