Hawkwind Anthology

8/19/2019 Hawkwind Anthology

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HAWKWIND

ANTHOLOGY

The Hawkwind attitude has always been one of doing what they wanted, in the way they wanted to do it and at the timeof their choosing. Hawkwind has never bowed to the media, never done what was expected of the band, never leaned to

convention. Hawkwind believe in freedom of mind and movement: make your own decisions and act upon them

according to your wishes.

The Hawkwind Anthology reflects that ideal.

Normally, an anthology collection would be a greatest hits collection and most bands would stick to that safe format.

!rgo, one might expect the Hawkwind set to consist of "ilver #achine plus the most popular couple of tracks from each

studio album and maybe one previously unreleased track to draw in the fans who already have the other albums.

Naturally, the Hawkwind Anthology isnt that.

The constant factor and driving force behind Hawkwind has always been $ave %rock. #usicians come and musicians

go, each adding their own contribution to the sounds and directions of the band, but $ave %rock remains the one person

to be involved with the band at all times and it is from his collection of tapes that this boxed set has been drawn.

$ave %rock selected the songs to be found here, tracing the history of the band from its pre&Hawkwind origins through to

'()* and presenting an alternative history to the kind which would have been shown by a greatest hits offering. +ust as

they did on the sle of -ight in '(/, Hawkwind have again opted to play outside the fence. This is a history of

Hawkwind, covering the highlights and turning points which $ave %rock recalls as being the most important. Thus, we

skip the musically good but non&Hawkwind styles of Astounding "ounds period while featuring a part of the -atchfield

0ree 0estival tapes, where four members of the band went straight from a paying gig to play a free show a few miles

away. 1n the 0riday night they headlined at 2eading 0estival and earned their keep: on the "aturday they played for fun

at -atchfield and it is this gig which %rock considers to be of greater import. 3iven this viewpoint, it is hardly

surprising that when the '()4 "tonehenge 0ree 0estival was banned Hawkwind still gave a free show a few miles away,at -estbury, despite having no pay and no lightshow.

Here, then, is the alternative history of Hawkwind: an audio diary of a group of anarchists, free spirits, people who did &

and still do & follow their own path.

%rian Tawn,

Hawkwind 0eedback.

#arch '()5.

Hawkwind-AnthologyThe Famous Cure: Dealing ith The De!il "#$%&'Da!e (ro)k ...................................vocals, slide guitar

*ohn +llingworth.................................acoustic guitar

,ete *udd..................................................harmonica

o. Hoeker 6guest7...........................................piano

A/N/ Other 6guest7...........................................drums


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"ince $ave %rock has always been the principle source of energy and direction behind Hawkwind, may never have come

to be. 0ortunately, he did that thing and spent five months playing ban8o with a band called The Gra!nier 0treet

0tom1ers, playing New 1rleans 8a99. 1n one occasion, he played ban8o with 2en Collyer3s *a44 (and5 one of the top

bands of the time. Those early days of playing 8a99 must have planted the seeds of the free&form music 8ams which $ave

was to encourage in Hawkwind a decade later.

$ave soon switched to guitar and took up busking and playing solo spots in 8a99, folk and blues clubs, filling in between

the main acts. -hen not playing, he was regularly at the clubs with friends, often at en ;ollyers +a99 ;lub or at !el


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The Famous Cure now had two future Hawkwind members within its ranks and during '(5 the band 8oined a 2ock

and 2oll ;ircus, Tent 3%&, where they met Nik Turner, another future member of Hawkwind.

Da!e (ro)k: (ring +t On Home "#$%7'Da!e (ro)k ...........................................guitar, vocals

0ession musi)ians..........................................backing

The Famous Cure came back to !ngland late in '(5 and played a few gigs before splitting up early in '(5). 1ne of

these gigs also had the $eviants on the bill...the band which led to the forming of the


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themselves they went under the identity of Grou1 9/

The most famous of these gigs was a short, ten minute 8am they played one "ummer evening of '(5( at the All "aints

Hall in Notting Hill 3ate, ?ondon. t was there that they were spotted by $ouglas "mith of ;learwater


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Hawkwind member, ?emmy, had once roadied for Hendrix7 but was too depressed to 8am with the band. ts ironic that

their protest was against the price of entry to the festival since the band knew the security staff and were thus able to enter

for nothing. They did so and Nik, with his face painted silver and stars on his clothes was much photographed and could

shortly be seen in such publications as Bogue, '

'(* and '(C were great years for Hawkwind, giving them a single which reached number three in the charts and analbum which reached number nine, with packed venues all the way.

The build&up to this period of success began in the "ummer of '(', when $ave Anderson left. Although an exciting

bass plaver, $ave Anderson did not easily fit in with the band. Their attitudes clashed and a typical example of how this

caused resentment in minor matters lay in the rest of the band being angry to see Anderson turn up to a gig in his flashy

car when the rest of them arrived packed into an old van. Dears later, when guesting at a couple of Hawkwind gigs in

'()>, $ave was to once again completely outclass them with his car.


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$ave Andersons bass was a loss to the band but compensation came in the form of his replacement, an old friend of

$ik#iks...?emmy. t must have been something of a headache, trying to keep the wild bassman in order and to ensure

that he got to gigs and was able to play when he got there but it was worth it for the energy he in8ected into the band, both

audibly and visually.

n +anuary '(* Terry 1llis left the band and ?emmys friend, "imon ing was brought in to fill the spot. Three years

earlier, ?emmy and "imon had played together in O1al (utter;ly and so were familiar with each others playing styles."imons drumming was fast and powerful and this, combined with the aggressive bass style of ?emmy, served to make

the Hawkwind sound even heavier than before. The extensive use of electronics to create unusual sounds running

through the music had always set Hawkwind apart from other bands and with the arrival of ?emmy the music itself took

on a new slant. ?emmy was a guitarist who switched to bass in order to 8oin Hawkwind and instead of playing bass in

the conventional way he played it as though it were a rhythm guitar, thereby producing a much more solid sound.

2obert ;alvert 8oined on a regular basis, completing the famous "pace 2itual line&up, which lasted throughout '(* and

up to August '(C, when $ik#ik finally left for good. n November, ;alvert left too and the "pace 2itual period was

over. #eanwhile, it lasted for eighteen months, a long time by Hawkwind standards, and en8oyed huge success.

The starting point to this was without doubt the thirteenth of 0ebruary '(* when Hawkwind headlined at the

2oundhouse on the occasion of the 3reasy Truckers 7. Also recorded at that gig were "ilver #achine and -elcome To The 0uture and these

appeared on the 3lastonbury 0ayre triple album 62evelation 2!B'A&C07, though it must be said that these two lacked

the magic of the two tracks on the 3reasy Truckers


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#achine. ?ikewise, the concert halls held an interesting combination of long&term fans who knew what to expect of the

band and fans who expected to hear something sounding more or less the same as "ilver #achine.

n #ay of '(C @nited Artists released the classic 01a)e itual Ali!e 6@A$ 5//C)7 double album. The tapes had

been cleaned up but still retained the live =uality and the atmosphere of the gigs and it is hard to imagine the band ever

presenting a better live double. -ithout doubt, it captures the complete flavour of the tour and one only has to close

ones eyes and picture the dancers and ?i=uid ?ens ama9ing li=uid lightshow to relive the shows.

%orn To 3o, "pace s $eep and !arth ;alling come from the main set. Dou "houldnt $o That and "eeing t As Dou

2eally Are were part of the encore.

Their third single, @rban 3uerilla 6@nited Artists @< C44557 was released in August '(C. "trangely, over a year had

been allowed to slip by since the release of "ilver #achine and this must have removed any chance they had of riding

on the crest of the "ilver #achine wave in order to secure a second hit single and thereby make their success more

secure. Nonetheless, @rban 3uerilla reached number C( in the charts on the week of release and was promptly

withdrawn as it was felt that the urban warfare lyrics were less than tactful in view of the outbreak of terrorist activities at

that time.

?ogically. another single would have been in order but none was forthcoming, though ?ord 1f ?ight%orn To 3o was

released in 3ermany 6@nited Artists C4 >(*7. n effect, Hawkwind abandoned the singles market without capitalising ontheir success.

Their American tour, which started in November, minus %ob and $ik#ik who had left and minus most of the lighting

rigs which were too expensive to take, marked the end of the main 01a)e itual era. They had done well from it, having

toured !ngland, !urope and America with it, performed an hour of it for the %%; radio concert 6broadcast in August

'(C7 and produced their bestselling album from it. t also yielded one of their curio items, a promo disc in the form of a

one&sided single of "onic Attack 6@nited Artists & no catalogue number7 presented in a cloth bag.

Hawkwind: 6otorhead "#$&?'

Da!e (ro)k .................................guitar, vocals, synthLemmy................................................................bass

Alan ,owell......................................................drums

'(> brought more changes. The band toured the @nited ingdom in +anuary and 0ebruary and returned to America in

#arch. "imon House went with them, as a guest only because he had no work permit, but still 8ammed in with the band

during the tour. -hen they got back to !ngland, "imon 8oined fulltime, presenting keyboard work of a much more

musical nature than had previously been associated with the band. His deft playing of the violin and powerful, sweeping

chords on keyboards gave Hawkwind a somewhat grand and ma8estic sound on their "ummer '(> albums, Hall O; The

6ountain Grill 6@nited Artists @A3 *(5*7, and their single, ,sy)hedeli) arlords 6@nited Artists @< C4'47, giving

the band added credibility with the music press. $el $ettmar continued to play synthesiser but instead of being on stage

with the band he now performed from the mixing desk because from that vantage point he could get a better idea of howthe sound was coming over and thereby offer the best in improvisation and sound effects. n +une, he left the band and

emigrated to ;anada, having bought a plot of land there on their previous North American tour.

Hall O; The 6ountain Grill featured more %arney %ubbles artwork on the front but it is perhaps the rear cover which is

more noteworthy because this is the only Hawkwind album cover to feature the artwork of $avid Hardy, whose

planetscape and spacescape slides were used during the "pace 2itual tour and were still in use by Hawkwind in the

eighties. The title of the album came from the #ountain 3rill 2estaurant 6a photograph of it can be seen on the printed

inner sleeve7, a cafe on


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became a fish and chip shop and the name was changed.

"olo albums and albums by people associated with Hawkwind are too numerous to slot comfortably within this short

history but it is appropriate to note that $ave %rock, Nik Turner, ?emmy, "imon ing, $el $ettmar and . ;alvert also released a single called =@e)tion 6@nited

Artists @< C44>C7 on which appeared Nik,


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?emmy flew back to !ngland and formed his own band, #otorhead, and the chances are you may have heard of them.

This wasnt the end of ?emmys contact with Hawkwind. n '(, #otorhead were the support act for the Hawkwind

"pring tour and to this day ?emmy still 8oins the band for a song or two whenever they play gigs in ?ondon, unless

#otorhead business prevents it.

The originally released version of #otorhead featured the full band lineup with ?emmy on vocals but we present here

an alternate version whereon $ave %rock sings and we have some synthesiser instead of "imon Houses violin.

Hawkwind: at)h;ield Festi!al "#$&?'Da!e (ro)k ...........................................guitar, vocals

Nik Turner................................................sax, vocals

Alan ,owell......................................................drums

,aul udol1h......................................................bass

August '(4. Hawkwind headlined on the first night of the 2eading 0estival. This was the last gig for ?i=uid ?en

6+onathan "meeton7. t was also the final gig for "tacia, who got married the next day and moved to 3ermany.

2eading 0estival was a ma8or event and Hawkwind must have been paid well for headlining, yet the following day saw

the band driving a few miles along the road to -atchfield, where a free festival was being held. %rocks feeling was that

2eading paid their wages and -atchfield was where they would have some fun. "imon ing and "imon House were not

with them at -atchfield and +onathan and "tacia had left, so -atchfield got only half of the Hawkwind team which had

entertained 2eading on the previous night. Nonetheless, the gig was highly successful and by means of plenty of

improvisation the band managed a set which ran on for a couple of hours without flagging. The music press were present

and were impressed by the way the four members were able to adapt songs to suit the abbreviated line&up...also by the

fact that a headlining band was still happy to turn up at such an event and play for free, something which Hawkwind still

do, as those who go to "tonehenge in +une will know.

0oni) Assassins: 6agnu "#$&&'

Angels o; Death "#$&&'Da!e (ro)k .................................guitar, vocals, synth

o.ert Cal!ert................................................vocals

Har!ey (ain.ridge.............................................bass

,aul Hayles.....................................keyboards, synth

6artin Gri;;in.................................................drums

'(5 saw more important changes in the Hawkwind career. %ob ;alvert had guested with the band at a festival andsubse=uently re8oined, shortly after the recording of his Lu)ky Lei; And The Longshi1s album 6@nited Artists @A3

*()4*7, released in "eptember '(4. n the Autumn, the band did their usual lengthy tour, offering a very powerful set

based on material from "pace 2itual, Hall 1f The #ountain 3rill and -arrior 1n The !dge 1f Time. "ome might argue

that the show, musically, surpassed that of the "pace 2itual tour...and would go along with that.

'(5. ;ontinued touring in the "pring and then a double surprise: Hawkwind parted company with @nited Artists and

with their manager, $oug "mith. They found new management in the form of -i9ard Artists and signed to ;harisma

2ecords. @nfortunately, neither management nor record company ever came to grips with the Hawkwind style and

seemed to want to change the band image instead of retaining its own brand of individuality. The line&up of $ave


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%rock, Nik Turner, "imon ing, Alan //> & released in August '(57 and was a rather clever idea. t was taken from the science fiction

pulp maga9ines which began to be published in the '(*/s 6'(*5 for Ama9ing and '(C/s for Astounding7, of whichAma9ing and Astounding were the first. ndeed, both continue to be published, albeit in digest form and with the

name Astounding changed to Analog. The album sleeve was designed to look like a cover from one of the pulp mags

and said, above the word Astounding 6which was set out in the lettering style of the original Astounding7 Thrilling

stories of science fiction and fantasyF, which is what one of the mags would have proclaimed...in fact, one such mag

was called Thrilling "tories. The inner sleeve had printed on one side a selection of the adverts which used to be

printed in pulp mags and on the other side, a set of amusing fictitious adverts representing each member of the band.

!ach song on the album represented a story for the maga9ine.

The pro8ect should have been good for the band but it served only to give the rebel members a chance to diversify

from the Hawkwind sound and make the album patchy. To make matters worse, an expensive studio was used and

work was slow, causing the band to exceed their budget and be in a position of debt. The single from the album, erb

;rawler 6;harisma ;% *)(7, did nothing to boost their finances.

The tour to promote the album appeared to show the band in their usual good form, with plenty of high&energy music

and their Atomhenge stage setting, a complex piece of construction with coloured lights encased in fibre glass

moulding, which looked both like part of an atom and like a section of "tonehenge. t used four pillars and between

each two there was a screen for pro8ections. @nfortunately, due to its si9e, only two or three venues had a large

enough stage to accommodate the full stage set.

%ehind the scenes, things were not so good, with endless disputes and attempts by various parties to manipulate the

course of the tour and of the future of the band, all of which ultimately led to a purge a few weeks after the tour ended.

Nik Turnerr was sacked, closely followed by //) & +une 7 which showed them getting back to a more

traditional Hawkwind style.

$uring the year, Hawkwind carried out successful tours of the @ 6twice7 and !urope and on the second @ tour

recorded the live tracks for the ,9? album 6;harisma ;$" >/'57, yet $ave %rock remained unhappy with the

progress of the band. He felt the urge to do something different, to break out of the rut, and so instead of holding the

traditional pre&;hristmas gigs which Hawkwind always did he dropped them in favour of another pro8ect. He

organised a band called The 0oni) Assassins5 consisting of himself, 2obert ;alvert, Harvey %ainbridge, #artin

3riffin and


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2obert was sure they were about to play #aster 1f The @niverse when in fact they played a lengthy instrumental 8am

leaving 2obert to come up with lyrics to suit it, has been released as a '* !< called The "onic Assassins 60licknife

0?!< '/' & '()'7. A further track was released on the compilation album, Hawkwind 0riends I 2elations 60licknife

"HA2< '/' & '()*7 and now Anthology offers two more tracks from the set.

#agnu has always been popular with Hawkwind fans and is well suited to be included here in its live form which

this early version on Angels 1f $eath shows how Hawkwind songs often develop from what is basically a 8am with possibly a chant, into a full&fledged song later on...as Angel 1f $eath was to do in '()'.

ntended as a one&off gig done 8ust for fun, with possibly the occasional local concert in the future, the "onic

Assassins turned out to have long&lasting effects on the future of Hawkwind. ndeed, it may well have been the saving

of the band.

Hawkwind: Hash Cake Cut "#$&&'Da!e (ro)k ......................................................guitar

o.ert Cal!ert...............................................vocals

0imon House.............................................keyboards0imon 2ing.....................................................drums

Adrian 0haw......................................................bass

-henever Hawkwind are in studios, rehearsing for a tour or an album, or at a venue carrying out a soundcheck,

members tend to do little solo pieces and very often others will 8oin in and a short 8am session emerges. t may

produce something which later evolves into a song or it may be a one&off which is lost forever.

Hash Cake Cut is 8am session recorded at 2ockfield studios prior to the '( tour and may have been developed

further had it not been for the events of '(). As it is, the track remains in its original state and that is probably the

best...the '( line&up capturing the mood and style of sessions from the early days of Hawkwind.

Hawkwind: uark 0trangeness And Charm "#$&7'Da!e (ro)k ......................................................guitar

o.ert Cal!ert...............................................vocals

0imon House.............................................keyboards

0imon 2ing.....................................................drums

Adrian 0haw......................................................bass

Hardly a typical Hawkwind song, yet this was well received and deserves a place in the history of the band. The

media appreciated the song and the band even appeared on television to promote it, on #arc %olans weekly show,

though $ave %rock did not appear. t was a fortunate coincidence that made his car break down that day since $ave

did not wish to perform on a programme on which artists mimed.

This version is a live one, recorded in #arch '() during the American tour which led to the terrible news that

Hawkwind had folded and their proposed "pring tour of !ngland cancelled.

The studio tracks for


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2obert ;alvert was worn out and depressive. "ince re8oining the band after the departure of "tacia he had acted as

front man to the band, bringing to the show a theatrical image by wearing various costumes to suit songs. The more

he played the parts, the more he lived them and the more energy he would put into the show until he reached a peak

when, his energy and imagination drained, the pendulum would swing the other way. He had been high on energy and

enthusiasm during the late '( @.. tour, on the "onic Assassins event and on +anuary0ebruary !urope gigs, but

was drained and lifeless in his performance on the American tour. The band were disheartened, knowing that the tourwas important yet unable to give their best. To make matters worse, "imon House left in mid&tour to 8oin %owie, and


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a new name.

-hatever, the Hawklords released an album,


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Adrian 0haw......................................................bass

This is placed on the anthology out of chronological order not because we have strange calendars but because placing

it here gives a better musical balance to the albums. Also, it fits in well with the band history this way in as much that

although the '( line&up recorded a second album and recorded many live tracks the material was left on the shelf

until the Hawklords pro8ect had come and gone.

That is why the words This is the last but one appear on the sleeve of ,9?. #any people thought it meant only one

more Hawkwind album to come, as indeed was the case so far as the ;harisma label was concerned. t was really put

there to highlight that although it was the latest Hawkwind album to be released it was not their most recent piece of

recording.

High ise was one of the most powerful Hawkwind songs to come from that era and an example of the band making

social comment relative to the times, something which they have tried to do throughout the years in which the band

has made music.

Hawkwind: 01irit o; the Age "#$&$'

r.an Guerilla "#$&$'Da!e (ro)k ...............................guitar, vocals, synth

Har!ey (ain.ridge............................................bass

Huw Lloyd Langton.......................................guitar

0imon 2ing.....................................................drums

Tim (lake.......................................synth, keyboards

Time heals many ills and contracts expire. The name of Hawkwind could be used again. 1nly $ave %rock, Harvey

%ainbridge and "imon ing were still in the running as "teve "windells had returned to his solo career to make his

album Fresh (lood, on which "imon ing, Huw ?loyd ?angton and Nic


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Hawkwind: 6aster o; the ni!erse "#$78'

orld o; Tiers "#$78'


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#ore upheaval. $ave %rock wanted %ron9e to release a live !< or ?< of the '()/ tour and was convinced it was the

best move to make, but %ron9e said they didnt want to release any live material from anyone at all...shortly after,

they released a 6otorhead live !


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limited edition booklet. At first, it was intended as a limited edition album of *4,/// copies, each with booklet, but

the album charted, despite having no promotion, and so re&pressed, this time without the booklet. %asically, the album

turned out to be more or less a $ave %rock solo album, with other Hawkwind members supporting on various tracks

and with some of the material from the studio experiments included.

$uring the year, they made appearances at various festivals including headlining at -olverhampton in #ay,

headlining at "tonehenge in +une and an unlikely slot halfway down the bill at ;astle $onnington in August. NikTurner was once again a familiar sight, guesting for a few minutes at each Hawkwind set so it came as no great

surprise when he was once again with the band for their 1ctoberNovember tour. #artin had left to get back to his

studio during the "ummer but agreed to play on the tour since they were unable to find a suitable replacement. !rgo,

the line&up was $ave %rock, Nik Turner, Harvey %ainbridge, Huw ?loyd ?angton and #artin 3riffin. They also had

two dancers, making seven people on stage, plus 2obert ;alvert at one gig, #ike #oorcock at another and Jenon 6a

magician7 at some others. A year before there had only been four of themF

The stage set was a new departure for Hawkwind too, consisting of rows of television screens set in a backdrop, with

all sorts of combinations of videos being screened. 2ecords being promoted on the tour were a newly recorded

version of 0il!er 6a)hine 62;A Active 2;A*57, a limited number of which were released as a photo picture disc,

and a new album, Choose Your 6asues 62;A Active 2;A?< 5/447.

Having Nik with them made the tour totally different from the previous year. He performed as front&man,introducing songs 6never before done by Hawkwind7 and behaving in a theatrical manner, like a high&energy version

of 2obert ;alvert. He brought a sense of fun and 8ollity to the show and he brought us Ghost Dan)e/ -e would have

got this in some form anyway since it is a piece of music composed of Harvey %ainbridge but the words came from

Nik and only he could have performed it with such conviction. "et in the middle of a fast&moving rock concert the

song might have seemed out of place, yet it won instant popularity and seemed to do more to represent Hawkwind

than any other song in the show, possibly because it harked back to earlier days when many Hawkwind tracks featured

repetitive chants over pulsing rhythms.

-hatever, Ghost Dan)e was the highlight and talking point of the tour and since the first Hawkwind Anthology

"eries closes with with the '()* tour there could be no better song to complete the music.

Hopefully, we will find something e=ually exciting and appropriate to round off the second Anthology boxed set,

covering '()C to '(().

(rian Tawn

Hawkwind Feed.a)k5 01ring #$7%/

;opyright: %rian Tawn. #ay '()5.

Hawkwind 0ingles and =,s:

Hurry 1n "undown#irror 1f llusion 6?iberty '(/7"ilver #achine %y 6@A '(*7.


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single in gatefold pic sleeve.

7. @"A

promo ep.

Doud %etter %elieve t7.


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3reasy Truckers 7. ?td. 7. @"A 0orces radio disc. 1ne side of each band. The H- side is four

Hall 1f The #ountain 3rill tracks.

-arrior 1n The !dge 1f Time 6@A '(47. ?td. foldout shield cover and printed inner sleeve. @"A release on Atco,

with Assault I %attery and 3olden Boid separated instead of continuous.

2oadhawks 6@A '(57. !xcellent compilation album with gatefold sleeve I ltd. poster I sticker. 2e&issue in

3ermany in !#@A masterpiece series in different sleeve. @ re&issue on 0ame in '()> gatefold sleeve.

Astounding "ounds Ama9ing #usic 6;harisma '(57. ?td. printed inner sleeve.

#asters 1f The @niverse 6@A '(7. ;ompilation album. 2e&issue on 0ame in '()*.

The Hawkwind #ind +ourney 6'(7. 2are. 6one&offK7 bootleg of part of a '(4 concert at 3lasgow.

Guark, "trangeness I ;harm 6;harisma '(7. ?td. printed inner sleeve. ltd. set of six slides of Hawkwind on stage

with 3erman issue. @"A issue on "ire ?abel.

HawkwindBan 3raaf 67. '/ compilation album of 0licknife singles.

"tonehenge: This s Hawkwind, $o Not


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2idicule 61bsession '()47. *nd ?< of "pace 2itual Bol. * @nofficial.

Anthology Bol. * 6"amurai '()57. Also released as a compact disc.

Hawkfan '* 6Hawkfan '()57. ;ompilation albumfan9ine with Hawkwind, $ark !mpire, "yndrome, #ichael

#oorcocks $eep 0ix and @nderground Jero.

Anthology Bol. C 6"amurai '()57. .

"tonehenge 6+ettisound9 '()>7. */ minutes each by 2oy Harper, Hawkwind and The !nid, +une '()>.

The ;hronicle 1f The %lack "word 6+ettisound9 '()57. 4) minutes of Hawkwind at Hammersmith 1deon,

C I >&'*&'()4.

The eird Ta1es:

-eird '/' 6'()/7 "onic Assassins & %arnstable '($ave %rock solo.

-eird '/* 6'()/7 "tonehenge '( Hawklords & unreleased studio tracks '((

-eird '/C 6'()/7 "tonehenge '(-atchfield '(4.

-eird '/> 6'()'7 Hawklords & 7.

>4 Jones4 !8ection;atching A 0alling "tarfighter 6The 3remlin pt. *7 6@A '((7. 4 ;ricket "tar 6-ake @p 2ecords '((7. 1ne&sided, green, picture flexi&disc.


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>4 ?ord 1f The HornetsThe 3reenfly And The 2ose 60licknife '()/7. pic sleeve.

Huw Lloyd Langton - The Lloyd Langton Grou1

?< 1utside The ?aw 60licknife '()>7. ?td.!d. with free single.

?< Night Air 60licknife '()47.

?< ?ike An Arrow.. 6Through The Heart7 63as 2ecords '()57 ?yrics on inner sleeve.>4 -ind 1f ;hange1utside The ?aw 60licknife '()C7. 4 -orking Time "ee Dou 60licknife '()>7. 0ree with 1utside The ?aw album.

>4 $reams That 0ade Awayts 1n #e 6@ltra Noise '()>7. '* only. 4 %eer, %accy, %ingo I %enidormn The #ood 6Nude7 6Avatar '()'7. ?td. red vinyl.

>4 %ones 1f !lvis"ids "ong 6Avatar '()'7. ?td. red vinyl.

>4 %lood I %one 6+ettisound9 '()47. '* ep with five tracks.

Bid %lood I %one 6+ettisound9 '()47. Bideo ep with three tracks.

6i)hael 6oor)o)k - 6i)hael 6oor)o)k The Dee1 FiE

?< New -orlds 0air 6@A '(47. 4 $odgem $ude"tarcruiser 60licknife '()/7. 4 The %rothel n 2osenstrasseTime ;entre 60licknife '()*7.


22/22

Del Dettmar "with Gerald Toon'

;a "ynthesis 6!nergy $iscs '()/7. ;assette release only.

Tim (lake

?< ;rystal #achine 6!gg '(7.

?< New +erusalem 6!gg '()7.>4 "inthesis ntermoralK 6'(7. "panish release.

>4 3enerator ?aser %eam-oodland Boice 6!gg '()7.

0te!e 0windells

?< #essages 62;A '(>7.

?< 0resh %lood 6Atco '()/7. 1ther musicians on it include Huw ?loyd&?angton and "imon ing.

>4 "hot $own n the Nightts 1nly 1ne Night 1f Dour ?ife 6Atco '()/7. 4 Turn t 1n, Turn t 1ff?ow ?ife +oe 6Atco '()/7.

Documents

Hawkwind Anthology