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HURME FIN 1A & FIN 1B
TYPEFACE SPECIMENv1.0 - 19/06/2019
schwartz
Press Any Key To Continue
SQUEEZED ONLY FROM THE BEST FRUITSTRETCH LYCRA
TARZANPiston air compressor holds crankshaft, cylinder and valve head inside
Bear no consequences of hibernation
OBVIOUS MOVIE POSTER CREDIT LISTINGHelp improve this article by adding citations to reliable sources
GreatIn excess of 215 psig at 100°F fixed liquid level gauge indicates 80% full-d.t.
Results From A Low-Ratio Control Group
Take with plenty of waterSECOND SEASON HAS YET TO BE CONFIRMEDFORWARD
Multi-layered plot on several adjacent timelines
THERE WILL BE A PERFECT SHOE
75% Body Weightthe sheer number of different weights makes the workload extremely heavy
frozen quickly enoughSmall Capitals Are Always A Distinct Option
Distill Life Photography
INFINITE EXPANTION OF SPACE
boomslangAvoid Excessive TemperatureMulti-layered plot on several adjacent timelines
Hurme FIN Typeface Specimen 19/06/2019 2Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
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Overview
About Hurme FIN 1a collection
Simplified monolinear sans-serif design with a large design-space from Expanded to Compressed family variants.
The x-height increases proportionally towards the narrower family variants, retaining the feel of the typeface across widths as much as possible.
Horizontal stroke terminals.
Short ascenders and descenders.
Features optically adjusted Obliques, SmallCaps and a number of Opentype features.
Nine widths, eight weights. In total 144 styles.
HURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 3Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Shake Well & Keep In Refrigerator
THE NARCOTIC OF THE SIMPLE ANSWER TO AN INTRACTABLE QUESTION
FIRST CHECKED BAG FREE
GET 25% OFF ELIGIBLE INFLIGHT PURCHASES
THIS MIGHT BE A STRETCH
frozen yard sign
oxygen 12STANDARD RACK ARRANGEMENT
DEMOLITION DONE, BUT WHEN WILL CONSTRUCTION START?
tripwireBit Wider Implications
FEBRUARY
BUREAUCRAZY
INSERT ENGAGING CONTENT HERE
Collision detection requires extensive use of concepts from linear algebra and computational geometry
Average Effiency Of 275 lm/W
outrun longplay [60 fps]
About 135 miles offshoreIt's a smaller group , but that gives us a opportunity to share it with everyone
Thought to be extinct, a Hawaiian flower was rediscovered on a cliff face by a drone
Kyoto Subway
MEANWHILE
Nearly Two Years Ago
Seat 037ANew study: pine bark extract boosts nitric oxide production
Hurme FIN Typeface Specimen 19/06/2019 4Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Overview
About Hurme FIN 1b collection
In addition to information about FIN 1a in the previ-ous page, Hurme FIN 1b is an alternative design of FIN 1a, featuring angular and monospace -inspired charac-ters with slab-serifs. FIN 1b can be seen as a transition between monospace Hurme FIN Mono and more gro-tesque FIN 1a.
Hurme FIN 1a and FIN 1b are essentially the same fonts, but with different sets of characters set as default. In both family variants, all the other characters can be ac-cessed through the Opentype features.
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HURME FIN 1b
Hurme FIN Typeface Specimen 19/06/2019 5Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Basic uppercase
SmallCaps
Alternative uppercase
Alternative SmallCaps
Basic lowercase Alternative lowercase
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ÀÁÂÃÄĀĂÅǺĄÆǼḂĆĈČĊÇĎĐḊÈÉÊĚËĒĔĖĘḞĜĞĠĢĤĦÌÍÎĨÏĪĬİĮIJĴĶĹĽĻĿŁŃŇÑŅṀÒÓÔÕÖŌŎŐØǾŒṖŔŘŖŚŜŠȘṠŞẞŤṪŢȚŦÙÚÛŨÜŪŬŮŰŲẀẂŴẄỲÝŶŸŹŽŻŊÐÞƏ
abcdefghijklmnopqrstuvwxyz
àáâãäāăåǻąæǽḃćĉčċçďđḋèéêěëēĕėęḟĝğġģĥħìíîĩïīĭiįijĵķĺľļŀłńňñņṁòóôõöōŏőøǿœṗŕřŗśŝšșṡşssťṫţțŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþə
ABDIJKPRVWXY
ÀÁÂÃÄĀĂÅǺĄḂĎĐḊÌÍÎĨÏĪĬİĮĴĶṖŔŘŖẀẂŴẄỲÝŶŸ
abdijkprvwxy
àáâãäāăåǻąḃďđḋìíîĩïīĭiįĵķṗŕřŗẁẃŵẅỳýŷÿ
abcdefghijklmnopqrstuvwxyz
àáâãäāăåǻąæǽḃćĉčċçďđḋèéêěëēĕėęḟĝğġģĥħìíîĩïīĭiįijĵķĺľļŀłńňñņṁòóôõöōŏőøǿœṗŕřŗśŝšșṡşßťṫţțŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþə
afgijklrtvwxy
àáâãäāăåǻąḟĝğġģìíîĩïīĭiįĵķĺľļŀłŕřŗťṫţțŧ ẁẃŵẅỳýŷÿźžż
Character setHURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 6Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Figures
Proportional Lining Proportional Oldstyle Tabular LIning NumeratorsDenumeratorsSuperior/SuperscriptInferior/Subscript
Alternative figures
Fractions
Prebuilt Opentype
1234567890%‰12345678901234567890%‰H1234567890/().,+−±×÷=abcdefghijklmnopqrstuvwxyzH1234567890/().,+−±×÷=abcdefghijklmnopqrstuvwxyzH1234567890/().,+−±×÷=abcdefghijklmnopqrstuvwxyzH1234567890/().,+−±×÷=abcdefghijklmnopqrstuvwxyz
12347
½⅓⅔¼¾1234567890/1234567890
Standard punctuation All-Caps punctuation&?¿!¡/|\¦()[]•·@©(P)®™ℓ*ªº†‡§¶ .,:;…”“’‘‚„"'‹›«»^-–—_
H:;•·‹›«»-–—()¡¿@
All-Caps ArrowsArrows and symbols H←↑→↓↔←↑→↓↔
Mathematical Currency+−±×÷=≠~≈¬<>≤≥#°/ %‰∆Ωµπ∞∂∏◊∑√∫
€$¢£¥₡₫₧₱₽₨₪ƒ¤
Ligatures Alternative Ligaturesfi ff fl fi ff fl
Character setHURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 7Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Excellent
EXCELLENT
Excellent
excellent
Ligatures
Ligature glyphs are present for com-patibility reasons and look like a normal kerned glyph pair. No need for actual ligatures in this design.
Discretionery ligatures
When activated from the Opentype menu, this feature provides a quick access to some pre-designed glyphs trough certain character combinations. The grey boxes indi-cate a space character.
off on off off (optional) on
off on
off on
off on
SmallCaps + All to SmallCaps
This feature formats lowercase text as true small caps. Also formatting all text to small capitals supported.
AllCaps/Case-sensitive forms
Substitutes punctuation marks and symbols with their appropriate capital forms automatically when All Caps is activated. Note, that the forms are NOT actived by typing in Caps.
Ordinals
Substitutes default alphabetic glyphs with corresponding pre-designed glyphs.
1a 2o No 1ª 2º
H:5 E-E@A (H) H:5 E-E@A (H)
-^ |^ ↑-v |v ↓
TM
[] [x] [X]
™
^\ <^
-> →
\v v>
<- ←
(P) (P)
No.
<|> ^|v
v/ <v
(C) ©
(R) ®
<-> ↔
l
() (x) (X)
ℓ
/^ ^>
ff fi fl ff fi fl
Opentype featuresHURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 8Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
AKRVWXYkvwxyBDIJPfijlrt ff fi fl2347ABDIJKPRVWXYfgijklrtvwxy ff fi fl 2347
A
a
Y
Vv
4
g
1
Ww
ẞẞ
t
237
Xx
KRk
y
ABDIJKPRVWXY afgijklrtvwxy ff fi fl 12347
AKRVWXYkvwxyBDIJPfijlrt ff fi fl
ABDIJKPRVWXYfgijklrtvwxy ff fi fl 2347
A
a
Y
Vv
4
g
1
Ww
ẞẞ
t
237
Xx
KRk
y
ABDIJKPRVWXY afgijklrtvwxy ff fi fl 12347
Stylistic Alternates
Substitutes default characters with selected set of alternative characters.
off on
off on off on
ABDIJKPRVWXY afgijklrtvwxy ff fi fl 12347
ABDIJKPRVWXY afgijklrtvwxy ff fi fl 12347
Stylistic SetsStylistic Sets
SS 01: Substitutes a set of default characters with selected set of al-ternative characters.
SS 02: Substitutes a set of default characters with selected set of al-ternative characters.
Opentype Stylistic sets and Stylistic Alternates replace the default char-acters with alternative characters and/or character sets.
SS 03: Substitutes a set of default characters with selected set of al-ternative characters.
SS 11: Substitute only A
SS 04: Substitute only a
SS 12: Substitute only Y
SS 07: Substitute only V and v
SS 15: Substitute only 4
SS 05: Substitute only g
SS 13: Substitute only 1
SS 08: Substitute only W and w
SS 16: Substitute only German Double S
SS 06: Substitute only t
SS 14: Substitute only 2, 3 and 7
SS 09: Substitute only X and x
SS 17: Substitute only y
SS 10: Substitute only y
SS 18: Substitute all alternatives
Aa AaOpentype features: Stylistic Alternates
HURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 9Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
1234567890 H/123 H2O x57
H/123 H2O x57
1234567890 H/123 H2O x57
H/123 H2O x57
Proportional Oldstyle figures
Changes figures from the default Proportional Lining to oldstyle i.e. numbers of varying height. These are suited to the use with lower-case text.
Numerators
Substitutes numbers with numerator figures.
off on off on
off on
off on off on
off on
off on
off on
1234567890 H123/ x2=y2+z2
H123/ x2=y2+z2
1234567890 H123/ x2=y2+z2
H123/ x2=y2+z2
Proportional Lining figures
This feature changes figures from other styles to the default Proportional Lining figures. Lining figures are of the same height as capitals, so they are best suited with all-capital text.
Denominators
Substitutes numbers with demoninator figures.
Inferior figures
Substitutes numbers with inferior figures.
Tabular Lining figures
All numbers are switched to their corresponding versions of equal width.
Fractions
In addition to pre-designed frac-tions, this Opentype feature sub-stitutes figures separated by slash with diagonal fractions. The feature ignores the numeric date format.
2 2/3 1234/1234
1234567890%‰
2 2/3 1234/1234
1234567890%‰Superior figures
Substitutes numbers with superior figures.
Opentype featuresHURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 10Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Accessing Opentype features Adobe InDesign
To access OpenType features in Adobe Indesign, choose menu -> Window -> Type & Tables -> CharacterIn the Character palette, click the menu button in the upper right corner to access the OpenType menu.
Please notice that some features will not work when [No Language] is chosen for the selected text.
If you use InDesign’s Glyph palette to find particular character, select “Sort Glyphs by CID / GID” from Glyph palette menu. It makes it so much easier.
Adobe Illustrator
To access Opentype features in Adobe Illustrator, choose menu -> Window -> Type -> Opentype
Recommendations
If tracking is not set between -15 and +15, turn off Ligatures and Contextual Alternates.
The recommended leading is 120% for text and 110-90% for headlines. The leading can be set up to 80%, even with languages that use diacritics. You can reduce tracking even more for very big point sizes. Add track-ing in text sizes to improve legibility (this paragraph has tracking of +10).
Supported languages Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Azerbaijani, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish (Latin), Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni
Opentype features: Additional Information
HURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 11Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1afamily styles
v1.0 - 19/06/2019a
Compressed Hairline
Compressed Thin
Compressed Light
Compressed Regular
Compressed SemiBold
Compressed Medium
Compressed Bold
Compressed Black
Compressed Hairline Oblique
Compressed Thin Oblique
Compressed Light Oblique
Compressed Regular Oblique
Compressed SemiBold Oblique
Compressed Medium Oblique
Compressed Bold Oblique
Compressed Black Oblique
Compressed Width StylesHURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 13Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Condensed Family weights
Condensed Hairline
Condensed Thin
Condensed Light
Condensed Regular
Condensed SemiBold
Condensed Medium
Condensed Bold
Condensed Black
Condensed Hairline Oblique
Condensed Thin Oblique
Condensed Light Oblique
Condensed Regular Oblique
Condensed SemiBold Oblique
Condensed Medium Oblique
Condensed Bold Oblique
Condensed Black Oblique
HURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 14Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Extra Narrow Family weights
Extra Narrow Hairline
Extra Narrow Thin
Extra Narrow Light
Extra Narrow Regular
Extra Narrow SemiBold
Extra Narrow Medium
Extra Narrow Bold
Extra Narrow Black
Extra Narrow Hairline Oblique
Extra Narrow Thin Oblique
Extra Narrow Light Oblique
Extra Narrow Regular Oblique
Extra Narrow SemiBold Oblique
Extra Narrow Medium Oblique
Extra Narrow Bold Oblique
Extra Narrow Black Oblique
HURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 15Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Narrow Width Family weights
Narrow Hairline
Narrow Thin
Narrow Light
Narrow Regular
Narrow SemiBold
Narrow Medium
Narrow Bold
Narrow Black
Narrow Hairline Oblique
Narrow Thin Oblique
Narrow Light Oblique
Narrow Regular Oblique
Narrow SemiBold Oblique
Narrow Medium Oblique
Narrow Bold Oblique
Narrow Black Oblique
HURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 16Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Normal Width Family weights
Hairline
Thin
Light
Regular
SemiBold
Medium
Bold
Black
Hairline Oblique
Thin Oblique
Light Oblique
Regular Oblique
SemiBold Oblique
Medium Oblique
Bold Oblique
Black Oblique
HURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 17Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Wide Width Family weights
Wide Hairline
Wide Thin
Wide Light
Wide Regular
Wide SemiBold
Wide Medium
Wide Bold
Wide Black
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
HURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 18Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Extra Wide Width Family weights
Extra Wide Hairline
Extra Wide Thin
Extra Wide Light
Extra Wide Regular
Extra Wide SemiBold
Extra Wide Medium
Extra Wide Bold
Extra Wide Black
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
HURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 19Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Extended Width Family weights
Hairline
Thin
Light
Regular
SemiBold
Medium
Bold
Black
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
HURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 20Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Expanded Width Family weights
Hairline
Thin
Light
Regular
SemiBold
Medium
Bold
Black
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
HURME FIN 1a
Hurme FIN Typeface Specimen 19/06/2019 21Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1aCompressed family
v1.0 - 19/06/2019a
WE HAVE FINALLY REACHED OUR LIMIT OF ENTERING CAPTCHA CODESFluctuating freezer temperatures can cause the water vapor to migrate from the product to the surface of the container
Multi-layered plot on several adjacent timelines
Take with plenty of water
CLOCKWISE FROM TOP LEFT
Fortunately, much of that genetic diversity has persisted in ancient heirloom and wild plant species
Gestern Abend kurz nachdem alles anfingBRAIN-CONTROLLED TYPING RECORD IS ABOUT EIGHT WORDS A MINUTE
Clear SignalHEALTH BENEFITS ARE AMPLIFIED BY YOUR MINDSET
Stampede through crop fieldsMalgré les archives des deux marques, c'est comme si nous étions repartis de zéro
OBVIOUS MOVIE POSTER CREDIT LISTING
Les grandes manœuvres s’accélèrent dans ľagroalimentaireMARINE NAVIGATIONFÜNF JAHRE SPÄTER - KURZREPORTAGELightweight boxing champion
Hurme FIN Typeface Specimen 19/06/2019 23Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
LANDMARKERYMPÄRÖIVÄNÄAPPROXIMATION
WEATHERPROOFEDDEUX PREMIÈRES
MISUNDERSTANDINGAUF 11:00 UHR ZURÜCKEVOLUTIONARY BIOLOGIST
thanksgivingseventeenfoldkeramikmuseet
counterclockwisecomplex system
neuropsychologicalzusammengewachsendifferent sizes of infinity?
Hurme FIN 1a Compressed Black - 72pt
Hurme FIN 1a Compressed Bold - 72pt
Hurme FIN 1a Compressed SemiBold - 72pt
Hurme FIN 1a Compressed Medium - 72pt
Hurme FIN 1a Compressed Regular - 72pt
Hurme FIN 1a Compressed Light - 72pt
Hurme FIN 1a Compressed Thin - 72pt
Hurme FIN 1a Compressed Hairline - 72pt
Hurme FIN Typeface Specimen 19/06/2019 24Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
SEARCHLIGHTCOUNTERBLOWNEUTRON STUDY
VERDENS STØRSTEUNGEWÖHNLICHE
ELECTROMAGNETISMLANDWIRTSCHAFTLICHECOUNTERESTABLISHMENT
input voltagefragmentationdescodificação
stream frequentlyandra grönsaker
madrigueras fósilesce système archaïqueviestintäjärjestelmämme
Hurme FIN 1a Compressed Black Oblique - 72pt
Hurme FIN 1a Compressed Bold Oblique - 72pt
Hurme FIN 1a Compressed SemiBold Oblique - 72pt
Hurme FIN 1a Compressed Medium Oblique - 72pt
Hurme FIN 1a Compressed Regular Oblique - 72pt
Hurme FIN 1a Compressed Light Oblique - 72pt
Hurme FIN 1a Compressed Thin Oblique - 72pt
Hurme FIN 1a Compressed Hairline Oblique - 72pt
Hurme FIN Typeface Specimen 19/06/2019 25Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
DUBNA PRONÁJEM CELKEM 4 DOMŮElinkaaren Aikainen Suunnittelutyö
Hurme FIN 1a Compressed – Thin 98 pt
EXTRAORDINARIO GRUPO DE PERSONASMogli Budować Zdecydowanie Bardziej
Hurme FIN 1a Compressed – Hairline 98 pt
Hurme FIN Typeface Specimen 19/06/2019 26Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
FILAIRES POUR LES RÉSEAUXStrengthens Factory Growth
Hurme FIN 1a Compressed – Regular 98 pt
AUMENTO DE 5,8% EM RELAÇÃOA Velocità Fino A 170 Mila km/h
Hurme FIN 1a Compressed – Light 98 pt
Hurme FIN Typeface Specimen 19/06/2019 27Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
HAPNIKUGA VARUSTATUSGlädjeämnen Är Naturen
Hurme FIN 1a Compressed – SemiBold 98 pt
SKABER ENDDA TRÆNGSELVerwachtingen Voor Licht
Hurme FIN 1a Compressed – Medium 98 pt
Hurme FIN Typeface Specimen 19/06/2019 28Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
ANSCHEINEND STARKPaperwork Required
Hurme FIN 1a Compressed – Black 98 pt
FRESHLY SQUEEZED INKAlimentar Caso Sejam
Hurme FIN 1a Compressed – Bold 98 pt
Hurme FIN Typeface Specimen 19/06/2019 29Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
ALZATA NEL CIELO PER 1246,1 METRIKanskje Den Mest Kjente Danseren
Hurme FIN 1a Compressed Oblique – Thin 98 pt
TEGEMIST ON 86 PROTSENDI ULATUSESAtt Kartlägga Ruinerna På Havsbottnen
Hurme FIN 1a Compressed Oblique – Hairline 98 pt
Hurme FIN Typeface Specimen 19/06/2019 30Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
PRESS ANNUALS AND BOOKSPracovníků Finanční Správy
Hurme FIN 1a Compressed Oblique – Regular 98 pt
A GRAVAÇÃO APRESENTA RUÍDODen Vergangenen Zehn Jahren
Hurme FIN 1a Compressed Oblique – Light 98 pt
Hurme FIN Typeface Specimen 19/06/2019 31Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
DEL CENTRO GEOGRÁFICO24 Miljoonaa Kappaletta
Hurme FIN 1a Compressed Oblique – SemiBold 98 pt
SCHONENDER MIT BÄUMENArray Of Everyday Objects
Hurme FIN 1a Compressed Oblique – Medium 98 pt
Hurme FIN Typeface Specimen 19/06/2019 32Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
FABRIC AND POWDERPoint Aux Exigences
Hurme FIN 1a Compressed Oblique – Black 98 pt
SUPER BOWL HALFTIMEAveriguar Exatamente
Hurme FIN 1a Compressed Oblique – Bold 98 pt
Hurme FIN Typeface Specimen 19/06/2019 33Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
65/58pt 65/58pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in
THE GERMAN SCIENTIST GEORG CHRISTOPH LICHTENBERG DESCRIBED THE ADVANTAGES OF BASING A PAPER SIZE ON AN ASPECT RATIO OF √2 IN A LETTER TO JOHANN BECKMANN IN 25TH OCTOBER OF 1786. THE FORMATS THAT BECAME ISO PAPER SIZES (A2, A4, ETC) WERE DEVELOPED IN FRANCE AND LATER ADOPTED AS THE GERMAN DIN
Hurme FIN Typeface Specimen 19/06/2019 34Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
65/58pt 65/58pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in
THE GERMAN SCIENTIST GEORG CHRISTOPH LICHTENBERG DESCRIBED THE ADVANTAGES OF BASING A PAPER SIZE ON AN ASPECT RATIO OF √2 IN A LETTER TO JOHANN BECKMANN IN 25TH OCTOBER OF 1786. THE FORMATS THAT BECAME ISO PAPER SIZES (A2, A4, ETC) WERE DEVELOPED IN FRANCE AND LATER ADOPTED AS THE GERMAN DIN
Hurme FIN Typeface Specimen 19/06/2019 35Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1aCondensed family
v1.0 - 19/06/2019a
Zweiseitige Systeme folgenPOUR VOTRE SÉCURITÉ, CONTRÔLES AUTOMATIQUES
PRESS ANY KEY TO CONTINUE
Ecrãs de Visualização de Dados
Aerodynamic
50% of viewers
QUANTITY OF NUTRIENTSSURVEY ANALYSIS OVERVIEWL’idéal est de verser le quinoa dans un chinois fin et de le frotter sous l’eau avec les mains pendant une ou deux minutes
Windows Must Restart Because the Remote Procedure Call (RPC) Service Terminated Unexpectedly
Don’t let algorithms rule your feeds
Som un coŀlectiu format per 12 integrants
CONTAINS AMINE GROUPS THAT BREAK OPEN THE EPOXIDE RINGS
TUSENTALS DRABBADE AV TÅGFÖRSENINGAR
Curing Agent Mixed Together
Body-breathable, nearly weightless polyester yarn that tightens along with the laces
FABRICATED TO MEET STRUCTURAL, FLAME RETARDANT, WEATHER-RESISTANT, AND NATURAL FORCE REQUIREMENTS
Preheat oven to 425°F
Gjørma Og OppløsningMan thrown into dump truck survives being compacted
ANOTHER BANANA PEEL AFTER TWO DAYS
Widely Distributed
Hurme FIN Typeface Specimen 19/06/2019 37Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
WAYFARING29 OKTOBERACQUAINTED
WATERMELONAUSWÄRTIGE
RÅDJURSKORVAUTOMATICALLYCOMMONWEALTH
applesauceblockbusterdownstream
fountainheadêtre compris
undergraduatemyönteisempäästraightforwardly
Hurme FIN 1a Condensed Black - 72pt
Hurme FIN 1a Condensed Bold - 72pt
Hurme FIN 1a Condensed SemiBold - 72pt
Hurme FIN 1a Condensed Medium - 72pt
Hurme FIN 1a Condensed Regular - 72pt
Hurme FIN 1a Condensed Light - 72pt
Hurme FIN 1a Condensed Thin - 72pt
Hurme FIN 1a Condensed Hairline - 72pt
Hurme FIN Typeface Specimen 19/06/2019 38Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
UNIVERSITYSUBNORMALSHAKEDOWN
COASTGUARDREALIZACIÓN
NORTHLANDERAUFSCHWATZENHEADQUARTERS?
cloudscapetypographicweatherman
konzentriertevetenskaplig
120 kilometersannet spørsmålzurückschrauben
cloudscapeHurme FIN 1a Condensed Black Oblique - 72pt
Hurme FIN 1a Condensed Bold Oblique - 72pt
Hurme FIN 1a Condensed SemiBold Oblique - 72pt
Hurme FIN 1a Condensed Medium Oblique - 72pt
Hurme FIN 1a Condensed Regular Oblique - 72pt
Hurme FIN 1a Condensed Light Oblique - 72pt
Hurme FIN 1a Condensed Thin Oblique - 72pt
Hurme FIN 1a Condensed Hairline Oblique - 72pt
Hurme FIN Typeface Specimen 19/06/2019 39Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
STRETCHES OF THE AMERICAN WESTKirjoitetaan, Erityisesti Tietokoneilla
Hurme FIN 1a Condensed – Thin 78 pt
ALÉM DE HAVER AUTÊNTICOS CENTROSBegan Listening To Sounds Of The Rain
Hurme FIN 1a Condensed – Hairline 78 pt
Hurme FIN Typeface Specimen 19/06/2019 40Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
SUPERFICIE DI 485 METRI QUADRINormalsituasjon. Slike Overordna
Hurme FIN 1a Condensed – Light 70 pt
QUESTÃO DE EQUILÍBRIO 50%Building’s Gracious Interiors
Hurme FIN 1a Condensed – Medium 70 pt
ERGONOMIA VAATII KEHITYSTÄAyant Un Réseau De Symétrie
Hurme FIN 1a Condensed – Regular 70 pt
Hurme FIN Typeface Specimen 19/06/2019 41Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
MED 285 KRONOR PÅ FICKANVětšinou Nových Členských
Hurme FIN 1a Condensed – SemiBold 70 pt
UNA FUERZA DE PROGRESOMass-Produced Materials
Hurme FIN 1a Condensed – Black 70 pt
ASSOCIATED WITH READINGManchmal Wahnsinnig Süß
Hurme FIN 1a Condensed – Bold 70 pt
Hurme FIN Typeface Specimen 19/06/2019 42Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
ZMIERZENIE WPŁYWU TWORZONYCHHögtalare Med Fantastisk Batteritid
Hurme FIN 1a Condensed Oblique – Thin 78 pt
CATEGORIE BESTE NIET-ENGELSTALIGEEmettendo Un Lampo Di Raggi Gamma
Hurme FIN 1a Condensed Oblique – Hairline 78 pt
Hurme FIN Typeface Specimen 19/06/2019 43Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
LITTERATURPANELET, DER HØRERMoyen D’organiser Les Échanges
Hurme FIN 1a Condensed Oblique – Light 70 pt
POINTS DANS L’ESPACE, AFINKasvaa Parin Vuoden Sisällä
Hurme FIN 1a Condensed Oblique – Medium 70 pt
FÜR SAUBERES TRINKWASSERAlto La Concentrazione Media
Hurme FIN 1a Condensed Oblique – Regular 70 pt
Hurme FIN Typeface Specimen 19/06/2019 44Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
LOW-RATIO CONTROL GROUPPropuesto Ensayos Clínicos
Hurme FIN 1a Condensed Oblique – SemiBold 70 pt
SWEATPANTS & SNEAKERSEsta Quarta-Feira Na Sede
Hurme FIN 1a Condensed Oblique – Black 70 pt
BUDE PODPOŘENO 39 MUZEÍNetwork Of Long Branching
Hurme FIN 1a Condensed Oblique – Bold 70 pt
Hurme FIN Typeface Specimen 19/06/2019 45Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Light & Medium – 16/17,5pt Regular & SemiBold – 16/17,5pt Medium & Bold – 16/17,5pt SemiBold & Black – 16/17,5pt
Light & Medium – 26/27pt Regular & SemiBold – 26/27pt Medium & Bold – 26/27pt SemiBold & Black – 26/27pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were devel-oped in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publica-tions that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publica-tions that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France
Hurme FIN Typeface Specimen 19/06/2019 46Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1aExtra Narrow family
v1.0 - 19/06/2019a
workspace
Royston Vaseyunexpected early frost
Spørgsmål om boligkøb
ASSEGURA QUE O BILHETE EM “2.ª MÃO”Travel And Food Section
Seen Here In The Foreground Of The International Space Station
36% DE CROISSANCE
INDISCHEN OZEANWater Solubility: 4700 mg/L (at 25 °C)
Propuesto Ensayos Clínicos
Sobivad Lemmiksihtkohad Nagu Töö Toovad “Keldrist” Välja 26
Default Settings
BRESCIA (ENTRAMBI AL 25%)
Mogły Oszczędzać Paliwo
NÄSTA ÅR SKA UTGRÄVNINGARNA FORTSÄTTA I SAMMA OMRÅDE
Targeted Survey Analysis Overview
UGYAN EGYRE TÖBBEN HASZNÁLNAK OLYAN VIRTUÁLIS ASSZISZTENSEKET
Tilbudt både ordinær og økologisk mat til de besøk-
Behälter dicht verschlossen an einem gut belüfteten Ort aufbewahren
Cashew & AlmondSECOND SEASON HAS YET TO BE CONFIRMEDLightweight carbon-fiber tubes as blades, covered with foam pipe insulation and copper mesh
UNIQUE MULTI-COLOURED BARK IS THE MOST DISTINCTIVE FEATURE OF THE TREE
Hurme FIN Typeface Specimen 19/06/2019 48Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
NEANDERTHALAFTERSCHOOLWINDJAMMING
SIIRTYMÄVUOSIPERFORMANCE
LEATHERJACKETHYDROCHEMISTRYSTRAIGHTFORWARD
aerodynamicssuperchargedendangerment
autobiographicarkitektgruppa
työpanoksemmemisunderstandingreforçou orçamento
Hurme FIN 1a Extra Narrow Black - 60pt
Hurme FIN 1a Extra Narrow Bold - 60pt
Hurme FIN 1a Extra Narrow SemiBold - 60pt
Hurme FIN 1a Extra Narrow Medium - 60pt
Hurme FIN 1a Extra Narrow Regular - 60pt
Hurme FIN 1a Extra Narrow Light - 60pt
Hurme FIN 1a Extra Narrow Thin - 60pt
Hurme FIN 1a Extra Narrow Hairline - 60pt
Hurme FIN Typeface Specimen 19/06/2019 49Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
ATMOSFÄRENSSTEPBROTHERMORGENSTERN
TUGEV NÕRKUSEQUIVOCACIÓN
SØNDAGSAVISET1967 BESTSELLEROBERFRÄNKISCHENZUR LUFTQUALITÄT
spółki mające
atomic switchpsychological
improvisationadvertisement
melhor relação
cumpla ciertosgastronómicasotros aspectos
trippelpunkten
aamulähetyksetproducing oxygenthat’s probably 147€
Hurme FIN 1a Extra Narrow Black Oblique - 60pt
Hurme FIN 1a Extra Narrow Bold Oblique - 60pt
Hurme FIN 1a Extra Narrow SemiBold Oblique - 60pt
Hurme FIN 1a Extra Narrow Medium Oblique - 60pt
Hurme FIN 1a Extra Narrow Regular Oblique - 60pt
Hurme FIN 1a Extra Narrow Light Oblique - 60pt
Hurme FIN 1a Extra Narrow Thin Oblique - 60pt
Hurme FIN 1a Extra Narrow Hairline Oblique - 60pt
Hurme FIN Typeface Specimen 19/06/2019 50Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
PRØVER Å OPPFØRE SEG ORDENTLIGPoužití Biopaliva Namísto Původního
Hurme FIN 1a Extra Narrow – Thin 78 pt
LA SALVAGUARDIA DELLA BIODIVERSITÀResearchers Demonstrated White Light
Hurme FIN 1a Extra Narrow – Hairline 78 pt
Hurme FIN Typeface Specimen 19/06/2019 51Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
1960-LUVUN ALKUUN MENNESSÄZapatillas Deportivas Y Una Serie
Hurme FIN 1a Extra Narrow – Light 70 pt
UNTERNEHMEN UND BÜRGERNLethargy (29%) And Mydriasis
Hurme FIN 1a Extra Narrow – Medium 70 pt
UTVIDGAS SÄKERHETSKRAVENSur Câble De Paires Torsadées
Hurme FIN 1a Extra Narrow – Regular 70 pt
Hurme FIN Typeface Specimen 19/06/2019 52Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
VERWACHTINGEN VOOR LICHTStore In The Original Package
Hurme FIN 1a Extra Narrow – SemiBold 70 pt
UMA QUESTÃO DE EQUILÍBRIOStandard Rack Arrangement
Hurme FIN 1a Extra Narrow – Black 70 pt
LOW-RATIO CONTROL GROUPTehnilise Järelevalve Ameti
Hurme FIN 1a Extra Narrow – Bold 70 pt
Hurme FIN Typeface Specimen 19/06/2019 53Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
EN LILLE RÆKKE FORFATTERSKABERD-Vitamiini Päikese Ultraviolettkiirte
Hurme FIN 1a Extra Narrow Oblique – Thin 78 pt
SALUDABLE. ¿POR QUÉ CAFÉ Y AYUNO?Fragments, Chips, Particles (Sand/Dirt)
Hurme FIN 1a Extra Narrow Oblique – Hairline 78 pt
Hurme FIN Typeface Specimen 19/06/2019 54Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
DOSTOSOWAĆ SWOJE SAMOLOTYUnder Oppussingen Av Huset Har
Hurme FIN 1a Extra Narrow Oblique – Light 70 pt
WIE STARK DIE SCHWERKRAFTKansainvälisiä Huippuosaajia
Hurme FIN 1a Extra Narrow Oblique – Medium 70 pt
HIENOJAKOISEKSI JAUHETTUABaisses De Taux Quantitatives
Hurme FIN 1a Extra Narrow Oblique – Regular 70 pt
Hurme FIN Typeface Specimen 19/06/2019 55Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
EVOLUTIONARY FORECASTINGUndersökt Cheopspyramiden
Hurme FIN 1a Extra Narrow Oblique – SemiBold 70 pt
SECONDO ALCUNI SCIENZIATIEach Tablet Contains 375 Mg
Hurme FIN 1a Extra Narrow Oblique – Black 70 pt
KRIJGEN ZOVEEL AANGIFTESD’un Système D’information
Hurme FIN 1a Extra Narrow Oblique – Bold 70 pt
Hurme FIN Typeface Specimen 19/06/2019 56Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Light & Medium – 11/12,5pt Regular & SemiBold – 11/12,5pt Medium & Bold – 11/12,5pt SemiBold & Black – 11/12,5pt
Light & Medium – 20/22pt Regular & SemiBold – 20/22pt Medium & Bold – 20/22pt SemiBold & Black – 20/22pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalabilityThe main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalabilityThe main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalabilityThe main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were devel-oped in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publi-cations that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalabilityThe main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were
Hurme FIN Typeface Specimen 19/06/2019 57Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1aNarrow family
v1.0 - 19/06/2019a
Pressure upon certain solids
BERMUDAUse with care when operating a car or dangerous machinery
Targonca Közlekedés
Utskott Kamelwireframework
NIUHOTTAVA KAMERAVALVONTA
27% saturation
ICE CREAM PARLOUR
postgraduateWASHABLEPour votre sécurité, contrôles automatiques
ENTRO IL 16 NOVEMBREPrzeznaczone są do połączeń sztywnych lub elastycznych przewodów
As This Biofilm Expands, It Develops A More Complex Internal StructureALKUKIRJAINLYHENNESpørsmålet Om Faste
Visual Resource LibrariesÊtres Vivants Créantspray deckPikaajalisest C-Vitamiini Puudusest
Hurme FIN Typeface Specimen 19/06/2019 59Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
WATERFRONTPOCKETKNIFENEWSCASTER
DATA STREAMKLART SPRÅK
SÄHKÖVOIMAAGEOMAGNETICSHEADQUARTERS
documentarysynchronizedstepdaughter
wyszukiwaniaomkring 1320
photogravuristmultidirectionalunderframework
Hurme FIN 1a Narrow Black - 54pt
Hurme FIN 1a Narrow Bold - 54pt
Hurme FIN 1a Narrow SemiBold - 54pt
Hurme FIN 1a Narrow Medium - 54pt
Hurme FIN 1a Narrow Regular - 54pt
Hurme FIN 1a Narrow Light - 54pt
Hurme FIN 1a Narrow Thin - 54pt
Hurme FIN 1a Narrow Hairline - 54pt
Hurme FIN Typeface Specimen 19/06/2019 60Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
ALWAYS GIVE
LABORATORY SAFEGUARDSPLAYGROUND
2°C IMPLIQUEUNDERWATER
ACQUISIZIONIHABÍA RAZÓN
FOTBALOVÝCHRUNKOVERKONAPPROXIMATELY
moneysavingökologischenadvancement
yritysrakennegrundskylden
durchzuspülenunderstandablyelectromagnetic
Hurme FIN 1a Narrow Black Oblique - 54pt
Hurme FIN 1a Narrow Bold Oblique - 54pt
Hurme FIN 1a Narrow SemiBold Oblique - 54pt
Hurme FIN 1a Narrow Medium Oblique - 54pt
Hurme FIN 1a Narrow Regular Oblique - 54pt
Hurme FIN 1a Narrow Light Oblique - 54pt
Hurme FIN 1a Narrow Thin Oblique - 54pt
Hurme FIN 1a Narrow Hairline Oblique - 54pt
Hurme FIN Typeface Specimen 19/06/2019 61Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
NAJNOWSZE KOMPUTERY WYKONUJĄUn Migliaio Di Ricercatori Di 29 Nazioni
Hurme FIN 1a Narrow – Thin 60 pt
UMA TENDÊNCIA SECULAR EM DIREÇÃOException To The Fragmentary Evidence
Hurme FIN 1a Narrow – Hairline 60 pt
Hurme FIN Typeface Specimen 19/06/2019 62Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
UNIQUE TIME-ORDERING OF EVENTSLuidspreker Heeft Zeven Microfoons
Hurme FIN 1a Narrow – Light 56 pt
HABEN DIE SCHWERKRAFTLÜCKEHitaita Luontaisia Kehityskulkuja
Hurme FIN 1a Narrow – Regular 56 pt
COMPAÑÍA DE BARCOS DE VAPORUtsläpp Från Tropiska Våtmarker
Hurme FIN 1a Narrow – Medium 56 pt
Hurme FIN Typeface Specimen 19/06/2019 63Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
SEG OFFENTLIGE SØKEKRITERIERAangekondigd De Samenwerking
Hurme FIN 1a Narrow – SemiBold 56 pt
AVERAGE EFFIENCY OF 275 lm/WLes Conseillent Et Qui Analysent
Hurme FIN 1a Narrow – Bold 56 pt
HARVINAISTEN SANOJEN TIHEYSFlammable, Corrosive & Oxidant
Hurme FIN 1a Narrow – Black 56 pt
Hurme FIN Typeface Specimen 19/06/2019 64Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
SU PIEZA FAVORITA DE LA EXPOSICIÓNSoučasná Podoba Fresek Tak Zůstane
Hurme FIN 1a Narrow – Thin Oblique 62 pt
VÕIB TEKITADA VASTUPIDISE OLUKORRAŻycie Wśród Maszyn Czy Automatyzacja
Hurme FIN 1a Narrow – Hairline Oblique 62 pt
Hurme FIN Typeface Specimen 19/06/2019 65Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
MILJØER FOR SKABERNE AF DE NYEPour Être Totalement Mis En Oeuvre
Hurme FIN 1a Narrow – Light Oblique 56 pt
TYPE OF PROTECTIVE EQUIPMENTHeißen Und Teils Geschmolzenen
Hurme FIN 1a Narrow – Regular Oblique 56 pt
RÉALLOUER AUX BONS ENDROITS5: Anslutningar Och Fjärrkontroll
Hurme FIN 1a Narrow – Medium Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 66Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
AUTOMAATIO ON VASTA ALKANUTIdentificação De Um Ponto Único
Hurme FIN 1a Narrow – SemiBold Oblique 56 pt
UN’OBBLIGAZIONE SUBORDINATAFashion Wears Out More Apparel
Hurme FIN 1a Narrow – Bold Oblique 56 pt
LABOR, WITH ONE MAN DRAWINGAvausmekanismi, Aito Mysteeri
Hurme FIN 1a Narrow – Black Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 67Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Light & Medium – 8/10pt Regular & SemiBold – 8/10pt Medium & Bold – 8/10pt SemiBold & Black – 8/10pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each succes-sive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associated postage rate, can be easily approximated by counting the number of sheets used.
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associated postage rate, can be easily approximated by counting the number of sheets used.
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The for-mats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publica-tions that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associated postage rate, can be easily approximated by counting the number of sheets used.
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associated postage rate, can be easily approxi-mated by counting the number of sheets used.
Hurme FIN Typeface Specimen 19/06/2019 68Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1aNormal family
v1.0 - 19/06/2019a
RAYGUN
machine goes ping
Buiten Dienst Niet Gebruiken
Warningreason
62% ethyl alcohol
Zabranjen prolaz
Įspėjimas apie bendrojo pobūdžio pavojų
NødstopKöniglich Preußische Eisenbahn-Verwaltung
Autobahn
Steinberg
Pysäköinti kielletty
AIRFIELD SAFETY PROCEDURES
ADGANG FORBUDTKILOHERTZ
Chaque Façade Maritime
Help improve this article by adding citations to reliable sourcesThe capacity to understand and remember spatial relationships between objects
Hurme FIN Typeface Specimen 19/06/2019 70Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
ASCENSIVEBROWNOUTZEICHNUNG
TASKUOPASVOLUNTARY
SIGNWRITERBASKETBALLMANŒUVRES
semigrainykasvihuonechampagne
stereograph45-jährigen
grönsakernamoonwalkingweatherproof
Hurme FIN 1a Black - 54pt
Hurme FIN 1a Bold - 54pt
Hurme FIN 1a SemiBold - 54pt
Hurme FIN 1a Medium - 54pt
Hurme FIN 1a Regular - 54pt
Hurme FIN 1a Light - 54pt
Hurme FIN 1a Thin - 54pt
Hurme FIN 1a Hairline - 54pt
Hurme FIN Typeface Specimen 19/06/2019 71Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
OBVIOUSLYWORKSHOPWHITEFACE
ARCHAÏQUEKLAGEFLUT
UNDERVEJSNEWMARKETSWORDSTICK
construçãomäyräkoirazehnjährige
systemwidemagnétique
understatednødvendigvisla enseñanza
Hurme FIN 1a Black Oblique - 54pt
Hurme FIN 1a Bold Oblique - 54pt
Hurme FIN 1a SemiBold Oblique - 54pt
Hurme FIN 1a Medium Oblique - 54pt
Hurme FIN 1a Regular Oblique - 54pt
Hurme FIN 1a Light Oblique - 54pt
Hurme FIN 1a Thin Oblique - 54pt
Hurme FIN 1a Hairline Oblique - 54pt
Hurme FIN Typeface Specimen 19/06/2019 72Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
HERBST-WINTER-KOMBINATIONPossible Side Effects Not Listed
Hurme FIN 1a – Thin 60 pt
AND FIRST 90 MG WEEKLY DOSEProper Glove Removal Technique
Hurme FIN 1a – Hairline 60 pt
Hurme FIN Typeface Specimen 19/06/2019 73Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
PORCO VOADOR DE 6 METROSMusik Uden At Skade Hørelsen
Hurme FIN 1a – Light 56 pt
53 PROZENT DER ANFRAGENThe Available Safety Material
Hurme FIN 1a – Regular 56 pt
AIRFLOW AND THE EXHAUSTObjectif De Multiplier Par Dix
Hurme FIN 1a – Medium 56 pt
Hurme FIN Typeface Specimen 19/06/2019 74Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
OVER 100 MANUFACTURERSMaximum Quantity Of Liquid
Hurme FIN 1a – SemiBold 56 pt
STRATEGY THAT UNDERLIESFaint Glow Of The Reflected
Hurme FIN 1a – Bold 56 pt
OVERLOOKING THE STREAMActivate Cognitive Thought
Hurme FIN 1a – Black 56 pt
Hurme FIN Typeface Specimen 19/06/2019 75Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
EUROPE, THROUGH BYZANTIUMMaquereaux Au Vin Blanc Sauce
Hurme FIN 1a – Thin Oblique 60 pt
RECYCLABLE NATURE OF GLASSOffice Equipment On The Market
Hurme FIN 1a – Hairline Oblique 60 pt
Hurme FIN Typeface Specimen 19/06/2019 76Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
SAFE METHODS OF HANDLINGTreatment Within A Few Hours
Hurme FIN 1a – Light Oblique 56 pt
INFORMATION ON THE LABELSelecting Appropriate Gloves
Hurme FIN 1a – Regular Oblique 56 pt
COMPLETE PRODUCT RANGEPrior Gymnastics Experience
Hurme FIN 1a – Medium Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 77Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
APPROXIMATELY 5-10 TIMESCreating An Hermetic Shield
Hurme FIN 1a – SemiBold Oblique 56 pt
ILUSTRADO POR EL ARTISTAGood Morning, Dr. Floyd. I’m
Hurme FIN 1a – Bold Oblique 56 pt
QUICK BROWN FOX JUMPEDLa Des Nouveaux D’affaires
Hurme FIN 1a – Black Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 78Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Light & Medium – 8/10pt Regular & SemiBold – 8/10pt Medium & Bold – 8/10pt SemiBold & Black – 8/10pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard 476 in 1922. They were listed in a 1798 law on taxation of pub-lications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limit-ing ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office pho-tocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbrevi-ated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1/16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associated postage rate, can be easily approxi-mated by counting the number of sheets used.
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of pub-lications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limit-ing ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halv-ing the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associated postage rate, can be easily approximated by counting the number of
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halv-ing the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associated postage
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photo-copier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associ-ated postage rate, can be easily approximated by counting the number of sheets used.
Hurme FIN Typeface Specimen 19/06/2019 79Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1aWide family
v1.0 - 19/06/2019a
answer
SERG
blauwaltz
For Emergency Use Only
Rygning og åben ild forbudt
encontrar soluções
Heimlichmanövern
Festivais exibirem os seus prémios como factor de distinção
FISH ARE THE LAST TO RECOGNISE WATER
MJÖG GÓÐUR FYRSTI FJÓRÐUNGUR
FRÜHWARNSYSTEM
backseat
Conviens autant aux pommettes qu’aux lèvres
Meaning is generated by the external data processing system
EXTRACT UPWARD
CURVA PELIGROSA
moving targetsNetzwerk
The seat is propelled out of the aircraft by an explosive charge or rocket motor
Urverk av Tourbillon kan man minska gravitationens påverkan på urets noggrannhet
Taupyk elektrą!
hairspray
Hurme FIN Typeface Specimen 19/06/2019 81Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
WOLFRAMACQUÉRIRAUDIENCE
RUBRIKENCRYSTALS
KUORTANEORANŽOVÝSHADOWED
safeguardüberhauptwithdrawn
oscylowaćex-orfèvre
hamburgerconferenzagovernment
Hurme FIN 1a Wide Black - 54pt
Hurme FIN 1a Wide Bold - 54pt
Hurme FIN 1a Wide SemiBold - 54pt
Hurme FIN 1a Wide Medium - 54pt
Hurme FIN 1a Wide Regular - 54pt
Hurme FIN 1a Wide Light - 54pt
Hurme FIN 1a Wide Thin - 54pt
Hurme FIN 1a Wide Hairline - 54pt
Hurme FIN Typeface Specimen 19/06/2019 82Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
NORVEGIACROWBAR8ª EDIÇÃO
ARQUIVOSWÄHREND
LACROSSEGRAVHØJEQUARTERLY
emoyhtiötresolutionpublishing
wichtigsteonderzoek
multiplyingpolycentraldatasystem
Hurme FIN 1a Wide Black Oblique - 54pt
Hurme FIN 1a Wide Bold Oblique- 54pt
Hurme FIN 1a Wide SemiBold Oblique - 54pt
Hurme FIN 1a Wide Medium Oblique - 54pt
Hurme FIN 1a Wide Regular Oblique - 54pt
Hurme FIN 1a Wide Light Oblique - 54pt
Hurme FIN 1a Wide Thin Oblique - 54pt
Hurme FIN 1a Wide Hairline Oblique - 54pt
Hurme FIN Typeface Specimen 19/06/2019 83Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
PEQUEÑA MOLÉCULA CAPAZ2,4%, Blijkt Uit Onderzoek Van
Hurme FIN 1a Wide – Thin 56 pt
UNDERGROUND OBSERVATORYRisonanza Magnetica Cerebrale
Hurme FIN 1a Wide – Hairline 56 pt
Hurme FIN 1a Narrow – Hairline Oblique 62 pt
Hurme FIN Typeface Specimen 19/06/2019 84Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
SHOWER OR EYEWASH UNITStovek Kilometrů Na Západě
Hurme FIN 1a Wide – Light 56 pt
OBJETIVO A LONGO PRAZOPossibly Non-Empty Space
Hurme FIN 1a Wide – Regular 56 pt
QUADRATMETER ZEHNMALMode Full-Duplex Et Utilise
Hurme FIN 1a Wide – Medium 56 pt
Hurme FIN Typeface Specimen 19/06/2019 85Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
AURINKO KUIVAS SATEHENDeixando Que As Máquinas
Hurme FIN 1a Wide – SemiBold 56 pt
FÖRESTÄLLNING BASERADEtwa 400 Kilometern Höhe
Hurme FIN 1a Wide – Bold 56 pt
ACCORDING TO WHATEVERWulkaniczne Stożki Wyspy
Hurme FIN 1a Wide – Black 56 pt
Hurme FIN Typeface Specimen 19/06/2019 86Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
AUXQUELS SONT APPLIQUÉSKostbart Maleri Sandsynligvis
Hurme FIN 1a Wide – Thin Oblique 56 pt
SOBRE O SUPERAQUECIMENTOWprowadzają Je Kolejne Sklepy
Hurme FIN 1a Wide – Hairline Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 87Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
ANDLIGA ÖVNINGAR SYFTARPikkused Ja Kohalejõudmise
Hurme FIN 1a Wide – Light Oblique 56 pt
FAULEN SPÄTNACHMITTAG17,3%, Hasta 287,6 Millones
Hurme FIN 1a Wide – Regular Oblique 56 pt
HEADLAND YACHT MARINACom Autorização De Venda
Hurme FIN 1a Wide – Medium Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 88Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
DURING A 1959 INTERVIEWNebulizzare La Poca Acqua
Hurme FIN 1a Wide – SemiBold Oblique 56 pt
NA WEBU SKOTSKÝCH HERMakes The Remote Control
Hurme FIN 1a Wide – Bold Oblique 56 pt
VEHÍCULO EN UN ENTORNONoin 20 Kilometrin Päähän
Hurme FIN 1a Wide – Black Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 89Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publica-tions that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publica-tions that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publica-tions that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s gram-mage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage.
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limit-ing ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the gram-mage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper
Light & Medium – 8/10pt Regular & SemiBold – 8/10pt Medium & Bold – 8/10pt SemiBold & Black – 8/10pt
Hurme FIN Typeface Specimen 19/06/2019 90Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1aExtra Wide family
v1.0 - 19/06/2019a
Existem diversas formas de se classificar os métodos de compressão de dados
NÅGRA DAGAR SENARE
WARDROBE
zinc oxide
KeywordStromy podjazd
given surface
Control de velocidadEN PERÇANT LE CÂBLE
Sprühsahne (250 Milliliter)SavignyAVERAGE TRACK NUMBERS
outside
snowball fight zone
MERIKARHU
Date StampLET'S GROW TREES TOGETHER
Rośnie Zapotrzebowanie Na Ekspertów
Exemple de quartiers de seniors dessiné et conçus par eux-mêmes
weatherproof fabric structure for interim applications
HIGH-MAGNIFICATION SCANNING ELECTRON MICROGRAPH
NEAPSTĀJOTIES TĀLĀK BRAUKT AIZLIEGTS
DISCRETE COSINE TRANSFORM
HOLIDAY
STARK IN DIE LÄNGE
Hurme FIN Typeface Specimen 19/06/2019 92Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
LYRICALSTRONGENZYME
VIRGINIAMONTAG
SIDEWAYQUAVANTKRANTEN
unpowernetworkexample
hazelnutzahrnuje
minérauxdelayablematchbox
Hurme FIN 1a Extra Wide Black - 54pt
Hurme FIN 1a Extra Wide Bold - 54pt
Hurme FIN 1a Extra Wide SemiBold - 54pt
Hurme FIN 1a Extra Wide Medium - 54pt
Hurme FIN 1a Extra Wide Regular - 54pt
Hurme FIN 1a Extra Wide Light - 54pt
Hurme FIN 1a Extra Wide Thin - 54pt
Hurme FIN 1a Extra Wide Hairline - 54pt
Hurme FIN Typeface Specimen 19/06/2019 93Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
COMBATKRÄVERADVERB
NÄKYMÄVALIDEZ
ENRIQUEGÂTEAUXBÖRJADE
warmingnetworkavocado
recoverygeweckt
necklacemondiauxaftermath
Hurme FIN 1a Extra Wide Black Oblique - 54pt
Hurme FIN 1a Extra Wide Bold Oblique - 54pt
Hurme FIN 1a Extra Wide SemiBold Oblique - 54pt
Hurme FIN 1a Extra Wide Medium Oblique - 54pt
Hurme FIN 1a Extra Wide Regular Oblique - 54pt
Hurme FIN 1a Extra Wide Light Oblique - 54pt
Hurme FIN 1a Extra Wide Thin Oblique - 54pt
Hurme FIN 1a Extra Wide Hairline Oblique - 54pt
Hurme FIN Typeface Specimen 19/06/2019 94Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
WOLKERS VERVAARDIGDEContribuição Seria De 3,9%
Hurme FIN 1a Extra Wide – Thin 50 pt
ARVATES PEAKS ÜHISKONDUtilizza Sensori Di Vibrazione
Hurme FIN 1a Extra Wide – Hairline 50 pt
Hurme FIN 1a Narrow – Hairline Oblique 62 pt
Hurme FIN Typeface Specimen 19/06/2019 95Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
NOVOU KOLEKCI ŠPERKUBeräkningar Av Objektets
Hurme FIN 1a Extra Wide – Light 50 pt
YELLOW SELF STORAGEMitte Der Achtzigerjahre
Hurme FIN 1a Extra Wide – Regular 50 pt
THE RAILROAD TYCOONSortie D’une Boîte Noire
Hurme FIN 1a Extra Wide – Medium 50 pt
Hurme FIN Typeface Specimen 19/06/2019 96Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
MENSCHEN NATÜRLICHPretty Much Everything
Hurme FIN 1a Extra Wide – SemiBold 50 pt
MUOKATAAN HELPOSTIProduisent Eux-Mêmes
Hurme FIN 1a Extra Wide – Bold 50 pt
CONFINED ROAD SPACEEvidence Also Suggests
Hurme FIN 1a Extra Wide – Black 50 pt
Hurme FIN Typeface Specimen 19/06/2019 97Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
MAXIMAL WEITERE ZWÖLFSítnice, Umožňující Vnímání
Hurme FIN 1a Extra Wide – Thin Oblique 50 pt
LA MITAD DE LOS BOSQUESÅ Surfe Videre På Ordningen
Hurme FIN 1a Extra Wide – Hairline Oblique 50 pt
Hurme FIN Typeface Specimen 19/06/2019 98Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
FINDE BØGER OM EMNERMogły Oszczędzać Paliwo
Hurme FIN 1a Extra Wide – Light Oblique 50 pt
CENTRO DI EMERGENZAStripped From The Steel
Hurme FIN 1a Extra Wide – Regular Oblique 50 pt
FÖRÄLDRAR OCH BARNConstruction Of Towers
Hurme FIN 1a Extra Wide – Medium Oblique 50 pt
Hurme FIN Typeface Specimen 19/06/2019 99Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
ENSEMBLE DE MOYENSEin Jahrhundert Später
Hurme FIN 1a Extra Wide – SemiBold Oblique 50 pt
INFREQUENT ADVERSEAlkusyksystä Käyttöön
Hurme FIN 1a Extra Wide – Bold Oblique 50 pt
GRAVAÇÃO APRESENTAConfluence Of Interests
Hurme FIN 1a Extra Wide – Black Oblique 50 pt
Hurme FIN Typeface Specimen 19/06/2019 100Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Light & Medium – 8/10pt Regular & SemiBold – 8/10pt
Medium & Bold – 8/10pt SemiBold & Black – 8/10pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a let-ter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a let-ter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is num-bered 0 (for example, A0), and each successive size (for example, A1
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a let-ter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is num-bered 0 (for example, A0), and each successive size (for example, A1
The German scientist Georg Christoph Lichtenberg described the advan-tages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
Hurme FIN Typeface Specimen 19/06/2019 101Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1aExtended family
v1.0 - 19/06/2019a
PEAK HOUR
WORKsize 32mm x 19mm (11/4" x 3/4")
New Pages
PROZENT DER FÄLLEEvaporating Ice Crystals Disrupt The Fidelity Of The Image
Rafforzerà La Sincerità Negli
Gerações25 micrograms per litre
ALZATA NEL CIELO PER 1246,1 METRI
DRIVEN
1958MONETARY
SHRINKWRAP
Dervish Overdrive
Le niveau de gris d’un pixel peut aller de 0 à 255
Averaging filter within the square matrix
Triangulation de Delaunay
Området er TV-overvåket
Handle with careSafetycargo
Ladrão furta creche pela 9ª vez e avisa que não voltará mais
CASUAL FORMAL
LIJNBUS
Hurme FIN Typeface Specimen 19/06/2019 103Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
RUNWAYBEYONDAGENDA
MIXTUREENSKILD
CAMBIOSFRANKLYVOYAGER
ansvaretshipyardsidewalk
coleslawschlüpfe
foxhoundcambiazoexchange
Hurme FIN 1a Extended Black - 46pt
Hurme FIN 1a Extended Bold - 46pt
Hurme FIN 1a Extended SemiBold - 46pt
Hurme FIN 1a Extended Medium - 46pt
Hurme FIN 1a Extended Regular - 46pt
Hurme FIN 1a Extended Light - 46pt
Hurme FIN 1a Extended Thin - 46pt
Hurme FIN 1a Extended Hairline - 46pt
Hurme FIN Typeface Specimen 19/06/2019 104Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
CAMERAYELLOWREMOVE
REWARDSKRIVAS
SMOKINGANÚNCIOKEYNOTE
standardmigraineshoulder
maverickområden
breakagesymptomylitarjonta
AGENDA
nightfall headgear
Hurme FIN 1a Extended Black Oblique - 46pt
Hurme FIN 1a Extended Bold Oblique - 46pt
Hurme FIN 1a Extended SemiBold Oblique - 46pt
Hurme FIN 1a Extended Medium Oblique - 46pt
Hurme FIN 1a Extended Regular Oblique - 46pt
Hurme FIN 1a Extended Light Oblique - 46pt
Hurme FIN 1a Extended Thin Oblique - 46pt
Hurme FIN 1a Extended Hairline Oblique - 46pt
Hurme FIN Typeface Specimen 19/06/2019 105Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
DESSUTOM FÖRESLÅSNuovamente Valorizzati
Hurme FIN 1a Extended – Thin 42 pt
GEZICHTSHERKENNINGDurante Seus 36 Meses
Hurme FIN 1a Extended – Hairline 42 pt
Hurme FIN Typeface Specimen 19/06/2019 106Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
TERÄS SYLINTEREISTÄEen Uitgeverscollectief
Hurme FIN 1a Extended – Light 42 pt
ALMOÇOS DE FAMÍLIAStrawberry Shortcake
Hurme FIN 1a Extended – Regular 42 pt
AKCJA ROZPOCZYNAEnsuite Des Objectifs
Hurme FIN 1a Extended – Medium 42 pt
Hurme FIN Typeface Specimen 19/06/2019 107Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
BLOQUES DE PIEDRASnížit Množství Cukru
Hurme FIN 1a Extended – SemiBold 42 pt
JAHR ZWEI BIS DREITogether With Bones
Hurme FIN 1a Extended – Bold 42 pt
AROUND AN ICEBERGValmisti 1970-Luvulla
Hurme FIN 1a Extended – Black 42 pt
Hurme FIN Typeface Specimen 19/06/2019 108Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
TRAVÉS DE OXIDACIÓNWe Are Moving Forward
Hurme FIN 1a Extended – Thin Oblique 42 pt
NOVEMBRIL ALGUSEGAStånd Och Genom-Föra
Hurme FIN 1a Extended – Hairline Oblique 42 pt
Hurme FIN Typeface Specimen 19/06/2019 109Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
ERFAND ZUM BEISPIELUm Ensino Sistemático
Hurme FIN 1a Extended – Light Oblique 42 pt
FOR EKSEMPEL HØRTAu Moins Quinze Sites
Hurme FIN 1a Extended – Regular Oblique 42 pt
SHARE THIS ARTICLEHolde Tre Ugers Ferie
Hurme FIN 1a Extended – Medium Oblique 42 pt
Hurme FIN Typeface Specimen 19/06/2019 110Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
SUOMEN YMPÄRISTÖOceňuje Mladé Vědce
Hurme FIN 1a Extended – SemiBold Oblique 42 pt
STAMPA CONGIUNTAIn Frozen Vegetables
Hurme FIN 1a Extended – Bold Oblique 42 pt
INDIQUÉ ÊTRE ENTRÉUrsache Für Die Blase
Hurme FIN 1a Extended – Black Oblique 42 pt
Hurme FIN Typeface Specimen 19/06/2019 111Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Light & Medium – 12/14pt Regular & SemiBold – 12/14pt
Medium & Bold – 12/14pt SemiBold & Black – 12/14pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were devel-oped in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN stan-dard No. 476 in 1922. They were listed in a 1798 law on taxation of publica-tions that was based in part on page sizes. These standards are based
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a let-ter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publi-cations that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its
Hurme FIN Typeface Specimen 19/06/2019 112Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1aExpanded family
v1.0 - 19/06/2019a
exitDORSAL
Dumping physical memory to disk
Träffades av rå kyckling från ovan
Forward Collision Warning System
stretch fabric
SNART KOMMER VÄRMEN TILLBAKA
FORWARD
papier-mâchéRACETRACK OF SUPERLATIVES
downright outspreadKaizen over Muri
NETWORK
keycard
syrupMais Restent Pauvres En Acides
Pretty MuchGROW15,83%
MORE
MONDAYSDez Edições Repartido
Tekniikan Osa-Alueiden Kehittyminen
twenty
paquets circulentZEHNMAL
Après Cette RéunionUITGEVOERD DOOR EEN AFDELING
Silicone Carne
Hurme FIN Typeface Specimen 19/06/2019 114Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
NYLONSTARTANKLE
STRAXFOYER
SPORTGRANDHYBRID
changescotchpacket
steadyabrogé
mørketwhiskeranthem
Hurme FIN 1a Expanded Black - 46pt
Hurme FIN 1a Expanded Bold - 46pt
Hurme FIN 1a Expanded SemiBold - 46pt
Hurme FIN 1a Expanded Medium - 46pt
Hurme FIN 1a Expanded Regular - 46pt
Hurme FIN 1a Expanded Light - 46pt
Hurme FIN 1a Expanded Thin - 46pt
Hurme FIN 1a Expanded Hairline - 46pt
Hurme FIN Typeface Specimen 19/06/2019 115Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
BLENDSHELFSULKA
ENTRYBATER
COASTPRAXISSPAWN
airparknougathvězdy
formatsuikale
hockeybrûlagemajority
diploma
Hurme FIN 1a Expanded Black Oblique - 46pt
Hurme FIN 1a Expanded Bold Oblique - 46pt
Hurme FIN 1a Expanded SemiBold Oblique - 46pt
Hurme FIN 1a Expanded Medium Oblique - 46pt
Hurme FIN 1a Expanded Regular Oblique - 46pt
Hurme FIN 1a Expanded Light Oblique - 46pt
Hurme FIN 1a Expanded Thin Oblique - 46pt
Hurme FIN 1a Expanded Hairline Oblique - 46pt
Hurme FIN Typeface Specimen 19/06/2019 116Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
TEXTOVÉ A OBRAZOVÉVoiko Enemmän Venyä?
Hurme FIN 1a Expanded – Thin 36 pt
AQUISIÇÃO DA PROTEINMost Of Which Also Rely
Hurme FIN 1a Expanded – Hairline 36 pt
Hurme FIN Typeface Specimen 19/06/2019 117Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
LAS MEJORES CASASChe Galleggiano Sopra
Hurme FIN 1a Expanded – Light 36 pt
FINNE INDRE STYRKEStill-Life Photography
Hurme FIN 1a Expanded – Regular 36 pt
TALVELLA VALKOISTABelgische Ontdekkers
Hurme FIN 1a Expanded – Medium 36 pt
Hurme FIN Typeface Specimen 19/06/2019 118Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
36% DE CROISSANCEStorage Of Chemicals
Hurme FIN 1a Expanded – SemiBold 36 pt
VIER JAHRE SPÄTERPublicerad Idag 20:25
Hurme FIN 1a Expanded – Bold 36 pt
THE BOLD LINEARITYStark Das Zusätzliche
Hurme FIN 1a Expanded – Black 36 pt
Hurme FIN Typeface Specimen 19/06/2019 119Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
DLOUHÉ VZDÁLENOSTIZehnmal Größer Als Vor
Hurme FIN 1a Expanded – Thin Oblique 36 pt
KONIEC CZERWCA 2017Peut Être Assez Longue
Hurme FIN 1a Expanded – Hairline Oblique 36 pt
Hurme FIN Typeface Specimen 19/06/2019 120Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
UNDERSÖKA RUMMETAlerta De Notificações
Hurme FIN 1a Expanded – Light Oblique 36 pt
ETHYL ALCOHOL 62%Madrigueras Actuales
Hurme FIN 1a Expanded – Regular Oblique 36 pt
KIRJUTAB ERKI ORASOp På Flere Hundrede
Hurme FIN 1a Expanded – Medium Oblique 36 pt
Hurme FIN Typeface Specimen 19/06/2019 121Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
SABATO E DOMENICASpørsmålet Om Faste
Hurme FIN 1a Expanded – SemiBold Oblique 36 pt
ESCALA NO TRÁFICOKolme Kuppia Päivällä
Hurme FIN 1a Expanded – Bold Oblique 36 pt
PROZENT DER FÄLLEStark Das Zusätzliche
Hurme FIN 1a Expanded – Black Oblique 36 pt
Hurme FIN Typeface Specimen 19/06/2019 122Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Light & Medium – 12/14pt Regular & SemiBold – 12/14pt
Medium & Bold – 12/14pt SemiBold & Black – 12/14pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on tax-ation of publications that was based in part on page sizes. These standards are based on the ratio
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on tax-ation of publications that was based in part on page sizes. These standards are based on the ratio
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxa-tion of publications that was based in part on page sizes. These stan-dards are based on the ratio of the
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver
Hurme FIN Typeface Specimen 19/06/2019 123Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1bfamily styles
v1.0 - 19/06/2019a
Compressed Hairline
Compressed Thin
Compressed Light
Compressed Regular
Compressed SemiBold
Compressed Medium
Compressed Bold
Compressed Black
Compressed Hairline Oblique
Compressed Thin Oblique
Compressed Light Oblique
Compressed Regular Oblique
Compressed SemiBold Oblique
Compressed Medium Oblique
Compressed Bold Oblique
Compressed Black Oblique
Compressed Width StylesHURME FIN 1b
Hurme FIN Typeface Specimen 19/06/2019 125Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Condensed Family weights
Condensed Hairline
Condensed Thin
Condensed Light
Condensed Regular
Condensed SemiBold
Condensed Medium
Condensed Bold
Condensed Black
Condensed Hairline Oblique
Condensed Thin Oblique
Condensed Light Oblique
Condensed Regular Oblique
Condensed SemiBold Oblique
Condensed Medium Oblique
Condensed Bold Oblique
Condensed Black Oblique
HURME FIN 1b
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Extra Narrow Family weights
Extra Narrow Hairline
Extra Narrow Thin
Extra Narrow Light
Extra Narrow Regular
Extra Narrow SemiBold
Extra Narrow Medium
Extra Narrow Bold
Extra Narrow Black
Extra Narrow Hairline Oblique
Extra Narrow Thin Oblique
Extra Narrow Light Oblique
Extra Narrow Regular Oblique
Extra Narrow SemiBold Oblique
Extra Narrow Medium Oblique
Extra Narrow Bold Oblique
Extra Narrow Black Oblique
HURME FIN 1b
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Narrow Width Family weights
Narrow Hairline
Narrow Thin
Narrow Light
Narrow Regular
Narrow SemiBold
Narrow Medium
Narrow Bold
Narrow Black
Narrow Hairline Oblique
Narrow Thin Oblique
Narrow Light Oblique
Narrow Regular Oblique
Narrow SemiBold Oblique
Narrow Medium Oblique
Narrow Bold Oblique
Narrow Black Oblique
HURME FIN 1b
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Normal Width Family weights
Hairline
Thin
Light
Regular
SemiBold
Medium
Bold
Black
Hairline Oblique
Thin Oblique
Light Oblique
Regular Oblique
SemiBold Oblique
Medium Oblique
Bold Oblique
Black Oblique
HURME FIN 1b
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Wide Width Family weights
Wide Hairline
Wide Thin
Wide Light
Wide Regular
Wide SemiBold
Wide Medium
Wide Bold
Wide Black
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
HURME FIN 1b
Hurme FIN Typeface Specimen 19/06/2019 130Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Extra Wide Width Family weights
Extra Wide Hairline
Extra Wide Thin
Extra Wide Light
Extra Wide Regular
Extra Wide SemiBold
Extra Wide Medium
Extra Wide Bold
Extra Wide Black
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
HURME FIN 1b
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Extended Width Family weights
Hairline
Thin
Light
Regular
SemiBold
Medium
Bold
Black
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
HURME FIN 1b
Hurme FIN Typeface Specimen 19/06/2019 132Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Expanded Width Family weights
Hairline
Thin
Light
Regular
SemiBold
Medium
Bold
Black
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
Oblique
HURME FIN 1b
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Hurme FIN 1bCompressed family
v1.0 - 19/06/2019a
CONSIDERABLEMENTE MAYOR ATENCIÓN
Physical, biological and other systems we are continually confronted with what seems to be immense complexity
each component of an audio signal must be manually connected by patching wires into the machine
Esta fórmula não contém glúten en tudo
YEARS OF HEAVY PAPERWORK
Laissez cuire 45 minutes à feu moyen sans couvrirWE GATHERED SATELLITE IMAGERY OF THE AREA
Enjoyable storywiseKalah dengan musik barat atau budaya asing
STYROFOAM
GENERELT GÅR VI TUR ALLE DE STEDER, HVOR BØRNENE KAN LEGE
Träffades av rå kyckling från ovanÀ MI-CHEMIN ENTRE UNE EAU ET UN TONIQUE
lovely food for prawns Geplantes Fahrverbot für Straftäter stößt auf KritikBROAD VISION, NARROW FOCUS“ÖN” ÄR EN ORDLEK MED BOKSTAVEN Ö, SOM ETT O MED TVÅ PRICKAR HÖGST UPP
Hurme FIN Typeface Specimen 19/06/2019 135Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
COMPRESSORPYTHAGOREANSPÓŁKI MAJĄCE
VEHICLE AIRDROPTEQUILA SAMPLE
SCHWERE VERRÜCKTAUF 11:00 UHR ZURÜCKANTHROPOMORPHOLOGY
l’équivalentundersøgelsemarksmanship
nonexchangeablebærekraftsmål
standard overviewbidrager platformenefundamenta encontrado
Hurme FIN 1b Compressed Black - 72pt
Hurme FIN 1b Compressed Bold - 72pt
Hurme FIN 1b Compressed SemiBold - 72pt
Hurme FIN 1b Compressed Medium - 72pt
Hurme FIN 1b Compressed Regular - 72pt
Hurme FIN 1b Compressed Light - 72pt
Hurme FIN 1b Compressed Thin - 72pt
Hurme FIN 1b Compressed Hairline - 72pt
Hurme FIN Typeface Specimen 19/06/2019 136Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
PLAYGROUNDQUESTO PUNTOVÕIMALIK SEDA
ABSTRACTIONISMFOKUS PÅ SAKEN
ZURÜCKSCHRAUBENQUEIXAM DA CRÓNICAASSEMBLED ARGUMENTS
employmentskąd mrożonelagras ungefär
groupes françaisknowledgement
campfire shortagenotwendig eingeführtestimated that average
Hurme FIN 1b Compressed Black Oblique - 72pt
Hurme FIN 1b Compressed Bold Oblique - 72pt
Hurme FIN 1b Compressed SemiBold Oblique - 72pt
Hurme FIN 1b Compressed Medium Oblique - 72pt
Hurme FIN 1b Compressed Regular Oblique - 72pt
Hurme FIN 1b Compressed Light Oblique - 72pt
Hurme FIN 1b Compressed Thin Oblique - 72pt
Hurme FIN 1b Compressed Hairline Oblique - 72pt
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VODNÍ I SUCHOZEMSKÉ ŽIVOČICHYPäätelmiä Syy-Seuraussuhteista
Hurme FIN 1b Compressed – Thin 98 pt
CONVERTIDO EN LA FAMOSA MONTAÑAPowinien Oscylować W Okolicach 4,25
Hurme FIN 1b Compressed – Hairline 98 pt
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ENTRE CES DEUX POSITIONSUnderstandably Delighted
Hurme FIN 1b Compressed – Regular 98 pt
UMA DAS PRINCIPAIS DO PAÍSRivestimento Idrorepellente
Hurme FIN 1b Compressed – Light 98 pt
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VÕIMALIKE KAASNEVATEFjorton Skådespelarna
Hurme FIN 1b Compressed – SemiBold 98 pt
MAN KØBER FÆRRE BØGERBedachte Ondergrondse
Hurme FIN 1b Compressed – Medium 98 pt
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TAUSENDE FORSCHERGuides You Through
Hurme FIN 1b Compressed – Black 98 pt
THE CARBON FILAMENTEmpresas Para Fazer
Hurme FIN 1b Compressed – Bold 98 pt
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MANGIARE QUELLO CHE SI COLTIVAStrøm Av Urovekkende Historier
Hurme FIN 1b Compressed Oblique – Thin 98 pt
VÕIB KASUTADA KA KONSERVEERITUDDå Fick Jag Fantastisk Psykologhjälp
Hurme FIN 1b Compressed Oblique – Hairline 98 pt
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HAND-PAINTED WALLPAPER40 % Ryze Přírodní Cestou
Hurme FIN 1b Compressed Oblique – Regular 98 pt
SERVIÇOS, QUE CRESCEU 11,7%Motorsensen Sind Vielseitige
Hurme FIN 1b Compressed Oblique – Light 98 pt
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A TRAVÉS DE OXIDACIÓNKymmenen Vuoden Ajan
Hurme FIN 1b Compressed Oblique – SemiBold 98 pt
GRÖSSERE UNTERSCHIEDEHigh-Efficiency Building
Hurme FIN 1b Compressed Oblique – Medium 98 pt
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ĦAFNA SNEKKS BĦALEn Perçant Le Câble
Hurme FIN 1b Compressed Oblique – Black 98 pt
DE ZOMER ERAAN KOMTExercício Da Revisão
Hurme FIN 1b Compressed Oblique – Bold 98 pt
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65/58pt 65/58pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No.
THE GERMAN SCIENTIST GEORG CHRISTOPH LICHTENBERG DESCRIBED THE ADVANTAGES OF BASING A PAPER SIZE ON AN ASPECT RATIO OF √2 IN A LETTER TO JOHANN BECKMANN IN 25TH OCTOBER OF 1786. THE FORMATS THAT BECAME ISO PAPER SIZES (A2, A4, ETC) WERE DEVELOPED IN FRANCE AND LATER ADOPTED AS THE GERMAN DIN
Hurme FIN Typeface Specimen 19/06/2019 146Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
65/58pt 65/58pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No.
THE GERMAN SCIENTIST GEORG CHRISTOPH LICHTENBERG DESCRIBED THE ADVANTAGES OF BASING A PAPER SIZE ON AN ASPECT RATIO OF √2 IN A LETTER TO JOHANN BECKMANN IN 25TH OCTOBER OF 1786. THE FORMATS THAT BECAME ISO PAPER SIZES (A2, A4, ETC) WERE DEVELOPED IN FRANCE AND LATER ADOPTED AS THE GERMAN DIN
Hurme FIN Typeface Specimen 19/06/2019 147Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1bCondensed family
v1.0 - 19/06/2019a
Lidi čeká výměna televizorů kvůli přechodu na jiný typ vysílání
Das possierliche Tierchen erinnert an Kinderspielzeug, die Knopfaugen sehen aus wie gemaltÜBLICHERWEISE IN EINER MINUTESpraypaint drying
VINEYARD STORIES
Data should be obtained in biaxial formQUANDO ALBERI E SIEPI COPRONO LA VISUALE
FAXINEIRA DE MUSEU CONFUNDE OBRA DE ARTE COM SUJEIRA E FAZ LIMPEZA
Firecrew rescues a monkey from underground pipe
Disposable cutlery
COPRE ĽINTERA PENISOLAStudents and Graduateswater-friendly speakers
Masser af æbler, meget kanel, lidt mandler og en god portion kærlighed
AURAL ALCHEMY IS COMPOSED IN A TINY GARAGE LOCATED OUTSIDE OF LAEn Liten Och Portabel
Serie stößt auf gute Resonanz
från några korta ögonblick till flera dygn
Grand Prix CyclistePRIMEROS AUXILIOS
BRENG OP SMAAK MET ZOUT
Hurme FIN Typeface Specimen 19/06/2019 149Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
GLYCERINGLYCERINPOSIÇÕESROZVRŽEN
FÖRMÅGANOBERHALB
SYMPTÔMESACQUAINTEDCONVERTIBLE
daybreakmodelovýwayfaring
überhauptarchaïque
newscasterplus groupesmarkant sjølv
Hurme FIN 1b Condensed Black - 72pt
Hurme FIN 1b Condensed Bold - 72pt
Hurme FIN 1b Condensed SemiBold - 72pt
Hurme FIN 1b Condensed Medium - 72pt
Hurme FIN 1b Condensed Regular - 72pt
Hurme FIN 1b Condensed Light - 72pt
Hurme FIN 1b Condensed Thin - 72pt
Hurme FIN 1b Condensed Hairline - 72pt
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WARMINGLUMINEUXRECOVERY
SYMPHONYINOVAÇÃO
INJECTIONSKYLVÄMINENSTREAMLINED
recoverymaximumsydämeen
variazionehandwrite
les cheveuxkteří pracujíproxy leopard
Hurme FIN 1b Condensed Black Oblique - 72pt
Hurme FIN 1b Condensed Bold Oblique - 72pt
Hurme FIN 1b Condensed SemiBold Oblique - 72pt
Hurme FIN 1b Condensed Medium Oblique - 72pt
Hurme FIN 1b Condensed Regular Oblique - 72pt
Hurme FIN 1b Condensed Light Oblique - 72pt
Hurme FIN 1b Condensed Thin Oblique - 72pt
Hurme FIN 1b Condensed Hairline Oblique - 72pt
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PORTRAYED A MYSTERIOUS ISLANDNeuvotteluja Käydään Parhaillaan
Hurme FIN 1b Condensed – Thin 78 pt
A INFORMAÇÃO NUTRICIONAL BÁSICAVaja Kerge Ning Keskmise Raskusega
Hurme FIN 1b Condensed – Hairline 78 pt
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UNO SPECIFICO BILANCIAMENTOGjøre Mye Raskere Reduksjoner
Hurme FIN 1b Condensed – Light 70 pt
EMBAIXADORES COLOCADOSNext Generation Of Musical
Hurme FIN 1b Condensed – Medium 70 pt
PALJON ENERGIAA, NOPEASTIUn Classement Des Cristaux
Hurme FIN 1b Condensed – Regular 70 pt
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LAGFÖRSLAGET INNEHÅLLERKampaň Podporuje Přes 45
Hurme FIN 1b Condensed – SemiBold 70 pt
HEMISFERIO NORTE LANZAMunching On The Calcium
Hurme FIN 1b Condensed – Black 70 pt
LARGER INTERNET ARCHIVEDer Bildungsunterschied
Hurme FIN 1b Condensed – Bold 70 pt
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ZASKAKUJĄCY SPOSÓB PROGRAMYMed 90 Graders Vinkel Mot Stenen
Hurme FIN 1b Condensed Oblique – Thin 78 pt
STROOMKRING WORDT ONDERBROKENVelocità Di 82 Chilometri Al Secondo
Hurme FIN 1b Condensed Oblique – Hairline 78 pt
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PÅ ET TIDSPUNKT EFTER ÅR 1730La Première Projection Cinéma
Hurme FIN 1b Condensed Oblique – Light 70 pt
BRIQUES LOGIQUES SIMPLESKun Järjestetään Äänestys
Hurme FIN 1b Condensed Oblique – Medium 70 pt
DIESER NATURSCHUTZARBEITAnidride Carbonica Nel 2016
Hurme FIN 1b Condensed Oblique – Regular 70 pt
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REACTIVITY OF AIR & WATEREl Código De Comunicación
Hurme FIN 1b Condensed Oblique – SemiBold 70 pt
TEAMED LEATHER JACKETSRegulação Os Sucessivos
Hurme FIN 1b Condensed Oblique – Black 70 pt
PŮLROK OSTRÉHO PROVOZUDesign Samples Arranged
Hurme FIN 1b Condensed Oblique – Bold 70 pt
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The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publica-tions that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN stan-dard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were Light & Medium – 16/17,5pt Regular & SemiBold – 16/17,5pt Medium & Bold – 16/17,5pt SemiBold & Black – 16/17,5pt
Light & Medium – 26/27pt Regular & SemiBold – 26/27pt Medium & Bold – 26/27pt SemiBold & Black – 26/27pt
Hurme FIN Typeface Specimen 19/06/2019 158Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1bExtra Narrow family
v1.0 - 19/06/2019a
Nonsteroidal anti-inflammatory drug
Australian Army vehicle worth $74k has gone missing after being painted with camouflage
Auf allen Kanälen stößt man sich an den empfohlenen Vorratskäufen
Obsolete Payview
Northern Bike Route
Vigaselt Tõlgitud
SPORTSWEAR
Důležité zamýšlet
ACRYLIC NAIL POWDERS & LIQUIDS
DÉCOUVREZ ĽÉDITION ABONNÉSESTE PADRÃO INTRODUZIU OS PREFIXOS BINÁRIOS
INVENTORY Best used before the expiration date
Delľalluminio Ha Un Doppio Vantaggio
SE POHYBUJE MNOHO LIDÍ A KDE VZRŮSTÁ
The narcotic of the simple answer to an intractable question
INCORPORATED INTO THE 1990 STANDARD BY WAY OF INTRINSIC INQUIRY FUNCTIONS
Après Le Séquençage
ARBITRARY INDEX
Wednesdaynew sparkplug
GIOCANO SULLA FORMAHurme FIN Typeface Specimen 19/06/2019 160Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
WINTERJACKECONVERTIBLEANGLOSAXONS
ÉCO-QUARTIERPRVNÍ PŮLROK
IMPROVISATIONUNÜBERHÖRBARETRANSATLANTICAN
grävprogramdépaysementpsychological
physiotherapyvære forelder
disintegrazionesegundo día lunartingene jeg skriver
folkehelsearbeidetviktig å anerkjena
Hurme FIN 1b Extra Narrow Black - 60pt
Hurme FIN 1b Extra Narrow Bold - 60pt
Hurme FIN 1b Extra Narrow SemiBold - 60pt
Hurme FIN 1b Extra Narrow Medium - 60pt
Hurme FIN 1b Extra Narrow Regular - 60pt
Hurme FIN 1b Extra Narrow Light - 60pt
Hurme FIN 1b Extra Narrow Thin - 60pt
Hurme FIN 1b Extra Narrow Hairline - 60pt
Hurme FIN Typeface Specimen 19/06/2019 161Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
MAYORITARIOEXPONENTIALACQUISIZIONI
LES NOMBREUXMOŽNÉ PŘIDAT
CONTEMPORARYSWORDSMANSHIPGIVING REPORTERS
avait négociévardagskvällukázku hvězdy
upbeat formathousebuilding
media watchdogzurückschraubenvuelto por segundo
aspecto más lúdicoaspecto más lúdico
Hurme FIN 1b Extra Narrow Black Oblique - 60pt
Hurme FIN 1b Extra Narrow Bold Oblique - 60pt
Hurme FIN 1b Extra Narrow SemiBold Oblique - 60pt
Hurme FIN 1b Extra Narrow Medium Oblique - 60pt
Hurme FIN 1b Extra Narrow Regular Oblique - 60pt
Hurme FIN 1b Extra Narrow Light Oblique - 60pt
Hurme FIN 1b Extra Narrow Thin Oblique - 60pt
Hurme FIN 1b Extra Narrow Hairline Oblique - 60pt
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UTSENDING AV UNGE FLYKTNINGARPodporu Výstavby Infrastruktury
Hurme FIN 1b Extra Narrow – Thin 78 pt
QUALE VIENE ASSEGNATO UN NUMEROUnderwater Archaeologists To A Reef
Hurme FIN 1b Extra Narrow – Hairline 78 pt
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YHDEN ASKELLUKSEN TAHDISSAVan Mucho Más Allá De Calcular
Hurme FIN 1b Extra Narrow – Light 70 pt
ZWEITE GRUPPE BESCHREIBT50% Propylene Glycol/100 g
Hurme FIN 1b Extra Narrow – Medium 70 pt
FYRA ÅR FÖLJT FORSKNINGENÉvolué Qu'un Simple Routeur
Hurme FIN 1b Extra Narrow – Regular 70 pt
Hurme FIN Typeface Specimen 19/06/2019 164Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
HET IJSKRISTAL ZICH VORMTAnother Theory Can Explain
Hurme FIN 1b Extra Narrow – SemiBold 70 pt
DA NUTRIÇÃO QUE COMPÕEMVastauksena Kysymykseen
Hurme FIN 1b Extra Narrow – Black 70 pt
EXCESS OR THE ABUNDANCEKaasnevale Teavitustööle
Hurme FIN 1b Extra Narrow – Bold 70 pt
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MILJØER FOR SKABERNE AF DE NYEKergemaks Või Kaks Rõivasuurust
Hurme FIN 1b Extra Narrow Oblique – Thin 78 pt
REPRESENTADO POR LOS CUADRADOSOnly Continue To Form Long Polymers
Hurme FIN 1b Extra Narrow Oblique – Hairline 78 pt
Hurme FIN Typeface Specimen 19/06/2019 166Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
BIODEGRADOWALNYM ROBOTEMOrganisere Arbeidet I Ordnede
Hurme FIN 1b Extra Narrow Oblique – Light 70 pt
ZONA DO EURO CRESCEU 0,7%Pisteiden Välinen Liikerata
Hurme FIN 1b Extra Narrow Oblique – Medium 70 pt
KENTÄLLÄ OLEVIA ANTUREITABereich Der Linsenförmigen
Hurme FIN 1b Extra Narrow Oblique – Regular 70 pt
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THE UNDERLYING QUESTIONSExplosionsartade Ökningen
Hurme FIN 1b Extra Narrow Oblique – SemiBold 70 pt
UNA STRUTTURA PIÙ RIGIDAThermodynamic Equations
Hurme FIN 1b Extra Narrow Oblique – Black 70 pt
GROOTSTE ZOETWATERMEERDes Sous-Réseaux Permet
Hurme FIN 1b Extra Narrow Oblique – Bold 70 pt
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Light & Medium – 11/12,5pt Regular & SemiBold – 11/12,5pt Medium & Bold – 11/12,5pt SemiBold & Black – 11/12,5pt
Light & Medium – 20/22pt Regular & SemiBold – 20/22pt Medium & Bold – 20/22pt SemiBold & Black – 20/22pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalabilityThe main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalabilityThe main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half mid-
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalabilityThe main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalabilityThe main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German
Hurme FIN Typeface Specimen 19/06/2019 169Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1bNarrow family
v1.0 - 19/06/2019a
drygoods
Oppføre Seg OrdentligBattery level
The seat is propelled out of the aircraft by an explosive charge BIQUARKmaintenance in progress THE EXOTIC STATE OF MATTER
Twentyfive Interviews
PowdercoatKunstgeschichtliche Grundbegriffe
BURKINA FASO
play next trackSchon Zum Großen Teil Vom Sofa
A2 format
DOWNSTREAMRośnie Zapotrzebowanie Na Ekspertów
PASSAGE AUX BATEAUX
Des Bâtiments Énergétiquement
El significado de las palabras puede cambiar según su contexto
VIDEOÜBERWACHUNG
Sistemas abertos podem extrair as informações do seu ambiente
Hurme FIN Typeface Specimen 19/06/2019 171Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
LES GÂTEAUXROPEWALKERQUATRO DIAS
WORK SAFELYEMPLOYMENT
BYGNINGERNEFORDA SLAVNÝPUNTO DI VISTACONCIME VIENE
larger forcebiodiversitydargestellte
approfondieskasvisruokia
die unzähligenfotosyntetiskaimported goods
Hurme FIN 1b Narrow Black - 54pt
Hurme FIN 1b Narrow Bold - 54pt
Hurme FIN 1b Narrow SemiBold - 54pt
Hurme FIN 1b Narrow Medium - 54pt
Hurme FIN 1b Narrow Regular - 54pt
Hurme FIN 1b Narrow Light - 54pt
Hurme FIN 1b Narrow Thin - 54pt
Hurme FIN 1b Narrow Hairline - 54pt
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CARBONIZEDENCONTRADOANMELDEREN
DORÉNAVANTSLAAPKAMER
PERMANENTLYJOURNALISTENARTENVIELFALT
self-healingzbudowanegoakumulátory
subvestmentwire network
starter dagenabove absolutedaklozenopvang
Hurme FIN 1b Narrow Black Oblique - 54pt
Hurme FIN 1b Narrow Bold Oblique - 54pt
Hurme FIN 1b Narrow SemiBold Oblique - 54pt
Hurme FIN 1b Narrow Medium Oblique - 54pt
Hurme FIN 1b Narrow Regular Oblique - 54pt
Hurme FIN 1b Narrow Light Oblique - 54pt
Hurme FIN 1b Narrow Thin Oblique - 54pt
Hurme FIN 1b Narrow Hairline Oblique - 54pt
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ROBÓTICA INTELIGENCIA ARTIFICIALŠperků Osazených Vzácnými Kameny
Hurme FIN 1b Narrow – Thin 60 pt
LIVED FIVE THOUSAND YEARS BEFOREW Postaci Przygotowanych Materiałów
Hurme FIN 1b Narrow – Hairline 60 pt
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TIDSPUNKT SÆTTER UDMATTELSENBase D’œufs Avaient Été Importés
Hurme FIN 1b Narrow – Light 56 pt
THE NATIONAL FIRE PROTECTIONMit Einem Speziellen Messgerät
Hurme FIN 1b Narrow – Regular 56 pt
RÉSULTAT BRUT D'EXPLOITATIONOch De Våta Vägbanorna Fryser
Hurme FIN 1b Narrow – Medium 56 pt
Hurme FIN Typeface Specimen 19/06/2019 175Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
SNOWY PEAKS OF THE SOUTHERNParticulares Já Abriram Ações
Hurme FIN 1b Narrow – SemiBold 56 pt
METANO, UN ALTRO POTENTE GASGrjóthrun, Snjóflóð, Frá Hægri
Hurme FIN 1b Narrow – Bold 56 pt
FOR THE SAKE OF BETTER SOUNDKäytetään Yleensä Jännitettä
Hurme FIN 1b Narrow – Black 56 pt
Hurme FIN Typeface Specimen 19/06/2019 176Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
NABORY DO CENTRÓW BIZNESOWYCHLa Start Up Che Previene Gli Incendi
Hurme FIN 1b Narrow – Thin Oblique 62 pt
TOETUS PROJEKTILE ON 85 PROTSENTIMarca Com A Abertura De Novas Lojas
Hurme FIN 1b Narrow – Hairline Oblique 62 pt
Hurme FIN Typeface Specimen 19/06/2019 177Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
EXPERIMENTS AND OBSERVATIONSOok Gekoppeld Aan De Hoeveelheid
Hurme FIN 1b Narrow – Light Oblique 56 pt
ETWA EIN VIERTEL VON OZEANENHistoria On Täynnä Esimerkkejä
Hurme FIN 1b Narrow – Regular Oblique 56 pt
UNA MÁQUINA QUE TRANSFORMAVänliga Och Skonsamma Böcker
Hurme FIN 1b Narrow – Medium Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 178Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
UNNGÅ EN HØYERE OPPVARMINGOs Caminhos Vão Dar Ao Parque
Hurme FIN 1b Narrow – SemiBold Oblique 56 pt
REEF THAT WAS ALREADY KNOWNPortant Sur 98 % Des Échanges
Hurme FIN 1b Narrow – Bold Oblique 56 pt
VALMISTAA BIOPOLTTOAINETTASimple Asphyxiant (See Below)
Hurme FIN 1b Narrow – Black Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 179Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Light & Medium – 8/10pt Regular & SemiBold – 8/10pt Medium & Bold – 8/10pt SemiBold & Black – 8/10pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were devel-oped in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the gram-mage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associated postage rate, can be easily approximated by counting the number of sheets used.
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halv-ing the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associated postage rate, can be easily approximated by counting the number of sheets used.
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associated postage rate, can be easily approximated by counting the number of sheets used.
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associated postage rate, can be easily approximated by counting the number of sheets used.
Hurme FIN Typeface Specimen 19/06/2019 180Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1bNormal family
v1.0 - 19/06/2019a
ESTIMATES OF DOSE DELIVERED TO PHANTOMS OF A SPECIFIED SIZE
Hard night’s day
sprinklerStøysone
Exit Strategy
Varning för klämrisk
ForkjørsveiFARLIG ELEKTRISK SPÆNDING PÅ RØRLEDNINGEN
CINÉTIK
Stromy Podjazd
Set phasers to stun
ACRYLIC TOPCOATSviđa mi se što igramo čvrsto i pritišćemo protivnika
El Pueblo de Nuestra Senora la Reina de los Angeles de Porciuncula
DRYWASH
Biðskylda
travelling 70km/h
Greičio mažinimo priemonė
Propylene Glycol
Hurme FIN Typeface Specimen 19/06/2019 182Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
PLAYDOWNINGÉNIEURFORTJENER
AUDIOLOGYUNZÄHLIGE
PUNETAVADODER ZWÖLFSTØRRE SPIL
atmósferavälskrivenles oiseaux
ponto únicoyhteenveto
rose by 27%coffee breaklike a matrix
Hurme FIN 1b Black - 54pt
Hurme FIN 1b Bold - 54pt
Hurme FIN 1b SemiBold - 54pt
Hurme FIN 1b Medium - 54pt
Hurme FIN 1b Regular - 54pt
Hurme FIN 1b Light - 54pt
Hurme FIN 1b Thin - 54pt
Hurme FIN 1b Hairline - 54pt
Hurme FIN Typeface Specimen 19/06/2019 183Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
WINTERIZEHANDWERKHANDWERKFIRST SHIP
REPOSIÇÃOODLICZANA
SADEASUJAMEALWORMSTHE JARGONEVERYTHING
d’audienceincluyerončásti plánu
about eightaufbrechen
quatre à sixd’entrepriseconsiderably
Hurme FIN 1b Black Oblique - 54pt
Hurme FIN 1b Bold Oblique - 54pt
Hurme FIN 1b SemiBold Oblique - 54pt
Hurme FIN 1b Medium Oblique - 54pt
Hurme FIN 1b Regular Oblique - 54pt
Hurme FIN 1b Light Oblique - 54pt
Hurme FIN 1b Thin Oblique - 54pt
Hurme FIN 1b Hairline Oblique - 54pt
Hurme FIN Typeface Specimen 19/06/2019 184Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
NÁS PŘED ZÁNIKEM ZACHRÁNÍOlarak Işlem Gördüğü Ilk Günü
Hurme FIN 1b – Thin 60 pt
MAIS BAIXO DESDE FEVEREIROVolatilization From Water/Soil
Hurme FIN 1b – Hairline 60 pt
Hurme FIN Typeface Specimen 19/06/2019 185Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
DE LOS BOSQUES NATURALESUtan Inlindat Blomsterspråk
Hurme FIN 1b – Light 56 pt
EN AV DE STØRSTE TAPERNEAnd Often Walking In Dozens
Hurme FIN 1b – Regular 56 pt
DATA SHOULD BE OBTAINEDDe Werksters Eitjes Leggen
Hurme FIN 1b – Medium 56 pt
Hurme FIN Typeface Specimen 19/06/2019 186Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
REITINGI BIJA VĀJPRĀTĪGIInvolving Daily Operations
Hurme FIN 1b – SemiBold 56 pt
GRÜNDERFREUNDLICHKEITBokrecensionerlör 28 Okt
Hurme FIN 1b – Bold 56 pt
MULTI-SCREEN TECHNIQUEHigh-Performance Liquid
Hurme FIN 1b – Black 56 pt
Hurme FIN Typeface Specimen 19/06/2019 187Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
FAMILIE VAN DE ZOGENAAMDEHaver Uma Abertura No Setor
Hurme FIN 1b – Thin Oblique 60 pt
LIFTIKÕNE OSALISEKS SAAVADMacchine Volanti E Autostrade
Hurme FIN 1b – Hairline Oblique 60 pt
Hurme FIN Typeface Specimen 19/06/2019 188Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
ÚTERÝ 18. DUBNA SCHVÁLILAPrevisione O Una Stima Degli
Hurme FIN 1b – Light Oblique 56 pt
EXACTLY LIKE SMARTPHONEÜber Angebliche Steinbilder
Hurme FIN 1b – Regular Oblique 56 pt
HORIZONTAL AND VERTICALLes Étapes De La Recherche
Hurme FIN 1b – Medium Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 189Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
SIE TAUSENDE VON HEKTARSound Of The Wind Rustling
Hurme FIN 1b – SemiBold Oblique 56 pt
SÄHKÖÄ MEREN AALLOISTANylon Est Breveté En 1938
Hurme FIN 1b – Bold Oblique 56 pt
CADAVRE EXQUIS PHARMADisplay On The Other Side
Hurme FIN 1b – Black Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 190Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Light & Medium – 8/10pt Regular & SemiBold – 8/10pt Medium & Bold – 8/10pt SemiBold & Black – 8/10pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half mid-way between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associated postage
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN stan-dard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for exam-ple, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the gram-mage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halv-ing the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keep-ing the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbre-viated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage. One can derive the grammage of other sizes by arithmetic division in g/m2. A standard A4 sheet made from 80 g/m2 paper weighs 5 g, as it is 1⁄16 (four halvings, ignoring roundings to exact mm) of an A0 page. Thus the weight, and the associated postage rate, can be easily approxi-mated by counting the number of sheets used.
Hurme FIN Typeface Specimen 19/06/2019 191Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1bWide family
v1.0 - 19/06/2019a
Aircraftårsböcker
Wartezeiten der Aufgaben abgelesen werden können
Restore factory default settings
GrayscaleHYDROTHORAX
ÜBERSETZUNG UND ETYMOLOGIE
Golpearse la cabeza contra un muro consume 150 calorías por hora
STRUTTURA PORTANTE
Biodegradabilità
Institut für Normung
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BODYWORK
Deuxième Façade Maritime
Find out how to safely use this handy tool in the following article
Well, that extrapolated quicklyOBJECTSParametry
En la primera página del Boletín 264
EMPIRE SPECIAL
Year 1983POPULATION DENSITYCorkscrew
Hurme FIN Typeface Specimen 19/06/2019 193Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
CODIFICADELIVERYCRYSTALS
MEDALISTEXPLICAR
BRETAGNEARBEJDEREURO (+11%)
ilmapiirileaf veinsvariações
skutecznydéblayage
abgebrühtbedwongenadjustment
Hurme FIN 1b Wide Black - 54pt
Hurme FIN 1b Wide Bold - 54pt
Hurme FIN 1b Wide SemiBold - 54pt
Hurme FIN 1b Wide Medium - 54pt
Hurme FIN 1b Wide Regular - 54pt
Hurme FIN 1b Wide Light - 54pt
Hurme FIN 1b Wide Thin - 54pt
Hurme FIN 1b Wide Hairline - 54pt
Hurme FIN Typeface Specimen 19/06/2019 194Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
SINERGIAMINISTRYTVEKLÖST
APPLIQUÉMATERIAL
VÉGÉTAUXCHAMPIONBALÍČKU 18
emergentwichtigervaisseaux
avaldavadricordano
verborgenforklaredecravejáveis
Hurme FIN 1b Wide Black Oblique - 54pt
Hurme FIN 1b Wide Bold Oblique- 54pt
Hurme FIN 1b Wide SemiBold Oblique - 54pt
Hurme FIN 1b Wide Medium Oblique - 54pt
Hurme FIN 1b Wide Regular Oblique - 54pt
Hurme FIN 1b Wide Light Oblique - 54pt
Hurme FIN 1b Wide Thin Oblique - 54pt
Hurme FIN 1b Wide Hairline Oblique - 54pt
Hurme FIN Typeface Specimen 19/06/2019 195Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
INGENIERÍA AEROESPACIALNog Steeds Op Grote Schaal
Hurme FIN 1b Wide – Thin 56 pt
MISCELA PESANTE COMPOSTAHambad Ilma Suurte Kuludeta
Hurme FIN 1b Wide – Hairline 56 pt
Hurme FIN 1b Narrow – Hairline Oblique 62 pt
Hurme FIN Typeface Specimen 19/06/2019 196Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
AND STUDY NEW EXAMPLESPosledních Několika Měsíců
Hurme FIN 1b Wide – Light 56 pt
ASCENDIA A 283 MILHÕESObservations Of The Early
Hurme FIN 1b Wide – Regular 56 pt
FARBEN IN ZUCKERMASSEAinsi De Nouveaux Débats
Hurme FIN 1b Wide – Medium 56 pt
Hurme FIN Typeface Specimen 19/06/2019 197Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
JOUSTAVAA YHTEISTYÖTÄAbaixo Do Mínimo De 0,6%
Hurme FIN 1b Wide – SemiBold 56 pt
SÖKRYMDEN OCH DÄRMEDUnd 7 Meter Länge Kostet
Hurme FIN 1b Wide – Bold 56 pt
STRAIGHT TO YOUR INBOXBeziers Conquer Equator
Hurme FIN 1b Wide – Black 56 pt
Hurme FIN Typeface Specimen 19/06/2019 198Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
LES CADRES IDÉOLOGIQUESSine Musikalske Udfoldelser
Hurme FIN 1b Wide – Thin Oblique 56 pt
MANTIDO EM SEGUNDO LUGARUdzielić Poprawnej Odpowiedzi
Hurme FIN 1b Wide – Hairline Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 199Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
FÖR BARNENS UTVECKLINGMille Eest Peaks Ehitatama
Hurme FIN 1b Wide – Light Oblique 56 pt
ODER STROM PRODUZIERTViene Y Recoger Muestras
Hurme FIN 1b Wide – Regular Oblique 56 pt
AND ROUGH-HEWN CHARMEssa Nova Forma De Fazer
Hurme FIN 1b Wide – Medium Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 200Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
FROM AROUND THE WORLDSupera Quello Dei Servizi
Hurme FIN 1b Wide – SemiBold Oblique 56 pt
NAPŘÍKLAD KOMPOSTÉRYStudy The Dust-Filtering
Hurme FIN 1b Wide – Bold Oblique 56 pt
PORQUE AQUELLAS JOYASLiikkeelle Lähtöä Varten
Hurme FIN 1b Wide – Black Oblique 56 pt
Hurme FIN Typeface Specimen 19/06/2019 201Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Light & Medium – 8/10pt Regular & SemiBold – 8/10pt Medium & Bold – 8/10pt SemiBold & Black – 8/10pt
The German scientist Georg Christoph Lichtenberg described the advantages of bas-ing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scal-ing. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is num-bered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s gram-mage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limit-ing ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scal-ing. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each suc-cessive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the propor-tions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s gram-mage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN stan-dard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scal-ing. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each suc-cessive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the propor-tions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s gram-mage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publica-tions that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving the length of the preceding size sheet.
A folded brochure can be made by using a sheet of the next larger size (for example, an A4 sheet is folded in half to make a brochure with size A5 pages. An office photocopier or printer can be designed to reduce a page by 71% from A4 to A5 or to enlarge a page from A4 to A3 by 41%. Similarly, two sheets of A4 can be scaled down to fit one A4 sheet without excess empty paper, while keeping the proportions of the original artwork.
Other benefits of the system
This system also simplifies calculating the weight paper. Under ISO 536, paper’s grammage is defined as a sheet’s weight in grams (g) per area in square metres (abbreviated g/m2 or gsm). Since an A0 sheet has an area of 1 m2, its weight in grams is the same as its grammage.
Hurme FIN Typeface Specimen 19/06/2019 202Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1bExtra Wide family
v1.0 - 19/06/2019a
Les pôles d’activités
DIRECT STREAM TRANSFER
Disk Jockeys
Zeitlicher
ELIMINATING REDUNDANCY REDUCES FILE SIZE
Periscópio óculos horizontais permitir que você relaxe
Typical quagmire where the land surface is too flat
The League Of Extraordinary Steaks
TOPOLOGICAL POLAR SURFACE AREA IS 140 Ų
PRIMEROS AUXILIOS
MEDIAKURA
LUMINARY bright & modern kitchentruckyard
POTENZIALFREIE AUSGÄNGE
KRAKEN
orbit
PLAYER 1
Abstractions
yellow jacket
Autorização
narrow brigdeKuva- Ja Äänitallenteet
VÕIMSAM KUI VARASEMAD?
interframe compressionThis has put upward pressure on headline inflation
INNEHÅLLSTJÄNSTER
GRUNDLAGT
Hurme FIN Typeface Specimen 19/06/2019 204Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
BEWAREKRAKENBOYCOT
ÄNDERNMARBLE
CIERTOSANALYSESØKSMÅL
på alvorestaçãodiploma
outwearerträgt
le biogazcampfireformatés
Hurme FIN 1b Extra Wide Black - 54pt
Hurme FIN 1b Extra Wide Bold - 54pt
Hurme FIN 1b Extra Wide SemiBold - 54pt
Hurme FIN 1b Extra Wide Medium - 54pt
Hurme FIN 1b Extra Wide Regular - 54pt
Hurme FIN 1b Extra Wide Light - 54pt
Hurme FIN 1b Extra Wide Thin - 54pt
Hurme FIN 1b Extra Wide Hairline - 54pt
Hurme FIN Typeface Specimen 19/06/2019 205Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
BRUDERPŮLROKSAMPLE
SORMUSPACHYS
BINARIOJÄÄMERIORSAKER
åtar sigungefärathènes
polyglotcheveux
yläkertaknattertmõlemale
Hurme FIN 1b Extra Wide Black Oblique - 54pt
Hurme FIN 1b Extra Wide Bold Oblique - 54pt
Hurme FIN 1b Extra Wide SemiBold Oblique - 54pt
Hurme FIN 1b Extra Wide Medium Oblique - 54pt
Hurme FIN 1b Extra Wide Regular Oblique - 54pt
Hurme FIN 1b Extra Wide Light Oblique - 54pt
Hurme FIN 1b Extra Wide Thin Oblique - 54pt
Hurme FIN 1b Extra Wide Hairline Oblique - 54pt
Hurme FIN Typeface Specimen 19/06/2019 206Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
DE WARMTE IN DE CIRKELEnviada Esta Terça-Feira
Hurme FIN 1b Extra Wide – Thin 50 pt
KUNSTLIKU VILJASTAMISEGrande Affare Nella Storia
Hurme FIN 1b Extra Wide – Hairline 50 pt
Hurme FIN 1b Narrow – Hairline Oblique 62 pt
Hurme FIN Typeface Specimen 19/06/2019 207Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
NABÍDNE NOVÉ MUZEUMKolhydrater Kan Brytas
Hurme FIN 1b Extra Wide – Light 50 pt
USED 1,892 PETABYTESDie Prozesse Anstoßen
Hurme FIN 1b Extra Wide – Regular 50 pt
FOUNDER OF A THEORYAu Nombre De Paquets
Hurme FIN 1b Extra Wide – Medium 50 pt
Hurme FIN Typeface Specimen 19/06/2019 208Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
LANGFRISTIGEN ZIELEDownplay Information
Hurme FIN 1b Extra Wide – SemiBold 50 pt
SATOJA KILOMETREJÄÀ Gérer Les Exigences
Hurme FIN 1b Extra Wide – Bold 50 pt
VOYAGER SPACECRAFTCardiac Index (2+/-0.7)
Hurme FIN 1b Extra Wide – Black 50 pt
Hurme FIN Typeface Specimen 19/06/2019 209Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
SCHWEIGEN UND HÖRTENElektřiny Pomocí Osmózy
Hurme FIN 1b Extra Wide – Thin Oblique 50 pt
APOYAR A ESAS GALERÍASSurfe Videre På Ordningen
Hurme FIN 1b Extra Wide – Hairline Oblique 50 pt
Hurme FIN Typeface Specimen 19/06/2019 210Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
BÅDE AF GRUNDLOVENSRekrutacji Absolwentów
Hurme FIN 1b Extra Wide – Light Oblique 50 pt
SITUATO A 3.400 METRIDouble Curtain Glacier
Hurme FIN 1b Extra Wide – Regular Oblique 50 pt
FÖRÄLDRAR OCH BARNThe Perfect Bathroom
Hurme FIN 1b Extra Wide – Medium Oblique 50 pt
Hurme FIN Typeface Specimen 19/06/2019 211Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
SECONDE, DYNAMIQUESie Etwas Auf Deutsch
Hurme FIN 1b Extra Wide – SemiBold Oblique 50 pt
SLOWED GROWTH RATEYhteenlaskettu Paino
Hurme FIN 1b Extra Wide – Bold Oblique 50 pt
EXIBIÇÃO DOS FILMESGesamten Erweiterung
Hurme FIN 1b Extra Wide – Black Oblique 50 pt
Hurme FIN Typeface Specimen 19/06/2019 212Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Light & Medium – 8/10pt Regular & SemiBold – 8/10pt
Medium & Bold – 8/10pt SemiBold & Black – 8/10pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is numbered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The for-mats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The for-mats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publica-tions that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allu-sion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a let-ter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on the ratio of the Silver Rectangle (its name is an allusion to the golden ratio), as the limiting ratio of consecutive Pell numbers.
Aspect ratio and scalability
The main advantage of this system is its scaling. Rectangular paper with an aspect ratio of √2 has the unique property that, when cut or folded in half midway between its shorter sides, each half has the same √2 aspect ratio and half the area of the whole sheet before it was divided. The ISO system of paper sizes exploit these properties of the aspect ratio. In each series of sizes, the largest size is num-bered 0 (for example, A0), and each successive size (for example, A1 & A2) has ½ the area of the preceding sheet and can be cut by halving
Hurme FIN Typeface Specimen 19/06/2019 213Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1bExtended family
v1.0 - 19/06/2019a
björnDaylight
PICKAXEDas Flugzeug wird kurz gereinigt undbetankt
PRIMEROS AUXILIOS
DANGER
Health benefits are amplified by your mindset
Délices mille et un cadeaux
SUBWAYExternal use only
Standard that introduced the A-series paper sizes in 1922
INSTRUÇÕES DE SEGURANÇA
GRUNDLAGT
FINNE INDRE STYRKE
Punto De Lagrange
stackability
driftkeychain
DER VERLÄNGERTEN
Behandlingar Som Fungerar Bäst
New ZorkSticky Fingers
BUILDPiù Efficaci In Questa Azione
Real Parts Of Nontrivial Zeros
EDGAR SUIT
Hurme FIN Typeface Specimen 19/06/2019 215Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
ABSORBVÄRSKEVALDAVBUREAU
DIALOGIVENEILYORIVESIOBČANY
STOPNIUCASTINGEXAMINE
däremotwerkdagfizyczne
yritystäathletic
migrainealtofornievidenzia
Hurme FIN 1b Extended Black - 46pt
Hurme FIN 1b Extended Bold - 46pt
Hurme FIN 1b Extended SemiBold - 46pt
Hurme FIN 1b Extended Medium - 46pt
Hurme FIN 1b Extended Regular - 46pt
Hurme FIN 1b Extended Light - 46pt
Hurme FIN 1b Extended Thin - 46pt
Hurme FIN 1b Extended Hairline - 46pt
Hurme FIN Typeface Specimen 19/06/2019 216Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
A MIEUXJØRGENHUNGRY
BISQUITFRAMED
PIÙ ALTOTURBINEKÜRZELS
likewisecrownedmanière
tão fácilincluyen
objectifygaufrentbetydelig
Hurme FIN 1b Extended Black Oblique - 46pt
Hurme FIN 1b Extended Bold Oblique - 46pt
Hurme FIN 1b Extended SemiBold Oblique - 46pt
Hurme FIN 1b Extended Medium Oblique - 46pt
Hurme FIN 1b Extended Regular Oblique - 46pt
Hurme FIN 1b Extended Light Oblique - 46pt
Hurme FIN 1b Extended Thin Oblique - 46pt
Hurme FIN 1b Extended Hairline Oblique - 46pt
Hurme FIN Typeface Specimen 19/06/2019 217Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
MEN SPRÅKET FLYTERAnnuale Sui Gas Serra
Hurme FIN 1b Extended – Thin 42 pt
DE AFGELOPEN JARENDe Gripe Sazonal E 16%
Hurme FIN 1b Extended – Hairline 42 pt
Hurme FIN Typeface Specimen 19/06/2019 218Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
OLI MUKANA KESÄLLÄZomer En Korrelhagel
Hurme FIN 1b Extended – Light 42 pt
DIÁRIO DE NOTÍCIASTransport The Stone
Hurme FIN 1b Extended – Regular 42 pt
ODCZYTUJE EMOCJELa Fin Du Xixe Siècle
Hurme FIN 1b Extended – Medium 42 pt
Hurme FIN Typeface Specimen 19/06/2019 219Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
ACABAN DE AYUDARPozměnit Strukturu
Hurme FIN 1b Extended – SemiBold 42 pt
UNVERZICHTBARENTake Full Advantage
Hurme FIN 1b Extended – Bold 42 pt
GLUES THE SAWDUSTAaltoilu Jatkuu Aina
Hurme FIN 1b Extended – Black 42 pt
Hurme FIN Typeface Specimen 19/06/2019 220Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
DEL 15º ANIVERSARIOSprays Like Fireworks
Hurme FIN 1b Extended – Thin Oblique 42 pt
RÕUGEPUHANGU AJALEn Liten Batteridriven
Hurme FIN 1b Extended – Hairline Oblique 42 pt
Hurme FIN Typeface Specimen 19/06/2019 221Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
NUR ZEHN KILOMETERDe Forma Semelhante
Hurme FIN 1b Extended – Light Oblique 42 pt
LITTERATURMILJØETProjets Bas Carbone
Hurme FIN 1b Extended – Regular Oblique 42 pt
STANDARD ISO 7736Tidspunkt En Samlet
Hurme FIN 1b Extended – Medium Oblique 42 pt
Hurme FIN Typeface Specimen 19/06/2019 222Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
VALON NOPEUDELLAPředsazený Prostor
Hurme FIN 1b Extended – SemiBold Oblique 42 pt
ANCORA UN CENTROSka Utgrävningarna
Hurme FIN 1b Extended – Bold Oblique 42 pt
SOUVENT BEAUCOUPDes Pilzes Strömten
Hurme FIN 1b Extended – Black Oblique 42 pt
Hurme FIN Typeface Specimen 19/06/2019 223Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxa-tion of publications that was based in part on page sizes. These stan-
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on tax-ation of publications that was based in part on page sizes. These
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on tax-ation of publications that was based in part on page sizes. These
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN stan-dard No. 476 in 1922. They were listed in a 1798 law on taxation of publica-tions that was based in part on page sizes. These standards are based
Light & Medium – 12/14pt Regular & SemiBold – 12/14pt
Medium & Bold – 12/14pt SemiBold & Black – 12/14pt
Hurme FIN Typeface Specimen 19/06/2019 224Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Hurme FIN 1bExpanded family
v1.0 - 19/06/2019a
MILKNu există suficient de știri pozitiveNotion De Contrôle De Flux
Special Power in Wheat Discovered
Le rôle du sélectionneur vu par un trio de choc
Lignes claires et couleurs fortes
distanza
Fitzgerald
Gartley Patternactive ingredient
fromADJUST
80 km/h for emergency
Enter
Passage Aux BateauxTHAT UNISEX WARDROBE STAPLE
NOVÉ OBALYDriftsstøtte Og Avgjør Saker
UNDERSÖKNING GJORD
Contol PanelBIG
tricky
Detour
YACHT MARINA
Questões Prévias
APPLY A NEW MATERIAL AND GENERATE
VINYL
enough already
KEEP AWAY FROM DIRECT SUNLIGHT
Hurme FIN Typeface Specimen 19/06/2019 226Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
COXIAPARSIRELAX
GRINDLØBET
FOKUSSMARTLYXIGA
strokeforskabowlen
spießtzbytky
fragilealforzóstanzia
Hurme FIN 1b Expanded Black - 46pt
Hurme FIN 1b Expanded Bold - 46pt
Hurme FIN 1b Expanded SemiBold - 46pt
Hurme FIN 1b Expanded Medium - 46pt
Hurme FIN 1b Expanded Regular - 46pt
Hurme FIN 1b Expanded Light - 46pt
Hurme FIN 1b Expanded Thin - 46pt
Hurme FIN 1b Expanded Hairline - 46pt
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APEIOSOLVEPRVNÍ
TEJASSTACK
FORCESABORDRØNA
agencypícarofrühen
spidergringo
navždyolmegaasfaltó
Hurme FIN 1b Expanded Black Oblique - 46pt
Hurme FIN 1b Expanded Bold Oblique - 46pt
Hurme FIN 1b Expanded SemiBold Oblique - 46pt
Hurme FIN 1b Expanded Medium Oblique - 46pt
Hurme FIN 1b Expanded Regular Oblique - 46pt
Hurme FIN 1b Expanded Light Oblique - 46pt
Hurme FIN 1b Expanded Thin Oblique - 46pt
Hurme FIN 1b Expanded Hairline Oblique - 46pt
Hurme FIN Typeface Specimen 19/06/2019 228Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
OBJEVENÝ EXEMPLÁŘAdvarsel Laser Stråle
Hurme FIN 1b Expanded – Thin 36 pt
EM DEZEMBRO DE 2011Sharp Ends Of The Wire
Hurme FIN 1b Expanded – Hairline 36 pt
Expanded Width1b
Hurme FIN Typeface Specimen 19/06/2019 229Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
AQUELLOS PAISAJESLa Superficie Interna
Hurme FIN 1b Expanded – Light 36 pt
ØNSKE OM Å STYRKEBalance Of Strength
Hurme FIN 1b Expanded – Regular 36 pt
ANY NEW HARDWAREZo’n Breed Scala Aan
Hurme FIN 1b Expanded – Medium 36 pt
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BØJLE ARBEJDSTØJGroup Of 32 Samples
Hurme FIN 1b Expanded – SemiBold 36 pt
DER NORDÖSTLICHERelativt Stabil Nivå
Hurme FIN 1b Expanded – Bold 36 pt
ABSTRACT DRAWINGDer Links Und Rechts
Hurme FIN 1b Expanded – Black 36 pt
Hurme FIN Typeface Specimen 19/06/2019 231Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
OPATŘENÍ NA ÚSPORUViel Strom Produziert
Hurme FIN 1b Expanded – Thin Oblique 36 pt
WIEDZY PRAKTYCZNEJPartie Du Savoir-Faire
Hurme FIN 1b Expanded – Hairline Oblique 36 pt
Hurme FIN Typeface Specimen 19/06/2019 232Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
DELNINGAR VÄNLIGAEmpresa Que Fabrica
Hurme FIN 1b Expanded – Light Oblique 36 pt
RĂSPUNZI TU CELOR1,7 % Des Sondés Ont
Hurme FIN 1b Expanded – Regular Oblique 36 pt
SILMADELE MÕJUDAFor 70 År Siden Blev
Hurme FIN 1b Expanded – Medium Oblique 36 pt
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INFRAROSSI E ONDELigger På 0,9 Grader
Hurme FIN 1b Expanded – SemiBold Oblique 36 pt
ACESSAR ARQUIVOSStrategisia Teemoja
Hurme FIN 1b Expanded – Bold Oblique 36 pt
ZWISCHEN NORDSEEBranching Filaments
Hurme FIN 1b Expanded – Black Oblique 36 pt
Hurme FIN Typeface Specimen 19/06/2019 234Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Light & Medium – 12/14pt Regular & SemiBold – 12/14pt
Medium & Bold – 12/14pt SemiBold & Black – 12/14pt
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The formats that became ISO paper sizes (A2, A4, etc) were developed in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publications that was based in part on page sizes. These standards are based on
The German scientist Georg Christoph Lichtenberg described the advantages of basing a paper size on an aspect ratio of √2 in a letter to Johann Beckmann in 25th October of 1786. The for-mats that became ISO paper sizes (A2, A4, etc) were devel-oped in France and later adopted as the German DIN standard No. 476 in 1922. They were listed in a 1798 law on taxation of publica-tions that was based in part on page sizes. These standards are based on the ratio of the Silver
Hurme FIN Typeface Specimen 19/06/2019 235Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi
Acknowledgments
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Hurme FIN Typeface Specimen 19/06/2019 236Hurme FIN © 2015 Hurme Design.www.hurmedesign.fi