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Henrik Ibsen (1828 – 1906)

Henrik Ibsen (1828 – 1906)

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Henrik Ibsen (1828 – 1906). Henrik Ibsen (1828 – 1906). Born in provincial Norway. Henrik Ibsen (1828 – 1906). Born in provincial Norway Fails university exam. Henrik Ibsen (1828 – 1906). Born in provincial Norway Fails university exam - PowerPoint PPT Presentation

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Page 1: Henrik  Ibsen (1828 – 1906)

Henrik Ibsen (1828 – 1906)

Page 2: Henrik  Ibsen (1828 – 1906)

Henrik Ibsen (1828 – 1906)Born in provincial Norway

Page 3: Henrik  Ibsen (1828 – 1906)

Henrik Ibsen (1828 – 1906)Born in provincial NorwayFails university exam

Page 4: Henrik  Ibsen (1828 – 1906)

Henrik Ibsen (1828 – 1906)Born in provincial NorwayFails university examWorks for theaters in Bergen and Christiania (Oslo)

Page 5: Henrik  Ibsen (1828 – 1906)

Henrik Ibsen (1828 – 1906)Born in provincial NorwayFails university examWorks for theater in Bergen and Christiania (Oslo)Leaves Norway

Page 6: Henrik  Ibsen (1828 – 1906)

Henrik Ibsen (1828 – 1906)Born in provincial NorwayFails university examWorks for theater in Bergen and Christiania (Oslo)Leaves Norway and the theater

Page 7: Henrik  Ibsen (1828 – 1906)

Henrik Ibsen (1828 – 1906)Born in provincial NorwayFails university examWorks for theater in Bergen and Christiania (Oslo)Leaves Norway and the theaterLife of exile on the Continent

Page 8: Henrik  Ibsen (1828 – 1906)

Henrik Ibsen (1828 – 1906)Born in provincial NorwayFails university examWorks for theater in Bergen and Christiania (Oslo)Leaves Norway and the theaterLife of exile on the ContinentTurn to reading drama

Page 9: Henrik  Ibsen (1828 – 1906)

Henrik Ibsen (1828 – 1906)Born in provincial NorwayFails university examWorks for theater in Bergen and Christiania (Oslo)Leaves Norway and the theaterLife of exile on the ContinentTurn to reading dramaReturn to theater, with new drama

Page 10: Henrik  Ibsen (1828 – 1906)

Ibsen, founder of modern drama

Controversial subject matter (divorce; syphilis)

Page 11: Henrik  Ibsen (1828 – 1906)

Ibsen, founder of modern drama

Controversial subject matter (divorce; syphilis)Critique of political and religious authorities

Page 12: Henrik  Ibsen (1828 – 1906)

Ibsen, founder of modern drama

Controversial subject matter (divorce; syphilis)Critique of political and religious authoritiesScandals at openings; censorship

Page 13: Henrik  Ibsen (1828 – 1906)

Ibsen, founder of modern drama

Controversial subject matter (divorce; syphilis)Critique of political and religious authoritiesScandals at openings; censorshipDrama grapples with important problems of the

day

Page 14: Henrik  Ibsen (1828 – 1906)

Ibsen, founder of modern drama

Controversial subject matter (divorce; syphilis)Critique of political and religious authoritiesScandals at openings; censorshipDrama grapples with important problems of the

dayIbsen is being translated and staged all over

Europe and soon all over the world

Page 15: Henrik  Ibsen (1828 – 1906)

Ibsen in the English-speaking world

First translation into English by poet William Archer

Page 16: Henrik  Ibsen (1828 – 1906)

Ibsen in the English-speaking world

First translation into English by poet William Archer

Finds strong supporter in George Bernard Shaw

Page 17: Henrik  Ibsen (1828 – 1906)

Ibsen in the English-speaking world

First translation into English by poet William Archer

Finds strong supporter in George Bernard ShawThe Ibsen Campaign

Page 18: Henrik  Ibsen (1828 – 1906)

A Doll’s House (1879)

The scandal of the ending (slammed door)“[From below is heard the reverberation of a

heavy door closing]”

Page 19: Henrik  Ibsen (1828 – 1906)

A Doll’s House (1879)

The scandal of the ending (slammed door)“[From below is heard the reverberation of a

heavy door closing]”One producer forced Ibsen to write an

alternative ending

Page 20: Henrik  Ibsen (1828 – 1906)

A Doll’s House (1879)

The scandal of the ending (slammed door)“[From below is heard the reverberation of a

heavy door closing]”One producer forced Ibsen to write alternative

endingRecent production has Nora return as well

Page 21: Henrik  Ibsen (1828 – 1906)

Ostermeier, Nora

Page 22: Henrik  Ibsen (1828 – 1906)

A Doll’s House (1879)

The scandal of the ending (slammed door)One producer forced Ibsen to write alternative

endingRecent production has Nora return as wellShaw, “Discussion Play”

Page 23: Henrik  Ibsen (1828 – 1906)

A Doll’s House (1879)

The scandal of the ending (slammed door)One producer forced Ibsen to write alternative

endingRecent production has Nora return as wellShaw, “Discussion Play”Icon of Feminism

Page 24: Henrik  Ibsen (1828 – 1906)

Mabou Mines Dollhouse

Page 25: Henrik  Ibsen (1828 – 1906)

Ibsen’s World

Doctors, lawyers, real estate developers, bankers

Page 26: Henrik  Ibsen (1828 – 1906)

Ibsen’s World

Doctors, lawyers, real estate developers, bankersWorld of bourgeois capitalism (Weber)

Page 27: Henrik  Ibsen (1828 – 1906)

Ibsen’s World

Doctors, lawyers, real estate developers, bankersWorld of bourgeois capitalism (Weber)Not set at the office or workplace

Page 28: Henrik  Ibsen (1828 – 1906)

Ibsen’s World

Doctors, lawyers, real estate developers, bankersWorld of bourgeois capitalism (Weber)Not set at the office or workplaceHome

Page 29: Henrik  Ibsen (1828 – 1906)

Ibsen’s World

Doctors, lawyers, real estate developers, bankersWorld of bourgeois capitalism (Weber)Not set at the office or workplaceHome“[comfortably and tastefully, but not expensively,

furnished]”

Page 30: Henrik  Ibsen (1828 – 1906)

The Helmer Household (oikos)

Christmas treeNora: “how much?”Nora’s habits of tipping and spendingTorvald’s financial future and his thoughts on

debt

Page 31: Henrik  Ibsen (1828 – 1906)

H: Supposing I borrowed a thousand crowns to-day, and you made ducks and drakes of them during Christmas week, and then on New Year's Eve a tile blew off the roof and knocked my brains out .

N: [Laying her hand on his mouth] Hush! How can you talk so horridly?

T: But supposing it were to happen—what then?N: If anything so dreadful happened, it would be all the same to

me whether I was in debt or not.T: But what about the creditors?N: They! Who cares for them? They're only strangers.T: Nora, Nora! What a woman you are. But seriously, Nora, you

know my principles on these points. No debts! No borrowing! Home life ceases to be free and beautiful as soon as it is founded on borrowing and debt. We two have held out bravely till now, and we are not going to give in at the last. (5-6).

Page 32: Henrik  Ibsen (1828 – 1906)

H: Supposing I borrowed a thousand crowns to-day, and you made ducks and drakes of them during Christmas week, and then on New Year's Eve a tile blew off the roof and knocked my brains out .

N: [Laying her hand on his mouth] Hush! How can you talk so horridly?

T: But supposing it were to happen—what then?N: If anything so dreadful happened, it would be all the same to

me whether I was in debt or not.T: But what about the creditors?N: They! Who cares for them? They're only strangers.T: Nora, Nora! What a woman you are. But seriously, Nora, you

know my principles on these points. No debts! No borrowing! Home life ceases to be free and beautiful as soon as it is founded on borrowing and debt. We two have held out bravely till now, and we are not going to give in at the last. (5-6).

Page 33: Henrik  Ibsen (1828 – 1906)

The Helmer Household

Money as Christmas tree ornament: “Oh, please do, dear Torvald, please do! I should

hang the money in lovely gilt paper on the Christmas-tree. Wouldn't that be fun? “

Page 34: Henrik  Ibsen (1828 – 1906)

Nora’s thrift and industry

When Torvald gave me money for clothes, and so on, I never spent more than half of it; I always bought the simplest and cheapest things. . . . Well, and besides that, I made money in other ways. Last winter I was so lucky—I got a heap of copying to do. I shut myself up every evening and wrote far into the night. Oh, sometimes I was so tired, so tired. And yet it was splendid to work in that way and earn money. I almost felt as if I was a man." (28)

Page 35: Henrik  Ibsen (1828 – 1906)

Nora’s thrift and industry

When Torvald gave me money for clothes, and so on, I never spent more than half of it; I always bought the simplest and cheapest things. . . . Well, and besides that, I made money in other ways. Last winter I was so lucky—I got a heap of copying to do. I shut myself up every evening and wrote far into the night. Oh, sometimes I was so tired, so tired. And yet it was splendid to work in that way and earn money. I almost felt as if I was a man." (28)

Page 36: Henrik  Ibsen (1828 – 1906)

Nora’s thrift and industry

When Torvald gave me money for clothes, and so on, I never spent more than half of it; I always bought the simplest and cheapest things. . . . Well, and besides that, I made money in other ways. Last winter I was so lucky—I got a heap of copying to do. I shut myself up every evening and wrote far into the night. Oh, sometimes I was so tired, so tired. And yet it was splendid to work in that way and earn money. I almost felt as if I was a man." (28)

Page 37: Henrik  Ibsen (1828 – 1906)

Constellations of characters

1. Nora - Torvald2. Mrs. Linden – Krogstad3. Dr. Rank

Page 38: Henrik  Ibsen (1828 – 1906)

1. Nora - Torvald

Torvald’s “loathing of debt” (27)

Page 39: Henrik  Ibsen (1828 – 1906)

1. Nora - Torvald

Torvald’s “loathing of debt” (27)Nora’s industry and frugality

Page 40: Henrik  Ibsen (1828 – 1906)

1. Nora - Torvald

Torvald’s “loathing of debt” (27)Nora’s industry and frugalityHer disregard for creditors

Page 41: Henrik  Ibsen (1828 – 1906)

Constellations of characters

1. Nora - Torvald2. Mrs. Linden – Krogstad

Page 42: Henrik  Ibsen (1828 – 1906)

2. Mrs. Linden - Krogstad

Krogstad’s shady dealings

Page 43: Henrik  Ibsen (1828 – 1906)

2. Mrs. Linden - Krogstad

Krogstad’s shady dealingsMrs. Linden: “His business is not the most

creditable, they say" (32).

Page 44: Henrik  Ibsen (1828 – 1906)

2. Mrs. Linden - Krogstad

Krogstad’s shady dealingsMrs. Linden: “His business is not the most

creditable, they say" (32). Dr. Rank: "a moral incurable" (33).

Page 45: Henrik  Ibsen (1828 – 1906)

2. Mrs. Linden - Krogstad

Krogstad’s shady dealingsMrs. Linden: “His business is not the most

creditable, they say" (32). Dr. Rank: "a moral incurable" (33). Krogstad: "I must try to recover my character"

(47).

Page 46: Henrik  Ibsen (1828 – 1906)

2. Mrs. Linden - Krogstad

Krogstad’s shady dealingsMrs. Linden: “His business is not the most

creditable, they say" (32). Dr. Rank: "a moral incurable" (33). Krogstad: "I must try to recover my character"

(47). Dr. Rank: “I have been auditioning my life

account—bankrupt" (80).

Page 47: Henrik  Ibsen (1828 – 1906)

2. Mrs. Linden - Krogstad

Mrs. Linden: “I must have work or I can’t bear to live. All my life, as long as I can remember, I have worked; work has been my one great joy.” (115)

.

Page 48: Henrik  Ibsen (1828 – 1906)

2. Mrs. Linden - Krogstad

Mrs. Linden: “I must have work”She married for money

Page 49: Henrik  Ibsen (1828 – 1906)

2. Mrs. Linden - Krogstad

Mrs. Linden: “I must have work”She married for moneyBecause her father left her nothing

Page 50: Henrik  Ibsen (1828 – 1906)

Constellations of characters

1. Nora - Torvald2. Mrs. Linden – Krogstad3. Dr. Rank

Page 51: Henrik  Ibsen (1828 – 1906)

3. Dr. Rank

Nora: "You see, he suffers from a dreadful illness. He has spinal consumption, poor fellow. They say his father was a horrible man, who kept mistresses and all sorts of things—so the son has been sickly from his childhood, you understand." (67).

Page 52: Henrik  Ibsen (1828 – 1906)

3. Dr. Rank

Nora: "You see, he suffers from a dreadful illness. He has spinal consumption, poor fellow. They say his father was a horrible man, who kept mistresses and all sorts of things—so the son has been sickly from his childhood, you understand." (67).

Page 53: Henrik  Ibsen (1828 – 1906)

Inheritance

Nora inherited traits from father, who was not “unimpeachable” (Torvald)

Page 54: Henrik  Ibsen (1828 – 1906)

Inheritance

Nora inherited from father, who was not “unimpeachable” (Torvald)

He suffered from slander

Page 55: Henrik  Ibsen (1828 – 1906)

Inheritance

Nora inherited from father, who was not “unimpeachable” (Torvald)

He suffered from slanderNora might corrupt her children

Page 56: Henrik  Ibsen (1828 – 1906)

Feminism

Page 57: Henrik  Ibsen (1828 – 1906)

Feminism and bourgeois capitalism

Page 58: Henrik  Ibsen (1828 – 1906)

Feminism and bourgeois capitalismCritique of law (wife cannot borrow without her

husband’s consent)

Page 59: Henrik  Ibsen (1828 – 1906)

Feminism and bourgeois capitalismCritique of law (wife cannot borrow without her

husband’s consent)Critique of patriarchal paternalism

Page 60: Henrik  Ibsen (1828 – 1906)

Feminism and bourgeois capitalismCritique of law (wife cannot borrow without her

husband’s consent)Critique of patriarchal paternalism