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Foundations of Art and Design Chapter 9: Unity and Variety

Foundations of Art and Design Chapter 9: Unity and Variety

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Page 1: Foundations of Art and Design Chapter 9: Unity and Variety

Foundations of Art and Design

Chapter 9: Unity and Variety

Page 2: Foundations of Art and Design Chapter 9: Unity and Variety

Proximity

Fig. 9.1 American Gothic by Grant Wood

Page 3: Foundations of Art and Design Chapter 9: Unity and Variety

Proximity

1. Creates unity

2. Creates a feeling of claustrophobia

3. Creates variety

4. All of these

In Fig. 9.1 American Gothic by Grant Wood the proximity of the elements:

Fig. 9.1 American Gothic by Grant Wood1 2 3 4

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Page 4: Foundations of Art and Design Chapter 9: Unity and Variety

Repetition

Fig. 9.2Flower Festival: Feast of Santa Anita

by Diego Rivera

Page 5: Foundations of Art and Design Chapter 9: Unity and Variety

In Fig. 9.2 Flower Festival of Santa Anita, the artist Diego Rivera uses what technique to create unity?

1. Proximity

2. Repetition

3. Color and Value

4. All of these

Fig. 9.2 Flower Festival: Feast of Santa Anita

Repetition

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Page 6: Foundations of Art and Design Chapter 9: Unity and Variety

Color and Value

Fig. 9.4 Guernica by Pablo Picasso(The most famous “black and white” painting of all time.)

Page 7: Foundations of Art and Design Chapter 9: Unity and Variety

Color and Value

1. Create unity

2. Tie together diverse elements

3. Highlight key information

4. All of these

In Fig. 9.4 Guernica by Pablo Picasso the artist uses the color and value to:

Fig. 9.4 Guernica by Pablo Picasso(The most famous “black and white” painting of all time.)

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Page 8: Foundations of Art and Design Chapter 9: Unity and Variety

Line

Fig. 9.7 Three Goddesses from the Parthenon

Page 9: Foundations of Art and Design Chapter 9: Unity and Variety

In the sculpture Three Goddesses the line and folds of the fabric serve:

Line

Fig. 9.7 Three Goddesses from the Parthenon

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1. To unify elements in the composition

2. As Leading Line

3. Both of these

Page 10: Foundations of Art and Design Chapter 9: Unity and Variety

Fig. 9.9 Prevalence of Ritual: Baptism by Romare Bearden

Page 11: Foundations of Art and Design Chapter 9: Unity and Variety

One of the dominant themes used to create unity in Fig. 9.9 Prevalence of Ritual: Baptism by Romare Bearden is:

1. Shape

2. Contrast

3. Repetition

Fig. 9.9 Prevalence of Ritual: Baptism by Romare Bearden1 2 3

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Page 12: Foundations of Art and Design Chapter 9: Unity and Variety

Texture

Fig. 9.10 Arbol de la Vida (Tree of Life)by Mendieta

Page 13: Foundations of Art and Design Chapter 9: Unity and Variety

Texture

Fig. 9.10 Arbol de la Vida (Tree of Life) by Mendieta

1. Color

2. Proximity

3. Texture

4. All of these

Fig. 9.10 Arbol de la Vida (Tree of Life) by Ana Mendieta uses what element to unify the very different elements or shapes of the composition?

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Page 14: Foundations of Art and Design Chapter 9: Unity and Variety

Fig. 9.13 Untitled by Sol LeWitt

Page 15: Foundations of Art and Design Chapter 9: Unity and Variety

In Fig. 9.13 Untitled by Sol LeWitt what overwhelming devise does he use to create unity in the composition?

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25% 25%25%25%1. The Grid

2. Line

3. Shape

4. Color

Fig. 9.13 Untitled by Sol LeWitt

Page 16: Foundations of Art and Design Chapter 9: Unity and Variety

Continuity

Fig. 9.11 Primavera by Sandro Botticelli

Page 17: Foundations of Art and Design Chapter 9: Unity and Variety

Continuity

Continuity is…

Fig. 9.11 Primavera by Sandro Botticelli

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1. The flow of line or contour

2. A way to achieve unity

3. The continuous transition from one shape to another used to lead the viewer’s eye from one part of a composition to another

4. All of these

Page 18: Foundations of Art and Design Chapter 9: Unity and Variety

Unity with Variety

Fig. 9.15 Screen by Eileen Gray

Page 19: Foundations of Art and Design Chapter 9: Unity and Variety

Unity with Variety

Fig. 9.15 Screen by Eileen Gray

What is the purpose of Variety within Unity?

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1. An effort to make the work more interesting

2. An effort to make the work more complex

3. Both of these

Page 20: Foundations of Art and Design Chapter 9: Unity and Variety

Repetition

Fig. 9.17 Leddie & Children by Shelby Lee Adams

Page 21: Foundations of Art and Design Chapter 9: Unity and Variety

Repetition

In Fig. 9.17 Leddie & Children by Shelby Lee Adams do you feel that the photographer:

Fig. 9.17 Leddie & Children by Shelby Lee Adams

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1. Used design principles deliberately

2. Simply noticed and recorded what he saw

3. Both of these

Page 22: Foundations of Art and Design Chapter 9: Unity and Variety

Contrast

Fig. 9.19 Dovima with Elephants by Richard Avedon

Page 23: Foundations of Art and Design Chapter 9: Unity and Variety

Contrast

1. Texture

2. Color

3. Contrast

4. Repetition

In Fig. 9.19 Dovima with Elephants the artist uses what design element or elements to create visual interest?

Fig. 9.19 Dovima with Elephants by Richard Avedon1 2 3 4

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Page 24: Foundations of Art and Design Chapter 9: Unity and Variety

Fig. 9.20 Pedocal by Yoshihiro Kimura

Page 25: Foundations of Art and Design Chapter 9: Unity and Variety

In Fig. 9.20 Pedocal by Yoshihiro Kimura what do you feel is the point of interest?

Fig. 9.20 Pedocal by Yoshihiro Kimura

1. The artist is highlighting differences in the physical structure of a work

2. There is no point of interest

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Page 26: Foundations of Art and Design Chapter 9: Unity and Variety

Motif

Fig. 9.21 Mandala of Samvara(kharamukha Cakrasamvara Mandala)

Page 27: Foundations of Art and Design Chapter 9: Unity and Variety

Motif

1. Mandala

2. Relief Sculpture

3. Intaglio

Fig 9.21 is an example of a…

Fig. 9.21 Mandala of Samvara(kharamukha Cakrasamvara Mandala)

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Page 28: Foundations of Art and Design Chapter 9: Unity and Variety

Emphasis on Unity

Fig. 9.25 In Mourning and In Rage by Suzanne Lacy and Leslie Labowitz

Page 29: Foundations of Art and Design Chapter 9: Unity and Variety

Emphasis on Unity

When a work’s emphasis is on unity what does it create?

1. Solidarity

2. Discord

3. It functions symbolically

4. Solidarity and it functions symbolically

5. Discord and it functions symbolically

Fig. 9.25 In Mourning and In Rage by Suzanne Lacy and Leslie Labowitz1 2 3 4 5

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Page 30: Foundations of Art and Design Chapter 9: Unity and Variety

Emphasis on Variety

Fig. 9.26 The Subway by Palmer Hayden

Page 31: Foundations of Art and Design Chapter 9: Unity and Variety

Emphasis on Variety

In Fig. 9.26 The Subway by Palmer Hayden what is the emphasis?

1. Variety

2. Differences

3. Both of these

Fig. 9.26 The Subway by Palmer Hayden1 2 3

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Page 32: Foundations of Art and Design Chapter 9: Unity and Variety

Emphasis on Disunity

Fig. 9.30 Woman with a Mandolin by Georges Braque

Page 33: Foundations of Art and Design Chapter 9: Unity and Variety

Emphasis on Disunity

1. A visual device

2. To advance the narrative

3. To create the impression of sensory overload

Fig. 9.30 Woman with a Mandolin by Georges Braque

Another word for disunity is chaos. What can “Ordered Chaos” be used for in art?

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Page 34: Foundations of Art and Design Chapter 9: Unity and Variety

Conceptual and Symbolic Unity and Disunity

Fig. 9.33 Angry Harmony by Louise Fishman

Page 35: Foundations of Art and Design Chapter 9: Unity and Variety

Conceptual and Symbolic Unity and Disunity

1. Conceptual Disunity

2. Conceptual Unity

3. Neither of these

Fig. 9.33 Angry Harmony by Louise Fishman depicts the concept of:

Fig. 9.33 Angry Harmony by Louise Fishman

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Page 36: Foundations of Art and Design Chapter 9: Unity and Variety

Conceptual and Symbolic Unity and Disunity, continued…

Fig. 9.34 Starry Night by Vincent Van Gogh

Page 37: Foundations of Art and Design Chapter 9: Unity and Variety

Conceptual and Symbolic Unity and Disunity, continued…

1. Symbolic Unity

2. Symbolic Disunity

Fig. 9.34 Starry Night by Vincent Van Gogh is a work representative of:

Fig. 9.34 Starry Night by Vincent Van Gogh

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Page 38: Foundations of Art and Design Chapter 9: Unity and Variety

Conceptual and Symbolic Unity and Disunity, continued…

Fig. 9.35 Fisherman at Seaby Henry Ossawa

Page 39: Foundations of Art and Design Chapter 9: Unity and Variety

Conceptual and Symbolic Unity and Disunity, continued…

1. Symbolic Unity

2. Symbolic Disunity

Fig. 9.35 Fisherman at Sea by Henry Ossawa is a work that is symbolic of:

Fig. 9.35 Fisherman at Sea by Henry Ossawa1 2

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