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GERMAN EXPRESSIONISM AND MODERN ART

Ernst Ludwig Kirchner: Berghirte im Herbst (Berghirte mit Ziegen). Oil on canvas 1921. Gordon 664. 120 x 90,5 cm. Obj. Id: 67942

29th April to 27th August 2016

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GERMAN EXPRESSIONISM AND MODERN ART 29th April to 27th August 2016

A young goatherd, seated with his back half turned away from the viewer, watches over his goats as they graze on the staggered slopes of the mountainside. The boy is dressed in green, with a green hat and short, brown boots, and holds a stick in his hand. He dominates the foreground, while behind him, also in the foreground, one can make out what are probably blue gentians. Likewise coloured blue is the wooden hut in the middle ground behind the goatherd. Taking up a prominent position in the composition are three screes or avalanche paths that seem to scar the mountainside, not least by reason of their strongly contrasting, almost dusky pink, this being doubtless a reflection of the pink clouds in the light of the evening sun. Towards the right, grazing on the mountainside, one above the other, are three of our goatherd's goats. They are not only painted in a brilliant yellow but are also depicted overly large and out of perspective. The painting is rounded off in the distance by the two mountain peaks beneath the evening sky and its pink clouds. The painting “Berghirte im Herbst” (“Goatherd in Autumn”) was painted by the Expressionist painter Ernst Ludwig Kirchner in 1921, only a few years after he had left the German metropolis of Berlin for the idyllic Swiss mountain landscape of Davos. He had first visited Davos in 1917, but did not make it his permanent home until later. He regularly spent the summer months on the Stafelalp, where he rented a mountain hut for himself and his paints and canvases. This is where he probably painted “Goatherd in Autumn”, which still manifests much of his “urban style”. Indeed, Kirchner was able to transpose the rapid, jagged style typical of his years in Dresden and, more particularly, Berlin into the landscapes of his new home of Davos. He retained this style, simply adapting it to his new surroundings. The source of inspiration for his magnificent worlds of images was now no longer the erratic life of the metropolis but rather the idyllic mountain region and its inhabitants. This painting is still dominated by Kirchner's typical Expressionist style, with its richly contrasting colours and its non-perspectival rendering of details: yellow goats, pink screes, blue mountain hut, dusky pink clouds, features that do not reflect reality as seen by the artist but rather an imaginary, expressively composed reality. What is particularly impressive is the relationship in size between the individual elements of the composition as interpreted by the artist. Kirchner harks back to a pre-Renaissance perspective that relates the size of people and objects to their importance: the elements of the composition are arranged one above the other and not behind one another. The goats in particular are much too large for their position in the distant background formed by the mountainside. The mountain slopes seem too steep and the mountain peaks too prominent, as though everything is tilting forwards towards the viewer. This is a feature often encountered in Kirchner's works. Strict perspective has been completely waived in favour of a composition that gives priority to those elements that are significant and important. And what the artist wanted to emphasize in particular was simply made larger and more prominent and rendered in brighter colours. Thus it is that this painting is completely saturated, so to speak, with Kirchner's Expressionist style of his Berlin years.

It was in Davos that Ernst Ludwig Kirchner made the acquaintance of several other artists, including Philipp Bauknecht, who had already been living there since 1910 on account of a tuberculosis disease, but there is no record of their having met one another before 1919. It was precisely around that time that Bauknecht painted his two works “Hirtenknabe” (“Young Goatherd”) and “Hirtenknabe mit Ziege” (“Young Goatherd wit goat”), which bear obvious similarities to the above described painting by Kirchner. They are not only of similar format but the subject matter is virtually identical: in Bauknecht's paintings, too, a goatherd – wearing a hat and holding a stick in his hand – is seated in the foreground and is watching over his herd in the bottom right-hand corner of the painting. The composition is slightly different in that the mountains in Bauknecht's versions assume a much more prominent role and the choice of colours – accentuating violets, pinks and reds – is even more expressive. Nonetheless, a direct affinity between the paintings can hardly be denied. Kirchner knew Bauknechts painting, as a photograph of 1919 documents. The paintings by Philipp Bauknecht are in private collections.

Copyright Galerie Iris Wazzau Davos Our painting is in its original frame. It was ordered by Kirchner himself and then painted. The artist often purchased old frames or had them made according to own drawings, often subsequently cutting them to the required size and then painting then in colours that repeated those of the actual painting. His drawings of frame profiles are to be found in his sketchbooks. Other landscapes – by Erich Heckel, Conrad Felixmüller, Hans Purrmann and George Grosz – as well as still lifes by Karl Hofer, Christian Rohlfs, Ernst Ludwig Kirchner, Emil Nolde and Max Peiffer Watenphul will also be on show in our exhibition. The presentation will be complemented by several abstract works by Fritz Winter and Ernst Wilhelm Nay. We cordially invite you to the forthcoming exhibition. The vernissage will again take place on a Friday, namely on 29th April 2016, between 12.00 noon and 7.00 pm. If you cannot make it, you are of course welcome to visit the exhibition at any time within its duration. Your visit to our gallery could be complemented by a stroll through the wonderful exhibition halls of the Beyeler Foundation, which is located only a few hundred metres away from our gallery in Riehen. The exhibition “Jean Dubuffet – Metamorphoses of Landscape” is being shown there until 8th May 2016. The exhibition of Alexander Calder & Fischli/Weiss will then be open to visitors from 29th May until 4th September 2016. Works from the collection of the Fondation Beyeler may be viewed any time. We are looking forward very much to the pleasure of welcoming you and your friends to the forthcoming exhibition at our gallery. Alexandra Henze Triebold

(Translation by John Brogden) For further information on our gallery’s programme and activities please visit our website:

www.henze-ketterer-triebold.ch

Hans Purrmann Weiblicher Akt auf blauem Sessel.

Oil on canvas 1918. Billeter 1918/18. Signed on the lower left side.

88,5 x 73,5 cm. Obj. Id: 67132

Berthold Müller-Oerlinghausen Erwartung (Sitzender Jüngling).

Bronze 1952. Henze 254. Hight: 73-77 cm.

Width: 53-54 cm. exemplar # 2. Obj. Id: 66603

Karl Hartung Liegende mit über dem Kopf verschränkten Armen.

Bronze circa 1948/49. Krause 411. One of 6 + 1 exemplars. Width: 78 cm.

With stamps on the bottom: „HARTUNG“, „�“ and „N“. Obj. Id: 67509

Ernst Ludwig Kirchner Schaf und Lamm.

Pen and brush in ink 1927. On satined semi-board. Signed and dated on the upper left side, dedicated on the lower right side:

"Frau Bauer Weihnachten 28 von E und EL Kirchner".

27,9 x 35,2 cm. Obj. Id: 79780

Ernst Ludwig Kirchner

Bauer und trinkende Kuh. Watercolour over black chalk 1924.

On brownish drawing paper. 36,2 x 46,1 cm. With the estate-stamp on the verso.

Obj. Id: 79480

Ernst Ludwig Kirchner Mädchen mit Ziegen.

Woodcut 1917. Dube H 306 II. On firm ASOKA-Blotting paper

(blind stamp). One of 18 previously known prints by the artist. Signed on the lower right side and

labelled on the lower left side "Handdruck". 35,2 x 45,4 on 43,5 x 55,7 cm.

Obj. Id: 67714

Ernst Ludwig Kirchner Zwei laufende Ziegen.

Pen and ink and watercolour 1918. On satined semi-board.

38 x 50 cm. Verso: «Kühe», Pen and ink 1917/18 aswell as with the estate-stamp.

Obj. Id: 66272

Emil Nolde Granada.

Watercolour 1921. On Japan paper. Signed on the lower right side. 35 x 48 cm.

Obj. Id: 76551

Ernst Ludwig Kirchner Weidende Kühe.

Watercolour and reed pen drawing circa 1920. On yellow-brown vellum. 34 x 48,5 cm.

With the estate-stamp on the verso. Obj. Id: 77267

Ernst Ludwig Kirchner Alpszene mit Pferd.

Etching 1922. Dube R 419 II. On "Blotting" Paper (blind stamp).

One of 4 previously known prints by the artist. Signed on the lower right side and labelled

"Eigendruck". 25 x 30,3 on 30,7 x 43,9 cm.

Obj. Id: 67704

Erich Heckel Park von Dilborn II. Oil on canvas 1914.

not in Vogt. 83 x 93 cm. Signed and titled on the verso.

With a label of the Pasadena Art Museums on the back frame. Obj. Id: 75273

Ernst Ludwig Kirchner Hohe Kiefern vor Hügellandschaft.

Oil on wood 1921-1923. Gordon 720. 70 x 37 cm. Verso: Stehender Akt in Gelb und Rosa, 1930-1932, Gordon 720 verso,

unfinished and overpainted, with the estate stamp. Obj. Id: 64932

Karl Hartung

Liegende mit erhobenem Haupt. Bronze circa 1948.

Krause 405. One of 6 + 1 exemplars. Width: 45 cm. With stamps on the bottom: „HARTUNG“, „�“

and „N“. Obj. Id: 79088

Karl Schmidt-Rottluff Chrysanthemum.

Woodcut 1923. Schapire H 294.

On Japan paper. Signed and labelled with the work number "2329".

50 x 39,8 cm on 65,5 x 51,5 cm. Obj. Id: 76638

Christian Rohlfs Callas auf rotem Grund (Callas auf Rot).

Watercolour 1936. On semi-board.

Monogrammed on the lower right side. 61 x 46 cm.

Obj. Id: 69399

Karl Hartung Urgeäst.

Bronze 1950. Krause 438. One of 6 + 1 exemplars. 80 x 198 x 90 cm. With the stamps:

„HARTUNG“, „�“ and „N“ on the bottom. Obj. Id: 79089

Max Peiffer Watenphul Grosses Stilleben mit Feldblumen.

Oil on canvas 1924. Pasqualucci G 0070.

Monogrammed on the lower right side. 83,5 x 94,5 cm. Obj. Id: 75455

Karl Hofer Mädchen mit Amaryllis.

Oil on board mounted on chipboard circa 1936. Wohlert 1219.

Monogrammed CH on the upper right side (ligated). 91 x 71 cm.

Obj. Id: 80025

Erich Heckel Stilleben mit Blumen und arabischem Krug.

Watercolour 1953. On handmade paper. Signed on the lower right

side, dated and titled "Arabischer Krug". 63 x 48,5 cm. Obj. Id: 77258

Karl Hofer Stilleben mit Pfirsichen.

Oil on canvas 1938. not in Wohlert. Monogrammed and dated on the

lower right side. 40 x 50 cm.

Obj. Id: 80019

Karl Hofer

Gemüsestilleben. Oil on canvas 1943.

Wohlert 1756. Monogrammed and dated "CH42" on the lower

right side (ligated, carved). 58,3 x 88,5 cm.

Verso: overpainted figur/figures, study. Obj. Id: 80026

Giuseppe Maraniello Boomerang.

Bronze. 1/8+1 2000. 39 x 41 x 25 cm. 3-parts.

Obj. Id: 62109

George Grosz Landscape Cape Cod. House in the dunes.

Oil on canvas 1940. Mounted on board. Signed and dated "GROSZ 1940" on the lower right side.

40,5 x 51 cm. Verso: Signed, dated and labelled on the board "George Grosz, 1940, Landscape Cape Cod"

Obj. Id: 80022

Ernst Ludwig Kirchner Taunuslandschaft mit Brücke.

Watercolour over chalk 1916. On vellum. Signed on the lower right side.

54,3 x 36,5 cm. Labelled "KA 56" on the lower left side in ink on the verso.

Obj. Id: 77262

Conrad Felixmüller Tauwetter (In Klotzsche, Dresden).

Oil on canvas 1922. Felixmüller 278. Signed on the upper left side.

111 x 53 cm. Verso: Signed, titled and dated in big letters on the canvas.

Obj. Id: 79335

Hermann Max Pechstein Walliser Hütten.

Oil on canvas 1923. Soika 1923/14. Signed (in ligature) and dated on

the lower right side. 72,5 x 83,5 cm. Verso: Signed and titled with

brush on the canvas as well as with a label of the Galleria Medusa, Rom.

Obj. Id: 66155

Erich Heckel Eifel.

Watercolour and couloured chalk 1925. On Zanders - maschine handmade paper

(Watermark). Signed, dated and titled "Heckel 25 Eifel" on the lower right side.

51,5 x 62 cm. Obj. Id: 80024

Ernst Ludwig Kirchner Berghirte im Herbst (Berghirte mit Ziegen).

Oil on canvas 1921. Gordon 664. Signed on the lower left side with ink.

120 x 90,5 cm. Verso: Signed on the canvas in dark blue with brush and titled "Berghirte mit Ziegen" as well as with the big estate stamp.

Obj. Id: 67942

Ernst Ludwig Kirchner Berghaus.

Lithography in orange, yellow, violet, lime und dark green 1919.

Dube L 377 2. On ripped Japan-handmade paper. One of 7 previously known prints by the artist.

Signed on the lower right side, labelled "Handdruck" on the lower left side.

29,6 x 34,4 on 41,2 x 51,5 cm. Obj. Id: 75240

Ernst Ludwig Kirchner

Bergwald III (Waldtal, Waldlandschaft mit Alphütte).

Coloured chalk circa 1918. On green construction paper. Signed on the lower right side.

50 x 69,8 cm. Verso: Titled "Waldlandschaft mit Alphütte" with pencil on the lower right side of the

middle. Obj. Id: 76989

Ernst Ludwig Kirchner Berglandschaft (Sertigtal).

Coloured and black chalk 1923. On satined paper.

39,8 x 50 cm. With the estate-stamp on the verso.

Obj. Id: 75227

Ernst Ludwig Kirchner

Berglandschaft bei Davos (Landschaft mit Tannen).

Watercolour over charcoal drawing circa 1919. On firm Blotting-paper.

28,2 x 44,3 cm. With the estate-stamp on the verso.

Obj. Id: 67499

Ernst Ludwig Kirchner Landschaft mit Bäumen.

Watercolour 1907. On firm handmade paper.

28 x 37 cm. Verso: With a second watercolour "Wege und Bäume" 1907 and the estate-stamp.

Obj. Id: 79331

Ernst Ludwig Kirchner Hotel Victoria, Davos.

Watercolour and charcoal circa 1920. On brownish paper, taped up by the artist.

23,6 x 28,6 cm. With the estate-stamp on the verso.

Obj. Id: 67711

Hans Purrmann Brunnen der Villa Romana.

Oil on canvas 1938. Billeter 1938/15.

Signed on the lower left side. 81 x 100 cm. Archives-number: 695

Obj. Id: 79219

Christian Rohlfs Sängerin I (Vier Menschen).

Tempera on canvas circa 1921. Vogt 668.

Monogrammed on the lower right side. 80 x 60 cm. Verso: Labelled "Sängerin I Christian

Rohlfs Hagen i./W" on the stretcher by hand. Obj. Id: 80004

Ernst Ludwig Kirchner Brustbild eines liegenden Aktes (Dodo).

Woodcut 1911. Dube H 177 I. On firm copper plate printing board, mounted on a backing board by the artist. One of 6

previously known prints by the artist. 29,5 x 18,9 on 33,6 x 23,4 cm.

With the estate-stamp on the verso. Obj. Id: 67537

Kubach-Kropp Klanginsel.

Black brown Belgian marble 2005. 15 x 29,5 cm Obj. Id: 77443

Ernst Ludwig Kirchner Ziegenhirt.

Woodcut 1918. Dube H 334 III. On light chamois Japan paper. One of 10 previously known prints by the artist.

Signed and dated on the lower right side. 47,7 x 38,5 on 52,5 x 42,5 cm.

Obj. Id: 67936

Karl Schmidt-Rottluff Kopf.

Woodcut 1919. Schapire H 256.

On firm light grey vellum. One of 25-30 prints. Signed on the lower right side and labelled with the work number "1929" on the lower left side.

49,3 x 39,6 on 70,4 x 56 cm. Obj. Id: 80018

Ernst Ludwig Kirchner Kopf Wehrlin.

Oil on canvas 1924-1926. Gordon 0829.

Signed on the lower right side, dedicated on the lower left side "Gustav Schiefler zum 70sten

Geburtstage / dem ewig jungen Freunde der Kunst Jan. 1928".

65 x 50 cm. Verso: Signed and dated "24". Obj. Id: 78498

Ernst Ludwig Kirchner Melancholischer Kopf (Portrait).

Woodcut 1929. Dube H 616. On chamois Japan paper. One of 7 previously known prints by the artist. Signed on

the lower right side in ink and labelled "Eigendruck" on the lower left side.

45 x 35,2 on 53 x 42,5 cm. With the estate-stamp on the verso.

Obj. Id: 67940

Gabriele Münter Zigeunerwagen I. Oil on board 1930.

38 x 46 cm. With the estate-stamp on the verso and the numbers "V35" and "1251" on stickers and

"76a" with blue chalk. Obj. Id: 75758

Kubach-Kropp Paarstein.

Turquoise granite from China and black granite from Sweden 2008.

34 x 17 x 9 cm Obj. Id: 76529

Ernst Wilhelm Nay Furioso.

Oil on canvas 1963. Scheibler 1066. Signed and dated on the lower right side. 163 x 140 cm. Verso: Signed, titled and dated

on the stretcher with brush in black: NAY - "Furioso" 1963.

Obj. Id: 79329

Fritz Winter K III 101.

Oil on canvas 1939. Lohberg 746.

Monogrammed and dated on the lower left side. 90 x 70 cm.

Obj. Id: 79333

Fred Thieler I.M. 5/57.

Oil on paper on wood 1957. Melchior 5/143. Signed and dated "F. Thieler 57" on

the lower left side with pencil. 65 x 99,5 cm. Obj. Id: 80011

Eduard Bargheer

Cairo. Oil on canvas 1962.

Signed and dated on the lower left side. 36,5 x 50,5 cm. Obj. Id: 66379

Fred Thieler Noir Brisé.

Oil on canvas 1961. Melchior 6/65. Signed and dated on the lower right side.

130 x 191 cm Obj. Id: 80075

Kubach-Kropp Stein für die Stille.

Black Swedish granite. With two columns 2008.

37 x 26 x 13 cm Obj. Id: 77273

George Grosz Peace I (Frieden).

Oil on canvas 1945. Signed on the lower right side.

67 x 52 cm. Verso: Signed again, dated and labelled on the canvas "Douglaston April"

as well as with the estate stamp. Obj. Id: 79656

All listed artworks are for sale. For information on prices or further information

please feel free to contact us.

Other available artworks

Ernst Ludwig Kirchner Sitzender männlicher Akt. Brush and ink circa 1908.

On brownish drawing paper. 33,7 x 27,5 cm.

Verso: Signed with ink on the lower right side and predated "01" as well as with the estate-stamp.

Obj. Id: 76408

Ernst Ludwig Kirchner Dorfstrasse (mit Spaziergängern). Pencil and black chalk circa 1909.

On brownish paper. 42,5 x 33,8 cm.

With the estate-stamp on the verso. Obj. Id: 67329

Ernst Ludwig Kirchner Modell im Atelier (Frau in Küche).

Pencil circa 1911. On satined chamois paper.

34,4 x 27,5cm. With the estate-stamp on the verso.

Obj. Id: 76399

Ernst Ludwig Kirchner Sophienkirche Dresden.

Pencil, partially wiped circa 1911. On satined chamois paper. Signed in ink on the lower right side. 34,3 x 27,4 cm. Verso: Titled by

the artist and with the estate-stamp. Obj. Id: 67567

Ernst Ludwig Kirchner Hafen Burgstaaken auf Fehmarn (Schiffe).

Black chalk and Watercolour circa 1912. On brownish paper.

33 x 43,6 cm. With the estate-stamp on the verso.

Obj. Id: 67483

Ernst Ludwig Kirchner

Badende und Boote am Müggelsee bei Berlin. Black chalk circa 1912.

On satined chamois paper. 34,9 x 44,9 cm.

With the estate-stamp on the verso. Obj. Id: 67932

Ernst Ludwig Kirchner Fischkutter und Boot.

Pencil and coloured chalk circa 1912. On chamois vellum. Signed.

31,3 x 46,6 cm. Obj. Id: 65564

Ernst Ludwig Kirchner Badende im Waldbach.

Drypoint 1923. Dube R 471. On light satined board.

Signed and titled, as well as labelled "Eigendruck". 25,1 x 31,1 cm on 34,9 x 39,6 cm. The only known print of this in Dube undocumented

printing state between Dube I and II. Obj. Id: 79664

Ernst Ludwig Kirchner Sitzende Frau im Sessel (Erna).

Chalk circa 1912. On brownish paper.

48,2 x 33,7 cm. With the estate-stamp on the verso.

Obj. Id: 79660

Ernst Ludwig Kirchner Emporsteigender.

Woodcut 1937. Dube H 675 I. On firm China paper.

One of 3 previously known prints by the artist. Labelled "1. Probedruck" by the artist with pencil

on the lower left side. 50,0 x 36,8 on 55,8 x 41,4 cm. With the estate-

stamp on the verso. Obj. Id: 75018

Ernst Ludwig Kirchner Alte Gasse in Königstein.

Woodcut 1916. Dube H 296 II. On light board with stamper "HUBER

FRERES WINTERTHUR SILK BLOTTING". One of 5 previously known prints by the artist.

44 x 33,5 on 58,1 x 43 cm. Obj. Id: 76652

Ernst Ludwig Kirchner Mann mit Peitsche.

Woodcut 1920. Dube H 433 I. On antique pink Blotting-board. One of 5 previously known prints by the artist.

Signed and labelled "Eigendruck". 44,8 x 31,5 on 57 x 40 cm. With the estate-stamp

on the verso. Obj. Id: 67623

Ernst Ludwig Kirchner Mann auf der Bank.

Etching (Guilloche) 1928. Dube R 581. On firm chamois copper plate printing

board. One of 2 previously known prints by the artist. Signed and dated "E L Kirchner 27" on the

lower right side. 26,3 x 22 on 44 x 39 cm.

With the estate-stamp on the verso. Obj. Id: 67146

Ernst Ludwig Kirchner Dunkle Bäuerin und Knabe.

Etching 1919. Dube R 277 IV (of IV).

On light, smooth, one-side coated board. One of 12 previously known prints by the artist.

Signed with pen on the lower right side. 31,5 x 25 on 47,4 x 37,4 cm.

Obj. Id: 75292

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