Hungarians and the Canadian Theatre the Case of Peter Hay

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    Hungarians and the Canadian Theatre: The Case of Peter HayPter Szaffk

    University of Debrecen, Partiu Christian University, !radea

    "P#ays are $ub#ished for a variety of reasons% &'ce$t in &ng#ish Canada (here,

    genera##y s$eaking, $#ays are not $ub#ished) *Hay, "Preface) +% This is the beginning of thePreface to -eorge .yga/s Captives of the Faceless Drummer first $ub#ished in 0120 and

    re$rinted in 0123 by Ta#onbooks% The author is Peter Hay, editor of Ta#on$#ays% 4nd a

    draaturge% 4nd a trans#ator% 4nd a director% 4nd any other things %%% He (as born

    Hungarian and has becoe one of the ost ardent s$okesen and activists of Canadian

    theatre and Canadian draa in the 0125s% Current#y he is oving back to Canada fro the

    United States of 4erica (here he ran t(o bookstores in 6os 4nge#es%

    Background and Preparation

    Peter Hay (as born to a 7e(ish fai#y as Pter 8a9oros on 1 ebruary 01;; in

    n 8a9oros, (as a (riter (ho (as saved by a S(edish Schutz$assfro .au# ?a##enberg (hi#e his other (as in hiding% =n 8ay 01;+ his other et the

    Hungarian $#ay(right -yu#a H>y (ho eventua##y arried hi and Pter becae ado$ted by

    hi% Probab#y because of the tense $o#itica# situation fo##o(ing the Hungarian .evo#ution in

    01+@, in 7anuary 01+2 Peter (as sent to &ng#and, (here his aterna# grand$arents had f#ed in

    01A1% T(o (eeks #ater -yu#a H>y (as arrested and #ater tried for treason%

    Peter (ent to &ng#ish boarding schoo#s and (on a scho#arshi$ to 8erton Co##ege,

    !'ford, (here he first read c#assics and got a

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    Peter Hay arrived in Canada in #ate 4ugust of the country/s centennia# year of 01@2

    and started directing at SU ear#y Se$teber% =t (as there that he et avantFgarde director

    7ohn 7u#iani, (ith (ho he (orked c#ose#y the fo##o(ing five years% 7u#iani cae fro

    8ontrea# and he (as to becoe one of the ost inf#uentia# directors of the 0125s and G5s,

    es$ecia##y (ith his Savage -od series e'$erient% 4## his $roductions (ere cha##enging,

    controversia# andor $rovocative% 4t the university Hay (as in charge of a (eek#y oneFhoursho(, and a#so directed various $roductions such asAntigone, Coriolanusand other (orks% 4t

    the tie, both 7u#iani and Hay (ere ore interested in c#assic (orks or in the &uro$ean avantF

    garde (hich is not at a## sur$rising given the fact that visib#e Canadian draa hard#y e'isted

    at a##, e'ce$t that the Eancouver P#ayhouse (as having great success in 01@2 (ith -eorge

    .yga/s no( c#assic (ork The "cstasy of Rita #oeand soe &ric ico# coedies%

    =n #ate 01@G Sion raser University becae the y/s The Horse, and started rehearsing his ost faous $#ayHave

    BTiszazug, 01A; but cou#d not finish before being shut out of the theatre% ?hen the $#ay (as

    sho(n in 011+ at the rederic ?ood Theatre of the University of

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    ?hi#e the $rinting of his father/s $#ay (as the resu#t of a current needK7u#iani (anted

    to direct the (ork and it (as to be used as a reLuired reading for a draa courseKthe case of

    Cra&dance(as a different story% Severa# onths after the successfu# $ub#ishing of Sions/s

    $#ay, Hay (rote an artic#e entit#ed "Pub#ish and Perish) for the s$ring 0125 issue of the

    bi#ingua# theatrica# agazine The *tage in Canada+La sc,ne au in Canada in (hich he

    $rovides his criticis over Canadian $ub#ishing at #arge and describes his otivations to urgeand encourage draa $ub#ishing in the country% He argues that indigenous draa cannot

    deve#o$ (ithout being $ub#ished but even the fact of $ub#ishing in itse#f ay not be enough%

    He refers to the $ractice of the Canadian Theatre Centre $re$aring stenci##ed versions of

    Canadian $#ay(rights/ scri$ts for the ebers% =n the #ong run, ho(ever, this venture (as

    dooed to fai#ure because it

    had to re#y on fu## subsidy, since scri$ts $roduced this (ay cost a good dea#, es$ecia##y

    in huan #abour% 8oreover, a nuber of scri$ts that (ere not (ho##y (orth(i#e got

    disseinated to kee$ u$ (ith the su$$#y of subsidy for this s$ecific $ur$ose% Soe

    scri$ts (ere du$#icated not because they (ere good but because they (ere Canadian:

    one of the surest (ays to $roduce a dec#ine in standards% *Hay, "Pub#ish and Perish) +

    Then Hay describes his e'$eriences (ith the #ack of i$ortant (orks in $rint such as 7aes

    .eaney/s The "aster "gg(hich (as avai#ab#e on#y in a "tattered anuscri$t) and had to be

    rety$ed for $roduction *+% 4s a countere'a$#e, Hay re#ates that the chea$ version of the

    $#ay Have(as Luite feasib#e because (hen it (as needed for 7u#iani/s $roduction, he got it

    $rinted in 0+55 co$ies t(o thirds of (hich (as Luick#y so#d at the university%

    The idea of $ub#ishing $#ays in con9unction (ith a $roduction cae fro Hay/s

    $ersona# e'$erience (hen 7ean Ei#ar/s ThMtre ationa#e Po$u#aire had staged his fatherNs

    !od' "mperor and %easant B=sten, cs>sz>r, $araszt, 01A3 a fe( years ear#ier in Paris and

    4vignon, and had so#d tens of thousands of co$ies of the scri$t to a ca$tive audience% =t

    seeed #ogica# that the best arketing of $#ays (as through the theatre, and this is (hy he

    decided to go to Seatt#e to se##

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    -eorge .yga/s e$ochFaking The "cstasy of Rita #oein the sae year *01@1Kbecae the

    first of a #ong series of Canadian $#ays ost of (hich no( be#ong to the genera# canon of

    Canadian draa% During the ten years he s$ent (ith Ta#onbooks, Hay edited ore than @5

    $#ays inc#uding the a9or $#ays of -eorge .yga, Hersche# Hardin/s"s-er .i-e His /ife

    Agilu- *012A, Sharon Po##ock/s /alsh *012A, 8ichae# Cook/s #aco&0s /a-e *012;, The

    Factory La& Anthology *012;, .ick Sa#utin/s Les Canadiens *0122, David ennario/sbi#ingua# 1alconville *0121, David rench/s #itters *01G5, the first high#y successfu#

    Canadian coedy as (e## as ha#f a dozen $#ays by Oubec $#ay(right 8iche# Treb#ay%

    =n an essay on the history of Ta#onbooks, referring to the first t(o vo#ues $ub#ished

    in the series, 8ichae# Hay(ard c#ais that "in retros$ect it can be seen that this initia# foray

    into draa (as $erha$s the ost significant ove in the evo#ution of Ta#on/s editoria# $o#icy)

    *Hay(ard 3A% 4#though the coo$eration bet(een Hay and the other staff ebers of the

    $ub#ishing fir (as not idea#, there (as a gro(ing e$hasis on draa% ?hi#e in 0120 the

    fifteen $ub#ished tit#es contained on#y one draa, in 012; seven of eighteen vo#ues (ere

    $#ays *Hay(ard 3A% =n fact, the series (as soon to inc#ude internationa# draa tit#es: the first

    (as

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    ace#ess Druer is a dia#ectic of urban vio#ence not (hat has ha$$ened, but its #ogica#

    e'tension in the future) *Preface 1% The

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    Canada/s $rob#e, if there is one, is not (hether she has a cu#ture% .ather, given the

    size of the country, its history, unhoogeneous $o$u#ation, (e can identify severa#

    cu#tures% rench,

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    #ives, history and e'$eriences in a (ay that is both re#evant and entertaining% %%% !ur

    ob9ective is a Canadian theatre of and for $eo$#eKfreed of the dead#y $o#itica#

    inf#uences of the inter#ocking cor$orate syste (hich has an interest in creating and

    sustaining a certain cu#tura# c#iate in regions of their investent and enter$rise% *00

    Une'$ected#y, Hay got a 9ob in the 4ttorneyF-enera#/s de$artent to set u$ $ub#icinforation $rogras through its ne( 7ustice Deve#o$ent Coission% =ronica##y, the

    a$$ointent cae through a short $#ay he had (ritten% The $#ay (as ca##edA *ummer #o&

    and one of the coissioners had seen it this (as a very &astern &uro$ean $#ay about the

    secret $o#ice, but trans$osed to the .C8P and Canada% 4s Hay $ut it #ater: "y future

    e$#oyer thought that if soebody (ith such antiFestab#ishent vie(s as = cou#d e'$#ain and

    $ro$ose the ne( governentNs vie(s on atters of 9ustice and $o#icing, then it (ou#d have

    ore credibi#ity than if soe $ub#ic re#ations fir did it) *Hay, "&ai# to the 4uthor)% or

    t(o years he edited annua# re$orts and interna# ne(s$a$ers, organized ca$aigns, shot

    training fi#s, and (hen the DP (as sudden#y defeated in 012+, he (as once again out of a

    9ob%

    Having no choice, Hay (ent back to free#ancing, ain#y for C

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    Works Cited

    Hay, Peter% "Canadian Content Discontent%) 8anuscri$t% o date%

    FFF% "Canadian Rears%) &ai# to the 4uthor% 0G Se$teber 355A%

    FFF% "4 Ouestion of Dis$arity%) Subitted to the Secretary of State during his eeting (ith

    ?est Coast artists, Eancouver,