FPA Portfolio

PORTFOLIOF r a n c i s c o P é r e z A l c á n t a r a

Q

Index of contents Schoo l p ro jec ts . . . . . . . . . . . . . . . . 1

Graph ic des ign works . . . . . . 23

Indus t r ia l Des ign . . . . . . . . . . . . 27

Contac t

P O R T F O L I O F r a n c i s c o P é r e z A l c á n t a r a

KEY

1. Reception

2. Toilets

3. Showing room

4. Conference room

5. Smell room

6. Bottled room

7. Entrance of materials

8. Exit of materials

9. Vip Cata room

KEY

10. Main room

11. Watching room

12. Room for events

13. Office rooms

LANDSCAPES PRODUCTION: THE WINERYARCHITECTURAL DESIGN II, ETSA SEVILLE, YEAR 2003/2004

The project is based on two basic elements: boxes and walls.

These walls try to put in order and to position the space. They penetrate into

the ancient buildings of the winery in different ways.

The boxes have intrinsic qualities and many sizes, but at the same time they

show the content of the different parts of the winery.

It is a game where they can’t do without each other. Together they build a

complete tour through the wine-producing complex.

(Produced in collaboration with B. Olea Villoslada, José A. Pavón González y M. Páez García)

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1

10

11

12

13

99

3

42

6

5

8

7


P O R T F O L I O F r a n c i s c o P é r e z A l c á n t a r a 2

1

EXPOSITION AND OFFICE PAVILLIONARCHITECTURAL DESIGN II, ETSA SEVILLE,

YEAR 2003/2004

The building was conceived as a clean geometric volume.

In order to catch the attention from the people walking, the

prism that flies over the street. Inside this geometric figure

it is developed the exhibitions.

The stairs in the showing room are usedfor sitting and

watching the projection.

There is a double access, from the street and from inside

of the building, to the ground floor where all the adminis-

trative uses are located.

Basement floor: office rooms and store

Section AA’

DC

B‘A‘

E

E‘

F

F‘

D‘C‘

BA

Section BB’

Section CC’ Section EE’

Section FF’Section DD’

Situation plan: Sánchez Romate winery, Jerez

Ground floor: showing room and courtyard

First floor: exhibition room and toilets

4

3 P O R T F O L I O F r a n c i s c o P é r e z A l c á n t a r a


1a

1a

2

7

4

4

1b

1b

5

56 6

7

4

3

3

FROM THE SCULPTURE TO THE ARCHITECTUREARCHITECTURAL DESIGN III, ETSA SEVILLE, YEAR 2004/2005

This exercise consists in the reinterpretation of piece of work from a sculptor.

Our choice was a No title Palazuelo’s sculpture. In our analysis we

highlighted the space between the steel trays… it is a section which is given

to be crossed by every kind of flows. The flows of a multi-modal transports

exchange building.

We located our project near to the Santa Justa rail station in Kansas City

Avenue. In a near future it is a measure planned by the government of Seville.

KEY: 1a- Main access from the subway entrance / 1b- Secondary access / 2- Multifunc-

tional space / 3- Services and stores / 4- Bus station / 5- Cultural space (exhibitions-

theater) / 6- Offices-housing-shopping centre / 7- Subway

Kansas City Avenue

Santa Justa rail station

These images are from the constructive process. Work in collaboration with José Antonio Pavón González.

No title, Pablo Palazuelo

Plan , Longitudinal section , Cross section

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SEVILLE’S ARCHAEOLOGICAL MUSEUM EXTENSIONPROYECTOS IV, ETSA SEVILLA, CURSO 2005/2006

The project is situated a square behind the museum. It tries to look for the maximum

versatility of a box. In order to reach this aim I based my work on: free plan, neutral space,

strong technological support and functional space. We add to all these qualities a new

concept of “display cabinet”. We approach to consumption spaces through a way to visit

the buildings out of pressure.

We are talking about minimalism related with obsolete ancient structures and images This

way of making architecture is the most capable to deal with complicated programs like a

modern art museum. It is a light transparent container with a certain sensibility with its

surrounding area.

s1

s1

1

s1

s3

s3

s1

2

3

s3

s3

Section 1_s1

Section 3_s3

KEY

1. Restaurant

2. Snack bar

3. Secondary access

Second floor

First floor, ground elevantion

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7

10



SEVILLE’S ARCHAEOLOGICAL MUSEUM EXTENSIONARCHITECTURAL DESIGN IV, ETSA SEVILLE, YEAR 2005/2006

The museum sinks into the ground in order to induce the visitor to the deception. What

at first sight seems to be a small room, it becomes a great suitable space for arts

exhibition.

The objective is to create a really big hall. It is like an enormous shop window where the

visitors could see all the pieces of work displayed in the museum. People are allowed to

look around and decide a personal tour for the exhibition. Modern art has a lot of

variants so the structure of the building is wide open and has no obstacles.

KEY

4. Meeting point

5. Ticket office and cloakroom

6. Shop

7. Exhibition space

KEY

8. Warehouse

9. Multifunctional space

10. 11. Room for activities:

video, workshop, multimedia

system and chill out

12. Dressing room

s4

s4

s5

s6

s7s5

s7

s6

s4

s5

s6

s5

s7

s4

s7

4

8

9

10

12

11

5

6

7

s6

Underground connection with the Archaeological Museum

Section 4_ s4

Section 7_ s7Section 6_ s6

Section 5_ s5

Ground floor, underground

Floor -1, underground

Intermodal station

Leisure space

Library

Living room

Secretary’s office

Roof access

Reidential complex R3

Residential complex R4



Equipments

Preservation of the seaside walk

Sport complex

Cultural meeting square

Showing room

University unit:departament + restroom + classroom

1

5

LOCATION PLAN

1. Nautical infrastructures

2. University

3. Main residential area

4. Sport complex

5. Services and equipment

6. Metropolitan park

6

4

3

2

Designing process with a working model

PRIVATE UNIVERSITY OF ALGECIRASARCHITECTURAL DESIGN, ETSA SEVILLE, YEAR 2004/2005

The university is a place for the transfer of knowledge. Consequently it has

the capacity to generate its own culture of space. Moreover it is a great skill

to help with the development of a certain region without including the

common missions which everybody knew and are attributed to the univer-

sity: teaching and investigation. These are the four thoughts between city

and university:

1- Form adaptation during time of the university program.

2- The design of a continuous form in constant transformation, under the

view of the relation between university, society and urban development.

3- Integration in the urban context, from the juxtaposition to the superposi-

tion and identification between university and town.

4- Generate inside the campus its own activities with the purpose of gener-

ating functional autonomy.

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a

a‘

b

b‘

c c‘

d d‘

Section aa’ Section cc’Section bb’ Section dd’

Underground plan, playground Basement plan, common space First floor Second floor

CUBE HOUSE: RESIDENCE FOR STUDENTSFUNDAMENTOS DEL HABITAR, ETSA SEVILLE, YEAR 2006/2007

The program for this house is an invented initiative for students. If you spend your spare

time helping kids and educating them, the government will give you the key for a new

residence. Each one of these structures is for 3 or 4 students, with kitchen, dining room,

living room and bathroom. Moreover in the basement there is a playroom with a workshop

and a warehouse. The building is situated in a 4 meters drop in the level of the ground. It

is allowed a double access to the house and a stronger independency of uses between

residential and educational.

1 3

7

8 9

10 11

4

4

6

2

KEY

1. Playgroung

2. Warehouse

3. Taller

4. Meeting room

5. Dinning room

6. Kitchen

7. Living room

KEY

8. Studio

9. Toilet and dressing

room

10. Bedrooms

11. Terrace

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1.

1.

2.

3.

4.

3.

Common hunt

Hunt

3.

4.

4.

2.

2.

A

The feria in its origins was a camp where it used

to trade with cattle. Nowadays it still looks likes

more or less as it used to be, however its use

has changed radically toplace for leisure.

From the typical iconography of the polka-dots,

we find most of the keys of the development of

this ephemeral town.

The aperture of a hollow in the middle of the block of huts creates a double facade and an internal park. We are now talking about a new model of hunt with a chaotic organization. It

is a new open model to the possibility of different uses.

The evolution is a bigger

dilation which permits a major

variety of uses and contents.

La nueva ordenación de la feria es en esencia

una superposición de capas de distintos materi-

ales, texturas vegetales y colores.

Improving the generation of new public spaces and communications we

would finish with this sort of NO TOWN. The ground is an activated element

where the directions and shape of the frame come from the interaction with

the environment.

Frame expanding

Wallpaper de Lene Toni KjeldAlison y Peter Smithson Masterplan

Images from the Feria de Abril from Seville

Front from the Feria in the XIX

Neolaster Studio projectGigon & Guyer archeological park

Municipal sports facillities

Acce

ss to

the

river

side

Continuation of the urban frame

EVOLUTION IN THE CONFIGURATION OF A NEW WEAVE

EVOLUTION IN THE AGRUPATION OF HUTS

GROUP OF HUNTS AND NEW HUNT MODEL

KEY

1. Resting space

2. Tenis court

3. Open air concerts

4. Summer cinema

KEY

1. Portable toilet

SANIMOVIL

2. Kitchen unit

3. Facade unit

4. Warehouse unit

NEW FAIRGROUND OF ALCALA DE GUADAIRAARCHITECTURAL DESIGN V, ETSA SEVILLE, YEAR 2006/2007

This exercise makes us reflect on the hackneyed and obsolete model of ephemeral

town. The festivals in the south of Spain take place in strategic spaces of the cities. They

are often used only few weeks every year. The idea presented in the workshop was to

create a park that has the possibility to turn into a festival or similar. Moreover we had to

think about a new model of hunt that hasn’t been revised since the XIX century.

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4.

3.

2.

3.3.2.

2.

1.1.

1.

1. 1.

1.1.

1.

1.

2. 3.

Municipal cleaning park

Expansion of the fairground to a urban concept

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Benarosa waterwheel

San Juan waterwheel

Municipal sports center

Municipal swimming pool

Parking

Funfair

Vertical section through hunt facade

Collar (160mm diameter)

Verticals with a spike UVR (40mm diameter)

Crossbeam UH 200 (40x60 with changeable lengh)

Acrilic miniwave perforated panel

KEY

1. Hunt

2. Kitchen space

3. Toilet space

4. Crossing space

section

Group of hunt’s conic perspective

b b´

A

A

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HELIOTROPO CENTER OF ARTSFINAL PROJECT, ETSA SEVILLA, YEAR 2007/2008

The start point for this project was the consideration which the urban plan of the

Historical Centre of Seville is like a capillary with axis in two directions. The project

want to allow the cross communication and generate a public space inside the

block. As a result it is possible to adequate the ground floor from all the residence

buildings for the handicraft activity. What we try to do with the program of this

center is to centralize all the handicrafts workshops disseminated through all the

old part of town. The role of the Heliotropo Center of Arts is to administer the

artists, so they could be more efficient and competitive in the market.

Promotion and Information officeMultiple uses spaceInstallations roomToiletsBar/RestaurantShopComplementary space of the center

Heliotropo Center of Arts ground floor, restoration of the ancient fabric of hats Sánchez & Roche

Graphic analysis of the old quarter of Seville + Project situation Difussion of the handicrafts workshop + Center situation

Castellar street

Heliotropo street

Clavellinas street

Infantes street

Inocentes street

Maravillas street

Maravillas street

Heliotropo Center of Arts first floor

Heliotropo Center of Arts second floor

Technical management office (Tutor advice) Center management officeExhibition spaceNursery of companysInstallations roomToiletsWarehouse/Archive

Nursery of companysInstallations roomToilets


P O R T F O L I O F r a n c i s c o P é r e z A l c á n t a r a 22

21

Longitudinal section BB' PA

RK

LIF

T

Cross section AA'Image from the fabric’s inside (Techinical Office)

Present image from the inside (Exhibition space)

B'

B

A A'

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23P O R T F O L I O F r a n c i s c o P é r e z A l c á n t a r a


CHA

LOGOTYPES DESIGNED FOR DIFFERENT PROYECTS FROM THE SCHOOL

Logotype produced for the exhibition and Sanchez Romate offices.

Identity made for the Algeciras Private University in the workshop of Architectural Design IV

Image developed for the Archeologycal Museum extension Identity made for the Heliotropo Arts Center

Logo developed for the student

residence

COMPETITION FOR A GRAPHIC ELEMENT THAT REPRESENTS THE FIGHT AGAINST THE GENDER VIOLENCE /

JULY 2006

DESING OF IDNETITY CARD, STATIONERY AND ACCESORIES.

CASA CUBO

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U N I V E R S I D A D P R I V A D A D E A L G E C I R A S

F r a n c i s c o P é r e z A l c á n t a r a P I V t a l l e r C

U N I V E R S I D A D P R I V A D A D E A L G E C I R A S

igualdadCONTRA

LA VIOLENCIA DE GENERO igualdad

CONTRALA VIOLENCIA

DE GENERO

María Carmen GarcíaXxxxxx xxx xxxxx

Xxxxx xxx xxxx xxx xxx xXxxxx xx xxx xxxxTel: 954 22 36 69Fax: 954 22 36 65

Email: sdghetyiudhjkyue.eswww.kjdhfwuiojns.es

igualdadCONTRA

LA VIOLENCIA DE GENERO

igualdadCONTRA

LA VIOLENCIA DE GENERO

LOGOTYPES DESIGNJUNE 2002 / SEPTEMBER 2008

In architecture despite the creation of new habitat and spaces, it

is very important the way of drawing and represents them graphi-

cally. The drawing and the construction are two forms of giving

personality to the work of architecture. We could recognize the

authority of a building not only from a photo also from the way it is

drawn. In my work I always try to go one step further creating

specific images for each project and program. This is not just a

hobby, I truly feel admiration for the graphic design.

c A a C

c

A

a

C

cAaC

centro andaluz de arte contemporáneocentro andaluz de arte contemporáneo

cAaC

centro andaluz de arte contemporáneo




cAaC centro Andaluz de arte Contemporáneo

cAaC


c

A

a

C

centro

and

aluz d

e arte con

temp

orán

eo

c

A

a

C

C e n t r o A n d a l u z d e A r t e C o n t e m p o r á n e o

c

A

a

C

C e n t r o A n d a l u z d e A r t e C o n t e m p o r á n e o

c

A

a

C

CA

CAcAaCcAaCcAaCc

Aa C c

Aa C c

Aa C

Que Arte!

Centro Andaluz de Ar te Contemporáneo

CACA

Centro Andaluz de Ar te ContemporáneoCentro Andaluz de Ar te Contemporáneo Centro Andaluz de Ar te Contemporáneo

cAaC


SEVILLE’S CAAC MERCHANDISINGRESTRICTED COMPETITION / PÉREZ ESCOLANO Y ASOCIADOS /

JANUARY 2006

The bases for this competition were to update all the material that were sold in

the Centro Andaluz de Arte Contemporáno from Seville.

The aim of our project was to develop a new image younger and colorful. It was

based on the elements, images and landscapes of the localization of the

museum: the ancient Cartuja Monastery of Santa María de las Cuevas.

Consequently the orange trees, olives, archaeological rests and so on, are the

inspiration for the objects that will be show at the shop near to the most impor-

tant works of arts from Andalucía.

Mobile phone colored belt Ornament color shields

Book marks

Ring notebook A7 size

BM

ater

ial h

andb

ag, s

ize:

310

x240

mm

Col

or c

ups

T-shirts

Ring notebook with perforated cover and colored paper back A5 size

Notebook for sketches A6 size Graphite pencil

Eraser

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WORK IN PROGRESSCENTRAL SAINT MARTINS / MASTER INDUSTRIAL DESIGN / 2009-2011

I really feel that studying at Saint Martin would encourage my passion to learn

as well as further my resolution to work in industrial design. I wish to broaden my

horizons to a higher level on this subject. I would like to have a different perspec-

tive on what I have learned during the past years. I want to move to a new and

different kind of work much more creative, contemporary and advanced either in

architecture and design. A graduate degree of study would provide me with an

excellent education as well as the preparation that is necessary to confront my

challenges and objectives, which are working in a studio with international

relevance and projects in different fields of design.

Design Against Shoplifting: VHung. Vending machine for accessories

Games Workshop, Generation 2.0. New

concept for 3D printed toys.

INDEX

1. Structure of stain steal curved and united to the

others to form the rails where the cylinder

packaging roll. / 2. Cylinder packaging made of

acrylic and plastic with the gods inside classified

by type, size and colour. / 3. Transparent acrylic

surface, with a film inside that reflex as a mirror. /

4. Control panel and personal card lecture. / 5.

Vending collector.

Recruitment project for Central Saint Martins. Charity ladder.

Pieze of work for the exhibition Get Connected.

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Solar panel

Leds screen

12345

ContactFanc isco Pérez A lcántaraArchitecture graduated by The School of

Architecture of Seville (E.T.S.A.S) in 2008

+44 (0 )7538882783

Fla t 16 , Co ler idge HouseBrowning St ree t , Walwor thSE17 1DGLondon UK

cur [email protected]

For fu r ther in fo rmat ion v is i th t tp : / /q2xro .com/

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FPA Portfolio