·=--

--- es a d

-.-

Ga lia ~-------------------------------------3

---------------------------------------4 ottu mo op. 4 no. 1 ________________________ _ 6

El negrito (no. 1 from Two Venezuelan Wa/tzes)... ..... - .. ·-··--···---····-·· 8

Rio by NighL.............................. ............................................ . .............. J O

Swing Thing ......................................... ...... .. . ... . _12

Birds flew over the Spire ... . .. ....... .. ... . . ........ 14

Soledad ................................................................. . . .. ..... .......................... 15

Bonza's Blues... . ............................ . . ........ 16

Technical Suite (Scales, Arpeggios and Exercises) ......... ...... 18

a..ive pieces for this grade (2010-2012):

--= ·coni

-- ;::::

- =--

===.-son

=::.= Ita

Etude 9 (from Etudes simples 2• serie)

Etude no. 2 in A minor (from 25 Etudes op. 60)

Danza del Cuculo (from Modern Times - The Complete Series in one vol.)

Floc;ons de neige (from 25 Etudes esquisses)

Etude 11 in A minor (from Studies op. 100)

Saudades Brasileiras (from Guitar Crackers)

Rumba (from La Guitarra F/amenca)

Sensuel (from Play Piazzolla)

Eschig ME7998

Chanterelle or Orphee ECH470

Chanterelle ECH750

Mel Bay 95430

Schott GA69

Alsbach ALB10482

Hampton Music HG305

Boosey 9790060119712

pieces to be performed, chosen from the pieces included in this book or f rom the alternative piece(s) listed = _r _ e grade, t o form a balanced programme. Full details of alternative pieces are given above and in the current -- · .ar Sy llabus. One piece may be replaced by the candidate's own composition of a similar length and standard :~ - e other pieces chosen.

echnical work ==-= inside back cover for details.

S pporting test s .ests to be chosen from Aural, Improvisation, Musical Knowledge or Sight Reading at candidate's choice.

::::- e current Guitar Syllabus for details .

. ant

~=.., 'i ates and teachers must refer to the Information & Regulations booklet for all examination requirements equlations. Syllabuses and further information can be obtained from your Trinity Guildhall Centre Representative

-- · · 's Head Office.

- : ·eces in this volume have been edited with regard to current concepts of performance practice. Dynamics and fingering -::. = :;e-en suggested to assist candidates and their teachers in developing their own interpretations.

=:-::~ ended metronome markings are given as a useful, but not definit ive, performance guide for all pieces. Those uare brackets are the composer's own indication of the appropriate speed for the music.

=:~-- f more than three bars should be omitted unless instructed otherwise in the syllabus or Trinity music book, but a d dal segno instructions should be observed.

~ = ::~n --: has been made to trace and acknowledge the copyright owners. If any right has been omitted or if any detail is -=-==- - ·n·t College London apologises and wi ll rectify this in any subsequent reprints following notification.

Guitar Grade 5 Pi-eces & Exercises for Trinity Guildhall examinations

2010-2015

Published by: Trinity College London 89 Albert Embankment London SE1 7TP UK

T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E music@trinityguildhall.co.uk www.trinitygu ildhall.co.uk

...

Copyright © 2009 Trinity College London

Unauthorised photocopying is illegal No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the publisher.

Music processed by Artemis Music Ltd. Printed in England by Halstan & Co. Ltd , Amersham, Bucks.

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Galopp

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Galliard

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Francis Cutting

(c. 1571-1596)

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Notturno op. 4 no. 1

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3 stentando

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Johann Kaspar Mertz

(1806-1856)

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25

r r r if =u 3

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El negrito no. 1 from Two Venezuelan Waltzes

Antonio Lauro

(1917-1986) ,. = Ltl-132) ~

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©Copyright 1984 by Universal Edition (Australia) Pty. Ltd. I UE29173. Reproduced by permission. All rights reserved.

Rio by Night

Gentle bossa nova rJ = 104- 116]

Vincent Lindsey-Clark

III ,.....-...

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Swing Thing

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Nick Powl esland

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Swing Thing

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Nick Powlesland

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III V III II

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25 n 4; -J~J

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Birds flew over the Spire

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Gary Ryan (born 1969)

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- :-; al, bracketed C to be played 2nd time only. No repeat to be played in the examination, therefore play C.

© Copyright 2009 Camden Music. Reproduced from City Scenes (CM251). Used by permission.

So e a

Bolero [d = 56-72]

r 5

r III

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© Copyright 2006 by Ludwig Doblinger (Bernhard Herzmansky) K.G., Vienna - Munich (Doblinger 35 915). Reproduced from Guitarra Lat ina. 11 Latin American Dances for Guita r. Used by kind permission of the copyright owner.

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Bonza's Blues William Baulch

YzCI YzCII

Copyright © 2009 Trinity College London

15

r r r r

24

echnical Suite =-:: -=:=:: ::~ s· g Option ii) Technical Suite in the Technical Work section of the examination must prepare all the following

--= =:: =-==-:;;::;· sand exerci ses.

c es and arpeggios (to be performed from memory)

=- ·- ui ar & Plectrum Guitar Scales and Exercises from 2007, published by Trinity Guildhall.

=== = :: : c repared apoyando or tirando, * at candidate's choice. Straight rhythm. - -:::=-:;;:;; :: :o e prepared tirando .

.=:. ~aj r scale (two octaves), im fingering =-:: -= onic and melod ic minor scales (two octaves), ma fingering .=:. ~a~ r arpeggio (two octaves)

a ic scale starting on E (three octaves), im fingering

:::: ::r o = rest st roke; tirando =free stroke

ercises

. Chromatic Conundrum (slu rs and glissandi)

~ f J II

Copyright © 2009 Trinity College London

2. Centra Park in the Dark (full barre)

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3. Summer Sunset (slurs)

Expressive and sustained J = 72- 84

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in G ; .. :-&? - - ...,. -~ ....... - -I ..... ~~

Scales

The following scales to be performed with dynamics, right hand fingering pattern, rh hmic current Guitar Syllabus fo r examples of rhythmic styles).

rJe an - e b s~ ~ -

To be played apoyando:

F major (two octaves),f. ma fingering. Straight rhythm. norm. tone Bb major (two octaves),f. ma fingering. Straight rhythm. norm. tone Chromatic starting on E (three octaves),f. im fingering. Swing rhythm. pont. tone

To be played tirando:

F# natural minor (two octaves), 11ff ma fingering. Swing rhythm. pont. tone F# harmonic minor (two octaves), 11ff ma fingering. Swing rhythm. pont. tone F# melodic minor (two octaves), 11ff ma fingering. Swing rhythm. pont. tone C major pentatonic (two octaves),p, im fingering. Straight rhythm. norm. tone

Arpeggios

The following arpeggios to be performed 11ffand tirando:

Bb major (two octaves) Dominant 7th in the key of Eb (two octaves, starting on Bb)

Exercises

• The following exercises to be performed 11ffand tirando:

Paired slurs in A major Bb major in 3rds Full barre sequence: t J ~60 i m .::

CI -------, CIII -------.,

~R~)!P rJJ p

CV CVII -------,

~ JJJ (ri1~1 ~ aJIJ!P r»r or ii) Technical Suite

Scales and Arpeggios (to be performed from memory)

As given in Guitar & Plectrum Guitar Scales & Exercises from 2007 published by Trinity Guildhall.

Scales to be prepared apoyando or tirando, * at candidate's choice. Straight rhythm. Arpeggios to be prepared tirando.

Bb major scale (two octaves), im fingering F# harmonic and melodic minor scales (two octaves), ma fingering Bb major arpeggio (two octaves) Chromatic scale starting on E (three octaves), im fingering

* apoyando = rest stroke; tirando = free stroke

Exercises

Candidates to prepare all of the following exercises, printed in this book:

1. Chromatic Conundrum (slurs and glissandi) 2. Central Park in the Dark (full bam?) 3. Summer Sunset (slurs)

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