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GUIDE TO AGENTS FOR NEW SCREENWRITERS by Philip Gladwin

GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

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Page 1: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

1

GUIDE TO AGENTS FOR NEW

SCREENWRITERS

by Philip Gladwin

Page 2: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

2

Stuff the Lawyers Insist On

The author has created this Screenwriting Goldmine

book using his best efforts. The author and

publishers give no guarantees or warranties as to the

fitness, applicability, or completeness of its contents.

There are no warranties, either expressed or implied,

as to the effectiveness or fitness of this Ebook for any

purpose, and the authors and publishers shall in no

event be held liable for any damages or other

loss/damages resulting from following all or part of

the information contained herein. It should be read

for entertainment only.

There are no guarantees of earnings, or success

resulting from following the advice contained within

this book, nor any guarantees of the duration and

effectiveness of the strategies and information

included.

The material contained within this book is protected

under international and British copyright laws and

treaties and as such, any unauthorised copying,

distribution or reprinting of this material is strictly

forbidden.

Find out more about the Screenwriting Goldmine at

www.screenwritingggoldmine.com

Page 3: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

3

ESSENTIAL AGENTS

Notes

This is our best list of agents who are of interest to the

new screenwriter here in the UK.

There are more agencies in the UK of course, but

some of them are very specialised, or essentially

closed to new writers – and some who are happy to

read new work don't really have the standing or

connections to seriously advance a new writer's

career.

The agents in this list are strongly recommended as

having both a reasonable open door policy to new

writers, and serious standing in the industry.

Which means:

You stand a reasonable chance of actually being read

by them in the end. (I say good chance - nothing is

guaranteed. Obviously things can change at any time,

and at any time an agent may decide that their list is

full and they are no longer looking for writers.)

They are real industry players who can properly

advance your career.

There are tens of thousands of new screenwriters in

the UK, all looking for representation, and perhaps in

the low hundreds of literary agents, so please that in

mind before you get frustrated.

Just because an agent is on this list does NOT mean

that you will definitely get your script read - every

single agent on this list will be already bombarded by

new writers, and will be working incredibly hard to

get through that pile of reading already.

Being an agent is more than a full time job, and that

means that it is standard not to hear back.

Page 4: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

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The converse of that is that if an agent IS interested

and they want to take things further, you will know

about it!

The best mind set is this:

Follow the instructions on how to submit here.

Chase gently with a short, polite email after eight

weeks.

One more short, polite email nudge after twelve

weeks, then after that consider the submission dead

and move on.

Are you ready?

If they like your first writing sample, an agent will

always want to read more. They will want to know

that the first script wasn't a fluke, and they will want

to know you are a creative person who has a lot of

ideas.

So please hold back from launching yourself on this

quest until you have at least two scripts written and

polished to a high standard, and make sure you have

a couple more ideas for more work you are passionate

about too. If you are called in for a meeting this will

be a key area of discussion, so make sure you are

ready for it.

Personal recommendation

Notice how many agents in this will only read work

that has been recommended to them by people in the

industry.

Even when agents don't specify this, you can be sure

that you will attract more attention if you have this

kind of recommendation. So a huge part of finding an

agent is finding supporters of your writing among

existing professionals.

Make it your business to get fans of your writing and

get these recommendations.

Page 5: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

5

Covering Letters and CVs

Every time you write to one of these agents you will

have to write some kind of covering letter.

And there's a whole can of worms.

How DO you attract attention without going over the

top? Sell yourself without seeming arrogant? Sell

yourself if you have no writing experience?

It's a fine art.

There are no rules of course, and everyone will do this

differently - and that's as it should be. It's your

personality that needs to shine through, after all.

But if you DO want some guidance, I go into this

whole area in detail, and give some examples of how

to do it, in Open Door Issue 4, available from the

Open Door archive when you subscribe to Open Door

here: www.screenwritinggoldmine.com/open-door/

Multiple submissions

It's received wisdom that you don't approach multiple

agencies at the same time.

It’s my view that life is short, and approaching one

agency at a time and then waiting three months for

no reply will actually send you mad!

If you are truly ready, then I see nothing wrong with

approaching more than one agent at a time.

Just don't go on about it, or try to play one agent off

against another. That's a recipe for losing both of

them.

Reading Fees

None of the agencies we list here should ever charge

you a reading fee.

That's because no legitimate agency works this way in

the UK.

Page 6: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

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Legitimate agencies get paid when you get paid, and

they take their commission (between 10% to 15% +

VAT) out of the fees paid on sale of your script.

Think twice, or three times before ever paying a

reading/consultancy fee, or a fee"to cover overheads".

It's a serious mark of a scam.

Play it straight

It's a small enough world that agents talk to each

other, so be aware of that if you are considering

unorthodox claims about yourself or your

background.

Notice how many of the agents in this document

share the same address. In particular the ones who

share a large, single roomed office at Screenworks.

The pool is VERY small, so behave with integrity and

don't foul it for yourself.

It's a dynamic industry

Things change and people move jobs all the time, so if

you find that this is so, please let us know.

And if you're an agent and you think we've left you

out then please write to

[email protected] to let us know.

Here's NOT to do it:

www.knighthallagency.com/submissions/how-not-

to-approach-us/

(And, sadly, Knight Hall are currently closed for

approaches via new writers at the moment!)

Finally, here are the agents.

Good luck with your hunt!

Phil Gladwin

Page 7: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

7

THE AGENTS

ALAN BRODIE REPRESENTATION LTD

Address: Paddock Suite, The Courtyard, 55 Charterhouse Street, London EC1M

6HA

Website: http://www.alanbrodie.com/

Contact email: [email protected]

Twitter: @abragency

Switchboard: 020 7253 6226

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: Send CV first before sending work. They will get in touch if they want to read

scripts.

Agent: Alan Brodie

Agent: Lisa Foster

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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BERLIN ASSOCIATES

Address: Berlin Associates, 7 Tyers Gate, London SE1 3HX

Website: http://www.berlinassociates.com/

Contact email: [email protected]

Twitter:

Switchboard: 020 7836 1112

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: Send your CV and an example of your work to

[email protected]

They will get back to you if they are interested in taking things any further.

Agent: Marc Berlin

phone: 020 7632 5282

Agent: Matt Connell

phone 020 7632 5283

Agent: Alexandra Cory

phone 020 7632 5283

Agent: Rachel Daniels

phone 020 7632 5284

Agent: Julia Mills

phone 020 7632 5284

Agent: Fiona Williams

phone 020 7632 5281

Agent: Emily Wraith

phone 020 7632 5281

Agent: Julia Wyatt

phone 020 7632 5282

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

Page 9: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

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BLAKE FRIEDMANN LITERARY AGENCY LTD

Address: First floor, Selous House, 5-12 Mandela St, London NW1 0DU

Website: http://blakefriedmann.co.uk/

Contact email: [email protected]

Twitter:

Switchboard: 020 7387 0842

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: You MUST have broadcast/production credits OR produced stage or radio

plays before they will consider you. They are particularly keen on finding playwrights

who are transitioning to film and TV. If that's you then send covering letter, writing

CV, one spec script feature length/TV hour, summary of that script to

[email protected] They will respond if they want to take it

forward.

Agent: Julian Friedmann

Agent: Conrad Williams

Agent: Dan Nixon

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

Page 10: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

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CECILY WARE LITERARY AGENTS

Address: 19c John Spencer Square, Canonbury, London, N1 2LZ

Website: http://www.cecilyware.com/

Contact email: Contact form on website

Twitter:

Switchboard: 020 7359 3787

TV: Yes

Movies: No

Currently reading new work: Yes

Notes: Post you script with a covering letter, a CV and a stamped addressed

envelope to Submissions Department, Cecily Ware Literary Agents, 19c John Spencer

Square, Canonbury, London, N1 2LZ. Include SAE if you want script returning.

Agent: Gilly Schuster

Agent: Warren Sherman

Agent: Carol Reyes

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

Page 11: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

11

CULVERHOUSE ASSOCIATES

Address: 15 Mill Lane, Churchtown,Southport, PR9 7PL

Website: http://culverhouseassociates.com/

Contact email: [email protected]

Twitter:

Switchboard: 01704 224056

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: If you are an established writer (at least 2 scripts commissioned/broadcast)

please contact Diane Culverhouse [email protected] If you are a new

writer, please email [email protected] before sending in any script

material.

Agent: Diane Culverhouse

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

Page 12: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

12

CURTIS BROWN

(inc. ICM and Christopher Little)

Address: Haymarket House, 28 -29 Haymarket, London SW1Y 4SP

Website: http://curtisbrown.co.uk/

Contact email: [email protected]

Twitter: @CBTheatreFilmTV

Switchboard: 020 7393 4400

TV: Yes

Movies: Yes

Currently reading new work: Unlikely, but possible. They prefer to get their

clients through recommendations

Notes: Read this page before submitting anything:

www.curtisbrown.co.uk/page/becoming-a-client

Agents: Kat Buckle, Hannah Clarke, Jessica Coleman, Jessica Cooper, Amanda

Davis, Sam Greenwood, Ben Hall, Alastair Lindsey-Renton, Nick Marston, Cynthia

Okoye, Nish Panchal, Joe Phillips, Charlie Weedon, Lily Williams, Camilla Young

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

Page 13: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

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DAVID HIGHAM ASSOCIATES

Address: 7th Floor, Waverley House, 7–12 Noel Street, London W1F 8GQ

Website: http://www.davidhigham.co.uk

Contact email: [email protected]

Twitter:

Switchboard: 020 7434 5900

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: Don't send your script in cold. You need a recommendation from a producer,

development exec, literary manager, course tutor, or an existing client of this agency.

Don't send your script even then, but write to one of the agents attaching a CV and

your referee.

Agent: Nicky Lund

Nicky's Assistant: Hannah Campbell

[email protected]

Agent/Director: Georgina Ruffhead

[email protected]

Georgina's Assistant: Gemma Addy

[email protected]

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

Page 14: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

14

DENCH ARNOLD

Address: 10 Newburgh Street, London, W1F 7RN

Website: http://www.dencharnold.com/

Contact email:

Twitter:

Switchboard: 020 7437 4551

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: Write to Fiona, and send a covering letter, CV and synopsis of one

screenplay, or director's showreel.

Agent: Elizabeth Dench

Agent: Matthew Dench

Agent's Assistant: Fiona Grant

[email protected]

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

Page 15: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

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JFL AGENCY

Address: 48 Charlotte Street, London W1T 2NS

Website: http://www.jflagency.com/

Contact email: [email protected]

Twitter: @jflagency

Switchboard: 020 3137 8182

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: You must be an established writer with production credits. First send a

preliminary letter or email, telling them about your writing and what scripts you

have available for them to read. If they think there’s a possible fit with the agency,

they’ll then request a script.

Agent: Alison Finch

Agent: Dominic Lord

Agent: Gary Wild

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

Page 16: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

16

JANET FILLINGHAM ASSOCIATES

Address: 52 Lowther Road, London SW13 9NU

Website: http://www.janetfillingham.com/

Contact email: [email protected]

Twitter: @jfa_litagency

Switchboard: 020 8748 5594

TV: Yes

Movies: Yes

Currently reading new work: On request only

Notes: Send your CV and your contact details. They will try to respond after six

weeks. If they want to read your scripts they will come back to you and let you know.

Agent: Janet Fillingham

Agent: Kate Weston

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

Page 17: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

17

JULIA TYRELL MANAGEMENT LTD

Address: 57 Greenham Road, London, N10 1LN

Website: http://www.jtmanagement.co.uk/

Contact email: [email protected]

Twitter:

Switchboard: 020 8374 0575

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: Write including a full sample of writing, i.e. a complete play, screenplay or

television script. They will reply if they want to take things further.

Agent: Julia Tyrell

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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18

KI AGENCY

Address: Studio 315, Screenworks, 22 Highbury Grove, London N5 2ER

Website: http://www.ki-agency.co.uk/

Contact email: [email protected]

Twitter:

Switchboard: 020 3214 8287

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: Write including a full sample of writing, i.e. a complete play, screenplay or

television script in PDF format. They will reply if they want to take things further.

Agent: Meg Davis

[email protected]

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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KITSON PRESS

Address: Screenworks, Studio 315, 22 Highbury Grove, London N5 2ER

Website: http://www.ki-agency.co.uk/

Contact email: [email protected]

Twitter:

Switchboard: 020 3735 7856

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: Send a covering letter, a CV and a full length sample of your writing work to

[email protected]

Agent: Jean Kitson

[email protected]

Agent: Julie Press

[email protected]

Assistant: Jack Buckley

[email protected]

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

Page 20: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

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LISA RICHARDS AGENCY

Address (Ireland): 108 Upper Leeson Street, Dublin 4, Ireland

Address (London): 1st Floor, 33 Old Compton Street, London W1D 5JU

Website (Ireland): http://lisarichards.ie/

Website (London): http://lisarichards.co.uk/

Contact email: [email protected]

Twitter: @lisarichardsltd

Switchboard: + 353 1 637 5000

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: Send a covering letter, your CV and your contact details. They will try to

respond after six weeks.

Agent: Holly Carey

Agent: Jasmine Daines Pilgrem

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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MBA LITERARY AGENTS LTD

Address: MBA Literary Agents Ltd, 62 Grafton Way, London, W1T 5DW

Website: http://www.mbalit.co.uk/

Contact email: MBA Literary Agents Ltd

Twitter:

Switchboard: 020 7387 2076

TV: Yes

Movies: Yes

Currently reading new work: Unlikely, but possible

Notes: Send your CV and your contact details. They will try to respond after six

weeks.

Agent: Diana Tyler

Diana's Assistant: Annelies Bekes

[email protected].

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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MACFARLANE CHARD ASSOCIATES LIMITED

Address: 33 Percy Street London W1T 2DF

Website: http://www.macfarlane-chard.co.uk/

Contact email: [email protected]

Twitter:

Switchboard: 020 7636 7750

TV: Yes

Movies: Yes

Currently reading new work: Possible

Notes: Suggest send covering letter, CV, and very short summary of your best script.

Agent: Peter MacFarlane

Agent: Louise Tamm

Assistant: Naomi Miller

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

Page 23: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

23

MICHELINE STEINBERG ASSOCIATES

Address: Screenworks, Studio 315, 22 Highbury Grove, London N5 2ER

Website: http://www.steinplays.com/

Contact email: Use the contact form at http://www.steinplays.com/submissions/

Twitter: @steinbergassocs

Switchboard: 020 3214 8292

TV: Yes

Movies: Yes

Currently reading new work: Yes, but unlikely to sign you - they find bulk of

new writers via personal recommendations

Notes: Email your CV, together with a brief outline of the work you would like to

submit.

Agent: Micheline Steinberg

Assistant: Jack Buckley

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

Page 24: GUIDE TO AGENTS FOR NEW SCREENWRITERS ......always want to read more. They will want to know that the first script wasn't a fluke, and they will want to know you are a creative person

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MICHELLE KASS ASSOCIATES

Address: 85 Charing Cross Road, London, WC2H 0AA

Website: http://michellekass.co.uk/

Contact email: [email protected]

Twitter:

Switchboard: 020 7439 1624

TV: Yes

Movies: Yes

Currently reading new work: Possibly

Notes: Please telephone them BEFORE sending any of your work

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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25

PETERS FRASER AND DUNLOP

Address: Drury House, 34-43 Russell Street, London, WC2B 5HA

Website: http://www.petersfraserdunlop.com/

Contact email: [email protected]

Twitter:

Switchboard: 020 7344 1000

TV: Yes

Movies: Yes

Currently reading new work: Very occasionally

Notes: You MUST HAVE a referral to an agent here by a producer, development

executive or course tutor. Email that agent directly attaching details of who has

referred you, and they will take it from there.

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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26

ROCHELLE STEVENS & CO.

Address: 2 Terretts Place, Upper Street, London, N1 1QZ

Website: http://www.rochellestevens.com/

Contact email: [email protected]

Twitter: @TerretsPlace

Switchboard: 0207 359 3900

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: Send a letter (rather than email, LinkedIn or Twitter!) telling them

something about yourself and what has brought you to your current work. Include a

current CV, plus a short synopsis and the opening 10 pages of the script you wish to

submit. Include an SAE if you want the script returning.

Agent: Rochelle Stevens

Agent: Frances Arnold

Assistant: Phoebe O'Donnell

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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SAYLE SCREEN LTD

Address: Sayle Screen Limited, 11 Jubilee Place, London, SW3 3TD

Website: http://saylescreen.com/

Contact email: [email protected]

Twitter: @saylescreen

Switchboard: 020 7823 3883

TV: Yes

Movies: Yes

Currently reading new work: Very occasionally

Notes: You MUST HAVE a referral to an agent here by a producer, development

executive or course tutor. Email that agent directly attaching details of who has

referred you, and they will take it from there.

Agent: Matthew Bates

Agent: Tania Hurst-Brown

Agent: Kelly Knatchbull

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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28

SHEIL LAND ASSOCIATES LTD

Address: 52 Doughty Street, London, WC1N 2LS

Website: http://www.sheilland.com/

Contact email: [email protected]

Twitter: @sheilland

Switchboard: 020 7405 9351

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: Send covering letter, CV and one page synopsis of the script you want them

to read. No full scripts!

Agent: Lucy Fawcett

Agent: Chloe Beeson

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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29

THE AGENCY (LONDON) LTD

Address: 24 Pottery Lane, Holland Park, London, W11 4LZ

Website: http://theagency.co.uk/

Contact email: [email protected]

Twitter: @TALLAgent

Switchboard: 020 7727 1346

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: You MUST HAVE a referral to an agent here by a producer, development

executive or course tutor. Email that agent directly or [email protected]

attaching details of who has referred you, and they will take it from there.

Agents: Stephen Durbridge, Bethan Evans, Julia Kreitman, Leah Schmidt, Nick

Quinn, Katie Haines, Ian Benson, Fay Davies, Tanya Tillett, Emily Hickman, Katie

Williams, Simon Blakey, Jonathan Kinnersley, Hannah Boulton

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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30

THE WRITERS COMPANY

Address: The Writers’ Company, 33 Oval Road, London NW1 7EA

Website: https://writerscompany.co.uk/

Contact email: [email protected]

Twitter: @writerscompany

Switchboard: 0207 184 5747

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: Write and introduce yourself and tell them about your work, your credits and

achievements and the companies you have been working with. They will get back to

you as soon as possible and ask to see work if interested, they'll ask for examples of

your work. Don't send scripts, and no personal calls.

Agent: Nick Barron

[email protected]

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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31

UNITED AGENTS

Address: 12-26 Lexington Street, London W1F 0LE

Website: http://www.unitedagents.co.uk/

Contact email: [email protected]

Twitter: @unitedagents

Switchboard: 020 3214 0800

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: You MUST HAVE a referral to an agent here by a producer, development

executive or course tutor. Email that agent directly with details of who has referred

you, and they will take it from there.

Agents: Michelle Archer, Georgina Carrigan, Rose Cobbe, St John Donald, Alice

Dunne, Natasha Galloway, Sean Gascoine, Georgina Gordon-Smith, Duncan Hayes,

Anthony Jones, Kitty Laing, Silvia Llaguno, Lynda Mamy, Daniela Manunza, Camille

McCurry, Yasmin McDonald, Stephanie Moore, Andrew Naylor, Marnie Podos,

Madeleine Pudney, Giles Smart, Nicki Stoddart, Hannah Thornton, Lisa Toogood,

Dan Usztan, Maureen Vincent (with Carly Peters), Maureen Vincent (with Lorna

Fallowfield), Charles Walker

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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32

VALERIE HOSKINS ASSOCIATES

Address: 20 Charlotte Street, London, W1T 2NA

Website: http://www.vhassociates.co.uk/

Contact email: [email protected]

Twitter:

Switchboard: 020 7637 4490

TV: Yes

Movies: Yes

Currently reading new work: Yes

Notes: Call the switchboard, or write to [email protected] for more

information. We suggest in this email you include a note about yourself, a short CV,

and a summary of the script you want to pitch.

Agent: Valerie Hoskins

Agent: Rebecca Watson

Assistant: Sara Moore

YOUR NOTES:

Name of agent/assistant:

Date first contacted:

Materials sent:

Chased on this date (8 weeks after first submitted):

Chased for a second time (12 weeks after first submitted):

Results, meetings, followup notes:

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33

CONCLUSION

So that's it. Our choice of the serious agents out there

who are most likely to read your work.

But winning a meeting is only half the battle: you also

have to sell your screenplay once you are in there!

If you want reliable information on how to pitch a

screen story, then take a look at our professional

pitching guide The Fearless Pitcher

This book explains the basics of pitching your

screenplay to script execs and producers.

Learn simple techniques for handling a

pitching meeting - based on current industry

practice.

Learn effective mind tricks to calm your nerves

about pitching.

Find out about pitching as it really happens.

Written from years of experience, this book shows

you how to prepare for real world pitching meetings,

and includes many practical tips and tricks from

working screenwriters.

You can get your copy at:

www.screenwritinggoldmine.com/the-fearless-

pitcher

If you want more in-depth industry information, plus

regular guidance on how to build your career, then

you should definitely take a look at our monthly

newsletter Open Door.

Each issue of Open Door features:

Fresh interviews with script editors and/or

producers

Get to know the people behind the scenes, the people

who are actually hiring writers right now - and find

out what they are looking for.

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34

Current opportunities for British

screenwriters

Find work with our monthly guide to job vacancies,

shadow schemes, and industry backed training

initiatives and competitions.

A profile of a drama production company

We profile the companies who are currently making

the drama that hits your screens. Find out what

they're looking for - and what turns them off.

The month's drama greenlights

Don't waste years of your life writing a project that is

already being made: find out what is actually being

put into production months long before it hits your

screen.

Commentary and career advice from

established screenwriters

Hear about the realities of selling scripts, how to

approach agents and producers, how to handle

meetings, and much more. It's like having a mentor to

guide you through your career.

Regular online webchats

Ask established industry figures your career and

writing questions in our monthly real-time webchat.

UK networking and social diary

Find out about events in your local area. Go along and

start filling your address book with people who are

currently engaged in the industry.

Free lifetime access to our subscribers only

Facebook group

Begin the journey into the industry from your own

home.

Subscriptions cost just £7.50 per month. Find

out more at:

www.screenwritinggoldmine.com/open-door