For full details of exam requirements, please refer to the

current syllabus in conjunction with Examination

Information & Regulations and the guide for candidates,

teachers and parents, These Music Exams. These three

documents are available online at www.abrsm.org, as

well as free of charge from music retailers, from ABRSM

local representatives or from the Services Department,

The Associated Board of the Royal Schools of Music,

24 Portland Place, London W1B 1LU, United Kingdom.

© 2007 by The Associated Board of the Royal Schools of Music

No part of this publication may be copied or reproduced inany form or by any means without the prior permission ofthe publisher.

In this album, editorial additions to the texts are given in small print, within square brackets,or – in the case of slurs and ties – in the form . Metronome marks, breath marks (retainedhere where they appear in the source edition) and ornament realizations (suggested for exampurposes) are for guidance only; they are not comprehensive or obligatory.

Footnotes: Anthony Burton

Alternative pieces for this grade

LIST A

4 German Romance (Lazarus Edition)

5 Lefèvre Allegro ma non troppo: 1st movt from Sonata No. 5 in C minor. Lefèvre, Five Sonatas for Clarinet (OUP)

6 C. H. Lloyd Bon Voyage! (Lazarus Edition)

7 J. Mahon Andante: 2nd movt from Clarinet Concerto No. 2 in F (clarinet tacet in tuttis; omitting final cadenza)

(Novello/Music Sales)

8 Mozart Larghetto: 2nd movt from Clarinet Quintet in A, K. 581 (A edition: Breitkopf & Härtel; B- edition: Peters)

9 Reinecke Allegretto: No. 1 from Fantasiestücke, Op. 22 (A edition: Emerson)

LIST B

4 Tony Coe Marsh Lanterns. Spectrum for Clarinet: 16 Contemporary Pieces (ABRSM Publishing)

5 Finzi Prelude: No. 1 from Five Bagatelles (Boosey & Hawkes/MDS) or

5 Finzi Romance: No. 2 from Five Bagatelles (Boosey & Hawkes/MDS)

6 John Hawkins Night Run. Unbeaten Tracks – Clarinet (Faber)

7 Christopher Norton Black Sheep of the Family: No. 14 from The Christopher Norton Concert Collection for Clarinet

(Boosey & Hawkes/MDS)

8 Paul Reade Prelude: No. 1 from Suite from The Victorian Kitchen Garden (Weinberger/Faber)

9 Vallassa Dances from Szeged. Music Through Time, Clarinet Book 4, arr. Harris (OUP)

LIST C

4 C. Baermann Study in A. No. 53 from 80 Graded Studies for Clarinet, Book 2, ed. Davies and Harris (Faber)

5 Rob Buckland Squaring the Circle. No. 17 from Solo Clarinet, Book 1 (Astute Music)

6 Rachmaninoff Variation 3: from Rachmaninov Studies for Clarinet from Rhapsody on a Theme of Paganini, Op. 43,

arr. Denwood (Emerson) and

6 Rachmaninoff Variation 4: from Rachmaninov Studies for Clarinet from Rhapsody on a Theme of Paganini, Op. 43,

arr. Denwood (Emerson)

7 James Rae Entanglement: No. 34 from 40 Modern Studies for Solo Clarinet (Universal/MDS)

Music origination by Barnes Music Engraving LtdCover by Økvik DesignPrinted in England by Halstan and Co. Ltd, Amersham, Bucks.

CONTENTS AND TRACK L IST INGpage

LIST A1 Carl Baermann (1810–1885) Andante: No. 46 from Vollständige Clarinett-Schule, Op. 63, 2

arr. Paul Harris2 William Hurlstone (1876–1906) Croon Song: No. 2 from Four Characteristic Pieces 43 Giuseppe Tartini (1692–1770), arr. Gordon Jacob (1895–1984) Grave and Allegro molto: 6

first and second movements from Concertino for ClarinetGraveAllegro molto

LIST B1 Serge Rachmaninoff (1873–1943) Vocalise: No. 14 from 14 Songs, Op. 34, 10

trans. David Campbell2 Paul Hindemith (1895–1963) Mässig bewegt: first movement from Sonata 123 Mark-Anthony Turnage Carnac 16

LIST C1 Chris Allen Study No. 48: from Progressive Studies for Clarinet, Book 2 192 Friedrich Demnitz (1845–90) Study in B minor: from Elementarschule für Klarinette 203 Chris Gumbley Mind the Gap!: from Solo Flight for Clarinet 22

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