£2

Chiswick, W4

Fine Art SupplementFine Art & Selected Antiques Sale

Monday 26th September at 6pm

£2

Chiswick, W4

Fine Art & Selected Antiques SaleMonday 26th September at 6pm

Fine Art, Jewellery, Silver, Porcelain, Furniture and Desirable Objects

Viewing: Saturday 24th September until Monday 26th September

10am-6pm

Fully illustrated catalogue online from 6pm Wednesday 21st September at www.highroadauctions.co.uk

Live online bidding with the-saleroom.com

Weekly Antiques, Interiors & Collectables Sale as usual Tuesday 27th September 2011 at 6pm

Viewing Saturday 24th Sept until Tuesday 27th Sept 10am-6pmIllustrated catalogue online from 6pm Friday 23rd September

Front cover illustration: Lot 128 N Seifert, 19th Century Continental. Oils on board.

An elevated Parisian boulevard view on a sunny day, circa 1880/90

Buyer’s premium 20% incl. VAT

Tel: 020 8400 5225 Email: info@highroadauctions.co.uk

30-34 Chiswick High Road, London W4 1TEwww.highroadauctions.co.uk

Welcome to High Road Auctions!

I’m delighted to present this Fine Art Supplement for our second Fine Art & Selected Antiques Sale on Monday 26th September at 6pm.

Full details of all lots can be found in the main catalogue, available with this supplement.

My thanks extend to Jan Leman, Painting Researcher & Consultant, who has spent many hours putting together this Fine Art selection. Jan says:

“Since our Fine Art Sale in May we have assembled over 100 lots of excellent Fine Paintings and works of Art on Paper, which include a selection from an important private collection in Scotland, alongside consignments from private collectors. The overwhelming majority are fresh to the market and have not been seen in London previously.

For those seeking original work for the home or for the work place, we have on offer many superb works that will grace any discerning wall. ”

If you have any queries about the sale, please feel free to get in touch. I look forward to seeing you during viewing from 10am Saturday 24th September or at the sale.

Best wishesAndrew

Andrew Polnik, Auctioneer & Valuer

Lot 102 ‘La belle jardinière’

5

Note all measurement stated are for the image size, height followed by width.

PRINTS

Lot 51 After Charles Edward Wilson 1854 – 1941 ‘The Love Letter’, chromalithograph on canvas, framed, with name plate. 15 ¼ x 10 ¼ ins. £70 to £100

Lot 52 Early 19th Century A rare pair of early colour boxing engravings, depicting celebrated African boxers in London. Titles, ‘A Striking View of Richmond’ and ‘Molineaux’. Published by Dighton, 1810 and 1812. 12 x 8 ½ ins. In original birds-eye maple frames. [2] £120 to £180

Lot 53 Early 19th Century A rare early colour engraving depicting the seminal 1811 encounter between Cribb and Molineaux at Thistleton Gap in 1811. Published 1811 by Walker & Knight. With an article by Dudley Lister pasted verso; ‘The First of the Black Boxers’. 9 ½ x 15 ins. Mounted, glazed and framed. £100 to £200

Lot 51

Lot 52

Lot 53

Chiswick, W4

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Lot 54 Early 19th Century A fine pair of boxing engravings heightened with colour. Depicting E. Baldwin, and James Burn. Published 1825 by J. Moore. 15 ¼ x 11 ¾ ins. Mounted, glazed and in matched frames. £120 to £180

Lot 55 After William Henderson 1886-1930 Lord Horatio Nelson. Colour mezzotint published in 1924. A fine impression. Pencil signed lower right and with blind stamp lower left. 10 x 8 ½ ins. Mounted. £60 to £100

Lot 56 Charles Laborde 1886-1941 France ‘Le Thé au Lyon’. Hand coloured etching. Pencil signed and inscribed, 1925. On Japon. 11 x 9 ¼ ins. Mounted, glazed and framed. £100 to £200

Lot 57 Charles Laborde 1886-1941 France Berlin bathers 1925. Hand coloured etching. Pencil signed and inscribed. 9 x 11 ½ ins. Mounted, glazed and framed. £100 to £200

Lot 54

Lot 55

Lot 56

Lot 57

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Lot 58 Jean Gabriel Domergue 1889-1962 A striking colour lithograph on Japon. ‘Deux Jeunes Filles’ - a harlequin and dancer. Signed lower right and inscribed. 15 ¼ x 12 ins. Mounted, glazed and framed. £120 to £200

Lot 59 Sir William Russell Flint 1880-1969 RA PRWS RWS Signed Lithographic Print. A reclining draped nude. Pencil signed in the margin lower right. Blind stamp lower left. Published by Frost and Reed Ltd 1966, with label verso. 12 x 23 ins. Mounted, glazed and framed. £180 to £250

Lot 60 Sir William Russell Flint 1880-1969 RA PRWS RWS Signed Lithographic Print. Woman archers practice firing at an urn. Pencil signed in the margin lower right. Blind stamp lower left. Published by Frost and Reed Ltd 1966, with label verso. 18 x 24 ins. Mounted, glazed and framed. £180 to £250

Lot 58

Lot 60Lot 59

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Lot 61 Henry Moore OM 1898-1986 ‘Tiger’, from ‘Animals in the Zoo’ (Cramer 643) Etching, 1982, on wove, pencil signed in the margin and inscribed ‘PL x 17/65’, aside from the edition of 65. With full margins. 17 ¾ x 20 ¾ ins. Mounted, glazed and framed. £500 to £700

Lot 62 Dorothea Tanning b 1910 Untitled etching with acquatint. 1976. From the portfolio La Mysticite Charnelle de Rene Crevel. Signed in pencil lower right. Numbered in pencil lower left. Total edition of 145: 100 + XLV on arches. Plate size 10¼” x 7 13/16 ins. Published by Editions George Visat, Paris. Created for a book with one print by Tanning and additional prints by Bacon, Bryen, Camacho, Couturier, Delaunay, Ernst, Man Ray, Masson, Matta, Moore, Szenes, Velickovic, and da Silva. £300 to £500

WATERCOLOURS

Lot 63 Attributed to Samuel Austin 1796-1834 A large dramatic watercolour of figures on the shoreline near a wreck. 23 ½ x 36ins. Mounted, glazed and framed £350 to £500

Lot 61

Lot 62

Lot 63

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Lot 64 Henry Brittan Willis RSW 1810-1884 and Henry Maplestone 1819-1884 ‘The End of the Day’. A large finely observed watercolour of shepherds returning with their flock, set in expansive landscape. Signed by both artists, lower left and lower right. 20 ½ x 41 ins. In a fine original glazed gilt frame. £700 to £1,000

Lot 65 Follower of Sam Bough RSA 1822-1878 Watercolour and pencil, a highland group in the landscape with cottage and distant bridge. Unsigned. Mounted, glazed and gilt framed. 13 ½ x 19 ¼ ins Provenance: Property of a Scottish gentleman. £140 to £240

Lot 66 William Biscombe Gardiner 1847-1919 A fine pair of drawings of trees and undergrowth, graphite on paper. Monogramed lower right and dated 1895. 9 ¾ x 6 3/4 ins. Mounted, glazed and framed. [2] £120 to £180

Lot 67 Arthur Nicholls 19th Century A very fine watercolour study of grapes, plums and a pear. Signed lower left. 7 x 9 ¾ ins. Mounted, glazed and framed. £300 to £500

Lot 64

Lot 65

Lot 66 (pair)

Lot 67

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Lot 68 Thomas R Neil American School 19th Century ‘Boston Harbour on the North Ferry, with Christ’s Church in the distance. Watercolour. Signed lower left. Inscribed verso and dated 1898. 10 ½ x 14 ½ ins. Mounted, glazed and framed. £120 to £180

Lot 69 John McDougal fl1877-1941 ‘The Tranquil Light of Rosy Morn’ A large atmospheric watercolour of a harbour, signed and dated 1900 lower left. 24 ¼ x 51 ins. In original glazed gilt frame. £500 to £1,000

Lot 70 J C Bosboom 19th Century A fine pen and ink wash sample page of designs for tankards and goblets. Signed lower right. 8 ¾ x 11/4 ins. Mounted, glazed and framed. £250 to £350

Lot 71 Circa 1900 Designs for Pottery An interesting selection of watercolour, pen and ink, and graphite specimen designs for pottery, made and decorated at the École South Kensington. Mounted, glazed and framed. [3] £300 to £500

Lot 68

Lot 69

Lot 70

Lot 71

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Lot 72 John Macdonald Aiken R.S.A. 1860-1961 A fine watercolour study of white flowers in a green glass vase. Signed and dated 1904 lower right. 17 x 12 ¾ ins. Mounted, glazed and framed. Provenance: Property of a Scottish gentleman. £400 to £600

Lot 73 William Bartol Thomas 1877-1947 A very fine gouache and watercolour miniature of a sailing barge plying an industrial river. An exquisite work from a neglected Lincolnshire artist. Signed lower right. 2 x 3 ¼ ins. Mounted, glazed and gilt framed. £150 to £250

Lot 74 William Bartol Thomas 1877-1947 A very fine gouache and watercolour miniature landscape with a silhouetted castle seen through a forest clearing. An exquisite work from a neglected Lincolnshire artist. Signed lower right. 1 ½ x 2 ¼ ins. Mounted, glazed and gilt framed. £120 to £180

Lot 72

Lot 73

Lot 74

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Lot 75 Robert Brough ARSA 1872-1905 Pastel view of Concarneau. Signed lower left. Circa 1894. In the summer of 1894 Brough completed his studies at the Academie Julien in Paris, and after spending a month in Moret Sur Seine visiting Sisley along with fellow student Sam Peploe, he travelled to the last summer of Gaugin’s artist colony in Brittany. 8 x 10 ins approx. Mounted, glazed and framed. £2,500 to £3,500

Lot 76 Lennard Lewis 1826-1913 A Mediterranean coastal scene. Watercolour and graphite. Signed lower left and dated ’96. 9 ¼ X 20 ins. Mounted, glazed and framed. £150 to £250

Lot 77 Charles F Flower An evocative view of Strasbourg. Watercolour. With canals foreground and distant cathedral. Inscribed as 1907. 11 x 8 ¼ ins. Mounted, glazed and framed. £120 to £160

Lot 78 Mrs E.M.D. Collingwood. Exhibited 1884-1924. A charming watercolour portrait of a ‘Lady in a Beautiful Easter Bonnet’ by an accomplished miniaturist. Monogramed lower right ‘EMDC’, and dated 1908. 10 ¼ x 8 ins. Mounted, glazed and framed. £150 to £220

Lot 75

Lot 76 Lot 78Lot 77

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Lot 79 George Sheringham 1884-1937 ‘Women in a Garden’ Watercolour and pencil. Possibly a design for a fan. 7 x 19 ¾ ins. Lunette mount. Glazed and framed. Ex Bonhams, Sept 1980. Lot 182. £500 to £800

Lot 80 Alma Claude Burlton Cull (1880-1931) ‘HMS Dido 1900’ Watercolour, graphite and gouache with scratching out. Signed lower left and dated ’10. 8 ¾ x 16 ½ ins. Mounted, glazed and framed. £800 to £1,200

Lot 81 Alma Claude Burlton Cull (1880-1931) ‘HMS Jupitor 1905/6’ Watercolour, graphite and gouache with scratching out. Signed lower left and dated ’10. 8 ¾ x 16 ½ ins. Mounted, glazed and framed. £800 to £1,200

Lot 82 Alma Claude Burlton Cull (1880-1931) A pair of Dreadnaughts at anchor. Watercolour, graphite and gouache with scratching out. Signed lower left and dated ’10. 8 ¾ x 16 ½ ins. Mounted, glazed and framed. £800 to £1,200

Lot 79

Lot 80

Lot 81

Lot 82

Lot 83

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Lot 83 John Keeley 1849-1930 ‘The Timber Cart’, a large watercolour signed lower left and further inscribed to the artist’s daughter verso. Dated 1921. (Sold Christies 2004) 21 ½ x 29 ½ ins. Mounted, glazed and framed in original exhibition frame with bevelled panels verso. £500 to £800

Lot 84 Frederick R Fitzgerald 1897-1938 ‘The Eiger and the Munch’, from the Wengernalp. A dramatic large watercolour of a snow covered alpine scene. Signed lower right. With old Harrods Picture Dept label verso. 21 x 29 ½ ins. Glazed and framed. £150 to £200

Lot 85 Ralston Gudgeon RSW 1910-1984 A fine large watercolour with gouache. ‘Otter chasing a Salmon Underwater’. Signed lower right. 24 x 19 ins. Mounted, glazed and framed. Provenance: Property of a Scottish gentleman. £300 to £500

Lot 86 Ralston Gudgeon RSW 1910-1984 A large watercolour with gouache. ‘Leaping Salmon’. Signed lower right. 15 x 20 ins. Mounted, glazed and framed. Provenance: Property of a Scottish gentleman. £300 to £500

Lot 84

Lot 86 Lot 85

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Lot 87 Sydney Vale British 20th Century An evocative watercolour of SS Canberra at sea, together with a study of a trawler ploughing through waves. Both signed. 13 x 20 ins. Mounted, glazed and framed. [2] £150 to £250 [2]

Lot 88 Donald Moodie RSA, PSSA 1893 -1963 Pen, ink with watercolour. A pastoral landscape, signed lower right. 12 x 19 ½ ins. Mounted, glazed and framed. Provenance: Property of a Scottish gentleman. £200 to £300

Lot 89 Sir Stanley Spencer RA 1891-1959 Graphite on paper titled ‘First Tuesday’, pencil squared for transfer, with further group of shipbuilders verso. 8 x 9 ¾ ins. Mounted and framed. £800 to £1,200

Lot 87 (two)

Lot 88

Lot 89

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Lot 90 Sam Kirkpatrick 20th Century Irish/American A striking watercolour, gouache and pencil theatre study for the set of Carmen Act IV by the acclaimed set designer. Monogramed lower right and dated’73. 18 x 25ins. Mounted, glazed and framed. £200 to £350

Lot 91 Ken Frewin b.1936 A large watercolour and gouache still life study of dried flowers and grasses. Signed lower right and dated ’71. 21 ¾ x 22 ½ in. Mounted, glazed and framed. Provenance: Property of a Scottish gentleman. £120 to £160

OILS

Lot 92 18th Century – possibly Flemish school A fine oil on canvas still life, a cornucopia of flowers. 26 x 20 ins. In an ebonised gilt frame. £4,000 to £6,000

Lot 93 Studio of Jean-Baptiste Greuze 1725-1805 ‘Mon Chaton’ A very fine oil on canvas of a young girl tightly clasping a kitten. 23 x 18 ½ ins. In an oval frame. Sold Sothebys circa 1960. Private Collection. £1,800 to £2,500

Lot 90 Lot 91 Lot 92

Lot 93

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Lot 94 18th Century English Provincial School Oil on canvas. A fine portrait of an unknown man. Circa 1760. 24 ½ x 18 ½ ins. Framed. £900 to £1,200

Lot 95 Late 18th Century French, School of Corot ‘Young Boy in the Landscape’ Oils on paper, laid to board. With labels verso ex Christies. 5 ¾ x 7 ins. In a gilt frame. Provenance: Property of a Scottish gentleman. £250 to £350

Lot 96 18th Century Continental School A large oil on canvas still life of an exotic fruit and jug. Monogramed indistinctly lower right within the picture. 21 x 28 ½ ins. Framed. £400 to £600

Lot 97 19th Century Continental School A fine still life of decanters, oranges and grapes. Oil on canvas, laid to panel. With old stencil number verso. 17 ¾ x 11 ¾ ins. Framed. Provenance: Property of a Scottish gentleman. £250 to £350

Lot 94 Lot 96 Lot 97

Lot 95

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Lot 98 Mid 19th Century A delightful small oils on board. Two figures go forth in a wooded glade. 3 x 4 ¾ ins. In original gilt frame. £150 to £250

Lot 99 Late 19th Century Continental Small Oils on board, a fisherman casts on a wide river at sunset. With indistinct pencil inscription verso. Framed. £120 to £180

Lot 100 Late 19th Century Continental Oils on board, a fisherman casts on a wide river in moonlight as a distant rowing boat passes. With dedication verso dated 1892. Framed. £120 to £180

Lot 101 19th Century Spanish School Oil on canvas, ‘St Stephen and Child’. Unsigned. 38 ½ 29 ½ ins. £250 to £350

Lot 102 After Raphael 1483-1520 ‘La belle jardinière’ 19th Century Italian, oil on canvas in a superb richly carved gilt frame. 41 x 29 ins. £800 to £1,200

Lot 103 After Antonio Allegri da Correggio 1489-1534 ‘La Zingarella’. Madonna and Child. 19th Century oil on canvas in a fine carved gilt frame. £600 to £800

Lot 98

Lot 99

Lot 101 Lot 102 Lot 103

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Lot 104 19th Century Continental School A large oil on canvas, a scene of Bachannalian Cherubs. In a fine gilt frame. £400 to £500

Lot 105 19th Century Continental A highly decorative oils on reeded wood, genre scene of an Italian family. 23 x 29ins. Glazed and framed. Unsigned. £120 to £180

Lot 106 Early 19th Century English Provincial School. A large oil on canvas, Flora making an offering to Cupid. 42 ½ x 33 ¼ ins. Framed. £3,500 - £5,000

Lot 107 Frederick Waters Watts 1800-1862 Oil on canvas. A magnificent wooded river landscape with fisherman to fore, and sheep on the banks. In the distance, a cottage. Signed. 33 x 44 ½ ins. In original gilt frame. Old Christies stencil number verso. £4,000 to £6,000

Lot 108 Thomas Creswick RA 1811-1869 Oils on paper laid to panel, a fine study of a waterfall in a wooded glade with a ruined castle in the distance. Signed lower centre. 20 x 15 ¾ ins. Framed. £400 to £700

Lot 104 Lot 107

Lot 108Lot 106 Lot 105

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Lot 109 Frederick J Hulme 1816-1864 ‘Carnations in a Bridal Spray’ Oil on canvas. Signed lower left and dated indistinctly. 15 ½ x 10 ½ ins. In a gilt frame. This work was exhibited at the Royal Academy 1920. With old label verso. £400 to £600

Lot 110 Albert Ludovici Snr 1820-1894 Oil on canvas. A coastal promenading scene, with two women sharing a sailors spyglass. Monogrammed and dated lower left. 12 x 24 ½ ins. In a gilt frame. £400 to £600

Lot 111 Thomas Kent Pelham fl. 1860-1891 A large oil on canvas titled ‘The Young Cavallero’ Signed lower right. 27 ½ x 35 ½ ins. In original gilt frame. £4,000 to £6,000

Lot 112 Charles Callcott Late 19th Century, British Oil on canvas. Interior nursing scene with mother rocking cradle, whilst a kitten sups milk from a saucer. 15 ½ x 19 ½ ins. In a gilt frame. £300 to £500

Lot 109

Lot 110

Lot 111 Lot 112

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Lot 113 James Cassie RSA RSW 1819-1879 ‘The Pet Rabbits’. Oils on panel. Signed and dated 1860 lower right. Further inscribed verso with William Rodman & Co, Belfast label. 13 ¼ x 11 ¼ ins. In original gilt frame, glazed. Provenance: Property of a Scottish gentleman. £1,200 to £1,800

Lot 114 Raizer? 19th Century Continental School A finely painted oil on canvas. ‘Travellers in the Snow’ Signed indistinctly lower left. 11 ¾ x 15 ¾ ins. In a gilt frame. £400 to £600

Lot 115 John [Bucknell] Russell 1820 – 1893 and James Russell 1867 – 1956 (son) Oil on canvas. Still life study of game 4 fish on river bank. Signed lower right by both artists. 17 ¼ x 33 ½ ins. Framed. Provenance: Property of a Scottish gentleman. £400 to £600

Lot 116 JB Russell Oils on card. A study of game, ‘Winter Hare and Pheasant’. Signed lower left. 19 ½ x 29 ½ in. Framed. Provenance: Property of a Scottish gentleman. £250 to £350

Lot 113

Lot 114

Lot 115

Lot 116

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Lot 117 J Russell. Oil on canvas, ‘Salmon on River Bank’. Signed lower left and dated ’99. 15 ¾ x 23 ¼ ins. Glazed and framed. Provenance: Property of a Scottish gentleman. £600 to £800

Lot 118 Dhui Russell – daughter of John Bucknall Russell Oil on canvas, a hare attacked by two stoats. Signed lower left. 14 ¼ x 29 ½ in. Framed. Provenance: Property of a Scottish gentleman. £200 to £400

Lot 119 J Mc? Monogram Mid/Late 19th Century Scottish School Oil on canvas. A dramatic study of a highland loch with stormy mountains behind. Monogramed indistinctly lower right. With colourman’s canvas mark verso for Robert Miller, Glasgow. 20 x 26 ins. Glazed and framed. Provenance: Property of a Scottish gentleman. £250 to £500

Lot 120 W.A. Yule 19th Century Oil on canvas. ‘Figures in a Rowing Boat off the Coast’. With incomplete self-portrait verso of the artist standing at his easel. Signed lower right and dated 1895. 14 ½ x 23 ½ ins. Framed. Provenance: Property of a Scottish gentleman. £500 to £800

Lot 117

Lot 119

Lot 120Lot 118

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Lot 121 Follower of Sam Bough RSA 1822-1878 Oils on panel. Cattle take water under trees with farmer nearby. Unsigned. 13 x 17ins. In a gilt frame. £150 to £250

Lot 122 Tom Campbell 1865-1943 Oil on canvas, a shepherd leads his flock alongside autumnal trees. Signed lower left, further signed and dated verso, 1887. 19 ½ x 15 ½ ins. Framed. £150 to £250

Lot 123 Alexander Fraser RSA 1828- 1899 Oil on canvas titled, ‘Near Birmingham’. A rare pastoral view. Signed lower left and dated 1866. Further inscribed and signed verso. The work has not been re-lined, but would benefit from restoration to a minor tear lower left. 9 ½ x 17 ½ ins. Provenance: Property of a Scottish gentleman. £250 to £400

Lot 124 Alexander Fraser 1828 - 1899 A fine oil on canvas titled; ‘The Ground Pit’. Signed lower right and dated 1871. Further signed and inscribed verso. 11 x 17 ½ ins. In original gilt frame. Provenance: Property of a Scottish gentleman. £1,200 to £1,800

Lot 121

Lot 122 Lot 124

Lot 123

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Lot 125 Alice O. Clay after Thomas Faed. 19th Century Oil on canvas titled; ‘The Silken Gown’. Signed lower right and further inscribed verso. 32 x 21 ½ ins. Original frame with inscription. £400 to £600

Lot 126 Late 19th Century British School Oil on canvas. An unusual study of a small children’s farm, set in a public park (Possibly Hyde Park). Indistinctly signed in pencil on the stretcher verso. 16 x 11 ½. Framed. £120 to £200

Lot 127 Late 19th / Early 20th Century Continental School Oil on canvas. A charming view of poplar trees seen through a forest clearing. Signed indistinctly lower right. 12 x 9 ins. In a gilt frame. £120 to £200

Lot 128 N Seifert 19TH Century Continental Oils on board. An elevated Parisian boulevard view on a sunny day, circa 1880/90. Signed lower right. Framed. £300 to £500

Lot 128

Lot 125 Lot 126 Lot 127

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Lot 129 O.G. Early 20th Century Oils on board. A vivid pair of Venetian scenes. Dated 1901. Monogramed lower left [both] [2]. In original matched frames. £400 to £600

Lot 130 Alexander Kellock Brown RSA 1849-1922 Oils on milled board, inscribed verso, ‘Evening at Benderloch’. An atmospheric coastal scene with kelp on the rocks. With AKB monogram lower right. 9 ¾ x 13 ¾ ins. In original gilt frame. Provenance: Property of a Scottish gentleman. £400 to £600

Lot 131 19th Century Circle of Peter McGregor Wilson RSW 1856-1928 Large oil on canvas, signed indistinctly lower left. Two fishermen in a rowing boat off the coast in a rolling sea. With old stencil number verso. Provenance: Property of a Scottish gentleman. £1,000 to £2,000

Lot 132 Edmund George Warren RI ROI 1834-1909 A majestic large oil on canvas, ‘Harvesting on the Coast’. Possibly Cornwall. Signed and dated 1889 lower right. 29 ½ x 47 ¾ ins. In original frame. £3,000 to £5,000

Lot 129 (pair)

Lot 130

Lot 131

Lot 132

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Lot 133 Alexander Wellwood Rattary ARSA RSW 1849 -1902 A fine oil on canvas laid to panel. ‘A Highland Loch Scene’ Signed lower left. 13 ¼ x 17 ¼ in. In a git frame. Provenance: Property of a Scottish gentleman. £800 to £1,200

Lot 134 Harold Piffard fl 1895-1899 A fine oils on board study of a courting couple. An interior scene decorated with an exquisite porcelain vase, the lady, in vivid emerald green dress, is seated on a carved trunk. The suitor, is wearing a mulberry overcoat with gold buttons. Signed lower right. 23 ½ x 20 ins. In a gilt frame. £1,600 to £2,000

Lot 135 F.R. Pickersgill RA 1820-1900 Oil on canvas portrait of the artist’s son, Richard Tennant Pickersgill. 30 x 25 ins. In original gilt frame with title plate. The artist FR Pickersgill was the nephew of the artist Henry William Pickersgill. Provenance: Formerly in the collection of The Honorable Lady Bethall £600 to £800

Lot 133

Lot 134

Lot 135

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Lot 136 L Poole 19th Century Oil on canvas, an extensive Alpine landscape. Signed lower right. £1,000 to £2,000

Lot 137 Attributed to James Guthrie PRSA 1859 – 1930 Oil on canvas portrait of a young boy wearing a red cap and white smock. Signed lower right. Further inscribed verso. 15 ½ x 10 ¾ ins. In a gilt frame. Provenance: Property of a gentleman. £400 to £700

Lot 138 Arthur Henry Jenkins b.1871 Oil on canvas. Sheep being led down a country lane in early evening light. Signed lower right and dated 1907. 24 ½ x 19 ¾ in Provenance: Property of a Scottish gentleman. £800 to £1,200

Lot 139 British School Early 20th Century Small oil on canvas. A seascape with fishermen and distant mountains. Signed indistinctly lower right. With label verso for AW Harvey Br, St James, London. 12 ½ x 12 ½ in. Framed. Provenance: Property of a Scottish gentleman. £150 to £250

Lot 136 Lot 137 Lot 138

Lot 139

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Lot 140 Circle of DY Cameron. Late 19th/ Early 20th Century Oils on milled board. Seascape with mountains distant. 6 ¼ x 12 ½ ins. Framed. Provenance: Property of a Scottish gentleman. £150 to £250

Lot 141 Early 20th Century Continental School Oil on canvas. A fine nautical study of the 4 masted barque ‘Pamir’ (launched 1905,Hamburg), with her sister ship, ‘Passat’, in the distance. Monogrammed ‘DS’ lower right. With stock label verso for John Mathieson & Co, Edinburgh – No:4402. 29 x 37 ins, in a gilt frame. £2,500 to £3,500

Lot 142 N Grigor 20th Century Oil on canvas board, ‘A Study of Roses’. Signed lower left. 17 ¼ x 13 ¼ in. Glazed and framed. Provenance: Property of a Scottish gentleman. £120 to £160

Lot 140

Lot 141

Lot 142

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Lot 143 Dorothy L Swain 20th Century Oils on board, a large still life of flowers titled; ‘Red Amaryllis’. Signed lower right and dated 1974. 23 ½ x 19 ½ ins. Framed. £200 to £300

Lot 144 Charles Tascot 20th Century A large oil on canvas of the barque ‘Stella’ navigating near a steam tug at the entrance to a harbour. Signed lower left and dated ’74. 22 ¼ x 29 ins. Glazed and framed. £500 to £1,000

Lot 145 Maurice Braley 20th Century Oils on board. River traffic on the Thames near Barnes. Signed lower right. 14 ½ x 29 ½ ins. Framed. £80 to £120

Lot 146 Ken Howard OBE RA b. 1932 A large oil on canvas. ‘Dora’ the artists wife, standing in a lilac dress before a window. Signed lower right. 47 ½ x 19 ¼ ins. Framed. £5,000 to £8,000

Lot 143 Lot 144

Lot 145

Lot 146

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Lot 147 Noel Bensted b.1970 British Oil on canvas, ‘Savdada’ (Memories ). A striking ¾ length portrait of a young woman standing next to a gramophone. Signed lower left and dated 2008. 40 ¾ x 23 ins. £400 to £600

Lot 148 Jennifer Mackenzie b. Lanarkshire, Scotland. 20th century Acrylic on board. Still life; ’Tea Pot with Gooseberries’. Signed and Dated 2000 lower right. 10 ½ x 10 ½ ins. Mounted, glazed and framed. Provenance: Property of a Scottish gentleman. £120 to £160

Lot 149 Jennifer Mackenzie b. Lanarkshire, Scotland. 20th century Acrylic on board. Still life; ‘Clay pot and blue bowl’. Signed lower left and dated 2000. 10 ¾ x 13 ½ ins. Mounted glazed and framed. Provenance: Property of a Scottish gentleman. £120 to £160

Lot 147 Lot 149

Lot 148

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Lot 150 Jennifer Mackenzie b. Lanarkshire, Scotland. 20th century Acrylic on board. Still life; ‘Orange Flowers in a vase’. Signed lower left.13 x 10ins. Mounted, glazed and framed. Provenance: Property of a Scottish gentleman. £120 to £160

Lot 151 Jennifer Mackenzie b. Lanarkshire, Scotland. 20th century Acrylic on board. Still life; ‘Blue Jar and Apple’. Signed lower left and dated 2000. 13 ½ x 10 ¾ ins. Mounted, glazed and framed. Provenance: Property of a Scottish gentleman. £120 to £160

Lot 150 Lot 151

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TERMS AND CONDITIONS FOR BUYING AT AUCTION

The Agent: High Road Auctions Ltd, hereinafter referred to as the ‘Agent’, is a general auctioneering practitioner who is acting as an authorised sales agent for the owners of items being offered for sale at the auction.

The Catalogue: The Agent has prepared a catalogue to help prospective bidders to identify and examine the items for sale. A copy of the catalogue can be viewed online at www.highroadauctions.co.uk or purchased at the saleroom 30-34 Chiswick High Road, London, W4 1TE. Prospective buyers have the opportunity to inspect the items offered at the saleroom during the viewing days in advance of the auction.

Descriptions & Estimates: The descriptions provided in the catalogue and opinions expressed by the Agent before, during or after the sale are based on information provided by the Vendor and the Agent’s own research. While the Agent attempts to provide accurate descriptions of each item there is no guarantee of any expressed or implied attribution and prospective bidders should seek expert advice when necessary.

Condition: It is the responsibility of the Buyer to ensure that he or she has fully inspected the items on offer before submitting a bid. For prospective Buyers who are unable to inspect the items, the Agent offers a condition report service. Although the Agent attempts to check every item for defects, the condition report service is no substitute for physical inspection and the Agent accepts no responsibility for undisclosed damage or imperfections in the items on offer.

Safety Regulations: Electrical goods and soft furnishings are sold as ‘antiques’ and it is the responsibility of the Buyer to ensure they are checked and certified before use.

Registration: All bidders are required to register before they can participate in the auction. Registration forms are available at the reception desk. Registered bidders will be allocated a unique number to protect their identity. Unregistered attendees cannot take part in the bidding process.

Live Bidding: Registered attendees will be entitled to bid on any item offered for sale in the auction. The auctioneer will present each lot in sequence and, where possible, the item(s) for sale will be displayed to the audience on a video screen. The audience (including any telephone bidders) will be invited to bid at levels and increments suggested by the auctioneer until the hammer falls. Bidding intentions must be made clear to the auctioneer, verbally if necessary, and the bidder’s registration number must be provided on request.

Commission Bidding: For those who are unable to attend the auction in person or by telephone the Agent offers a commission bidding facility. Commission bids can be lodged with the Agent up to 2 hours in advance of the scheduled auction start time. Commission bids can be entered on the Agent’s website, submitted by telephone or hand delivered to the Agent at the viewing session. Prospective buyers who leave commission bids are authorising the Agent to bid on their behalf up to their stated maximum. The Agent will obtain the goods for the lowest possible price, subject to competing bids and reserves.

Reserves: Some of the lots in the auction will be subject to a Reserve. The Reserve is the minimum price that the Vendor will accept for the Lot. The auctioneer is unable to sell item(s) at a lower price than the Reserve. If a Lot fails to meet the Reserve the auctioneer will indicate this by announcing that there has been ‘No Sale’ before the hammer falls.

Buyer’s Premium: All sold lots attract a buyer’s premium of 20% including VAT. This premium will be added to the hammer price and it will be included on any invoice.

Payment: The Agent accepts three methods of payment – cash, debit card and credit card. Payment must be made on the day of the auction or within two days thereafter. Droit de Suite: From 14th February 2006 all auction houses have been required to collect a royalty payment from the buyer for qualifying works of art. The royalty payment is only relevant if the hammer price exceeds €1,000. All qualifying items may be subject to this royalty charge (currently 4%) depending on the hammer price

A selection of lots in our sale, full details in our main catalogue

Tel: 020 8400 5225info@highroadauctions.co.ukwww.highroadauctions.co.uk30-34 Chiswick High Road, W4 1TE