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In this section, I will show you the external tools that I use in my home studio. I will try to focus
on the most important things,
Basically, we need five external things to record our
- The electric guitar
- Instrument Cable
- Audio interface
- Computer
- Headphones or Studio monitors.
HARDWARE
In this section, I will show you the external tools that I use in my home studio. I will try to focus
things, related with the lessons seen during the Berklee course.
Basically, we need five external things to record our electric guitar
Headphones or Studio monitors.
In this section, I will show you the external tools that I use in my home studio. I will try to focus
related with the lessons seen during the Berklee course.
The electric guitar
I use this model of guitar; Ltd deluxe EC1000;
If you know something about the topic, you
has essambel active pickups (EMG) a famous picks factory
This type of pick is perfect for play metal, hard rock or similar because, these pickups offer a
great and powerfull distorsion, at the same
couplings or disgusting noises.
However, the most important thing that you should to remember about this kind of guitar is
the signal, specifically the signal of the pickups.
The active picks has to be consid
offer a higher signal respect to the passive. We will discuss about it later, on the procces
section.
Ltd deluxe EC1000;
If you know something about the topic, you can see that this particular guitar (Esp
has essambel active pickups (EMG) a famous picks factory
for play metal, hard rock or similar because, these pickups offer a
great and powerfull distorsion, at the same time that offer a very clear sound without
or disgusting noises.
However, the most important thing that you should to remember about this kind of guitar is
specifically the signal of the pickups.
The active picks has to be considered to set the levels in our sound interface,
offer a higher signal respect to the passive. We will discuss about it later, on the procces
that this particular guitar (Esp model)
for play metal, hard rock or similar because, these pickups offer a
that offer a very clear sound without
However, the most important thing that you should to remember about this kind of guitar is
interface, these pickups
offer a higher signal respect to the passive. We will discuss about it later, on the procces
The instrument cable
At second place, we need a jack cable, also called quarter inch cable, instrument cable or TS
cable.
We must remember that for recording in the studio, it is better to use cables as short as
possible with this type, ,because really is susceptible to noise.
Remember:
- Jack cable
- Quarter inch cable As short as possible Reduce noise
- TS cable
The sound interface
On the other way, we have the audio interface. One of the most important parts of the home
studio.
I use a M-Audio model 410 with a firewire connection, which allow us to record several
instruments at once with fewer problems.
It is a model similar to the soundcard of the coursera class. The motu interface.
1. MIC/INST INPUTS– Unbalanced Instrument and Mic level inputs. These Neutrik hybrid
connectors will accept a standard three-pin XLR plug or a 1/4” TS connector.
2. MIC/LINE SELECTOR – This switch toggles the unit between Mic/Inst inputs and the rear
panel Line Inputs. In the OUT position, Mic/Inst inputs are selected and active, and the Line
Inputs are defeated; in the IN position, Line Inputs are selected and active, and the Mic/Ins
Inputs are defeated.
3. PAD – inserts a 20dB pad into the input circuit, lowering the input level. Use this PAD
when the input level of your analog signal is too hot – as indicated by illumination of the
CLIP LED – even with the INPUT GAIN LEVEL at or near minimum.
4. INPUT GAIN LEVEL – This potentiometer controls the input level of its associated analog
Mic/Instrument/Line input.
5. SIGNAL LED – When lit, this LED indicates the presence of an audio signal at the associated
Mic/Inst input.
6. CLIP LED – When lit, this LED indicates too hot an input signal at the associated Mic/Inst
input. The LED will light when the signal is 3dB below the clipping point.
7. OUTPUT SIGNAL METERS – This dual four-segment LED meter indicates the signal level of
the outputs as selected in the FireWire 410’s control panel.
8. LEVEL CONTROLLER – This continuous rotary encoder regulates the signal level of the
buses as selected in the FireWire 410’s control panel.
9. HEADPHONE OUTPUTS – Each of these output jacks accepts a standard 1/4” stereo TRS
headphone connector.
10. HEADPHONE LEVEL CONTROLS – Each of these potentiometers controls the output level
of its associated headphone output.
11. S/PDIF IN AND OUT LEDS – The S/PDIF IN LED will glow steadily to indicate the presence
of a valid S/PDIF signal at the selected S/PDIF
input. The S/PDIF IN LED will flash to indicate the presence of a valid S/PDIF signal at the
incorrect S/PDIF input.
The S/PDIF OUT LED will glow steadily to indicate the presence of a valid S/PDIF signal at
either S/PDIF output.
12. MIDI THRU SWITCH – When this switch is in the IN position, the FireWire 410’s MIDI IN and
MIDI OUT ports function in bypass mode;
13. POWER SWITCH AND LED – Turns the FireWire 410 on and off.
15. POWER SUPPLY CONNECTOR
16. MIDI IN AND MIDI OUT CONNECTORS– MIDI input and output on standard 5-pin DIN
connectors.
17. FIREWIRE CONNECTORS – Dual FireWire (IEEE-1394) inputs allow you to connect one to
your computer and another to an external device.
18. S/PDIF COAXIAL IN AND OUT CONNECTORS – S/PDIF digital input and output on
coaxial RCA connectors.
19. S/PDIF TOSLINK IN AND OUT CONNECTORS – S/PDIF digital input and output on
optical TOSLink connectors.
20. LINE OUTPUTS 1 – 8 – These are unbalanced analog outputs on standard 1/4” TS
connectors at 10dB line level. These outputs will support standard two-channel stereo, as well
as surround modes up to 7.1.
21. LINE INPUTS 1 AND 2 – These are unbalanced analog inputs on standard 1/4” TS
connectors at –10dB line level. They are parallel to the front-panel analog inputs, and are
functional only when the front panel mic/line switch is in the “in” position.
Definitelly, the structure is very similar to the soundcard viewed in coursera class.
It's a really good card to work ,easy to handle, very stable, reduces extremely the latency... I
feel very confortable with it.
The Computer
At four place we need a computer or work station in order to, record, produce, and edit the
signal of our guitar. It is important when choosing an
kind of connections have your computer.
Not all the computers have a firewire imput. Anyway there are many interfaces that work
with USB connection.
In my case, I use a laptop, because I usually travel
best choice for me. Keep in mind your needs.
At four place we need a computer or work station in order to, record, produce, and edit the
signal of our guitar. It is important when choosing an audio interface, to keep in mind what
kind of connections have your computer.
Not all the computers have a firewire imput. Anyway there are many interfaces that work
In my case, I use a laptop, because I usually travel and record on different places, This is the
Keep in mind your needs.
At four place we need a computer or work station in order to, record, produce, and edit the
audio interface, to keep in mind what
Not all the computers have a firewire imput. Anyway there are many interfaces that work
and record on different places, This is the
The Studio monitors
Finally, we need Studio monitors or headphones to listen the guitar during and after the
recording.
There are a lot of models of speakers, keeping in mind your economic possibilities, the size of
your room, or other details.
Remember that there is a big difference between a studio monitors and the other home/or
HiFi speakers . The studio monitors offer a flat response and clear sound, they are specially
made to the studio work.
The high-definition or home speakers are used for video-games, movies , listening to music,
or other roles. They are different concepts.
Same happens with headphones.