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    Goodbye Public and Private

    James Sanders

    BlazeVOX [books]

    Buffalo, New York

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    Goodbye Public and Private by James Sanders

    Copyright 2008 James Sanders

    Published by BlazeVOX [books]

    This compilation and all works within are licensed under theCreative Commons Attribution-Noncommercial-Share Alike3.0 United States License. To view a copy of this license, visithttp://creativecommons.org/licenses/by-ncsa/3.0/us/, or send aletter to Creative Commons, 171 2nd Street, Suite 300, SanFrancisco, California 94105, USA.

    First Edition

    ISBN: 1-934289-97-3ISBN 13: 978-1-934289-97-6Library of Congress Number: 2008938101

    BlazeVOX [books]14 Tremaine AveKenmore, NY 14217

    [email protected]

    publisher of weird little books

    BlazeVOX [ books ]

    blazevox.org2 4 6 8 0 9 7 5 3 1

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    awling the patter over in lives

    of the private****

    the arms straight out of the head

    loops

    as

    the anonymity of all emotion

    * itches ice completely hairless Santa

    to participle in**

    facts intimate shine***

    over* fauvably

    seams out

    skin being the lied

    only shadow

    chronologically diversein the fact tense

    facily

    Still Life of Robert Jones

    **chiaroscuro with bearskin

    something of what comes after it

    ***all senses have hairless chambers

    ****figleaf in shape of pay toilet

    9

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    Portrait of Mark Prejsnar as a Woman(for 3 voices, or 2 voices and tape)

    the the anomaly anomaly rainbows rainbows rainbows rainbows catchingcatching up up up to to you you this is the the anomaly the anomaly anomaly and

    and panty panty panty hose sincerity sincerity* was replaced replaced with withmirrors mirrors mirrors and and panty hose hose sincerity sincerity hurts hurts insize size and and rainbows rainbows and rainbows rainbows suction cups cupsand rainbows rainbows knock knock whose hose**** there there rainbowsrainbows armpit armpit between between rainbows rainbows to to be becontinued continued this this armpit armpit between my my legs legs****** concon veen veen yence yence yence screams screams out out of the the lipglossgloss** randy randy this this rainbow rainbow is is your your your part this partthis an rains an rains omaly elbows omaly partly panty***** hose hose an ds uctshunc ups since since air air ready ready hearse hearse with with mirror***cielings cielings and rain rain bows bows arm arm arm pits pits con con vee veerain yence rain bows bows and and arm and arm pits be pits tween tween sin sincer it it tees arm tees arm pits pits this this rain rain bow screams bow screamsthis con this venience convenience is is the the anom anom aly aly catch catching up ing ing up to to you you

    all its to besplitfinger infra

    parts parts continued

    male***** participlesincerity not female***** to Manuels

    parton the inside one after this

    reroddedpert pits day scabbed over completely

    arm he on the insiderainbows rests

    so they could be their own backlog******fast food un

    entirely ofwatery, lucid floorboards

    veined with plexiglassso they could grow up

    ******together*their exclamation points grown-ups

    bearded out ofthem with

    *armpit was replaced withsincerity and

    **replace randy with underliningand plexiglass

    ***see less cielings and rain armpits****whose*****randy whose

    ******to rainbows

    10

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    to the realism* we

    at the sectiontan control why not like anything

    either that

    erased somehow ** to change and sore

    played

    with asterisks stick Oreos about

    who thinks himself as if

    where to complete realism****

    parentheses round the sun lining

    melancholy the like anything tendency

    or* surburban dick

    as a lackless*** yawning him as a has

    fascination*** shy

    finished eating in pools

    in the social awling

    ****Buried Fiber Optic Cable

    ***where you really let go

    **different organisms do different things with other organisms

    *two things silt off by the same phrase****

    Days (0:32)

    11

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    The Imposter Who Is There Before the Yoo Hoo

    what does an autobiography see when the sun is wet

    grown duct to

    nonfood

    the distant as

    semicircle hooded

    to keyed moist of all tunes

    would even dive. And when they convince, as an I. V. of the mechanism,

    didn't then I

    think the clown, no more unique or complex, yet still instead of it in the vignettes

    with scientific feet in*

    You room close to you

    Howard Johnson's marbled and iced fission

    in tinge is to invite to the commission.

    The national nagging has data fondness

    lensing us out in the world owned in the rubbing

    the ones behaving inzoom in and with fluted impersonation is now in this lu

    bratic in the common noun and

    this time len

    sing us out in the world

    the pieces to shatter the option to seem to

    the line to line

    an end of the eye of the line

    and is commenting us out of the world load

    I think the clown is still instead of the vignettes with sign

    -----------------------*the Howard Johnson's marbled and iced fission

    is reregular. The cypresses clutch at a circumspect pronoun which through us

    in tinge is to invite to the commission.

    The ice throats through the slid dish.

    12

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    The national nagging has data fondness

    that lubricates our personal sentences slicking and

    lensing us out in the world owned in the rubbing

    ourselves. Would we be the ones who seethe ones behaving in

    the frankenfurter shaped nap and

    zoom in and with fluted impersonation is now in this lu

    ll, this perspex ampersand of moo? Not um

    bratic in the common noun

    not rinsed in range of rules for other people's pupiled bluff, temporarily

    13

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    Muzak for Krystal

    the brood and the marshmallows and the humid. the

    brood and the packaging and the fingers and timid

    marshmallows mane too humid brood and brooded

    tooting. Who tootled? Was it the brood? The brood?

    The brood. It is too humid for the brood and too

    humid to have marshmallows tooting from the end of

    your finger, the marshmallow. The air pockets were

    full of Palmolive and brief and silver to bring with us.

    The hook is about the brood as marshmallows.Marshmallows are knives and fingers are kind hoops.

    Music is made with a hoop a knife and a finger, by a

    marshmallow. It goes on as long as the finger, as long

    as the marshmallow does brood. The brood goes on

    as smooth as a marshmallow and as humid as a knife,

    a kind of tooting hive, a tootling.

    15

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    the pieces to shocked

    in the option to see him

    so downwards to the edgeless house

    foam tickle take's

    some sound is rowed in

    there is very early the cubes have to a slow green

    shave as pelter

    some to deflect a grow is round

    wazoodoor fade rounds

    to see round through is fasten

    lasts redden in

    career counseling from a while

    ditzing with the snares

    mild sashed cages

    cornersand from bunchy snack

    16

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    Plus Silver Skillet

    turn(warn)ing th(un)e head

    mist he(less)ad

    seat cush(purple

    greened* ear range

    into red

    the hours glow*** variety intoslaw. a growing of little slows.

    affinity leans the growly hostess w(ac

    ross the room)ears a wi

    (br**

    own)g)ion

    *orange*** rain more weless a your that spearmint clogs nows nubs in.

    **hogs all O tones in room

    ***colonless

    17

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    Im

    manentSubtitles:Z

    zacDenton/nearAquafresh

    never

    alwaysb

    ranches

    Aquafresh

    acresofliteralleaking

    MrPeanut

    that

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    u

    in

    re

    alismisanactivation

    honk

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    endingin

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    18

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    ThisPoemHasSomething

    todowiththeFuture

    dialsmadeofw

    nterizedviolins

    thebun

    andMilkyWay

    sinliesoverheadands

    ecretingamousecostume:

    pluralof"pa

    nts"

    alobewithmy

    chocolatefeet

    ticklemysmelly

    we.

    diaphonus

    whohas

    shrillestof

    lineyminorvar

    iationson

    vegetablesofth

    eorganizedmind

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    r

    or.

    asI'mdoingitIknow

    likepu

    ontheinside,afrown

    blicbutflu

    ffier

    i

    ffier

    19

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    June as

    ***the outside of any male

    intrachange of***

    issue does ***something is to**gulch us

    pieces ca fluorescents exclusive

    lm necks a sparkly oink

    gist tre(ven

    indoor/outdoor tilation)llis

    carpeting* stay to

    ***undertextured

    cellent s ***and now is init moot dummy monogon

    intrachange

    we had left at/still did, she will

    Samsung says

    spray on youth

    unrisea few seams up frown buns wall

    ex to the choosing

    Keebler Elves

    manhunt for glee

    *perfumed wicker

    ** something else to be***

    Days (2:31)

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    thehumanfigurein

    tuningandper[youtheofjuicerespective]spective

    captionedbyadiffe

    rent[catchingwhydifferen

    tinis]alphabet

    notusuallyfracturedbycostumestep-by-stepw

    hatitwasreallylike[usuallyshouldisyetniceitwas

    really]

    let'sgettosomethin

    gbeyondthehamburger[is

    itinsomethingyoungand

    weird]bun

    tofakeaventilation

    system

    haggardlyanddema

    ndthethemesthat[configuringinsulationsystem:incidenceoftothinkthe]soak

    through*twinkling

    andvalue-ladenwit

    hwideningbramble**

    inklingofshellgameonplexiglass

    [convene

    dmindintheeveningofp

    lacingthismorningfacelessons]

    morningfacecrescents***

    wantsomethingonc

    e

    [***ones

    omethingones

    tookmygooshinw

    aves

    languageinwaves,confidence]

    blackpawnsandsi

    lentg's

    extralarge[instanc

    eextra-large]petard

    undertheironniceslot

    [undertheineyesland.]

    theyaregoingtoarrangeitsotheshadow

    isnot

    therethat[theyaregoingt

    oingivesoftheshadowisnot,ithasbeen]day

    northeliftthe[and

    hismindintheincidentsonthe]own,

    allthepeoplewhoh

    ave[thingsare]hairsmilin

    g.

    BigBirdleaksquixoticantlers[andImusktothattranslucentwings]

    finallyaweightloss[maybeyouenjoythe]ca

    ctoidthat

    translucentwingsm

    aketheappealingtrianglew

    ork[Junedungeonsthata

    lsotouching]

    thighswanttobring

    prickle/share[whenandin]

    glum

    finediningtal

    ons[onconsciencetalent]

    reefracksspooksat

    butalsotouching

    aromanticgrinchstrap

    andinsurance

    snobwearandspa

    rkly[tellshim

    tohim

    andco

    nvincedfriends]traps

    thegroutofthese

    nsitivitychip[andofthesensitivitychip]

    strandssmoothstrandssmooth

    increasinglymature[increasinglymatureactio

    n]picture

    *

    thoughtwinkling

    whisper

    [

    wasthisisnotthekindnesslines]

    **locatem

    isshedfinger

    [This

    isnotthe

    kindnesswipes]

    21