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Genre Film: A Genre Film: A Classical Experience” Classical Experience” Amended Version: Michael Amended Version: Michael Sorg Sorg Orig.: Thomas Sobchack Orig.: Thomas Sobchack

Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

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Page 1: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

““Genre Film: A Classical Genre Film: A Classical Experience”Experience”

Amended Version: Michael Amended Version: Michael SorgSorg

Orig.: Thomas SobchackOrig.: Thomas Sobchack

Page 2: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

Genre – a traditional definitionGenre – a traditional definition

Category or form of film distinguished Category or form of film distinguished by subject matter, theme, and by subject matter, theme, and techniquestechniques

Page 3: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

A Genre A Genre FilmFilm . . . . . .

. . . Provides an experience of an . . . Provides an experience of an ordered world.ordered world.

1.1. has a fixed has a fixed plotplot

2.2. obvious obvious iconographiesiconographies

3.3. clearly defined, yet shallow, clearly defined, yet shallow, characterscharacters

4.4. predictable, predictable, cathartic endingcathartic ending

Page 4: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

Is Is City LightsCity Lights a Genre film? a Genre film?

Using the preceding four categories Using the preceding four categories ((plot, iconography, character types plot, iconography, character types and cathartic endingand cathartic ending) analyze the ) analyze the film City Lightsfilm City Lights

Is this film a “genre” film? If so, what Is this film a “genre” film? If so, what is the possible genre in which it is the possible genre in which it belongs?belongs?

Page 5: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

Artistic Excellence?Artistic Excellence?

Originality?Originality?

NONO

Conformity!!!Conformity!!!

YES!!!YES!!!

Must follow a previous model

Page 6: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

Must follow a previous Must follow a previous modelmodel

Literary source: Literary source: DraculaDracula

Nosferatu Nosferatu (1922)(1922)

Dracula (1931)Horror of Dracula (1958)

Bram Stoker’s Dracula (1992)

Page 7: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

Q:Q: What if a film’s original, What if a film’s original, unique?unique?

A:A: It ain’t no genre film! This is a It ain’t no genre film! This is a “fiction film”.“fiction film”.

Ex: Ex: Citizen KaneCitizen Kane

Page 8: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

1. 1. PLOTPLOT is Supreme is Supreme

WhatWhat happens is important, not happens is important, not whywhy All scenes must All scenes must advance the plotadvance the plot Nothing extraNothing extra can be introduced at can be introduced at

randomrandom Keep it moving forward to Keep it moving forward to build for build for

the endthe end

Page 9: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

2. 2. ICONOGRAPHIESICONOGRAPHIES

Visual “shorthand” to speed audience Visual “shorthand” to speed audience comprehension (costumes, props, comprehension (costumes, props, settings, familiar plot situations)settings, familiar plot situations)

Page 10: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

What are the What are the iconographiesiconographies for for the following genres?the following genres?

CostumeCostumess

SettingSetting Props, Props, imagesimages

Plot Plot MotifsMotifs

WesterWesternn

HorrorHorror

Sci-FiSci-Fi

MusicalMusical

Page 11: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

3. Recognizable 3. Recognizable CHARACTERSCHARACTERS

Again, they’re pre-packaged to speed Again, they’re pre-packaged to speed comprehension.comprehension.

What do we know about these What do we know about these characters?characters?

Page 12: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

3. 3. CHARACTERSCHARACTERS (cont.) (cont.)

Typecasting is goodTypecasting is good in a genre film-- in a genre film-- fasterfaster

John Wayne Vincent Price Jason StathamJohn Wayne Vincent Price Jason Statham

Page 13: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

3. 3. CHARACTERSCHARACTERS (cont.) (cont.)

Familiar, less individualized characters Familiar, less individualized characters help us easily assume their roleshelp us easily assume their roles they’re unrealistically they’re unrealistically one-dimensionalone-dimensional They have a They have a clear, simple purposeclear, simple purpose in the story in the story They never have to come to terms with They never have to come to terms with

themselvesthemselves

We We get to live in a simple worldget to live in a simple world through through themthem find evil in life, and destroy it = find evil in life, and destroy it =

Page 14: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

3. 3. CHARACTERSCHARACTERS (cont.) (cont.)

Often characters are Often characters are ARCHETYPESARCHETYPES Archetype (N) - the original pattern Archetype (N) - the original pattern

or model from which all things of the or model from which all things of the same kind are copied or on which same kind are copied or on which they are based; a model or first form; they are based; a model or first form; prototype. prototype.

Example: The Hero Archetype Example: The Hero Archetype

Page 15: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

3. 3. CHARACTERSCHARACTERS (cont.) (cont.)

The Hero Archetype often includes the following traits (taken The Hero Archetype often includes the following traits (taken from Joseph Campbell’s “Hero’s Journey” concept: from Joseph Campbell’s “Hero’s Journey” concept:

1.1. Unusual circumstances of birth; sometimes in danger or born Unusual circumstances of birth; sometimes in danger or born into royalty into royalty

2.2. Leaves family or land and lives with others Leaves family or land and lives with others 3.3. An event, sometimes traumatic, leads to adventure or quest An event, sometimes traumatic, leads to adventure or quest 4.4. Hero has a special weapon only he can wield Hero has a special weapon only he can wield 5.5. Hero always has supernatural help Hero always has supernatural help 6.6. The Hero must prove himself many times while on adventure The Hero must prove himself many times while on adventure 7.7. The Journey (Trail of Trials)The Journey (Trail of Trials)8.8. Hero experiences atonement with the father Hero experiences atonement with the father 9.9. When the hero dies, he is rewarded spiritually When the hero dies, he is rewarded spiritually

Page 16: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

4. Achieve 4. Achieve CATHARSISCATHARSIS

catharsiscatharsis (n.) emotional release (n.) emotional release (happiness, grief, etc.) experienced (happiness, grief, etc.) experienced due to witnessing artistic expression due to witnessing artistic expression

Page 17: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

4. Catharsis (cont.)4. Catharsis (cont.)

IndividualIndividual vs.vs. GroupGroup

ApollonianApollonian urge to urge to individuate individuate (without penalty)(without penalty)

Group of misfitsGroup of misfits

II

II

II

II

WarWar

II

II

II

DionysianDionysian urge to urge to sink into the herd sink into the herd (group wins!)(group wins!)

Must band Must band togethertogether

Page 18: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

4. Catharsis (cont.)4. Catharsis (cont.)

Hero must serve the group by Hero must serve the group by providingproviding

law and orderlaw and order stabilitystability survivalsurvival

Page 19: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

Other genre molds for Other genre molds for CATHARSISCATHARSIS

IndividualIndividual GroupGroup

Detective Detective filmfilm

Cops commit violent, Cops commit violent, anti-social acts w/o anti-social acts w/o punishmentpunishment

Restore order in the endRestore order in the end

SwashbucklSwashbucklerer

Indiana Jones breaks Indiana Jones breaks laws, shoots people, laws, shoots people, etc.etc.

Forgiven because he Forgiven because he restores order, protects restores order, protects people; returns to people; returns to ordinary clothes/settingordinary clothes/setting

MusicalMusical Star is bornStar is born Show must go on despite Show must go on despite personal tragedy; personal tragedy; wedding (social wedding (social regeneration)regeneration)

Page 20: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

4. CATHARSIS (cont.)4. CATHARSIS (cont.)

By “being” these simple characters for By “being” these simple characters for 2 hours, genre films help us release 2 hours, genre films help us release the daily tension between the daily tension between individuation and submission to the individuation and submission to the group.group.

CLIP: CLIP: SpidermanSpiderman

Page 21: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

Q:Q: What is Anti-genre? What is Anti-genre?

A:A: When the predicted ending does When the predicted ending does NOT occurNOT occur

This produces anxiety or agitation, not This produces anxiety or agitation, not catharsis!catharsis!

Page 22: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

Anti-GenreAnti-Genre

In Clint Eastwood’s film; In Clint Eastwood’s film; UnforgivenUnforgiven,, the main the main character William Munny is character William Munny is a hired gun – essentially an a hired gun – essentially an assassin. (he kills for money assassin. (he kills for money and his name is Munny… and his name is Munny… get it?). He is an get it?). He is an anti-heroicanti-heroic murderer and defies our murderer and defies our expectations for a cowboy expectations for a cowboy hero.hero.

Page 23: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

Q:Q: What is Sub-genre? What is Sub-genre?

SubgenreSubgenre (N) is a category that is a (N) is a category that is a subdivision of a larger genre.subdivision of a larger genre.

Examples: Examples: Film NoirFilm Noir is a subgenre of the detective/crime is a subgenre of the detective/crime

genregenre Thriller/suspenseThriller/suspense is often hybridized with other is often hybridized with other

genres (such as spy films or action thrillers). genres (such as spy films or action thrillers). The director Alfred Hitchcock, for example was The director Alfred Hitchcock, for example was regarded as being a master of this sub-genre.regarded as being a master of this sub-genre.

Page 24: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

Sub-GenreSub-Genre

The film The film Saving Private Saving Private RyanRyan is a war film, which is a war film, which is a subgenre of the Action is a subgenre of the Action / Adventure genre. This / Adventure genre. This means that it has some of means that it has some of the expected elements of the expected elements of an Action/Adventure film an Action/Adventure film with the added, specific with the added, specific characteristics of a war characteristics of a war film.film.

Page 25: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

Q:Q: What is Cross-genre? What is Cross-genre?

Cross-genre films, sometimes called Cross-genre films, sometimes called “hybrid” films carry the characteristics “hybrid” films carry the characteristics of multiple genres simultaneously. of multiple genres simultaneously.

Some examples include sci-fi/horror Some examples include sci-fi/horror crossovers (such as crossovers (such as Alien)Alien), , “dramadies” that include elements of “dramadies” that include elements of drama and comedy, action / romance drama and comedy, action / romance films and the list goes on.films and the list goes on.

Page 26: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

Cross-genreCross-genre

In the film; In the film; Cowboys & Cowboys & AliensAliens, as the title , as the title suggests, there are suggests, there are elements of a classic elements of a classic western (sheriffs, small western (sheriffs, small towns, gunfights) towns, gunfights) combined with modern combined with modern science fiction elements science fiction elements (alien invaders, futuristic (alien invaders, futuristic technology).technology).

Page 27: Genre Film: A Classical Experience Amended Version: Michael Sorg Orig.: Thomas Sobchack

Bottom-Line:Bottom-Line:

Genre film must be a strict adherence Genre film must be a strict adherence to form that opposes to form that opposes experimentation, novelty or experimentation, novelty or tampering with the given order of tampering with the given order of things (conservative).things (conservative).

Why?Why? Because it allows the audience Because it allows the audience to safely identify with the genre to safely identify with the genre characters, satisfies catharsischaracters, satisfies catharsis