GUITARS - Jedistar 2011… · collectible appeal. All the U.S. guitar manufacturers were in dire straits during the 1970s. They were either bought out by larger conglomerates looking

McCartney Pro-Guitars (HK) Limited HongKong OfficeAddress: 18th Floor,On Hong Commercial,Building,145 Hennessy Road, WanChai, HongKongTel:00852-3104-0205 Fax:00852-8145-9391

FactoryHaopaiyi Musical Instrument Co.,LimitedAddress: Kengkou industrial park, Hengjiang, Chashan, Dongguan, Guangdong, China.Postal code: 523398Tel: 0086-769-88930918Fax: 0086-769-88930900E-mail:[email protected]: www.mccartney-siang.com

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本目录所有产品的颜色及尺寸请以实物为准Colors and sizes of products in this catalog are for reference only. Please see actual products for standard colors and sizes.

2011 Vintage Guitars Collection

WITH LYRE

Not Only

guitars should be!VINTAGE

Plate

STOPTAILPIECE

PAPER-IN-OIL CAPACITOR

AluminumShielding

ALUMINUM

MAESTRO VIBRATO

"Vintage" is a term that has acquired a new meaning apart from its original usage. The term is a combination of Vint (of the vine) and Age (time of creation). This term is used in the wine industry to indicate a wine's harvest date. The use of "vintage" has been modified by collectors to mean old, such as a Vintage Car, or Vintage Clothing. This extension of the meaning is used in guitar terminology to mean "an original, older guitar."

Most collectors value guitars from the mid 1920s to 1970. Because guitars prior to the mid 1920s are too primitive in design for most collectors. Guitars after 1970, even though they are over 30 years old, have little collectible appeal. All the U.S. guitar manufacturers were in dire straits during the 1970s. They were either bought out by larger conglomerates looking to make guitars as quickly as possible, and/or their quality and choice of materials had become sub-standard.

So all McCartney Vintage Guitars are reproduction of famous guitars from 1920s to 1970. And we will start from 1950s and 1960s electric guitars this year .

1950s and 60s Electric guitars sound so good because of less polluted wood ,thin nitrocellulose finishes ,good hand-made pickups and wiring .They can not be duplicated today because the materials, environment and society of pre-1970 was much different. But we choose the best substitute for wood and keep the traditional nitrocellulose finishes on our vintage guitars. We also use the best reproduction vintage pickups and good sealed and grounded wiring. All these together make our guitars have real vintage sound.

Today most guitars are made with CNC (computer controlled) routers and cutters. Thirty years ago guitars were much more of a hand-made item than they are today. Yes a CNC-made instrument can be more consistent and excellent quality. But it just doesn't have the same "personality" of a "old school" made guitar. So we insist to apply hand-made processing as much as possible in our production.

McCartney

MTL54-AMBVintage Guitars

MTL62-BLDVintage Guitars

L guitar is one of the most popular solid body electric guitar ever made, and is the solid body guitar that started it all .

American Ash Body 1.75" thick with transparent Polyurethane Amber finish. Canadian Maple One Piece Neck with single-way truss rods, Scale Length 25.5”. Walnut skunk stripe and truss rod plug on peghead face. In order t o meet the requirement of modern guitar players, we motify some details of original 1954TL. Our MTL54 has “C” Style Neck Back Shape, but thinner than original. And we use 1 11/16” wide cow bone nut instead of original 1 5/8” wide nut. We change the Fingerboard Radius from 7.25”(vintage TL) to 9.5”(modern TL) to get the balance between chords and bends for all players. 21 pcs 0.78” frets, black dot inlays.

Round Style Switch Tip, 5 screw holes single ply black pickguard . Kluson Style Tuners, We keep using Steel Base-plate Bridge ,but with new Staggered Brass Saddles replacing original saddle This change makes our MTL54 can achieve individual string intonation. Chrome Bridge Cover, Knurled chrome plated brass knobs with a semi-flat top, Daddario XL110 (.10-.46) Strings.

The secret of vintage sound is the wiring and Pick-ups. Our wiring is perfect reproduction of original 1954 TL. We use the best Japanese Brass Split Shaft Pots instead of original Stackpole Pots, 1 Volume, 1 Tone control , 0.047uF,150V Paper-in-Oil Capacitor, CRL style 3 Way Blade Switch and Switch-craft USA 1/4" Input Jack. Our selected Pick-ups are perfect reproduction of the original whose windings covered with white string. And all these components are meticulously wired with Black and White Vintage Cloth Pushback Wire.

osewood fingerboard is applied on TL models in 1959. It was called “Slab” Rosewood fingerboard the bottom of the fingerboard was flat and the board was fairly thick comparing with the “Veneer” rosewood fingerboard which was used from

1962 to 1980.

What we use on McCartney MTL 59 is Rosewood Fingerboard

like original, the tone is better than maple fingerboard . American

Ash Body 1.75" thick with transparent Polyurethane Blonde finish.

Canadian Maple Neck with single-way truss rods, Scale Length

25.5”. Walnut skunk stripe and truss rod plug are cancelled. “V” style

neck is completely gone in 1959 TL. It's back to a conventional "C" Neck Profile. We choose 1 11/16” Wide Cow Bone Nut instead of

original 1 5/8” wide nut. Fingerboard Radius 9.5”(modern TL) instead

of original 7.25” radius to make it easier to play bends, 21 frets, Clay Dot Inlay.

“Top-hat” style switch tip, 8 screw holes single ply white pick-guard . Kluson Style Tuners, "Butterfly" Clip string tree, Knurled chrome plated

brass knobs with flat top, We keep using steel base-plate bridge with steel "Threaded" Saddles like original 1959 TL, Chrome bridge cover

and Daddario XL110 (.10-.46) Strings.

The wiring and pickups are the same like MTL54. The best Japanese

Pots, 1 Volume, 1 Tone control, 0.047uF,150V Paper-in-Oil

Capacitor, CRL style 3 Way Blade Switch, Switch-craft USA 1/4"

Input Jack and perfect reproduction vintage TL Pick-ups are meticulously wired with Black and White Vintage Cloth Pushback Wire.

T R

lot changed with the 1959 ST model. By mid-1959 the maple fingerboard was changed to a Brazilian rosewood fingerboard and "clay" dot fingerboard markers. This change made the sound of the ST guitar got deeper because of the rosewood. Another change was the pick-guard. Instead of

a single layer thin white ABS 'guard, it was now a laminated 3-layer celluloid pick-guard, which turns a mint green color. A thin aluminum shield the size of the pick-guard is installed underneath the three layer pick-guard. This replaces the thicker and much smaller shield previously used on single layer pick-guards (this older style shield encompassed just the three pots and the switch).

Alder Body in 3 Tone Sunburst Polyurethane Finish, Canadian Maple Neck wi th s ing le-way t russ rods, Slab Rosewood Fingerboard with Clay Dots, 21 frets, Scale Length 25.5”. “V” style neck is gone, it is back to Thin Rounded “C” Style Neck . 1 11/16” Wide Cow Bone Nut instead of original 1 5/8” nut. Fingerboard Radius 9.5” the same as modern ST.

Pear shape switch tip, 11 screw holes 3-layer celluloid pick-guard in mint green color. A full size Aluminum Shielding Plate is installed underneath the pickguard that covers the electronic cavity. Kluson Style Tuners, "Butterfly" clip string tree, Steel 2 Pieces Vintage Tremolo(Steel Block) with 6 adjustable nickel plated saddles, Daddario XL110 (.10-.46) Strings.

Wiring and Pick-ups are most important for a professional guitar. So we use Japanese Split Brass Shaft 250K Pots, 1 volume, 2 tone control, 0.047uF,150V Paper-in-Oil Capacitor, CRL style 5 Way Blade Switch and Switch-craft USA 1/4" Input Jack. Our selected Pick-ups are perfect reproduction of the original: Formvar Insulation Wire, Alnico V Magnet, Staggered Style Magnet Pole Pieces, 5.76K to 6.20 ohms. And all these components are meticulously wired with Black and White Vintage Cloth Pushback Wire.

MST54-2TSVintage Guitars

MST59Vintage Guitars

he ST guitar is probably the most popular solid body electric guitar ever made. The 1954 ST model is of course the beginning of the breed. Extremely contoured Ash Body, Two-color ("Canary yellow" to "Amber brown") Sunburst Polyurethane Finish with the center yellow color sprayed. Canadian Maple One Piece

Neck with single-way truss rods, Black dots, 21 frets, Scale Length 25.5”. Walnut skunk stripe and truss rod plug on peghead face. In order to meet the requirement of modern guitar players, we motify some details of original model. Our MST54H has Rounded “C” style Neck Back Shape, but thinner than original. And we use 1 11/16” Wide Cow Bone Nut instead of original 1 5/8” wide nut. We change the Fingerboard Radius from 7.25”(vintage ST) to 9.5”(modern ST) to get the balance between chords and bends for all players.

Pear shape switch tip, single ply white pickguard. A small Aluminum Shielding Plate is installed underneath the pick-guard that covers the control cavity. Kluson Style Tuners, Round Button string tree, Daddario XL110 (.10-.46) Strings. Steel 2 Pieces Vintage Tremolo(Steel Block) with 6 adjustable nickel plated saddles. All these features make our MTL54 look the same as original 1954 ST guitars .

The secret of vintage sound is the wiring and Pick-ups. Our wiring is perfect reproduction of original 1954 ST. We use the best Japanese Split Brass Shaft 250K Pots instead of original Stackpole Pots, 1 Volume, 2 Tone control, 0.047uF,150V Paper-in-Oil Capacitor, we use CRL style 5 Way Blade Switch instead of original 3 way switch to provide more Pickups combination to players . And Switch-craft USA 1/4" Input Jack. Our selected Pick-ups are perfect reproduction of the original: Formvar Insulation Wire, Alnico V Magnet, Staggered Style Magnet Pole Pieces. 5.76K to 6.20 ohms, And all these components are meticulously wired with Black and White Vintage Cloth Pushback Wire.

T A maple fingerboard was changed to a Brazilian rosewood fingerboard and "clay" dot fingerboard markers. This change made the sound of the ST guitar got deeper because of the rosewood. Another change was the pick-guard. Instead of

a single layer thin white ABS 'guard, it was now a laminated 3-layer celluloid pick-guard, which turns a mint green color. A thin aluminum shield the size of the pick-guard is installed underneath the three layer pick-guard. This replaces the thicker and much smaller shield previously used on single layer pick-guards (this older style shield encompassed just the three pots and the switch).

Alder Body in 3 Tone Sunburst Polyurethane Finish, Canadian Maple Neck wi th s ing le-way t russ rods, Fingerboard with Clay Dots, 21 frets, neck is gone, it is back to Thin Wide Cow Bone Nut9.5” the same as modern ST.

Pear shape switch tip, 11 screw holes 3-layer celluloid pick-guard in mint green color. A full size underneath the pickguard that covers the electronic cavity.Style Tuners, "Butterfly" clip string tree, Tremolo(Steel Block) with 6 adjustable nickel plated saddles, Daddario XL110 (.10-.46) Strings.

Wiring and Pick-ups are most important for a professional guitar. So we use Japanese Split Brass Shaft 250K Pots, 1 volume, 2 tone control, 0.047uF,150V Paper-in-Oil Capacitor, CRL style 5 Way Blade Switch and Switch-craft USA 1/4" Input Jack. Our selected Pick-ups are perfect reproduction of the original: Alnico V Magnet, Staggered Style Magnet Pole Pieces6.20 ohms. And all these components are meticulously wired with Black and White Vintage Cloth Pushback Wire.

A

MJB62-3TSVintage Guitars

MPB62-3TS MPB57-2TS

he JB model was first introduced in 1960, this model had a narrow nut (1.5") compared to the PB model. The most valuable models are the first two years with concentric (stacked) volume and tone knobs and felt tipped string mutes. Leo Fender felt that

they gave a more accurate acoustic string bass sound, which the jazz bass player would prefer. The pickups were designed with two pole pieces per string. This produced a mellower tone and a less percussionized signal that was more forgiving on the less-than-efficient bass speakers of the 1950s and 1960s. Our MJB62 model is reproduction of 1962 JB model.

Contoured Alder Body, Three Tone Sunburst Polyurethane Finish with the center yellow color sprayed. Canadian Maple Neck with single-way truss rods, Slab Rosewood Fingerboard with “Clay” Dots, 20 frets, Scale Length 34”. Rounded “C” style Neck Back Shape, and 1.5” Wide Cow Bone Nut. We change the Fingerboard Radius from 7.25” to 9.5” to get the balance between chords and bends for all players.

10 screw holes Tortoise Grain celluloid three layer pick-guard. Vintage Style Bass Tuners, Big Round Button string tree, Daddario XL160 (.50-.1.05) Strings. Vintage Steel Plate Tremolo with steel "Threaded" Saddles.

The secret of vintage sound is the wiring and Pick-ups. Our wiring is perfect reproduction of original 1962 JB. We use the best Japanese Split Brass Shaft 250K Pots instead of original Stackpole Pots, 2 Volume, 1 Tone control, 0.047uF,150V Paper-in-Oil Capacitor and Switch-craft USA 1/4" Input Jack. Our Vintage JB Pick-ups are perfect reproduction of the original. Just Roll-off the tone and hit the bridge pickup for fat "Jaco" inspired tones, or open up all controls and find enough punch, harmonics and clarity for some serious slap-work. And all these components are meticulously wired with Black and White Vintage Cloth Pushback Wire.

TT he PB model first introduced in November 1951 as the first electric bass, the Precision Bass is the most popular bass

design ever. Our MPB57 is reproduction of 1957 PB model.

Contoured Alder Body, Two Tone Sunburst Finish with the center yellow color sprayed. Canadian Maple One Piece Neck with single-way truss rods, Black dots, 20 frets, Scale Length 34”. Walnut skunk stripe and truss rod plug on peghead face. Rounded “C” style Neck Back Shape, and 1 3/4” Wide Cow Bone Nut . We change the Fingerboard Radius from 7.25” to 9.5” to get the balance between chords and bends for all players.

10 screw holes single ply white pick-guard. Vintage Style Bass Tuners, Big Round Button string tree, Daddario XL160 (.50-.1.05) Strings. Vintage Steel Plate Tremolo with steel "Threaded" Saddles.

Rosewood Slab Fingerboard is applied on the bass model in 1959. Our MPB62 model is reproduction of 1962 PB model. And we use Tortoise Grain celluloid three layer pick-guard to match the fingerboard.

The secret of vintage sound is the wiring and Pick-ups. Our wiring is perfect reproduction of original 1957 PB. We use the best Japanese Split Brass Shaft 250K Pots instead of original Stackpole Pots, 1 Volume, 1 Tone control, 0.047uF,150V Paper-in-Oil Capacitor and Switch-craft USA 1/4" Input Jack. Our selected Single Split-Coil Pick-up are perfect reproduction of the original. The all-round vintage-improved package - great sustain, smooth, powerful, with the brightness and tonal complexity of boutique hand wound pickups. And all these components are meticulously wired with Black and White Vintage Cloth Pushback Wire.

MLP59-FCSVintage Guitars

he LP Sunburst guitar from 1958 1959 1960 is the top of the electric guitar heap. Still made today, but the original 58 59 60 Sunburst models are the originals that started it all. The attractiveness of the wood, the playability, the sound - all these thing add up to a guitar

that even today seems to be unsurpassed. Many famous players made this their standard guitar.

Probably only 20% of all LP Sunburst guitars from 1958 to 1960 had any significant maple figuring flamed maple. But all our MLP59 guitars are with Two pieces AAA Flamed(tiger stripe) Carved Maple Top. Single cutaway, Mahogany Back and Neck(one pc), Set-in, single ply cream binding on body top, Rosewood Fingerboard with single cream binding, Trapezoid Celluloid Fingerboard Inlays, 12” Fingerboard Radius, 22 frets, Cow Bone Nut 1 11/16” wide, 24.75" Scale, “C” style neck back shape, but thinner than original. Faded Cherry Sunburst with Cherry Red back Polyurethane Finish.

TNickel plated parts, Single-ring Keystone Kluson Style Tuners, Tune-O-Matic Bridge (The adjustable intonation screws are held with a wire), Aluminum Stop Tailpiece, Daddario XL110 (.10-.46) Strings. Single layer plastic cream pick-guard and switch plate, gold top-hat ("bonnet") shape knobs and black back covers.

The best vintage sound of 1959 LP is from its PAF(Patent Applied For) humbucking pickups and vintage wiring. Original PAFs made with Alnico II have always held a special place in many a guitarist’s heart. If you have ever heard someone describe a PAF as “flute-like” or “more like a single coil than a humbucker - then that’s the Alnico II working its magic. The Pick-up we use on our MLP59 is perfect PAF reproduction Alnico II humbucker with Nickel Silver covers. In order to get the real LP sound ,we also use the best electronic parts to reproduce the 50’s wiring. 2 Volume and 2 Tone Control, 3 Way Toggle Switch, Japanese Split Brass Shaft 500K Pots, 0.022uF,400V Bumble Bee style Paper-in-Oil capacitor, Switch-craft USA 1/4" Input Jack. And all these components are meticulously wired 50's style with single conductor braided wire and properly grounded with vintage correct 20AWG bus wire.

Vintage GuitarsMLP59L-BNS

n 1952, when the first LP was made, it quickly became known as "Gold Top" due to the gold top finish.By fall 1955, the Tune-O-Matic bridge and stop tailpiece was adopted on the LP Gold-top (solving the earlier intonation complaints), making the 1955 to 1958 LP Gold-top a big winner. The combination of P-90 pickups

and a tune-o-matic/stop tailpiece is considered by most Les Paul players as a great setup. Hence the late 1955 to early 1957 Les Paul Standard Gold-top is regarded as a very usable and versatile guitar. Our MLP56 is reproduction of original 1956 LP.

Multiple pieces Carved Maple Top, single cutaway, Mahogany Back and Neck(one pc), Set-in, single ply cream binding on the top, Rosewood Fingerboard with cream binding, Trapezoid Mother-Of-Pearl Fingerboard Inlays, 12” Fingerboard Radius, 22 frets, Cow Bone Nut 1 11/16” wide, 24.75" Scale, “C” style neck back shape, but thinner than original. Gold-top with Natural Brown back Polyurethane Finish.

Nickel plated parts, Single-ring Keystone Kluson Style Tuners, Tune-O-Matic Bridge (The adjustable intonation screws are held with a wire), Aluminum Stop Tailpiece, Daddario XL110 (.10-.46) Strings. Single layer plastic cream pick-guard and switch plate, gold top-hat ("bonnet") shape knobs instead of the old barrel-shaped, and brown back covers.

The wiring and Pick-up we use on MLP56 are the same as MLP54. 2 Volume and 2 Tone Control, 3 Way Toggle Switch, Japanese Split Brass Shaft 500K Pots, 0.022uF,400V Paper-in-Oil capacitor, Switch-craft USA 1/4" Input Jack. Our P90 Pick-up uses Alnico V magnets for fatter, more powerful P90 sound with a more sizzling, richer bass. The Nickel-Silver base plate and braided wire add to the vintage vibe of these great looking soapbars. And all these components are meticulously wired 50's style and properly grounded with vintage correct 20AWG bus wire.

I

MLP56-GTPVintage Guitars

MLS56-TYWVintage Guitars

P special, a step up from least expensive LP Junior model, but was still sold as a 2 pickup student model. A really under-rated guitar, LP Special models are amazing sounding solid body electric guitar with the 1955, 1956, 1957, 1958, 1959,

1960 and 1961 models the best.

Mahogany single cutaway slab body in Polyurethane TV Yellow Finish, One pc Mahogany Neck, Set-in, Rosewood Fingerboard with binding, dot inlays, 12” Fingerboard Radius, 22 frets, Cow Bone Nut 1 11/16” wide, 24.75" Scale, “C” style neck back shape, but thinner than original.

Nickel plated parts, Kluson "3 on a plate" style tuners, Aluminum Stud tailpiece/bridge Combo with the string looping over the bridge, Threaded inserts sunk in the wood for the studs on the wrap around stud tailpiece increased in length. This modification stops the studs from "leaning forward". This was a common problem on 1954 and 1955 LP. Daddario XL110 (.10-.46) Strings, 3 layer black pick-guard, black "Hat" style knobs.

Wiring and Pick-up are very important for a professional guitar, but it is hard to get the original electronic parts. But we choose the best substitutes. 2 Volume, 2 Tone Control, 3 Way Toggle Switch, Japanese Split Brass Shaft 500K Pots instead of original CTS Pots, 0.022uF,400V Paper-in-Oil capacitor, Switch-craft USA 1/4" Input Jack. Our P90 Pick-up uses Alnico V magnets for fatter, more powerful P90 sound with a more sizzling, richer bass. The Nickel-Silver base plate and braided wire add to the vintage vibe of these great looking soapbars. And all these components are meticulously wired 50's style and properly grounded with vintage correct 20AWG bus wire.

L

MLJ59-CHYVintage Guitars

n 1958 , LP Junior changed body style into symmetrical rounded double cutaways, thick slab Mahogany Body, Polyurethane Cherry Red Finish. The first few batches of 1958 and early 1959 double cutaway LP Juniors had a noticeably sharper body edge, like the edge on the single cutaway Junior.

By early 1959 the edge became more rounded. With the double cut body style the pick-guard changes to single ply tortoise. Our MLJ59H is reproduction model of 1959 LP Junior guitar. The specification of 1959 LP Junior is the same as 1957 Junior model except the double cutaway body.

One pc Mahogany Neck, Set-in, Rosewood Fingerboard with dot inlays cherry back and neck finish, 12” Fingerboard Radius, 22frets, 1 11/16” wide Cow Bone Nut, 24.75" Scale, “C” style neck back shape, but thinner than original.

Nickel plated metal parts, Tuners are Kluson "3 on a plate" Style Tuners, Aluminum Stud tailpiece/bridge Combo with the string looping over the bridge, Daddario XL110 (.10-.46) Strings. Single ply tortoise pick-guard, black "Hat" style knobs,

It is hard to get the original electronic parts, but we try to get the best substitutes. 1 Volume, 1 Tone control, Japanese Split Brass Shaft 500K Pots replaced original CTS Pots, 0.022uF,400V Paper-in-Oil capacitor, Switch-craft USA 1/4" Input Jack. Our P90 Pick-up uses Alnico V magnets for fatter, more powerful P90 sound with a more sizzling, richer bass. The Nickel-Silver base plate and braided wire add to the vintage vibe of these great looking soapbars. And all these component are meticulously wired 50's style and properly grounded with vintage correct 20AWG bus wire.

IP Junior is originally sold as lesest expensive, single pickup, student solid body model. But it was a really under-rated guitar, the LP Junior was an amazing sounding solid body electric guitar with the 1954, 1955, 1956, 1957, 1958, 1959 and 1960 models the best. The LP

TV Model is the same as a LP Junior, except for the color. The limed-mahogany finish was rumored to look better on black & white TV sets, hence the name "TV Model".

Mahogany Single Cutaway Slab Body in Polyurethane 2 Tone Sunburst finish, and One pc Mahogany Neck, Set-in, Rosewood fingerboard with dot inlays brown back and neck finish, 12” fingerboard radius, 22 frets, 1 11/16” wide Cow Bone Nut, 24.75" Scale, “C” style Neck Back Shape, but thinner than original.

Single ply black pick-guard, gold "barrel" knobs, Nickel plated metal parts, Aluminum Stud tailpiece/bridge Combo with the string looping over the bridge, Tuners are Kluson "3 on a plate" Style Tuners, Daddario XL110 (.10-.46) Strings. All these are important features of original 1957 LP Junior guitars .

Wiring and Pick-up are very important for a professional guitar, but it is hard to get the original electronic parts. So we choose the best substitutes. 1 Volume, 1 Tone control, Japanese Split Brass Shaft 500K Pots replace CTS Pots, 0.022uF,400V Paper-in-Oil Capacitor, Switch-craft USA 1/4" Input Jack. Our P90 Pick-up uses Alnico V Magnets for fatter, more powerful P90 sound with a more sizzling, richer bass. The Nickel-Silver baseplate and braided wire add to the vintage vibe of these great looking soapbars. And they are meticulously wired 50's style and properly grounded with vintage correct 20AWG bus wire.

L

MLJ57-2TSVintage Guitars

he SG model was known as double cutaway version LP when it was introduced to the market in 1960. The first incarnation (1960/1961) often have the sideways vibrato, which it is problematic. Also the 1960-1961 models have very thin back-shaped necks. By 1962 these two problems were largely rectified

- the 1962 ebony vibrato with the inlaid pearl is very cool and functional, as is the 1963 style Lyre vibrato. And the neck back shape fills out in 1962 making the neck more meaty. Our MSG63 is reproduction of 1963 SG.

Symmetrical pointed double cutaways, thin Mahogany Body with beveled edges, Polyurethane Aged Cherry Finish, One pc Mahogany Neck, Set-in, Rosewood Fingerboard with single cream binding, Trapezoid Celluloid Fingerboard Inlays, 12” Fingerboard Radius, 22 frets, Cow Bone Nut 1 11/16” wide, 24.75" Scale, original “C” style neck back shape.

Nickel plated parts, Single-ring Keystone Kluson Style Tuners, vintage Tune-O-Matic Bridge (The adjustable intonation screws are held with a wire), Maestro vibrato with Lyre is the most important feature of 1963 SG model. Daddario XL110 (.10-.46) Strings. 3 layers black beveled small pick-guard , black top-hat ("bonnet") shape knobs with metal on top and black back covers.

The vintage SG models used the same PAF(Patent Applied For) Humbucking Pickups as 1959 LP. The Pick-up we use on our MSG63 is also the PAF reproduction Alnico II Humbucker with Nickel Silver Covers. We also use the best electronic parts to reproduce the 50’s wiring. 2 Volume and 2 Tone Control, 3 Way Toggle Switch, Japanese Split Brass Shaft 500K Pots, 0.022uF,400V Paper-in-Oil capacitor, Switch-craft USA 1/4" Input Jack. And all these components are meticulously wired 50's style with single conductor braided wire and properly grounded with vintage correct 20AWG bus wire.

T

MSG63-ACHVintage Guitars

MSS63-WHTVintage Guitars

ouble pointed cutaways, scalloped Mahogany Body in Polyurethane White finish, One pc Mahogany Neck with cream binding, Set-in, Rosewood Fingerboard with dot inlays, 12” fingerboard radius, 22 frets, 1

11/16” wide Cow Bone Nut, 24.75" Scale, “C” style Neck Back Shape.

3 layer black beveled pick guard, black top-hat ("bonnet") shape knobs with metal on top and black back covers, Nickel plated metal parts, Wrap Around "Stair step" Tailpiece with the string looping over the bridge, Tuners are Kluson "3 on a plate" Style Tuners, Daddario XL110 (.10-.46) Strings. All these are important features of original 1961 SG Junior guitars .

Wiring and Pick-up are very important for a professional guitar, but it is hard to get the original electronic parts. So we choose the best substitutes. 2 Volume, 2 Tone control, 3 Way Toggle Switch, Japanese Split Brass Shaft 500K Pots replace CTS Pots, 0.022uF,400V Paper-in-Oil Capacitor, Switch-craft USA 1/4" Input Jack. Our P90 Pick-up uses Alnico V Magnets for fatter, more powerful P90 sound with a more sizzling, richer bass. The Nickel-Silver baseplate and braided wire add to the vintage vibe of these great looking soapbars. And they are meticulously wired 50's style and properly grounded with vintage correct 20AWG bus wire.

Drom 1961 to 1963, the LP slab double cutaway version is replaced by SG Junior model .

Double pointed cutaways, scalloped Mahogany Body in Polyurethane Aged Cherry finish, One pc Mahogany Neck, Set-in, Rosewood Fingerboard with dot inlays, 12” fingerboard radius, 22 frets, 1 11/16” wide Cow Bone Nut, 24.75" Scale, “C” style Neck Back Shape.

3 layer black beveled pick guard, black top-hat ("bonnet") shape knobs with metal on top and black back covers, Nickel plated metal parts, Wrap Around "Stair step" Tailpiece with the string looping over the bridge, Tuners are Kluson "3 on a plate" Style Tuners, Daddario XL110 (.10-.46) Strings. All these are important features of original 1961 SG Junior guitars .

Wiring and Pick-up are very important for a professional guitar, but it is hard to get the original electronic parts. So we choose the best substitutes. 1 Volume, 1 Tone control, Japanese Split Brass Shaft 500K Pots replace CTS Pots, 0.022uF,400V Paper-in-Oil Capacitor, Switch-craft USA 1/4" Input Jack. Our Dogear P90 Pick-up uses Alnico V Magnets for fatter, more powerful P90 sound with a more sizzling, richer bass. The Nickel-Silver baseplate and braided wire add to the vintage vibe of these great looking soapbars. And they are meticulously wired 50's style and properly grounded with vintage correct 20AWG bus wire.

F

MSJ61-CHYVintage Guitars

"Made in Japan" Wrap Around "Stair step" Tailpiece

Siang is our brand name for guitar beginners and senior guitar players .If you are looking for a good guitar at affortable price,Siang will be your best choice .

SST120SST120U

SST120K

BLKBLU

BLK

OPWConstruction : Bolt onBody : BasswoodNeck : Canadian MapleFingerboard : Rosewod ,21FPick up : S-S-S Alnico VControls : 1V, 2T , 5-way Switch W/Digital TunerHardware : ChromeMachine head : Kluson StyleFinish : OPW(Olympic White) Glossy

VTWConstruction : Bolt onBody : BasswoodNeck : Canadian MapleFingerboard : Rosewod ,21FPick up : S-S-S Alnico VControls : 1V, 2T , 5-way SwitchHardware : ChromeMachine head : Kluson StyleFinish : VTW(Vintage White) Glossy

FRDConstruction : Bolt onBody : PoplarNeck : Chinese MapleFingerboard : Maple ,21FPick up : S-S-S CeramicControls : 1V, 2T , 5-way SwitchHardware : ChromeMachine head:DiecastFinish : FRD(Fiesta Red) Glossy

SST121 SST220D SST220

Neck ProfileScale : 648mm Nut Width : 42mm1st fret Thickness : 20mmShape : Modern C Radius : 350mm

Construction : Bolt onBody : PoplarNeck : Chinese MapleFingerboard : Rosewood ,21FPick up : S-S-S CeramicControls : 1V, 2T , 5-way SwitchHardware : ChromeMachine head:DiecastFinish : Glossy

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3TSConstruction : Bolt onBody : BasswoodNeck : 1 pc Canadian Maple including� ngerboard ,21FPick up : S-S-H Alnico VControls : 1V, 2T , 5-way SwitchHardware : ChromeMachine head : DiecastFinish : 3TS(3 Tone Sunburst) Glossy OPW

Construction : Bolt onBody : BasswoodNeck : Canadian MapleFingerboard : Rosewod ,22FPick up : S-S-S Wilkinson MWVSControls : 1V, 2T , 5-way Switch W/Digital TunerHardware : ChromeMachine head : Kluson StyleFinish : OPW(Olympic White) Glossy

SST231F

SST220W

OPWConstruction : Bolt onBody : BasswoodNeck : Canadian MapleFingerboard : Maple ,22FPick up : S-S-H Alnico VControls : 1V, 2T , 5-way SwitchHardware : ChromeMachine head : DiecastFinish : OPW(Olympic White) Glossy

SST231RS

BK&YWConstruction : Bolt onBody : BasswoodNeck : Canadian MapleFingerboard : Rosewod ,22FPick up : S-S-S Alnico VControls : 1V, 2T , 5-way SwitchHardware : ChromeMachine head : DiecastFinish : BK&YW(Black & Yellow) Glossy

SST220VHOPWConstruction : Bolt onBody : BasswoodNeck : 1 pc Canadian Maple including� ngerboard ,21FPick up : S-S-S Alnico VControls : 1V, 2T , 5-way Switch Hardware : ChromeMachine head : Kluson StyleFinish : OPW(Olympic White) Glossy

SST221

SGRConstruction : Bolt onBody : BasswoodNeck : 1 pc Canadian Maple including� ngerboard ,21FPick up : S-S-S Wilkinson MWVSControls : 1V, 2T , 5-way Switch Hardware : ChromeMachine head : Kluson StyleFinish : SGR(Surf Green) Glossy

SST221W

2TSConstruction : Bolt onBody : MahoganyNeck : Canadian MapleFingerboard : Rosewood ,22FPick up : H-H Alnico VControls : 2V, 2T , 3-way Switch Hardware : ChromeMachine head : DiecastFinish : 2TS(2 Tone Sunburst) Glossy

SGRConstruction : Bolt onBody : BasswoodNeck : 1 pc Canadian Maple including� ngerboard ,21FPick up : S-S Wilkinson MWTControls : 1V, 1T , 3-way Switch Hardware : ChromeMachine head : Kluson StyleFinish : SGR(Surf Green) Glossy

CHYConstruction : Bolt onBody : MahoganyNeck : Canadian MapleFingerboard : Rosewood ,21FPick up : S-S Alnico VControls : 1V, 1T , 3-way Switch Hardware : ChromeMachine head : Kluson StyleFinish : CHY(Cherry) Glossy

STL460

STL211W

STL410


42

20

BTHConstruction : Bolt onBody : American AshNeck : 1 pc Canadian Maple including� ngerboard ,21FPick up : S-S Wilkinson MWTControls : 1V, 1T , 3-way Switch Hardware : ChromeMachine head : Kluson StyleFinish : BTH(Butterscotch) Glossy

STL611W

Neck ProfileScale : 628mm Nut Width : 43mm1st fret Thickness : 21.5mmShape : C Radius : 350mm

43

21.5

BLKConstruction : Set-in Body : BasswoodNeck : MapleFingerboard : Rosewood ,22FPick up : H-H CeramicControls: 2V , 2T , 3-way SwitchHardware : GoldMachine head : Rotomatic StyleString :Finish: BLK(Black) Glossy

BNSConstruction : Set-in Body : Mahogany/Maple Top with Flamed Veneer Neck : NyatohFingerboard : Rosewood ,22FPick up : H-H Alnico VControls: 2V , 2T , 3-way SwitchHardware : ChromeString : D’addarioMachine head : Kluson StyleFinish : BNS(Brown Sunburst) Glossy

HYSConstruction : Set-in Body : BasswoodNeck : Chinese MapleFingerboard : Rosewood ,22FPick up : H-H CeramicControls: 2V , 2T , 3-way SwitchHardware : ChromeMachine head : Kluson StyleFinish : HYS(Hoeny Burst) Glossy

CHSConstruction : Set-in Body : Mahogany/Maple Top with Quilted Veneer Neck : NyatohFingerboard : Rosewood ,22FPick up : H-H Alnico VControls: 2V , 2T , 3-way SwitchHardware : ChromeString : D’addarioMachine head : Kluson StyleFinish : CHS(Cherry Sunburst) Glossy

BNSConstruction : Set-in Body : Mahogany/Maple Top with Spalted Veneer Neck : NyatohFingerboard : Rosewood ,22FPick up : H-H Alnico VControls: 2V , 2T , 3-way Switch Hardware : ChromeString : D’addarioMachine head : Kluson StyleFinish : BNS(Brown Sunburst) Glossy

SLC260SLP460F

SLP260

SLP460Q

SLP450S


43

21.5

BLKConstruction : Set-in Body : PoplarNeck : Chinese MapleFingerboard : Rosewood ,22FPick up : H-H CeramicControls: 2V , 2T , 3-way Switch Hardware : ChromeMachine head : DiecastFinish : BLK(Black) Glossy

GTPConstruction : Set-in Body : BasswoodNeck : MapleFingerboard : Rosewood ,22FPick up : P90-P90 CeramicControls: 2V , 2T , 3-way Switch Hardware : ChromeMachine head : Kluson StyleFinish : GTP(Gold Top) Glossy

CHYConstruction : Set-in Body : Catalpa WoodNeck : NyatohFingerboard : Rosewood ,22FPick up : H-H CeramicControls: 2V , 2T , 3-way SwitchHardware : ChromeMachine head : Kluson StyleFinish : CHY(Cherry) Glossy

TYWConstruction : Set-in Body : BasswoodNeck : Chinese MapleFingerboard : Rosewood ,22FPick up : P90 CeramicControls: 1V ; 1THardware : ChromeMachine head : Kluson StyleFinish : TYW(TV Yel low) Glossy

CHYConstruction : Set-in Body : BasswoodNeck : Chinese MapleFingerboard : Rosewood ,22FPick up : P90 CeramicControls: 1V ; 1THardware : ChromeMachine head : Kluson StyleFinish : CHY(Cherry) Glossy

TYWConstruction : Set-in Body : BasswoodNeck : Chinese MapleFingerboard : Rosewood ,22FPick up : P90 CeramicControls: 1V ; 1THardware : ChromeMachine head : Kluson StyleFinish : TYW(TV Yellow) Glossy

SLP160

SLP240

SLP350

SLJ240D

SLJ240SLJ240



43

21.5

43

21.5

CHY Construction : Set-in Body : MahoganyNeck : NyatohFingerboard : Rosewood ,22FPick up : P90 CeramicControls: 1V , 1T Hardware : ChromeMachine head : Kluson StyleFinish : CHY(Cherry) Glossy

CHYConstruction : Set-in Body : BasswoodNeck : MapleFingerboard : Rosewood ,22FPick up : H-H CeramicControls: 2V , 2T , 3-way SwitchHardware : ChromeMachine head : Kluson StyleFinish : CHY(Cherry) Glossy

DBLConstruction : Set-in Body : BasswoodNeck : MapleFingerboard : Rosewood ,22FPick up : P90 CeramicControls: 1V , 1T Hardware : ChromeMachine head : Kluson StyleFinish : DBL(Dark Blue) Glossy

NTLConstruction : Bolt onBody : Amercian AshNeck : 1 pc Canadian Maple W/ Rosewood Skunk StripFingerboard : Rosewood ,20FPick up : S-S Alnico VControls : 2V , 1THardware : Chrome(Brass Saddle Bridge)Fi n i s h : N T L ( Na t u r a l ) Glossy

3TSConstruction : Bolt onBody : Amercian AshNeck : Canadian MapleFingerboard : Rosewood ,20FPick up : S-S Alnico VControls : 2V , 1THardware : Chrome(Brass Saddle Bridge)Finish: 3TS(3 Tone Sunburst) Glossy

SSJ440

SSG260

SSJ240

SJB611B SJB610

Neck ProfileScale : 864mm Nut Width : 43mm1st fret Thickness : 20mmShape : D Radius : 350mm

Neck Profile:Scale : 864mm Nut Width : 42mm1st fret Thickness : 20mmShape : Modern C Radius : 350mm

Neck Profile:Scale : 864mm Nut Width : 38mm1st fret Thickness : 20mmShape : Modern C Radius : 350mm

43

20

WHTConstruction : Bolt onBody : PoplarNeck : Chinese MapleFingerboard : Rosewood ,24FPick up : H-H CeramicControls : 2V , 2T, 5-way SwitchHardware : ChromeFinish: WHT(White) Glossy

2TSConstruction : Bolt onBody : Catalpa WoodNeck : Canadian MapleFingerboard : Rosewood ,24FPick up : H-H CeramicControls : 2V , 2T, 5-way SwitchHardware : ChromeFinish: 2TS(2 Tone Sunburst) Glossy

FRDConstruction : Bolt onBody : PoplarNeck : Chinese MapleFingerboard : Rosewood ,20FPick up : S-S CeramicControls : 1V , 1THardware : ChromeFinish: FRD(Fiesta Red) Glossy

3TSConstruction : Bolt onBody : PoplarNeck : Chinese MapleFingerboard : Rosewood ,20FPick up : S-S CeramicControls : 2V , 1THardware : ChromeFinish: 3TS(3 Tone Sunburst) Glossy

2TSConstruction : Bolt onBody : Bassood with Flamed Veneer TopNeck : Chinese MapleFingerboard : Maple ,24FPick up : H-H Ceramic ,Pre-amp.Controls : 2V , 2T ,5-way SwitchHardware : ChromeFinish: 3TS(3 Tone Sunburst) Glossy

SWB150

SWB350

SPB110

SJB110

SMB250F

Moments of clarity are rare and fleeting , and sometimes become defining moments in a musician’s life . Siang acoustic guitars are designed with the goal of giving you this special moment .

NTScale Length: 648mmTop : Solid SpruceBack & Side : RosewoodNeck : NyatohFingerboard & Bridge : Rosewood Binding : Rosewood BindingSound hole decoration : Abalone Inlaid Machine head : Gold DiecastFinish : NT(Natural) Glossy

NTScale Length: 648mmTop : Solid SpruceBack & Side : RosewoodNeck : NyatohFingerboard & Bridge : Rosewood Binding : Rosewood BindingFingerboard Inlaid : Abalone Flower InlaidSound hole decoration : Abalone Inlaid Machine head : Gold DiecastFinish : NT(Natural) Glossy

NTScale Length: 648mmTop : Solid SpruceBack & Side : SapeleNeck : NyatohFingerboard & Bridge : Rosewood Binding : Sapele Wood BindingSound hole decoration : Abalone Inlaid Machine head : Gold DiecastFinish : NT(Natural) Glossy

NTScale Length: 648mmTop : Solid SpruceBack & Side : RosewoodNeck : NyatohFingerboard & Bridge : Rosewood Binding : Rosewood BindingSound hole decoration : Abalone Inlaid Machine head : Gold DiecastFinish : NT(Natural) Glossy

SA3240CS SA1240S

SA1240TCS SA1230S

NTScale Length: 648mmTop : SpruceBack & Side : SapeleNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : ABS Inlaid Machine head : Gold DiecastFinish : NT(Natural) Glossy

NTScale Length: 648mmTop : SpruceBack & Side : SapeleNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : Wood Inlaid Machine head : Chrome DiecastFinish : NT(Natural) Glossy

NTScale Length: 648mmTop : SpruceBack & Side : RosewoodNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : ABS Inlaid Machine head : Chrome DiecastFinish : NT(Natural) Glossy

NTScale Length: 648mmTop : SpruceBack & Side : ZebranoNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : ABS Inlaid Machine head : Chrome DiecastFinish : NT(Natural) Glossy

NTScale Length: 648mmTop : SpruceBack & Side : RosewoodNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : ABS Inlaid Machine head : Gold DiecastFinish : NT(Natural) Glossy

NTScale Length: 648mmTop : SpruceBack & Side : ZebranoNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : ABS Inlaid Machine head : Gold DiecastFinish : NT(Natural) Glossy

SA4250

SA4240 SA4230

SA1230

SA1250

SA1240C

NTScale Length: 648mmTop : SpruceBack & Side : SapeleNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : ABS Inlaid Machine head : Chrome DiecastFinish : NT(Natural) Glossy



NTScale Length: 648mmTop : SpruceBack & Side : SapeleNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : ABS Inlaid Machine head : Chrome DiecastFinish : NT(Natural) Glossy

NTOverall length: 21-1/8" Scale length: 13-9/16"Total # frets: 12 Frets to the body: 12 Top : SapeleBack & Side : SapeleNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : NoneMachine head : Chrome OpenFinish : NT(Natural) Satin

NTOverall length: 21-1/8" Scale length: 13-9/16"Total # frets: 12 Frets to the body: 12 Top : Flamed MapleBack & Side : Flamed MapleNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : Abalone InlaidBinding : Rosewood Body BindingMachine head : Chrome DiecastFinish : NT(Natural) Satin

NTOverall length: 21-1/8" Scale length: 13-9/16"Total # frets: 12 Frets to the body: 12 Top : RosewoodBack & Side : RosewoodNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : Abalone InlaidBinding : Wood Body BindingMachine head : Chrome DiecastFinish : NT(Natural) SatinElectronic Volume and Tone Control

NTOverall length: 21-1/8" Scale length: 13-9/16"Total # frets: 12 Frets to the body: 12 Top : SapeleBack & Side : SapeleNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : NoneMachine head : Chrome OpenFinish : NT(Natural) Satin

NTOverall length: 24-3/4" Scale length: 15-15/16"Total # frets: 19 Frets to the body: 14 Top : SapeleBack & Side : SapeleNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : Wood InlaidBinding : ABS Body BindingMachine head : Chrome DiecastFinish : NT(Natural) Satin

NTOverall length: 24-3/4" Scale length: 15-15/16"Total # frets: 19 Frets to the body: 14 Top : Flamed MapleBack & Side : Flamed MapleNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : Wood InlaidBinding : Wood Body BindingMachine head : Gold OpenFinish : NT(Natural) Glossy

NTOverall length: 24-3/4" Scale length: 15-15/16"Total # frets: 19 Frets to the body: 14 Top : Solid SapeleBack & Side : SapeleNeck : NyatohFingerboard & Bridge : Rosewood Sound hole decoration : Abalone InlaidBinding : ABS Body BindingMachine head : Chrome DiecastFinish : NT(Natural) Satin

SA3230C

SA3240C SA3240 SA2230

SU4660

SU1330R SU1330

SU4330

SU1740 SU1660

SU4330S

Documents

GUITARS - Jedistar 2011… · collectible appeal. All the U.S. guitar manufacturers were in dire straits during the 1970s. They were either bought out by larger conglomerates looking