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8/10/2019 Holography.vol2.No2(8pages)
1/8
VOLU;\IE 2
Nn I ER
2
APRIL
199
SPIE s
International
Technical
Working
Group
Newsletter
Working toward
the color
desktop holoprinter
INS I E
MoH
closes
Holography s creative
challenge
he
automatic, 3-D, hard-copy device has of ten
been cited as potentially being
one
of the main
applications
of
holography
in
imaging.
The
F lens Sl , ......,
enllcular ns
sh l
Figure 1.
Sket::h
of Tokyo Instituteof
Technology s
one-step wnann
synthesis
system (page 8).
development
of
such a machine would provide
the major breakthough in non-embossed holog
raphy which the industry has been awaiting for
years. At the Practical Holography VI confer
ence held at SPIE/lS T's Electronic Imaging
meeting in February, two groups presented pa
pers describing systems that they believe may
form the basis for a desktop color holographic
printer.
At the MIT
Media
Lab., a holoprint er
has
been a research goal since the Spatial Imaging
Group received its charter six years ago. Since
thattime,
anumberofadvanceshavebeenmade
toward
this
goal, including the development
of
the Alcove transmission hologram, the reflec
tion Alcove, and the Ultragram, around which
their work currently centers.
Ultragram is a term given to a computer
graphics post-processing and optical system
that enables placement of projection screens
and optical components at any position in the
recording frustum
of
the fmal holographic ste
reogram. The Ultragram marks a unification of
previous one- and two-step systems since
it
allows conversion of perspective views gath
ered
by
the standard track-scanning method into
stereogram
component
images that will pro
duce a one-step image-plane hologram. The
program takes as i nput perspective views gath
ered
or
generated from the fmal view-distance
and diffusion and anamorphic optical charac
teristics of the stereogram optical system.
I t
generates properly pre-distorted images that
can be
recorded one-by-one in the stereogram
printer.
Recent work has concentrated
on
making
Ultragrams in full color. One-step holographic
stereograms,
made
with a single wavelength
laser, inherently chromatically distort the image
llumination integration
Tribute to Weitzen
volume.
This
usually results inhorizontalstre
ing distortion of the image based on reconst
tion wavelength. By using a reflection form
and thus limiting the bandwidth playout
of
final hologram, three discrete images can
produced corresponding to three color pri
ries: as opposed to the continuous spectrum
is played
out
from a transmission hologr
Chromatic distortion is removed via a lin
continued o b ck
Cutting the computation
The Spatial Imaging Group at MIT's
Media
Lab. has used a computer to generate small, 3
D, holographic images, and reconstructed them using an acousto-optic-based optical system
As withany real-time display, the computer generated holograms (CGHs)must becalculated
quickly for the images to be dynamic
and
interactive. However, numerical synthesis o
holographic interference patterns demands an enormous amount of computation, making
rapid (less than one second) generation of even limited-size holograms impossible with
conventional computers. As presented at Practical Holography VI several methods o
reducing computation complexity have
been
devised to cut calculation times to as little as one
second using a data-parallel-processing supercomputer.
For decades, researchers used purely physical models
of
lightdiffraction and interferenc
to numerically synthesize holograms.
The
first simplification acknowledges that not al
irtformation relating to physical diffraction needs to
be
included for imaging purposes.
Th
fringe created
when
each image point source interferes with reference beam light is all tha
is required. In fact, by computing only the bipolar intensity fringes, the image is brighte
due to the
lack
of any reference bias build-up, and less noisy due to the lack of object self
interference. Summation of these bipolar fringes is linear and involves only real-valued
continued
on
page
8/10/2019 Holography.vol2.No2(8pages)
2/8
olography
rom the editor
Practical Holography VI
This year's Practical
olography
VI
meeting (11-
13
February
,
San Jose
,
Calif
.)
featured the world's
flTst i
nternational session on electro-holography,
a
erm intended
to describe the various
ap-
proaches
to electronically
transmitted
and moving
image display holography
. h
s not
a
very f i m ~ i n g
term, as
h ncludes
holographic cinema
under
i
ntended d e f i n ~ i o n (although nary an electron
is
involved; well,
a
few
p/loto-electrons
perhaps)
,
but
will distinguish this new
field
from electronic
holography
, which
generally
signifies
electronic
speckle interferometry (or ESPI)
.
Also
in
San Jose
at the
Holography Working Group meeting
,
we
changed the name of the conference to olo-
graphic Imaging and
Materials
to
better reflect the
changing
charter
of
the
meeting as we move
toward fewer and
better
focused
meetings.
Over
the past
year,
SPIE has had
a
chance to
look at
the
actual operating
costs
of wor
8/10/2019 Holography.vol2.No2(8pages)
3/8
olography
PRIL 19
The Museum of Holography, founded by Jody
Bums and
Posy Jackson, opened
to
the
public on
9
December 1976,
and provided
the
world s
first
permanent
venue for
the e x h i ~ i o n
of holograms,
collection
of ~ artifacts, and education
about
princples
and app6ca1ions. Mhough originally
emphasizing
the
promotion
of
holography
as
an
art
medium,
the
Museum
came
to
embrace the
scientific, industrial,
and
commercial aspects
of
the
medium as
programs developed
.
The
All
queued
up t go
on line
Museum s space expanded to indude two
floors,
induding
the Dennis Gabor Laboratory for
Holography
and
a teaching space for school
programs. It also published a newsletter,
Ho osphere.
Unlike many New York
cuHural
i n s t ~ u t i o n s the
Museum
was primarily supported
by
admissions income, as holography had not
reached
the
mainstream stature
necessary for
major
arts
foundation
funding. The
Board
of
Trustees
is hopeful
that
the Museum will eventually
reopen
in
a
new
location,
but
there are
obviously
a
host of problems to solve
in
the meantime .
Our electronic newsletter is now up and run-
ning thanks to Mike Halle, Spatial Imaging
Group,MITMedia Lab. We decided to try an
unmoderated format. That means information
will not need to pass through SPIE headquar
ters before going to working group members.
This
is the way it works:
1. Working group members who have given
their addresses to SPIE are on a listserver
send mail
to
people on
t is
list. Please be
selective when sending information
to t is
address:
i f oo much
'1unkmail is sent,mem
bers will remove their name from the list, and
we will have to move to a moderated fQrmat.
2. f you are not sure the information is
appropriate to
be
broadcast through the net
work, or
i f
you would like it
to
be edited,
please send it
to
splebolo-news@medla.
mltedu.
That is also the address to send
articles for or comments about the print news
letter or general enquiries about SPIE, work-
tephen
A Benton
Chairman,
Working
Group Executive o m m ~ e e
I f
you're using an
ion laser for a single
frequency application
like holography, you
know that mode-hops
are one of the biggest
obstacles to increasing
your productivity.
The unpredictable
power losses and fre
quency shifts associated
with mode-hops can
ruin a complex exposure,
forcing you to repeat a
run, without any assur
ance that a mode-hop
won't occur again at an
inopportune moment.
Coherent's Innova
family of ion lasers offer
single-frequencyopera
tion that is mode-hop
Highest Power
Shorter
Exposures
Larger Holograms
Higher Throughput
Unsurpassed Stability
No Mode-Hops
Fewer Rejects
Better Quality
HandsOff Operation
Automatic Mirror
Alignment
Automatic Etalon
Set-Up
Automatic Etalon
Stabilization
free.
Our
ModeTrack
software continuously
monitors the laser out
put, then controls the
laser to provide long
term, hands-off, stable
single-frequency per
formance .
This
means
that for your critical
single-frequency appli
cation, mode-hops are
completely eliminated.
The Innova family
includes small and large
frame ion lasers. Both
with higher specified
single-frequency power
than is available from
anyone else. And all the
productivity-enhancing
features that have made
Coherent the leading
light in lasers.
Our lasers are backed
by outstanding customer
care unmatched by
ing groups, meetings, administration. etc
Please state whether the information sent
t
t is
address
is
for e-mail broadcast,
for
th
newsletter, or not for publication.
3. fyou are noton the list to receiveworkin
group mail, or wish to delete or change your e
mail address, please send a message t
[email protected] (workin
group members only).
4.
Hyou have issues you wish to discuss
wit
theworking
group
administration(serious
con
ference scheduling clashes.
important
agend
items for working group meetings. etc.
send a
brief
message to splebolo
[email protected] and we will
addres
your concerns. Information sent
to t is
ad
dress will not
be
published.
f you have any questions about the way
th
network operates, please send them to th
spieholo-news address (address
2
above), o
to Sunny Bains atSPIE, P.O.Box
10,
Belling
ham, WA 98227-0010, Fax 206/647-1445.
anyone in the business.
It's a corporate culture
that reaches from our
president, who gives his
home phone number to
customers in case of
problems, to our superb
staff of field service
engineers.No one sup
ports you better, or
faster, anywhere
in the world
than Coherent. ~ ~ ~ ' ~ ~ l
Call 800-
527-3786, ext.
365 for your free
single-frequency
ion laser selection
guide today.
We'll show you how
added stability can make
you far more productive.
UK (0223) 420501,
Germany
(06074) 9
140
, Japan (03) 3648 8115, outside Stales (415) 858-7582, FA X (415) 8587631
*IER EnT.
8/10/2019 Holography.vol2.No2(8pages)
4/8
olography
Do
commercial holograms have
z-axis n
their
future?
To what is commercial holographic imaging
always bound? Are the only good holograms
limited to those that can
be
seen in diffuse
lighting? f hat is the case,
why
produce holo
grams? Whynot produce 2-D diffractionprints-
glitter color.
It
is the responsibility of those
working in holographic imaging to develop an
understanding
of
true holographic images.
By
doing that, we are actually accomplishing two
goals: expanding the
public's
perception of the
potential of holographic imagery and recaptur
ing the full palette of holographic potential for
our own use.
There is substance
to
the argument that most
commercially produced holograms must func
tion, to an extent, with diffuse lighting as the
main source of illumination. However, every
thing that holographic images bring to commer
cial art is
not
limited to the 2-D surface
of
the
paper/substrate.
There
is so
much
more: depth,
image, transposition, animation, and morphing,
to name but a few.
Take, for example, the recent interest in i m
age morphism in commercial computer graphic
art. That technique is practically begging to be
used in holographic stereography and could
be
easily accommodated by the
100-120
frame
capability of an embossed color stereogram.
Today, such an image is usually reduced to a
two channel image, losing all the beauty inher
ent in the original process. The challenge has
less to dowithdevelopment of maging technol
ogy, and more to do with understanding what
the time component in holographic images
brings to commercial
art.
The
operative word is extent. True, the
successful commercial hologram must
be
able
to
function with
some
substance under diffuse
illumination. But this should only be a lead in
ahook
to attract attention, so that the viewer can
take the hologram to better illumination where
the real intent
of
the image can be seen. When
more holograms function in this manner, the
public's fascination with holography will be
revitalized.
Perhaps we must simply extend the
public's
enjoyment of holographic imagery in general.
f
we can do this to the extent that viewers
demand the same qualities in commerciafholo
grams as they have
come to expect from holo
graphic art, then our clients may allow us to
show the world what holography can do.
Steve
Smith
The Lasersmith
PRIL
19
olography
The
Holography
newsletter is published
by
SPI
The
International Society for Optical Engineeri
for its
In1tmatiooal
T eclmical Working Group
Holography. Present circulation is
5,000.
xecutive diJor
Stephen
A.
Benton
Technical Editor
Sunny Bains
Managing diJor
Andrea Patrick
Graphics Karen Long
dvertising alu
Patricia Rosedale
Address
all
submissions to Sunny Bains, SPIE, P
Box 10, Bellingham. WA
982Z7-OO10.
Articles
this newsletter
do
not necessarily
constiWle
n o r
ment or the opinions of the editors or SPIE.
Adv
tising and copy are subject
to accq>Lance by
editors.
SPIE-The
Intemational Society for Opti
ngineering (Society of Pboto-Optical
strumentation Engineers) is a nonprofit educatio
society dedicated to advanc.ng engineering and s
entific applications of optical,
e1eclrcHlptical, a
optoelectronic instrwnentation, systems, and te
nologies.
1992 Society
of
Photo-Optical lnstrwnentat
Engineers.
All
rights reserved.
SPIE-The
International
Society
for Optical
En
neering, P.O.
Box 10, Bellingham,
WA 98227-00
USA. T e i e p h o n e 2 6 6 7 ~ 3 2 9 Teiefax2061647-14
Teiex 46-7053. OPTO-UNK 206m3 2998. inlc
. CompuServe 71630,2177.
In
Europe: Xantmer Slrasse
22,
D
1000
Berlin IS,
Germany.
Telephone 49-30-881 5047. Telefax
49-
882 2028.
Telex
181479
speco d.
In
Japan:
SPIE, c/o
01'0 esearch Corp
., Takeu
Bldg., 1-34-12
Takatanobaba, Shinjukuku,
Tokyo 1
Japan. Telephone 03/3208-7821. Telex
232 41
O1 ORES
1.
Telefax
03/3200-2889.
HOLOGRAPHY CLASSES
FULL 3-DAY WORKSHOP
450
Students produce their own laser viewable white light reflection
holograms. All aspects are learned, including history, marketing, types,
applications and advanced formats.
(Multiplex, embossed, dichromate, rainbow and photopolymer)
FULL LINE OF HOLOGRAPHY SERVICES AVAILABLE
Visit our 4,000 sq.
ft.
gallery in Woodland Hills
CA.
For information call or write:
WHITE LIGHT WORKS, INC.
(818)
703-1111
Fax (818) 703-1182
P.O. Box 851 Woodland Hills, CA. 91365
4
8/10/2019 Holography.vol2.No2(8pages)
5/8
olography
Alabama s
alternative
to edge-lit?
A
3-D
holographic image with substantial depth
has
been
created, using a display
unit
that
integrates a rainbow hologram and a white
light illumination source,
at
the University of
Alabama at Huntsville, Mechanical Engineer
ing
Department With
only a
power cord
at
tached to the bottom of the frame, the compact,
self-contained system, about I-inch thick, is
ready to hang on the wall and can be viewed in
almost any display environment (Fig. 1).
igure
1.
The
integrated steep illumination rainbow
hologr m displ y
The integrated hologram system is a hybrid
of a conventional white
light
transmission ho
logram and an edge-lit rainbow hologram. It
consists of three parts: light guide, rainbow
hologram, and light source. The
light
guide
consists of two sheets of glass
placed
parallel
with an air
gap
between them. A specially
made
rainbow hologram is laminated to one of
the glass sheets.
The
source is a miniature,
white light bulb placed between and near the
edge of the glass sheets. A moderate distance
between the hologram and
light
source is nec
essary to provide a relatively uniform illumina
tion. The light emitted from the bulb is guided
to the hologram area through multiple reflection
from the glass sheets. Near the source, aluminum
mirrors are laminated on the light guide to
pre
vent light leaks and decrease the temperature of
the glass. A major proportion of the light illumi
nates the hologram with a very steep incidence.
To achieve efficient reconstruction, the holo
gram is recorded with optical geometry similar
to that one used for recording edge-lit rainbow
holograms.
The
system offers relaxation for
the lighting restrictions with con
ventional white light transmission
holography. The spatial require
ment for conventional display ho
logram illumination has been
eliminated, making holographic
displays
more compact and
self
contained, and
therefore more
practical. This improvement
should increase the commercial
value of display holography
and
expand its market.
Though
related to the edge-lit
rainbow hologram, the integrated,
steep illumination rainbow holo
gram
display provides solutions
to
some
of the engineering diffi
culties. The recording configura
tion for the hologram used in this
system is rather conventional .
Only a free space reference beam
is needed. Consequently, the re
quirements of using a glass block,
immersion tank, and index match
ing for edge-lit work
can
be re-
laxed,
and
there is no Fresnel re
flection problem. In addition, the
image
created by this system has considerably
lower Rayleigh scattering noise. Furthermore,
this integrated system has effectively avoided
the heat dissipation problem.
There
is plenty of
air
space between the glass sheets to disperse the
heat
generated by the light source, and the alumi
num mirrors act as heat sinks.For instance, using
a 12V,
20
W halogen bulb the
maximum
tem
perature around the system
was
approximately
65C.
This
guarantees the safety of nstalling the
light source in the picture frame.
QlangHuang
DepL of Phys. Univ.
o
Alabama, HWI1aville
AI
35899,
2 0 S / 8 9 5 ~ 9 x l 2 S Internet: [email protected].
5
APRIL 99
Computation
conliooed
from
p ge
I
numbers, consequently doubling computatio
speed. So, by computing only what the hol
graphic imaging sy stem needs, this method ca
culates a better
image in half
the time.
Substantially more speed is obtained by u
ing a look-u p table containing all possib
elemental bipolar fringes .This is pre-comput
once for a given i mage resolution and displ
geometry. Rather than computing fringes
needed, the table
maps each
desired image poi
to
the appropriate elemental fringe pattern. E
sentially, the physics of light propagation, a
therefore all the time-consuming calculation
are contained within the look-up table. CG
computation proceeds by reading in a poi
from the desired image, using its position
index the table, scaling the elemental fringe
the desired image po int brightness, and fina
combining this scaled fringe into the total frin
pattern.
This
is repeated for each image poi
until the entire pattern is computed. On a Co
nection Machine Model 2 supercomputer, th
approach can increase computation speed
more
than
one
order
of
magnitude. For a
megabyte CGH from an image composed
10,000 points, frame times are less than o
second. (Such a computation traditionally occ
pies a mainframe computer for hours.) T
look-up table accelerates the process even
fu
ther on less sophisticated computers.
Currently, the real-time display system at t
MIT
produces an image occupying a volume
roughly 4 cm on
each
side, with a view angle
16 degrees. By turning
one
of several di
interfaced to the computer, the viewer m
manipulate the image in any way: change t
object s rotation, size, location, etc. With a
proximately one refresh per second, this is tru
the first interac tive holographic display.
Mark
Lucente
MIT
Media
Lab.
RefeIel1ccs
I . P.
SL
-
Hilaire
et
aI.
''Electronic display system for
computational holography, SPlE Vol 1212, (199
2. P. SL-Hi1aire, et
aI. Real time
holographic cli.pla
improvementa using a multichannel acousto-optic
modulator
and holographic optical elementa. SPl
Vol
1461,
(1991).
3. P. SL-Hi1aire, S. A. Benton, M. Lucente, Color
imagea with the MIT holographic video display,
SPIE Vol 1667, publication expected July 1992.
4. M. Lucente, Optimization of hologram computat
for real-time display,
SPIE Vol
1461, publication
expected July I 992.
8/10/2019 Holography.vol2.No2(8pages)
6/8
olography
n th
n ws
COHERENT, INC. HAS PURCHASED
a
10 percent equity interest
in
Holo-Or Ltd.
lo
cated in Rehovot,
Israel.
Holo-Or is a start-up
company specializing in the design
and
proto
type
fabrication
of
diffractive optical elements.
Coherent
and
Holo-Or have
been
working
to -
gether for several years to commercialize
dif-
fractive teclmology for use in laser delivery
systems. Coherent currently marlcets these lenses
to COl laser
users
for a number
of
applications
in which high energy density
or
special beam
shaping is required. These lenses offer advan
tages such as low weight, complex optical func
tions, and aberration-free
performance.
Diffrac
tive optics utilize semiconductor lithographic
manufacturing techniques to create computer
designed phase structures which replace tradi
tional optics.
AN EXIflBIT of
fine art holograms is being
displayed through
30
June
at
the Holography
World Center
of
the Art, Science and Teclmol
ogy Institute, Washington, DC. Displays in
clude Dietmar Ohlmann's
Scream
and
Human
in Hyper-Space,
and Randy James'
lrllersec
tion.
Other artists
at
the exhibit include Rudie
Berkhout, Peter Miller, Jeffrey Robb, Eduardo
Ko, and John Kaufman.
THE
TASK
OF
SELLING HOLOGRAMS
can be difficult and demanding in part because
there has been
no
documentation
of
vital sales
data. olan Report
now provides a warehouse
of
information
on
holograms.
It
demonstrates
that there is a functioning system that buys and
sells holographic
art-art
that commands fair
and
reasonable prices in line with those paid for
other types of fine art. Information for the report
is provided
by
subscribers who submit a com
pleted sales report whenever they make a sale.
Every
three
months, beginning May 1992, all
reported sales will
be
published in Holart.
To
obtain a sales report form or for inforri'tarion
about subscribing, contact Holart Consultants,
18 Bonview St,
San Francisco,
CA94110
USA.
Phone 415(282-3646. Fax 415(282-4013.
WAVEFRONT, which stopped publication in
1987, will
be
coming out with a special issue in
April.
The
issue, edited by
AI
Razutis and Mel
issa Crenshaw, will include the collapse
of
the
NY
Museum
of
Holography, images in time and
space. and more. Send $7 to WAVEFRONT,
Box
74584, Kitsilano Postal Outlet, 2803 W.
4th
Ave., Vancouver,BC,CANADA V6KIR2.
APRIL
19
H O L O G R P H E R S N D O T H E R S w i
to protest the use
of
the
term
hologram
describe the
3-D
arcade game Time Travele
should use a designated file number when w
ing to the Federal Trade Commission, acco
ing to Jeff Levine
of
MezMerized Marketi
Using the flle number will enable the
FfC
identify letters rela ted to the issue and quan
the level
of
protest, Levine said. Letters sho
refer to FfCConsumerFileNo. 231915, and
addressed to: Federal Trade Commission, A
Eugene Lipkowitz, 150 William Street, 1
Floor, New Yorlc
NY 10602
Levine
is coo
nating a campaign to persuade
the FfC
to
voke trademark permission for the use
of
term
hologram by computer game manu
turer Sega in connection with its Time Tr
eler
n
game.
The
game uses a parabolic ref
tor to display 2-D computer graphics as ste
images and includes no holographic teclmol
(Holography,
Vol. 2 No. I, February 1992
=II_OLOGRAPHICS
\ :J 1J1 l1
NT E R
NAT
ION
A L
Featuring
= -
1
9
9
2
The 1992 SPIE Holographies International
Directory Resource Guide
Tbe industry S most comprebensive guide to bolography
>
Over 2,000 companies, researchers, professionals,
and
artists
> Review articles on HOEs, imaging,
NDT
art,
and
displays
>
Extensive patent, paper,
and
publication listings
>
Indexes
of
people
and
companies in
46
countries
> Nearly 200 pages of essential contacts and infonnation
SPIFJWorking Group Member $35 Nonmember $50
Mall
01' fax
yOUI'
order (with payment to:
SPIE. P.O. Box 10 Bellingham, WA 98227-0010
USA
Telephone
: 2061676-3290
Telefax: 206/647-1445 Telex: 46-7053
OPTO-UNK:
2061733 2998
SPIFr-The International Sodety for Optical Engtneertng
8/10/2019 Holography.vol2.No2(8pages)
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olography
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8/10/2019 Holography.vol2.No2(8pages)
8/8
Holoprinter
continued
from
page
1
horizontal stretch of the two component image
sets that reconstruct
at
wavelengths shorter than
the recording wavelength.
Current state
of the
Figure 2a n
example
of perspective
surface images of
the head
.
art is a full-color, one-step, 10 x 8-inch, reflec
tion, image-plane, holograph ic
stereogram with
an 68
horizontal view
zone produced with
a
single-wavelength laser.
At the Imaging Science and Engineering
Laboratory
at
the Tokyo Institute
of
Techno
logy, researchers
have been working on
a sys
tem which
uses three
wavelengths instead
of
one to encode color.'The
optical system
used,
shown in Fig. 1 (see
page
I),
has
similarities to
a system
devised at the
Universityof Dayton,4
in
that
it
uses a lenticul ar
sheet
to
broaden the
final
view zone
of
he hologram.Thestereo-slit
width
used is 2mm, but the slit is
moved by
only
O.5mm
between
frames.
Thus, each
0.
5mm slit
has
been exposed four
times
which helps
both
image
continuity and prevents
the hologram
from appearing to be covered
with
lines. A total
of 400 such frames is exposed, resulting
in
a
final
hologram has
a
60 viewing
anglo. This
system uses pre-distortion
of
the stereogram
data (Fig. 2) in order to compensate for wave
length dispersion
and
illumination
source
size.
S
6
Figure 2b An image
which
has been
pre
distortsd
us
ing Tokyo
Institute
of
Technology s image
processing technique
References
I . UUltngram: a generalized holographic stereogram:'
SPIE Proc. Vol. 1461. 1991.
2 Full color
Ultngrsms.
SPIE Proc, Vol. 1667, to
be published July 1992.
3. uOno-step Lippmann Holographic Stereogram."
SPIE Proc. Vol
1667, to be published July 1992.
4. L Huff, R. L Fulck, ''Color holographic l .ereo
graml," Optical E ,iMcri Vol. 19 No.5. 1980.
5. "Image proceasing technique for arbitruy image
positioning
in
holographic ltereogram," Opt. CO .,
Vol. 80, 1990.
6. "Large one-step holographic stereogram." SPlE
Proc. Vol. /46/,1991.
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ADDRESS CORRECTION REQUESTED
D TED M TERI L
tribute to
Weitzen
Until 1990,
Edward
Weitzen was
CEO
of
In
national Banknote Company, which he joi
in 1968. and the leader of the American B
Note and
ABN
Holographies subsidiaries.
der his leadership, ABNH became the lar
mass
producer
of holograms
in
the world.
Weitzen put ABNH together
in
1981 (or
nally retaining the name
of
Eidetic Images f
an
acquiredcompany)
in order
to implemen
ideas for
using holograms
on security do
ments.
This concept was
visionary becau
except for highly
technical applications.
holography
field was
quite
dormant and
glected Several million dollars were spen
Weitzen's project., and
many
derisive arti
were
written about
it. But his conviction
inspiration led to the creation
of
accepta
images in
mass-production. Weitzen sold
ideas to
MasterCard
and
VISA
(and late
NatioTUlI
Geographic
magazine),
creatin
public
awareness of holography.
Weitzen was extreme ly considerate and g
erous in
dealing
with
his colleagues and su
dinates, and above
all,
he was very hon
Unfortunately,
holography
entrepreneurs o
regarded him as wlfairly attempting to ben
from his acquisition
of
the original Leith
Upatnieks patents.
In
fact., Weitzen resi
enforcement
of
patents by
his lieutenants,
ticularly against individual holographers.
Ed
Weitzen
will
be
most remembered
fo
pioneering work in establishing a commer
holography
industry. The holography com
nity
h s benefitted immeasurably from
achievement., and we are indebted to him.
EDWARD H
WEITZEN
died
30
Septem
1991
Ken Haines
Simian Co.
Non-Profit Or
U.S. Postage P
Society
of
Photo-Optica
Instrumentati
Engineers