Holdan Blackmagic Design Solutions

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    UltraHD

    Welcome to the Blackmagic Design world of 4K production

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    HD and ULTRAHD Live Production Workows

    Affordable live switchers with creative effects

    The ATEM 2M/E Production Studio 4K is anincredibly well specied and creative visionmixer which features 20 6G-SDI inputs, DVE

    and SuperSource. Its 13 outputs mean thatusers will never be short of ports, includingall-important SDI down-conversion.

    Software Control AUX Out 6G-SDI

    Control ATEM from a Mac orPC laptop. Up-grade to thehardware panel at any point.

    ATEM systems feature anunusually large number ofclean AUX outputs.

    This allows users to connectrecorders, encoders, mon-itors, large format screensand more - with-out everrunning short of outputs.

    Working with the highestquality RGB 1080 50p video?3G-SDI is up to the task.

    ATEM 1M/E 4K supports6G-SDI, a single cable whichsupports 4K workows - evenRAW signals.

    With the ATEM 1M/E Production

    Studio 4K live switcher withDVE, stingers and 6G-SDI whichsupports SD, HD and UltraHD. Itfeatures 10 inputs, chroma keys,transitions, 4 upstream keyers,

    downstream keyers, audio

    mixer, multi view, full motionDVE, stinger transitions, largemedia pool with full motion clipsand 3 auxiliary outputs.

    ATEM switchers can be controlled by software or a dedicated panel.

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    Shoot detailed and richvideo, record-ing ProResor CinemaDNG HD les.Use high speed SD cardsto capture hours of qualityfootage. The camera is

    happy as a discreet secondunit or fully rigged withmoni-tor, matte box, follow

    focus and tripod plate.Its active MFT mount canbe adapted to PL or othermounts.

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    Welcome to URSA

    URSA re-denes cameraergonomics with multipletouch screens giving thecamera operator, assistantand sound engineerdedicated working areas.

    This level of innovation - froma modular 4K camera at an

    astonishingly low price - will bevery welcome on lm, dramaand other high end sets.

    Ergonomics & Features

    Built to handle theergonomics of large lmcrews as well as singleperson use, URSA haseverything built in, includinga massive 10 fold out on-set monitor and a separate5 screen for settings,

    camera status and scopes. Itfeatures a user upgradeableSuper 35 global shutter 4K

    image sensor and 12G-SDIconnectivity.

    Workfow

    Ursa records high resolutionUltra HD 12 bit lossless CinemaDNG RAW, plus UltraHD or HDin Apple ProRes for an easypost production workowwith minimum storagerequirements.

    Metadata

    Keep track of every shot bylogging metadata into the

    camera. Enter infor-mationincluding shot number,search tags, scene number,timecode and more.

    Image Settings

    Use UltraScope test andmeasurement soft-ware toset up and match camerasfor each shoot. Assesspictures and sound via any

    USB-connected PC or Mac .

    Transfer Files

    With MultiDock, SSD drivescan be mounted to anyworkstation. Either work onthe les directly or else copythe data to shared or localdrives for post production.

    Grade & Edit

    DaVinci Resolve(full orlite) is included with the

    cameras. Correct, gradeand cut pictures: applycurves, styles, colour spacesand much more. Export toFinal Cut Pro 7/X, PremierePro, Avid or Edius Pro.

    Finish

    Return to DaVinci Resolvefor nal grading and export

    at the preferred bit depthand resolution.

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    In-StudioProduction Technology

    Blackmagics rack modules are not just for studio managers.

    Engineered to be tough and robust, typically they are lowprole and lightweight - perfect for integration into portableproduction units.

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    In-Studio

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    Blackmagic develops a huge range of HD and 4K capture cards and external interfaceunits, many of which also allow full raster, full motion external monitoring on a dedicatedvideo display. Choose a PCI card, Thunderbolt attached device or USB3-connected unit.

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    To-disk,To-screenBlackmagic technology is leading the revolution in media

    ingest. It started with the single channel capture devices

    (highlighted opposite) but has exploded with the arrival of

    multi-channel DeckLink cards.

    Now, workstations can be used in studios and machine rooms

    to ISO record numerous live video feeds, simultaneously

    archive video from multiple sources or compliance- record a

    number of TV channels.

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    3G-SDI Routers C onnect, control and monitor all the equipment in your facility via a single hub

    Easily change connections in software, or by using a simple hardware controller

    No need to manually patch or keep a collection of different length cables

    Send a SDI video connection to as many outputs as you like SDI re-c locking ensures clean signals with support for simultaneous SD, HD and 3 Gb/s

    Broadcast and Studio models include RS-422 ports for remote deck control

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    Flexible, Modular Universal Videohubs

    Universal Videohub: build your own broadcast quality 3 Gb/s

    SDI and optical bre SDI router for SD, HD, 4:4:4 and 2K video

    formats.

    Frames are available in 72 x 72 or 288 x 288 crosspoint size.

    Each interface card features 4 inputs and 4 outputs. Mix and

    match SDI / bre interfaces to build your ideal router, with total

    redundancy for 24/7 reliability.remote deck control

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    Signal BoxMini ConvertersSD, HD and 4K mini converters with low jitter 3G-SDI with SDI re-clocking.

    < SDI to Analogue 4K