Howard Bibliography

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    Emily Howard, University of MichiganBibliography Draft 2, June 16th 2012

    This document may not be distributed without permission.

    PRIMARY

    LiteratureAusten, Jane. Mansfield Park. Oxford University Press, USA, 2008. Print.---. Pride and Prejudice. Ed. Fiona Stafford. Oxford University Press,

    USA, 2008. Print.Clare, John, and Margaret Grainger. The Natural History Prose Writings

    of John Clare. Oxford [Oxfordshire]: New York: ClarendonPress; Oxford University Press, 1983.

    Clare, John. The Rural Muse: Poems. Whittaker, 1835. Print.

    Combe, William. The Tour of Dr. Syntax in Search of the Picturesque.Philadelphia: John Campbell; Thomas Rowlandson, 1865. Print.

    Mitford, Mary Russell. Our Village: Sketches of Rural Character andScenery. Geo. B. Whitaker, 1824. Print.

    Smith, Charlotte. Beachy Head: With Other Poems. London: Printed forthe author, and sold by J. Johnson, 1807.

    Smith, Charlotte, and Stuart. Curran. The Works of Charlotte Smith.London; Brookfield, Vt.: Pickering & Chatto, 2005. Print.Pickering Masters.

    Wordsworth, William. The River Duddon, a Series of Sonnets:

    Vaudracour and Julia: And Other Poems. To Which Is Annexed, ATopographical Description of the Country of the Lakes, in theNorth of England. London: Printed for Longman, Hurst, Rees,Orme, and Brown, 1820. Print.

    Young, Arthur. The Autobiography of Arthur Young. Smith, Elder & co.,1898. Print.

    PracticalCobbett, William.A Years Residence in the United States of America.

    New York: A. M. Kelley, 1969.

    ---. Rural Rides in the Counties: Surrey, Kent, Sussex, Hampshire,Wiltshire,Gloucestershire, Herefordshire, Worcestershire,Somersetshire, Oxfordshire, ... 1st ed. Cambridge UniversityPress, 2009. Print.

    Kames, Henry Home, Lord. The Gentleman Farmer. Being an Attemptto Improve Agiculture, by Subjecting It to the Test of RationalPrinciples. Edinburgh, London: W. Creech, Edinburgh, and T.

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    Cadell,, 1776. Print.Kent, Elizabeth. Flora Domestica: Or, The Portable Flower-garden:

    With Directions for the Treatment of Plants in Pots andIllustrations From the Works of the Poets. Printed for Taylor andHessey, 1823.

    Marshall, William.A Review of The Landscape, a Didactic Poem: Also ofAn Essay on the Picturesque: Together with Practical Remarks onRural Ornament. By the Author of "Planting and OrnamentalGardening; a Practical Treatise. London: printed for G. Nicol; G. G.and J. Robinson; and J. Debrett, 1795. Print.

    ---. Minutes of Agriculture, Made on a Farm of 300 Acres of VariousSoils, Near Croydon, Surry: To Which Is Added a Digest Whereinthe Minutes Are Systemized and Amplified, and Elucidated byDrawings of New Implements, a Farm-yard, &c.; The WholeBeing Published as a Sketch of the Actual Business of a Farm,

    Hints to the Inexperienced Agriculturist, as a Check to thePresent False Spirit of Farming, and as an Overture to Scientific

    Argiculture. Printed for J. Dodsley, 1778. Print.---. The Review and Abstract of the County Reports to the Board of

    Agriculture: Midland Department. Longman, Hurst, Rees, Orme,and Brown, 1818. Print.

    Pitt, William. General View of the Agriculture of the County ofNorthampton. London: RichardPhillips, 1809.

    Repton, Humphrey. Sketches and Hints on Landscape Gardening.

    London: W. Bulmer & Co.,1794. Web.

    Ruggles, Thomas. Picturesque Farming. Annals of Agriculture.Arthur Young, ed. 6 (1786).Bury St. Edmunds, UK: John Rackham. Web.

    Tull, Jethro. The Horse-hoeing Husbandry: Or, a Treatise on thePrinciples of Tillage and Vegetation, Wherein Is Taught a Methodof Introducing a Sort of Vineyard Culture into the Corn-fields, inOrder to Increase Their Product and Diminish the CommonExpense. W. Cobbett, 1822. Print.

    White, Gilbert. The Natural History of Selborne. Ed. Richard Mabey.Penguin Classics, 1977. Print.

    Young, Arthur.A Course of Experimental Agriculture: Containing anExact Register of All the Business Transacted During Five Yearson Near Three Hundred Acres of Various Soils [etc.]. 2 vols.London: J. Dodsley, in Pall-Mall, 1770. Print.

    ---.A Six Weeks Tour, Through the Southern Counties of England and

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    Wales. London: W. Nicoll, 1768. Print.---. Travels in France. G. Bell and sons, 1890. Print.

    TheoreticalAikin, John.AnEssay on the Application of Natural History to Poetry.

    London: Warrington: printed by W. Eyres, for J. Johnson, No. 72,St. Pauls Church-Yard, 1777. Print.

    Alison, Archibald. Essays on the Nature and Principles of Taste By theRevd. Archibald Alison, ... Dublin: printed for Messrs. P. Byrne, J.Moore, Grueber and MAllister, W. Jones, and R. White, 1790.

    Burke, Edmund.A Philosophical Enquiry into the Origin of Our Ideas ofthe Sublime and Beautiful. Ed. Adam. Phillips. Oxford [England]:Oxford University Press, 1990. Print. Worlds Classics.

    Gilpin, William. Essay upon Prints. London: John Robson, 1768.---. Observations . . . on the Mountains and Lakes of Cumberland and

    Westmorland. London: Richard Blamire, 1786.---.Observations, Chiefly Relative to Picturesque Beauty, Made in the

    Year 1772, on Several Parts of England; Particularly theMountains, and Lakes, of Cumberland, and Westmoreland. 2 vols.London: R. Blamire, 1786. Print.

    ---. Remarks on Forest Scenery and Other Woodland Views, (relativeChiefly to Picturesque Beauty) Illustrated by the Scenes of New-Forest in Hampshire: In Three Books ... London: Printed for R.Blamire, 1791. Web. 12 Aug. 2010.

    ---. Three Essays: On Picturesque Beauty; on Picturesque Travel; and

    on Sketching Landscape:: To Which Is Added a Poem, onLandscape Painting. printed for R. Blamire, 1792. Print.

    Gilpin, William Sawrey. Practical Hints Upon Landscape Gardening:With Some Remarks on Domestic Architecture as Connected withScenery. London: T. Cadell; [etc., etc.], 1832.

    Herschel, Sir John Frederick William.A Preliminary Discourse on theStudy of Natural Philosophy. Longman and J. Taylor, 1830. Print.

    Hume, David. Hume: An Enquiry Concerning Human Understanding:And Other Writings. Cambridge University Press, 2007. Print.

    ---. Of the Standard of Taste. Four Dissertations. London: printed for

    A. Millar, 1757. 20340.Kames, Henry Home, and Peter Jones. Elements of Criticism.

    Indianapolis, Ind.: Liberty Fund, 2005.Kant, Immanuel, and Werner S. Pluhar. Critique of Judgment. 1st ed.Hackett, 1987. Print.Knight, Richard Payne.An Analytical Inquiry into the Principles of

    Taste. 3rd ed. London: T. Payne [etc.], 1808.

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    ---. The Landscape a Didactic Poem. In Three Books. Addressed toUvedale Price, Esq. By R. P. Knight. London: printed by W. Bulmerand Co. and sold by G. Nicol, 1795. Web.

    Marshall, William.A Review of The Landscape, a Didactic Poem: Also ofAn Essay on the

    Picturesque: Together with Practical Remarks on Rural Ornament.London: printed for G.

    Nicol; G. G. and J. Robinson; and J. Debrett, 1795. Print.Price, Uvedale.A Dialogue on the Distinct Characters of the

    Picturesque and the Beautiful: In Answer to the Objections of Mr.Knight. London: J. Robson, 1801.

    ---.An Essay on the Picturesque, as Compared with the Sublime andthe Beautiful; and, on the Use of Studying Pictures, for thePurpose of Improving Real Landscape, by Uvedale Price, Esq.London: printed for J. Robson, 1794. Web.

    ---.A Letter to H. Repton, Esq on the Application of the Practice as Wellas the Principles of Landscape-painting to Landscape-gardening:Intended as a Supplement to the Essay on the Picturesque. ByUvedale Price, Esq. To Which Is Prefixed, Mr. Reptons Letter toMr. Price. London: printed for J. Robson, 1795. Web.

    Repton, Humphry.An Enquiry into the Changes of Taste in LandscapeGardening, to Which Are Added Some Observations on Its Theoryand Practice, Including a Defence of the Art. Farnborough: Gregg,1969. Web. 28 Aug. 2010.

    Repton, Humphry et al. Fragments on the Theory and Practice of

    Landscape Gardening: Including Some Remarks on Grecian andGothic Architecture ... London: Printed by T. Bensley and Son,Bolt Court, Fleet Street; for J. Taylor, at the Architectural Library,High Holborn, 1816. Print.

    Repton, Humphry, and John Martin. Robinson. Observations on theTheory and Practice of Landscape Gardening. Oxford: PhaidonPress Limited, 1980. Print.

    Ruskin, John. Modern Painters. Ed. Lionel Cust. 5 vols. London, NewYork: J. M. Dent; E. P. Dutton, 1906. Web. 6 May 2011.Everymans Library. Essays and Belle Lettres.[208-212].

    ---. The Seven Lamps of Architecture. J. Wiley, 1849. Print.---. Works. New York: T.Y. Crowell, [19--?]. Web. 21 Feb. 2012.

    SECONDARY

    AestheticsMarshall, David. The Frame of Art: Fictions of Aesthetic Experience,

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    1750-1815. Baltimore: Johns Hopkins University Press, 2005.Paxman, David. Aesthetics as Epistemology, Or Knowledge Without

    Certainty. Eighteenth-Century Studies 26.2 (1992): 285306.Print.

    Landscape/Picturesque Theory, Gardening, and TourismAndrews, Malcolm. The Search for the Picturesque: Landscape

    Aesthetics and Tourism in Britain, 1760-1800. Stanford, CA:Stanford University Press, 1989. Print.

    Bodenheimer, Rosemarie. Looking at the Landscape in Jane Austen.Studies in English Literature, 1500-1900 21.4 (1981): 605623.

    Budge, Gavin.Aesthetics and the Picturesque, 1795-1840. Bristol:Thoemmes, 2001.

    Daniels, Stephen. Humpry Repton: Lanscape Gardening and theGeography of Georgian England. New Haven [etc.]: Yale

    University, 1999. Print.Duckworth, Alistair M. The Improvement of the Estate; a Study of Jane

    Austens Novels. Baltimore: Johns Hopkins Press, 1971. Web. 2Mar. 2011.

    Easton, Celia. Jane Austen and the Enclosure Movement: The Senseand Sensibility of Land Reform. Persuasions 24 (2002): 71. Print.

    Guillory, John. The English Common Place: Lineages of theTopographical Genre. Critical Quarterly33.4 (1991): 327.

    Hipple, Walter John. The Beautiful, the Sublime & the Picturesque inEighteenth Century British Aesthetic Theory. Carbondale:

    Southern Illinois University Press, 1957. Web. 6 May 2011.Hoskins, W. G. The Making of the English Landscape. London: Hodder

    and Stoughton, 1955. Web. Hoyle, Richard W. Custom,Improvement and the Landscape in Early Modern Britain. AshgatePublishing, Ltd., 2011. Print.

    Hussey, Christopher. The Picturesque: Studies in a Point of View.London: Cass, 1967. Print.

    Townsend, Dabney. The Picturesque. The Journal of Aesthetics andArt Criticism 55.4 (Autumn

    1997): 365-376.

    Williamson, Tom. The Archaeology of the Landscape Park: GardenDesign in Norfolk, England, C. 1680-1840. Oxford, England:Archaeopress: Distributed by Hadrian Books, 1998. Print.

    Williamson, Tom., and Liz. Bellamy. Property and Landscape: a SocialHistory of Land Ownership and the English Countryside. London:G. Philip, 1987. Print.

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    Science, Fact, ObjectivityBewell, Alan J. Wordsworth and the Enlightenment: Nature, Man, and

    Society in the Experimental Poetry. New Haven: Yale UniversityPress, 1989. Print.

    Burge, Tyler. Origins of Objectivity. Oxford University Press, 2010.

    Print.Crary, Jonathan. Techniques of the Observer: On Vision and Modernity

    in the 19th Century. The MIT Press, 1992. Print.Cunningham, Andrew, and Nicholas. Jardine. Romanticism and the

    Sciences. Cambridge [England]; New York: CambridgeUniversity Press, 1990. Print.

    Daston, Lorraine, and Peter Galison. Objectivity. New York:Cambridge, Mass.: Zone Books; Distributed by the MIT Press,2007. Print.

    Foucault, Michel. The Archaeology of Knowledge. New York: Harper &

    Row, 1976.---. The Order of Things: An Archaeology of the Human Sciences. New

    York: Pantheon Books, 1971. Print. World of Man.Golinski, Jan. Scienceas Public Culture: Chemistry and Enlightenment

    in Britain, 1760-1820. Cambridge; New York: CambridgeUniversity Press, 1992. Print.

    Hacking, Ian. Representing and Intervening: Introductory Topics in thePhilosophy of Natural Science. First ed. Cambridge UniversityPress, 1983. Print.

    Hempel, Carl. Philosophy of Natural Science. 1st ed. Prentice Hall,

    1966. Print.Heringman, Noah. Romantic Rocks, Aesthetic Geology. Ithaca, N.Y.:

    Cornell University Press, 2004. Print.---. Romantic Science: The Literary Forms of Natural History. Albany:

    State University of New York Press, 2003. Print.Klonk, Charlotte., and Paul Mellon Centre for Studies in British Art.

    Science and the Perception of Nature: British Landscape Art inthe Late Eighteenth and Early Nineteenth Centuries. New Haven:Published for the Paul Mellon Centre for Studies in British Art by

    Yale University Press, 1996. Print.

    Kuhn, Thomas S. The Structure of Scientific Revolutions. 3rd ed.University of Chicago Press, 1996. Print.

    Latour, Bruno. Pandoras Hope: Essays on the Reality of ScienceStudies. 1st ed. Harvard University Press, 1999. Print.

    Latour, Bruno, and Steve Woolgar. Laboratory Life: The Construction ofScientific Facts. Ed. Jonas Salk. Princeton University Press, 1986.Print.

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    Poovey, Mary.A History of the Modern Fact: Problems of Knowledge inthe Sciences of Wealth and Society. Chicago: University ofChicago Press, 1998. Print.

    Porter, Theodore M. Trust in Numbers: The Pursuit of Objectivity inScience and Public Life. Princeton University Press, 1996. Print.

    Seamon, David., and Arthur Zajonc. Goethes Way of Science: aPhenomenology of Nature. Albany: State University of New YorkPress, 1998. Print.

    Shapin, Steven. Never Pure: Historical Studies of Science as If It WasProduced by People with Bodies, Situated in Time, Space,Culture, and Society, and Struggling for Credibility and Authority.

    The Johns Hopkins University Press, 2010. Print.---.A Social History of Truth: Civility and Science in Seventeenth-

    Century England. 1st ed. University Of Chicago Press, 1995. Print.Shapiro, Barbara J.A Culture of Fact: England, 1550-1720. Cornell

    University Press, 2003. Print.Wall, Cynthia. The Prose of Things: Transformations of Description in

    the Eighteenth Century. Chicago: University of Chicago Press,2006. Print.

    Perception, Representation, and DescriptionAuerbach, Erich. Mimesis; the Representation of Reality in Western

    Literature. Princeton: Princeton University Press, 1953. Print.Burwick, Frederick. The Damnation of Newton: Goethes Color Theory

    and Romantic Perception. Berlin; New York: De Gruyter, 1986.

    Print.Casey, Edward S. Representing Place: Landscape Painting and Maps. U

    of Minnesota Press, 2002. Print.Collins, Harry. Tacit and Explicit Knowledge. University Of Chicago

    Press, 2010. Print.Galperin, William H. The Return of the Visible in British Romanticism.

    Baltimore: Johns Hopkins University Press, 1993.Merleau-Ponty, Maurice. Phenomenology of Perception. London:

    Routledge Classics, 2002. Print.Mitchell, W. J. T. Picture Theory: Essays on Verbal and Visual

    Representation. First Printing. University Of Chicago Press, 1995.Print.

    Moretti, Franco. Graphs, Maps, Trees: Abstract Models for a LiteraryHistory. London; New York: Verso, 2005. Print.

    Morris, Errol. Believing Is Seeing: Observations on the Mysteries ofPhotography. 1st ed. Penguin Press HC, The, 2011. Print.

    Nagel, Thomas. The View From Nowhere. Oxford University Press,

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    1989. Print.

    Economic and Agricultural HistoryClark, Robert. Jane Austen and the Enclosures. Green and Pleasant

    Land: English Culture and

    The Romantic Countryside. ed. Amanda Gilroy Louvain, Belgium:Peeters, 2004. 105-124. Print.

    Fussell, G. E. My Impressions of William Marshall.Agricultural History23.1 (1949): 5761. Print.

    Horn, Pamela. William Marshall (1745-1818) and the GeorgianCountryside. [Abingdon] (11 Harwell Rd., Sutton Courtenay,Abingdon, Oxon. OX14 4BN): Beacon Publications, 1982. Print.

    Hoyle, Richard W. Custom, Improvement and the Landscape in EarlyModern Britain. Ashgate Publishing, Ltd., 2011. Print.

    Mitchison, Rosalind. The Old Board of Agriculture (1793-1822). TheEnglish Historical Review 74.290 (1959): 4169. Print.

    Mokyr, Joel. The Enlightened Economy: An Economic History of Britain,1700-1850. New Haven: Yale University Press, 2009. Print.

    Neeson, J. M. Commoners: Common Right, Enclosure and SocialChange in England, 1700-1820. Cambridge [England]; New

    York: Cambridge University Press, 1993. Print. Past and PresentPublications.

    Overton, Mark.Agricultural Revolution in England: The Transformationof the Agrarian Economy 1500-1850. Cambridge, England; New

    York: Cambridge University Press, 1996. Print.

    Eco- or Object-oriented criticism: GeneralArmbruster, Karla M., and Kathleen R. Wallace, eds. Beyond Nature

    Writing: Expanding the Boundaries of Ecocriticism. 0 ed.University of Virginia Press, 2001. Print.

    Bennett, Jane. Vibrant Matter: A Political Ecology of Things. DukeUniversity Press Books, 2010. Print.

    Brown, Charles S., and Ted Toadvine. Eco-phenomenology: Back to theEarth Itself. Albany, NY: State University of New York Press, 2003.

    Print.Clark, Timothy. The Cambridge Introduction to Literature and the

    Environment. Cambridge: Cambridge University Press, 2011.Print.

    Coupe, Laurence. The Green Studies Reader: From Romanticism toEcocriticism. London; New York: Routledge, 2000. Print.

    Giblett, Rodney James. Postmodern Wetlands: Culture, History,

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    Ecology. Edinburgh: Edinburgh University Press, 1996. Print.Glotfelty, Cheryll, and Harold Fromm, eds. The Ecocriticism Reader:

    Landmarks in Literary Ecology. University of Georgia Press, 1996.Print.

    Latour, Bruno. Politics of Nature: How to Bring the Sciences intoDemocracy. Trans. Catherine Porter. Harvard University Press,2004. Print.

    ---. We Have Never Been Modern. Cambridge, Mass.: HarvardUniversity Press, 1993. Print.

    Love, Glen A. Practical Ecocriticism: Literature, Biology, and theEnvironment. University of Virginia Press, 2003. Print.

    Morton, Timothy. The Ecological Thought. Cambridge, Mass.: HarvardUniversity Press, 2010. Print.

    Phillips, Dana. The Truth of Ecology: Nature, Culture, and Literature inAmerica. Oxford University Press, USA, 2003. Print.

    Worster, Donald. Natures Economy: A History of Ecological Ideas.Cambridge University Press, 1994. Print.

    Williams, Raymond. The Country and the City. New York: OxfordUniversity Press, 1973. Print.

    Eco- or Object-oriented criticism: RomanticBate, Jonathan. Romantic Ecology: Wordsworth and the Environmental

    Tradition. London; New York: Routledge, 1991. Print.---. The Song of the Earth. Cambridge, Mass.: Harvard University Press,

    2000.

    Dawson, P.M.S. Of Birds and Bards: Clare and His RomanticContemporaries. John Clare: New Approaches. John Goodridgeand Simon Kovesi, eds. Helpston, Peterborough, UK: The JohnClare Society, 2000. 149-60. Print.

    Frey, H. Defining the Self, Defiling the Countryside: Travel Writing andRomantic Ecology. WORDSWORTH CIRCLE 28.3 (1997): 162166.Print.

    Goodman, Kevis. Georgic Modernity and British Romanticism: Poetryand the Mediation of History. Cambridge; New York: CambridgeUniversity Press, 2004. Print.

    Helsinger, Elizabeth K. Rural Scenes and National Representation:Britain, 1815-1850. Princeton, NJ: Princeton University Press,1997. Print.

    Hess, Scott. William Wordsworth and the Ecology of Authorship: TheRoots of Environmentalism in Nineteenth-Century Culture.University of Virginia Press, 2012. Print.

    Kroeber, Karl. Ecological Literary Criticism: Romantic Imagining and

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    the Biology of Mind. New York: Columbia University Press, 1994.Print.

    Lamont, Claire., and Michael. Rossington. Romanticisms DebatableLands. Basingstoke; New York: Palgrave Macmillan, 2007. Print.

    McKusick, James C. Green Writing: Romanticism and Ecology. New

    York: St. Martins Press, 2000. Print.Morton, Timothy. Ecology Without Nature: Rethinking Environmental

    Aesthetics. Cambridge, Mass.: Harvard University Press, 2007.---. John Clares Dark Ecology. Studies in Romanticism 47.2008

    (2008): 179193. Print.---. The Poetics of Spice: Romantic Consumerism and the Exotic.

    Cambridge, UK; New York: Cambridge University Press, 2000.Print.

    Oerlemans, Onno. Romanticism and the Materiality of Nature.Toronto; Buffalo: University of Toronto Press, 2002. Print.

    Pite, Ralph. How Green Were the Romantics? Studies in Romanticism36.3 (1996): 357373. Print.

    Rigby, Catherine E. Topographies of the Sacred: The Poetics of Place inEuropean Romanticism. Charlottesville: University of VirginiaPress, 2004. Print.

    Wyatt, John. Wordsworth and the Geologists. Cambridge; New York:Cambridge University Press, 1995. Print.

    Single-AuthorBate, Jonathan.John Clare: a Biography. Macmillan, 2003. Print.

    Barrell, John. The Idea of Landscape and the Sense of Place, 1730-1840; an Approach to the Poetry of John Clare. Cambridge [Eng.]:University Press, 1972. Print.

    Chirico, Paul.John Clare and the Imagination of the Reader.Basingstoke [England]; New York: Palgrave Macmillan, 2007.

    Galperin, William H. The Historical Austen. Philadelphia: University ofPennsylvania Press, 2003. Print.

    Goodridge, John, and Simon Kvesi.John Clare: New Approaches. JohnClare Society, 2000. Print.

    Gorji, Mina.John Clare and the Place of Poetry. Liverpool: Liverpool

    University Press, 2008. Print.Helsinger, Elizabeth K. Ruskin and the Art of the Beholder.Cambridge, MA: Harvard UP, 1982.Landow, George P. The Aesthetic and Critical Theories of John Ruskin.

    Princeton, N.J.: Princeton University Press, 1971. Print.Storey, Mark, ed. John Clare: The Critical Heritage. London: Routledge,

    1973. Print.

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    Romantic CriticismGeneralAbrams, M. H. Style and Structure in the Greater Romantic Lyric.

    New York: Norton, 1984. 76108. Print. The CorrespondentBreeze: Essays on English Romanticism.

    Chandler, James. England in 1819: The Politics of Literary Culture andthe Case of Romantic Historicism. Chicago: University of ChicagoPress, 1998. Print.

    Uncategorized (So Far)Favret, Mary A. War at a Distance: Romanticism and the Making of

    Modern Wartime. Princeton: Princeton University Press, 2010.Print.

    Franois, Anne-Lise. Open Secrets: The Literature of UncountedExperience. Stanford University Press, 2008. Print.

    Siskin, Clifford. The Work of Writing: Literature and Social Change inBritain, 1700-1830. Baltimore: Johns Hopkins University Press,1998. Web. 31 May 2012.

    Williams, Raymond. Keywords: a Vocabulary of Culture and Society.New York: Oxford University Press, 1976. Print.