How Can Django Unchained Be Viewed as a Postmodern Film

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  • 7/25/2019 How Can Django Unchained Be Viewed as a Postmodern Film

    1/2

    Charlotte Hull

    How can Django Unchained be viewed as a postmodern flm?

    Postmodern texts deliberately play with meaning and will oten exhibit many traits o

    intertexuality !hey encourage oppositional reading to what is presented through the use

    o bricolage" homage" pastiche and parody # postmodern flm we have studied is Django

    Unchained $%&'%(" a )uentin !arantino flm set in '*+* about an ex,dentist now bounty

    hunter called Dr -ing .chult/ who buys the reedom o a slave" Django as his deputy

    Under .chult/0s wing Django is then led and trained to 1ill various 2wanted0 men including

    the gang who 1ept him and his wie as slaves !he pair ends up at one o the biggest

    plantations" Candyland" bargaining with Calvin Candie or the reedom o 3roomhilda"

    Django0s wie" disguised as beginning 4andingo business men

    !he main aspect that labels this flm as postmodern is the use o intertexual reerences to

    other flms" including those made by the same director" )uentin !arantino !he flm pays

    homage to Django" through the name as well as the opening titles which use the same

    bac1ing trac1 as well as almost identical imagery and text Django $'566( stars lead actor

    7ranco 8ero who also eatures in Django Unchained during a scene where he as1s Django"played by 9amie 7oxx" how his name is spelt :nce he responds the character silently

    mutters 2; 1now0 reerencing his previous role and reason or the use o the name in the

    flm !here are urther uses o names as reerence to other sources or example Dr -ing

    .chult/ and the song 2His name was -ing0 ta1en rom the '5

  • 7/25/2019 How Can Django Unchained Be Viewed as a Postmodern Film

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    Charlotte Hull

    it this ar ; believe that the audience identifes with the duo until Dr .chult/ is 1illed

    Django does not immediately come to his aid but instead acts solely on revenge or his

    wie" enslaved by the Candyland household" as well as the people then trying to 1ill him

    !hroughout the flm it continues to moc1 the genre not only as 3roomhilda aints when

    greeted with Bhey little trouble ma1er rom her long lost hero" an over,reacted happily

    ever ater seen within this genre" but li1ewise through the act that there are no actual

    cowboys within this 2cowboy0 flm

    !here were many criticisms or this flm" mostly revolving around the issue o side,lining

    slavery as a result o historical deaness Donald !rump said the flm was Btotally racist

    and .pi1e ee reused to even watch the flm as he Balready 1new it was racist !hese

    critiues may be as a result o the chosen genre>style o mixing 3laxploitation with over,

    exaggeration o violence ta1en rom !arantino0s basic ormula or through )uentin

    !arantino0s postmodern choice o flm 7rederic1 9ameson describes postmodernism as

    2vacuous0 and 2trapped in circular reerencing0 which may justiy !arantino0s choice o

    using the word 2nigger0 and other racial lin1s as they were not to be read into but instead

    just a act o that time #lthough using the word 2nigger0 may be justifed as beinghistorically accurate there is no real evidence to suggest 4andingo fghting actually

    happened so instead suggests this is a fctitious antasy created by !arantino under the

    in@uence o the flm 4andingo and so uestions the reasoning behind his other choices

    .chult/ and Django use the oppressors racist values against them by bargaining B@esh or

    cash in order to buy the reedom o his wie 8evertheless" the flm does not try to

    produce a powerul message o overcoming slavery as" towards the end" Django has the

    opportunity to unite with the other blac1 slaves in order to see1 revenge on their captures

    but" goes bac1 to the plantation alone !arantino0s choice to leave .tephan as the 2last

    man standing0 shows the unconditional love .tephan eels towards his white master as heplots against his 2true amily0 representing his inability and reusal to recognise his own

    identity !hereore the use o parody in the flm demonstrates the harsh reality o the

    situation during this time #lthough Django is now a ree man he is moc1ed as a blac1 hero

    through his use o stance and cheesy grin as the plantation explodes which is heighted by

    3roomhilda0s reaction o clapping His horse then dances beore they ride oE" once again

    reerring to him as a clown rather than the powerul man that has just overruled Calvin

    Candie

    #s postmodernism develops ; believe there will remain an endless loop o intertexual

    reerences as this is one o the most common eatures o this style o flm However" there

    will be issues regarding the reerences chosen as i the same ones are used over and overit will mean flms then have to rely on the bricolage created by a postmodern flm to use

    as the source o a new flm ; flms are carried on to be made this way there will be a lac1

    o original ideas as all postmodern flms are a bricolage o other postmodern" bricolage

    flms 8ot only will this lead to disjointed storylines as a result o the dependency on

    selected intertexual reerences but it will also mean they are reliant on 2sel,reerential

    jo1es0