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GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput

GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

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Page 1: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

GULLIVER’S TRAVELS

GULLIVER’S TRAVELS

PART ONEThe Voyage to

Lilliput

PART ONEThe Voyage to

Lilliput

Page 2: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #1QUESTION #1

What do you think is Gulliver's probable frame

of mind in the opening passage?

What do you think is Gulliver's probable frame

of mind in the opening passage?

Page 3: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERANSWER

• Confusion• Surprise• Fear• Curiosity

• Confusion• Surprise• Fear• Curiosity

Page 4: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #2QUESTION #2

What does the Lilliputian language add to the

narrator’s report?(hint: ‘Modest Proposal’

statistics)

What does the Lilliputian language add to the

narrator’s report?(hint: ‘Modest Proposal’

statistics)

Page 5: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERANSWER

• Authenticity• Humor• A parody of Language• ENGLISH IN THIS CASE

• Authenticity• Humor• A parody of Language• ENGLISH IN THIS CASE

Page 6: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #3QUESTION #3

In the comparison of random arrows to bombs

(p489), how does this passage hold significance

in this story?

In the comparison of random arrows to bombs

(p489), how does this passage hold significance

in this story?

Page 7: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERANSWER

• Makes light of the wars in Europe• Compares bombs to arrows that feel like

tiny pinpricks

• Draws parallel between make-believe society and his own• Indicates an amusing story with serious

undertones

• Makes light of the wars in Europe• Compares bombs to arrows that feel like

tiny pinpricks

• Draws parallel between make-believe society and his own• Indicates an amusing story with serious

undertones

Page 8: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #4QUESTION #4

(End of 489) What details lead Gulliver to his

conclusion of whom the ‘principle person’ is?

(End of 489) What details lead Gulliver to his

conclusion of whom the ‘principle person’ is?

Page 9: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERANSWER

• Speaks from a stage• Gives a long speech• Lilliputians respond to his

directions• Taller than his attendants• One attendant carries his train

• Speaks from a stage• Gives a long speech• Lilliputians respond to his

directions• Taller than his attendants• One attendant carries his train

Page 10: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #5QUESTION #5

(490) Define ORATOR:

How does a person act ‘every part of an orator’?

(490) Define ORATOR:

How does a person act ‘every part of an orator’?

Page 11: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERANSWER

• Person who speaks in public

• Broad gestures• Loud voice• Announcing tone

• Person who speaks in public

• Broad gestures• Loud voice• Announcing tone

Page 12: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #6QUESTION #6

Do you find Gulliver’s ability to communicate

through sign language and gestures very

convincing? Why/ Why not?

Do you find Gulliver’s ability to communicate

through sign language and gestures very

convincing? Why/ Why not?

Page 13: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERANSWER• Communicating HUNGER--• Convincing because Gulliver receives what he needs

• SHARED GESTURES- “more” • throwing an object down

• If not convincing-- swearing sincerity

• Communicating HUNGER--• Convincing because Gulliver receives what he needs

• SHARED GESTURES- “more” • throwing an object down

• If not convincing-- swearing sincerity

Page 14: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #7QUESTION #7

By the end of p491, what is Gulliver’s

internal conflict?

By the end of p491, what is Gulliver’s

internal conflict?

Page 15: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERANSWER

• Possibly mixed emotions of:• ANGER- imagines throwing them• FEAR• RESPECT of LAWS of HOSPITALITY

• Self-Preservation vs. Trust and Gratitude

• Possibly mixed emotions of:• ANGER- imagines throwing them• FEAR• RESPECT of LAWS of HOSPITALITY

• Self-Preservation vs. Trust and Gratitude

Page 16: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #8QUESTION #8What humorous details enliven

the description of the Lilliputians(top 492) ?

What effect has humor played to enrich the descriptions of

the relationship being established between Gulliver

and the Lilliputians?

What humorous details enliven the description of the Lilliputians(top 492) ?

What effect has humor played to enrich the descriptions of

the relationship being established between Gulliver

and the Lilliputians?

Page 17: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERSANSWERS• Dancing on Gulliver’s hand• Playing ‘Hide and Seek’ in his hair• Playing children’s games

• Shows Gulliver as PLAYFUL, not a dangerous giant; TRUST built between them through the trivial activities.

• Dancing on Gulliver’s hand• Playing ‘Hide and Seek’ in his hair• Playing children’s games

• Shows Gulliver as PLAYFUL, not a dangerous giant; TRUST built between them through the trivial activities.

Page 18: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #9QUESTION #9Define SATIRE:

What might Swift be satirizing in the ‘rope-

dancing’ ritual? (hint: Politics)

Define SATIRE:

What might Swift be satirizing in the ‘rope-

dancing’ ritual? (hint: Politics)

Page 19: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERSANSWERS• Work where RIDICULE is stressing

the WORST parts of a serious subject.

• Courtly Behavior• English Court• Irrelevance of test to position• Ridiculousness of office politics and

favoritism

• Work where RIDICULE is stressing the WORST parts of a serious subject.

• Courtly Behavior• English Court• Irrelevance of test to position• Ridiculousness of office politics and

favoritism

Page 20: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #10QUESTION #10 (bottom of 2nd column. p492)

What seems to be Swift’s satirical point in describing the ‘diversion’ with the red,

blue and green threads?

(bottom of 2nd column. p492)

What seems to be Swift’s satirical point in describing the ‘diversion’ with the red,

blue and green threads?

Page 21: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERANSWER

• Seems to be poking fun at the courtiers

‘agility’ in sidestepping responsibility.

• Seems to be poking fun at the courtiers

‘agility’ in sidestepping responsibility.

Page 22: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #11QUESTION #11How does Swift diminish the philosophical division between the two factions

in England? (493)

How does Swift diminish the philosophical division between the two factions

in England? (493)

Page 23: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERSANSWERS• Parody of the two (2) factions:• Uses two nearly identical but nonsensical

names (Tramecksan / Slamecksan)

• Indicates that their violent differences are based on something as insignificant as the height of the heels of shoes.

• Parody of the two (2) factions:• Uses two nearly identical but nonsensical

names (Tramecksan / Slamecksan)

• Indicates that their violent differences are based on something as insignificant as the height of the heels of shoes.

Page 24: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #12QUESTION #12 (middle 2nd column, 493)

Why does the ‘heir’ walk with a hobble?

(middle 2nd column, 493)

Why does the ‘heir’ walk with a hobble?

Page 25: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERANSWER

• LITERALLY- he is wearing shoes of two different heights

• FIGURATIVELY- he cannot make up his mind, so he is ‘hobbled’ by his indecision

• LITERALLY- he is wearing shoes of two different heights

• FIGURATIVELY- he cannot make up his mind, so he is ‘hobbled’ by his indecision

Page 26: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #13QUESTION #13 (2/3 down 2nd Col., 493)

Why does Swift satirize the lines beginning with: “For as to what we have heard you affirm…” and ending with , “…or one of the stars.”

(2/3 down 2nd Col., 493)

Why does Swift satirize the lines beginning with: “For as to what we have heard you affirm…” and ending with , “…or one of the stars.”

Page 27: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERANSWER

• NARROWMINDEDNESS

• When events or people do not fit into preconceived notions of the way the world works

• NARROWMINDEDNESS

• When events or people do not fit into preconceived notions of the way the world works

Page 28: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #14QUESTION #14

Is there humor in the description of the egg-

breaking conflict?

Is there humor in the description of the egg-

breaking conflict?

Page 29: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERANSWER

• Yes• Funny to get upset over the way

an egg is broken

• NO- ????? (like, I don’t get it…)

• Yes• Funny to get upset over the way

an egg is broken

• NO- ????? (like, I don’t get it…)

Page 30: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

QUESTION #15QUESTION #15

How is Gulliver’s decision, made at the

end of this voyage, satirical?

How is Gulliver’s decision, made at the

end of this voyage, satirical?

Page 31: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ANSWERANSWER

• Although he first stated that heWOULDN”T INTERFERE

Gulliver quickly rationalizes to do the EXPEDIENT thing--

FIGHT FOR LILLIPUT

• Although he first stated that heWOULDN”T INTERFERE

Gulliver quickly rationalizes to do the EXPEDIENT thing--

FIGHT FOR LILLIPUT

Page 32: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

Tories and WhigsTories and Whigs

• Represented by the two parties in this story:

• Represented by the two parties in this story:

Page 33: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

ToryTory

• A person who opposed the breach with Britain during the Revolutionary War (1775-83)

• Conservative Party• Opposed Whig attempts to

excluse the future James II from succession to the throne.

• A person who opposed the breach with Britain during the Revolutionary War (1775-83)

• Conservative Party• Opposed Whig attempts to

excluse the future James II from succession to the throne.

Page 34: GULLIVER’S TRAVELS PART ONE The Voyage to Lilliput PART ONE The Voyage to Lilliput

WhigWhig

• Organizer of “Glorious Revolution”

• Non-Catholics

• Organizer of “Glorious Revolution”

• Non-Catholics