HIRMER · 2017. 6. 30. · 1 » Unique analysis of Raphael’s working methods » New understanding of his drawing materials » With masterpieces from all creative periods from the

PUBLISHERSHIRMER

AUTUMN 2017

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» Unique analysis of Raphael’s working methods

» New understanding of his drawing materials

» With masterpieces from all creative periods from the world’s great museums.

PAINTING

Raphael is a true universal genius of the High Renaissance – whether as painter and architect in Florence and Rome or when commissioned by popes and princes. His master-ly drawings illustrate masterfully his thought processes and working methods from the sketch to the final composition. With some 150 drawings and paintings the volume assem-bles all the artist’s important projects.

Together with Leonardo da Vinci and Michelangelo, Raphael (1483-1520) is regarded as one of the most important masters of art history. The drawings and paintings presented here are among his most important and beautiful works and provide an overview of all his creative periods, from his early years in Umbria to the years he spent in Florence and the period in Rome. This wealth of material enables an investigation of Raphael’s design methods and his preparatory process for his panel paintings, works of canvas and frescoes. An additional focus lies on the materials he used in order to achieve specific tasks, including silverpoint, pen, ink, charcoal and red chalk.

RAPHAEL

Ed. A. GnannContributions by C. Whistler, B. Thomas

448 pages, 270 illustrations in colour24 × 30 cm, hardcover

£ 45.00978-3-7774-2859-8October 2017

EXHIBITIONAlbertina, Vienna29.09.2017–07.01.2018

37 Studies of Heads and Hands, Oxford, Ashmolean Museum, © Ashmolean Museum, University of Oxford7 The Holy Family with the Lamb, 1507, Madrid, Museo del Prado, © Joseph S. Martín - ARTOTHEK3The Vision of Ezekiel, 1516, Florence, Palazzo Pitti, Galleria Palatina, Gabinetto Fotografico delle Gallerie degli Uffizi

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» Spectacular exhibition highlight in the Kunsthistorisches Museum Wien and the Städel Museum in Frankfurt am Main

» Magnificent tribute to the grand master of Flemish Baroque painting

» Rubens’s rivalry with the greatest of his guild: Titian, Tintoretto, Barocci, Goltzius et al.

PAINTING

Peter Paul Rubens is not only one of the most important painters of the Baroque; he is also a virtuoso of the art of transformation. More than virtually any other artist he sought inspi-ration in the works of other artists and was thus constantly reinventing his art in a highly radical manner. Here you can look over Rubens’s shoulder and immerse yourself in the creative process through which his masterpieces took shape.

The creative study of the important works of his predecessors and contemporaries occu-pied Peter Paul Rubens (1577–1640) throughout his life and left its mark on the works he produced over a period of fifty years. The comparison of his works with sculptures from An-tiquity and the Renaissance, paintings by Titian and Tintoretto and prints by Raimondi and Goltzius reveals a fascinating view of Rubens’s surprising transformation of subjects, his new presentation of familiar pictorial themes and his skilled search for the right format. Only thus does the exceptional talent of this great master become tangible. Rubens’s works continue to enchant the present-day viewer as directly as they did during his lifetime.

PETER PAUL RUBENSThe Power of Transformation

Eds. G. Gruber, S. Weppelmann and J. Sanderwith contributions by G. Bisacca, N. Büttner, M. Daiman, A. Georgievska- Shine, G. Gruber, F. Healy, N. van Hout, D. Jaffé, E. Oberthaler, G. Prast, J. Sander, I. Slama, A. Vergara, S. Weppelmann, J. Wood


£ 45.00978-3-7774-2858-1November 2017

EXHIBITIONKunsthistorisches Museum Wien, Vienna17.10.2017–21.01.2018

Städel Museum, Frankfurt am Main08.02.–21.05.2018

7Titian, Ecce Homo, 1543, Vienna, Kunsthistorisches Museum Wien © KHM Museums-Verband 3Peter Paul Rubens, Drawing after Titian’s “Ecce Homo” © Courtesy National Gallery of Art, Washington

3Peter Paul Rubens, Venus and Cupid, ca. 1606/11, Madrid, Museo Thyssen-Bornemisza © Museo Thyssen-Bornemisza/Scala

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» Masterpieces on paper

» In a new context: Bruegel and the pictorial tradition

» First comprehensive index of Bruegel’s prints in the Albertina

PAINTING

Pieter Bruegel the Elder is considered the greatest Netherlandish graphic artist of the 16th century. Even during his lifetime his drawings were highly regarded and many were widely distributed as references for copperplate engravings. Drawing on the pictorial tra-dition of earlier generations of artists, Bruegel introduced completely new ideas with re-gard to both subject and form.

On the eve of the Dutch War of Independence against Spanish hegemony, in a time of politi-cal, social and religious change, Pieter Bruegel (ca. 1525 – 1569) created an equally complex pictorial world. Humorous and down-to-earth, sharp-witted and deeply critical, he reflected on the society of his time. The lavishly illustrated catalogue illuminates Bruegel’s artistic origins and offers an overview of his entire graphical oeuvre which unites contrasting sub-jects such as “Peasant Bruegel”; Bruegel as the “second Hieronymus Bosch”; as an innovator in landscape art; and as a satirical moralist.

PIETER BRUEGEL THE ELDER

Eds. E. Michel and K. A. Schröderwith contributions by D. Hammer-Tugendhat, E. Michel, L. Ritter

224 pages, 168 illustrations in colour23.5 × 28.5 cm, hardcover

£ 38.00978-3-7774- 2863-5 November 2017

EXHIBITIONAlbertina, Vienna08.09.–03.12.2017

7 Spring, 1565, Albertina, Vienna3Christ’s Descent into Hell, 1561, Albertina, Vienna Both photographs: Albertina, Vienna

9PAINTING

Ed. I. Pfeifferwith contributions by A. Braune, K. Hille, A. Lütgens, S. Moeller, O. Peters, I. Pfeiffer, D. Price, M. Weinland


£ 45.00978-3-7774-2933-5December 2017

EXHIBITIONSchirn Kunsthalle, Frankfurt am Main 27.10.2017-25.02.2018

» Highly topical – The fight for democracy in the Weimar Republic as seen by the artists

» High artistic quality – controversial content: the art of the 1920s from a socio-historical point of view

» From Berlin to Munich and from Rostock to Hannover – A view of the capital and of the entire republic

From the glamour of the Golden Twenties to the depths of the dark side of a world under-going rapid change – the penetrating content of works by more than 60 artists recreates the age of the Weimar Republic, big-city life and the entertainment scene as well as the consequences of the First World War and socially controversial topics such as prostitu-tion, political struggle and social tensions.

As the first German democracy, the Weimar Republic (1918–1933) is regarded as a time of crisis and transition – from the German Empire to the totalitarian regime of National Social-ism. Numerous artists not only portrayed these years in their realistic representations, which are ironical and grotesque as well as critical-analytical; they also aimed to comment on the status quo and bring about social change. Works from Otto Dix and George Grosz via Conrad Felixmüller and Christian Schad to Dodo, Jeanne Mammen, Elfriede Lohse-Wächt-ler, famous artists and others waiting to be rediscovered, paint a multi-layered and political picture of the Weimar Republic.

SPLENDOR AND MISERY IN THE WEIMAR REPUBLICFrom Otto Dix to Jeanne Mammen

7George Grosz, Street Scene (Kurfürstendamm, Berlin), 1925, Museo Thyssen-Bornemisza, Madrid © VG Bild-Kunst, Bonn 2017

11PAINTING

Eds. Th. Köhler and A. Lütgenswith contributions by K. Aurich, J. Bertschik, G. Kühnast, Th. Köhler, A. Lütgens, S. Mainberger, E. Scharrer, D. Schöne, J. Schubert, C. Smith, C. Thiele, G, Wolter

256 pages, 170 illustrations in colour24 × 28.5 cm, hardcover with dust jacket

£ 39.95978-3-7774-2912-0November 2017

EXHIBITIONBerlinische Galerie.Landesmuseum für moderneKunst, Fotografie undArchitektur, Berlin06.10.2017–15.01.2018

» The artist as a chronicler of the glittering life in 1920s Berlin

» From New Objectivity to Cubism as resistance to National Socialism

» The life’s work of an indomitable loner in the 20th century

The rediscovery of icons of the 1920s, “degenerate” experiments, magical-poetic abstrac-tions – this wide-ranging publication shows the complete work of Jeanne Mammen (1890–1976), a Berlin artist on the threshold of the modern age. Her productive output mirrors the extreme circumstances she experienced, from war, destruction and poverty to the emergence from the ruins.

The Berlin painter and graphic artist Jeanne Mammen is one of the most awkward and co-lourful figures of recent German art history. Her complete oeuvre and the breaks it reveals reflect and comment in an entertaining and critical way on the political and aesthetic up-heavals of the last century. Mammen’s art is highly regarded in specialist circles far beyond the boundaries of Berlin and Germany. A monograph which has been in planning for twenty years presents an overview of her life’s work to a broader public and leads viewers not only deep into the 1920s, but also opens up surprising new perspectives on an outstanding artist of Classic Modernism.

JEANNE MAMMEN. THE OBSERVERRetrospective 1910–1975

37 Jeanne Mammen, Revue Girls, 1928/29, Berlinische Galerie, © VG Bild-Kunst, Bonn 20177 Jeanne Mammen, Untitled [Self-Portrait], ca. 1926, © VGBild-Kunst, Bonn 20173Gert Ladewig, Jeanne Mammen in her studio, 1975; both images p. 11: Förderverein der Jeanne-Mammen-Stiftung e.V.

Eds. Kunst- und Ausstellungs-halle der Bundesrepublik Deutschland / Kunstmuseum Bern

384 pages 480 illustrations24 × 28 cm, hardcover

£ 28.00978-3-7774-2963-2January 2018

EXHIBITIONSBundeskunsthalle, BonnDossier Gurlitt: Nazi Art Theft and its Consequences03.11.2017–11.03.2018

Kunstmuseum BernDossier Gurlitt: “Degenerate Art” – Confiscated and Sold02.11.2017–04.03.2018

Martin-Gropius-Bau, BerlinAutumn 2018

Further exhibition venues are planned

When over 1,000 artworks by outstanding artists such as Otto Dix, Franz Marc, Emil Nolde, Paul Cézanne, Wassily Kandinsky and Claude Monet which had long been thought to be lost turned up in the collection of Cornelius Gurlitt, the find was celebrated as a sensation – but the accusation that the works were looted art also hovered in the air. Until now the pictures have not been on display to the public. Now, for the first time, the works from the Gurlitt estate on view in Bonn and Bern are introduced in a comprehensive publication and their turbulent history is told.

In addition to the presentation of the pictures, the estate of Cornelius Gurlitt (1932–2014), the son of the art dealer Hildebrand Gurlitt, is set in its historical context by a prestigious list of authors, thereby ensuring transparency and enlightenment. One important topic is the provenance of the works, which in some cases were vilified by the National Socialist regime as “degenerate art”. Which works in this collection are looted art? Which ones were pur-chased legally, and which ones were acquired in forced sales? Another area of focus will be the biographies of Jewish collectors and artists who were the victims of art theft and the Holocaust. A further topic of investigation is how stolen works were returned to the muse-ums and private collections after 1945. The official catalogue of the Kunstmuseum Bern and the Kunst- und Ausstellungshalle der Bundesrepublik Deutschland (Bundeskunsthalle) in Bonn permits for the first time a nuanced understanding of this case which is unique in the postwar history of Germany.

DOSSIER GURLITT

Rudolf Leopold

PAINTING

Diethard Leopold

320 pages, 70 illustrations9.2 x 10.4 in, hardcover

£ 28.00978-3-7774-2867-3September 2017

» Portrait of the famous art collector Rudolf Leopold, who assembled the world’s largest collection of works by Egon Schiele and Richard Gerstl and others

» Interesting and entertaining biography of the man who gave his name to the Leopold Museum in Vienna

» Unique contemporary witness to the important era “Vienna 1900”

With pioneering far-sightedness and a feeling for art, the collector Rudolf Leopold (1925–2010) achieved something which only a few representatives of this guild succeeded in doing during the historical era of the new beginning from the 1950s: he founded a major collection of international repute which is not only aesthetically demanding but also rele-vant from an art-historical point of view.

This biography draws a portrait of Rudolf Leopold as a fascinating personality and collector. It is based on the memories of his son Diethard Leopold as well as conversations with his father together with relatives and contemporaries as well as his father’s rivals. It is the per-manent record of a lifelong striving to preserve that which contributed to the identity of a cultural era. Starting with Schiele as the core artist, the collection contains countless mas-terpieces including important works by Klimt, Kokoschka, Gerstl, Egger-Lienz, Kubin and the German Expressionists. The collection is rounded out by important items of furniture, arts and crafts, jewellery and African and Japanese art.

RUDOLF LEOPOLDArt collector

» Exclusive authorised publication: a first stock-taking of the Gurlitt art trove

» For the first time: a presentation of 450 works from the spectacular Gurlitt estate

» Showcase example of the topical subject of the present-day treatment of stolen and looted art

PAINTING/CULTURAL HISTORY

GURLITT DOSSIER

13PAINTING

Ed. C. Schreier, Kunstmuseum Bonnwith contributions by S. Berg, M. Germann, C. Schreier

120 pages, 70 illustrations in colour24 × 32 cm, softcover

£ 29.95978-3-7774-2894-9November 2017

EXHIBITIONKunstmuseum Bonn15.06.–01.10.2017

Stedelijk Museum voor Actuele Kunst, Ghent 21.10.2017–18.02.2018

» One of the world’s most famous personalities from the world of painting in a high-quality publication with large format and exclusive soft cover on fine cardboard with foil stamping

» Key works from New York, Budapest and Ghent presented for the master artist’s 85th birthday

» Sheds new light on Richter’s early creative years, which provide a key to the understanding of his entire oeuvre

Gerhard Richter (*1932) is an exceptional personality – not because his pictures are world famous, but because he has demonstrated a new approach to painting. His art masterful-ly moves between abstraction and representation, sensuousness and denial – ambivalent attitudes which he demonstrated even in his early work.

Gerhard Richter’s oeuvre overcomes the division between abstract and representational art. His pictures neither cultivate a modest interplay of colours and forms nor do they deliv-er an intact picture of reality. Richter is a sceptical artist who questions the reality of his art even when the prime subject of his paintings is the tangible. This applies in particular to his door, curtain and window pictures of the 1960s, which form the central focus of this volume. They stage a playful examination of the illusory nature of art, which always questions what painting shows or conceals. In this lavishly appointed volume they encounter central works from the artist’s last 15 years.

GERHARD RICHTERAbout Painting – Early Pictures

6Gerhard Richter, Turned Sheet, 1965, Private collections and Museum Kurhaus Kleve (2nd left) All pictures: © Gerhard Richter

3Gerhard Richter, Small Chair, 1965, LWL-Museum für Kunst und Kultur. Westfälisches Landesmuseum, Münster, loan from a private collection

1515CONTEMPORARY ART

Ed. J. NorthrupContributions by J. Decker, J. Northrup, J. Wiersema, W. L. Fox, A. Warden

224 pages, 200 illustrations in colour25.4 × 33 cm, hardcover

£ 38.00978-3-7774-2853-6 October 2017

EXHIBITIONNevada Museum of Art, Reno26.08.2017–21.01.2018

Anchorage Museum, AnchorageMarch – September 2018

Palm Springs Art Museum, Palm Springs Late 2018 – early 2019

From Alaska to the West Coast of North America, through Central America and down to Colombia; the region extends across vast distances, and its history, culture and the artists living there are equally full of contrasts and yet often very similar. “Unsettled” illuminates through some 200 artworks their creative approach in this tension field from the Pre-Co-lumbian period to the modern age.

“The Greater West” is a region which extends across thousands of miles and which is char-acterised by cultural, historical and scenic variety. It bears within it the legacy of colonialism and is the meeting place for countless traditions and art movements. The use of land and water and the preservation of the environment are urgent considerations for today’s inhab-itants. Everything they have in common as well as the differences and contrasts will be found mirrored in the creative work of the artists within the region. With numerous large-for-mat illustrations the volume explores this in depth, covering a period from the end of the fifteenth century to the present day.

» Art across borders from Alaska via Central America to South America

» Topical subject: a celebration of art in the tension field between various cultures

» Grand overview from Pre-Columbian art to contemporary works

UNSETTLED

7 Ed Ruscha, Lost Empires, Living Tribes, 1984. Courtesy of the artist and Marciano Collection, Los Angeles © Ed Ruscha3Ana Teresa Fernández, Erasing the Border (Borrando la Frontera), 2013. Courtesy of The Bedford Cherubino Collection and Gallery Wendi Norris, San Francisco

17CULTURAL HISTORY

Eds. Donald Albrecht and Thomas MellinsCo-published by the Museum of the City of New York and the Harry Ransom Center at The University of Texas at Austin

176 pages, 200 illustrations23 x 27 cm, hardcover

£ 34.00978-3-7774-2856-7September 2017

EXHIBITIONHarry Ransom Center at The University of Texas at Austin11.09.2017–01.01.2018

Museum of the City of New York2018

» Exciting and fruitful interaction between politics, culture, and art

» With masterpieces by famous artists inclu-ding Diego Rivera, Frida Kahlo, Edward Weston, Manuel Álvarez Bravo, Tina Modotti, et al.

» A popular subject: modern Mexican art

Rivera, Kahlo, Tamayo, Covarrubias, Weston, Modotti, Álvarez Bravo, Spratling – names which are closely linked with the internationally celebrated art, photography, and design scene of the 1920s and 1930s in the United States and Mexico. This lavishly illustrated publication traces the dynamic cultural exchange which left its mark on both sides of the border.

At the beginning of the 20th century a lively and profitable exchange developed between artists in the United States and Mexico. The Americans were full of enthusiasm for the Mex-ican artists' synthesis of history and modernity and their social commitment, which con-trasted strongly with the consumer culture in the U.S. The Mexicans in turn found important financial backing across the border. The volume shows through paintings, drawings, photo-graphs, and graphical works from the Harry Ransom Center at The University of Texas at Austin and other important museums how this intercultural network brought forth a large number of world-famous artists.

MEXICO MODERNArt, Commerce, and Cultural Exchange, 1920–1945

Frida Kahlo in New York, 1946. Photograph by Nickolas Muray. ©Nickolas Muray Photo Archives.7 Workers Parade, 1926. Photograph by Tina Modotti. The Museum of Modern Art. Digital Image © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.3Women from Tehuantepec Going to the Mill, 1943. Photograph by Fritz Henle. Fritz Henle Photography Collection, Harry Ransom Center, The University of Texas at Austin. © The Fritz Henle Estate.

3 Diego Rivera, Niña con muñeca, 1939. Diego Rivera Collection, Harry Ransom Center, The University of Texas at Austin. © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D. F. / VG Bild-Kunst, Bonn 2017

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Ed. M. A. Pelizzari

128 pages, 112 illustrations in colour20.3 x 25.4 cm, soft cover

£ 28.00978-3-7774-2888-8October 2017

EXHIBITIONHunter College Art Galleries’ Bertha and Karl Leubsdorf Gallery, New York28.09.–26.11.2017

Founded in 1947 on the shared belief in humanist values, the Magnum photo agency has mostly focused on a transient world in times of unrest, collapsing social structures and polarising politics. This volume is being published to mark the 70th anniversary of the agency. A careful selection of images from this cooperative photo agency sheds new light on Magnum according to one important theme: community.

Community is marked by diversity, conflicts and ruptures, and yet we cling to the sometimes nostalgic-seeming idea of the harmonious coexistence of man. This volume celebrates this history with over 100 photographs from Magnum taken over the past 70 years. It features pictures of dramatic events of world history to quiet, private insights into our daily lives. The works in this volume prove the long-lasting power of Magnum, showing the empathy and engagement of photographers as they framed distant and unfamiliar communities.

» Photographs from the world-famous Magnum photo agency

» With photographs by David Seymour, Josef Koudelka, Susan Meiselas, René Burri, Alessandra Sanguinetti, Carl De Keyzer, Alec Soth, Bruce Davidson, Paul Fusco, Larry Towell, Thomas Hoepker, Henri Cartier-Bresson, Jim Goldberg, Alex Webb, Bieke Depoorter, Peter van Agtmael, Bruno Barbey

FRAMING COMMUNITY: MAGNUM PHOTOS1947 – Present

PHOTOGRAPHY

7 Alessandra Sanguinetti, The Black Cloud, 2000. © Alessandra Sanguinetti/Magnum Photos3Bruce Davidson, At the end of the Selma March, crowds gather outside of the Alabama State Capitol, 1965. © Bruce Davidson/Magnum Photos

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» Beautifully illustrated survey of photography in the social sphere

» First time the Zimmerli's photography collection is the subject of a book

» Combines American, European, and Soviet and Russian photographers in one volume

Generously illustrated with photographs from early twentieth century reformers to con-temporary artists, this collection of essays re-examines the genre of social documentary photography through the shifting lens of photographic objectivity, modes of dissemina-tion, and the passions animating documentary projects.

While the public’s acceptance of photographs as visual evidence made documentary pho-tography possible, canny interventions employed by image makers and their editors alter-nately exploit and dismantle assumptions of the medium’s transparency, testing our wish to see pictures inspire social change. Among the photographers included in the exhibition and book are Berenice Abbott, Max Alpert, William Castellana, Walker Evans, Larry Fink, LaToya Ruby Frazier, Lewis Hine, Boris Ignatovich, Dorothea Lange, Igor Moukhin, Gordon Parks, Alexander Rodchenko, Arthur Rothstein, Sebastião Salgado, Arkady Shaikhet, Aaron Siskind, W. Eugene Smith, and Weegee.

Eds. D. Gustafson and A.M. Zervigón with contributions by D. Gustafson, S. M. Miller, J. Tulovsky, A. M. Zervigón

320 pages, 200 illustrations21.6 x 25.4 cm, hardcover

£ 32.00978-3-7774-2953-3December 2017

EXHIBITIONZimmerli Art Museum, Rutgers University, New Brunswick, NJ05.09.2017–07.01.2018

PHOTOGRAPHY

SUBJECTIVE OBJECTIVEA Century of Social Photography

Igor Moukhin, Hipster from the series Young People in the Big City, 1985, Collection Zimmelri Art Museum at Rutgers7 August Sander, Anton Raederscheidt and Marta Hegemann, 1925. © VG Bild-Kunst Bonn, 20173Nina Berman, Helicopter Fly-by, 2006. © Nina Berman

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» Start of the great Bauhaus anniversary: 100 years of the Bauhaus and 80 years of the New Bauhaus

» Highlights from the collection of the Bauhaus-Archiv Berlin published in an attractive volume

» New Bauhaus Chicago: a school of photo graphy which made history

» With works by Harry Callahan, György Kepes, Nathan Lerner, László Moholy-Nagy, Arthur Siegel, Aaron Siskind, et al.

PHOTOGRAPHY

This lavishly illustrated volume looks from both sides of the Atlantic at 80 years of photog-raphy from Chicago. At the New Bauhaus and what later became the Institute of Design, teachers like László Moholy-Nagy, György Kepes followed by Arthur Siegel, Harry Callahan and Aaron Siskind taught an uninhibited approach to the medium which influenced gener-ations of photographers.

To mark the start of the great Bauhaus anniversary in 2019, the Bauhaus Archiv / Museum für Gestaltung, Berlin is presenting its collection of “New Bauhaus Photography” which is unique in Europe. It introduces the protagonists and institutions who since the foundation of the New Bauhaus in Chicago in 1937 have inspired, created and collected photography and then presented it to the public. The wide range of illustrations extends from abstract photograms and material experiments to conceptual and process-oriented works series. Contemporary works from Chicago complete the picture and reflect the importance of the Bauhaus thought process for the present day.

NEW BAUHAUS CHICAGOExperiment Photography

Ed. Bauhaus-Archiv / Museum für Gestaltung, Berlinwith contributions by A. Bähr, S. Daiter, J. Grimes, S. Hoiman, K. Lowis, E. Siegel


£ 38.00978-3-7774-2937-3 December 2017

EXHIBITIONBauhaus-Archiv / Museum für Gestaltung, Berlin15.11.2017 – 05.03.2018

37 György Kepes, Untitled (Eggs and Thread on a Mirror), 1942. © Juliet Kepes-Stone. Bauhaus-Archiv Berlin7 László Moholy-Nagy, Untitled, 1943. Bauhaus-Archiv Berlin, Reproduktion: Markus Hawlik3Nathan Lerner, Eye on Nails, 1940. © Kiyoko Lerner. Bauhaus-Archiv Berlin

25FILM/PHOTOGRAPHY

Ed. ARRIWith introductions by M. Hope-Jones and J. Fauer

256 pages, 200 illustrations 18.8 × 27 cm, hardcover

£ 45.00978-3-7774-2857-4September 2017

“The best just got better” is how the new ARRI camera is advertised, and indeed the slo-gan is a perfect summary of the career of the company. To mark the centenary 100 famous film makers describe their experiences with ARRI – a fascinating glimpse behind the scenes and an entertaining journey from the era of celluloid to the age of digital films

September 1917: the young film makers August Arnold and Robert Richter rent a small shop in Munich and found ARRI with a film-copying machine. 100 years later the company is the world market leader in cameras and a technical pioneer. Legendary cameras like the ARRI-FLEX (Easy Rider) and the digital ARRI ALEXA (James Bond 007: Skyfall) have led to the com-pany being awarded the Oscar for technical innovations on 19 occasions to date. And be-yond the realm of Hollywood, ARRI cameras are also used for science and medicine. In this volume, directors, cameramen, lighting specialists, historians, producers and inventors from all over the world have a chance to speak. They sketch a multi-faceted portrait and look into the future.

» 100 years of ARRI – from small Munich business to global player

» Interviews with 100 world-famous film makers and contemporary witnesses

» Live film history: a must for all cinema lovers

THE FILM MAKER’S VIEW100 Years of ARRI

3Robert Richter and August Arnold, 1918

Jan Harlan, Producer, Director (D)Gernot Roll, BVK, Cinematographer (D)Luo Pan, Cinematographer (CHN)Hans Albrecht Lusznat, BVK, Cinematographer (D)Sudeep Chatterjee, ISC, Cinematographer (IND)Denny Clairmont, Rental House Owner (USA)James Chressanthis, ASC, Cinematographer, Director(USA)Hardwrick Johnson, Rental House Owner (USA)Vittorio Storaro, ASC, AIC, Cinematographer (I)Gavin Finney, BSC, Cinematographer (UK)Bill Bennett, ASC, Cinematographer (USA) Edgar Reitz, Director, Author (D)Amy Vincent, ASC, Cinematographer (USA)Ang Lee, Director, Producer (USA)Du Yan, Producer (CHN)John Dowdell, Colorist (USA)Anette Haellmigk, Cinematographer (D)Jeremy Benning, CSC, Cinematographer (CAN)Michael Seresin, BSC, Cinematographer (UK)Dick Pope, BSC, Cinematographer (UK)Roberto Schaefer, ASC, Cinematographer (USA)Kees Van Oostrom, ASC, Cinematographer (USA)Ed Lachman, ASC, Cinematographer, Director (USA)Davide Pozzi, Head of Restoration L’Immagine Ritrovata (I)James Gardner, CSC, SASC, Cinematographer (ZAF)Richard Crudo, ASC, Cinematographer, Director (USA)Oliver Stapleton, BSC, Cinematographer, Director(UK)Geng Ji, Director of Technology & Equipment Department at August First Film Studio (CHN)Joseph Vilsmaier, BVK, Cinematographer, Director, Producer (D)Jian Zeng, Cinematographer, Editor (CHN)

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Essay P. Giloy-Hirtz

English-German Edition

144 Pages80 illustrations30 × 26 cm, Hardcover in Linen

£ 38.00978-3-7774-2928-1October 2017

PHOTOGRAPHY

Erik Chmil’s travels and photo expeditions around the world provided the inspiration for “Solitude”, his picture series of abandoned car parks. The result is magnificent photo-graphic works of art whose ordered aesthetic and contemplative aura enchant the viewer, as well as revealing the stories of the different locations when examined more closely.

The photographer Erik Chmil (* 1968) is famous for his shootings within the advertisement sector, in which he presents vehicles and people in atmospheric locations. In his latest pho-tographs he plays with the curious fact that his usual “model” is not on view. Chmil travelled the world in search of emotive parking areas and photographed them at the precise moment when no car was actually parked there – often a question of patience. The result is much more than simply shots of empty parking spaces under different lighting conditions: these fascinating snapshots show silence, loneliness and longing and bear witness to the secrets and history of these spaces.

» Staging Empty Parking Spaces: a completely new photo documentation of landscape and architecture in the world of automobiles

» A fascinating photographic journey to spectacular places throughout the world

» Highly topical subject presented in an artistic manner – space and lack of it are confronted by the worldwide desire for individual mobility

ERIK CHMILSolitude

All images: © Erik Chmil

29CONTEMPORARY ART

» Essential reading for lovers of dance and performance

» Three exciting contemporary artists: Anna Halprin, Janine Antoni and Stephen Petronio

» Incl. a previously unpublished text by the dramatist Hélène Cixous on the subject of aging, loss and femininity

» Produced in close cooperation with The Fabric Workshop and Museum, Philadelphia

Ed. A. HeathfieldA publication of The Fabric Workshop and Museum, Philadelphia With contributions by A. Heathfield, H. Cixous, C. Becker, J. Baas, R. Move

208 pages, 100 illustrations24.5 x 29 cm, hardcover

£ 35.00978-3-7774-2952-6December 2017

Ally brings together three artist personalities who are all outstanding in their fields: the sculptor Janine Antoni and the dancers and choreographers Anna Halprin and Stephen Petronio. Together they created a series of works – sculptures and installations as well as film and performance artworks – through The Fabric Workshop and Museum's residency program, which the volume reproduces in impressive photographs.

When invited to create a retrospective of her sculptural works, the artist Janine Antoni pre-ferred to ask herself what her works would look like when interpreted by other artists and translated into movement. Together with the choreographers Anna Halprin and Stephen Petronio she created unique perfomance artworks whose main focus lies on corporeality. It reveals the enormous potential that lies in the combination of sculpture and dance. Critical essays by writers and art theorists accompany the encounter between artists from different generations and genres and show how they have created together a new pictorial language.

ALLY Janine Antoni, Anna Halprin, Stephen Petronio

7 Janine Antoni in collaboration with Anna Halprin, Paper Dance, 2013. Photographed by Pak Han at the Halprin Dance Deck. Courtesy of the artists and The Fabric Workshop and Museum, Philadelphia. 3Janine Antoni, Anna Halprin, Stephen Petronio, Rope Dance, 2015. © Hugo Glendinning. Courtesy of the artists and The Fabric Workshop and Museum, Philadelphia

Incl.

Anna Halprin,

participant at

documenta 14

3130 CULTURAL HISTORY

Author: Wolfgang FeltenPhotographer: Hubertus Hamm

240 pages, 190 illustrations in colour24 x 32 cm, linen binding, dust cover

£ 68.00978-3-7774-2902-1October 2017

» A book with high aesthetic appeal

» Photographs by one of the best-known German photo artists

» Broad range of artistic topics

“Art is art and everything else is everything else.” With this quotation after Ad Reinhardt, Wolfgang Felten hit the nail squarely on the head: art obeys its own rules. The author and photographer have joined together in a unique illustrated book to show this without sur-rendering the visual to the argumentative.

People who know something about art also know how irritating talking about art can often be. In this book the connoisseur and collector Wolfgang Felten undertakes to reveal art-works as areas for experience. From a Khmer Buddha statue or an African mask to the pho-tograph of a façade or a drawing by Alberto Giacometti – the artist’s very personal commit-ment is to explaining the phenomenon: how it can be that inanimate material can bring forth something that is alive, that inspires and moves, and to understand why this happens. He appeals to our willingness to see; independently, intensively and in a way that remains open for new experiences.

ENCOUNTERS WITH ART

Ed. Maya Vinitsky

English-Hebrew edition

248 pages, 186 illustrations13 × 21 cm, hardcover

£ 17.95978-3-7774-2886-4October 2017

» Highly topical subject: disaster relief and prevention in the age of digitalisation

» Presentation of innovative and pioneering projects: Airbnb Disaster Response Program, Better Shelter (IKEA Foundation + UNHCR), Burners Without Borders, MyShake App, Twitter USGS, Urban Risk Lab at MIT School of Architec-ture and Planning, etc.

Natural disasters and their consequences dominate the news on an almost daily basis. Quick and effective prevention and aid measures are essential for the survival of the vic-tims. The volume presents a selection of projects which show impressively how a combi-nation of the latest technology and materials and resources available on the spot can be used to achieve this.

Government aid programmes are often too slow to be immediately effective when natural disasters strike. 3.5 Square Meters therefore investigates the question as to how individuals and groups can master such extreme situations in an unbureaucratic manner and with a “bottom-up” approach. The central approaches and chapters in this book are Sharing Knowl-edge, Social Technology, Story Telling and DIY (do it yourself). Published as part of the Tel Aviv Museum of Art research project and exhibition the volume presents individual projects by non-governmental organisations and specialists: engineers, architects, designers, comput-er specialists and social activists. Knowledge transfer and communication, as the publica-tion shows, are decisive and lead to a wide range of novel approaches to problem-solving.

ARCHITECTURE / CULTURAL HISTORY

3.5 SQUARE METERS Constructive Responses to Natural Disasters

MyShake, digital earthquake app, 2016

33

Author: Moritz Woelk

160 pages, 140 illustrations in colour21.2 × 29.1 cm, hardcover

£ 42.00978-3-7774-2792-8November 2017

EXHIBITIONGalerie Eigen+Art, Berlin09.11.–20.12.2017

Stella Hamberg is an exceptional figure in the world of contemporary sculpture. Her works start with a reflective contemporary language of forms and show primarily people, but also creatures, with an elemental intensity that includes not only assertiveness and vital-ity but also failure and death.

As a sculptor Stella Hamberg (*1975) mostly chooses the classic material bronze, which has always combined durability with metamorphosis even in the combination of various metals through the smelting process in the fire. Inherent to the nature of the figures she creates are their existence in time and their ability to undergo transformation. One of the subjects of sculptors since antiquity has been the expression of the spiritual in physical form, from the overall posture to the nuances of the three-dimensional details and the shimmer of the surface. The new interpretation of this great tradition is one aspect of the topicality of Hamberg’s works which is presented in depth and with lavish illustrations in this first monograph.

» Unique contemporary bronze sculptures by one of Germany’s most exciting sculptors

» Fascinating new interpretation of the sculptural tradition

» Artist’s edition with etching in two subjects

STELLA HAMBERG

SCULPTURE

7 Fortune, 2015, Private collection, Photographs: Mick Vincenz

35SCULPTURE

Eds. A. Klar, J. Daurwith contributions by J. Daur, P. Forster, M. Nieslony, S. von Berswordt-Wallrabe

English-German edition

144 pages, 100 duplex illustrations 24 × 30 cm, hardcover

£ 34.00978-3-7774-2884-0September 2017

RICHARD SERRAProps, Films, Early Works

Richard Serra is one of the most important contemporary sculptors and occupies a firm place in the art of the past 50 years, where he is already counted among the classics. This lavishly produced volume concentrates on Serra’s early works, the so-called “Props” or “Prop Pieces”, as well as works on film from the late 1960s and early 1970s.

Richard Serra (*1939) experimented at an early stage with industrial materials like rubber, neon and lead, and also with steel a little later. His treatment of them demonstrates power and sensitivity at the same time. He creates powerful sculptures, canvases and works on paper whose execution demonstrates a fine sense of spatial situations. The volume con-trasts works including a selection of twelve “Prop Pieces” with the artist’s early films. In both work groups the main focus lies on the artistic action: the positioning, leaning and adjust-ment of the lead sheets Serra uses corresponds with the simple actions of his works on film.

» Serra’s early works presented in a new setting and photographed

» Fragile vs. massive: leaden sculptures which seem to defy gravity

» »Serra’s materials are not only lead and steel; they are above all spaces.« Katharina Rudolph, Frankfurter Allgemeine Zeitung

7 Richard Serra, Prop3 Richard Serra, 2-2-1Both images: Exhibition view, Museum Wiesbaden, 2017Photographs: Museum Wiesbaden / Bernd Fickert. © VG Bild-Kunst, Bonn 201

37SCULPTURE

Ed. O. Kornhoff

192 pages, 148 colour images 30 x 24 cm, hardcover

£ 45.00978-3-7774-2793-5July 2017

EXHIBITIONArp Museum Bahnhof Rolandseck, Remagen28.05.2017 - 07.01.2018

3Henry Moore, Three Piece Sculpture: Vertebrae, 1968, The Henry Moore Foundation Photograph: Jonty Wilde / The Henry Moore Foundation Archive, © Reproduced by permission of the Henry Moore Foundation

» Matchless: Henry Moore’s outdoor sculptures in dialogue with the architecture of Richard Meier

» A rendezvous of friends: Henry Moore and Jean Arp

» »Everything I do, I intend to make on a large scale« Henry Moore

Like no other artist, Henry Moore (1898–1986) sought the challenge of the monumental and made the outdoors the playing field for his artistic creativity. In its handsome hori-zontal format, this volume puts Moore’s large sculptures center stage and visualizes the British artist’s sources of inspiration from the Renaissance to Modernism.

Central to Moore’s art is the monumentalization of natural forms and the integration of the figure into the landscape. Impressive installation views show his sculptures in dialogue with Richard Meier’s museum architecture and, in doing so, reinterpret Moore’s fundamental theme of the interplay between sculpture, architecture, and nature. In addition to nature, the conception of man in the art of the Renaissance was an essential source of inspiration for the artist. Important impulses also came from immediate predecessors — above all Aristide Maillol and Auguste Rodin — as well as from his contemporary, Jean Arp, to whom drawing on nature was similarly paramount.

HENRY MOOREVision. Creation. Obsession

77 Antonio Rosselino, Madonna with child, 15th century, Arp Museum Bahnhof Rolandseck, Sammlung Rau for UNICEF, photograph: Horst Bernhard 37 Hans Arp, From the Kingdom of the Gnomes, 1949, Arp Museum Bahnhof Rolandseck, photograph: Mick Vincenz, © VG Bild-Kunst, Bonn 20177 Henry Moore, Working Model for Mother and Child, 1982, The Henry Moore Foundation, photograph: The Henry Moore Foundation Archive3Henry Moore, Head and Shoulders, ca. 1935, The Henry Moore Foundation, photograph: Sarah Mercer. both works below: © Reproduced by permission of the Henry Moore Foundation

3938

Ed. C. Klingsöhr-LeroyWith an essay by M. Kumpfmüller

A cooperation between the Fondazione Gabriele e Anna Braglia, Lugano and the Franz Marc Museum, Kochel am See

160 pages, 61 illustrations in colour19.5 × 25 cm, hardcover, bookmark

£ 24.95978-3-7774-2906-9September 2017

EXHIBITIONFranz Marc Museum, Kochel am See30.04.–03.10.2017

» A gift book for lovers of art and literature

» A volume for book lovers with exceptionally attractive design

» Writers of world rank in dialogue with the crème de la crème of German Expressionism

“Are there still any surprises left to be had when it comes to German Expressionism?”, asks the writer Michael Kumpfmüller. Yes, there are, as this beautifully produced volume demonstrates by inviting the reader to an interesting and inspiring stroll through the world of Expressionism with pictures which are seldom shown and texts by writers of world rank.

Colourful, emotional, impulsive and modern – these are the qualities which characterise our ideas of German Expressionist painting. It is hard to believe that the works caused a scandal when they were first created. And yet, artists and writers were united in the vision of a new beginning combined with fundamental social criticism. Many aspects like the social prob-lems of the big city, the sleazy glamour of the world of entertainment and the rejection of new technology remain surprisingly topical to this day. Immerse yourself in the powerful images and texts of world literature and embark on a journey of discovery through the world of the early 20th century with its atmosphere of change and decay.

BLUE LAND AND CITY NOISEAn Expressionist Stroll through Art and Literature

PAINTING

Walter Benjamin

Gottfried Benn

Anton Chekhov

Alfred Döblin

Franz Kafka

Else Lasker-Schüler

Thomas Mann

Vladimir Nabokov

Rainer Maria Rilke

et al.

Max Beckmann

Lyonel Feininger

Wassily Kandinsky

Ernst Ludwig Kirchner

Paul Klee

Oskar Kokoschka

August Macke

Franz Marc

Emil Nolde

et al.

SCULPTURE

Petra Giloy-Hirtz



£ 29.95 978-3-7774-2927-4October 2017

» A feast for the eyes: beauty in imperfection

» From the first study to the casting to the installation: the fascinating genesis of an artwork

» Contemporary sculpture between tradition and re-invention

Rapunzel, the famous fairy-tale character of the Brothers Grimm, comes from the world of magic. She is the girl, lover, woman and mother who escapes from imprisonment. Elke Härtel awakens Rapunzel to new life, modelled in clay and then cast in plaster and bronze. The publication documents the fascinating process of creation with lavish illustrations.

Elke Härtel draws on inner pictorial worlds as well as on fairy tales, myths and religious concepts. She takes her strong, usually female figures from the depths of dreams and from literary references. Born in 1978, she studied at the Weißensee Academy of Art Berlin and the Academy of Fine Arts in Munich. Her sculptures and large-format drawings have already been shown in the Lenbachhaus München and in the Diocesan Museum in Freising, amongst other places. Thanks to her numerous projects in the public space she occupies an influen-tial position in contemporary sculpture, as this evocative pictorial volume impressively demonstrates.

ELKE HÄRTEL. RAPUNZELGenesis of a Sculpture

Elke Härtel, Rapunzel, 2016 Elke Härtel working on

Rapunzel, 2016. Photography: Thomas Dashuber

41

» The spotlight shines on a new aspect in the creative oeuvre of the most important Austrian artist of recent decades

» With hitherto unknown works

PAINTING

Three years after the death of one of the great contemporary artists of Austria, this publi-cation pays homage to the drawings and watercolours of Maria Lassnig (1919–2014). Hith-erto completely unknown sheets are revealed in the exhibition as key works; together with familiar ones they explore new insights of the multi-faceted work of this internationally famous Austrian artist.

At the centre of Lassnig’s fascinating and independent creative work lie profound emotions. The revelation of physical feelings and the act of tracking them down form the heart of her works which focus on body awareness. The artist commits her impression to paper in a hu-morous but serious manner which is as full of longing as it is merciless. The physical world which she experiences enters into a dialogue with the visible exterior world, both in nature and in the big city. Lassnig’s drawings and watercolours frequently anticipate central themes of her painting or accompany it in autonomous variations, demonstrating their central im-portance within her artistic oeuvre.

MARIA LASSNIGDialogues

7 Maria Lassnig, The Illusion of My Animal Family, 1999, Albertina, Vienna3Maria Lassnig, Head, 1963, Albertina, Vienna, on loan from the Federal ArtothekBoth photographs: Maria Lassnig Foundation

Ed. A. Haldemann and A. HoerschelmannContributions by A. Haldemann, A. Hoerschelmann, B. ReisingerInterview by R. Ubl with Miriam Cahn


240 pages, 159 colour illustrations24.5 x 28 cm, hardcover

£ 36.00ISBN: 978-3-7774-2877-2July 2017

EXHIBITIONVienna | Albertina Museum05.05.– 27.08.2017Kunstmuseum Basel12.05.–26.08.2018

4342 CONTEMPORARY ART

3Now and May Be, 2015, Private collection

Author: Dagmar Täubewith an essay by J. K. Grande

English–German edition

144 pages, 100 colour illustrations 21 × 26 cm, bound

£ 34.00978-3-7774-2882-6 September 2017

EXHIBITIONSt. Annen Museum, Lübeck 18.06.–15.10. 2017

» First comprehensive monograph on the work of this Canadian artist with European roots

» A representative overview including brilliant new illustrations of the fundamental early work

» An inspiring presentation of artistic connec-tions to abstract expressionism, to art history in general and to poetics

Alice Teichert’s paintings are known for their holographic depth and unique luminosity, for their visual poetry and multifaceted proximity to music. With lines, shapes and colour, she unfolds new realms that when looked at reveal themselves, once the viewer stops trying to “decipher”.

With a background in graphic art, music and literature, from very early on, Teichert develops her artistic vocabulary to which she keeps adding new expressive dimensions. She creates graphic works, visual poetics and paintings with up to thirty layers of glazes. She is also in-spired by old masters. Illuminated books and manuscripts from the medieval period play a most important role. With their written traces, they often are as illegible as Alice Teichert’s scribbles, which have become her signature. This richly illustrated monograph is the first to offer a comprehensive insight into her unique oeuvre.

IN) FORMATIONOn the philosophy and art of Alice Teichert

PAINTING

Eds. K. A. Schröder and E. Lahnerwith contributions by D. Beyazit, E. Köb, E. Lahner, M. af Petersens



£ 32.00978-3-7774-2887-1 October 2017

EXHIBITIONAlbertina, Vienna06.07.–08.10.2017

» Photorealism and Abstraction, Pop Art, Collage and Montage united in one oeuvre

» Exciting new discovery of the artist and his “urban walls”

» Retrospective with works on paper from 50 years of creative production (1963 and 2011)

The wall was his passion. If we look at urban walls with the eyes of Burhan Dogançay, a completely different world opens up: half-ripped posters on rough brickwork, covered in graffiti, scribblings, messages, signs, stickers. From this rich stock of structures, signs and symbols the artist created his wall fragments, his “Urban Walls”.

Dogançay (1929–2013) was born in Istanbul and settled in New York in 1964, where he moved within the art scene around Robert Rauschenberg und Jasper Johns. His subject is the visual perception of texture, place and memory, which he researches in serial works. For his “Urban Walls” he records house walls and façades all over the world in a variety of media, using a wide range of materials and techniques such as photography, collage and painting. His works are archives of past decades which capture the spirit of the times. From the 1970s and 1980s he progresses from these works to develop his “Ribbons” – calligraphic paintings of poetic charm.

BURHAN DOGANÇAY

Burhan Dogançay, Warning! Rat Poison, 2000, Albertina, Vienna

Burhan Dogançay, Torn Poster, 1975, Albertina, Vienna

Burhan Dogançay, Untitled, 1984, Albertina, Vienna All works: © Dogançay Foundation

4544 PAINTING

Essays by M. Schneckenburger, G. Knapp, and D. Ronte English-German edition

160 pages, 87 illustrations28 × 28 cm, hardcover

£ 38,00978-3-7774-2847-5August 2017

» Pioneer of a new urban Expressionism in painting

» Fascinating insights into Marcus Jansen’s post-apocalyptic scenarios with in part previously unpublished works

» Companion volume to the major European tour 2017–2018

He is considered the innovator and pioneer of a new urban Expressionism in painting. The nearly 50-year-old New Yorker Marcus Jansen, now living in Fort Myers, already com-mands high prices in the United States and is making his way into Europe’s gallery and museum world. This is a companion volume to the artist’s first major European touring exhibition in 2017–2018.

Since Neo Rauch’s appearance no such powerful artistic expressiveness has blazed a trail between America and Europe as in the work of Marcus Jansen. With this monograph three of Germany’s leading art publicists—Manfred Schneckenburger, Gottfried Knapp, and Diet-er Ronte—convincingly explain how and why Jansen’s post-apocalyptic scenarios so capti-vate the viewer. Central paintings as well as previously unpublished works on paper by this internationally celebrated artist with German and Jamaican roots are presented.

MARCUS JANSENAftermath

Marcus Jansen, E Pluribus Unum,2008 (Detail),Private collection

Helene B. Grossmann, WithoutBorders I / Ohne Grenzen I, 2007 © Helene B. Grossmann

PAINTING

Essays by R. Thomas and C. Vitali

English-German edition with a summary in French

180 pages, 187 illustrations30 x 30 cm, hardcover with dust jacket

£ 28,00978-3-7774-2849-9August 2017

HELENE B. GROSSMANNShare the Light

Helene B. Grossmann draws on a great tradition of light painting. She creates works of light and color whose impact unfolds far from any representationalism. This volume pres-ents for the first time a comprehensive overview of her oeuvre and shows how the artist arrives at her powerful compositions.

Nature in ever-changing light is Helene B. Grossmann’s source of inspiration. Through ab-straction and the application of countless layers of paint she arrives at the distinct glow inherent to her works. In both small and large formats she has captured the fluid phenome-non of light on canvas in a wide variety of color diffractions. An unobstructed space opens up for the viewer, giving rise to intimations of landscapes, tableaus and spatiality. The basis for each and every painting is the artist’s sketchbook. In it she lays out a first general outline of the composition by means of color planes and lines. In doing so, she often artistically re-flects on masterpieces of painting and takes up the particular lighting used in them.

» Painted light — paintings filled with radiant colors

» A comprehensive overview of the impressive oeuvre of Helene B. Grossmann

» Emotional and contemplative works that are at the same time artistic reflections on painting as such

47

» A Who’s Who of contemporary art

» Panorama from Colour Painting to Installations

» Complete catalogue of the collection with more than 1,500 illustrations on top-quality paper

CONTEMPORARY ART

Over the past 20 years the KiCo Collection has become one of the most important collec-tions of contemporary art. Having started with Colour Painting, today it includes the entire spectrum of picture-related contemporary art, from panel paintings to installations. The catalogue shows central blocks of works from the collection, including masterpieces by Marcia Hafif, Maria Lassnig, Katharina Grosse, Wolfgang Tillmans and Olafur Eliasson.

The KiCo Collection has been growing continuously since the 1990s. It originally directed its focus towards Colour Painting but later moved beyond the limitations set by the picture and also integrated expansive installations into the collection. The spectrum ranges from Elias-son’s light installations to Tillman’s photographic investigations which link visual found ob-jects with a systematic media reflexion. It is precisely these forms of boundary crossing which make the KiCo Collection so topical. It shows impressively that the arts no longer al-low us to confine them to the ghetto of individual genres, but that they draw their strength from interconnections and fusions of content and media.

KICO COLLECTIONMentally Yellow. High Noon

Eds. S. Berg, E. Huttenlauch, M. Mühling and C. Schreierwith contributions by S. Berg, M. Mühling, H. Friedel in conversation with the collectors Doris Keller-Riemer and Hans-Gerd Riemer

Englisch-German edition

360 pages, 1600 illustrations in colour24.5 × 31 cm, linen binding

£ 45.00978-3-7774-2844-4August 2017

EXHIBITIONKunstmuseum Bonn04.05.–20.08.2017

Städtische Galerie im Lenbachhaus München06.05.–08.10.2017

7 Katharina Grosse, Untitled,2011, Kunstmuseum Bonn – On permanent loan from the KiCo Collection © VG Bild-Kunst Bonn, 2017, photograph: Olaf Bergmann

4948 PAINTING

3 Heinz Mack, Electrical Sun, 2010, © VG Bild-Kunst, Bonn 2017

Ed. H. FriedelWith an essay by H.-N. Jocks

German-English-French edition

Ca. 424 pages, ca. 358 colour illustrations26 x 30 cm, hardcover with dust jacket

£ 60.00ISBN: 978-3-7774-2826-0July 2017

Light is the original phenomenon which has been made visible in the works of Heinz Mack. The search for the possibilities for visualising light kept the multi-faceted oeuvre of this artist from the Zero circle ever open to new ideas for half a century and provided inspira-tion with regard to both form and technique.

There is nothing which makes people so aware of life as our existence in light. Heinz Mack (*1931) was addicted to light as if to a magic potion which inspired him to innovative exper-iments with highly varied experimental arrangements. His works break through the tradi-tional genres of art and add unknown techniques and materials to the creative aspect. This book was compiled by the artist himself from his entire creative oeuvre. It reveals the spec-trum of natural and artificial light as it can only be experienced in the imagination of a mys-tic who commands confident control of the rational means of the modern age.

HEINZ MACKLICHT / LIGHT / LUMIÈRE

» A striking overall display with a number of hitherto unpublished works

» Character of an artwork through the composition of the artist himself

» Exquisite production processes in the production of the book

PAINTING

Vibration Picture, 1958, Darmstadt, Collection Ströher, Photograph: Udo Schäfer, Mühltal, © VG Bild-Kunst, Bonn 2017

Heinz Mack in the Galery Ad Libitum, Antwerp 1961, Photograph: Filip Tas © VG Bild-Kunst, Bonn 2017

Ed. R. Fleck in cooperation with Beck & Eggeling International Fine ArtContributions by E. Derom, R. Fleck, A. Knop, B. Weiand


2 volumes432 pages, 520 colour illustrations26.5 × 30 cm, linen, slipcase

£ 89.00ISBN: 978-3-7774-2818-5July 2017

HEINZ MACK. ZERO PAINTINGCATALOGUE RAISONNÉ 1956–1968

Heinz Mack is famous above all for his sculptures and reliefs. The starting point of his search for new artistic forms of expression, however, was painting. This publication docu-ments for the first time Mack’s painting during the ZERO years, whose radical colour re-duction and concentration on light and rhythm were path-setting for international art during the years after 1945.

In 1956, unlike art informel, Mack developed his first Dynamic Structures – paintings in which in a singular manner a painting of light is contrasted with traditional colourism and structure replaces composition. He created new surfaces which appear to vibrate and which give the impression of three-dimensional reliefs by means of a use of colour which was in-creasingly reduced to black and white and grid-like structures. Despite the radical restric-tion of means no two paintings are alike. In its focus on the early works of the ZERO period, this volume provides an indispensable key to an understanding of Mack’s work as a whole.

» At last: the catalogue raisonné of Mack’s ZERO paintings

» More than 500 paintings and numerous photographs from the ZERO period

» Exclusive binding with embossed linen

5150 PAINTING

Ed. Zürcher Kunstgesellschaft / Kunsthaus ZürichWith contributions by O. Bätschmann, S. Gianfreda, M. Koos, M. Krüger, M. Leonhardt, J. H. Rubin

240 pages, 184 illustrations in colour23 × 28 cm, softcover

£ 39.95978-3-7774-2946-5December 2017

» Parallels, diversity and contradictions in French painting between 1820 and 1880

» Rare juxtaposition of so-called “Salon painters” and “Reformers of painting”

» Consequences of the reception of French painting, mainly in the German-speaking region

In the juxtaposition of so-called “Salon painters” and “Reformers of painting” this volume offers a discriminating look at the controversial styles in French painting between 1820 and 1880 and the developments within the traditional genres.

Romanticism, Realism, Impressionism – these are still the most important stylistic labels which acted as slogans for French painting during the 19th century. At that time Delacroix, Courbet, Manet and many others left the “straight and narrow” of painting, the academ-ic-neo-classical manner. Highly controversial at the time, today these painters are celebrat-ed worldwide as precursors of Modernism. The situation is very different when it comes to the Salon painters like Meissonier, Cabanel, Gérôme and Bouguereau, who were highly re-garded at the time. Today they have been consigned to the fringes, especially in the Ger-man-speaking region – unjustifiably, because they play an outstanding role with regard to our understanding of developments in art at the time.

PRAISED AND RIDICULEDFrench Painting 1820–1880

3Jean Louis Meissonier, Campaign in France, 1864, Musée d’Orsay, Paris

DRAWING/PAINTING

Ed. C. EkelhartWith contributions by C. Ekelhart and H. WidauerPreface by A. Schröder

176 pages, 100 colour illustrations23.5 x 28.5 cm, hardcover

£ 35.00ISBN: 978-3-7774-2836-9July 2017

EXHIBITION Albertina Museum Vienna25.01.–25.04.2017

From poetic love stories to mythological epics; from painterly portrait studies to pictur-esque ruins – the French worlds of the Baroque and the Rococo have lost nothing of their fascination. 70 exquisite major works from the wealth of French artworks at the Albertina seduce the public with the dazzling and multi-faceted cosmos of French drawing.

By means of impressive examples the catalogue provides a varied insight into the diverse graphic means of expression during this age, in which France developed into the trend-set-ting nation in the field of art. The exhibition links together the most influential artists of the seventeenth century and the outstanding graphic artists of the eighteenth century. It shows not only Nicolas Poussin’s effective landscape studies but also Claude Lorrain’s light-filled portraits of nature. Virtuoso and elegant masterpieces by François Boucher and Jean-Hon-oré Fragonard are placed alongside the moralising genre scenes by Jean-Baptiste Greuze and an imposing creation by Jacques-Louis David.

FROM POUSSIN TO DAVIDFrench Drawings in the Albertina

» Main works from the golden age of French graphic art

» The first representative overview for many years

» Drawings by Nicolas Poussin, Claude Lorrain, François Boucher, Jean-Honoré Fragonard and Jacques-Louis David

Jean-Honoré Fragonard, Girl with a Marmot, 1780s, Albertina, Vienna

Hubert Robert, Temple Ruin with the Statue of a Captured Barbarian, circa 1780, Albertina, ViennaBoth photographs: Albertina, Vienna (Peter Ertl and Olga Pohankova)

5352 PAINTING

Ed. G. Seelig, Staatliches Museum Schwerinwith contributions by G. Seelig, E. Jorink, B. van de Roemer, K. Leonhard

224 pages, 180 illustrations in colour24 × 28 cm, half-linen binding

£ 38.00978-3-7774-2898-7October 2017

EXHIBITIONStaatliches Museum Schwerin07.07.–15.10.2017

Rijksmuseum Twenthe, Enschede 05.11.2017–11.03.2018

» The inventor of the sottobosco still life within the context of his contemporaries for the first time

» Art and science in dialogue

» The discovery of the uncanny

The precise details in the works of Otto Marseus van Schrieck, the inventor of the sottobo-sco still life, fascinate viewers to this day. For the first time the artist is now being shown within the context of his contemporaries, revealing an unknown side of the Golden Centu-ry of Netherlandish painting and the beauty of still life, as well as the fascination of the dark, the hidden and the uncanny.

The works of the Amsterdam painter Otto Marseus van Schrieck question the relationship between art and science during the seventeenth century. The painter was acquainted with important scholars in many countries, including Jan Swammerdam and Cassiano Dal Pozzo. His oeuvre shows the paradigm change from book-based scholarship to empirical science. The gaze is always directed towards reality. Animal and plant studies served as preparation for his works, which in fact form the illustrations to the scientists’ research. Together with them the painter belonged to an international republic of scholars whose image of Europe is still relevant for our worldview today.

THE MENAGERIE OF MEDUSAOtto Marseus van Schrieck and the Scholars

3Peter Paul Rubens, Medusa, approx. 1618, Moravian Gallery, Brno

Christian Seybold, Girl in a Blue Dress, before 1749

Friedrich Heinrich Füger, The Empress Maria Theresia with her Children, 1776Both pictures: Belvedere, Vienna

PAINTING

Eds. S. Rollig, G. LechnerContributions by A. Gamerith, S. Grabner, M. Hohn, R. Johannsen, G. Lechner, M. Pötzl-Malikova, S. Rollig, B. Schmidt, K. Schmitz-von Ledebur, S. Schuster- Hofstätter


£ 38.00978-3-7774-2923-6 November 2017

EXHIBITIONUnteres Belvedere, Vienna 30.06.–05.11.2017

The 300th birthday of Empress Maria Theresa provides an opportunity to examine her out-standing interest in the fine arts. At the invitation of the reforming monarch a large num-ber of painters, sculptors and other artists in Austria and abroad found a wealth of work opportunities. Correspondingly, this era has left its mark on the countries of the former Habsburg monarchy to this day.

Maria Theresa pursued an individual approach with regard to cultural policy. She was inter-ested in reform not only in education, but also in the field of art. She commissioned contem-porary artists and helped portrait painting to a new upswing, leading not least to the inter-national consolidation of the newly formed House of Habsburg-Lorraine. This was the function also fulfilled by the allegorical paintings and ceiling frescoes for which impressive cartoons have survived. Landscape painting was highly esteemed, and finally outstanding masterpieces were produced in sculpture and three-dimensional works, for example by Balthasar Ferdinand Moll and Franz Xaver Messerschmidt.

» A monarch’s passion for art

» Imperial artistic pleasure

» Baroque masterpieces commissioned by a reforming empress

MARIA THERESA AND THE ARTS

3 Dish, Iznik, Turkey, ca. 1580–85

© The Bruschettini Collection

Ed. F. Çakır PhillipContributions by M.Franses, C.-P. Haase, F. Çakır Phillip

160 pages, 1 foldout, 100 illustrations 9.4 x 12.6 in, hardcover

£ 38.00978-3-7774-2964-9November 2017

EXHIBTIONAga Khan Museum, Toronto23.09.2017–21.01.2018

The Bruschettini Foundation is world-renowned for its collection of Islamic and Asian art. This fine publication reproduces a fascinating selection of 13th- to 17th-century carpets, textiles, polychrome Iznik wares, paintings, and precious inlaid metalwork chosen from the collection, revealing the enduring allure of Islamic masterpieces.

Handpicked by Alessandro Bruschettini in conversation with Aga Khan Museum curator Filiz Çakır Phillip, this impressive array of works, each equally astonishing in vibrancy and technical perfection, has origins spanning the Islamic world from China to Spain. Bruschet-tini’s ongoing love of seeking out exquisite examples of such art represents the epitome of the collecting spirit and comprises the essence of the collection. The reader will experience the extraordinary aesthetics of Islamic and Asian art and will be introduced to one of its most perceptive collectors.

HIGHLIGHTS FROM THE BRUSCHETTINI COLLECTION

CULTURAL HISTORY

» Overview of the unique diversity of the collection of the Museum Schnütgen

» Introduction into the world of medieval art in 250 works

» In-depth reference volume with the latest research findings

The new guide to the collection of the Museum Schnütgen offers a compact, chronological overview of the internationally famous, high-quality and multi-faceted collection of the museum. The volume presents some 250 works from the various sections of the collection in an attractive manner and with the latest research findings.

The publication assembles works from the different art genres which form the unique diver-sity of the collection, from late Antiquity to the nineteenth century, from sculpture to ivory carvings and from metal work to textile art. Concise and informative contributions explain the individual objects and their unique features as well as their importance for the collec-tion. The book addresses a wide public with its clearly written texts and lavish illustrations. Additional sections on the scholarly classification and discussion of the research surround-ing the artworks also make the volume an important reference work for specialists.

MUSEUM SCHNÜTGEN IN COLOGNEA Survey of the Collection

Eds. M. Woelk and M. Beerwith contributions by M. Beer, I. Metje, P. Ralcheva, A. Paetz gen. Schieck, G. Stracke- Sporbeck, A. Stead, K. Straub, M. Woelk u.a.

432 pages, 350 illustrations in colour9.4 × 11 in, hardcover

$ 49.95978-3-7774-2896-3 January 2018

Tympanon of St Cecilia, Cologne, ca. 1160–70, Museum Schnütgen, Cologne © Rheinisches Bildarchiv, Cologne

» One of the most important private collections of Islamic and Asian art in Europe

» Artworks that have never been seen outside Italy

» Stunning high quality reproductions throughout

CULTURAL HISTORY

56

HENRY MOOREA European Impulse

Ed. H. Arnhold, LWL-Museum für Kunst und Kultur, Westfälisches Landesmuseum, Münster258 pages, 240 illustrations24 × 30 cm, hardcover 978-3-7774-2682-2£ 38.00

TONY CRAGGUnnatural Selection

Ed. Hessisches Landesmuseum Darmstadt120 pages, 120 illustrations21 x 28 cm, hardcover 978-3-7774-2707-2£ 28.00

KATHARINA SIEVERDING Art and Capital

Ed. Kunst- und Ausstellungshalle der Bundesrepublik Deutschland GmbH256 pages, 300 illustrations24.5 × 28 cm, hardcover 978-3-7774-2808-6£ 39.95

SHERRIE LEVINEAfter All

Ed. Neues Museum, Staatliches Museum für Kunst und Design NürnbergEnglish-German edition192 pages, 129 illustrations24 × 30 cm, softcover with flaps 978-3-7774-2802-4£ 49.95

HANS HOFMANNCreation in Form and Color

Ed. F. Meschede188 pages, 130 colour illustrations24 × 28 cm, hardcover with dust jacket 978-3-7774-2699-0£ 35.00

VIBRANT METROPOLIS / IDYLLIC NATUREKirchner. The Berlin Years

Ed. Zürcher Kunstgesellschaft / Kunsthaus Zürich272 pages, 233 illustrations23 × 29 cm, hardcover 978-3-7774-2729-4£ 42.00

RICHARD GERSTLEd. I. Pfeiffer, J. Lloyd, R. CofferCa. 192 pages, ca. 200 illustrations23.5 x 28 cm, hardcover 978-3-7774-2754-6£ 42.00 | June 2017

EGON SCHIELEEd. K. A. Schröder, Johann Thomas Ambrózy380 pages, 328 illustrations25 x 29, hardcover 978-3-7774-2764-5£ 42.00

RICHARD GERSTLDiethard Leopold80 pages, 52 illustrations14 x 20.5 cm, hardcover 978-3-7774-2622-8

EMIL NOLDEThe Great Colour Wizard

Christian Ring, Hans-Joachim Throl72 pages, 55 illustrations14 x 20,5 cm, hardcover 978-3-7774-2774-4

VINCENT VAN GOGHKlaus Fußmann64 pages, 44 illustrations14 x 20.5 cm, hardcover978-3-7774-2758-4

PABLO PICASSOMarkus Müller80 pages, 76 illustrations14 x 20.5 cm, hardcover978-3-7774-2757-7

THE GREAT MASTERS OF ART

VASILY KANDINSKYHajo Düchting80 pages, 51 illustrations14 x 20.5 cm, hardcover 978-3-7774-2759-1

£ 9.95PAINTING

EGON SCHIELEDiethard Leopold80 pages, 59 illustrations14 x 20.5 cm, hardcover£ 9.95 978-3-7774-2852-9

Egon Schiele (1890–1918) is no-wadays regarded as one of the leading pioneers of Modernism in Austria. Although he already enjoyed some success during his lifetime and came to be considered Austria’s greatest artist following his death, his outstanding importance for art was recognized only in the early 1950s. In this monograph Diethard Leopold examines the life of the painter, who died prematurely at the age of 28.

PAULGAUGUINIsabelle Cahn, Eckhard Hollmann80 pages, 49 illustrations14 x 20.5 cm, hardcover£ 9.95 978-3-7774-2854-3

In 1883 Paul Gauguin abandons his prominent banking career and decides that »from now on I will paint every day«. The co-founder of Synthetism and trailblazer of Expressionism turns his back on the bourgeois world, leaves his wife and children, and, in 1891, sets out for the South Sea, financing his journey through the sale of thirty paintings. Together with some forty color reproductions of his works, his biography, the book introduces readers to Gauguin’s universe.

HENRIMATISSEMarkus Müller80 pages, 52 illustrations14 x 20.5 cm, hardcover£ 9.95 978-3-7774-2848-2

Henri Matisse created an oeuvre that is unparalleled in its brilliance and originality. His colorfully lumine-scent paintings are a sweeping affirmation of joie-de-vivre, levity and sensitivity. Featuring well-rese-arched texts and numerous illustra-tions, this volume offers fascinating insights into the life and artistic development of Henri Matisse, one of the preeminent pioneers of modern art.

THE GREAT MASTERS OF ART

59BACKLIST58 BACKLIST

ART

ANDY WARHOLThe LIFE Years 1949 - 1959

Ed. Graphische Sammlung ETH ZürichEnglish-German edition196 pages, 123 colour and b/w illustrations24 x 32 cm, hardcover, dust-jacket 978-3-7774-2438-5£ 25.00

SOVAK. CLEAR VISION[S]Catalogue Raisonné 1995-2016

Ed. U. Lorenz, A. FriedrichsonEnglish-German edition176 pages, 242 colour illustrations25 × 28 cm, hardcover 978-3-7774-2687-7£ 28.00

ZORAN MUSICThe Braglia Collection

Ed. G. Regazzoni JäggliEnglish-Italian-German edition192 pages, 147 colour illustrations24 × 30 cm, hardcover 978-3-7774-2686-0£ 28.00

FERNAND LÉGERPainting in Space

Ed. K. Baudin312 pages, 528 illustrations22.5 x 27 cm, soft cover with flaps 978-3-7774-2594-8£ 32.00

WERNER GRAEFFRecollections Of A Bauhaus Artist

Ed. R.Zieglgänsberger, E. BergnerEnglish-German edition288 pages,105 illustrations19.5 x 25 cm, linen with dust jacket 978-3-7774-2797-3£ 35.00

MASTERPIECES KUNSTMUSEUM BERNEd. M. Frehner, V. Locatelli460 pages, 203 illustrations24 x 30 cm, hardcover 978-3-7774-2629-7£ 45.00

LUDWIG MEIDNEREncounters

Ed. P. GutbrodEnglish-German edition 272 pages, 197 colour illustrations23 x 27,5 cm, hardcover 978-3-7774-2683-9£ 42.00

OSKAR SCHLEMMERVisions of a New World

Ed. Staatsgalerie Stuttgart, Ina Conzen300 pages, 352 colour illustrations24 × 28 cm, hardcover 978-3-7774-2304-3£ 45.00

NOLDE, KLEE & DER BLAUE REITERThe Braglia Collection

Ed. M.Beck, U.EggelingGerman-English-Italian Edition232 pages, 142 colour illustrations24 x 30 cm, hardcover 978-3-7774-2497-2£ 32.00

CHAGALL TO MALEVICHThe Russian Avant-Gardes

Klaus Albrecht Schröder312 pages, 194 illustrations, mostly in colour24.5 x 30 cm, hardcover 978-3-7774-2577-1£ 39.95

NUDE MENfrom 1800 to the present day

Ed. T. G. Natter, E. Leopold348 pages, 291 illustrations in colour, 52 in black and white24.5 × 29 cm, hardcover 978-3-7774-5851-9£ 39.95

PICASSO.MANIAPicasso and the Contemporary Masters

Ed. D. Ottinger, D. Widmaier-Picasso, E. BouvardIn Association with Gagosian Gallery, 340 pages, 394 colour illustra-tions, 6 foldouts, 24,5 x 29 cm, hardcover 978-3-7774-2520-7£ 39.95

ART

GUSTAV KLIMTDrawings

Ed. M. Bisanz-Prakken304 pages, 266 illustrations mostly in colour25 x 29,5 cm, hardcover 978-3-7774-4951-7£ 45.00

EGON SCHIELEAlmost a Lifetime

Ed. C. Bauer306 pages, 200 illustrations22,5 x 28,5 cm, hardcover 978-3-7774-2407-1£ 32.00

NORDIC ARTThe Modern Breakthrough 1860-1920

Ed. Groninger Museum, Kunsthalle Mün-chen, D.Jackson, 260 pages, 154 mostly colour illustrations, 1 map29.5 x 28,5 cm, hardcover 978-3-7774-7081-8£ 45.00

WAYS OF POINTILLISMSeurat, Signac, Van Gogh

Ed. K. A. Schröder288 pages, 170 colour illustrations23.5 x 28.5 cm, hardcover 978-3-7774-2634-1£ 28.00

HOKUSAI X MANGAJapanese Pop Culture since 1680

Ed. S. Schulze, N. v. Achenbach, S.Klingler240 pages, 231 illustrations21 x 28 cm, softcover with flaps 978-3-7774-2667-9£ 24.00

ESPRIT MONTMARTREBohemian Life in Paris around 1900

Ed. I.Pfeiffer, M. Hollein320 pages, 290 colour illustrations24 x 29 cm, hardcover978-3-7774-2197-1£ 45.00

IS THAT BIEDERMEIER?Amerling, Waldmüller and moreEd. S. Grabner, A. Husslein-Arco312 pages, 204 colour illustrations23 x 28,5 cm, hardcover 978-3-7774-2779-9£ 42.00

CANALETTOBernardo Bellotto paints Europe

Ed. A. Schumacher360 pages, 311 colour illustrations29 × 30 cm, hardcover 978-3-7774-2247-3£ 39.00

MINIATURES FROM THE BAROQUE PERIOD IN THE TANSAY COLLECTIONEd. B. Pappe, J. Schmieglitz-OttenEnglish-German edition396 pages, 210 illustrations24 x 30 cm, hardcover 978-3-7774-2638-9£ 49.95

THE LUTHER EFFECTProtestantism - 500 Years in the World

Ed. Deutsches Historisches Museum432 pages, 457 illustrations21 x 28 cm, hardcover 978-3-7774-2722-5£ 42.00

LUTHER! 95 Treasures - 95 People

Ed. Stiftung Luthergedenkstätten in Sachsen-Anhalt624 pages, 335 illustrations18.5 × 24 cm, linen withdust jacket 978-3-7774-2804-8£ 35.00

THE SPANISH GOLDEN AGEPainting and Sculpture in the time of Velázquez

Ed. Staatliche Museen zu Berlin, Kunst-halle München336 pages, 206 colour illustrations24 x 29 cm, hardcover978-3-7774-2526-9£ 38.00


CULTURAL HISTORY

BMW - 100 MASTERPIECESEd. A.Braun English-German edition236 pages, 404 illustrations32 x 27 cm, linen, dust-jacket 978-3-7774-2523-8£ 39.95

THE MINI STORYEd. Andreas Braun English-german edition236 pages, 286 colour illustrations32 × 27 cm, hardcover 978-3-7774-2372-2£ 45.00

ROLLS-ROYCE Motor Cars

Ed. A. Braun for the BMW Museum, MunichEnglish-German Edition180 pages, 200 colour illustrations32 x 27 cm, hardcover cloth over boards, bookmark978-3-7774-2193-3£ 50.00

MR RADLEY DRIVES TO VIENNAA Rolls-Royce Silver Ghost crossing the Alps - 1913 & 2013

John KennedyEnglish-German edition152 pages, 108 illustrations 27 × 28 cm, hardcover 978-3-7774-2346-3£ 25.00

ÚLTIMOS TESTIGOS. The Last Maya Rebellion in Yucatán

Ed. C. Kron Photographs by Serge BarbeauEnglish-Spanish-German edition96 pages, 60 colour illustrations26 x 38 cm, hardcover 978-3-7774-2619-8£ 39.95

FROM SAMOA WITH LOVE?Samoan Travellers in Germany 1895-1911. Retracing the Footsteps

Ed. H. Thode-Arora224 pages, 176 mostly colour illustra-tions21 × 27 cm, hardcover 978-3-7774-2239-8£ 34.00

VODUNAfrican Voodoo

Ed. Fondation Cartier für zeitgenössische KunstEnglish-French edition236 pages, 150 colour and b/w photographs24 × 32 cm, hardcover 978-3-7774-4031-6£ 60.00

GUGE – AGES OF GOLDThe West Tibetan Masterpieces

Peter van Ham390 pages, 527 colour illustrations, 2 fold-outs28 × 28 cm, hardcover, dust-jacket 978-3-7774-2668-6£ 38.00

IMAGES TAKE FLIGHTFeather Art in Mexico and Europe 1400–1700

Ed. A. Russo, G. Wolf, D. Fane480 pages, 271 colour illustrations24 × 30 cm, hardcover, dust jacket 978-3-7774-2063-9£ 39.95

FROM THE LAND OF THE SNOW LIONTibetan Treasures from the 15th to the 20th Century

Ed. M. Buddeberg, B. Richtsfeld340 pages, 627 illustrations21.0 x 31.5 cm, hardcover 978-3-7774-2626-6£ 45.00

MUSEUM ISLAND BERLINEd. M. Eissenhauer, A. Bähr, E. Rochau-ShalemEd. Staatliche Museen zu Berlin 416 pages, 254 illustrations mostly in colour25 x 32,5 cm, hardcover 978-3-7774-4441-3£ 45.00

THE DEUTSCHE BUNDESBANK'S MONEY MUSEUMEd. Deutsche Bundesbank

200 pages, 500 colour illustrations22 × 28 cm, hardcover 978-3-7774-2807-9£ 19.95

ART

THE PINAKOTHEK MUSEUMS IN BAVARIATreasures and Locations of the Bavarian State Painting Collections

Ed. B. Maaz180 pages, 144 colour illustrations15 x 21 cm, softcover with flaps 978-3-7774-2544-3£ 9.95

RECONSTRUCTING THE LANSDOWNE COLLECTION OF CLASSICAL MARBLESElizabeth Angelicoussis624 pages (Volume I + II), 548 illustrations23 × 28 cm, hardcover, linen with dust jacket ISBN: 978-3-7774-2817-8£ 60.00

PRECIOUS CUFFLINKSFrom Pablo Picasso to James Bond

Ed. W. Grasser, F.HemmerleEnglish-German edition128 pages, 150 colour illustrations22 x 28 cm, hardcover 978-3-7774-2423-1£ 34.00

THE CHASUBLE OF THOMAS BECKET: A BIOGRAPHYEd. A. Shalemca. 304 pages, ca 180 illustrations in colour and b/w22.5 x 30 cm, hardcover with dust jacket978-3-7774-2519-1£ 85.00 August 2017

THE POWER OF LINEEd. G. Wolf, M. Faietti260 pages, 160 colour illustrations17 x 24 cm, hardcover 978-3-7774-2498-9£ 32.00

GERT & UWE TOBIASGrisaille

Ed. M. HeringEnglish-German edition172 pages, 110 colour illustrations24 × 32 cm, hardcover 978-3-7774-2727-0£ 38.00

ERAN SHAKINEA Muslim, a Christian and a Jew Knocking on Heaven’s Door

Ed. Jürgen B. TeschEnglish-German edition96 pages, 44 illustrations17 x 24 cm, paperback 978-3-7774-2713-£ 9.95

GEORG BASELITZThe Heroes

Ed. M.Hollein, E.Mongi-Vollmer166 pages, 100 illustrations24 x 30 cm, hardcover 978-3-7774-2568-9£ 32.00

AN ARTIST´S LIFEby Eleanora Antinova

Eleanor Antin216 pages, 53 illustrations17 x 24 cm, hardcover with dustjacket 978-3-7774-2538-2£ 19.95

GRIMANESA AMORÓS. OCUPANTEEd. B. ReifenscheidEnglish-German edition128 pages, 60 illustrations24 x 28 cm, hardcover 978-3-7774-2648-8£ 24.00

JANAINA TSCHÄPEFlatland

English-German edition264 pages, 200 illustrations26 x 30 cm, hardcover 978-3-7774-2633-4£ 38.00

EVA & ADELEYou Are My Biggest Inspiration.

Ed. Musée d'Art Moderne de la Ville de Paris English-French edition160 pages, 186 illustrations21 x 27 cm, hardcover 978-3-7774-2614-3£ 32.00


PHOTOGRAPHY

BOXING CUBAFrom Backyards to World ChampionshipEd. M. SchleicherPhotographs by Katharina AltEnglish-German edition184 pages, 102 illustrations24 x 28 cm, hardcover 978-3-7774-2612-9£ 28.00

GREY MATTER(S)Tom JacobiForeword by Bryan AdamsEnglish-German edition144 pages, 73 illustrations34 x 28 cm, hardcover 978-3-7774-2576-4£ 39.95

MAURICE WEISSFacing Time

Ed. Jürgen B. TeschEnglish-German edition128 pages, 55 colour illustrations24,5 x 30 cm, hardcover978-3-7774-2242-8£ 32.00

CHRISTINE LJUBANOVICConversation PortraitsPhoto-Suites 1974-2014

Ed. C.LjubanovicEnglish-French-German edition164 pages, 61 duplex illustrations24 x 31 cm, soft cover978-3-7774-2528-3£ 25.00

JOSEF SUDEKThe Legacy of a Deeper Vision

Ed. M.-M. Sutnik288 pages, 210 photographs32 x 26 cm, hardcover ISBN: 978-3-7774-5291-3£ 45.00

THE EXPANDED SUBJECT New Perspectives in Photographic Portraiture from Africa

Ed. J. I. Cohen, S. Colard, G. Paoletti, The Miriam and Ira D. Wallach Art Gallery128 pages, 65 colour illustrations20.3 x 25.4 cm, hardcover 978-3-7774-2632-7£ 24.00

BENJAMIN KATZ: GEORG BASELITZ AT WORKEnglish-German editon144 pages, 93 full page colour photo-graphs24 × 28 cm, hardcover 978-3-7774-2054-7£ 29.95

BENJAMIN KATZ: GERHARD RICHTER AT WORKEnglish-French-German edition144 pages, 94 B/W plates 24 x 28 cm, hardcover 978-3-7774-5311-8£ 29.95

ROLAND FISCHER - REFUGEESBernhard Waldenfels, Stephan LessenichEd. Kunstverein Rosenheim English-German edition208 pages, 221 colour illustrations17 x 24 cm, paperback 978-3-7774-2762-1£ 19.95

STEFAN HUNSTEINIn the Ice

Ed. P. Giloy-Hirtz128 pages, 58 colour illustrations29 x 30 cm, hardcover978-3-7774-2734-8£ 38.00

EXTRA! WEEGEEEd. Daniel Blau336 pages., 361 illustrations30 × 24 cm, hardocver with dust-jacket 978-3-7774-2813-0£ 45.00

"My name is Weegee .

I 'm the world 's greatest photographer ..."

ARCHITECTURE

ENGINEERING DESIGNMade in Wuhan – China

Ed. T. Herzog, Zhihong J., Baofeng L., L. WangEnglish-German-Chinese edition80 pages, 79 mostly colour photographs28 x 30 cm, softcover 978-3-7774-2029-5£ 19.95

ROLAND FISCHER - FAÇADESEd. P.Giloy-HirtzEnglish-German edition224 pages, 101 colour illustrations25 x 31,5 cm, softcover with flaps 978-3-7774-2559-7£ 22.00

LIVING COMPLEXFrom Zombie City to the New Communal

Niklas Maak240 pages, 117 illustrations11,5 x 20 cm, hardcover 978-3-7774-2410-1£ 17.00

LE CORBUSIERThe Architect on the Beach

Niklas Maak208 pages, 74 b/w illustrations12 × 20 cm, hardcover 978-3-7774-3991-4£ 17.95

RUST REDThe Landscape Park Duisburg Nord

Peter Latz288 pages, 300 color illustrations22 x 28 cm, hardcover 978-3-7774-2427-9£ 45.00

MODERNISM LONDON STYLEThe Art Deco Heritage

Ed. C. RauhutText: English / German216 pages, 379 b-w photographs, 123 as full-page plates24 x 27 cm, hardcover 978-3-7774-8031-2£ 39.95

FRAGMENTS OF METROPOLIS RHEIN & RUHREd. C. Rauhut, N. LehmannEnglish-German edition256 pages, 150 colour illustrations,30 drawn-up maps15,5 x 24,5 cm, hardcover978-3-7774-2772-0£ 24.00

FRAGMENTS OF METROPOLIS BERLINExpressionist Heritage in Berlin

Ed. C. Rauhut, N. LehmannEnglish-German edition256 pages, 140 colour illustrations,56 maps and sketches15,5 × 24,5 cm, hardcover 978-3-7774-2678-5£ 24.00

CARLO SCARPALa Tomba Brion San Vito D'Altivole

Ed. H. M. Koetzle Photography: Klaus KinoldEnglish-German Edition with Italian appendix, 72 pages, 55 illustrations21.0 x 31.5 cm, linen with dust jacket 978-3-7774-2737-9£ 32.00

NETWORKS OF CONSTRUCTIONEkaterina NozhovaEd. U. Hassler, Institut für Denkmalpflege und Bauforschung der ETH Zürich 360 pages, 253 illustrations 21 x 28,5 cm, hardcover with dust-jacketincludes a construction plan 978-3-7774-2539-9£ 39.95

EXHIBITIONGenf, Musées d’Art et d’Histoire de Genève11.05.– 20.08.17

NEW MUSEUMS Intentions, Expectations, Challenges

Ed. Art Centre Basel, Katharina Beisiegel216 pages, 260 illustrations24 × 30 cm, softcover 978-3-7774-2724-9£ 42.00

Selected Museum Buildings from Asia, Europe, Africa, Australia and the United States in spectacular Photographs

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HIRMER PUBLISHERSAGENTS & DISTRIBUTORS

64

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For countries not mentioned above, please contact:Ian Bartley, Head of Export SalesExport Sales DepartmentThames & Hudson Ltd181A High HolbornLondon WC1V 7QXUKT: +44 20 78 455 000F: +44 20 78 455 055E: [email protected]

German Sales OfficeChristine VorhoelzerHead of Sales T: +49 89 12 151 661F: +49 89 12 151 616E: [email protected]

Renate UllerspergerSalesT: +49 89 12 15 151 623F: +49 89 12 15 151 610E: [email protected]

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HIRMER PUBLISHERSAGENTS & DISTRIBUTORS

Illustration front page: György Kepes, Portrait Study (Juliet Kepes), 1938, Bauhaus-Archiv Berlin © Juliet Kepes-Stone. Taken from the publication: New Bauhaus Chicago (see page 23) Illustration back page: Pieter Bruegel the Elder, The Painter and The Buyer, 1565, Albertina, Vienna. Taken from the publication: Pieter Bruegel the Elder, (see page 7)Illustration page 2/3: Peter Paul Rubens, The Four Rivers of Paradise, Detail, ca. 1615, Kunsthistorisches Museum Wien, © KHM Museums-Verband. Taken from the publication: Peter Paul Rubens – The Power of Transformation (see page 5) Illustration page 56: Paul Gauguin, Pastorales Tahitiennes , 1892 (Detail) Eremitage St. Petersburg Illustration page 57: Vasily Kandisnky, Heaven Blue, 1940, Musée national d’art moderne, Centre Pompidou

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HIRMER · 2017. 6. 30. · 1 » Unique analysis of Raphael’s working methods » New understanding of his drawing materials » With masterpieces from all creative periods from the