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How Bad is “Good Enough”? Mass Digitization of Photographic Archives James Eason The Bancroft Library University of California at Berkeley

How Bad is “Good Enough”? Mass Digitization of Photographic Archives

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How Bad is “Good Enough”? Mass Digitization of Photographic Archives. James Eason The Bancroft Library University of California at Berkeley. My Context. Is mass digitization an answer?. Photographs: Considerations for Scanning Strategies. Perceived value(s) Preservation needs - PowerPoint PPT Presentation

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Page 1: How Bad is “Good Enough”? Mass Digitization of Photographic Archives

How Bad is “Good Enough”?Mass Digitization of Photographic

Archives

James Eason

The Bancroft Library

University of California at Berkeley

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My Context

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Is mass digitization an answer?

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Photographs: Considerations for Scanning Strategies

• Perceived value(s)

• Preservation needs

• Reproduction is key to use

• Description: more detail justified?

• Concept of “archival evidence”

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Digitization of Photos

Do it once, do it right?

or Just do it?

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Low-Cost Approach

• Scan everything (no selection)

• Minimal keying of existing sleeve data

• Batch processing

• No image adjustment

• No quality control review!

• Batch validation (automated scripts)

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Cost/Quality Compromise

• 800 ppi resolution (for 4 x 5 in.)

• 16 bit grayscale (not 8 bit)

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Low-Cost Approach

Results

21,000 negatives scanned

$1.50 to $3.00 per image

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Case Study

The San Francisco Examiner Newspaper Photograph Archive

at The Bancroft Library, U.C. Berkeley

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San Francisco Examiner News Archive

• Over 3.5 million negatives

• 70,000 of these are nitrate film (4x5 in.)

• 1.5 million or more are acetate

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Priorities

• Preservation (triage & storage environment)

• Access• Long term preservation plan

(with support from NEH)

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What is “Doing it Right”???

“Preservation reformatting” is ill-defined in the digital age

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Mass Digitization as a Tool

• Access• Curatorial assessment & appraisal• Preservation?

– Assessment– Preserve context

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Two Work-flows Tested

Vendor

• List sleeves• Ship off-site• Raw scans + basic

metadata returned• Batch validation • Batch derivatives• Load to server

Students • List sleeves & items • Scan in office• Raw scans, key

data while scanning• Batch validation• Batch derivatives• Load to server

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What did we get for our effort?

(Or, “How bad is good enough?”)

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Is that all?

(No, actually):

– Serviceable production masters– Curatorial review tool– Strategic preservation strategy

• Context & archival evidence (all)• Selected images (very few)

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Preservation Strategy

What will we preserve?Full aesthetic value?

Context and basic information?

• Select for Preservation Reformatting5 % ?

2 % ?

• Recorded archival context of the whole• Consider film-from-digital for entirety of nitrate files

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ReiterateComparison of Scan Approaches

• High res (1200 ppi +)

• High bit depth• Huge file sizes• Manually adjusted• Quality control • $12-$18 / image

• High-ish res (800 ppi)

• High bit depth (16 bit)

• Large-ish files (22 MB)

• Batch processed• Batch validation• $1.50-$3 / image

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What’s Next?

• User interface– Assess impact

• More funding to continue

• Further assessment of film output approaches

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Appendix

User interface examples

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