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George Lawson
IR436 - Theories of international relations: narrative (week 20)Lecture slides
Original citation:
Lawson, G. (2012) IR436 - Theories of international relations: narrative (week 20). [Teaching Resource]
© 2012 The Author
This version available at: http://learningresources.lse.ac.uk/120/
Available in LSE Learning Resources Online: May 2012
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Narrative
IR436 Lecture 20 2011-12George Lawson
What is narrative?
Stone: elegant story telling; order and coherence; agency and causation
White: poetic ‘emplotment’; aesthetically appealing stories; order vs. ‘surplus meanings’
Roberts: turning mess into connected sequences
IR examples: Carr, Morgenthau, Allison
Why narrative?Idiographic: from the particular to the
general, i.e. ‘joining the dots’
Historicism: interpretation and explanation; complexity and coherence; micro and macro
Suganami on narrative: narrative as agency, contingency and cause
Sewell: ‘happenings’ as ‘events’
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Image: Historic painting of a clash between soldiers while surrounding buildings are on fire.
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History as theoryHistory has social logicsEvents are stabilisedAll social science uses emplotmentTherefore, we all tell superior stories
QED: ‘Embedded theory’ and ‘encompassing theory’ are not so different
after all
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Robinson and the ‘real mural’
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Image: Woman walking in front of a mural above a stone wall.
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What is the ‘proper perspective’?The other side of the streetNext to the muralThe centre of the street (N.B. careful of the
traffic)Tacking between the detail and the abstractionAndrew Abbott: (relatively) fixed events as
configurations, e.g. revolutionsConfigurations (i.e. enduring, regular, stable
interactions) as ‘social facts’‘Social facts’ help us tell ‘good enough stories’,
i.e. ‘causal narrativity’
Take a deep breath …Deepening and broadening: IR as polo mint
and/or jammy doughnutTheory and ‘stuff’: remember that the Owl of
Minerva only flies at duskWhat is theory? Red and yellow and pink and
green
Enjoy your symptoms!Image Placeholder
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