Hum Lesson 1_2 Painting

7/30/2019 Hum Lesson 1_2 Painting

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LESSON II - PAINTING

DEFINING PAINTING


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- one of the oldest form of arts.

- expression of one's thoughts andobservation about environment through

painting.

- helps people interpret or inform the public

about the situation in a society, both pastand present.


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Important facts about PAINTING....

1. Not all paintings are based on real life.

2. Colors signify the feelings and emotionsof an artist.

3. Informative, Persuasive, Analytical andSubjective.


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SUBJECTS OF PAINTING


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1. NATURE AND ENVIRONMENT

- Landscape- Seascape- Cityscape etc.


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PAINTING 1

THE WINDMILLJacob Van Ruisdael

Netherlands, 1670


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PAINTING 2

EVENING CALMGerald Coulson

Germany, 1940


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PAINTING 3

PERFECT DAYGerald Coulson

Germany, 1940


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PAINTING 4

SUMMER HARVESTGerald Coulson

Germany, 1944


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2. STILL LIFE

a work of art depicting mostly inanimate

subject matter, typically commonplaceobjects which may be either natural (food,flowers, plants, rocks, or shells) or man-made (drinking glasses, books, vases,

jewelry, coins, pipes, and so on).


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PAINTING 5

Still life with glass bowl of fruitand vases

Pompeian Painter70 AD


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PAINTING 6

THE OLD COOKDiego Velasquez

1645


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BODEGON PAINTING

The term bodega in Spanish can mean "pantry","tavern", or "wine cellar". The derivative termbodegn is an augmentative that refers to a large

bodega, usually in a derogatory fashion. InSpanish art, a bodegn is a still life paintingdepicting pantry items, such as victuals, game,and drink, often arranged on a simple stone slab,

and also a painting with one or more figures, butsignificant still life elements, typically set in akitchen or tavern.


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PAINTING 7

SALMON, LEMON ANDTHREE VESSELS

Luis Melendez1772


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3. EVERYDAY LIFE

represents a lifelike situation wherehumans have to answer according to reallife laws, practices and way of life.


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PAINTING 8

THE DIVISION OF THEFAMILY PROPERTY

Maksimov Vasiliy1876


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* STREET ART

Street art is any art developed in publicspaces that is, "in the streets" thoughthe term usually refers to unsanctioned art,

as opposed to government sponsoredinitiatives.

Street artists do not aspire to change the

definition of an artwork, but rather toquestion the existing environment with itsown language.


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PAINTING 9

ROSY/ LAURA ON THEPHONE

Dan Witz2000 (Street Art, everyday life)


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PAINTING 10

LOTUS LOUNGEDan Witz

2002 (Street Art, Everyday Life)


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PAINTING 11

THE MOVEMENTDan Witz

2003 (Street Art, Everyday Life)Chicago, Illinois


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PAINTING 12

THE DOWRYBo Bartlett

2000


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4. PORTRAIT

Painting, photograph, sculpture, or other artisticrepresentation of a person, in which the face and itsexpression is predominant. The intent is to displaythe likeness, personality, and even the mood of theperson.

For this reason, in photography a portrait isgenerally not a snapshot, but a composed image ofa person in a still position. A portrait often shows aperson looking directly at the painter orphotographer, in order to most successfully engagethe subject with the viewer.


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PAINTING 13

GEORGE WASHINGTONPortrait by Rembrandt Peale

1820


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5. Imagination, Fantasies and Dreams

The creative imagination; unrestrained fancy.Something, such as an invention, that is acreation of the fancy.

An imagined event or sequence of mentalimages, such as a daydream, usually fulfillinga wish or psychological need.


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PAINTING 14

RED BARRONPaxton

2006


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PAINTING 15

VISIONS OF INDIAPaxton

2006


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PAINTING 16

FAIRY PAINTHamilton Aguiar

2003


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THEMES OF PAINTING1. Aesthetics

2. Morals / Ethics3. Spiritual4. Historical

5. Politics


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ELEMENTS OF PAINTING

1. Line2. Texture3. Value

4. Space

5. Form6. Color


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Line simplest, universal element.

Horizontal- rest, calmness & relaxation.Vertical poise, force & dynamic balance.Diagonal instability, lose of control &independence.

Curved energy,life & pleasure


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Texture external aspect of painting. Thinness,thickness, smoothness, dullness, liveliness,

roughness etc. based on the actual touch orinterpretation of the eye.

Value darkness or lightness of color.

* Tints colors greatly diluted with white* Shades colors darker by addition of black


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Space means of putting an object in its properform or order so that viewers could interpret it.

Form describes the shapes of the object.

Color gives life to the visual art.* Hue suggests the color itself that enable us to

differentiate one from the other.* Value lightness or darkness.* Intensity brightness or dullness.


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Connotations of Colors

Black death, desperationWhite righteousness, purity, innocence

Blue peace, calmness, protectionRed intensity, romancePink friendshipGold precious, money, sexOrange - foodGreen/Yellow healing, lightPurple good spiritBrown asking for friendsSilver - luck


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PRINCIPLES OF VISUALELEMENTS

1. RHYTHM recurrence of different forms toestablish continuity and order in an artwork.Consists of lines, shapes, colors and sizes ofobjects.

*Paintings by Louis Aston Knight


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2. PROPORTION refers to the size, quantity ordegree of something and its relationship withanother thing.

3. BALANCE refers to the weight and size of theelements.


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PRINCIPLES OF VISUAL

ELEMENTS2 KINDS OF BALANCE

A. FORMAL BALANCE achieved by putting theobjects similar in form, appearances and sizes inequal distance from the center.

B. INFORMAL BALANCE achieved by arrangingthe objects dissimilar in form, appearances andsizes in equal distance from the center.


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4. HARMONY oneness of thoughts and ideas.Objects are drawn to show a sense ofbelongingness and cohesiveness.


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5. EMPHASIS center of attraction in a painting.


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Hum Lesson 1_2 Painting