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Haussmann and the City of Light. © Patricia Barry 2006

Haussmann and the City of Light. © Patricia Barry 2006

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Page 1: Haussmann and the City of Light. © Patricia Barry 2006

Haussmann and the City of Light.

© Patricia Barry 2006

Page 2: Haussmann and the City of Light. © Patricia Barry 2006

Paris at the dawn of the 19th century.

The Revolution had confirmed the central political role of Paris

The First Empire reinforced this central role of the city

Paris had been beautified through:

– La rue de Rivoli– La Madeleine– Les arcs de triomphe de l’Etoile

et du Carrousel– Construction de quais et de

maisons – La place de la Concorde

Page 3: Haussmann and the City of Light. © Patricia Barry 2006

Paris at the dawn of the 19th century.

As the political capital at the dawn of the 19th century, Paris prepared itself to become the centre for:– Industry– Commerce and

business– Finance

Page 4: Haussmann and the City of Light. © Patricia Barry 2006

What was old Paris like?

In spite of the efforts made during the Revolution and the First Empire to beautify Paris, the Gothic centre – the medieval area near Notre Dame and the Latin Quarter – still remained seedy and poor.

Page 5: Haussmann and the City of Light. © Patricia Barry 2006

The old city.

According to the philosopher Voltaire it was: “Barbarous”.

Page 6: Haussmann and the City of Light. © Patricia Barry 2006

An unhealthy city.

Paris was an unhealthy city and the old city centre was completely congested.

The poorer classes lived on top of each other

The population density was 1000 people per hectare!

Page 7: Haussmann and the City of Light. © Patricia Barry 2006

An unhealthy city.

There were deplorable sanitary conditions.

The cholera epidemic of 1832 was murderous.

That of 1853 killed 11,520 people.

Page 8: Haussmann and the City of Light. © Patricia Barry 2006

Poverty

The poverty of the Parisians had inspired the compassion of the writer Victor Hugo in his work: “Les Misérables”.

It also inspired a fear of the “dangerous classes” among the wealthier middle class.

Page 9: Haussmann and the City of Light. © Patricia Barry 2006

The lifestyle of the rich.

But pre-Haussmann Paris had contrasting faces.

On the boulevards, the stockbroker crossed paths with the shop-girls, and the investor crossed paths with office workers, which enchanted the romantic writer, Balzac, who saw Paris a little differently from Hugo.

Page 10: Haussmann and the City of Light. © Patricia Barry 2006

A lack of interest.

During the first half of the 19th century, people showed little interest in transforming Paris.

It was the 1848 Revolution that was the catalyst for its transformation.

Page 11: Haussmann and the City of Light. © Patricia Barry 2006

What was old Paris like?

The 1848 revolution had shown the need – for better control of

the lower class suburbs of Paris

– to distance this “social menace” further away from the city centre.

Page 12: Haussmann and the City of Light. © Patricia Barry 2006

What was old Paris like?

Paris was still a medieval city with narrow, dirty, unsafe streets that had a dubious reputation

Paris needed a new face, that of a real imperial capital city.

Page 13: Haussmann and the City of Light. © Patricia Barry 2006

Transformation

Emperor Napoleon III decided to give the city a face-lift

He chose Baron Haussmann as the chief of works – the transformation of Paris into a smart new capital – the city of light.

Page 14: Haussmann and the City of Light. © Patricia Barry 2006

Overview

Haussmann was responsible for the enormous changes to the capital for the seventeen years from 1858 to 1870, thanks to the unconditional support of Emperor Napoleon III

Page 15: Haussmann and the City of Light. © Patricia Barry 2006

Overview

Luckily for Haussmann, the industrial and economic expansion of the era assisted him to complete the multiple projects.

Page 16: Haussmann and the City of Light. © Patricia Barry 2006

Haussmann’s approach.

To remedy the situation, Haussmann razed the old city of Paris to the ground.

He confiscated, indemnified, demolished and rebuilt without counting the coast.

He even threw his own mother out of her house so he could demolish it!

Page 17: Haussmann and the City of Light. © Patricia Barry 2006

The building works.

Haussmann constructed the “grandes avenues” along which were appartment blocks for the wealthy middle class.

Page 18: Haussmann and the City of Light. © Patricia Barry 2006

The building works.

He made the “grands boulevards, avenues and lastly roads.

Page 19: Haussmann and the City of Light. © Patricia Barry 2006

The building works.

He also wanted to build churches, since during that era there were strong links between the Catholic church and the government.

Page 20: Haussmann and the City of Light. © Patricia Barry 2006

The parks in Paris

He created a large number of parks - (les bois de Boulogne et de Vincennes, le parc Monceau, le Buttes-Chaumont).

Page 21: Haussmann and the City of Light. © Patricia Barry 2006

Sewers

He also supervised the building of several hundreds of kilometres of sewers and the improvement of drinking water system.

Page 22: Haussmann and the City of Light. © Patricia Barry 2006

Footpaths

He oversaw the installation of asphalted footpaths.

Gone were the unhealthy and dirty streets of the past.

Page 23: Haussmann and the City of Light. © Patricia Barry 2006

Social segregation.

But Haussmann’s Paris was also a city of social segregation.

Page 24: Haussmann and the City of Light. © Patricia Barry 2006

Social segregation.

On the one hand, in the renovated centre, there were the wonderful new shops, the wealthy middle class, the modern apartment blocks, the business and banking centres….

Page 25: Haussmann and the City of Light. © Patricia Barry 2006

Social segregation.

On the other hand, there were the lower class suburbs – industrial areas, disadvantaged …..these would explode into the Commune after the 1870 siege.

Page 26: Haussmann and the City of Light. © Patricia Barry 2006

And the end of the story..?

Haussmann was eventually accused of fraud and had to resign in 1870.

Page 27: Haussmann and the City of Light. © Patricia Barry 2006

Haussmann’s legacy.

Elegant stores like this one.

Page 28: Haussmann and the City of Light. © Patricia Barry 2006

Avenues like Grande Armée.

Page 29: Haussmann and the City of Light. © Patricia Barry 2006

The Opera

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Montmartre.