the society for calligraphy, southern california

presents the twelfth annual members’ confernce

friday through monday

february 17-20, 2017kellogg west

conference center and lodgeat cal poly pomona3801 west temple

pomona, california

CONFERENCE PLACE AND DATESHeld at Kellogg West Conference Center, Cal poly pomona. Friday through monday, February 17-20, 2017. This is presidents’ Day weekend.

LETTERS 2017 CONFERENCEYou must be a member of the Society for Calligraphyto be a participant of this conference. non-participants (guests and spouse) do not need to be members. You willhave onE class for the entire conference (21 hours of classtime). Evening programs will be free and open to the public.

NEW AND RENEWING MEMBERSIf you are not a current member, send the membership formalong with $42 membership fee (check made payable to SfC)to:  David mark / SfC membership, 1536 Falling Star Lane,Chino Hills, CA 91709. membership form is available on ourwebsite at www.societyforcalligraphy.org

HOTEL TYPE ACCOMMODATIONS• Two double beds • In-room coffee makers• Irons and hair dryers• Small refrigerator• Complimentary high-speed wireless internet

in all rooms• private balconies or patios• pool, spa, fitness room available• Complimentary parking pass• phone• Daily maid service

FABULOUS GOURMET FOOD• All meals will be Buffet• Refreshment breaks throughout the day

(including fruit, pastries and best of all, chocolate)

CLASSROOMS• one table per person with ergonomic chairs.• Small classes - limited to no more than 12 students.• Windows in all classrooms providing scenic views.• All classrooms, programs, dining room and guest

rooms in VERY close proximity.

VOLUNTEERS NEEDED FOR: • Help with registration on Thursday afternoon, Feb. 16,

and Friday morning, Feb. 17.• Welcome activities and services• Help set-up Exhibits• Assisting Jennifer at paper & Ink Arts Store

If you would like to volunteer, please contact Linda Renner at larenner@yahoo.com or 562-433-7771.

SCHEDULE OF EVENTSAll announcements will be at lunch

Thursday • Early Registration for those arriving on Thursday afternoon 4:00 to 5:00 pm

Friday • paper & Ink Arts Store 7:30 Am - 10:00 pm • Check-in for conference 8:00 Am - 10:00 Am • Classes start 10:00 Am - 12 noon • Lunch & Welcome 12 noon - 1:30 pm • Class time 1:30 pm - 5:00 pm • Dinner Buffet 6:00 pm - 7:30 pm • Social Time/mini-Classes 7:30 pm - 9:30 pm

Saturday • paper & Ink Arts Store 9:00 Am - 10:00 pm • Breakfast Buffet 7:30 Am - 9:00 Am • Class time 9:00 Am - 12 noon • Lunch Buffet 12 noon - 1:30 pm • Class time 1:30 pm - 5:00 pm • performance Art 5:00 pm - 6:00 pm • Dinner Buffet 6:00 pm - 7:30 pm • Social Time/mini-Classes 7:30 pm - 9:30 pm

Sunday • paper & Ink Arts Store 9:00 Am - 10:00 pm • Breakfast Buffet 7:30 Am - 9:00 Am • Class time 9:00 Am - 11:30 pm • Work-in-Progress Walk-Through and Lunch Buffet 11:30 Am - 1:30 pm • Class time 1:30 pm - 5:00 pm • Dinner Buffet 6:00 pm - 7:30 pm • Live Auction 8:30 pm - 9:00 pm • Scribe Store closing - please pay tab 9:00 pm • paper & Ink Arts Closing 10:00pm

Monday • Breakfast Buffet 7:30 Am - 9:00 Am • Class time 9:00 Am - 12 noon • Check-out 8:00 Am - 12 noon

Scribe Store will not be open during class time. Please paid your tabs by Sunday 9:00pm

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BIO:Barbara has been a freelance lettering artist, graphic designer and instructor for over 30 years. She teaches locally in southern California and gives workshops throughoutthe U.S. and Canada. She has a passion for the process ofmaking letters and a love of experimentation with line andcolor. One can see the exhilaration of discovery in playful, yetsophisticated, applications in her work.

Barbara’s motto – ”Follow your heart, is the forethought of everything I do in creative living.”

Yukimi Annand

barbara close

Blackletter - gothic texture to contemporary fraktur

I n s t r u c t i o n s a n d C l a s s I n f o r m a t i o n

In this workshop we will start from the historical background of Blackletter. on thefirst day, we will study the basic structure of Gothic Textura including consistencyof form and spacing. on day two, we will analyze samples of Fraktur to find therelation and difference between the forms of Textura and Fraktur. We will practicewith my Fraktur exemplar that is a combination of Friedrich neugebauer’s andClaude mediavilla's. Aiming to write beautiful strokes of Fraktur, we need to under-stand the changes in pen angle, pen manipulation and more. Those instructionswill be given with chisel nibs, wide marker and/or flat brush. on day three, we willstudy variations of Fraktur forms and will design a block of writing and make a finalproduct (logos, cards and/or broadside). once you go through this workshop, yourunderstanding of the form and techniques will enable you to write these forms satisfactorily, and to create your own style. All exercise sheets will be assembledas a book form.

CLASS LEVEL: All skill levels - basic calligraphy experience recommended

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bio:Yukimi Sasago Annand is a California based calligrapher, text artist and teacher. She was born in Japan and after studying communication design in Tokyo, she worked as agraphic designer. She moved to the United States in 1990 and discovered the world ofWestern calligraphy in 2000. She has been fascinated by that world ever since and continues to study letterforms as well as explore the world of text art. She has taughtworkshops in the US, Canada, Europe, Australia and Japan since 2011 to share herknowledge and experience. Her work has been frequently shown in Letter Arts Reviewas well as other calligraphic journals and books. Her work is included in calligraphy collections in Berlin, San Francisco, and Moscow.

We will be exploring the many, wonderful possibilities of graphite pencils of all sorts. Drawing, designing as well as lettering, will be our focus. This fascinating tool will aid in designing and seeing without intimidation. You will have fun investigating the lines and marks and tonal value qualities that the pencil can make.

CLASS LEVEL: All levels welcome

Gestures in graphite

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BIO:Carol DuBosch teaches calligraphy full-time in Portland, Oregon. She first encountered theedged pen and the Italic script at age 12 in 1957,and has followed the inky path faithfully by learn-ing, teaching, promoting and practicing the art ofcalligraphy. She continues to be challenged by anew script, technique or art material and alwaysdiscovers delightful surprises along the way. Shehas taught workshops throughout the country andat many International Calligraphy Conferences.Carol was Director of the 1987 and 1991 Interna-tional Calligraphy Conferences held in Portland,and Co-Directed Calligraphy Northwest in 2012. www.caroldubosch.com

This workshop focuses on learning this true American script. It was developed in the United States in the early 1800s by platt Roger Spencer. This script wasactually taught in the public school system in the late 1800s to the turn of thecentury. The beginning of the workshop is focused on the oblique pen holder, the nibs that can be used, paper and ink. This is combined with learning the basic lower case letters of this American script. Later we will focus on the Capitalletters and spacing of the lower case letters. A comprehensive workbook is partof the workshop for the students to continue to study this beautiful script.

CLASS LEVEL: Having pointed pen experience is good but not required. Whenone on one instruction is provided, that is when I will tailor the instruction to thestudent’s level – assisting the inexperienced but challenging the experienced students. All levels welcome.

bill kemp

nEULAnD is the husky typeface designed by German calligrapher, Rudolph Koch, in the1920’s. Contemporary lettering artists use these capital letters in a wide variety of interest-ing ways to create broadsides, posters, cards or books. This class will explore nEULAnDletters in two forms. First, the typeface letters will be drawn, cut, embossed, layered, andoutlined. With the understanding of the letter shapes that is gained by drawing, we will move on to work with a variation of nEULAnD to be written with a broad edged pen andbalsa pens we make in class. The nEULAnD variation letters are perfect forms to write with a flat brush and we will work on paper, fabric and wood. There are so many creativeand expressive ways to use nEULAnD, and you will learn valuable techniques and tricks to use in your personal work as you work and play with this amazingly versatile script.Each student will compile samples of their nEULAnD exercises and techniques for futurereference.

CLASS LEVEL: All levels welcome

Neuland: Pen, Brush, Pencil, Scissor, Emboss

Carol dubosch3.

spencerian (lettering class)

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BIO:Bill has been a practicing lettering artist for over 30years. He has studied with the following instructors forpointed pen: Michael Sull, Mike Kecseg, the late GwenWeaver, the late Dick Jackson and his final mentor isWilliam Lilly. Bill has taught around the country, exten-sively in Berkeley, California at Castle in the Air (forover 14 years), IAMPETH and now at Letters CaliforniaStyle 2017. He has been operating a small calligraphybusiness in Albuquerque for over twenty years.

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BIO:Carol Pallesen has been teaching calligraphy and related bookarts for almost 40 years. Her studio, the Silent Hand Scriptorium, which opened in 1981, is the site of her Reno, Nevada business where she works on commissions and her artistbooks. Sharing her love of letters, books, boxes, and cards is herpassion. Carol conducts classes and workshops at the NevadaMuseum of Art, and has taught in 36 states, South Africa, Canada,and Australia, and at 25 International Calligraphy Conferences andtwo Letters California Style conferences.

BIO:Robbie Saslow is a Los Angeles-based calligrapher and designer who comes from a family of artists. Heearned a degree in 2-dimensional art from California State University, Northridge (1986). He specializes in the creation of ketubot (Jewish wedding contracts) and Hebrew calligraphy. Robbie has extensive experience teaching art, including over 20 years at Los Angeles schools, nine summers on the art staff at UAHC Camp Swig in Saratoga, California, numerous workshops for the Society for Calligraphy,as well as Letters California Style. He currently is employed by theCounty of Los Angeles as a full-time calligrapher and scroll-artist.

fabulous and functional: the art of certificates and scrolls

batik papers for books and cards

carol pallesen 5.

Create beautiful books and cards using the Javanese tradition of batik. With tjanting tools in hand, participants will dip intomelted wax and draw lines, shapes, and letters on papers whichwill later be brightly painted with dyes. Wax will be ironed out,and the papers are then ready for measuring, cutting, and folding into unique projects. Adding words comes next with theintroduction and practice of a monoline alphabet style. You willbe delighted with the process and your artworks!

CLASS LEVEL: All welcome

robbie saslow 6.

Certificates and scrolls are beautiful, creative and functional; they honor orcommemorate a person or an organization, a milestone or other event. In this workshop we’ll explore techniques for illuminating your words andletters, elements of flourishing, composition and layout, all toward creatinga mood for this special calligraphic art form. Your finished work might beplayful or serious, colorful or somber, wordy or sparse, but regardless, itwill be well designed and carefully composed.

CLASS LEVEL:This is not primarily a class in lettering instruction, although we will be doing a lot of calligraphy. please come with a solid background in a couple of hands (your choice), preferably something playful and fluid, as well as something more formal.

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BIO:Jane Shibata is an adjunct faculty member in the art department at Santa Monica Col-lege and runs a design business specializing in the lettering arts in Los Angeles. She islong-time SfC member who has served on the board, coordinated outreach events, andtaught many workshops for the Society for Calligraphy.

breaking with tradition: cool and in-vogue pointed pen scripts

Jane Shibata

Looking for alternatives to copperplate? move into the 21st century with solutionsto contemporary pointed pen scripts. Adapt other hands to the pointed pen, suchas uncial, roman, gothic, foundational, and italic. There will be explorations ofdecorative and novelty letterforms and some typefaces. Broadside projects willbe the format to apply these new scripts. Knowledge of the use of a pointed penand copperplate style are recommended.

CLASS LEVEL: All levels welcome.

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weaving calligraphy

marina soria8.

In the words of the famous Argentine historian, Ruth Corcuera, “textile artwill be the means to tell us through colors and designs that the world canbe read through symbols, as in a written text. In the great American cul-tures, these symbols were a kind of lingua Franca and textiles a major artwith many roles, among them to express that where words did not suffice.”Inspired in traditional textiles we will try to rescue their designs, theirgraphics and their color palettes. We will search for color scheme, predominant and complementary colors and accents. We will analyze their designs, the character of the line and drawings to mingle and blend calligraphy with the textile arts. It’s my intention to share with you my experimentations and findings, and hope you will find new solutionsto your calligraphic compositions in this new field. Let's start weavingwords!

CLASS LEVEL: In this class we will be painting and writing to create patterns and textures. Therefore a knowledge of the use of the brushand/or calligraphic tools is helpful. But even non-calligraphers can createwonderful art. So all levels come with an adventurous spirit.

BIO:Born in Buenos Aires, Argentina, Marina has degrees in Fine Arts and GraphicDesign. She has attended five International Calligraphy Conferences in the USA.In 1997 she founded “Calígrafos de la Cruz del Sur,” the first Calligraphic Guild inSouth America. In 2013, her work was extensively featured in Letter Arts Review:26:3. At present she works as an experimental calligrapher and a graphic artist,and continues to teach in her own studio and abroad. Her main interest is to min-gle and blend diverse disciplines: art, textile art, graphic design, sumi-e and callig-raphy to challenge the limits of conceptual art and technique.

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rebecca wild layering arts and letters

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Explore rewarding new techniques that combine artwith words. Working on small format paper, we combine drawing materials, paint and various resistswith handwriting, calligraphy and self-crafted letter-forms to create richly layered pieces that have a striking, print-like quality. All techniques link togetherallowing endless opportunity for individual expres-sion. You will complete this class with fresh ideas,heightened enthusiasm, and a hand-constructed portfolio of your work.

CLASS LEVEL: my class does not require any special skills other than the ability to use an exactoknife. Some familiarity with simple brush letteringwould be useful but is not essential. All levels are welcome, from those who have never taken an artclass to the experienced. These are user friendlyprojects, yet everyone will be challenged.

BIO:Rebecca Wild is a Pacific Northwest artist and calligrapher from theOlympic Peninsula of Washington. Her work pairs a love of letterforms with the luminous characteristics of drawing materials and paint.She uses text as a tool for both conveying message and creating abstraction. Born in West Virginia, she has a B.A. in studio art fromSouthern Methodist University, Dallas, Texas. She was an art instruc-tor for 25 years in Portland, Oregon and teaches workshops andclasses throughout the Northwest.

loredana zega

brush textures

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CLASS LEVEL: no specific knowledge of calligraphy scripts, pens, brushes required.

BIO:Loredana Zega is a freelance calligrapher and artist with a passion for her work. She fell in lovewith the calligraphy as a child, and at age of 15 her calligraphic art was chosen from 400 to begiven to a Pope John Paul II. After high school she wrote calligraphy exercise books and at theage of 21, started her own business. Through CLAS, the English calligraphy organization andthe help of Denis Brown she was granted the National Diploma in Calligraphy in 2013, passedwith distinction. In the last 14 years of professional freelancing she has received internationalawards and has exhibited and taught all over the world. Through live, large-scale calligraphy,videos, singing her own written songs, dancing and speaking, she represents a real passion forher work. "My pieces contain letters and soul . My characters are unique, special and unforget-table. My artworks are everything I am. I am calligrapher!

The brush is a soft tool that creates marvelous traces of colors, texturesand many wonderful patterns. The dry brush technique can create thefeel of 3D space. You will be thrilled with the beauty of dancing on theedges of the brush! The subtle lines and soft touches of the brush willchange your view of how calligraphy exercises should be - light and soft.

This course is about practicing large-scale calligraphy using alphabetsthat you are already familiar with. It requires total focus, self confidenceand patience. of course, I will prepare some special alphabets for youtoo. As we go larger and larger, the proportions of the negative spacebetween and within letters become important. Further we will work onwall design ideas and make smaller sketches for a final project that couldbe realized on your mural space back at your home. We will also discussthe use of appropriate colour in indoor spaces. Sweet calligraphy exer-cises with bigger brushes on large paper rolls will open your horizons and you will finally feel more free and confident with your letters!

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Letters 2017 Conference -- You MUST be an SfC mem-ber to be a participant in the conference. Guest/Spouse do notneed to be members. Evening programs and exhibits will be freeand open to the public.

Membership – new or non-current members, please sendyour membership fee of $42 along with the membership form toDavid mark / SfC membership, 1536 Falling Star Lane, ChinoHills, CA 91709. You can download the membership form athttp://societyforcalligraphy.org/pDFs/membership.pdf

Conference Check-In is either 4 to 5 pm on Thursday, February 16TH, oR 8 to 10 Am on Friday, February 17TH, downstairs at the Conference Desk. Attendees can put theirclassroom supplies directly into their classrooms.

Hotel Check-In is anytime after 3 pm on day of arrival. Bagsmay be stored in the lobby before check-in time. Baggage handlers will help bring your bags to your room for a flat fee of $3 per trip. You will be notified when it is your time to register for your lodging room.

Check-In on Thursday includes breakfast on Friday morning. Dinner on Thursday is not included but will be available at Kellogg by reservation only, payable at the door.There is also “room service” that can be ordered.

Check-In on Friday does not include breakfast on Friday.

All meals will be buffet. You will find the food and dessertswonderful (and we do mean wonderful). Your ID Badge will beyour meal ticket and it MUST be presented at the dining roomdoor for each meal – you will sign in for each meal. NO NAMEBADGE – NO MEALS – NO EXCEPTIONS. If guests wish to joinus for a meal, they MUST pay at the entrance to the dining room.

DIETARY NEEDS –Vegetarian options will be available at each meal. If you have amedical concern requiring a special dietary consideration, youmust contact Carrie Imai at carrieimai@ix.netcom.com

Formal Walk-through – We will have a “Works-In-progressWalk-Through” during lunch break on Sunday 11:30 - 1:30 pm.Classes will resume promptly at 1:30 pm.

Class Schedule – Friday, 10 Am - 5 pm; Saturday, 9 Am - 5 pm; Sunday, 9 Am - 5 pm; monday 9 Am -12 noon. We start classpromptly at 10 Am Friday morning, so please plan your travelaccordingly. You will have onE class for the entire conference(21 hours of class time).

Participants Welcome Luncheon – A Welcome Luncheon will take place in the dining room on Friday, February18TH from noon to 1:30 pm. Important conference announce-ments will be made.

Shuttle Service to and from Ontario Airport –Complimentary airport shuttle service is available to and fromontario International Airport only. You must notify Kellogg at least48 hours in advance to reserve your shuttle. YOU SHOULD RE-CONFIRM WITH KELLOGG THE DAY BEFORE YOUR ARRIVAL. Shuttle service runs till 9 pm.

Special attractions:

Paper & Ink Arts – Jennifer Allen will be there all day Fridaythru Sunday with her usual fabulous selection of supplies for purchase. You can pre-order your supplies at paperinkarts.comand they will be at conference when you arrive.

Mini-classes will be $25 for 2-hour classes on Friday and Saturday evenings. mini-Classes are announced in December.Classes require pre-registration by mail and they fill very quickly.All mini-classes will be selected by lottery in mid-January. miniclasses are open to non-participants.

Scribe Store – We will once again have our “Scribe Store”selling handmade items from our members and teachers. If youare interested in selling your art, contact Ellen Greenberg in advance at ellen@greenberg.org

Participant Exhibit – Start planning your art now. This is agreat place to share your talents. Bring your piece(s) to the roomacross from the cafeteria.

Massage Therapist – Amy will be back with her magic fingers. You will be notified when to make appointments for Saturday and Sunday massages. This is truly a real treat to unwind at the end of the day, or on a break during class.

For more information you can contact:Conference Director: Carrie Imai carrieimai@ix.netcom.com 818-527-1055

Faculty: Carrie Imai carrieimai@ix.netcom.com 818-527-1055Registrar: Virginia Dare cacraftygirl@yahoo.com 818-414-0797

mini-Classes: Karin Gable colourmepurple@sbcglobal.net 818-343-2402Scribe Store: Ellen Greenberg ellen@greenberg.org 310-476-8470

Faculty/participant Exhibits Chris Ewen c562blank@yahoo.com 562-425-4472Volunteers: Linda Renner larenner@yahoo.com 562-433-7771

G e n e r a l I n f o r m a t i o n

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DEPOSIT AND CLASS PRIORITY NUMBERS –A Class priority number will be given to you when your deposit check of $50 is received ($25 of which is non-refundable). Your ONE class for the conference will be chosen using your Class priority number. We ask that youmake three selections in order of your preference as you will be assigned a class according to priority number and are not guaranteed your first choice.

FINANCIAL INFORMATION –The charges for Kellogg West and the teaching fees havebeen combined into the “Complete meeting package.” Youneed send only ONE check made payable to “SfC.” Sendyour check to Virginia Dare along with your Registration Formlocated on the last page of this brochure. You may send yourinformation and money at any time before november 15,2016. Registration and class enrollment into onE class will beprocessed according to Class priority number.

CONFERENCE SPECIAL RATES –The “Complete meeting package” for single and double participants will include hotel room with two double beds,meals and snacks, use of the classrooms, pool and fitnessroom AnD your teacher fee.

“Complete Meeting Package” forThursday arrivals to Monday Noon

• Single includes single meeting package plus Thursday night stay and Friday breakfast, (does not include Thursday dinner) .................... $1,115.00

• Double includes double meeting package plusThursday night stay and Friday breakfast,(does not include Thursday dinner) ........................ $905.00

• Guest/Spouse Rate includes housing, meals, use of facility and Friday breakfast,(does not include Thursday dinner) ...................... $465.00

“Complete Meeting Package” forFriday Morning arrivals to Monday Noon

• Single includes single meeting package............... $985.00• Double includes double meeting package............ $825.00 • Commuter includes classroom use, lunch only,

use of facility & teacher fee) ................................. $550.00• Guest/Spouse Rate includes housing,

meals, use of facility -- no classes) ....................... $390.00

ROOMMATES –please confirm a roommate before sending in your registrationform. If you need help finding a roommate, email or call Virginia Dare at cacraftygirl@yahoo.com or 818-414-0797 for a list of participants that are looking to share a room.

ROOM REQUESTS• Please Note: SpECIAL REQUESTS will be honored as best as possible, but room type and location cannot be guaranteed.

• Single Rooms: Because Letters has become so popular, we have only so many single rooms. Singles will be placedaccording to priority number.

PAYMENT –• Make checks payable to “SfC.” Checks will be cashed

immediately.

• Please fill out the SfC Registration Form completelyand send it along with your payment to:

Virginia Dare23255 Friar StreetWoodland Hills, CA 91367

• DEADLINE – November 15, 2016 Total payment must be made no later than November 15, 2016. Classes will be assigned after this date. * Please note: in order to expedite the registration process, registrations received after deadline may forfeit th eir registration placement number. Mail early!

SCHEDULE OF CANCELLATION AND REFUNDS –For Class Fees - Cancellation requests received • Before november 15, 2016, total refund minus $25

non-refundable portion. • Before January 15, 2017, total refund minus $50. • No refunds of class fee ($250) after January 15, 2017.• Total refund of Kellogg portion before February 1, 2017.

QUESTIONS?Contact Virginia Dare

by phone at 818-414-0797 or by email at

cacraftygirl@yahoo.com

please make a file for “letters 2017” and keep a copy of all information

Registration and Payment Information

name ______________________________________________________________________________________________________

Address ______________________________________________________________________________________________________

City / State / Zip ________________________________________________________________________________________________

Home phone _______________________cell_______________________ Email ____________________________________________

Emergency name ___________________________________ Emergency phone number_____________________________________

Dietary Needs: Vegetarian options are available at each meal. If you have a medical concern requiring special dietary considerations, you must contact Carrie Imai at carrieimai@ix.netcom.com

Room: p Handicapped ___________ p no Stairs___________ p Crestview (up hill) _____________________________________

name of Roommate _________________________________________________________________________________________

CLASS SELECTION: ONE CLASS FOR ENTIRE CONFERENCE ... PLEASE INCLUDE ALL THREE CHOICES

First Choice Class # ____________ Instructor ________________________________________________

Second Choice Class # ____________ Instructor ________________________________________________

Third Choice Class # ____________ Instructor ________________________________________________

p Single Room arriving Thursday $1,115 (housing, meals, use of classrooms, teacher fee, Friday breakfast (no Thursday dinner) .......................................................................... $_______________________

p Single Room arriving Friday $985 (housing, meals, use of classrooms, teacher fee) ....... $_______________________

p Double Room arriving Thursday $905 (housing with roommate, meals, use of classroom, teacher fee, Friday breakfast (no Thursday dinner) ........................................... $_______________________

p Double Room arriving Friday $825 (housing with roommate, meals, use of classroom, and teacher fee) .................................................................................................. $_______________________

p Commuter Rate $550 (LUnCHES onLY, use of classroom, and teacher fee) .................. $_______________________

p Guest/Spouse Rate arriving Thursday $465 (housing, meals, no CLASSES,Friday breakfast (no Thursday dinner) .................................................................................. $_______________________

p Guest/Spouse Rate arriving Friday $390 (housing, meals, no CLASSES) .................... $_______________________

SUB TOTAL $_______________________

Did you pay a deposit? If so, Subtract $50 ......................................................... – $_______________________

p TOTAL PAYMENT DUE before November 15, 2016 ...................................................... $_______________________noTE: Late registrations may lose their priority number placement. please send your payment by the deadline.

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Mail this registration form and payment (payable to sfc) to Virginia Dare, 23255 Friar Street, woodland Hills, CA 91367

Please photocopy all forms before mailing

contact Virginia Dare if you need a roommate

near gym, pool, parking lot

2017 Registration Form –– please fill out completely