Former Watertown lawyer's appeal rejected in Cezanne art theft case

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  • 8/9/2019 Former Watertown lawyer's appeal rejected in Cezanne art theft case

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    United States Attorney Carmen M. Ortiz

    District of Massachusetts

    FOR IMMEDIATE RELEASE CONTACT: CHRISTINA DiIORIO-STERLINGApril 15, 2010 PHONE: (617)748-3356WWW.USDOJ.GOV/USAO/MA E-MAIL: [email protected]

    APPEALS COURT UPHOLDS LAWYERS CONVICTION IN STOLEN ART CASE

    Two Paintings Stolen in 1978 to be Returned

    BOSTON, Mass. - Late yesterday, the United States Court of Appeals for the FirstCircuit affirmed the conviction and prison sentence of a one time Massachusetts state prosecutor.The case arose from the 1978 theft of seven paintings from Stockbridge, Mass. the largest

    burglary from a private residence in Massachusetts history and one of the largest art thefts in theU.S.

    United States Attorney Carmen M. Ortiz and Warren T. Bamford, Special Agent inCharge of the Federal Bureau of Investigation, Boston Field Division, announced that the Court

    of Appeals affirmed in all respects, the conviction and seven year prison sentence of ROBERTM. MARDIROSIAN, 74, of Falmouth, Mass. on charges that he possessed stolen property thathad crossed a U.S. boundary knowing it to be stolen.

    The case began on Memorial Day weekend in 1978 with the burglary of seven pieces ofvaluable artwork from a Stockbridge home, including the Cezanne painting,Bouilloire et Fruits.

    The alleged thief, David Colvin, left them with MARDIROSIAN, a Massachusetts defenseattorney and former assistant district attorney in Middlesex County. MARDIROSIAN hadrepresented Colvin in another case in federal court in Boston. Four months later, Colvin wasmurdered.

    MARDIROSIAN stored the paintings in Watertown, Mass. until 1988, when he movedthem out of the country, ultimately placing them in the vault of a Swiss bank. In 1999, heattempted to sell the paintings through an intermediary in London, inadvertently alerting theLondon-based Art Loss Register (ALR), an organization that assists in the recovery of stolen artand antiquities. On behalf of the original owner, the ALR reached out to the intermediary in an

    effort to recover the paintings. In response, the intermediary, on MARDIROSIANs behalf,

    demanded a $15 million ransom for their return.

    After months of negotiations, in October1999, the ALR brokered an agreementbetween the owner and a Panamanian corporation that MARDIROSIAN had set up as a front toconceal his identity, whereby the corporation was to hand over the most valuable painting, theCezanne, in exchange for the owners relinquishing all claims to the remaining six paintings. Atthe time, the paintings were valued at approximately $1 million. The agreement was signed in

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    Geneva, Switzerland, where the Cezanne was delivered by an unidentified driver who pulled upin a car where MARDIROSIANs lawyer was standing, handed him a wrapped packagecontaining the Cezanne, and promptly sped off. Two months later, the owner auctioned theCezanne through Sothebys in London for $29.3 million.

    MARDIROSIAN held onto the remaining paintings until 2003, when he tried to sellthem through other intermediaries. MARDIROSIAN arranged to have the paintings brought toa Swiss bank for valuation and authentication by Sothebys. In 2005, MARDIROSIANarranged for four of the six paintings to be sent to Sothebys for transport from Geneva toSothebys in London - after which the owner filed a lawsuit seeking to void the 1999agreement with the Panamanian Corporation.

    The four paintings, Portrait dune Jeune Fille and Portrait dun Jeune Homme by ChaimSoutine,Maison Rouge by Maurice Utrillo, and Flowers by Maurice de Vlaminck wereeventually returned to the rightful owner. The remaining two stolen paintings, Woman SeatedandBoy by Jean Jansen were recovered by the FBI and U.S. Attorneys Office. With the

    completion of the appeal, the Government will return the last two paintings to the owner some32 years after they were stolen.

    On appeal, the Court rejected MARDIROSIANs argument that the 1999 Genevaagreement transferred valid title to the six remaining paintings to MARDIROSIAN. The Courtheld that the contract was void because its purpose was illegal; it required the owner to pay whatin effect was a ransom for the return of his own property.

    The case was investigated by the Federal Bureau of Investigation with assistance fromthe Art Loss Registry and its President, Julian Radcliffe. It was prosecuted by Assistant U.S.Attorneys Jonathan F. Mitchell and Ryan M. DiSantis of Ortizs Economic Crimes Unit, with the

    assistance of Trial Attorney Collette Ford of the Justice Departments Office of InternationalAffairs.

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