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Gamelan is an Indonesian "gong orchestra", consisting mainly of bronze percussion. Each gamelan is designed, built and tuned as an integrated ensemble, with its own unique "sound". Although there are many styles of gamelan, the two most wellknown are the gamelan of Central Java and the Gong Kebyar of Bali. The NZSM houses both of these ensembles. NZSM courses in gamelan, both Javanese and Balinese, provide students with basic performance skills in both styles of gamelan, and an insight into the aesthetic and structure of the music. Individual specialised study of particular instruments is also available. Further experience may be gained by joining one or other of the permanent ensembles, Gamelan Padhang Moncar and Gamelan Taniwha Jaya. Many gamelan players also take advantage of Indonesian government scholarships to further their studies in Indonesia for periods of up to two years. Gamelan has been played at Victoria University since 1975. The first set of instruments was a village gamelan from Cirebon (north Java), purchased by Allan Thomas. In 1980 a Javanese set (pelog) was given on permanent loan by the Indonesian Embassy, and in the mid80s the university purchased a matching set of slendro instruments. 25 years of gamelan in NZ was celebrated in 2000 with BEAT, an International Gamelan Festival, with guest groups from Indonesia, the US, Australia, Singapore and from elsewhere in New Zealand. Gamelan Padhang Moncar plays traditional Javanese repertoire. Over the years the Indonesian Embassy has provided a succession of expert teachers: Midiyanto, Joko Sutrisno and currently Budi Putra. Among its many projects the group collaborated in 2003 with celebrated Indonesian diva Waljinah and her 7person krocong orchestra, and in 2004 accompanied Didik Nini Thowok, crossgender dancer from Yogya, in a programme called "A Night to Remember". In 2003 New Zealand composer Gareth Farr purchased a Balinese Gong Kebyar, which he named Gamelan Taniwha Jaya, and which is also housed at the NZ School of Music. I Wayan Gde Yudane, a leading Balinese composer, directs this ensemble, teaching basic skills, traditional repertoire and also composing new repertoire. NZSM students now have the opportunity to experience the sound worlds and repertoire of two contrasting gamelan traditions. Gamelan activities and performances are numerous and varied, including accompanying wayang kulit performances by dalang (puppeteer) Joko Susilo. The gamelan members have made three short study tours to Indonesia, most recently in 2007. Composers from the NZSM as well as international guests such as Lou Harrison, Jody Diamond, Wayan Yudane, Wayan Sadra, Dody Ekagustdiman and Irwansyah Harap have created new compositions for the gamelan. In 2004 both Javanese and Balinese gamelan contributed to Vita Brevis, a collaboration with the choir of St Mary of the Angels, and three vocalists from Indonesia: Ngoman Sukerta, Muriah Budiarti, and male soprano Suyarto. In 2008 both gamelan performed with Balinese dancer/musician Nyoman Sukerta and three local actors in a crosscultural interpretation of Shakespeare's "Seven Ages of Man", a production that has been published as a DVD. Both gamelan also participated in "Gong Crazy", a concert of newly composed works to mark Jack Body's retirement from teaching in October 2009. Information about gamelan activities, publications etc www.gamelan.org.nz Inquiries about NZSM gamelan courses: Brian Diettrich ([email protected] )

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Gamelan  is  an  Indonesian  "gong  orchestra",  consisting  mainly  of  bronze  percussion.  Each  gamelan  is  designed,  built  and  tuned  as  an  integrated  ensemble,  with  its  own  unique  "sound".    Although  there  are  many  styles  of  gamelan,  the  two  most  well-­‐known  are  the  gamelan  of  Central  Java  and  the  Gong  Kebyar  of  Bali.  The  NZSM  houses  both  of  these  ensembles.    NZSM  courses  in  gamelan,  both  Javanese  and  Balinese,  provide  students  with  basic  performance  skills  in  both  styles  of  gamelan,  and  an  insight  into  the  aesthetic  and  structure  of  the  music.  Individual  specialised  study  of  particular  instruments  is  also  available.  Further  experience  may  be  gained  by  joining  one  or  other  of  the  permanent  ensembles,  Gamelan  Padhang  Moncar  and  Gamelan  Taniwha  Jaya.  Many  gamelan  players  also  take  advantage  of  Indonesian  government  scholarships  to  further  their  studies  in  Indonesia  for  periods  of  up  to  two  years.    Gamelan  has  been  played  at  Victoria  University  since  1975.  The  first  set  of  instruments  was  a  village  gamelan  from  Cirebon  (north  Java),  purchased  by  Allan  Thomas.  In  1980  a  Javanese  set  (pelog)  was  given  on  permanent  loan  by  the  Indonesian  Embassy,  and  in  the  mid-­‐80s  the  university  purchased  a  matching  set  of  slendro  instruments.  25  years  of  gamelan  in  NZ  was  celebrated  in  2000  with  BEAT,  an  International  Gamelan  Festival,  with  guest  groups  from  Indonesia,  the  US,  Australia,  Singapore  and  from  elsewhere  in  New  Zealand.    Gamelan  Padhang  Moncar  plays  traditional  Javanese  repertoire.  Over  the  years  the  Indonesian  Embassy  has  provided  a  succession  of  expert  teachers:  Midiyanto,  Joko  Sutrisno  and  currently  Budi  Putra.  Among  its  many  projects  the  group  collaborated  in  2003  with  celebrated  Indonesian  diva  Waljinah  and  her  7-­‐person  krocong  orchestra,  and  in  2004  accompanied  Didik  Nini  Thowok,  cross-­‐gender  dancer  from  Yogya,  in  a  programme  called  "A  Night  to  Remember".    In  2003  New  Zealand  composer  Gareth  Farr  purchased  a  Balinese  Gong  Kebyar,  which  he  named  Gamelan  Taniwha  Jaya,  and  which  is  also  housed  at  the  NZ  School  of  Music.  I  Wayan  Gde  Yudane,  a  leading  Balinese  composer,  directs  this  ensemble,  teaching  basic  skills,  traditional  repertoire  and  also  composing  new  repertoire.  NZSM  students  now  have  the  opportunity  to  experience  the  sound  worlds  and  repertoire  of  two  contrasting  gamelan  traditions.    Gamelan  activities  and  performances  are  numerous  and  varied,  including  accompanying  wayang  kulit  performances  by  dalang  (puppeteer)  Joko  Susilo.    The  gamelan  members  have  made  three  short  study  tours  to  Indonesia,  most  recently  in  2007.  Composers  from  the  NZSM  as  well  as  international  guests  such  as  Lou  Harrison,  Jody  Diamond,  Wayan  Yudane,  Wayan  Sadra,  Dody  Ekagustdiman  and  Irwansyah  Harap  have  created  new  compositions  for  the  gamelan.  In  2004  both  Javanese  and  Balinese  gamelan  contributed  to  Vita  Brevis,  a  collaboration  with  the  choir  of  St  Mary  of  the  Angels,  and  three  vocalists  from  Indonesia:  Ngoman  Sukerta,  Muriah  Budiarti,  and  male  soprano  Suyarto.  In  2008  both  gamelan  performed  with  Balinese  dancer/musician  Nyoman  Sukerta  and  three  local  actors  in  a  cross-­‐cultural  interpretation  of  Shakespeare's  "Seven  Ages  of  Man",  a  production  that  has  been  published  as  a  DVD.  Both  gamelan  also  participated  in  "Gong  Crazy",  a  concert  of  newly  composed  works  to  mark  Jack  Body's  retirement  from  teaching  in  October  2009.    Information  about  gamelan  activities,  publications  etc      www.gamelan.org.nz    Inquiries  about  NZSM  gamelan  courses:  Brian  Diettrich    ([email protected])  

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Inquiries  about  Padhang  Moncar  and  Taniwha  Jaya:    Jo  Hilder    ([email protected])  Inquiries  about  Indonesian  scholarships:  Budi  Putra      ([email protected])