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Franke nstein NOTES on the novel Mary Shelley’s

Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

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Page 1: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

FrankensteinNOTES on the novel

Mary Shelley’s

Page 2: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Introduction

Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

fiction. Audio file for Frankenstein

Page 3: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Influences on Frankenstein: Prometheus Prometheus, whose name means Forethought, was a titan who had

sided with the Olympian gods in the rebellion against Kronos, the ruler of the titans. And though he chose the Olympian gods over the titans, he remained aloof, and never had true respect for them.

As Zeus, after the revolution, became the almighty ruler, he took his interests in the celestial, and ignored the human race on Earth. He intended them to be primitives, with no gift of knowledge, and forbid any god to impart them with enlightenment. Prometheus looked upon these mortals with pity, and gave them various gifts of knowledge.

But of these gifts, the most valuable and the most damning for Prometheus was fire, which enabled men to overcome ignorance and become enlightened. Once Zeus saw that men had overcome ignorance through the rebellious act of Prometheus, he had Prometheus chained to the Caucasus mountains with shackles made by Hephaistos, and had carnivorous birds swoop down to peck out his liver.

And because he was immortal, his liver would grow back during the night, and his torture would continue on every day. But in Ovid's version of the story of Prometheus, Prometheus is not the savior of men, but creator of men who manipulated them to his will.

Page 4: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Paradise Lost The epic detailing the fall

of Lucifer by Milton was of a great influence to Frankenstein.

In Milton's piece, Adam, God's creation, questions his creator, "Did I request thee, Maker, from my clay/ To mould me Man, did I solicit thee/ From darkness to promote me...?“

The lines were even used in the 1818 edition of Frankenstein, and covers the attitude of Frankenstein's creation.

Page 5: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Frankenstein the NovelWritten between the Romantic and

Victorian periodsWritten by Mary Shelley, wife of

author Percy ShelleyA number of Shelly’s own viewpoints

and opinions are found in the novel.

Page 6: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Rime of the Ancient Mariner A seven part poem written by Samuel Coleridge, a friend of Mary Shelley's father, it is often alluded to in Frankenstein, and has much influence over the story. According to accounts, Mary Shelley would stay up late at night to hear Coleridge himself recite the poem at her house.

The poem itself is about a mariner who after killing an an albatross, a sea bird of good luck, undergoes a torturing experience that is meant to be reparation for his deeds. Mary Shelley alludes to the albatross in her story, and the idea of an outcast scorned and enduring suffering is again repeated.

Page 7: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Letters 1-4Allusion to “Rime of the Ancient Mariner” Structure of the book arranged (epistolary

=“letters”)“Stranger” = general narratorWalton = substitute for audienceTHEME: Quest for Knowledge can lead to self-

destructionWalton suffers from “hubris” ; believes he is invincibleWalton’s values are questionable; does not honor his

father’s dying request

Page 8: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Letters 1-4“epic hero” like, Walton is consumed by a

need to be immortalJumps from dream to dream, experienced or

not and refuses to let the dream go, no matter what the cost

THEME: Humans have a basic need for companionship.Walton has no connection with others; thinks

he is “above them”Sees Victor as a “kindred spirit”

Page 9: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 1THEME: Family and kinship; parenting

Victor speaks in 1st person; everything is in relation to him

Traditional family structure (parents Alphose and Caroline)

Raised in a loving happy home with loving parents; we assume that Victor would have the same instinct.

For those who have been created and abandoned, it is required that someone are for them; to do otherwise is unthinkable. (adoption of Elizabeth)

Page 10: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 2THEME: Quest for knowledge leads to

destructionVictor is predisposed to secrecy (even as a

young man)Foreshadows how experiments come into

playFather tells him that Agrippa is “trash” but

doesn’t explain why; this book influenced his later work

Page 11: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 3THEME: Parenting

For Victor, knowledge substitutes for people –disconnects

This attitude is dangerousHe “doesn’t do well with strangers”We learn his last name; removal of first

name makes him less personal; “scientific self”

Page 12: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 4THEME: Boundaries/ trespass

Two years go by without him going home; why?This doesn’t speak well for his characterEither Victor is normally kind and has become

demonized by scientific knowledge OR he is actually a selfish character

How is he like Macbeth in this instance?Victor has no respect for natural boundaries;

contempt for restraintsLost the ability to feel anything; no remorse

Page 13: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 4THEME: Boundaries/ trespass

To poke around something more powerful than yourself is dangerous

He has an epiphany (he has discovered the secret of life)

He hesitates to begin research; indicates that he isn’t fully convinced it is “the right thing”; like Macbeth

Driven to reanimate; why?

Page 14: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 5THEME: Abandonment/ parenting

Fickleness of human nature; Victor is horrified by what he’s done

Creature emerges in a non-violent state; happy and shy

We are supposed to see him as a child

Page 15: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 61st time we learn of Victor’s brotherElizabeth shows herself to be gentle like

CarolineVictor wants to forget; desire to be rebornHe is unable to act directly unless

confronted.His character allows him to see only what

is before his eyes, not beyond; immature though full of knowledge

Page 16: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 7Victor is still self-centeredWe are inclined to see the Creature

through Frankenstein’s eyesVictor keeps creature secret in order

to preserve reputation and save face

Page 17: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Prepare for

POP QUIZ on

chapters 7-9

Page 18: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

POP QUIZ: Ch. 7-9What happens to William?Who does Victor see in the storm?What does he realizeWhat has Justine been accused of?Why doesn’t Victor tell anyone about

the creature?What happens to Justine?

Page 19: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 8Frankenstein’s selfish desire to

conceal the truth causes Justine’s death

The word “creature” is used to refer to Elizabeth and Justine

Shelley challenges us to ask how much we can trust language; words can be manipulated

Page 20: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 9Victor is suicidal; “oh poor victim”Revolts him to the reader“romantic” images; nature

Page 21: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 10Meets creature; will ultimately bring misery upon

himVictor’s conversation with creature “fallen angel”;

supreme innocence with evilSees himself as Adam = creature begs for

compassionTHEME: parenting

Creature is like a sheep gone astrayIf Victor hate the creature, who will love him?Victor’s abandonment is what makes the creature what

he is

Page 22: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 10

THEME: parentingNo one to foster kindness in him“How dare you sport thus with life?”Lack of looking ahead and unwillingness to

care of consequencesIf the creature is evil, so is Frankenstein

Page 23: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 11Creature begins narratingCreature is very infant-like; experiences

the world as a child mightCreature weeps out of fear and painDoes not kill anything to obtain

nourishment; truly peaceful; truly innocent

The more we learn about the Creature, the more our opinion of Victor falls

Page 24: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 12THEME: Knowledge brings destruction

(“ignorance is bliss”)When the Creature sees his reflection, he is

horrifiedThe reader knows the can never over come the

obstacles of his appearanceWe are intended to identify with the creature as

an outcastWe understand that he will NEVER integrate into

human society

Page 25: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 13Creature asks “WHAT am I?” not “WHO am I?”Consuming desire to belong to this family

Identifies with them; they were exiled as he was exiled

Creature is ignorant of human nature; humans cannot get along with each other, let alone a new species

THEME: parentingCreature contemplates the lack of guidance in his lifeVictor’s neglect is horrifying

Page 26: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 14Shows attachment to the family; portrays

various types of human interactionThe tale of the family contains the best and

worst traits of human natureDanger: if creature is not well-received, he

now has tools to wreak vengeanceTHEME: basic human need for

companionship From his hovel, the Creature cranes his neck to hear every word

from his “friends”

Page 27: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 15Creature is becoming more “human”Extreme rejection is ironic; never has

he been more learned, never more “human”

Creature realizes how he came to be; no love in his creation

Page 28: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Prepare for

POP QUIZ on

chapters 16-18

Page 29: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

POP QUIZ: Ch. 16-18Why does the Creature return to the hut?What does he do when he realizes the

DeLaceys have gone?How does the Creature feel when he

realizes how he was created?How are the Creature and Satan different?

The same?What happens when he rescues the little

girl?What does the Creature want from Victor?What does Victor agree to do?

Page 30: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 16 Image of fire is prevalent; anger/ fire is

unleashedVengeance unleashed=logical target is

FrankensteinEssentially declares war on all humansProblem: how he chooses his victims If the creature looks to reproduce marriage, if

that is his ultimate goal, how will William’s death achieve this?

Creature looks to reproduce marriage

Page 31: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 17Frankenstein is back as the narratorFrankenstein is convinced to make another

creature by the Creature’s reasonable tone (“you are my creator”)

The Creature begs Victor to help him not to hate, to banish evil from his body.

Even Satan was loved by his creator; he CHOSE to reject his creator; the Creature had no such choice

Why did God make Eve?What makes a human “human”?

Page 32: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 18Puts off marrying ElizabethVictor goes to EnglandDoesn’t alert his family to the danger

Only acts when a stimulus is applied or when disaster has already struck and it is too late to take precautions; failure to plan ahead

Until Creature is happy, Victor will not be happy

THEME: SecrecyVictor is enslaved by his secret

Page 33: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 19Image of blasted tree=chaos,

destructionFrankenstein felt a “bolt”=severed,

cut off; relishes his sorrowDecision to create 2nd creature=selling

his soul forever (“in cold blood”)Creature threatens to kill his family,

not him

Page 34: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 20Frankenstein breaks his promise;

noble or stupid?Makes an aggressive stand for the first

time and refuses to sell his soul; abandonment of commitment??

Chooses to save himself and not his family?

Page 35: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 21Ironic that he is accused of Clerval’s

murder; why?He is actually “guilty.”Acquittal by man is meaningless; he is

guilty in his heart.Frankenstein slowly dies with each

murderFrankenstein has low emotional

intelligence.

Page 36: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 22Lack of control; last happy day of Frankenstein’s

lifeInvolvement of Elizabeth in scheme is selfishFrankenstein is “entranced” in magic; does he

stand a chance? Why does he think HE will be murdered?Creature CAN deliver on his threatsCreature sees himself as “less than human”“Gap” between Frankenstein and Creature is

closing

Page 37: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 23Reader knows Elizabeth will be killed;

why doesn’t Victor (very “scripted”)This is the one murder he had the

chance to prevent and doesn’tVictor and his creature have never

been more alike; both utterly alone in the world; parallel situations

Page 38: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 24Victor lives only for revengeCat and mouse game with CreatureCreature has what he has always wanted:

Victor’s absolute attentionPower inversion: the Creature is now in controlWalton returns as narratorFrankenstein loses his strength and his soul bit

by bitHis story is “preserved”; death-bed confession;

he can now die in peace

Page 39: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 24How do we view his story?Has Victor changed at all through the course

of his story? Has Walton? If the purpose of scientific research is to

help mankind, how has Victor helped?Victor told his story to Walton to advise him

not to be foolish in his pursuit of knowledge; Walton has not learned anything from it. He still desires to pursue knowledge at any cost, though he agrees to go home.

Page 40: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

Chapter 24Creature’s final scene is touchingHe views Victor as his father, but his

father never gave him a name. What does this say about Victor?“Frankenstein” has become

associated with the idea of “monster”Who is the monster?

Page 41: Frankenstein NOTES on the novel Mary Shelley’s. Introduction Written by Mary Shelley in the early 1800s Classified under two genres: Gothicism and science

ConclusionThough Frankenstein was written almost 200 years ago,

many of its themes are still applicable to today’s society. Some themes – man playing god, for instance – are even more pertinent to today’s world than to Mary Shelley’s. Mankind is growing more and more powerful in terms of scientific discovery, through its understanding and manipulation of biology and of DNA in particular. With great power comes opportunity for great corruption and turmoil. Frankenstein helps us understand that it is not, necessarily, bad people we have to fear– a greater danger might come from good people with good motives, like Victor, who are capable creating monsters. Are we destined to lose control over the monsters? For this reason, understanding the significance of Frankenstein is essential for today’s youth, to be aware of both the benefits and the consequences of science.