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Department of Fine Arts Kurukshetra University, Kurukshetra
From:- RAVINDER SINGH(Assi. Pro.)
Lesson Plan for 4th sem.
Date 23
th Feb. 2015 Days: 6 Days, Mon to Sat. Time: 10am to 5pm
PRACTICAL -6th
Sem.(Group A)
Date Topic References
23Feb. 2015
composition Study Practical
24 Feb.2015
------Do-------- Practical
25 Feb.2015
------Do-------- Practical
26 Feb.2015
------Do-------- Practical
27 Feb 2015
------Do-------- Practical
28 Feb 2015
------Do-------- Practical
. Lesson Plan for BFA 6th
Sem.
Date 23rd
Feb. to 25th
Feb. 2015 Days: 3 Days, Mon to Wed. Time: 9 to 10 am
PAPER- 2nd
Aesthitics(Indian)
Date Topic References
23Feb. 2015
Fundamentals of Indian art
Aesthetics Meaning- Rekha Jhanji
24Feb.2015
……….Do………..
Aesthetics Meaning- Rekha Jhanji
25Feb.2015
……….Do………..
Aesthetics Meaning- Rekha Jhanji
Lesson Plan for BFA 8th
Sem.
Date26th Feb to28th
Feb. 2015 Days: 3 Days, Thu to Sat. Time: 9 to 10 am
PAPER- 3rd
History of western art
Date Topic References
19Feb. 2015
Unit II
Abstractionism
Arnason: History of modern Art
27Feb.2015
………Do…………
Arnason: History of modern Art
28Feb. 2015
………Do…………
Arnason: History of modern Art
Department of Fine Arts Kurukshetra University, Kurukshetra
From:- SANDEEP KUMAR (Assi. Pro.)
Lesson Plan for BFA - 6th
Sem. Date 23
rd Feb. 2015 Days: 3 Days, Mon to Wed. Time: 9 to 10 am
PAPER- 3rd
Advertising Profession & Pratice
Date Topic References
23Feb. 2015
Unit-4th
Different media of advertising
indoor
Art and print production, N.N.Sarkar,
Advertising management, Mukesh Trehaan,
Ranju Trehaan
24Feb. 2015
Outdoor Media
Art and print production, N.N.Sarkar,
Advertising management, Mukesh Trehaan,
Ranju Trehaan
25Feb. 2015
Direct mail media
Art and print production, N.N.Sarkar,
Advertising management, Mukesh Trehaan,
Ranju Trehaan
Ajit kumar, 23rd
-25th
Febuary 2015, Lesson Plan for B.F.A (Sixth semester)
Lesson Plan for :B.F.A (Sixth Semester)
Paper:II-History Of Western Art(Theory)
Date: 18/2/2015; Days: Three ; Teacher: Ajit kumar
Time: 12noon -1 pm
PAPER- II
Date Topic References
23/2/2015
Revision class on Romanticism
Gardner’s Art Through the Ages- Fred S.
Kleiner. History of Art- H.W. JANSON.
A Basic History Of Art- H.W. JANSON and
Anthony F. Janson. (Page no.-340-394)
24/2/2015
Revision class on Goya and
Delacroix
Gardner’s Art Through the Ages- Fred S.
Kleiner.
History of Art- H.W. JANSON. A Basic History Of Art- H.W. JANSON and
Anthony F. Janson. (Page no.-340-394)
25/2/2015 Revision class on Gericault and Turner.
Gardner’s Art Through the Ages- Fred S.
Kleiner. History of Art- H.W. JANSON.
A Basic History Of Art- H.W. JANSON and
Anthony F. Janson. (Page no.-340-394)
Ajit kumar, 26th
-28th
Febuary 2015, Lesson Plan for B.F.A (4th
semester)
Lesson Plan for :B.F.A (4th
Semester)
Paper:I-History Of Indian Art(Theory)
Date: 18/2/2015; Days: Three ; Teacher: Ajit kumar
Time: 9am -10am
PAPER- II
Date Topic References
26/2/2015
Introduction to stupa
Bhartiya Chitra Kala Ka Itihas- Vachaspati
Gairola History of Indian Art- huntington
Arts & Architecture of India – Benjamin
Rowland
27/2/2015 Introduction to Bahrut
Bhartiya Chitra Kala Ka Itihas- Vachaspati
Gairola
History of Indian Art- huntington
Arts & Architecture of India – Benjamin Rowland
28/2/2015 Bahrut Sculptures and relief panels at stupa.
Historical Atlas of south Asia –Romila Thapar
India and indonesian Art- Coomaraswamy The roots of indian Art- S P Gupta
The Art of Ancient India- Susan L.
Huntington.
BFA - ( 2th
SEMESTER )
Group – FOUNDATION
Sub - ( Printmaking )
Practical Dates - 23rd
to 28
th February 2015 by Dr. Rakesh Bani
Time - 9 am to 1 pm Daily ( Except Theory class & Holidays )
Practical Assignment No. 7 ----- Colour Wood Cut Process……..
Lecture objective ---- introduction of Colour wood Cut Plate preparation, Method of
colour printing , materials used for printing and process of printing on paper…
Saturday 28th
Feb. 2015 ( Evaluation of work done in week )
Department of Fine Arts
Kurukshetra University, Kurukshetra
Class- B.F.A- 2nd
Year
Teacher’s Name: Mr. Randeep Singh (Research Scholar)
Lesson Plan for Theory
Date: 23-24-25 Feb, 2015 Days: 3 Time: 9 am to 10 am
PAPER II – History of Western Art
Date Topic References
23/02/15 Romanesque Architecture
Apictorial History of Western Art By: -O.
Chritensen
History of Western Art by O. Christensen,
Paschatyakala by Dr. MamtaChaturvedi
Paschimkikala by Agrawal Ashok
24/02/15
Gothic
History of Western Art by O. Christensen,
Paschatyakala by Dr. MamtaChaturvedi
Paschimkikala by Agrawal Ashok
25/02/15
Gothic Sculpture
History of Western Art by O. Christensen,
Paschatyakala by Dr.
MamtaChaturvediPaschimkikala by Agrawal
Ashok
Class- B.F.A.-1st
Lesson Plan for Theory (Semester 2nd
)
Date26-27-28 Feb. 2015 Days: 3 Time:2 pm to 3 am
PAPER- 3ed –Appreciation and Fundamental of Visual Arts
Date Topic References
26/02/15 Drama Meaning of Art By Herbert(English) Art of
India By Stella Karmisch(English)
Bhartiya lok kala ke Abhipraye By Dr.Manjula
Chatrvedi (Hindi)
Lalit kala Ke aadarbhut Sithant By -Dr.
Meenakshi Bharti (Hindi)
27/02/15
Music
Meaning of Art By Herbert(English)
Art of India By Stella Karmisch(English)
Bhartiya lok kala ke Abhipraye By
Dr.ManjulaChatrvedi (Hindi)
Lalit kala Ke aadarbhut Sithant By -Dr.
Meenakshi Bharti (Hindi)
28/02/15
Performing art
Meaning of Art By Herbert(English)
Moderon Sculpture,Herbert Read.
Art of Sculpture, Herbert Read
Department of Fine Arts Kurukshetra University, Kurukshetra
Lesson Plan for __Indian Art_4th Year _BFA__2015______________________ Date______23rd -25th February______ Days__Monday-Wednesday______
Time___9 am-10am____________
Teacher's Name _Chandrima Das_______________
PAPER- ____I_________________________
Date Topic References
23rd
February
Group 1890
What was Group 1890? Why was it formed? And
what was its importance vis-à-vis the Bombay
Progressives? Group 1890 was a collective of a dozen
artists led by J Swaminathan, the others being
Ambadas, Jeram Patel, Jyoti Bhatt, Raghav Kaneria,
Balkrishna Patel, Gulam Mohammad Sheikh,
Reddappa Naidu, S G Nikam, Rajesh Mehra, Himmat
Shah and Eric Bowen. It was ‘officially’ formed when
the artists met in Bhavnagar (Gujarat) on August 25-
26, 1962, at the home of Jayant and Jyoti Pandya,
friends of the artists. The Group took its name from
the number of the Pandya residence!
The Group’s manifesto was adopted on July 19, 1963. The
very first paragraph explains its significance vis-a-vis the
Bombay Progressives: “From its early beginnings in the
vulgar naturalism of Raja Ravi Varma and the pastoral
idealism of the Bengal School, down through the hybrid
mannerisms resulting from the imposition of concepts
evolved by successive movements in modern European art on
classical, miniature and folk styles to the flight into
'abstraction' in the name of cosmopolitanism, tortured
alternately by memories of a glorious past born out of a sense
• Bibliography
— 1. Indian Art-
Partha Mitter
2. Indian Art
History-
Krishna
Chayatanya
3. Indian Art an
overview-
Gayatri Sinha
4. Vadera Art
Gallery Book-
Post
Independence
5. Indian Art and
Modernity by
Nilima
Vashistha
of futility in the face of a dynamic present and the urge to
catch up with the times so as to merit recognition, modem
Indian art by and large has been inhibited by the self-
defeating purposiveness of its attempts at establishing an
identity.”
10 minutes discussion
24th
February
Ambadas (1922- 2012)
Born in Akola, Maharashtra, Ambadas grew up close to
Mahatma Gandhi’s extended family. His subaltern origins
and frugal living, Gandhian values and high ideals, all shaped
his personality into a complex one, with the clash of material
and spiritual needs making him strive for a higher purpose in
life. After matriculation, Ambadas received training at a
private art school in Ahmedabad. In 1952, along with
classmates Tyeb Mehta, Akbar Padamsee and Mohan Samant,
he completed his diploma from Sir J. J. School of Art,
Bombay. Employment as a handloom textile designer at the
government-run Weavers Service Centre made him shift from
Bombay to Madras, and then to New Delhi. Here, he met like-
minded artists J. Swaminathan, Rajesh Mehra and Himmat
Shah, with whom, in 1962, he formed Group 1890. These
artists questioned existing art scenarios and contemplated the
ideological shifts necessary for modern Indian art, both
through criticism and novel creation. However, the
association did not last long, disintegrating soon after the
group’s first and only exhibition. Before the shift to Norway
where he lived since 1972, Ambadas travelled on a
scholarship to the U.S.A. and Germany.
Ambadas Khobragade (Saffron Auction House)
Untitled
Oil on canvas
35.5 x 35.5 in
10 minutes discussion
-do-
25th J Swaminathan -do-
February
Jagdish Swaminathan was born in Simla in 1928. His
education in art consisted of short spells at the Delhi
Polytechnic and later, in Poland. It was only in the late
50's that he started devoting his time completely to art.
He was a member of the Communist Party of India in the
mid-50's and worked as a journalist and art critic for the
Left magazines. Swaminathan founded the "Group 1890"
in August 1962. This group put up their only show in
1963. As a solo artist, he put up about 31 shows and
participated in a number of national as well as
international exhibitions.
Modern Evening Sale
Feb 12, 2015
Jagdish Swaminathan Untitled ,Oil on canvas,31.5 x 43.5 in,Winning bid,$131,803 ,Rs 80,40,000
(Inclusive of buyer's premium) The main feature of his paintings was simplicity that was
rather captivating. The vivid imagery and bright colours were
a celebration of the rise of the inner being over the common
place. Later on, the well ordered colour geometry and brush
painting, gave way to the use of symbols. The latter was a
distinct influence of the tribal arts and he began to use his
fingers to apply the pigment in order to achieve the desired
effect.
10 minutes discussion
Department of Fine Arts Kurukshetra University, Kurukshetra
Lesson Plan for _B.F.A. Applied arts, 8th
semester
Teacher Name : Rakesh Kumar Chaudhary, Assistant Professor B.F.A. Applied Arts
Date- 23,24,25 February 2015
Days- Mon,Tue,Wed
Time-10am to 11 am
Class - B.F.A. Applied Arts ,8th semester
PAPER- PAPER-III : ADVERTISING PROFESSION & PRACTICE ( Semester 8th )
Date Topic References
23/02/2015
Unit –IV - Print media and electronic media Potential – Television and Radio in the light of Mass Communication.
Vigyapan Design : Narendra Yadav
Marketing management : Philip kotler
24/02/2015
Future of Advertising – Career options in Internet Advertising, web designing and Animation.
Vigyapan Design : Narendra Yadav
Marketing management : Philip kotler
25/02/2015
Future of Advertising – Career options in Internet Advertising, web designing and Animation.
Vigyapan Design : Narendra Yadav
Marketing management : Philip kotler
Lesson Plan for B.F.A. Applied Arts, 6th
semester
Date-23,24,25,26,27,28 February 2015
Day- Mon,Tue,Wed,Thu,Fri, Time-- 09 am to 10 am and 11 am to 5 pm
Day-Sat Time- 09 am to 01 pm
PRACTICAL –
PAPER –IV : MAGAZINE LAYOUT & TYPOGRAPHY Paper-IV Practical Group (B) Day: Mon,Tue,Wed,Thu,Fri.Sat
Date Topic References
23/02/2015
Magazine Layout and designing Through Demonstration & conversation
24/02/2015
Magazine Layout and designing Through Demonstration & conversation
25/02/2015
Magazine Layout and designing Through Demonstration & conversation
26/02/2015
Magazine Layout and designing Through Demonstration & conversation
27/02/2015
Magazine Layout and designing Through Demonstration & conversation
28/02/2015 Magazine Layout and designing
Through Demonstration & conversation
Department of Fine Arts Kurukshetra University, Kurukshetra
Lesson Plan for _B.F.A. Painting, 8th
semester
Teacher Name : Mr. Randhir Singh Pathania, Assistant Professor
Lesson Plan for B.F.A. Painting, 8th
semester
Date-23,24,25,26,27,28 February 2015
Day- Mon,Tue,Wed,Thu,Fri. Time- 10 am to 12 pm and 01 pm to 5 pm
Sat Time- 10 am to 12 pm
PRACTICAL –
Day: Mon,Tue,Wed,Thu,Fri,Sat Practical : Mural on wall
Date Topic References
23/02/2015
Mural on wall (Acrylic colour ) Through Demonstration & conversation
24/02/2015
Do Through Demonstration & conversation
25/02/2015
Do Through Demonstration & conversation
26/02/2015
Do Through Demonstration & conversation
27/02/2015
Do Through Demonstration & conversation
28/02/2015 Do
Department of Fine Arts Kurukshetra University, Kurukshetra
Lesson Plan for _B.F.A. Sculpture, 4th,,
6th
, 8th
semester
Teacher Name : Geeti Karmaker, Assistant Professor B.F.A. Sculpture
Lesson Plan for _B.F.A. Sculpture, 4th,,
semester
Date-23rd
, 24th
, 25th
, 26th
,27th
28th
, February 2015
Days- Mon,Tue,Wed,Thu,Fri Time-10am to 4:30 pm
Sat Time-10am to 1:00 pm
Class - B.F.A. Sculpture 4th semester
Practical- Wood carving
Date Topic References
23/02/2015
Composition in direct plaster of
Paris
Demonstration and Discussion
24/02/2015
Composition in direct plaster of Paris Demonstration and Discussion
25/02/2015
Composition in direct plaster of Paris
Demonstration and Discussion
26/02/2015
Composition in direct plaster of Paris
Demonstration and Discussion
27/02/2015
Composition in direct plaster of Paris
Demonstration and Discussion
28/02/2015
Composition in direct plaster Paris
Demonstration and Discussion
Lesson Plan for _B.F.A. Sculpture, 4th,,
semester
Date-17,18 February 2015
Days- Tue, Wed Time-2pm to 3 pm
Theory –
Paper III: Method And Material
Date Topic References
24/02/2015
Sculpturing by fabrication of metal patina
& colouring A hand book of method and material :
Ray Smith
25/02/2015
Sculpturing by fabrication of metal patina
& colouring A hand book of method and material :
Ray Smith
Lesson Plan for _B.F.A. Sculpture, 6th,,
semester
Date-23rd
,24th
,25th
,26th
,27th
,28th
, February 2015
Days- Mon,Tue,Wed,Thu,Fri Time-10am to 4:30 pm
Sat Time-10am to 1:00 pm
Class - B.F.A. Sculpture 6th semester
Practical- Relief work in clay
Date Topic References
23/02/2015
Composition in direct plaster of
Paris
Demonstration and Discussion
24/02/2015
Composition in direct plaster of
Paris
Demonstration and Discussion
25/02/2015
Composition in direct plaster of
Paris
Demonstration and Discussion
26/02/2015
Composition in direct plaster of
Paris
Demonstration and Discussion
27/02/2015
Composition in direct plaster of
Paris
Demonstration and Discussion
28/02/2015
Composition in direct plaster of
Paris
Demonstration and Discussion
Lesson Plan for _B.F.A. Sculpture, 6th,,
semester
Date-26,27,28 February 2015
Days- Thu,Fri,Sat Time-9am to 10 am
Theory –
Paper I: History of Indian Art
Date Topic References
26/02/2015
Jain manuscript painting History of Indian Art : Haumtington
27/02/2015
Jain manuscript painting History of Indian Art : Haumtington
28/02/2015 Jain manuscript painting History of Indian Art : Haumtington
Lesson Plan for _B.F.A. Sculpture, 8
th,, semester
Date-23rd
,24th
,25th
,26th
,27th
, 28th February 2015
Days- Mon,Tue,Wed,Thu,Fri Time-10am to 4:30 pm
Sat Time-10am to 1:00 pm
Class - B.F.A. Sculpture 8th semester
Practical- wood carving
Date Topic References
23/02/2015
Stone Carving & wood carving
Demonstration and Discussion
24/02/2015
Stone carving & wood carving Demonstration and Discussion
25/02/2015
Stone carving & wood carving
Demonstration and Discussion
26/02/2015
Stone carving & wood carving
Demonstration and Discussion
27/02/2015
Stone carving & wood carving
Demonstration and Discussion
27/02/2015
Stone carving & wood carving
Demonstration and Discussion
Department of Fine Arts Kurukshetra University, Kurukshetra
Lesson Plan for B.F.A [Applied Art] 4th Semester
23 feb to 28 Feburary, 2015 (Monday to Saturday) Time: 10 to 1PM & 2 to 5 PM
PRACTICAL – Press Layout
Date Topic References
23.02.2015 Design a press layout on
Fastrack watches
Newspaper & Internet
Demonstration
24.02.2015 Rough Layout -do-
25.02.2015 Thumbnails in colour variations Demonstration &Conversation
26.02.2015 Final Layout -do-
27.02.2015 -do- -do-
28.02.2015
Half day
Final Submit -do-
Class Teacher
Dalbir singh
Department of Fine Arts Kurukshetra University, Kurukshetra
Teacher’s Name: Dr. Anand Jaiswal (Assistant Professor)
Lesson Plan for Theory Date: 23, 24, 25 February, 2015 Days: 3 Time: 10 am to 11 am
Class: BFA 8th
Semester (Group A & C, Painting and Sculpture) PAPER- III Aesthetics (Western)
Date Topic References
23/2/2015 Meaning of Psychical Distance
Giriraj Koshor Agrawal- Saundarya Kala
Aur Sameeksha Shashtra, lalit Kala
Prakashan, Aligarh .
Rajendra Bajapai- Saundarya,
MadhyaPradesh Hindi Granth c, Bhopal.
Chandra Kala Mata- Bhartiya Evam
Pashchatya: Adharbhoot Tatva, Y.K.
publishers, Agra.
24/2/2015 Psychical Distance and pleasure
25/2/2015
Psychical Distance and art
Lesson Plan for Practical Date: 23, 24, 25, 26, 27, 28 February, 2015 Days: 6
Time: 9 am to 10 am, 11am to 1 pm & 2pm to 5 pm (Monday, Tuesday, Wednesday)
Time: 9 am to 1 pm & 2pm to 5 pm (Thursday, Friday)
Time: 9 am to 1pm (Saturday)
Class: BFA 8
th sem. (4
th year) (Group B, Applied Arts)
PAPER- VI (Photography)
PAPER- VII (Computer Graphics)
Date Topic: Computer Graphics Topic: Photography References
23/2/2015
Product Campaign Teaser Ad.
Photo Illustration-1
Through
Demonstration
24/2/2015 -do- Photo Illustration-2 -do-
25/2/2015 -do- Photo Illustration-3 -do-
26/2/2015
Product Campaign Press Ad.
Photo Illustration-4 -do-
27/2/2015 -do- Photo Illustration-5 -do-
28/2/2015 -do- Photo Illustration-6 -do-
