2
elements of Omani music and culture, as well as on regional traditions of humorous characters and shadow plays, to bring this unique combination to production.  Yet this opportunity for an original, full-scale work could have presented more daunting challenges if veteran student actors had not been sharpening their skills and instructing budding “thespians” in stagecraft behind the scenes. Where, might you ask? The English and Translation Society (ETS), with great foresight, continued to offer their “Drama Workshop” and “Public Speaking Workshop” to SQU students every semester along with regularly sponsored small productions of mini-plays (sketches) for the SQU student community. By preserving and enhancing the talent of the veterans of past plays and offering instruction in all the dramatic arts that are needed to put on a superior production, this SQU student organisation has been nurturing the future of drama in Oman. While there were highly favourable reviews in the local media, which gave background on actors, advisers, and the all-important script, the unsung role of the ETS workshop presenters and faithful attendees was not as highlighted as it might have been. Fatema Al Rubai’ey, an SQU lecturer newly returned from graduate study abroad, was keen to work with the ETS members on a script that would be more accessible to the Omani and regional audiences, while showcasing what Omani student actors with local costume, scene and make-up talent could do. She was able to incorporate elements of post-modernism with its self-referentiality and use this as a springboard for a range of funny exchanges (sometimes about “English” itself) between the actors, as well as between “Shakespeare” and the audience. Othello brought loud laughs when he said that he loved women so much that he would marry four of them! Spatially, the actual stage was extended in scenes when an actor jumped, or was mock-thrown, into the front aisle yet continued to play his part (such as Macbeth’s) from the seats — all to the delight of the audience. Omanis and non- Omanis laughed non-stop. But hilarity aside, it is often true that audiences are not aware of the techniques, training, and effort that underlie such performances. Without prior nurture and practice, this group of 11 actors and all their local support crew would not have been ready to meet the goal. We were privileged to attend their performance in “live-theatre”, but the dramatic arts in the AGCC encompasses a wider and expanding range of possibilities. Regionally, there seems to be both a great potential and an interested but somewhat underserved market for the dramatic arts. All of these arts require support and encouragement. For example, in ETS’s recent “Film Competition” during Open Day 2011, there were a number of locally scripted, acted, and produced short films made specifically to meet the ETS criteria, from Omani colleges and universities in the documentary, dramatic, and humorous categories. However, only one film featured a dramatic script with student actors, costuming, and plot firmly set in the Omani context. Well-done, detailed and engaging, this film “Everyone Counts” won first place and was strongly supported by the Open Day viewing audience. Not surprisingly, the director Ali Al Bulushi is a graduate of SQU and a former ETS presenter in numerous workshops and events. One can imagine that, if there had been more prior opportunities for learning the fine points of dr ama by Omani secondary and college students, there might have been even more high quality entries in the dramatic category. Clearly, there is both local, regional, and international interest in dramatic arts, as witnessed by the recent fourth Gulf Film Festival in Dubai (2011), which slated “153 films from 31 countries — including 114 films that provide a rare and authentic glimpse into the Arabian peninsula… screened free to the public,” according to the Gulf Film Festival online site. Then, there is Oman’s own Muscat Film Festival; during its sixth anniversary, there were as many as “40 short films…and 10 from the Gulf”. Again, one can only imagine that more quality Omani dramatic films might be produced in the future if nurturing actors and their elocution/critical acting techniques would be viewed as equally important as students’ expertise in learning how to story-board, select and cut, and actually handle the camera when making a film. Providing more support and encouragement for the “hands-on” dramatic arts represents an enormous opportunity for colleges and universities, the greater Omani community, and the Sultanate itself to “grow” its talented and dedicated future dramatic artists. I t’s summer at its worst. June is almost over, giving more than a hint of what is in store in July, and if the last couple of years’ experience is anything to go by, it’s going to be a tough test of heat, humidity and sweat. We know some of you have ‘Plan A’ and ‘Plan B’ to bring in the chill, and it would be nice if you could share your summer thrills with H!SQU. Write to us, and together we’ll… chill out! Now, let’s share some dramatic moments we had in April. You guessed it right – we are talking about ‘Shake- speare Gone Mad’. Scripted by Fatema Al Rubai’ey, an SQU lecturer newly returned from graduate study abroad, the drama brought 11 talented members of the English Department at SQU on stage to send the audi- ence into ripples of laughter. Dr Rahma Al Mahrooqi and Mary L. Tabakow join hands with Team H!SQU to capture the mood on that warm April evening in the conference hall of SQU. On the fifth of this month the world celebrated World Environment Day, but it was actually the haggard faces of her students that made Dr Rahma change her lesson plan. The result was amazing. Read how a batch of reading class students with sleepy eyes woke up to the save-our-planet cause. A rose is a rose is rose is rose. No doubt about that, but it would be nice if it’s not surrounded by so many thorns, right? Wrong, says Abdullah Al Rawahi. Life is a puzzle difficult to crack, but have you ever thought about it seriously. Fatma Mohammed Baabad did, and her thought on dreams and life could inspire you to take a better look at your life. English is the language of the business world, but it is, unfortunately, the most hated subject in the class- room. Said Al Hamdami helps you how to jump over the Englishhurdles. Hope you will enjoy the summer sizzlers we have cooked up especially for you. Cheers till next issue Team H!SQU H! There! Mr Wise H!SQU is brought out by the English and Translation Society at SQU. Email your views/suggestions/a rticles to [email protected] or [email protected]. For moreinformationvisit www.englishs qu.net Editorial Coordinators Ahmed Al Hadhrami & Sumaiya Al Kindi Allthe world’sa stage, sobettergetread y toplayyourroleto perfection Vol. III, Issue 10 28  Friday | JUNE24,2011 29 Friday | JUNE24, 2011 ShakeSpearean poSSibilitieS ‘ShakespeareGoneMad’, perormed in the SQU Conerence Hall by SQU students, received wild cheers rom the audience and rave reviews in the local media. Dr Rahma Al Mahrooqi and Mary L. Tabakow recall the dramatic moments — rom the unny exchanges between the actors as well as between ‘Shakespeare’ and the audience, to an Othello ready to marry not just one but our Desdemonas, the unsung heroes and the real potential or the theatre in Oman F OR honoured members of the Sultan Qaboos Administration and Faculty — and with special thanks to Abdullah Al Kindi, Dean of Arts and Social Sciences — as well as many guests and SQU students, it was gr atifying to see a new, full-length drama, Shakespeare Gone Mad, performed in the SQU Conference Hall in mid- April after a four-year hiatus. Luckily for spectators, hard-working and talented student actors and backstage workers from pr evious productions (Pygmalion in 2004 and A Doctor in spite of Himself in 2007), plus equally dedicated English and Theater Arts faculty advisers, were on hand to demonstrate the fine points of elocution, choreography, stage presence, and overall theatre craft. In addition, both the script originator Noor Al- Maamari and the final scriptwriter and director of the play Fatema Al-Rubai’ey were able to draw on Osama Al Farsi Shakespeare A lot of people have talent that seldom gets expressed, mainly for want of right platforms and opportunities. If there were no English & Translation Society, where I found myself presenting various activities and events, it wouldn’t have been easy for me to polish my skills. My participation in ‘Shakespeare Gone Mad’ was another wonderful experience that I would cherish for a long time. I played Shakespeare, and I think it was an honour to do the role. The role helped me see different angles of my personality and enhance my English language skills, learning new phrases and discovering new meanings for words. Another interesting part of the whole process was making new friends. What I would like to tell others – students or adults – is just this: step forward and let your college, country, and the whole world, see what you could do. My sincere gratitude to ETS for all the help and opportunities I have received to realise my potential. Mohammed Al Fazari Juliet’s mother and Lady Macbeth F or me the chance to act in ‘Shakespeare Gone Mad’ was honestly a typical dream-come- true moment. It took some time to sink in the reality that I really got a role in the play directed by an ambitious young Omani woman, Fatema Al Rubai’ey. Hats off to her for her confidence that SQU has talented students in acting, especially in the English language. It was a great experience that added to the adventures in my life. The cast was all male, which meant the roles of female characters were played by males. And they did that brilliantly. I played the roles of Juliet’s mother and Lady Macbeth. Being part of the project, I got to know new people with diverse outlooks, and that was another enriching experience. The theatre has now been gaining popularity in Oman. “Shakespeare Gone Mad” was in fact the third production of the English Department students. There will many more. Abdullah Al Alawi Stage Manager “T hat if poetry comes not as naturally as the leaves to a tree it had better not come at all.” John Keats. That’s what I would say about drama and theatre: acting should be natural as the leaves to a tree. My experience in theatre started at school and improved dramatically at SQU when I started to act in English plays. It was a challenge but I really love every moment of the days we spent getting ready to go on stage. In “Shakespeare Gone Mad” I worked as stage manager. I really loved the way the drama brought Omani culture into play though the focus was on Shakespearean works. The theatre in Oman has carved a niche for itself in the hearts of art-loving people here, thanks to the passionate attempts being made by skilled writers and actors, and we are now ready to play our role on global stage.

H!SQU June 2011

Embed Size (px)

Citation preview

8/6/2019 H!SQU June 2011

http://slidepdf.com/reader/full/hsqu-june-2011 1/2

8/6/2019 H!SQU June 2011

http://slidepdf.com/reader/full/hsqu-june-2011 2/2

Think of flowers and you think of delicacy,beauty and passionate love. How can you andI think otherwise when they alone, with their

heavenly qualities, can colour the landscape withirresistible charming beauty and add a unique flavourof pleasure and relief to our usually demanding

lives?Our souls cannot but dance with innocent pure

delight when bestowed with the scene of a natural,slender, graceful, fragrant, red rose with blossomingpetals, dancing in the breeze. But not until latewhen the wicked thoughts and hands of somepeople have interfered to reform, or more correctlydeform, the natural beauty of flowers, those redroses are stained with black dots of artificiality.

Forgetting that roses are the pulsing heart ofnature has led to the mistaken illusion of themas a mere source of sensual pleasure. And moredangerous is when flowers, rather than dancingto the melody of their nature, dance to the tune ofignorant evils who care not but about satisfying theirinsatiable desires.

In the name of beauty and freedom, manyendeavour to strip roses of their thorns, ignoring the

fact that their sharp prickles are a gift from natureto stop browsing animals. Oblivious that rosesarmed with thorns have the most fragrant aroma,they mistake thorns as ugliness and restriction. Yes, thorns can be a restriction but against thosewho want to pick every flower to die slowly in theirhands.

In the name of love and equality, they givethemselves the right to deprive flowers of theirlives and natural habitats. They claim their love,

yet they cut them and look at them wilt and die inhandsomely but falsely decorated vases. What aridiculous contradiction! Pity is both, the murderersfor their ignorance and the victims for theirsubmission.

Pity is the world when flowers are picked inthe name of love. Pity is the world when artificialflowers replace natural ones. Pity is the world whenwe forget that ‘the rose is a rose, and was alwaysa rose’.

Cu yu dys

d g ws!

Itwill behard tospotonewho never had a

dream, and therecould beamountaino such

dreamssweptawayintothe cornersohour

hearts, butwhat iwe suddenlydiscover that

our daysarenumbered? FatmaMohammed

Baabad oSohar Universitytellsushow we

could getwise withour lie

TO dream is human, and dreams spice upour life. Some live to dream while othersdream to live, but the truth is that we all

had dreams that once we wanted to make truebut, as we grew up, the dreams got pushedback into the deep corners of our hearts. Theylie there: completely forgotten.

It’s just like the dream of a child who, beingobsessed about a character in his favourite TVshow, dreams of growing up to assume thequalities or powers of the hero of his childhood.But as he grows up the dream fades andultimately vanishes as realties of life demandsother things from him.

Well, that’s usually the case with a majorityof people, but there are those who develop adifferent approach and outlook towards life at

some point of their life. These are people whostart thinking of their life and what they couldreally do in the remaining part of their life. Some

want to be better people than they ever hadbeen. Others want to make more fun out of life.And a few others try to discover and bring alivethe dreams safely swept away into the cornersof their hearts for long.

But what if you are among those who aretold that ‘your days are numbered’? I haveasked myself this question many times: what ifsomeone comes up to you and tells: “Your daysare numbered?” I mean, what am I really goingto do during the countdown?

I have had many dreams that seem quitechildish, perhaps crazy, to others. Many timesI imagine myself being told that my days arenumbered. Then I decide to make some changesin my life. After all, I’m the one who lives my lifeand no one else but I could effect a change forthe better.

So friends, that’s the trick to make ameaningful difference to your life. You need torealise that you got only one life, and that youare not going to be around forever, which meansyou need to make the best out of it, doing thingsthat others will not easily forget. Let that beyour new dream!

Dr Rahma Al Mahrooqi

Vol. III, Issue 10

30  Friday |JUNE24,2011 Friday |JUN

Ilooked at the haggard faces of my reading classstudents and knew the problem: they had notbeen sleeping well preparing for their final examsand submission of final reports. I asked “Whospent last night either studying or writing an

assignment or a report?” Almost all of them raisedtheir hands. My expectation was right, so I neededto change my lesson plan to make the class livelierand to stimulate them to think beyond the textbook.I had planned for them to read a new passage onenvironmental problems and global warning. Westarted the lesson brainstorming ideas, discussingwhat they thought was happening to the planet,and reflecting on concepts such as global warming,the green house effect and different types ofenvironmental problems.

Because they had a chance to talk, they becameenthusiastic and hands went up for participation.

After everyone had been given their chance tocontribute and discuss their ideas, I wanted toexplore their feelings about the topic. Exploringfeelings is very important in foreign language classes,especially during reading lessons as it a windowinto students’ attitudes and a way to foster criticalthinking. Anyway, instead of just asking them tosay what they felt, I asked them to do somethingelse. Since reading and writing are twin skills,each feeding into the other, I thought this is a goodopportunity for them to do some writing. Therefore,the task I gave them was to write a letter to “MotherEarth” explaining how they felt about man-madedestruction and alteration of the natural environment.

Some students showed enthusiasm for the task,while others did not, an indication that individualwork might not be fruitful for all. Therefore, I dividedthem into groups and each group was supposed tobrainstorm, plan and then draft a letter.

We picked a group leader who would lead thediscussion, a note-taker, and a person who wouldrepresent the group in reading the letter once thetask was completed.

After the students had settled into their groups,the discussion started, and all became enthusiastic.They wrote notes on their ideas and then started

drafting their letters.I gave them time to recheck what they wrote;

then, each group representative read her/his group’sletter. Feedback on each letter was given by bothstudents and teachers. The following letters werethe result.

Dear Mother Earth, 

As you know, a hand’s fingers are not all alike. Yes,there are some people who are destroying you

because of selfish reasons, though your love for themhas been bountiful and your generosity unlimited.

However, there are people who deeply careabout you and would want to protect you. Eventhose who harm you, we believe, include many whofeel sorry about what’s happening to you and manynow are trying to prevent these catastrophes, or atleast, reduce them.

My darling Mother Earth, we are harbor decentfeelings for you: Our love for you is so great that ifyou want to measure it, you will have to find a newHeaven and a new Earth to do so.

God bless YOU

Dear Mother Earth,

Forgive us for being so selfish and cruel. We wereawful to the extent that we have spoiled all the

good things you blessed us with. We were justselfish and greedy to think about our benefits withoutconsidering yours. We are the root cause of yoursuffering: pollution, global warming and many otherdisasters.

And now, we feel guilty for all the terrible thingswe have done. We feel guilty for harming you. Infact, we don’t even have suitable words to expresshow sorry we are; we are that useless and bad.

Please forgive our cruelty, and pray for us to beblessed with wisdom and to feel satisfaction andcontentment wherever we are, because you are ourMother Earth and a mother’s prayers are valued andanswered by God.

Dear Mother Earth,

Our tears fall down profusely. Our heats grieve sobadly, when we take a glance at you and your

spoiled beauty. You have blessed us with your generosity. We get

everything we crave for, but we abuse all your gifts

due to our selfishness and greed. We have rewardedyour blessings by destroying you with our never-ending projects.

We cut down forests, which are the habitat ofmany creatures, in order to make paper, furniture andother materials. We also build many factories whichhas led to, among other things, global warming fromwhich you are suffering nowadays.

We have exploited and damaged almost all ofyour resources merely to satisfy our unlimited needsand wants.

Sorry, we have hurt you and hurt ourselves too.We can’t enjoy your beauty any more.

Our dear mother, please accept our apology.Forgive us. We promise to reform our ways of livingand developing on your loving surface.

The letters were all very powerful and thestudents had to think through what they wanted to

say. They had to come to terms with their feelingsand attitudes towards the issue of environmentalproblems. Given this chance to think and reflect, theydid an excellent job.

Since all the letters expressed how sorry thestudents were about the destruction of the planet, I

felt it important that they should also see the brightside of beneficial development which happenswithout causing much harm to the environment.Therefore, I thought it would be a good idea if theycould debate the bright side and the dark side ofhuman activities. As preparation for the next class,the students were divided into three groups: thosewho would argue for the bright side, those whowould argue the dark side, and those who would judge the argument and fund the developmentprojects of the winning group. The groups wereassigned to do an Internet search, take notes onwhat they learnt and come prepared for the debate.The debate took place during the following lesson.But discussing it needs another article! Therefore, Imust stop writing now, hoping that you have enjoyedreading this piece.

Stay blessed.

D M e…egs d u

Englishis thelinguarancao tand gaining profciencyin this

othe businessworld isimpor

student. Said AlHamdani tries

hurdlesinthe waytolearning E

ONE may be successful in English, or one may not bfact is that in a communit

the business of learning a languaEnglish is not easy. In state schis the most-hated subject: hatedstudents find it difficult to learn. main obstacles to learning this lis that outside the classroom, tharound with whom one can pracEnglish. If my own experience ito go by, there is no better way, effective way, to learn English thamong a circle of native speakerAnother obstacle is the negativeof friends. If they hear you tryingEnglish, they think that you are sShowing off is not an acceptable

behaviour, and so you are obligetrying. Many students are affectenegative influence of friends. Yetobstacle can be poor teaching stThere are many teachers who prin a very academic way, and whoconcern is to get you to learn byof rules. In my view, it is essentiaEnglish we learn in the classroo

related to real-life situations.

W ws

s

f yug

m?

Who wipes the tears of a yowho is in a downward spir

The memories wheel by in himas he thinks about his rival.An old wound is to be opened,A forgotten feud is the endto resurrect the sin againand fill the heart with hate and pThe young man will rain tears anWho wipes the tears of a youngFidelity: no such a word,honesty dies: no such a sword.The gale will strike and all the bwill be shed once more like flasAnd the young man will shed his

a s s sTheroseis perhapsthemost popular, ragrant,

natural, beautiulsymbolo love. A roseisa

roseisaroseisa rose, buttherearesomewho

maywonder whythere arethornsall around it.

AbdullahAlRawahi risesup indeenceothe

thornyissuessurrounding therose

By Matasim

College of E