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8/6/2019 Friml - High Jinks-Musical
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UNIVERSITY OF
ILLINOIS LIBRARY
AT URBANA-CHAMPAIGN
MUSIC
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NOTICE: Return or renew all Library Materialsl The Ulnlmum Fee tor
each Lost Book is $50.00.
The person charging this material is responsible for
its return to the hbrary from which it was withdrawn
on or before the Latest Date stamped below.
Theft, mutilation, and underlining ot books are reasons tor discipli-
nary action and may result in dismissal from the University.
To renew call Telephone Center, 333-8400
UNIVERSITY OF ILLINOIS LIBRARY AT UHBANA-CHAMPAIGN
m^is^^
LI6I—O-1096
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[/\XJt..,-».-^i \ V
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UWlVERSiTY Of.ruirrais
LIBRARy
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HIGH JINKS
A MUSICAL FARCE IIN THREE ACTS
The Book and Lyrics by
LEO DIETRJCHSTELN and OTTO HAUERBACH
The Music by
RUDOLF FRIML
VOCAL SCORE
$2.00 net
FIRST EDITION
NEW YORK : G. SCHIRMERBOSTON : THE BOSTON MUSIC CO.
LONDON : G. SCHIRMEK, LTU.
V
/
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Copyright, 1913, by G. Schirmer
Depositado conforme a la ley de la Republica Mexicana en
el ano MCMXIII por G. Schirmer, (Inc.), Proprietarioa
Nueva \ork y Mexico
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/J
icy
'nh
CAST OF CHARACTERS
(IN THP: order of their APPEARANCE)
AS PLAYED AT THE CASINO THEATRE, NEW YORK
Dr. Gaston Thorne Robt. Pitkin
Florence Elaine Hammerstein
M. Jacques Rabelais Ignacio Martinetti
Mme. Rabelais Edith Gardner
Maid, Marjorie Melville
Dick Wayne Burrell Barbaretto
Mrs. Marion Thorne Ada Meade
Fritz Denkmahl. Snitz Edwards
Mr. J. J. Jeffreys Tom Lewis
Adelaide Fontaine Stella Mayhew
Sylvia Dale Audrey Maple
Mlle. Chi-Chi Emlie Lea
Gar^on Alfred Schultz
Page Elsie Gergley
Mrs. Thorne's Companion Gladys Feldman
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Book by
Hauerbach
Marziale
-1(1'
High Jinks
A Musical Farce
No.l, Overture
pr. fjjiJf-tff
g^TmP g> • f > ^ > •
Music by
Rudolf Friml
tmM^
^
*fiT ^i^
:^^^ ^^
^^P
(The voice of Nature)
24456 c
Copyright, 1913, btj O. Schirmer
Sepositado conforme a la ley de la Repiiblica Mexicana en el ano MCMXIII
por G. Schirmer (Inc.), Propletarlos.Nueva York y Mexico
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&jjjM ^
ff
^^
-]-v^^m-^^
M^W^t an
i•y
:E^ *
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y»=^ ;
ii^
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'^^3I ^
344o6
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.:,P
Tempo diValse (Is this love at last)
ii * S^^ 3i^
JO legato
^ ^ in
r-f Ff«»•
^
iIff
s11'—
^
-^,
, 1
/C\
0\
^
Bi
^<s^
J
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^i^
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m
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g
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6
m m iEE^* f -r
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(
wV
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i ^ i ^Elp fT
;
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*i^^^ 4;^
3g: m ^— ^
^ Sii *
f
S »' s
T=^m
i: Jt:iM4 iiM^:J=^ i.
cresc.
7 ^ 7 ^i^F=g^ i
f:z;
> rv.
^'
±=i^ f»»#
icresc.
^e^r- fei4Li rf
1^^^^^^^tempo
r^ffff7
If 7
?S3ic
Valse
E2:S[fn >
^Ppg I
^5^
^M ^-—?^
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ai45fl
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8
4 - =;^
frSt- -#
^ ¥:!zx: :ni
^
^^^S 3e^iM lAA i^
i^
^^^
1qp^
^
S-i—
h=^F
J=^
-^Tl,
f^ ^
f 1 =-s-
rs
(Hig-h Jinks)
fES
.^^ J^ #^9^
1 (jy
W<.
9-
lE^:
4^ Ud UJ
^ ' ^J- J J- •' J--^
m *^-a tetnpo
M^
8TZ. _£
wgfflj
{^ i^S^^^^8-
^ft ^Cli4 i
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^ J>^E/
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9
iL^ ,.7>. ^
ft::^ S ? 5^ ^^
«^
p animato cresc.
^ ^•#g l^g;
^
nr
^^i i
broadli/
ih^—r^fz cresc.
^'fi-
E?*J UJ L
zs^^f tttttt
HI
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Poco lento (Fair bubble of rainbow hue)
-«•
& ^=^"
i'-iS «± 9-^g'- " g-
^a-f-^ ^^^E^ ^
marcato
PC (9-=- js:
-J^JEii
i
rv- ,, g
aF#^
s
(»•
E^i
:3i^^^ «-; —G-i
i 3^^ ^^'Jul. »
(Refrain) i'^°'»
"°"''
i^*
JJ
I f^T ^
i-Et
^TT^
r^tempo
^^ feP& tiS
t^
r- c\
24456
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118-
il;t ^ j M ;^ ^ 4 4 ;^ p
se- er
* g- ?- 5fe
9-
[]
ttg:
Lfl
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r i
cresc.
aA.
=^
i^js= ==t^
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<S'
* #ii
/7\ Marcia
35JI ^ w?a
broadly f Sssel**'F?
ii ^ ^TT"
pai: s
(Reech Americaine!)
U^ #if^:si «3^
Ml? ?jt-'f
ffc^ f—
r
ft=^ASPf
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12
m^-wm
^^P
?^
^mW~W
p^£
iR^ —ii
s"^r
fVoila, Madame!)
i
t^^t^pf
^^ Pm w^
fe^
^
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13
1* I'
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eS
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zr-
f f
3
i^*
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23
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22
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14
::+=!2:i:
^
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• #
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14
i
ACT I
No. 2. Song with Chorus
Something Seems Tingle-ingleing
Dick
AllegrettoDick
^S m^
p^M p r ^ ^jf^, i^j
1. Be-yond the Him-a - lay- a moun-tains,
2. The Ro-mang^od of ju - bi - la - tion—
Where flows the great Tsan
Old Mo - mus was his nameBe - side old Ti - bet's laugh-ing-
He wooed the god-dess Ex - ul -
foun-tains
ta - tion,
Gay, fest - ive flow- ers grow.
Of weird Bud-dhis - tic fame.
To hands of mer - ry youth and
Their son was High Jinks, a sen-
:i ^m -o-
s mw rff-0 W-
^^^^
^ m ^
$K ii J'
y
^maid
sa
en
tion,
They yield their ra - diant
Who, ere he caug^ht his
bloom,
_
breath,-
AndSoon
fc^
^^ s
-r-j^i
f
'"•-44-
'^ tf
^24456
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IS
b J. ^Ji-JjE^^^ e ¥^^X.
¥ ['P Mm
ll the balm -y air is la - den With rich and rare per - fume One ver-
died of chron-ic cach-in - na - tion,Just laug-hedhim-self to death His soul be-
r-J
\> i ^i'
^
^^.^9-
^fei
*Tmy/
E J^P
M^ ^•^ O-
3 ^ ^ ^^ ^
ru 7 jf-j4i-jJi j^ JJ J-'»=fe^ ^r^
i r r
:*=^
lit - tle_ drop,placed so, One ti - ny lit - tie whiff, and lo!
came this- won-drous flow'r, Who breathes it, feels its mys - tic pow'r;
P :^ I^ViS
*^=5=3\
^ _C
molto rit.
V ^ X h . r/rrr"^^ f
^— » :g:
Refrain
I'^p ^ J J
I Mi^ F ^P ^'^p^''^P 1^^ -^
1-2. Some - thing-
a tempo
seems tin - gle - in - g-le - in - gle - in - g-le - in - g-le - ingr
^so
^j r ^ ^^~~^^^ J ^^=^
i(&^
P
^^ f. f. I ^^^^=^ ^3
r ftf f
ueer, Here in
;i^i
your ear, Near - er and
^fiili
g *^-
i fa
oresc.
:7Z
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16
*= ^^ * f?-7p,C?p
-'
?pi' ?[;N tt^ ^
w
near, Like some strange min - g^ling- Of jin-gle- in-g-le-in - g-le- in- gle -in - gles And
Ppt^^
1,
KfJ.^r-
^±tt^^ ^
fe
^fe
^^J^^q J
i
1 p.7''? pp ^ -1^ -^Mfi% ^^^ i' di Ji ?i'l
tan - g"le - an-gle - an-gle - an - g-le - an - g'les; Why,_
felyi^
S ^SI,*^^
:^
jyoco ammato
a— \ri
^
you want to
cresc.
*s:m
P ^-^Ft^- ''f£ i ^^laug-h, Hi! Hi! You've gfot the Hig-h Jinks! That s why! why!
S^fc^^
i=
g^v jji^p-l^vrfLff T
f//
^ 1
^24456
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17
^ i-iT^iiJ JAt-W ^^'-
^^^i^ 31=
/
^
Some-thing' seems tin - g-le-in - g-le-in - g-le-in - g-le - in - g-le-ing- so queer,
^L nfil=^^f^^^T^^^^jSSZ
Some-thing seems tin - gle-in - gle-iu - gle-in - gle - in - gle-ing so queer,
i ->? JiJ^? j^>jL,fc^^UJi-iL^jce:
Some-thing .seems tin - gle-in - gle-in - gle-in - gle - in - glc-ing so queer,
?^^^^ t M±jJLn [? ^^l^JJV y~ JEf-
Some-thing seems tin- gle-in - gle-in - gle-in - gle - in - gle-ing so queer, tin - gle-ing so queer,
m f.vff.7F^)?^F^ ^315^— P- ^
"Y-y I V T-^r, tih -Some -thing seems tin - gle-in - gle-in - gle-in - gle - in - gle-ing so queer, tih - gle-ing so queer,
s ';^ ;
;i> ;-^ j-p i-^ I . )4 ffl jl
a tempo f~^ fitacc. ^
g=y:a=Stttl^M
^
^=^
?^^ y=fHere in your ear, Near - er and near, Like some strang-e
^* if r
i M p y p ?[
T
Here in your ear,-Irfj
=1
ii; "-Si
Near - er and near, Like some strange
Here in your ear, Near - er and near, Like some strange
Mm^^ ^ P
V[T
VF 7
[ff 7
S^Here in your ear. Hear it in your ear, Near - er and near, Like some strange
N ar, Hear it in your ea
g 7 ff Y g-in^Here in your ear, Hear it in your ear, Near - er and near, Like some strange
* ::^^
I ^Jp $
i
ft ill ^ 4 4^^s=^
^ S
-o *
i tt==fe
• st-j? * >• t- ? S
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18
'
^^ [f -'i^ ^ H^ -^^XflJnrjTJ jJ J
:=!
min - g-ling- of jin - g-le-in - g-le-in - g-le-in - gfle - in - g-les And
r ¥ M- (! p f|-^ -7p
J'M;! I
^ ^min - gling of jin - gle-in - gle - in - gle-in - gle - in - gles And
N' -T Jl J' ? J?
min - gling of jin - gle -in - gle - in - gle-in - gle - in - gles And
\ ^f
p_-UL4J-4-^7 P ^ ?P ff ^ S
min - gling of jin - gle-in - gle-in - gle -in - gle - in - gles And
^ min - gling of jin - gle-in - gle-in - gle-in - gle - in - gles And
^m*
!
"I. !i V f^r
It*T
ii- V i'
^ if
cresc.
/
^1- p/g [T ?p^ff ?;
;J'?^ h^ 'J^?iii'->
l
tan-g-le-an - g-le-an - grle-an - g-le- an - - grles; Why!. You want to
p n *'n^'fFn^
tan-gle-an - gle-an - gle-an - gle - an - - gle; Why!. You want to
L-|Ji4 ii j^ H rJ' ? Jl J' ? ZZ NiiJ'? ii|
tan-gle-an - gle-an - gle-an - gle-an
^ pg-B F ?P MP p ?^
Why!. You want to
S
tan-gle-an - gle-an - gle-an - gle-an gle;
MfHWWhy! you want to cry,
\
^ p^H ^g P^|-P^f if^P^'^
tan - gle-an - gle-an - gle-an - gle-an - - gle; Why! you want to crj-,
*^ b. f^^
sjz stacc.
H^*^i s
MJrf^^r 'DrJ^p=
'^ animato
I
^cresc.
mm24456
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19
^ JV^^ 3z: i
cry, You want to die,.
^^m^g
But all you do is
But all yoi
Z2Z
^ fES^^cry, You waut to die,. ut all you do is
O i
OL^J
>'""-
-jfr^J^^^^ ^Qcry, You want to die,. But all you do is
^H^'W Plhg ^r^g F' P
You waut to die,.
:, rvrffYou want to die. But all you do
rJit/.lf,n 'V n -
[? r [?
IS
You want to die,.
4'
You want to die , But all j'ou do
t tff¥.f *z: m g
IS
gliss.
^^^saMVj^ lift f ee
^
Hi ^'f^ 4J^#^
^ ifc^=F^p p
"'?g
That's w'hy!aug-h, Hi! Hi! You've g-ot the Hig-h Jinks!
*: ^P P
^'-
PI P g
laugh, Hi! Hi! You've got the High Jinks!
; ry r '^i
- A '^; '^.I f. J-
laugh, Hi! Hi! You've got the High Jinks!
b\U/^*^Uvwj^ ^ T=^laugh, Hi! Hi! You've got the High Jinks!
'h, ^ ^ F- g rnr f.
laugh, Hi! Hi! You've got the High Jinks!
^ t
§^
^=S
^
That's why!
hat's why!
That's why!
# £5E£
That's why!
>
^*•#?
;eee£
//
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20
No. 3. Song
Jim
Adelaide
2E
1^1it
i #= ^ -^•^^ »i=£:?
f f it
/
'y-h<'' j f
^ m m.
^ im•SI
m I j^ i' J'^.'^'
p3SI
-^ *
l.When I g-et think- in' of
3. When I g'et start - ed on
Jim,
Jim
^:^as
atA^^*^**^
kS^^tJ^^'L
rrd-^
kS *=W ^
s »=»i ^ u^ cJ" r T
*I' h J) J^ J^> ^
^wm~yy- #^-^
Hand-some and strong" and so trim,My heart swells full- to the brim,
Sure just the thought of him Thrills me,I could gfo on_ fordays, Dwell in,
*:
^
S
^niti^tJt*-
fxyr i S =it=^
^E ^ W
=*=*
=#=^
J-Jf/J.
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21
^^ ^^ J J J I j> j> J^ J-'.J'
^Sure just the thoug-ht of him Fills me Full of
On his dear lov - in' ways, Tell - in' All the
dreams of those hap - py old
dear lit - tie tricks that he
P^i i i fcfW
mm
S' 3 * ^ S ^m
J> ^i' tt^' TF^'
ff it
days,
knew,
When in my eyes he would
All the dear thing's he would
g-aze
do.
*p p p rp
>^'
J
\^'pp
''^' ^ ^^^^ii;^
True love I vowed to him, I was so proud of him, MyTimes sure were g-ay wit' him, Had such a way wit' him, My
old
old
Jim.
Jim.
i iJlla^*w^'•): Da g'
k «-» 1»-«^
^ 2= jjjj '
c^" mRefrain
a i ^p M p
Tall and cap - ti - va - tin', Broad of shoul - der,ike a sol - dier
i> f f t L
5 "? ^i p
^ij
—= lip r "r^
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22
^r"^' fi '
^'^'j'i
'tfj> r
Fine and fas-ci-na-tin': Thatwasjim,^ ^r I
f^ r ^
^ -3«j'
3 '^i J j
•s-As-
-^tfu,P8pP*F rl
l* * y T F
S^»^
my old Jim, Gay and clev - er,
l! rr
mtwi^
i=i«
^^^tl vJ
p[7 ^T i'JMJ J tfJJ Mr [T mH' *— ^
Glo- ry be! Andhewas ev- er Full of blar-ney From Kil-lar-ney. Sure my head would
$ ^ r^E/l F M ^^ F T I ^^'^'F F^'»^''
^'
swim. When down the block he'd proud-ly stride, His hat cocked on one side! Oh,
P|J..LJ1''V
•IXl'lf ftij
e£g :^ £^
IT\^. I
^V'>HF F^tFf F'F I F^T^
i r ' •II
I
^
^Jim! Jim! 'Tis no i-dlewhim:Youwere some man. my Jim! Jim!
'g^ ^1f
^r
l=J*
Jt A*: «*
f» m-
m-^A%
fen
IEE?ff^
tPP ^:
8-:
^^p
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No. 4. Waltz-Song 23
Love's Own Kiss
'^^g
Tempo diValse
f33 ii«=c: =5=
JT
Nri/ rrr<^
^^^?: i i feEi
Sylvia
^ ^'
p
"J'tfi'
H1. Feel-ings all un- known, what can they
^. Pret-ty lit - tie fan - cies come and
^^
^^ ^^ Pbe?_smile,
Sudden-ly to start
Like a but-ter - fly
My poorFlut-ter
heart,,
by;-
Like a
And they
2445 6
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24
1=^me._g-uile:
Can it be the fra
Shall I fol-low
^on
granto'er
i^ ^ V
breath of Spring-?,
mead and field,
Or the wooing-
. Pluck-ing- blos-soms
in:
2T-^F
?^ g
legato
i2.
CNzz:
^ ? ^pow r Of some flow'r.
On my way,n\
That has taug-ht my soul to sing-.
And to love's al - lure - ments yiela,
35:
f5>- is:
^ir^ ^17
r
^^
r\cresc.
-G-
I
m''
Lt r. i=
f f
i fc=i(2-
i J / M J JTTV
«rt«
Ah,Ah, has taug-ht myto love's alsoul tolure - ments
sing-?_3''ield?_
i^Some-thing- ofSome-thing- of
FTf
m ufe*
i h J J
rit.
rzi.13Z
^joymad
:*
gtfegE
or
ness
pain,
vain,-
=25:
Like a sun that smiles throug-h rain?_
Born of thoug-hts I must re - strain
3:
rit.
3j
^f^
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35
J3L
— While your
I^ d \ f^ d \
^-
voice seems call - ing" me,
-&^
Call
32:
5f
3ing", en - thrall - ing"
i ^r-»i=« Try ^ ryy TJf TJf TJl
^11 r r r
'ffi-«
3 33 =^^'
i^ ?i ?iZ2 -(&
me, Your dear eyes be - hold - ing" me, Your dear arms en - fold - ing"
i i5 39- ^^
TJJ'XL
vri^ gj
^±
* i^ ^ wn.»
me Your lips ca - ress - ing" mine, Press ing", pos- sess - mg"
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26
No. 5. Finale
It's Time to Start
Soloists and Chorus
F.feAllegro Florence ^
^ 7 J^"
£^ y _ ^
It's time to
^^ =^^P^
^S
i--attj«iy ^^^ ^ ^j
.^-J
^'
n Jm -i J^ ^ V » M J ^-Jm^j^start We must de -part, Or
F FI ^' ^ ^
^'
we shall sure-ly miss the
3
i'\i JJI.
^ j:nij ^ ^ F
5E
1
W^a=aj j j ^
tii=
fti^? ^ P ^^
F.
Th.
^:: q- ^train!.
*
Thorne
5E ^ )> J> i' I
^i
m^Poor lit -tie wife! I'd g'ive my
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»7
me^s
^ife
^m i ^Ra-ther than cost you pain.
fe^
s ^?
r^j^.OT
p^ E^-
1*
^P ^ J-3 ^
4^« r J' pj. .^ ^ ^Mg F
2Z2:
Come, love, come on! g-
Nff
By Jove! He's g-one!
LffiI\>\w^ \^»^
^^^=m=|g1 1^^ b *^ ¥ *:S
t^
^^ 3 teti:
?P^=^ r=^ w\^
^'^ N i'i'lS ^^ 5
j^VW''Ti^Con -found
it,
i^ heis
back"a-g"ain!
^^/7.S/ ^ 5
^M ^E^'ffi.
Tt ^ fr=f
^ « ,/ • ^ bilL
cresc.
s^^=^
teSOPRANO
n iPp P ^P
I p F
ki
The Ladies
ALTONaughty man! to so neglect us!
S hi j)T], | Ji j^
^I'HHegy
14
Naughty man! to so neglect us!
if=«F ^^ ^^^^g 3^
i * yP
y I f
w<.
I?=Fy pa rl^^ f r
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28
W" i j Ii n h, i
.jii J>r jJ'
i fafcjtJuU^
i
Naugh-xyman! to so re-ject us! Not one lit -tie word we ve had to - day from you.
tefc
s^^nnJii ' i¥h 1^ h h I
« « J) i i i I
J. i i^ » r-&-
Naugh-ty man! to so re-ject us! Not one lit -tie word we've had to - day from you.
^2=
iPl ^=* ^m
^ ^ ^=mr=r
^=^* 7 i ^
^=^^ / '
r ^
SeSr / ' V
iss
. Sylvia
^i
There you
Adelaide
are! There you are!
tffi
There
Thorne
^ 3 ^you are! There you are!
'''ir^ i-^
i' P I F p pJ'
I J> J' J>f;
I pI'i' .^ J>
Real - ly, you must not a - buse me, Real - ly, you must please ex-cuse me!
^m
^s i^aw-^r
m ^f f ^ f^i f i ^
§^'^- M P ^ ^ iPWe must say g^ood - bye to you!_
^^m^ i i
^^e must say gfood - bye to you!
J5feB ^[?I F J' il' J I
i?#I had so much to do, I had so much to do!
*feta i
^
« ^^t
^^
cresc.
"? ^
• J J J^^I"?: S:
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29
^s ^g^ood bye!
b''|j' i .if
I
jl J^ J^ i> I
f)|> K
h I
h K h^^=!^ * »
Real - ly, you must not a - buse me, Real - ly, you must please ex-cuse me!
^t=r^^ F V P ^r^p J' J) I Mf F^ F If
't^' ^'
Ver -y well! we won't a - buse him! Ver - y well! we will ex-cuse him!
j^'l,^ Jl Jjl V J'I J) i i>
J, I J^^jiJ,
v^ ^SE=55=*Ver - y well! we wont a - buse him! Ver -y well! we will ex-cuse him!
Pfe^pS 1 J J 1 m
i^-^ * sr
v^fc\i' T f v# t»— g > > t t f£ »—
^^=# teE£Et^
^^BTime has come to say a - dieul.
fetar r \H' } \
['I f^^Bs^
^ g
^^
I had so much to do!_
f^^e had so much to do!_
^^^^^^octors problems mysti - fy-ing,
Ii-'i^
JJ
I
J)i' W. I
J tj^ ll ^'i>b J J J;aj6^He had so much to do!. Doctors problems mysti -fy-ing,
^m
\>tt^Mizm.W teS^
^^ ^
j4=i^
P
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30
J
^vr^T~^^ ^V> J' \> JF
^'I'T
F^^'
F
Prob-lems ev - er mul - ti - ply -ing! Soon your try - ing Trou-bles will be o - ver;
tA 1\ J) ^Jv-JH^J-' i', h Ji LJi i^ifc^t±^ f
Prob-lems ev - er mul - ti - ply -ing! Soon your try -ing Trou-bles will be o - ver;.
teSylvia
fi$.
All your trou
fefe
ra7Z.
^ P ^ M [i EE^ ^^ £ £
te
Now your
rail.
bus - y day is end - ed, Soonyour work shall be sus
1, j,I
ji ji j, j)I
jiJ. , jj JM J, J^ Ji ^$^
Now your bus - y day is end - ed, Soon your work shall be sus
r=^very sloio
'}\"A ' *
fj^ » tJ^S^ 3^
f«-
m
^^ T I r a.
bles will be o - ver.
i^rr^ te
P You shall be at
^^ mpend - ed, rest in clo - ver.
^^^1, i i t "~^^J' Ji J' UJ^ I J IJ ^ tepend-ed, You shall be at rest In clo - ver.
i^'\K n y ^n- fe
fts ^^
^-i\W f / ^ i ^ 4Tlmp-
^Scresc.
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31
Moderate Sylvia
* ?i; P
pli'iW ?p^ j
;|J'W
AdelaideThey speak of Hon-or - what does it mean?
f iyj J i liiiiv ^iiiiii.^
Rabelais (with men)They speak of Hon-or- what does it mean?
w~r~vjH | ft ^^m•
m- ^—^P
PF M P p
V p IP t^T-T^ p M ?p
^pThe sacred Code of Hon-or Each step outlines, Each step defines: First
f^ Moderato ^ r\h^^\fii^'ffi
Mr\
jyp Stace.
S-¥ -9 -W
Sylvia
^t is
^ir-^ V ^'l
? IP y =2=f ^i
this: My card! Then this: On gTiard! If
'^
mtls »
^ ^^F ^j^^g^P 73
It Pl-^^P-
r f f 1^
^12
some one.
^ EEito pay. you hon - or.
% IHM F M^ ff ^S ; 7 T
^not, A shot Must sat - is -fy the Code of Hon-or!
*i*
^El
^^
^
««/5r
i=r=l^r f ^^
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32
Allegro viA^o Sylvia
h } J' J'l> ^J> p p
s.
Th.
#
ThorncYour de - part - ure they are wait - ing".^
' P I' P?=:Z
It is the neig-hbors
Allegro vivo
eel - e - brat -ing".
^^£^2Our wraps are there.
Adelaide
^m.
Th.
We'd bet-ter
-^ ^ J^ > J' 3EE^£
Where are your wraps?
^^^ ^J' ff V
^Good-bye g"ood - bye
rw I
rI ^ ^^ ^ 7 pj^
g-Q, per -haps. Good-bye! g'ood-bye!
^^^h.
^ ^ ?^ fGood -bye! g-ood -bye! Take care of your-
^ Galop
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J' J' ^'(?
See you lat-erl Bon voy - ag^e!
i J' >P ly
rI V ^
33
^^
^^^
See you lat-er! Bon voy - ag-e!
h J'J'
I
-
^self! I'll see you lat-er!
Girls SOPRANO, ALTO
Bon voy - ag-e!
1
^Good
Good
i> 7 ff ^^3? ^ood -bye! g'ood -bye!
|,b ^
J,J^v l^^pjj
Good-bye! g'ood -bye!
t P ^ p I P P 'F
^bye! gt)od - bye! Take care of your - self,.
J' I Jv J^ J ^ I
And have a pleas -ant
Pir ^p
t ^ ^^t* #^
bye!
TENOR
good - bye! Take care of your - self,. And have a pleas -ant
p M^ F ^^^^ ^J,
l i'^-yr i r ff4eE PGood - bye
BASS^ good - bye! Take care of your -self, have a pleas -ant
^hrr^ l\ iJ^ J^E5 P gSEEEiE
ike care of
t=iGood - bye good - bye I Take care of your -self, have a pleas -ant
^ ^ ^^
P ^g
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34
m
^ ~-^-^y ;i I^J'- i'^^
p I
[
?J^^ :£ FF ^ If F
=£ E£
jour-ney, and have a pleas -ant journey! So bon voyag"e! A pleas -ant jour-ney!
^i'^'f\i.iii' \
i' M^^ j^ \ii'-- ^i J'v
f=?jour-ney!
Sobon voy-age! A pleas
-
ant jour-ney!our-ney, and have a pleas - ant
^ r n F 1^ ^^|T I r [?M 1 1^*f
jour - ney, have a pleas - ant jour-ney! So bon voy-age! A pleas - ant jour-ney!
;^ P P^F ip- M M^' ^^^
I p-p F^F^^ *
jour-ney, and have a pleas -ant jour-ney! So bon voy-age! A pleas -ant jour-ney!
^5 »E|i m^1
• p
i l:. •^ «3 i»—^
n r^
?
^ ^ ic\
r ^ F I F gf^^p F F ^S;
Au re - voir! So bon voyag'e! A pleas- ant jour-ney! Au re
H=^ ^' ^ i^ iiI i^ J^ r^ fe
J . J J •P—T"
So bon voyage! A pleas -ant jour-ney! Auu re - voir! re
^ ^2F H M P [:^ f F
sAu re - voir!
^^So bon voyage! A pleas -ant jour-ney! Au
% IF F F-p
re
:^=^P I
F" F F mAu re - voir! So bon voyage! A pleas - ant jour-ney! Au re
^i=r^
f
mm
^ *
se
t » .i
F
1r^
-W 19-
m
^
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35
^ Mrs. Thome /Ot
^^w^
Whatoir!
Maids
^^^ ^ W^ I J i j^ ^ iJ^^
^$^oir! Please tell our mis-tress all is read
-
y. There she is!
\r~^/T\
t ju^ J i^mevoirr! There she is
r:\^^S 2^2voir! There she is
mw m
^ M
^^joy and bliss Can e - qual this, When May - time bids you
m P^ ^W =r =0=
ri^
legato
m 0-^g^^l l=t i=r t=r ^7-^5^
?-«-
play? Hap-py hours,. Lov-ers bowrs,. Beck - on
i * ^^
^^^^ ^ ^ ^
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36
iUS
^
M^
:*
g-^^
- way!.
s ^;p=
So why be sad! The world is
^^"^ -J
' ^ W ' y i'
So why be sad! The world is
^ ^ 1
^o why be sad! The world is
So wliy be sad! The world is
V%l' J f -f
^-^
^,
zu;
i
t=t
$ M f ^ M fS
g^^^^ :g<5>-^
r>i ^i r I
r i
grlad, And wants her chil - dren g"ay,- We should not miss One
fe=^ ^a» %
glad, And wants her chil - dren gay, We should not miss One
i:V' \ k f lb
r 'T rglad, And wants her
\"I r r
if I f ^ r
chil . dren &ay,_ We should not miss One
^^S ^ ^r ^ r IfJ m
glad, And wants her chil - dren gay,. We should not miss One
1
^' 1,1'I ^ ^
izs: g^ ^
^32= 33 = EEEE
1
?^ g
^ Mmi
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37
tf \[ *^^
19-^ ^=^
sin - g-le kiss, OhL We should not
i~HI M I I I M M ^
sin - gle kiss That Spring-
fl' I'I If l|| I I
hat Spring - time bids us
^us pay,- We should not
/r i r^j J i r.^^sin - gle kiss That Spring - time bids us pay, Spring-time bids us pay, We
m , .—r-p—i»-W^):|t>
r ^ r I r^ ^r I r
^ r ^^ ^sin - gle kiss That Spring - time bids us pay, Spring-time bids us pay, We
^I
m
=g
i
p
slip
mtfi ••
i
-G—
F^ ^^
^^
b" I i ^ P^^^^ -P-
t
miss One sin - g^le kiss That Springr-time bids us pay!.
^ . ^ eI j g i ^-5-
ip;
miss One sin - gle kiss That Spring-time bids us payL
15^
r r I ^ ^ J I r r rI
r ^ i r
^
should not miss
^=^=^
One sin -gle kiss Spring-time bids us P^y'-
f r r I ^g^j
^ sc
1
^^^mi^^f=r
should not miss One sin -gle kiss Spring-time bids us pay!.
rs
^4^^ 1a I
f# s^ i
^H'' j }*
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38
^ i .y j\ J^ J^ 1^What do you mean?
Thome12=11^a J y J J' J^ J' ff I ft M? / rj' IJ' Ji.^^^
I have to dis-ap- point you. A chance of a life -time:
itei£3:
5f
^^mmf?
Ti> _K7
#5
P
M mModerate Thome and Mrs.Thome
1=1mil- lion,
f''' V^p M °'Vi¥^j,j,, i^yjilj , J'v Ji|
^
iJ - 1) ^
lis - ten!
p^^m'fi9?=Tlf
tf
^^SM
pa-tient worth a mil- lion, At Beauville,wires to
Moderate
i^i i'Jistaccato
s -d—> ^^ K
t
m*w
avil-lion,
fcfc''
Ji1
,1J) J^^J'vjtJ'ilJ''
F^ I yp p p p^
say: "Im here at the pa - vil - lion, A-bout to pass a -
i^"\j.nTr^ i
'^-V g,i.^^5E^
»^
:i=qi^
f^
e^
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39
^ Allegro animato
P^pass a -way I
P^ .M ''ii ll J-' J' J'
p l> 1^ j, IJiJ^ ji
J^ J, ^way-
^.
To an-y man who saves me, One himdred thousand francs I'll
Allegro animato
^ ^ f f5* irr
^: ^^ ^ ^m iEMf ^
*si, i j^jj' p IP FrJ' i rfl p ^ ff -^r^|^^ i i^ M M
rpay! To an-y manwho saves me, One hundred thousand francs I'll
Chorus I rit.
pay!"
§"'>'i
-
ijiiMt' iinui iii\i
To an-y
^*
an-y man who saves him, One hundred thousand francs he'll
rit. ^pay!
ti-y man who saves him, One hundred thousand francs he'll pay!
^ y h
^^¥'^ Vp ip PF hv Frf^j^ ^ ji
P piter ^ 1
1
To an-y man who saves him, One hundred thousand francs he'll pay!
#— * ^ f^
4—
*
molto rit.
m ^
Mrs. Thorne Tempo diValse
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40
mlone.
'^^ ^-is>-=- f m^
iAll a - lone!. Oh my own!. Is it
^s t=A^E? i
E> #
-Hrif-f
* ft
!?^J i i J
•t9- —
^S^- * 1=
-5^
so?_
rit.
^^=^fe^ r If I F i
r
fc=j£
^
I must g-o, dear!_ Tell me no, dearl_ Ah, say no, dear!
i^ i35
j^•r •f
^=Pf *
^^^
^^9 ^
M^ ^ ^rit.^ P ^^
fe^ ;^3
mhL
Dr. Thome AhL
lez:
Chorus
1 u SOPRANO. ALTO
"*
All a lone! All a - lone!
_ All a
&t lone!.
=fll a lone!
TENOR
S? 32
All a - lone! All a lone!
S BASS ^^ll a - lone! AU a
. -"^^
—^1'
—
^^ IS
lone!
i=ft
# X
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41
^ f r r If'
rH^f r r I
^«- £
AhL I must gfo, dear!- Sad the hour, sad the hour.
^ 0 r-f^
^E^0—0-^
ll a - loneyoumust g-o, dear!_ Sad the hour,-
L
^ i \
sad the hour.
m m
lone you must go, dear!_ Sad the hour,. sad the hour.
PtT-^^^^0—1-0
^1S>-^
^All a - loneyoumust go, dear!_ Sad the hour,.
^ V
sad the hour.
^m
=fc
All a - loneyoumust go, dear!_ Sad the hour,. sad the hour.
km % te 1^
g.
:s:
cresc.
S i i ^ ^ M i^=llII
fc:?=4molto rit.
ns Allegro
ri|
i
i
*a r'^
1 ^4f
Till I meet you, my love, mymolto rit. /T\
own!
:'p
I
[• ^ ^ Ip r
IH*^ p j
ftH»^
Till I meet you, my love, my own!
molto rit.
P i*s
Till they meet with their love, a
. molto rit. ^ts
^0-
TH
lone.
\*l r i
Till they meet with their love, a^nolto rit.^ rT\
lone.
Sr
i^
Till they meet with their love, a -
^one.
m8
molto rit.
i^=l
^^=mz
r=^2
^ AUegro^ nnif
-9-
^pPm
» 1 ^^
^5^^
Wf^
^
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is
fr^Jl^=»
>)=» .i-jrf
3^ f
fhe^ ^^
^^^ :%—P'
y ^' y32:
^S
jy^T^
•# »•
f^-• •_
-^- ^^^
iS'==?«
mif^'-0-—(^
mcresc.^
^animato ff
zaz
^^m
-^
^-
w^Sylvia
y ff 1^ y E y g F=ff£ ^^i
^
Good-bye! g-ood-bye!Take
Adelaide
M) ''^^^I^ J)^^r— ^g-ood-bye!Take
4:
Good-bye!
Thome
ji-t'
^
hJ^ p
L ^Chorus
Good-bye! g^ood-bye!
SOPRANO. ALTO
^^^^^ ^ $
*
Good-bye! good-bye! Take
TENOR
y K i^ yI
y^ ^
^Good-bye! good-bye!
BASS
P y I y ft ^
^ TM y FrGood-bye! good-bye!
i^ j^^
=zz
IS?:
22
^ > ^ Marcia
sflEfe
^resc. molto rit.
^^^3E .^
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43
^^
care of your - self!
^ ^1 11 see you
^^Y=^=-%are of your - self! I'U
P^lat - er!
; N'F p P
1
see you lat - er!
^2Take care of your- self! I'll see you lat - er!
• t]>
Ih j^
p:£^^F^^ ?
care of your - self!
f^r g f111 see you lat - er, see you lat - eri
^ ^ j) I^ ^ ^^^ ^2 £ i
r
S^Take care of your - self! 1 11
ttff=fMtP^^see you lat - er!
JUL 1^
^ake care
of your - self! I'll see you lat - erI
y ^Ah!
^ 5 VP P P I P P V^
Good-bye! g-ood-bye! Take care of your
F r 1^F
m—P-
^l J—J-J— i
ifc*
Bon voy
m$
Bon voy -
it .
^Bon voy
^^ ir
24436
^Good-bye! g-ood-byelTake care of your
^5ag-e!
fi 1 i
Good-bye! gfood-bye! Take
I Pmmm
ge!. Good - bye! good - bye! Take care of your -
^ ^5 ^5Bon voy - - agel^
^Good-bye!
^ / y Ji
good-ljye! Take
=;t
age!.? ^Good-bye! good-bye!
P 7I
/
Take
s= t 3:
.^ 41 Jt.'
-• 9-
t
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44
self!
*^
t
self!
Ah!.
Ah!.
*g' ? p F ip- M P I J' >
Ah!.
Ah!.
^^EE S :^£care of your self! Have a pleas -ant jour - ney, and have a pleas
-
ant
L ^i- \ i: J^'j^'
P
1^^^- - ^''
I 'I
J''/^
PAnd have a pleas- ant jour- ney, and have a pleas- antelf
^ f' j' T J^ IP P P Pii( f» 0-^ ^ ^^^2
care of your- self! Have a pleas- ant jour- ney, and have a pleas- ant
^^ m m^2 ^M Fi ^^=F= g ^
care of your- self! Have a pleas- ant jour - ney, and have a pleas - ant
E i^^ ^^i* r
^>-jj J 3 P- itr <^p=f= sF^^^
^ iP' P p P
I p P "pt
^Bon voy - ag-e! A pleas - ant jour - ney! Au re
h J' IJ^ ^
> ^ J^ H ^*Bon voy - ag-e! A pleas - ant jour - ney! Au re -
^f m
p I?
^ p M' ^' I' I' I F P Pjour - ney! So
'J? tl i) J)
» *
bon voy - ag"e! A pleas- Jint jour- ney! Au re
t
J I M P P tjour - ney! So bon voy - age! A pleas - ant jour - ney! Au re
E ^P P ^ P I gour - ney! So bon
i=i ^^jour - ney! bon voy - age! A pleas - ant jour - ney! Au re
'y-9 p p p r c i
T tetp-
p p "I' 1^jour - ney! So bon voy- age! A pleas- ant jour - ney! Au re
t l=ii#
^
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46Sylvia
m^^^G^ m -JSl ^
.^ YourDickjp
dear voice call - ing" me, Call ing-, en - thrall - ing-
-(9
^gYour dear voice call - ing" me, ::all- ing-, en - thrall - ing"
# ^ i 3 ^^
Z'
^ f -
W V o -
\ F F^ f f
^*
3
^
f f ^f f3:
J
f fnsT
3
* ^\\ J.I
J ^j-p ^X ^
me, Your dear eyes be - hold - ing- me,P^
S r f i f
Your dear arms en - fold - ing-
(2 feime, Your dear eyes be - hold - ing- me. Your dear arms en -fold - ing-
T^W
S —(5
2-G
t
«-F I^ J^^mf
^ 1^ ^^ ^ ^^ 15^
^^
me, Your lips ca - ress - ing- mine, Press
42-! ^-«-!
|9^ zz:
iSme Your
mg, pos - sess-ing mine,
42 «—.4*^^, m .•p'
lips ca - ress - ing- mine. Press ing-, pos - sess- ing- mine,
M ^
^^^^
-j^ ft«
ttJ^' '»i
aS^F
^
cr-esc.
2^ i
^ ii
fOroarlly mil.
s.f-is^ f^=^ r^^=^
D.aBurn - ing- with bliss: This must be Loves Own
,fyLb roadly rail.
42-: J142 m ,-f^ ^ ^^ ^^-1, f^'
Kiss.
^iEEi
Burn - ing- with bliss: This must be Loves Own
m
^^
iU
^
^
i
e
^^
ip=ft*
^' broadly
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41
Vr.li
Sylviaf^and all principals)
Your dear voice call-ing- me,Dick
Your dear voice call - ing- me
,
A , SOPRANO
-iSM. -&^ ^^^Call
^ingr, en-thraU-ing- me, Your dear
1S>- i
^ rJ. g W i
Call - ing-, en-thrall -ing- me, Your dear
YourALTOji ALTU
dear voice call -ing me, CallP
ing, en- thrall-ing me, Your dear
=^^ ^^^^ ^ iYour
TENORdear voice call -ing me. Call ing, en - thrall-ing me,
^^^Your dear
^^&^ «M- za.
Your dear voice call - ing me,BASS
CallP
-az isz
ing, en - thraU-ing me. Your dear
tS» —I ^ m '. fS' r—lS>-
gYour dear voice call - ing me, Call ing, en
-
thrall -ing me, Your dear
^Iff4m ^fp n^pf s
^fp
^E^ff r--^
V # jr
I^S=^^
::e:3S
-<5-^
IS«••
©^*
eyes be -hold -ing- me. Your dear arms en -fold -ing- me, Ah!-
i»- iS-
is>-^ t9-^
eyes be - hold - ing- me
,
Your dear arms en - fold - ing- me
,
Ah!-
*;=p
P S^eyes be - hold - ing me,
^our dear arms en - fold -ing me, Your lips ca-
1 ^ ^ -<SM-
eyes be - hold-
ing me,
f^ ^
Your dear arms en-fo'd-ingme, Your lips ca-
P
^^eyes be - hold - ing me
r n\'.
zz=
Your dear arms en- fold - ing me Your lips ca-
ff: ^-^
eyes be - hold - ing me, Your dear arms en - fold - ing me. Your lips ca •
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Burn ing- with bliss:
rIr' I
Burn
G^
ing- with bliss:
Fess - \\\^ mine, Press ing-, pos - sess-inc: mine, Burn m^ with bliss:
*! -^^ zrt^
iress - inff mine, Press ing, pos - sess - ing- mine, Burn ing with bliss:
tS^ ^ ts>-^
sress -ing mine. Press ing, pos - sess-ing mine, Burn
^^fT J^^-^ress -ing mine, Press
f^^f^
ing with bliss
ing, pos - sess-ing mine. Burn ing with bliss:
(
acccl
XTTV
j>jf broadly /«//.
D.^^• h >l,ff:
I
EThis must be Love's Ownff:::^broudly
''""•
^Kiss!-
acecl.
iThis must be Love's Own
broadly fall-
m
Kiss!.
acccl.
^^
This must be Loves Ownjy^brodly ^ rail.
Kiss!_acccl.
eThis must be Love's Own
ran.
KissL
acccl.
This must be Love's Ownjy^broqdly^^ rail^ Kiss!.
acccl.
This must be Love's Own Kiss!
H
^^
^
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49
ACTH
No. 6. Opening Chorus
Guests and Waiters
Tempodi Marcia
JT^
^^M1
r r R
I^ .^
f bg
slEEttEtEt
i^-.^^t=j^
P
^^^ S^BO^^ gJE^ 1^m^resc.
i^=F
liliT^5^
u
Guests/i I
SOPRANO
^ V J) I i) J^ JW) Ij^ P ^
ALTO
I want to give my or-der!
^ 3^5 ^^^^^^I want to give my or-der!
TENOR
^f M^i^ = v
BASS
I want to give my
fe
^^r£^^
I want to give my
Uj i^A iiF^^CB"
S^ PS'
I if i «—#-#^JP store.
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50
^ p j) j) j)I p P V f^1 M p V ^
Hur- ry!Hur-ry, wait - er! Al-lez vite, gar-con!^ V J^^^^=^^ ^^ur- ry!Hur-ry, wait-er! Al-lez vite,gar-gon!
^" J p 'if-iip
pi p p a £
Al-lez vite.g-a
^or-der! Hur - ry, wait - er! lez vite, gar-con!
g^giP ^> I." p
MI *
M ^g^
or- der!
i1
Hur - ry, wait - er!
i
t r3
^Al-lez vite, gar-con!
t=^ ^=^^ffi"^
fe=i|S ^ full 1 « I ^Y=^ ^ LJ LyI.'' iJ' B -I' B |
l-f' P ? P.P P..,P I
TO give linant to give my or - der! Ive been wait-ing
!»" |J'ff
i iiJ^^T^T^to give m^
#
want to give my or - der! I've been wait-ing
K1
1 ,J' U J> . llJi P { P P P P
to give m\
SI want to give my or - der! I've been wait-ing
prp 'P p P r^s;^ fV f P
\ I want to give my or - der! I've been wait-ing
^^i^m
m
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i l J IJ
p p p
There are wait-ers here ga - lore,
UNIVERSITY OF JUUi^i.^51
But
£^^5' ^5There are wait-ers here ga - lore, But
^^= ^
ev -. er see such service? There are wait-ers here ga - lore. But
^service? Did you ev - er see such service? There are wait-ers here ga - lore, But
^ iJ-^ C^
feEi
Ive been wait -ing half a year!
1' .(' iiJ' J' ^I've been wait- ing half a year!
J) J' J' JJuJ' J' J I
4^'' ^ ]^
I've beenwait-ing half a year!
ser-vice?
P P P P i p^I've been wait-ing half a year!
I've beenwait-ing half a year!
.v=>."p p » If P p P-^^^ser-vice? Ive been wait-ing half a yea
I've been wait-ing half a year!
J p p fI p P r
I
-J
feSsi
U:]
^mit ^^^ife ^^^
I've been wait-ing half a year!
fts*
itf
p>rz
h ti>4
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52
t fi i* •> ^\p p p
'I
rI want to give my or - der! Gar-gon! Gar- con! come here!
^^m ms iv^) J ji
I J' ^^ mI want to give my or - der! Gar-gon! Gar-gon! come here!
!> i' "!'
I
p M pI P
E S^I want to give my or - der! Gar - gon! come here!
m r P V P i-M P PI
^ ^ sI want to give my or - der! Gar - gon! come here!
No, ma- dame, eet ees oc - cu pee! No, ma-dame, eet ees oc - cu - pe'e!
1^ J i V .J J I J ^ J^ fi jl
J^ 7 i JM i^ J^
No, ma-dame, eet ees oc - cu -pee! No, ma-dame, eet ees oc - cu - pe'e!
i. j' J' i' VII
J J I
p p r11^ J J' ^ ji J
I
p P INo, ma-dame, eet ees oc - cu - pee! No, ma-dame, eet ees
m g p p , ir-f^ f^^oc - cu - pee!
^^E£iNo, ma-dame, eet ees oc - cu -pee! No, ma-dame, eet ees oc - cu - pee!
i > i %iU i^ * ^=^ y
^ illij_r «T J
m ^ ^ ^C T I P 1 s^ Si Si P^^¥I'm so sor-ry, but you must go a -way! Ma-dame, eet ees re' - ser-vee
p nJI
iJ' ^^ h JO^ n J' > ni Jl J' ^'^m *
I'm so sor-ry, but j'ou must go a -way! Ma-dame, eet ees re' - ser-vee!
p r pI
r ri p r p n J i^ ^
itj J
i i^^I'm so sor-ry, but you must go a-way! Ma-dame, eet ees re - ser-ve'e!
S m Mm
p p p n F P ^>P F I
^ M^'m so sor-ry, but vou must go a-way! Ma-dame, eet ees re - ser-vee!
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53
l'''lr i' J) t||Jl Jl
I
P P (1V
I P- |7-pLp^^ P^Ma - dame, eet ees re - ser - ve'e! Choose a ta-ble o-ver there, An-y-where
5=1
a - dame, eet ees re' - ser - ve'e! Choose a ta-ble o-ver there, An-y-where
^^^J JM J' ji ^Ma - dame, ett ees re' - ser - ve'e! loose a ta - ble o -ver
B^Choose -ver there, An - y-where
r^^T-^-^-^^F FI ^]
^'
-^J^"^~TjrXp p
I
p P
r
^^Ma - dame, eet ees re - ser - ve'e! Choose a ta-ble o -ver there, An-y-where
o - ver there! At this one you cannot stay! See, he's re. ser - vee. For zee
- ver there! At this one j^ou
rit.
cannot stay! See, he s re- ser -vee For zee
At this one you
rit.
cannot stay! See, hes re-ser - vee.
S^^>=i ^-g^-Mfe£a temperS ^i ^
- ver there! At this one you cannot stay! See, hes re-ser - ve'e. For zee
ffi
s
^ sreech A - me - ri caine
.
f^
^
Mon DieUjIm told.
rj> J) i^
m^.hes made of gold;.
'T^^
^^eech A - me - ri caine
.
MonDieu,I'm told. She's made of gold;
ri - caine MonDieu.Im told She's made of gireech A - me' - ri - caine.
W ^ ireech A - me - ri - caine.
^^^onDieu.Im told.
is=p?Shes made of gold;.
Horns
m* =^ m^m
f F
Prr^ mT rtCf
f
3
i ^
1?
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54
h h 7 J^ ff ^ W
PEv -Vy ser - vant maid or man,
''
J) ^ ^' P
Can re -cog - nize^E^W ff
~ ————^
1_ Ev-ry ser - vant, maid or
mman.
E
Can re -cog - nize.
fi
•> ^' P-M-?
^ Kv - rv
Ev-ry ser - vant, maid or man, Can re -cog - nize
rrrtEv-Vy ser - vant, maid or man, Can re - cog - nize,
^ I ^^ ET tftJ
^f-—
(S fe tJ tJ
« ^ m
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-f Lf1 J> I J. Jl H^|^'
p I P P ^ur com- pli-ments, and ask for gold - enow, And po - lite - ly vow Uur com- pu-menis, ana asK tor gom - t-v.
4 A rJ) -^f^
rI
r^ ^'
i j>. J' ^i'p
i p p p fbow, And po - lite - ly vow Our com -pli-ments, and ask for gold - ei;
a m ^5^vow
2=
Our com - pli-ments, and ask for gold - en
^ VTr~.^^^^m
bow, And po - lite - iy vow Our com -pli-ments, and
m P-P g p
^i ^f^bow, And po-lite - ly vow Our com - pli-ments, and
^ ^ #^^
r=j^:a»i i ?
(^m ^ m- ^^H * t
^
P' F P^pF=^=g
=^
^2=
balm Voi -la ma - dame!_ Voi-lli ma - dame!. Eet ees
^m- ^ ^^ & ibalm. Vcii -lu ma - dame!. Voi -lii ma - dumeT Et't ees
S ^^iS ILJJlJlUp- F p pI
r
ask for golden balm. Voi -la ma-dame! Voi -la ma -dame!
.yt^i. p-jHM^ fP^ •'•
p P P
ask for golden balm. Voi -la ma -dame! Voi -la ma-dame!
i
^^^^g-j
I ^S P ^3;f ^ ^^^mf^
j^ru
;s=p^
r;^
r
Ib'l, Ji
^Ji J> Jl^l.
^ p -f^-t^ pI p'
p ^p ptime to rub our mer - ce - na - ry palm,.
A i*- Ji J' i' i^
And light and gai - ly
^ ^1^
time to rub our mer - ce -na-ry palm,
W^ KuJlAAAnd light and gai - ly
^^ ^? ^ :5=:;i ^2^
Eet ees time to rub our mer - ce -na -ry palm.
^-^'i. i P-ip-l p P P P
IIT--^^ i;
And light and gai - ly
^ ^'P P P
Eet ees time to rub our mer -ce- na-ry palm, And light and gai - ly
£E
^Pi
•* w^ > <
*s ^r*^^
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4^>'i
' r' p »rn i fr ff p P
i
r^3rf# msing our dai - ly Psalm Voi - la, voi - la
^^^ a ^ma - dame!.
ising our dai- ly Psalm. Voi - la, voi- la. ma - dameL
^^sing our dai - ly Psalm Voi -la. voi - la. ma - dame!.
iGuests
n \ 1 J) g
^ w
mi> i -I
want to give my or -dor!
mHur- ry! Hur- ry,
£^^ E ^I want to give my or-der!
S ^ ^ ?
Hur- ry! Hur- ry,
h i' J^ J' I J^ P ^ U
^ ^1 want to give my or-der!
i 7P IP 1^^ur - rv.
') Pi aI want to give my or-der!
m#—
f»
^ i* 1 r=i=fJ:
Hur - ry,
m^s * 1*
ii^=^
—^3-i II
^ ^ ^ £J-£J"^
wait-er! Al-lez vite, gar-gon! I want to give my or-der!
wait-er! Al -lez vite, gar-pon! I want to give my or-der!
244r,(;
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58
^I've been wait - ing half a year!
1^ a J> J) IhJ^ J^ J^^ S
've been wait - ing half a year!
want to give my or - der!
k
Ive been wait -ing half a year!
') ^l> 'p 7 p P
ITP
^A& p \ V ^P 7\ want to give my or - der! I've been wait - ing half a year!
m i?-^i^ .ppfp ,PP f ^—
^m t !>« *
§;^ ^ ^^ ^ » • I a -7l^»^
1^''p °i' ^ p^
iGar - con! come here! 1come here!
Gar - con! come here! come here!
^ ^ E ^ JiIP ^'P T ^p I P P ^^^
uch ser -vice? Did voiar - con! come here!
55P^ ^ 1 *Did you ev - er see such ser
^mf M P P P £
Gar - gon! come here! Did you ev - er see such
i
ser -vice? Did j'ou
:3r
^BeUs4
^ ^=^^ ^ i» ^ ^~? ^:=3
^
B il ^ ^ ^ J Ip P P^^^
There are wait-ers here ga - lore, But no one knows what
^^^^^^^^^ ^ j^I J ' J' J' ^
There are wait-ers here ga - lore, But no one knows what
^''•
P 'ipp
J'I
p p ^ J J I J Ji J) J 1 .1 ^ J) I
pp^^v - er see such ser-vice? There are wait-ers here ga - lore,
^ P \ P B I F P
But no one knows what
P n p r^ P P I P P P : ^There are wait-ers here ga - lore, But no one knows what
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s £ ^ i i59
for. Come here!-
for. Come here!^
^t]J IfJ J^iV JllillJ^^ ^^
Did you e\
E^
for. id 3'ou ev - er see such ser-vice? Did you ev - er see such ser-vice?
fi p p Frrr p r I ^' -^'i' ^' ^' E h i' » J'^I've been waiting half a year! I've been waiting half a year! I want to
!'•J-' J' i' j) f?^ S^^^ ^5 E^
I've been waiting half a year! I've been waiting half a year! I want to
^"P P PJ-3^ ii p-fT^
I
^ip n r I J^ i) ^^I've been waiting half a year! I've been waiting half a year! I want to
; PrT^ lM^r~nrT'"f—^r P •' f
I've been waiting half a year! I've been waiting half a year! I want to
r^^^# ^5 ¥=^ ^^ Pgive my or - der! Gar - gon! Gar - gon! come here!
t''
Ji J^ Ji JM > pV
J fdr
give my or - der! Gar -gon! Gar - gon! come ere!-
mp i^
pip m r » II
give my or - der! Gar - gon!. come
p p n
here!-
:ra ^^^der
m
±
give my or - der!
# g
Gar - con! here!jv»'v»^.^^f^^»-^^v'ww^/»'^^»^v%'»^
^t
ST
i
E£
^^^
/^7^
m trV^^V»^'^^»'»^^>^»'»^'V^^V%>%<^<^^^ *
£tr-
^^•^^^^^--v^.^^^^.-*^*.-v».'v*'*'W-v*-w*i'v
3:
7
^ Pf M ta
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60No. 7. Song
I'm Through with Roaming Romeos
Adelaide
Alia Marcia
3Ea.
^ ;a /I ^
u
Adelaide
5^5 ^
1. I've played lifes g"am - bol
2. iVe learned e - noug-h of
3. I've learnede -
noug-hof
^^
A. ^ E
oer and o'er,
life to trade
life to know
i m^
^^P?^
^^
and miss - es,.ith lots of hits
A dead one for a live one,_
All is not g"old that g-lit - ters;_
P^mm ip
»-«^m
?==4=^
^^ J) J' i^ iP ?^
But nev - er struck a
It's hard to see a
And like-wise I have
^^ 22
snap be - fore,
dead one fade.
found this so:_
Home nev - er was like
But hard - er to
All is not g-ay
re -
that
J
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61
^ I ^J'l
ii } ^ r If
i^^his is!
vive one!_tit - ters!-
m i/i^Oi
To hopes of joy and
Be -ware the man whoAnd al - so this is
u
heavn - ly bliss
buys you clothes
true, my boys,
t SaS^*-*
m i ^Eg ^mI r f f
^ i J> J ^ 5 ^ EEiS^ F F.
"^I'm mak-ing" no pre
With hope and g^ood in
(You think this o - ver
tens- es;_
ten - tions,
af - ter:)
My dream of heav - en s mere - ty
'Tis he who paves the way that
The man's not al - './ays due for
^
^fthis:
g'oes
joys
m an - gel
To the place which
Who mar - ries
for ex - pens
no one meng-irl-ish laug-h
es!
tions.
ter.
1-3. I m
^ i' J^ J. i .it ^ ^ ^5T'Tp'-
i
througrh with roam - ing- Ro -me OS,. I'm throug'h with bob - bing-, bow- ing-
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62
m^i W > i'i }> h l \
j>^'^'> ^'it^'
beaux^ So de-bon - aire and g'ay, So charming' for a day; They pay re
:*'J a
w i^S=* W=^ S ^ tt
n n. n ^^ r r -r «r r f
i ^ E J' i' J' ii J tji^ f P 3^spects_but that is all they pay! I'm throug"h with sen - ti-ment-al
id I ^4 i ^ i li J i r
^^ ^ ^ t^
^^5^^ E ^^fires,. I'm throug^hwith tern - p'rament - al squires;. But if you
^ ^J^j^ V jn J^ J' i Jl J^ JlV J> I
J, J^ J.J
It
S5.
find a fel-low, Whose g-reen-backs run to yel-low,Who'll g-ive a wife A meal-tick-et for
^ ^
|) [J-J [J^f^
E=i
3
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63
^m ^^ ^^^t^ p
and halt, With ev - ry kind of fault, But' strong- e-noug-h to
a crook, His face an all-g-one look, But a swell- ing" on his
1. Be he weak
life. 2. Be his back
3. Be he blind and lame. His members most-ly g'ame, But thumbs e-noug-h to
^*^ J J J^P
^ S ^ ml m m~m—0m m
E ^ J l u J)
f E r E Pwend his way un-to the safe-t3'- vault,
chest that hides a fat de - pos - it book, 1-3.Why, sim - ply
hold a pen and sign his bank-ing- name,
nab him!
P ![^=:i^^^^ , ^ J~] i I
^5 ^J'
J^ i i. i d'
S^ ^^ ^-»
Grab him! And when you've chained him, kind-ly let me know_ .The number
^^=tf^^:^ f I H->-f|fl^>-fl^^P r
^
f:^73T^
M r ^^rr irr
f ^=11 r
^1of his lit-tle bun - gra - lowL lowL
«••
y^j-^. }
&mm ^E=
11 WfUttJijj J^j^ j'v^-.af
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64
No. 8. Duet
Not Now, But Later
Sylvia and Rabelais
*Quasi Gavotta
^Rabe ais
1. If you on - ly were Pa - ri - si-erme, my
2. Now you would - n't thiak a man ahard-en'd
ft(w^^gfi^ :
s-o-
^ -:>
=#=*~j:
f«stacc.
^=^^~5. ^ #MI^
R.
S.
B.
Sylvia
3^5 ^la - dy! If it were true,_
sin - ner— That all de - pends.
Rab.
"VVTiat would you do?.
UTiat he in - tends!.
There would
If he's
mh
mf=rmi^\hi ^I e
11
?
J ^f r T y j
Sylvia
?-
iftff p iii' p i,i' J^ j> ^ ^
^ J' i' [T
be so man - y lit - tie thing-s to aid me.
bold e - noug-h to ask you out to din - ner!
Oh, is that
Well, not to -
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65
^ i^-M^so?_
day,
i ^^^^=
Pray let me know!
.
I'mg'oing-a - way. __ Some pret - ty lit - tie flowers, or a
_ And would you mind to tell me whereyou're
J_i u
^fJ
H a^^ I iE3^
^J J i J J
3-O-
Sylvia
^^^ ^ ^^po-em—
g-o-ing-?
•^ Pret-ty flow-ers_
We g-o to Par- is!
—
?^
Rab.
^^^
I a - dore..
Thatis true!
.
But
Then
** ^J.
r^^T
s o
Hi^ P^^^
j#
j^=^
^e- f^
jfr ^'F
^'
p
J'J' J-,^lT-r^r^^>-j=^ia^^
g-en- tie-men, A-me - ri-cains,don't g-row 'em,
know, my heart is sim-ply o - ver - flow-ing-
Their faith is in the jew- el -ry
With hope I may ac-com-pan-y
prm^ $
e -»-
J- W-s-
:3
^ g tir r r
A . (Shows pearls) sylvia Rab
store,
you!
Ah! have you an - y more? And if more there be,
I take my moth - er, too! That is prop - er, quite.
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66
^it i'ff
J'ff ^M^ ji j^
Ij^ j^ > }
r\
Have you not a lit - tie love that
But to tell the doc - tor would be
r f^you could prom-ise me?
hard - ly rigrht!
Sylvia
1.2. I
^
? r p ''f^^r^i r J h r=^ jl^ ^can-not an-swernow, but lat - er, lat - er,
*mMt^M^^^a^ It^m
m
may-be lat - er. Your
Bells
^ m fc^©TT
stncc.
S »-T- ¥^j-^te;
^:*-^^
-f
s2: ar- * —*P
§i^^r
«>*^y
h j^j^h'J^^"^^"^^'''''''1^
^=^^plead- ing- is not all in vain!. But wont you call a g-ain?_
F "F r p ^^^^^ 5E^5?^
would not say that I re fuse you:
*__feil_-^
S^,11 11
S I ^^i
'r
P y ^ y ft ^
-9—
-fi•
/v
'Twould lose you;
0.
My
rt
3fe
SH
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67
i M H r'
I
^"
plan is bet-ter,notnow,may-be lat
f^I
^i idl
er: That's courtship a I'a-me - ri
i
^^
I ^p ^p''}
^f^:
4i^-^4^^
*iRefrain
^^^
^^ r^ 1^ ^
;>H r
caine! I can-not an - swer now, but lat - er,
#Rabelais
^^^^^m 1 ftZ2I
She can-not an - swer now, but lat - er,
^.
^
S iil
r^fe IT1^20—-^
K^'UJ, Ji JU' J'
J'^ Jg^
lat - er, may- be lat - er. Your plead -ing- is not all in
^^m ^ y ^ 1r" p I
f r ri r p t^ F
lat - er, may- be lat - er. My plead-ing- is not all in
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68
f).j\ Jl i'
I
'i ^'ir J I F "M^^^z^
vain:
*
But won'tyou call g-am? I would not say that I re
ti i i'. Hi^m y9-
«» ^-w-
vainL
*
So I will call
- I ^
g-ain She would not say that she'd re-
Sg^r iTT^ tEEJS
i^ ^1??
?i^^1
EsS
3: J
f I
^ ^^^^
^^use you: 'Twould lose you; Mj"- plan is bet -ter, not now, may - be
iJ J I
i' i' i'i'^7JT
l-^l)"^ Pfuse me: 'Twould lose me; Her plan is bet-ter, not now, may- be
'tU^ 5 B
* ig # :t g * Ll» T»
E^3J^7 9-
cresc.
>>fjf-S"
m -fcgg- -^-1
:fc:p
Wf. a tempo
f ±E? ^g ^t fe1
lat
rit.
er: That's court-'^hip a I'a-me
a tempo
ri
ff ff i»
cainel
fc!
^^ ^lat er: That's court-ship a la-me - ri - cainel
rit.
m 4=tl
i r^i HI t'i ^1 ^
pffl tempo
^
3
-^^
r-'^^^,
_
Ui—
i
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69
Tempo di Valse
P-G-^
^^^
Your dear voice call- ing me call - ing-, en - thrall - ing- me Your dear
I
p
mm
i
W *ff
i
^ff
3
iff
^ff ^T^
*
^
47f
i
IS
•^'
^?= ?^
eyes be-hold-ing me your dear arms en- fold - ing me Your lips ca-
1^ t
ftfcf:
fS"- -#i
t
:322
-fiff ««
hNf^
i
ress - ing mine press
^ ^f^^^ing pos - sess - ing mine Burn -
"
ing with bliss
g tIJ' «
S »^zi
cresc.
^
S >^ig ^ P
^
e
ii^i
I
^
rrt//.
^ i1*^ JEE ^1
this must be Love's Own Kiss
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70No. 9. Duet
Chi-Chi
Chi-Chi and Dick
Allegretto (quasi Schottische) Dick
So my lit - tie romance has been
Chi-chi^^ o-Dick
h J J» J) J'ffJ^
!?-»-
4end-ed; One more vol - ume's done!
f'Tis - n't just the fin - ish I in
i
mm—T-Br
rjoz -»- Jf%'^ J
y^ ^ * ^ =#
^^ 9- -S»- ^^^
Chi-chi
?i^j' Ir
^
Dick
MI? r It'
^^'
^
tended, Or 'twere ne'er be - - gun. Put it on the shelf, dear! lU
M =&^ «^S 3 3 3 ^4?
i'W^ :
* :g-
^f ^ ^^ ^
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pt^f^ P p MJ i i
i i ^J ^'t
^^^^
71
Chi-chi
rI f r
^ Pput it on the shelf, dear! There are oth-er sto - ries one mig-ht want. Im
^^^^ta Nt^ ^ ^ nxi
i^^^it ^ ^
te ife
311
#i?-^-^f^r-^ J^ j. J) I
J
Dick
iP^s^ ^some-thing- of an au-thor-ess my- self, dear. With a grace and style pi
Chi-chi Dick
V jn i' Ji—^^^^T- i' I^^^^^
Chi-chi
^^5
Pquant!. So if you're real - ly through- I think I'm real -ly throug-h! With
^ ^-»-
Refrain
read-ingr fool-ish books that maJie you blue:
^Re - mem-ber
^m d ^c\ ^ 2
B
JSZ
P
rit.r p
A A
121
r\ r^ ^
^
3i:
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72
#
Refrain
Allegro animate
•^117 [T 7^
I ^ ^' ^' ^ J'I J! jlj ^
Chi- chi, Re- mem-ber charm-ing- Chi-chi, With fas- ci-nat-ing- ways and
i
XE r=r=r ^ > i g i^i^g=^=r t ^fe
^ cresc.
j:^
^i• c rt,
i a^=^ ^ ^p p p^ ^^^ F F
^F
1^'r ^
wiles That teachyou to for- g-et, With danc - es And sweet se - duc-tive
* ^^ ^
^ aff
>—^
'
J' i'v^ij^ >-j^ J' I J r1
^ i
\
i
g-lanc-es! She's quite the dear- est witch,— a g-ay co - - quette!.
^ S t t t E t i=»=r=¥=|
^ ^cresc.
^^vM ^ j> f \\ I. iJ^ Jw i^ h j>„h i^ F F ^
FI '
F^ tor she is Chi- chi, She's charming- lit - tie Chi-chi, With cap-ti - vat - ing-
i^
i1 1 ^ t=
^fW
«^»=r^
^^
E^^P
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73
m *^g-az« and smiles
^ E£-(5>-
That rob you of re - gret! A - way
i^t
^^cresc.
r^.r^
^ ^^ff M. I;
^^—
^ f ffEf ut'^^ ^
•t/-^
IK#4e ft
9-
f
^^^ ^£^ 7^ i) J>^
^_with fool-ish sig-hsL
^ t-J
A way with thoug-hts
^
P .^"ST
that ag"- o - nize!
Pcfc=p-f-UW'l p f?
( M'p p> P
p p MMTJust call on Chi-chi,
^^^in her eyesL
p > J' ^' ^11 r ^ ^
Re-mem-ber eyes!.
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74
:*P
Moderate
V^
m
No. 10. Duet and Chorus
That Alters the Matter
HIGH JINKS TANGOFritz, Mrs. Thorne and Chorus
fefcrf^
^ r^i^
pi
9 ^^^^#^s
\
Wtrs^r^S
r
ife=Mrs. Thorne
Mili' ^\
-Iff
Here are charm-in£ e"en-tle-men,Whom real -ly vou shot
Were a-bout to
Pleased, I'mver -
y
i
:ft
I.Here are charm-ing- g"en-tle-men,Whom real -ly you should know.
2. Gen -tie -men, al - low me,meet My lit - tlefriend de - mure.
t.lt lt'F i
l t m i«-4^
%* ^? ^* £2 St
s
a cri dS ;53 ^
** ^ard - l-y
£
g-o!
sure!
Hard - ly prop-er!
lin ex-cit -ed!Prjt^
jTjr^H^-p
Men
Hand-some,sen - ti - men -tal menWhoAl - so this is how we meet Her
Ji ^)^ JW'^
i«=P=1
Hur - ry! Stop herf
I'm de - light -ed!
i A I ^ r4#^ l#
^^
^^i !^g i ^fi :33
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75
have so much to tell,
friends so chic and swell.
l^tfj^
^
t^
Ladies
^mi^^Yes, we must be go - ing!
Real - ly, they are charm - ing! Men
uf
i^
m SGo - ing!
Charm - ing!
¥^i
Lxr^
f?
^w
fea
w^jF»^^.
^+^f^y> J' J I
^'^ jj t p=£
None cansay,'Tis not au fait, I know her hus-band well!.
|_-I(j;g3None can say,'Tis not au fait, I know yourhus-band well!.
Go - ing!
Charm - ing!
fe^^^Ei
^Si
UI Wm mOJ ^
^ ^3
St^"^^
^j^ I
^. Ladies . i .
• Men| ,
¥ RefrainLadies
That al-ters the mat - ter, al-ters themat-ter! Dont you see?
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76
Ladies
Ladies
^^^ Kii ;>1 ^ i^g^ * *^
lters themat-ter! We a
^^^
gree! And I contend, You should nt offend Your
i
'fjfjI
^s ^^i
C3l:jE di fe^ Ee^If;
ffii;>: ; J'
^' ^1$
h }. \}}^
Ij j IJ j
If an-v should mind Your be-in£us - band's trust - ed friend. If an -y should mind Your be-ingkind, Doubts dis - pel By
t f f ti
> g iM s ?=^^
g* £^ dlS
• ^4
(^
* h-J^rmr-jtp .IP rp\^
II.,
^ ^1say-ing,| I know your hus -band, oh! ver - y
'You know my /C\
well! That well!.
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No. 11. Duet
She Says it with Her Eyes
Adelaide and Jeffries
AUee-retto i=ii
77
k
stacc.
V"^^'g>jw J J >J>>>j j i jig
St
-^•"£ij'V^-y'-"[-^
Tempo di Gavotte Adelaide Jeffries Adelaide
1' J' J' p 1^ }>>^ I J £
:f-r^do r
fei
Looks like read-y mon-ey. By Jove, a Beaut. He's
t=^
^33j^ i^
-*&
^ legato
^Stacc. —
s ^y ffT»- ^ ?=5>- r
Jeffries Adelaide^ /I
J-' J' J^ ff Ji ji ^ J)^^^^^ ~n ^
g-ot physique and style to boot.. Cer-tain- ly the hon-ey. He
3EEEE i ^^ 3y J)
f^
S te
» i^
^^Jeffries Adelaide
j^ I h j) i J* JiiJ
I
r/ ^ y
fT
looks this way. She's g-ot a man-ner ver - y g-ay!
i
1"'^ '^} 'i'- i
j:|)J, ^
'tr^
^^ p ^ ^ p yff
—ir 1^ r
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78
^m (coug-hs)Jeffries
1^ ji Jv i J i I J' i ff t i
ff i-^^think m try a lit - tie coug-h. Bj^ Jove, is that for me?
u.g
-i
p
Adelaide
Or
»i i 4
A.
J. ^ (laug-hs) Jeffries
frF^Adelaide
^ ^^- I "? ^'F
bet - ter still, live and laug-h. She acts in - vit - ing- - ly.
d *
( Sil
321A
T ^^ J—J)
?^^
teJeffries
^ ^^ ^J^ i i i ^
P^ ^^
think it's time he g-ot a look! She's sure some wid - ovv^ wise!
Adelaide
:^^sf=* ^ II I
s p^Jeffries
i i i[j' i p ^ p"p i i' j, i iii ^. ^s^^
Refrain
A:.
J.
think I've g-ot him on the hook! Ah! In - vi - ta - tion eyes."Come"Come
^S ^
'jllf ^T ^^
i^ ^ 1
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79
Allegro animato
e^tlJ i_^'iI j> J)_J)j> \
j^r-j-Jr^^^hith- er!
hith - er!
come
come
hith- er!'^ She
hith - er!'j_ She
says it with her
said it with her
eyes,
eyes,
She
She
nt.
^) ji i j^ ^'^.ir
'p itfi i^
^' -p-i"?^M^i^^Ioes not vo - cal
did not vo - cal
ize,
ize,
But you can re - cog- -
But you could re - cog- -
nize, Just as plain:''Come
nize. Just as plain:'tome
S ^M4 d w &a tempo
i tJ' i i i f-^^J^ P^^S W^hith - er! come
hith - er! come
hith - er!'i_ She seems to spe - cial - ize In
hith - er!'J What live one could de - spise Those
rit.a tempo
f ^S ;e E^^ PM—? f—^-?-^msend - ing- tire - less Jolts by wire - less,
I am g^one on You, old Don Juan,
All with her
Come -hith - er
eyes!
eyes?
"Come"Come
wm tt «
Jrit.
\^
a teinpo
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80
A.
J. ^-jiJ' i y J) I
J)j) ^
hith - er!
hith - er!
comecome
hith - er!"
hith - er!"
^^ ^She
She
says it with her
said it with her
eyes,
eyes,
She
She
rit.^ S iSi:A.
J. W ^ ^ ^ g ^S ^
does not vo - cal - ize,
did not vo - cal - ize.
But you can re - cog-
But you could re - cog-
nize Just as plain:"Come
nize Just as plain. "Come
1=^
a tempo
A.
J. ^^ h hJ' y Is
i i ^''^
I
hith - er!
hith - er!
come
come
hith - er!" Heav'n help the man who spies Those
hith - er!" Sure an - y man migfht prize Those
O »
a tempow 4 ''^ V n t
^
s it
,M^
A.
J.
*
rit.
^f7\ 1^
f
2.
5t
en - ter- pris - ingf, tan - ta - liz - ing-,
a - gi - tat- ing, I'll - be -wait -ing".
"Come-hith-er eyes!"
"Come-hith-er eyes!"
eyes!"
eyes!"
8-
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No. IS. Finale
We're Very, Very Sorry to Detain You
Soloists and Chorus
81
ALTO
TEKOR
BASS
^empo di Marcia
n ~
^^Va i 1
Tempo di Marcia
ere
» ^ ^We're
e're
PWe're
ver-y, ver-y sor-ry to de -tain you, But since you have to go,.
ji Ji Ji Ji jiit ii JM J' p V p I
J' it Ji ^ver-y, ver-y sor-ry to de - tain you, But since you have to go,
h J ji J Ji J J J J I
J> ^
ji i' Ji J' i' ,h ji JiI
J' p rp
i
p- J' J' i)IJ J' ^^
and are
^^and are
yer-y,ver-y sor-ry to de - tain you, But since you have to
H M ^iTB P I P ^ V ^\ r fl p^ ^
ver-y, ver-y sor-ry to de - tain you. But since you have to go,.
j^—
^EE^^^:*>—#-
^^^
in j^i
^
^^
^^
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Thome
J' IJ^ > r
^
- 1They're stran-g"ers all to me!
bust 'em We ve served you
^bust 'em We've served you
5E^
83
well,
well,
Tho',
The'.
truth to tell, The mostst of us hav^^^
P- J J) i>^^
have nev - er heard your bt-ll
^^^^^truth to tell. The most of us have nev-er heard your bell
truth to tell, The most of us have nev - er heard your bell
^ truth to tell, The most of us have nev-er heard your bell.
m
^
^EEd^^EEJEE^ ^MI brought your hat!
^sgt
I swept the mat!
shined your shoes! I brought you news! I made your bed!
i U ^*0m
m244.56P *
id IPI^
SF^ P S
P
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84
$
$^^ marned your sock!
All
I ^ ff I
p p J) » JM J Ji J' J' ^ J' ii p
I
I wound the clock! Were ver-y, ver-y sor-ry to de -
E » J IJl J' JQl Jl J ji
1 1*We're ver-y, ver-y sor-ry to de
^^ ^ V .yj^I JO JO J^ Ji^£
I browned your bread! We're ver-y, ver-y sor-ry to de
m\ We're ver-y, ver-y sor-ry to de -
rt^^§i
Sm^ ^
t^
^P^ r^
y
^M -li. i* r ^ ¥ ^2 J^ J J i>^
tain you But since you have to go,
> > V iI
A Jt J). ^and are off for your trip,
J^ Ji ilI
[^h }i \)
tain you. But since you have to go,. and are off for your trip,
^ ,hIJ). Jl
I f ^ ^ptain you. But since you have to go,.
p I P" P F m ^^m
We are
^ tain you But since you have to go. We are
^i' Uf L'^i^
p ^=9
tJ. u. ^«*
f f l Jl Ji ji il J' i' B I
p
• *
^1 ^^M «t-
We are ver-y, ver - y sor-ry to de - tain you! We are
:i JlI
J J il Jl Jl J' -f'
i'I
^^g^^^f^
^ 7e are ver - y, ver - y sor - ry
J J J ^ ^ i
to de - tain you! We are
J. Jl ni ljl ;^^ Si wm
ut for our tip! We're ver - y, ver - y sor-ry to de - tain you!^ h P PEE^5iE^
m m m m —ff
^ out for our tip! We're ver-y, ver- y sor-ry to de - tain you!
i«ntJ ^ *n \i J ai I
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85
t 1',1' J '
out for our tip!
^P,
I J' J^ Ji J J' p ff
F
ii J .Ji J>
We're ver - y, ver-y sor-ry to de -
J, I j) J Ji Ji Ji Ji J' Ji I
out for our tip! We're ver - y, ver - y sor - ry to de -
P i' «J' > Sm
^ M P M MWe are out for our tip! We're ver-y, ver-y sor-ry to de
IF F Mp p I'M p I g ff ff g g g g g
We are out for our tip! Were ver-y, ver-y sor-ry to de -
tist^ ^ ^
Thorne
' >p Ji JlLJ^
3^^
Come, leave this wor - ry!
tain ycu!
^ain you
tain you!
r ^^ V
tain you!
Fritz^^ (Mrs. Thorne faints)
fc^^hats your hur-ry?
^^mm ^ ® ^
:S^cresc.
Jvi' /i PISJ^^
Pi] ^
a7iimttndo
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86
i=%
Allegro
=fc^mWa-ter!
?^ ji jiI
J^ J)^Some one's faint -ed! Wa-ter!
^ h h|J^ J^BJ^^^^ ^ I
.P i^ J-
Who's acquaint . ed With the cause of
K hI
J) JltfJ^ J^^ ^FP
*fWa-ter! Some one's faint-ed! Wa-ter!^ ^ Who's acquaint - ed With the cause of
P tS\
i Bp r F I F F "F—4^
Wa-ter! Who's acquaint -ed With the cause off^
a-ter! Some one's faint-ed!
^p ff
I
p-jT—
^Mr p p p 1^ £
?=^
pAllegro Wa-ter! Some one's faint-ed!
^ £
Wa-ter! Who's acquaint -ed With the cause of
£ m i^*- iti"-^ Afe=^ ..^.^^^T "
\il.l ''&J"J
* ^^ EE=5 H^5^ i :f ^"T^/-
ffi*
p pI
F
^ E^Sg;^^^
^p^this dis - as - ter, as - ter, as - ter? Wa -ter! Call a doc - tor!
this dis - as - ter, as - ter, as - ter?
§P P T P
tnis dis - as - ter.
5^Wa - ter!
I? FI F P >
Call a doc - tor!
e:^i" *. If!. P Fas - ter, as-ter, as - ter? Wa-ter! Call a doc -tor!
'/«ii F F "F ^ rrr^^^ m #=p=^^^this dis -as -ter, as-ter, as-ter, as-ter?
*
/yi. At Ite
^^^p->g* ^r
Wa - ter! Call a doc - tor!
^%i
^=^ii * :fi s
i ^s^^^^
•J -iir. ^i:^=iy-trr7; i^
";'^p
; ^^^Wa - ter! Some one's shocked her! Run for wa - ter! Run for wa-ter!
Wa - ter!
M-n
p. p p
I F- «F"F (
i
Some ones shocked her! Run for wa -ter!
!!
p p^p
^'^
f-p I J' ;^ p^ ^fl ^ ij) ^
^sWa - ter! Some one's shocked her!
y='^Run for wa-ter!
P P p F
Fast-er! fast-er!
Wa -ter! Some one's shocked her!
1^ A^ ^i^i
Fast-er! fast-er!
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m ^' p
1^p"^ J' J' J' J. ^ 87
Run forwa-ter! Fast - er! fast -er! Run for wa - ter! wa-ter!
^ h m i) h J) J^ rrxT^.'/ p.. p
:*
Run for wa-ter! Fast - er! fast - er! Run for wa-ter! wa-ter!
»^g;^3:^^J'> .J) J^ ;>I
> yji J^ jiI
Ji ^ji ji; , I
J, J,i
Fast-er! fast-er! Run for wa-ter! Fast - er! fast - er! Run for wa - tcr! wa-ter!
>A^P "P p PI MM P I f^^ M P V p p I
p p) lilt
Fast-er! fast-er! Run for w'a-ter! Fast - er! fast- er! Run for wa-ter! wa-ter!
^fP~n ,4M-r^ i e &s=*l
^Stefii
S ^s
^Tempo di Marcia
Jeffries
nr^^* ^f^he voice of na - ture ! The voice of
mm^ Mmi^^it
E9.0 f—*: iniolto fit.
m
i^E 3
^. f
^3-
^sJ^::[L4dJLJ_lUp-
fl p-^Fif i f
na - ture! hear it whis- per-ing" and call - ing- to me now.
3=|J__«_| i=iH!!:
3r^5: 3 I: ii p^In her
.3=^
^=1
T r liff- g p-[?
I
rf^
1^r (! I r p- M
ace I read my no-men-cla - ture, And my im - ag'e is stamped up-on her
^^irjjjjji i-ft* ^ ?
a'-f
1 9 CI
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88
S f r
brow.
^ '•
p r (^I r r
^'p r f?
The voice of na - ture The voice of na - ture I grlad -13^
^^sfS#i
$
He hears it now! He hears it now!
' ' €>• tl' ^^^5 »
He hears it now! He hears it now!
1- V p'"F
r * I V ;?
^He hears it now! He hears it now!
vg p- g r gP P' K
e hears it now! He hears it now!
i^^^1
m « ^:
w *
+i i=feE5» 1©- zz:
v:tt [T- fl r [7 r ;fe^ 4^-M-^ £.z:
has -ten and o-bey its call; Long- I've foug^ht for her, Long- I've
f^'
P' F r r
Has -ten and o-bey its
*! iiJ) itJ^^?i^tas -ten and o-bey its call! He fought for her,
h J Jl J ^^^1Has -ten and o-bey its call! He fought for her,
i' n- i'r
"r I
P" i -ii ->' r > IV g p^"'
p^ r
Has -ten and o-bey its call, o-bey its call! He fought for her.
;'•'
f p p; p ^ -^HM^-gf^^f^
Has - ten and o - bey its
J_J1
call, o -bey its call! He fought for her,
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89
'''r r r H r (?
V p [T- ft
soug-ht for her, And now Ive g^ot her, and now Ive
iHe sought for her.
^^^-^g-P- P P
f
He's got her now!
^^He sought for her.
I—F—P-
He's got her now!
V ^p p—»r ^tHe sought for her.
''•p, r ^
He's got her now!
He sought for her. He's got her now!
1 ff- nI
^'tr r f t^
I
fE
g-ot her1
I have foundat
last mydaug-h - ter!
^M" [^ r~^
I
^-—ii^-^p'^ P' ^ \
'^ ^ ^Hes got her now!
$^ V .i h. J
He has found at last his daugh - ter!
> Et ' Jp
-
p P
Hes got her now! He has found at last his daugh - ter!
^- P p-11^ r > I J^ ^P^ E
nr
^He's got her now! He has found at last his daugh - ter!
tI P
p-ff r p
\
He's got her now! He has found at last his daugh - ter!
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90
Rabelais Animato
'y-« - t F f=fg ff• •
£ ^mNo, his sweet - heart !_ That is what she is; If not, I'U
± ^g- »j jr^
-o-
?^ ?
S o irt
^ ^i
Thome
i
^ hope
R. M l
'' ^' ^^ E^-=?dieL Ret-ri - bu-tion should be his, He was plan - ning- to e
J
^ i )j ]) 1 ^\t JiW^ ^
sat—(g t^
tfy i^^ ^»
»*
sThome
U^^'r '}.
T. ^^/
lope! To e-lope? Con-
i ^ ^^^:^=
J=
He was plan - ning to e - lope!
' M i
rEi5
He was plan - ning to e - lope!
£^5^^^^ m' m
He was plan - ning to e - lope!
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91
found your eyes! For this I'll have your life! I want you aU to
'
^-iH^^—i
s
^^ ^ J h) ^
This la - dy is my love, my love
,
my -
iE3E i i^^
^=^ ^g^f f'*' J it f i
^iy i^-
fef(Sylvia enters) Sylvia
& -4 TVmDick
»' »!' ai'
#1 <! «^ «) ' 'p> b
What's the
Sh! Don't g^ive your-self a-way!
Miwr- p f r^ ^ r ^
:fc
His wife! she comes! ah, lack - a-day!
i ^ j) n'v ^j=^e^ ^^:Ie=
His wife! she comes! ah, lack - a- day!
4i^r-
Mp g
rV j)
^y • ff
2:
His wife! she comes! ah, lack - a-day!
^j^ ,
?•f
^r^f^rA^is wife! she comes! ah, lack - a-day!
1^^pp
*=^f=FJ
P m
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92
s. ^^^f^trouble, pray?
SgJeffries
^ '
y F P F. £E
At last I look in - to your
kfemFritz
£^.
J.
P^^^
^Wa-ter! wa-ter!
^^cantabile
^ ^^eyes^ my daug'hter! My lit -tie
^^
MP JL'
?dr
$^
His daughter!-
j^ ^ I.J^ ^^is daughter!.
i ^ ^p F pHis daughter!-
M «.
^mJ :!- ^
His daughter!
^.^.cantabile
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93
Sylvia
P^^i ^m
=s-
^His lit-tle g-irl!
Adele
He mig-ht haveknown I had this curl,
^^^,. His lit-tle g-irl!
Thome
J' J' J' i/^ I Thorne
^ His lit-tle g-irl!
He mig-hthaveknown"^^mShe had this curl,
He mig-ht havekno-wn
^mia r r^f^g-irl!.
Dick
I mi^ht have known.^^ i
She had this curl,
^You had this curl,_ .Your mother's
ifis fit-tie g-i
^lg-irl!
Rabelais
He mig-ht haveknown Shehad this curl,
^=^^=^ E^^5His lit-tle g-irl! He mig-ht have kno-wn
te^
^^i f p f ^^
^aCE
She had this curl,
7h—— " w—w
WtZHM. ^33C
My nfother's ver -
y
^ ^^^''li' V l)i: ii J
own;. . So ver-y fair.
Her mother's own;
^^'•'> v7 •r
Her peach-bloom cheek
.
so -ver - y fair.
32 J>ji i'
Ji 'I
Her mother's own; Her peach-bloom cheek! so ver-y fair,
^ ^ F^^ ^M^own;. Her peach
v^"i> V
M[^
Her mother's own
,
IJ-ILg
bloom cheek so fair,- Her winsome
^er peach-bloom cheek fair,
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94
[
4^'''>
^FH
^
^^ ^My winsome smile
i ^F^
My smile so rare, My ang"el's face,
^^^ P^^ ^ ^^Herwinsome smile
I^^ *
Her smile so rare, Her ang-el's face,
Pifc
^ T M 15>- ^^*
Herwinsome smile,
''H^^ ^
Her smile so rare,
^fTs
Her ang-el's face,
f ff g ^ip^ ^
^
smile
h5_
so rare,. Her ang-els face,. Her Grecian
i
ns
M^
IM Mso rare. Her ang-el's face.
^S w h JU^ J. 321
Pfi
SO rare. Her ang-el's face,
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mSuch
-^^
grace and
I
b'l> y ^ ^ ^Her Gre-cian nose
7 j) i' J^^and charming- grace,
^ (.''!> ^ i) -^r=P=r=^
rzi
Her Gre-cian nose and charming- g-race,
^^ i feEte=:_-g—^nose. Her charm and g"race ,
.
That fine re
*r-\,Si' r p
-
£Her Gre - cian nose
£ 1^and charming- g-race,
aJ'i> 1 J J> ^er Gre - cian nose
V J' J' nand charm-ing- g-race,
f^^T^ ^^Her Grre -cian nose ? ^^and charm-ing grace.
mY 1
J) Ji i J
Her Gre - cian nose
S^5 *r o
and charm-ing grace.
#7^=^ ^yU'II' -r P (b^\ H
Her Gre - cian nose
--^ k
Her Gre - cian nose
6=z6=eand charm-ing grace,
fe^^^^fi^
and charm-ing grace.
2-i45fi
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pose,
A.
My poce
Her fine re - pose,
~i^—Her eyes
di
mdi
fefc^
I
'" ^ i. J. S s.
Her fine re - pose. all
-^g^SF^ ^di
^pose, Those laug-h ing- eyes di
^V
[T f-^Her fine re - pose, Her eyes di -
'ni'i> y r [7-g 32
Her fine re - pose, all di
Mh J) ^ 1 i
i
J^' "l^ ^^^^=^^
Her fine re-
pose, Her laugh -ing, her laugh-ing,
^Y V '-#^^J) J) J)i i) J)
Ht-r fine re - pose. Her laugh -ing, her laugh -ing,
>\^ •/ P ff=f^ ^ P P P 7 P P g
Her fine re - pose, Her laugh -ing, her laugh -ing,
v^S> 1 p~p p
P P P •/ P p p
Her fine re - pose, Her laugh- ing. her laugh -ing,
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98
Jeffries Mr\
^^^-^F^f+R' V
FI
r F'P P^ ^^
And to think that e -ven now,When all my joy should be serene, This miscreant,false to
M ^ i i¥ m
wM
P
r\
?
/T^
z^
l»
i
Sylvia ^^.
J.
¥S
3^vT'g ^p
=^
You mean?
ft ff
F=F T^ i^
f^ev - ry vow, Should bring" dis -grrace
!£lSt|^
Your
Bft fw I.
iBZHaiz:^:
F^^^f w w^^3
ffl=i^
g^/o
1^/^
7 ^7 ^7ffi L "rj
*
"[/
Marcia Thorne
a^-^TTT^I g-ive up hope!
S
^ ^ P
i
hus - band with that
Marcia
wo -man there, With vil - lain - y be
fe:^3=f=f £^ ^g&
^^d -d
. }\r~ix•^B^: ft
at- ~i»~ ^
^^r r 'g- g r^ i^
*>^fr~y
yond compare,
Dick
^Plan - ning" base - ly to de-ceive you. Theywould e-
w^ Sm m^^ ^±iVe g-ot the dope! Dont g^ive up hope I've g"ot the dope
^3EI i"^ ^ E^g^J^^
r^^ i 7 7-
^^^^^==^
S——ft-
I^^ LS-ULXi244r)B
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99
-O-
M3'-
^^^Ji I J J ^Your hus - band with that
I g"ive up hope!
MFritz and Florence
^^^^^^Don't g"ive up hope!
m
-U—1»
r-rH^
^lope,. they would e - lope!. pm
T^ V p r P
Don't g'ive up hope!
S
'rjtdh
i
m
^
«F
-
wF=r^rM
m mHer hus -band with that
^Ve g-ot thisdope! Her hus -band with that
^±f
.m m
Her hus -band with that
^^Her hus - band with that
^^' ^
^ J J JHer hus - band with that
^Her hus - band with that
^^ ^
L^JZgZp BL J J • J ^ a(»^
Her hus - band with that
£
^
5^;
i^3§3^
P^
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101
m r^-^r-Tf ms:
pare, be yond compare I'm his wife, and I'm his
i^^ ^^m ^^' r r "^TT"^ p fvil - lain - y be -yond com - pare, For-sook his le - g"al wife, Who is his
m mmShe's not, I swear! she's not my wife, your
ii.
y.tT r "jT- p ^ f g r P I
^' ^ fEEE^Eg^EgEEp
vil - lain - y beyond com - pare,. For-sook his le - g-al wife, Who is my
D.*y^ r ^r f r ff
vil- lain- y beyond com - pare,
~^'p r N ^' ^
^'^'^'p f^
For-sook his le - g-al wife, Who is his
''-^r r Fj I'-t!^
^^^^sF" p r T P r^
vil -lain - y beyond com -pare, For-sook his le - g:"al wife, Who is his
vil - lain - y beyond com - pare,
i ii-b.ii Jr^
vil - lain - y beyond com- pare,
vil - lain - y beyond com - pare,
^
For-sook his le - ffal wife, Who is his
r ^ j, ^ Ij)-^ E^^
For-sook his le - gal wife, Who is his
^f I
p- M^ lLgr^£=gFor-sook his le - gal wife, Who is his
jlJ). j ii
.. g r p-ii
^s=am^,,{j_^L_ji
re
^vil - lain - y beyond com - pare. For-sook his le - gal wife, Who is his
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103
*
^
t-rfffam
long-- lost daug"h-ter! What shall I do?
^ M ^^^«^
long- - lost daug-h-ter !
ttf^
('I
tl ^Pre-tend to
long-- lost daug-h-ter!
fai
gtt ^g fS^^
?
-^^|^
long-- lost daug-h-ter! My world's a - wry! .
i mlong-- lost daugh - ter!
^m mii ^long-- lost daug-h- ter!
^long- lost daugh- ter!
fat
i^i ' i "^
long- lost daugh- ter!
*$^long - lost daugh - ter!
3* iEESES ti3=
long- lost daugh- ter!
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103
^^^ EE3=
mcry.
' ^F F F' r ^r^^
«¥^:-
g ^
-/2^
If she comes to, I think 111 die.
/2J
Myworlds a - wry!
mDick
iBut why not
ifll i
i
FlorenceA g riorence
vS t mShe's com-ing- to!
Fritz
^^ ^5
mfi-'
Ihearhersig-h.
^ A^ P^^Tryto for-g-ivehim, try to for-
^mft, -irfj ,Jj^sfej
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104
i
Sylvia
Your
S =^-==
dear voice call - ing me,
-6h
Call
i 321
ing", en - thrall - ing" me,
S2iz:
^
?-
i? rj
^ff
i
^ff
3
^ff
^ff
jt 'i ^
TJfi
-« -s3j:
# i5>-
^^
?=
•»— iizz: i s2:
^-<5^
Your dear eyes be - hold - ing me, Your dear arms en - fold - ing me.
^t
^:^
fe^
5
i^
I jSC i
i
i
^t I
I
cresc.
3^g^^ # ^C
Your lips ca - ress - ing mine, Press mg, pos - sess - mg mine.
^broadly rail.
^r^ m g i
-^'
^Burn ing with bliss: This must be Love's Own Kiss.
i* ^ i ^m P £lti((S>- mW t^
iI
Uit'=
^broadly
h&rall.^ ^
=P^^ *E^
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105
Sylvia
m-^ ^^^^
^our dear voice call- ing- me
Mr.Thorne
^
Call ing- en - thrall-ing* me Your dear
^32
Your dear voice call - ing- me
Jeffries
P
Call - ing- en- thrall-ing- me
g^
Your dear
^^¥^ Z2I
Your dear voice call - ing- me Call ing- en - thrall-ing- me
=55?i
Dick
Prz"
Your dear
y'^i'i r irzz:
^mYour dear voice call - ing- me
Rabelais
Call ing- en - thrall-ing- me
13^
Your dear
P^^^^Your dear voice call - ing- me
bOPRAKO
Call - ing- en - thrall-ing- me
^J^
Your dear voice call - ing me Call ing en - thrall - ing me
-^
ALTO
Your dear
Your dear
,1 . ug .-o^ 32
Your
TENOR
dear voice call - ing me Call ing en - thrall - ing me
m3 -P-
^=^. -&
Your dear voice call - ing me Call ing en - thrall - ing me
%3BASS
^
g
^-^
Your dear voice call - ing me
mnt
Call
m
ing en - thrall - ing me
*ff
Your dear
^Your dear
1Your dear
TfT Tiff^
^zni
*•
-«--6^
^&^-
J
ZVithS
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106
s. ^
i
E ^ -6^ -&- s^^yes be-hold- ing- me Your dear arms en - fold - ing^ me Ah
izz: t5>-
^^ ^meyes be-hold- ing" me Your dear arms en- fold - ing- me Your lips ca-
te^i ^ ?Z5 e i^ t9-=- ^5^^
^>''h r r i r- r 1^
eyes be-hold- ing- me Your dear arms en -fold -ing- me Your lips ca-
-^'
^^ i»^ <5^ ^eyes be - hold - ing- me Your dear arms en - fold - ing- me Ah
R. 'Yh^ ^ ^ r irzz: f=^=^. t9-^
# ^ ^JJZ
eyes be-hold- ing- me Your dear arms en- fold- ing- me Your lips ca-
eyes be - hold - ing- me Your dear arms en - fold - ing me Your lips ca -
fe^ » »
r r w meyes be - hold - ing me Your dear arms en - fold - ing me Your lips
^ca -
f»
^ r r ir
eyes be - hold - ing me Your dear arms en - fold - ing me Your lips
m M- fi-
i fei
ca-
19^ ^^
eyes be - hold - ing me Your dear arms en - fold - ing me Your lips ca
^^m
t t-& -0- w.
m=^
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lOT
5^ -is*-^ p p
^^Ah
ress - ing" mine, Press - - ingr,
^^-is^
pos - sess - ing" mine,
aress
afe^
ning" mine,
MPress
1S>-^
Ah
mg-,
iS-'
r r Ifpos - sess - ing- mine,
# #-
^
sress ing- mine, Press ing-,
f r-H"
pos - sess - ing- mine,
ress
^Mii
ress
ing mine,
ing mine,
Press
-s-=-
Press
ing,
iiig,
pos - sess - ing mine,
pos - sess - ing mine.
Nfress
^-^
ing mine.
PPress ing. pos - sess - ing mine,
^ress mg mine, Press - in£
r r Ifpos - sess - ing mine,
=^^ ^—-=—
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i jh^
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108
* ^ ff broadly rail.
fif ^
Burn
'• (&
ing" with bliss: This must be Love's
ff broadly
is>-^
#
3 an
Own
sfe
Burn - - ing- with bliss:
^m
Burn -
_c_
^ -(2-
w
This must be Love's
fr broadly
-y-h r i T ^1©-^
^ing- with bliss:
ha-
i
This must be Love's
ffJ>roadly
Burn - - ing- with bliss:
iThis must be Love's
ff broadly
i
Own
m/Z.—^^—
Own
rail.
Own
rail.
S
r1 1^^
Surn
'
ing- wit bliss: This must be Love's
ff broadly
n •
Own
rail.
19-^ ^Burn
i
ing with bliss: This must be Loves
ff broadly
Own
rail.
? ^nt
Burn - ing with bliss: This must be Love's
ff broadly
^
Own
rail.
r>• ^
Burn -
^^ing with bliss: This must be
ff broadly
Love's
:»> :i.
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rail.
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it
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1Mrail.
3^z ^»•.
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^ B V-P p »p J'-7p Jwp I
J'-p
he:
109
Some -thing- seems tin- gle-in - gle-in - g-le-in - gle - in - gle-ingr so queer,
a tempo
^m wp
^stacc. ^-. _. _^
^r^^i
i
ffi
i bft
y
Here in
Pyour ear
^r jifii=8=
Near - er and near, Like some strange
h=
cresc.
p.
;!2
¥ r I' i'^
»'^
tr
hfJ.^y^iS^
^r fr
j
S^^5P'7 ^ p?P
^'?
[;^ i ^^^^^^min - g-ling- Of jin - gle-in - gle-in - gle-in - g:le -in - gles And tan- gle-an-g-le-an-g:le-an- g^le-
i ^^ hil J
aiiii »
' ^ r ^J^==tt3 Ji^'^^^ ^?
^: i
i.tt
i
an - gles; Why,.
.JvjiJ'.yilf
— -p4'>J'4'p
you Wcint to cry, You want to die,.
P^^^P't'
pl
But all you
mpoco arltmato
Xi. -^
^ i^/^r^cresc.
iT] JP"d^^f [jgr
do is laugrh, Hi! Hi! You've got the Hig-h Jinks! That's why! __
S^F^
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110
R. h \>» 1p'^'i ^
i r Pr p^'M'' M^'- p
J'. W ]'. ff IJ
'
in
Some-thing- seems tin - gfle-in - g^le-in - g-le-in - grle - in - g-le-ing- so queer,
L
r ^J J ip^ p p^p^'-ypi'^p
1
^'-
pxr
Some-thing" seems tin - g"le-in - g"le-in - gle-in - gfle - in-g^le-ing" so queer,
fi»Biij'^JU'^JU''yj^ i -j'- i^ :sjz
o.c:
iSome-things seems tin- g"le-in - g:le-in - g"le- in- g"le - in-gfle-ing- so queer,
P^B?i ^vti^^p ^ ^^^^ ip- p r p
i
pp- pF ^
Some-thing- seems tin- gle-in- gle-in - g-le-in - gle - in-g-le-ing- so queer, tin-g-le-ing- so queer,
j:^J
J J|
T.vfT^.yFJ>.,ilJ)^ r l?f t^rpeeI
Some-thing- seems tin- g-le-in- g-le-in - g-le-in - g:ie -in- gle-ing- so queer, tin-g-le-ing- so queer,
w^, r# ^-f ;-f j^
^3LTJ
1* *
p:^/7 tempo
^-1^fz 3 fitdcc. 3
% hv iiv 9' l
j^^^—^
^
"^^ -V*- ^^ 1+^^ ^-Here m your ear, Near - er and near, Like some strang-e
\pp | p7P7p7 ^
Here in your ear, Near - er and near. Like some strang-e
J uJ J i JW J^. JU J^
Here in your ear, Near - er and near. Like some strang-e
rP ^ST ^^' »P ^ P
T[7
y p :^^Here in your ear, Hear it in your ear, Near - er and near, Like some strang-e
P I J P Jf ..f^^ 'I
P 7P
7P
7P^^
rHere in
^-
your ear, Hear it in your ear. Near - er and near, Like some strang-e
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Ill
^^^^ p » p p » p JmpJw
pI! jiJ J
min griingr of j in - g-le - in - g-le - in - g-le - in - gle - in - g"les And
M 1^ M H'' ^ M' ^ M ^ f^ ^==^min
-
gfling"of jin - g-le -
in- g-le -
in- gle - in - g^le - in g"les
And
h It J\ h n h h ^ h h n Ji
min grling of jin - gfle - in - g^le - in - gle - in - gle - in
17 ^P M^ MP MF 'F
gles And
^ ^^ Z2I
Pmin - gling of jin - gle -in - gle - in - gle -in - gle- in
. J :t J F ^TTT^ ^f J^ .yji J) .y}\
gles And
min g-ling" of jin - gle -in - gle - in - gle - in - gle- in gles And
4t :r
3Em ^i-^
^ ifS^5-j ^. F=¥=
r^
rresr.
i J^^ilji. JlN'P p ? g''p v'
|P^tan -gle- an - gle - an - gle -an - gle - an gleS; WhyL youwant to
^ J^ »i l
ji ^Ji^ F^P p <?p p ^p JM
p«
tan-gle-an - gle-an - gle -an - gle- an - gles; Why!. you want to
1^ 1J\ J' » JiIltJ^?iiJ> ^iUwiiJwii
tan-gle-an - gle-an - gle-an - gle- an-
i^ p^C! P ^Et
MP p
- gles;
^
Why! you want to
foi^mJZL
tan-gle-an - gle-an - gle-an- gle-an-
^
gles;
^
Why ! you want to cry,
.
f ^gri^rp?P P ?p p yf=M ,
tan-gle-an- gle-an - gle- am - gle- an- -gles; Why! you want to cry,.
i
- grles;
sfz since.
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^
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112
L
i fcry, You want to die.
^^^But all you do
^^i ^'gn l
f
IS
zz:
^^m^cry, You want to die,. But all you do
^IS
W^nMH \\ fcry, You want to die. But all you do
i» 'f r >('•
pp'
g
IS
t^^You want to die.
^-^ f ^'
P1^'
f^ r
You want to die, But all you do
X^' T f f I
IS
^mYou want to die. You want to die, But all you do
i f if f ^f
IS
sz:
S=B Se^ S
:^^ ^?
3^ * ^^ i=^^ £ P^^mn IP ^
Thats why!aug-h, Hi! Hi! You've got the Hig-h Jinks!
^ ip [;
^'p IP 1 • I
i
laug-h, Hi! Hi! You've g-ot the Hig-h Jinks! That's why!
W E^^fciS r=^That's why!aug-h, Hi! Hi! You've g^ot the Hig-h Jinks!
l^^ r f p^laug-h, Hi! Hi! You've g-ot the Hig-h Jinks!
r f B- pp-
-^^^
That's why!
#laug-h, Hi! Hi! You've got the High Jinks!
M^
^ t ^i
i^i
^
That's why!
Tif
j!
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113
ACT m
Allegro
No. 13. Introduction
(TANGO)
J^ttv-^f If ft
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114
Gavotte
* ii)—J^ ±±:±^^ l*t3^E|a ^m
* r i. p i: PCsi
T
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^mValse
1
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115
w~
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g I
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u3?^ W ^
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^
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rt P*^fe jEEt
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116
No. 14. Ballet-Music
Gtk Mo^J
f^-^-f^Wm J*
:"=^
w
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^
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117
uKfrfffrrrrrrri
f^w^a^
i
<^
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I *?
a^^ i
gj^^r^^r r
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118
m ^ m fr
i^^ r r ^ E^
cresc.
mw
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i=55P!'
I
e
e^ ta ^^
ij' r r ip
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130
*^ ^ ^^ ^
Float on!. float on! Fair bub-ble of rain -bow hue,.
$ I t i-
^ ^
Float
K-:- '^4^
i^^ ni
TTT
^3 * fe i-t-fc ^E^ •SJ
1-»^
* 19-
^ ^/O
^^ ^ ?^
on! float on!.
*feM i
Loves sym-bol, a - las,_ too true!
i i
Float
*
S mT=5^
-.S-*
51?!-P ^Wi m 1^^
^
cresc.
-1. J J?= ^
on! float on!.
8-
"h^ 4 ^ > > - ^ J > .
Andvan-ish
in Heavns ownblue
W i?
Ig~r*
Am ^ iJ ^
^
cresc.
11-jj^i-ni J'-'f^ r
*^rzY.
tlf^ q
«•
rit. tT\
mov - ers' tears And hopes and fears, Bub -bles all, like you!
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-^tV.
S qt^
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f^g^^^e^
etm-
-&^
Float on!
SOPRANO
float onl
4 ^
^rzz:
Fair bub-ble of rain -bow hue,
Float on!
ALTO
? ^float on! Fair bub-ble of rain - bow hue,
Float on!
TEKOR
P=^^float onTi
J J J JJFair bub-ble of rain - bow hue,
BASS
^^Float on! float onl bub-ble of rain - bow hue,.
Float on! float onl
r r r r r rI
r"^^
[^s
J--—^J J
M ' »
i=t=g^
S
bub-ble of rain - bow hue,.
121
Float
Float
Float
*
1=^
iw
iw
m\
onL
on!-
on!.
?^
^^
float on! Love's symbol, a - las,_ too truel
i&-
float on!
r r^ s i
y5>^
Love's sym-bol, a - las,_ too true!.
? IZZ 32
float on! - Love's sym-bol, a - las,_ too true!
m
m » m
Float on!
?mfloat on! Love's sym-bol, a - las,_ too true!.
^^ f r r r r r
Float on! float on! Love's sym-bol, a- las,_ too truel.
^mloat
loat
^mFloat
iiJ If'^r
^
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132
ii=^
onl^ i
float on! .
'
And van-ish in Heavns own blue
-^—
cresc.
With
cresc.
on!
^ ^float on!- And van-ish in Heavns own blue, With
cresc.
r r W 9on! float on! And van-ish in Heavns own blue.
i=With
cresc.
^^
^ f^ ^Float on!
ifloat on! van-ish in Heav'n's own blue. With
cresc.
mloat on! float on! van-ish in Heavns own blue. With
8-
-i i - '- .. i
\m ^^t %
»^ w^
r-' Z5
s tt6= i i J^
iS iiEE^11
ly^r
:^it
5j2_
rf^
8-
rit. f^ ^J
lov - ers' tears And hopes and fears, Bub-bles all^
*3 '~^-
^ fe^r^
like you!
rit. (^
^*
lov - ers tears And hopes and fears, Bub-bles all,
rit. r7\
^
like you!
rit. C\
i ^J ^ M -G^
lov - ers' tears And hopes and fears, Bub-bles all,_
H ;:r^,, I
rit. n\
^ SI
\ n ^^ t^^^E^
like you!
rit. ft\
lov - ers' tears And hopes and fears, Bub-bles all,
r "r i f^r^^ ii
s ^w<.
(C\
\
?^^^ J^^i3* (*
like you!_
rit.
r\
lov - ers' tears And hopes and fears.
SIBub-bles all, like you!
<
i^tg: f «:
S:5f3;sfe lis ^ i \i i
1 ^ ^ ^>^
r? w<.
^ =^-9^
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No. 16. Song and Chorus
When Sammy Sang the Marseillaise
Florence
123
Marcia
Jfstucc.
ir r t9 •-
r >. ^^ J> i' I
J' Tf ^^I
^' ^' ^'
^''
Sam - my went to
nigrht,while out a
Par - is To
stroll - ing:
—To
have a ju - bi - lee,
see what he could see,
For
A
L. 'Ustacc.
sf»
1;=^r?
[^ J.
I
f J
m^ ^ E 1^ ^ ^ ^ ^ ^ i^he'd been told That young- and old Were hap - py in Pa - ree; Al -
"frou - frou - ette" By chance he met. Who said, "Voi - la. Be - biel" But
mr f
w^
* -# «=s
^A ft J' i' IJi^ iEEEJ ^^ i
^^But you
tho' he was a Yan-kee, He
not a word said Sam -my. His
loved Pa-ri - sian ways,
head was in a daze.
^
^ ^
m
m "^
^p^
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124
1'^ r-"Pr^'i-i' ^'
r I
'' '^i"p^'F F
was no use, He just broke loose When he heard the Mar- sell - laise!.
bet he knew Just what to do: He sang- the Mar- sell - laise!.1-2. When
### M-
Sam - my sang^the Marseil - laise,.
r <( \ r H^^^
i
^V'EfCJ ^ ^ ^
^'
i
3. £j
-
LeJ LEJ
when Sam - my sang- the Marseil
i £rc/ r if
^'r ^'f"^^=^
i
32: fe^laise !
r^
F
I
F
^'»^' ^'
p r F
J' IJl J^ J' r J
f^ ^His Frenchwas rather shocking, But they knew his heartwas rig-ht; The
fe^ i^CJJ' [_£/ UJ"^
>-it ^«^(^^i •I^=f?f
^S pI'F
^'
F f I r P P Fh ^ i' ^ J'¥==*
Bou-levards are talking- Of that Yan-kee an-tic nig-ht. When Sam - my sang: the Marseil-
1'" j-i^[j'^^ I
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125
i^ o o tr^
ii: ^ ^
chons, mar - chons,.
^^You Yan - kee gfar
stncc.
marcato
f f wi^
# m.
^f=r=nc^
6^"— —
f=f I^ tJ
*a E P F F r^
M£ P
^^^
cons Oh, they nev-erwiU for-g-et How they danced the pi-rou-ette When
, P/ r 6/ L r
'i*i
fM. M.
tJ
^^e^S
^ # ^
^ fe^
I r" t' f f^ ^«
F^1^
Sam-my sang-the Marseil - laise! When Sam-my sang-the Marseil- laise!
^m *
s=^
W;^. One
mi^
Fine
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«o
Florenze
fc—•* .
When Sam -
SOPRANO. ALTO
h J' J' J'
^ ?^
wheny sang- the Mar- sell - laise,.
^^^^j £
When Sam
TENOR
-# * -m -9
- mv sanjT the Mar - seil - laise,
—rwhen
^ ^2 ;^^2Z
^^^rTBASS
When Sam - my sang the Mar - sei - laise,
• *
I' p p f? F rt
WTien Sam -my sang the Mar- sei - laise>.
Sam
^^ E ^^ ^ i
i
my sangr the Mar - seil laise!. His
^^ iq:
SF=S «=t3-s?
laise!am my sang the Mar - seil His
V p P P P' P^p==p
^^when Sara - my sang the Mar - seil - laise! His
ft ft ttr r ft—ff
^ Sam - my sang the Mar - seil - laise! Hishen
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127
)
t^ ^^^^ ^ ^ ^French was ra - ther shock- ing-, But they
^=^i' a J i'
P
^
knew his heart was rig"ht-,
French was ra - ther shock - ing, But they
PE
-* V
knew his heart was right;
p P p F j! P P I
p p r F r
#The
The
^French was ra - ther shock - ing, But they
^P p
J> i > p^ knew his
—•-
heart was right;
V\
'7
French was ra - ther shock - ing, But they knew his heart was right;
The
The
pJ'.
^JiJ^
pI'
F
^^ff •
£
f^^^^^^^^
=ff
#^:*==*
i £
r
Bou - le - vards are talk - ing Of that Yan - kee an - tic night
p"I? p p r
Bou - le - vards are talk - ing Of that Yan - kee an - tic night
i^^9?l=f
^
*?:a: _ M -trig
ttr r T r
^Bou - le- vards are talk - ing- Of that Yan - kee an - tic nig-ht When
Bou - le - vards are talk - ing Of that Yan - kee an - tic night When
It .- .
P P Flip
pi '
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128
-r-—
Sam
£ J^ J- J' J' ^ ^my sang- the Mar- sell laise. All
iiAll
"S)
laise.am
4=my sang the Mar - sell
P P p—
P P'1-' g
^^t^
—v
When Sam - mv sanar the Mar - sell - laise. All
^'
F F p P^ =t
When Sara - my sang the Mar - seil - laise. All
f^ :^ n r^ f
iJ^'
^ ^"Yr~ != 4tJ iJ ij wr
r f
^ ^^ p ?^
^
Par- is seemed to catch the craze: Mar - chons,_
•
mar - chons,_ You
^=?=? 3=?=^ 1**~^^
Par- is seemed to catch the craze: Mar - chons, mar - chons,.
I S P [7 h^ ^ =F=P ^You
^ ^^Par- is seemed to catch the craze: Mar - chons,
^3:^ E
mar - chons, You
:^
^^ ^Par- is seemed to catch the craze: Mar - chons, mar - chons,.
lU
You
^^ij .f.rr^ tPfpff-S eS
^gE^ h5/I
i:
stacc.
marcato
WTWg p F ^
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129
ife
Yan
H H J
Yan -
;fe;
Yan
SYan
kee gar - gons!
^kee gar - gons!
kee gar - cons!
^ ^:^
kee gar - gons!
i-
j,^ Tff^fff
Oh, they nev-erwill for-g-et How they
-^=w MOh, they nev- er will for- get How they
fOh, they nev-erwill for- get How they
r' Fi M r F r F r
Oh, they nev-erwill for- get How they
^
, e^f
q*
Lr ;F
F ^
'
iJ i^'if
* ^'^^ ^aM. ^
^
*
i =ff=frP ^ / S *:F ^T=r=^
danced the pi - rou-ette When Sam - my sangf the Mar-seil - laise!.
i^FPf^^ P »
r P•
pdanced the pi- rou-ette When Sara - my sang the Mar-seil - laise!.
i»==r ? M r "r I f "f r
f f ^idanced the pi - rou - ette When Sam - my sang the Mar-seil - laise!.
^r r F .^ p rtr
I
r- ^,*^^r^
^anced the pi - rou - ette When Sara - my sang the Mar-seil - laise!.
'
i-'pn j „
=65^:?3
^^^
m^ t m g
^•^^ M=£
^
i^ei
^^^1
sri
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130
No. 17. Song
The Dixiana Rise
Adelaide
^33=
f
>)r^-tS^
^U
wfe
•-
^3=a
^eS;:
*-e*
:|
ife
F^'^ri't^r^
With one - step, tur -
key trot-ty jig"-g"ling-;
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131
^ 7- J] J) J^ ^1J^7^ I
r Jii' Jiji^^ MBoth saint and sin-ner Are g-et-ting-thinner With mom-ing-,
i '- ^'jjtfji
^^ s JiiJcJ'
p J F ^^ 3^ s
^ Vp i' j)ij^^'H7' i | JlJlJlJl^» |V.h i'jlJij|V( I
noon and night -lywrig-g-ling-. From old Da-ho-mey, From fair Sa - lo - me
,
^^ E3
S
i-/3i"j jl^jj^=^
g^^3^ ^^
CJJ^ i-.r^- .W j Ur^
i We've learned all
^J
tf j^ ^^^^
^
M %^ 'arts of fun-ny wrig--g-ling-; But now the wise
i J.J J #i jtff* ll * I'S
Ij^ f^S^
*—^s-32
):..r i rr ^ 5fe?5 3-&^
iREFRAIN
^ h J.J)
J. ;,I
J^ ^j) J^ j) ,^ ^J^ ; ^ I J_j)7 j^^^g
All spe-cial-ize In what they call the Dix - i - an - a Rise. In
^ ^^i J j' W^^^ 1s=^ w^
s ^^c w F
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133
^<fr^W^Dix-ie
fi' MJi ii j> 1^;Hd!^ ^^
There's a brand new dance; In Dix - ie,
^Dix - ie,
tfriH^Il :m mi Hd 1 I
2
d-
Pi^^^g # r r€
^ JJ) I
J'ItJ^ J' J' I
J' J •IJ^ ji j^ j) I j)^^
There's a grand new dance, In Dix - ie:
=fOne -step and glide, Tur - key
i ir^ 9 < ^ ^iS3 ^BHHB ?2L_^^^ i s
?r^
Aff
j^ J) ^^ ^ y-y J I
M^ p^3^
trot and, be - side, Mix - ture of Hig-h - land fling-. Tan - go and Buck
M? mi
& i^ ^ 5^^* ^<»^ ?—*—*—*:
sI
^^
i P ^? JII
tijl LjJlJi i I J>^^ ^ at!~![ ^and Wing-. In Dix - ie Ev - 'ry - bo - dy shouts, In Dix - ie,
^
^
tij J |: ^
^
--4 J Ua
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133
is>
M^' r ¥^ J J' til i?= ^^
- hoy! A - hoy! Board the ship of joy! Air - ship
i->
ti'^ ^^5
p
s =-:[ S k
ft ff ''ff J' T r ti^i p
ij^
i'ltJ^^ ^ ^Z2_
tf-^just a shoot - in Through the skies! Toot! Thats us sa-lut-in'
I
^f==#
cresc.
sa i g
^ ^P^^^g^
E
1ar - a - dise!
rt
^^
^^Oh, come and join the fun! Life has just be-g\in!
P^^^'Mi
iMlut:
m1 ?:
Xf
^4-4
i
^E3 ?^#
i i=js;5fl
Ji *\\ ttJl li'lli''F
^'1I
1.
^ai.
When you dance the Dix - i - am - a Rise. In Rise.
t^3^-H
i
*tt^i/w//.
^^ ^^ rt.;(r
^^*=F=*(S--
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134 No. 18. Finale
Something Seems Tingle-ingleing
Soloists and Chorus
Dick
d *351
Some-thing- seems tin- gle-m - g^l&in - gle-in - gle - in - g^le-ing- so queer,
'
r p i
Some-thing seems tinin - gle- m - gle- in - gle- in - gle - in
E~rt-
gle-ing so queer,
^• «t fi^ .fi K-r JU)-7JU'-yi l J^- Jt
TT-
Some-thing seems tin- gle- in- gle- in - gle -in- gle- in- gle-ing so queer,
iEr f r
i MiF-ypp-7P p ')'pir P f r'r rPPJr i
jme-thing seems tin- gle-in- gle-in - gle-in - gle- in- gle-ing so queer, tin-gle-ing sooueer
Si r.^i^r.TFji.jij^.vjiir- pr
W_
' 1
^
1
i-f^ ^ 1—1
Some-thing seems tin- gle-in- gle-in - gle-in - gle- in - gle-ing so queer, tin-gle-ing so queer.P
ri??^'ffr
^^ ^?
r ,\tJtr i^r Tf .f^ .!1 .
ni^itT
f^ stacc.'^ T
i^^
^
5^=fr~i=:K
^
f-« a—
h351 * ^
*Here in your ear,
^-o-
Here in your ear,
Near - er and near, Like some strang^e
m
1
Near - er and near. Like some strange
^b=^^Jj 7 J> 7 J^ 7^
Here in your ear.
r M'^ p -^P ^
Near - er and near. Like some strange
(9
p^
(T ^ p ^ (!
^Here in your ear, Hear it in your ear. Near - er and near. Like some strange
r^ tJLl y P y p g
Here in your ear, Hear it in your ear, Near - er and near, Like some strange
i-^^^^«£=*
ft fii mp^
^-i-jti
t
^faifrf
|
frFfrfffrf7fe
^ J^. h
r^j'^ j'. If jt&t
^-# .^;
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135
r ff^^p ^^ p ^ ^' ^ ^^ ^
^\ . v±
^mm g-ling" of jin - ^le-in - grle.in - gle-in - gle - in - grles And
L
^^ ^M P M P^ '' M' 'I
PI ^
*^ ^
mill gling of jin - gle-in - gle-iii - gle-in - gle - in - gles
f) ^ Ji N ^ J^^MLJhiM-^
And
3Z
min gling of jin - gle-in - gle-in - gle-in - gle - in - gles And
rI p ^ i^ M P p ^ ^ ^^ 1^^
in
JI
r ..J r / IT i, ,, ii J> .., ii:
gling of jin - gle-in - gle-in - gle-in - gle - in - gles And
^Z
min gling of jin - gle-in - gle-in - gle-in - gle - in - gles And
t m^ I
mii
^^^^h
s ±==mt=±
cresc.
F h p ? p^p 1
^^^m^
tan - gle- an - gle-an - gle- an - gle -an gles; Why! You want to
^ h i i J' Uip n' p ? [4^^g^-MLf »tan- gle -an - gle -an - gle -an - gle - an gles; Why! You want to
ujq-^MJk^=^ }\J> iJ\^!i Jtptan - gle- an - gle-an - gle- an - gle - an
p :y g P ^ P p -4^rjML|
gles; Why! You want to
tan - gle-an - gle-an - gle-an - gle - an
i2_
^^ ^P ^^=^^ P ^ g^ P ^
gles;
^^-4Why! youwant to cry,
r ^g r f r"
tan - gle -an - gle-an - gle-an - gle - an
mi
gles; Why! youwant to cry,
ij-rft ttr^ r^ ^^s lg.9/i; stncc.
h==^
^
JO animtito cresc.
P
^^§M#ii«
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136
i pcrv. Youwant to die,-
^^^,i_ ^
_ But all yoi
321
But all you do is
f P icry,
^ouwant to die
[HJO- ^
ut all 3-ou do
^
IS
T~^
cry, You want to die,
i'~p-
^.Fp-
t^ f
But all you do
-s-
You want to die,.
'>.r^gr ^r r' i f f-i-^?-^
You want to die,
IS
p^f PF' pr P i f ^You want to die , But all you do is
You want to die. But all you do
It bff Ijf.f S
i \> y 7 ^ ^ J ^ l ii
s g^'^^
I P
laug-h, Hi! Hi!YouVeg-ot the Hig-h Jinks! That's why!
^ ^Eii! Youve eot th(
£ ±=si
*=
* r r rMp- ^laugh, Hi! Hi! You've got the High Jinks!
\'jlJ r p-p piij-L^
^ 'cLi*:•-•- M
w
laugh, Hi! Hi! You've got the High Jinks! That's why!
iw^J^- J'l
j J ; ' ^3laugh. Hi! Hi! You've got the High Jinks! That's why!
^
That's why!
laugh. Hi! Hi! You've got the High Jinks! That's why!
m
?i*
i:> ::> -^
r\
=^=^
M
t
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137
mSylvia
PZSi
^tzd
Your dear voice call-ing" me, Call - ing-, en-thraJl-ing- me, Your dear
Mr.ThorneP
m ^t^ s)-^ zst&
Your dear voice call-ing- me, Call - ing", en-thrall-ing- me. Your dear
Jeffries
P
^ggfff^o P21
Your
DickP
dear voice call-ing" me, Call - ing-, en-thrall-ing- me. Your dear
22=
^E¥¥f i ^
^Your
RabelaisP
dear voice call-ing- me, Call - ing-, en-thrall-ing- me. Your dear
-rn- ^=^
You dear voice call -ing: me, Call - ing-, en-thrall-ing- me, Your dear
^OPRANOP
jEZ ^^^ «M-
Your
ALTOP
dear voice call - ing me, Call ing, en-thrall-ing me, Your dear
^ ^ ^. ri . <lI
Q
*
Your
TENORP
dear voice call - ing me, Call - ing, en-thrall-ing me, Your dear
^ri d •
t^--%m'
Your dear voice call - ing me,
BASSP
Call ing, en-thrall-ing me, Your dear
Your dear voice call - ing me, Call ing, en-thrall-ing me, Your dear
^^m
p
-» m iff
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138
m i ^ s^- '^
\f [If- ^eyes be- hold - ing- me, Your deararms en-fold -ing- me, Ah
g r-^ pIih:
^ Fi^IQIII
r fif r fe^
eyes be -hold - ing- me, Your deararms en-fold-ing- me, Your lips ca
i»-^
63-68 be - hold -ing- me. Your deararms en-fold-ing- me, Your
^ia=^
lips ca
iS-'
^ ^ F^^=^
eyes be -hold - ing- me, Your deararms en-fold-ing- me, Ah
m ^=^^ TSZ fe£ tS' 1»
eyes be - hold - ing- me, Your deararms en-fold-ing- me. Your lips ca-
^^ m^ -jx zn.
:^^
ejes be - hold - ing me, Your deararms en -fold - ing me, Your lips ca-
^ ^^
I
r r I feyes be - hold - ing me, Your deararms en -fold - ing me. Your lips ca-
m ^ 1eyes be - hold - ing me. Your deararms en -fold - ing me. Your lips ca-
^ feE^ 1 fei ^-^
eyes be - hold - ing me, Your deararms en - fold -ing me, Yo-ar lipsca
•
t J d i =0^ =^=F i
p-h J §= ^ 5^ ^ ^P * -^[Ir^i
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139
-i»-^
^ ^Ah
^-^^Burn - ing- with bliss:
1»— lS>-=-
ress - ing" mine, Press - ing", pos- sess -ing" mine, Burn ing- with bliss:
12^2. p'^mO J
I(9^ ^W
ess - ing- mine, Press
fi ff
ing-, pos - sess - ing- mine , Burn
T i
ing with bliss:
t
Ah Burn - ing- with bliss:
m ^^^ress -ing- mine, Press - ing-, pos - sess - ing" mine , Burn - ing" with bliss:
k¥ ^
^ *«-=-
-Qt
ress - ing mine, Press ing, pos -sess- ing mine. Burn
4
ing with bliss:
:ii
ress - ing mine, Press ing, pos -sess -ing mine, Burn ing with bliss:
ress - ing mine, Press - ing, pos -sess -ing mine. Burn ing with bliss:
r r If^
ress - ing mine, Press ing, pos -sess -ing mine. Burn ing with bliss:
ii ^ ^i9-^ m^=* 5?j!*=»
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140
^ # p r tf=
rail.
fff \
T
accel.
^This must be Love's Own
ff broadly
^
rail.
a'
Kiss!-
acccl.
^This must be Love's Own
Jit broadlyrail.
Kiss!-
accel.
s ^
^
^This must be Love's Own
rail
#^^^^
slA/ broadly
KissL
accel.
P^^=^ i^
This must be Love's Own
Jjibroadly rail.
lS^
Kiss!-
acccl.
^EEEE^^
^
^This must be Love's Own KissL
ff broadly^^ =^
roll. accel.
^This must be Love s Own
ff broadly^^^^_
Kiss!-
accel.
^This must be Loves Own
ff broadly rail.
KissL
accel.
Q•
accel.
This must be Love's Own
This must be Love's Own
KissL
KissL
^1
^1
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