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Hieronymus Bosch (1450-Hieronymus Bosch (1450-1516)1516)
Hieronymus Bosch (1450-Hieronymus Bosch (1450-1516)1516)
, A pessimistic view of human nature., Had a wild and lurid
imagination. Fanciful monsters &
apparitions.
, Untouched by the values of the Italian Quattrocento, like mathematical perspective. His figures are flat. Perspective is ignored.
, More a landscape painter than a portraitist.
HieronyHieronymusmus
BoschBosch
The The Garden Garden
of of Earthy Earthy
DelightsDelights
15001500
HieronyHieronymusmus
BoschBosch
The The Garden Garden
of of Earthy Earthy
DelightsDelights
15001500
HieronyHieronymusmus
BoschBosch
The The Garden Garden
of Earthy of Earthy DelightsDelights(details)(details)
15001500
HieronyHieronymusmus
BoschBosch
The The Garden Garden
of Earthy of Earthy DelightsDelights(details)(details)
15001500
HieronyHieronymusmus
BoschBosch
The The TemptatiTemptation of St. on of St. AnthonyAnthony
1506-1506-15071507
HieronyHieronymusmus
BoschBosch
The The TemptatiTemptation of St. on of St. AnthonyAnthony
1506-1506-15071507
Pieter Bruegel the Elder Pieter Bruegel the Elder (1525-1569)(1525-1569)
Pieter Bruegel the Elder Pieter Bruegel the Elder (1525-1569)(1525-1569)
, One of the greatest artistic geniuses of his age.
, Worked in Antwerp and then moved to Brussels.
, In touch with a circle of Erasmian humanists., Was deeply concerned with human vice and
follies., A master of landscapes; not a portraitist.
People in his works often have round, blank, heavy faces.
They are expressionless, mindless, and sometimes malicious.
They are types, rather than individuals. Their purpose is to convey a message.
Bruegel’s, Bruegel’s, Peasant DancePeasant Dance, , 15681568
Bruegel’s, Bruegel’s, Peasant DancePeasant Dance, , 15681568
Bruegel’s, Bruegel’s, Mad MegMad Meg, 1562, 1562Bruegel’s, Bruegel’s, Mad MegMad Meg, 1562, 1562
Bruegel’s, Bruegel’s, The BeggarsThe Beggars, , 15681568
Bruegel’s, Bruegel’s, The BeggarsThe Beggars, , 15681568
Bruegel’s, Bruegel’s, Parable of the Parable of the Blind Leading the BlindBlind Leading the Blind, 1568, 1568
Bruegel’s, Bruegel’s, Parable of the Parable of the Blind Leading the BlindBlind Leading the Blind, 1568, 1568
Bruegel’s, Bruegel’s, Niederlandisch Niederlandisch ProverbsProverbs, 1559, 1559
Bruegel’s, Bruegel’s, Niederlandisch Niederlandisch ProverbsProverbs, 1559, 1559
Bruegel’s, Bruegel’s, The Triumph of The Triumph of DeathDeath, 1562, 1562
Bruegel’s, Bruegel’s, The Triumph of The Triumph of DeathDeath, 1562, 1562
Bruegel’s, Bruegel’s, The HarvestersThe Harvesters, , 15651565
Bruegel’s, Bruegel’s, The HarvestersThe Harvesters, , 15651565
Bruegel's, Peasant Bruegel's, Peasant Wedding, 1568Wedding, 1568
Bruegel's, Peasant Bruegel's, Peasant Wedding, 1568Wedding, 1568
Domenikos Theotokopoulos Domenikos Theotokopoulos (El Greco)(El Greco)
Domenikos Theotokopoulos Domenikos Theotokopoulos (El Greco)(El Greco)
, The most important Spanish artist of this period was Greek.
, His works represent a more Catholic approach to art
, He deliberately distorts & elongates his figures, and seats them in a lurid, unearthly atmosphere.
, He ignores the rules of perspective, and heightens the effect by areas of brilliant color.
, His works were a fitting expression of the Spanish Counter-Reformation.
El El GrecoGreco
Christ Christ in in
Agony Agony on the on the CrossCross
1600s1600s
El El GrecoGreco
Christ Christ in in
Agony Agony on the on the CrossCross
1600s1600s
El GrecoEl Greco
Portrait of aPortrait of aCardinalCardinal
16001600
El GrecoEl Greco
Portrait of aPortrait of aCardinalCardinal
16001600
El Greco’s, El Greco’s, The Burial of The Burial of Count OrgazCount Orgaz, 1586-1588, 1586-1588El Greco’s, El Greco’s, The Burial of The Burial of Count OrgazCount Orgaz, 1586-1588, 1586-1588
El Greco’s, El Greco’s, The Burial of The Burial of Count OrgazCount Orgaz, 1586-1588 , 1586-1588
(details)(details)
El Greco’s, El Greco’s, The Burial of The Burial of Count OrgazCount Orgaz, 1586-1588 , 1586-1588
(details)(details)
El Greco’s, El Greco’s, The Burial of The Burial of Count OrgazCount Orgaz, ,
1578-15801578-1580
El Greco’s, El Greco’s, The Burial of The Burial of Count OrgazCount Orgaz, ,
1578-15801578-1580
ConclusionsConclusionsConclusionsConclusions
, The artistic production of Northern Europe in the 16c was vast, rich, and complex.
, The Northern Renaissance was much less formal, less religious, and displayed the common man
, Some N. Renaissance art was even comical
, The Northern Renaissance art was very different in style and theme from the Italian Renaissance art