for narrator, SATB choir or madrigal quartet & piano poem by …williamvollinger.com/pdf/Torrent.pdf · 2015-01-15 · for narrator, SATB choir or madrigal quartet & piano poem by

for narrator, SATB choir or madrigal quartet & pianopoem by Jenny Joseph ©2009

music by William Vollinger ©2012

q q q

q q q W 21 Ruckman Avenue Woodcliff Lake, NJ 07677 U S A

phone: 201-391-3519 e-mail: [email protected]: www.williamvollinger.com

THE TORRENT poem by Jenny Joseph ©2009 The torrent blasts through the gorge Exhilarating, dangerous, beyond death. Only what is native to this element Survives in the airless seethe of its champagne. Its plumey spray explodes at the mile-high wall And smoke from its rebound fills in the abyss; It moistens the top of the cliff, greening the lip Of the dark arid plateau, where some people stand. They are drawn to look through the boil into the entrails. Mist swirls and thickens, veiling from the humans The core of power, knowledge of which is death. The shaft of a spotlight makes a bright cone of it. Those at the base looking into its eye Are held by the luminous point. Outside, There’s not even nothing. There is no beyond. The light extinguished or shattered, we are left Blind on a platform at cliff-edge of dark. No place that we can know is there, to move to. And with that néant comes paralysis. There is no air a human being can breathe. Keep breathing, though; small movements within that circle Will push blood through your veins until you can raise Your eyes to face the blank, and begin to make out. Where dark thins to a gloom, how, gradually, Like a dimmer turned up strengthening the light. Like a blush filling the skin, air permeates. Evenly, slowly, colour suffuses perspective Through which a body can move. Miles from the Falls Water spills to the plain And widens over the levels.

Walk out of your house one morning into the town Into the blue – no mark to fix dimension As a place to be under. It is just the air. Scarce visible, comes to your sight by chance The only wisp in the whole unweighty sky: Half-moon at zenith high in the azure stationed. Curve of nail cuticle strengthens like a rind hardening, The infill’s diaphanous, a fragment of stippled veil Transparent threads the wind might move but doesn’t. No personal appointment or passionate need Has drawn you here, this day like a holiday, A day that sheds On nothing very lovely, no Towers of Strength, On nothing exceptional or desirable – Benevolence. A grubby woman heaves herself off the bus and hobbles away. A well-dressed Jamaican youth turns and approaches: ‘Excuse me’. ‘Yes?’ anxiously; peering. ‘Your scarf’. Not hearing: ‘My -- ?’ ‘You left your scarf on the bus. I picked it up. And then I couldn’t see you.’ ‘Oh thank you. Thank you’ flinging out hands as if to welcome a child ‘It’s very special. I’m so glad not to have lost it. How very good of you.’ The young one crosses the road, laughingly they gesture their goodbyes The shafts that beam from their eyes meet through dense traffic, exchanging pleasure, Conspiring in love. The day begins to tire. The shops are crowded. Two people weave across the road to the chemist She turning back to shepherd him, whose habit (Supporting her) makes him reach for her elbow. Thick stockings wrinkle into outsized plimsolls. His face is large and mottled. Somehow they get Into the chemist’s. They apologize

To people who block their way; you follow in. He worries he let the door bang in your face Turns back to hold it for you now. ‘So sorry To push in front’ ‘Oh no you didn’t’ ‘Did the door Hit you? How rude of me!’ ‘No, not at all’ ‘I do apologize.’ You want to tell him – but he’s ambled off To find his wife or the things they’ve come to purchase. Charisma is not looks or voice or witchcraft. But a grace of attention, irresistibly attractive, Affectionate regard, a cherishing. You want to see them again, to know them a little. A few pleased words and courtesies to the till girl Then clutching their packages and each other’s hands Swaying in tandem zig-zag they cross the road. He turns unsteady at the kerb and in triumph Thumbs up to the other side, a radiance Of concern and tenderness and pleasure in it. And those who see it know it is for them. The ruinous force, leashed by the gorge it has made, Thundering through the mountains becomes the great river, An artery feeding a land where people can live.

&&

V?

&?

44

44

44

44

44

44

44

43

43

43

43

43

43

43

44

44

44

44

44

44

44

Sopranos

Altos

Tenors

Basses

Narrator

Piano

Ó Œ ‰ jÛTHE

!!

!

!

!!

q = 80 throughout Û .Û Œ ÓTOR RENT

!!

!

!

!wwww## >

Ó ‰ jÛThe

Ó ‰ jœThe

!

Ó ‰ jœrrrr

Œ œ œ# œ# œ Œee uh huh

!wwww

let ring

roll "r"s

f

ff wild

wild

wild

Û Û Û ‰ Û Ûtor rent blasts through the

œ œ œN œ œ œ œ#tor rent blah ah asts through the

œ œ# œ# œ Óee uh huhœ œ œ ‰ jœ

rrrr


!!

TACET TO MEAS. 93

"the voice of the poem, not the narrator" --J.J.

f wild

- -

-

- -

-

- - -

--

&

&

V?

44

44

44

44

44

43

43

43

43

43

44

44

44

44

44

S

A

T

B

N5 Û ‰ jÛ Û Û Û Û Œ

gorge Ex hil a ra ting,œ œ ‰ jœ œ œ œ# œ œ œ œ œgorge ex hil a rat ing hil a rat ing

œ œ# œ# œ Œ Óee uh huhœ ‰ jœ œ œ œ œ Œ

ex hil a ra ting,

Œ œ œ# œ# œ Œ œ œ œ œee uh huh ee uh huh

Û Û Û Œ ‰ jÛdan ge rous, beœ œ œ Œ ‰ jœee yuh huh dumm

œ œ# œ# œ Œ ‰ JÛee uh huh be

œ œ œ Œ ‰ jœdange rous dumm


spoken

p

p

p

Û ‰ Û ‰ Óyond death.

œ œ# .œ ‰dumm dumm

Û ‰ Û ‰ Óyond death

œ œ .œ ‰dumm dumm

!

- -- -- - -

- - - -

- - -

- - - -

- - - - - - - -

- -

- -

-

- - -

poem by Jenny Joseph ©2009music by William Vollinger ©2012e-mail: [email protected]

THE TORRENTduration: 10 min.

NOTES: This piece may be performed either by a choir with solos or madrigal quartet (in which case sneak breaths as possible). The narrator should be louder than the choir (except for character solos at end) and probably use a microphone. The narration should be done naturally (not sprechstimme), smoothly (not mechanically) and rhythmically approximate.The words have been hyphenated more phonetically (as they really sound) as opposed to the dictionary hyphenation.Accent marks serve two purposes, as actual accents, but also to not use trickier meters like 7/8 etc.

&

&

V?

43

43

43

43

43

44

44

44

44

44

S

A

T

B

N8 Û Û ‰ Û Û Û Û ‰ Û

On ly what is na tive to

œ œ ‰ œ# œ œ œ ‰ œon ly what is na tive to

!œ œ ‰ œ# œ œ œ ‰ œrrrr rrrr to

œ œ Œ œ œ# œ# œ Œon ly ee uh huh

f

f

f

jÛ ‰ Û Û Û ‰ jÛthis e le ment Sur

œ œ œ# œ ‰ jœthih ee uh huh sur

œ œ# œ# œ Œ œ œ œ œee uh huh ee uh huh

œ œ œ# œ ‰ jœthis ee uh huh sur


f

Û ‰ Û Û Û Û Ûvives in the air less seethe

œ ‰ œ# œ œ œ œ œ œ œvives in the air leh zzz

Œ œ œ# œ# œ Œ œ œ œ œee uh huh ee uh huhœ œ# œ œ œ œ œ œ œ

vives in the air leh zzz

œ œ# œ# œ Œ œ œ œ œ Œee uh huh ee uh huh

-- - - - -

- - - -

- - - - -- - -

- - -

- - - -

- - -

- -

-

-

&

&

V?

S

A

T

B

N11 ‰ Û Û Û Û Œ

of its cham pagne.

œ œ# œ œ œ œ ˙cham pagne

Œ œ œ# œ# œ Œ .œ. œ.ee uh huh ploom ploom

œ# œ œ œ œ œ ˙#cham pagne

œ œ# œ# œ Œ œ Jœ# Jœ.ee uh huh plode ex

F

F

Œ ‰ jÛ Û Û Û ÛIts plu mey spray ex

Œ ‰ jœ œ œ œ œvoo voo voo voo ex

.œ. œ. .œ. œ. .œ. œ. .œ. œ.ploom ploom ploom ploom ploom ploom ploom ploom

Œ ‰ Jœ œ# œ œ œIt's plu mey spray ex

œ# œ œ œ. œ œ œ œ.plode ex plode ex

F

F- - -

- -

- -

-

- -

- - -

-

2

&

&

V?

43

43

43

43

43

S

A

T

B

N13

jÛ>

‰ Û Û Û>

Û Û ‰ Ûplodes at the mile high wall And

Jœ# > ‰ œ œ œ œ œ ‰ œplodes voo voo voo voo voo voo

.œ. œ. .œ. œ. .œ. œ. .œ. œ.ploom ploom ploom ploom ploom ploom ploom ploom

Jœ# > ‰ œ œ œ œ œ œ œplodes eee

œ# œ œ œ. œ œ œ œ.plode ex plode ex

Û Û Û Û Û Û Û ‰ Û Ûsmoke from its re bound fills in the a

œ œ œ œ# > œ œ œ Œvoo from it's re bound fills in

.œ. œ. .œ. œ. œ. œ. Œploom ploom ploom ploom ploom ploom

œ# œ œ Jœ ‰ œ œ Œfills in

œ# œ œ œ. œ œ# ‰ œ œplode ex plode the a

SOLOdark P

- - -

-

-

- - -

&

&

V?

43

43

43

43

43

44

44

44

44

44

43

43

43

43

43

44

44

44

44

44

S

A

T

B

N15

jÛ ‰ Œ ‰ jÛbyss; It

Ó ‰ JœIt

Ó ‰ jœIt

Ó ‰ JœIt

˙# ‰ jœbyss; It

TUTTI

f

f

f

f

Û Û Û Û Û Û jÛ ‰ Œ3 3

moi stens the top of the cliff,œ# œ œ# œ# œ œ Jœ ‰ Œ3

3

moi stens the top of the cliff.

œ œ œ œ œ œ jœ ‰ Œ3 3

moi stens the top of the cliff,œ# œ# œ œ œ œ Jœ ‰ Œ3

3

moi stens the top of the cliff,

œ œ# œ# œ œ œ jœ ‰ Œ3 3

moi stens the top of the cliff,

Û Û Û jÛ ‰ ‰ Û Û3

green ing the lip Of theœ# œ œ# Jœ. ‰ ‰ œ# œn3

greep dih dih

œ jœ. ‰ ‰ œ œgreep ooœ# œ# œ jœ. ‰ ‰ œ# œn

3greep dih dihœ œ# œ# jœ. ‰ ‰ œ œ

3green ing the lip oo

- -

-

- -

-

-

- -

- -

3

&

&

V?

44

44

44

44

44

S

A

T

B

N18 Û ‰ Û Û Û Û Œ

dark a rid pla teau,

œ# ‰ œ# œ œ œ Œdark a rid pla teau

. .˙# " rœooœ# ‰ œ# œ œ œ Œ

dark a rid pla teau

. .˙# " rœnoo

P

P

P

P

Œ Û Û Û>

Û Û ‰where some peo ple stand.

Œ œ# œ œ# œ œ ‰some some peo ple stand

. .˙# " rœoo

Œ œ# œ œ# œ œ ‰some some peo ple stand

. .˙# " rœnoo

Ó Û Û .Û ÛThey are drawn to

Ó œ# œ .œ# œdrawn drawn drawn look

. .˙# " rœoo

Ó œ# œ .œ# œdrawn drawn drawn look

. .˙# " rœnoo

- - -

-

-

-

-

-

-

&

&

V

?

S

A

T

B

N21 Û Û Û Û Ó

3

look through the boil

œ œ œ œ œ œ œ Œ3

look look the boil

.˙# Œ

œ œ œ œ œ œ œ Œ3

look look the boil

.˙# Œ

Û Û Û Û Û Ó3

in to the en trails.

œ. œ# . œn . œ# . œn . Ó3

bee uh duh bee uh

œ# . œ. œ. œ. œn .Ó3

bee uh duh bee uh

œ. œ# . œn . œ# . œn . Ó3

bee uh duh bee uh

œ# . œ. œn . œ. œ# . œn > œ> œ> œ> œ# >3 3

bee uh duh bee uh in to the en trails

back of throat

back of throat

back of throat

back of throat

P

P

P

F

Û Œ Û ‰ jÛMist swirls and

œ œ# .œ œ œ. œ œ œzz uh zz

œ Œ œ# œ ‰ œ#Mist swirls thic

œ Œ œ# œ ‰ œMist swirls thic

‰ jœ .œ œ# œ œ œ# . œwoo uh woo

p

p

p

p

- -

- -

- -

-

-

- - -

- - -

- -

-

-

4

&

&

V?

S

A

T

B

N24 Û Û Œ Û Û ‰ Û Û

thic kens, veil ing from the

.œ œ œ. œ# œ œ .œ œuh zz

œ# œ Œ œ œ ‰ œ œthic kens veil ing from the

œ# œ Œ œ œ ‰ œ œthic kens veil ing from the

.œ œ# œ œ œ# . œ .œ œuh woo

Û Û ‰ Û Û ‰ jÛhu mans The core of

œ. œ# œ œ .œ œ œ. œuh zz uh zz

œ# œ ‰ œ .œ Jœhu mans the core of

œ# œ ‰ œ# .œ JœNhu mans the core of

œ œ œ# . œ .œ œ# œ œuh woo

ƒ bring out

F

Û Û Œ Û Û Û jÛ ‰3

pow er, know ledge of which

œ œ# .œ œ œ. œ œ œuh zz

œ œ œ œ Œ œ œ œ jœ ‰3

pow er pow er know ledge of whichœ# œ œ œ Œ œ œ# œ# Jœ ‰3pow er pow er know ledge of which

œ# . œ .œ œ# œ œ œ. œuh woo uh woo

F

- - - - -

- -- - -

- - - - -

-

-

&

&

V?

S

A

T

B

N27 ‰ jÛ Û

>Ó

is death.

œ œ .˙is death

‰ Jœ .˙is death

‰ Jœ .˙nis death

œ œ .˙is deh

Sp

Sp

Sp

Sp

Œ ‰ jÛ Û Û Û Û Û3

The shaft of a spot light

Œ ‰ Jœ œ jœ ‰ah ee uh

Œ ‰ Jœ œ# œ œ œ œ3The shaft of a spot light

Œ ‰ Jœ œ œ œ# œ œ3The shaft of a spot light

w

F

F

SOLO f‰ Û Û jÛ ‰ Û

>Û Û

3

makes a bright cone of it.œ jœ ‰ œ jœ ‰ee uh ee uh

‰ œ œ Jœ ‰ œ# œ œ3

makes a bright cone of it

‰ œ œ# Jœ ‰ œ œ œ3

makes a bright cone of it

w stagger breathing

~~~~~~~~~~~ ~~~~~~~~~~ ~~~~~~-

-

-

5

&

&

V?

S

A

T

B

N30 Ó Û Û Û jÛ ‰

3

Those at the baseœ jœ ‰ œ jœ ‰ee uh ee uh

Ó œ œ œ# jœ ‰3

Those at the base

Ó œ œ œ# Jœ ‰3

luh luh luh love

w

‰ Û Û Û Û Û Û ‰ ‰ Û3 3

look ing in to its eye Areœ jœ ‰ œ jœ ‰ee uh ee uh

‰ œ œ œ œ œ# œ ‰ ‰ œ3 3

eye eye eye eye eye eye are

‰ œ œ œ# œ œ# .œ jœ3

3look ing in to its eye are

w

Û ‰ Û Û Û Û Û jÛ ‰3

held by the lum i nous point.œ jœ ‰ œ jœ ‰ee uh ee uh

wheld

œ ‰ œ œ œ œ œ œ3

held by the lum i nous point

w

Ó Û Û ŒOut side,

!

˙ œ# . œ. Œout side

˙ œ# . œ. Œout side

˙ œ# . œ. Œdum dum

p

pp

f

f

-~~~ ~~~~~~~~~~~ ~~~~~~~~ ~~~~ ~~~ ~~~~~~~~~~- - - -

- -

-

- - -- - -

&

&

V?

43

43

43

43

43

44

44

44

44

44

S

A

T

B

N34 Û Û Û Û Û

>Û Œ

There's not e ven no thing.

!

œ. œ. œ. œ. œ œ ŒThere's not e ven no thing

!

œ# . œ. œ. œ. œ. œ. Œdum dum dum dum dum dum

Œ Û Û Û ‰ Û Û>

There is no be yond.

!

Œ jœ# .‰ Ó

there

!

Œ jœ. ‰ jœ# . ‰ Œthere is

#

#

Ó ‰ jÛThe

Ó ‰ jœooo

Ó ‰ jœooo

Ó ‰ jœ.dun

Ó ‰ jœ.dun

p

p

pp

TUTTI

.Û Û Û Û Û Û Û Œ3

light ex tin guished or shat tered,

.˙ Œ

.˙ Œ

.œ. œ. œ. œ. œ. œ. œ. Œ3

dun dun dun dun dun dun dun

.œ. œ. œ. œ. œ. œ. œ. Œ3

dun dun dun dun dun dun dun

-

~~~~- - - - -

- -

6

&

&

V

?

S

A

T

B

N38 Û Û Û Œ Û

>‰ Û Û

3

we are left Blind on a

.˙ Œooo

.˙ Œooo

œ. œ. œ. Œ œ> ‰ œ. œ.3dun dun dun blind dun dun

œ. œ. œ. Œ œ> ‰ œ. œ.3

dun dun dun blind dun dun

Û Û ‰ Û Û Û ‰ Ûplat form at cliff edge of

.˙ Œooo

.˙ Œooo

œ. œ. ‰ œ. œ. œ. ‰ œdun dun dun dun dun of

œ. œ. ‰ œ. œ. œ. ‰ œdun dun dun dun dun of

Û Œ Û Û " Û Û Ûdark. No place that we can

.˙ Œooo

.˙ Œooo

œ> Œ œ. œ. " œ. œ. œ.dark dun dun dun dun dun

œ> Œ œ. œ. " œ. œ. œ.dark dun dun dun dun dun

Û ‰ jÛ Û ‰ jÛknow is there, to

.˙ Œooo

.˙ Œooo

œ> ‰ Jœ œ> ‰ Jœknow is there ee

œ> ‰ jœ œ> ‰ jœknow is there oo

- -

&

&

V

?

43

43

43

43

43

44

44

44

44

44

43

43

43

43

43

44

44

44

44

44

S

A

T

B

N42 Û jÛ ‰ Ó

move to.

.˙ Œoo

.˙ Œooo

œ œ œ œ œ œ œ œee

œ œ œ œ œ œ œoo

‰ jÛ Û Û Û Û ‰And with that né ant

‰ jœ œ œ œ œ ‰duh duh duh duh duh

‰ jœ œ œ œ œ ‰duh duh duh duh duh

œ œ œ œ œ œ

œ œ œ œ œ œ

Û ‰ jÛ Û Û Û Œcomes pa ra ly sis.

œ ‰ jœ œ Œcomes duh duh

œ ‰ jœ œ œ œ Œcomes pa ra ly sis

œ œ œ œ œ œ œ œ


stagger breathing

stagger breathing

Œ ‰ jÛ Û ÛThere is no

Œ ‰ jœ œb œThere is no

Ó œis

œ œ œ œ œ œ

œ œ œ œ œ œ

--- -

- - -

7

&

&

V

?

44

44

44

44

44

S

A

T

B

N46 Û

>‰ jÛ Û Û Û Û ‰

air a hu man be ing

œb ‰ jœ œ œ œ œ ‰air a hu man be ing

œ Œ œ œ œ ‰air hue be ing

œ œ œ œ œ œ œ œ(ee)

œ œ œ œ œ œ œ œ(oo)

Œ Û>

Û Œcan breathe

Œ œb ˙can breathe

Óbreathe



!

˙ Ó

˙ Ó

œ# œ œ œ œ œ œ œ

œ œ# œ œ œ œ œ œ

P

P

Û>

‰ Û Û jÛ ‰ ŒKeep brea thing, though;

œn . ‰ œ# . œ# jœ. ‰ ŒKeep brea thing, though;

œ. ‰ œ. œ# . jœ. ‰ ŒKeep brea thing, though;



P

P

- - -

- -

-

-

-

&

&

V

?

S

A

T

B

N50

jÛ ‰ Û Û Û Û Û Û Û3

small move ments wi thin that cir clejœ. ‰ œ# . œ# . œ. œ. œ. œ. œ.3

small move ments wi thin that cir cle

jœ# . ‰ œ. œ. œ. œ# . œ. œ. œ.3

small move ments wi thin that cir cle

œ# œ œ œ œa œ œ œ(ee)

œ œ# œ œ œ œa œ œ(oo)

‰ Û Û ‰ Û ‰ Û ÛWill push blood through your

‰ œ. œ. ‰ œ# . ‰ œ# . œ.Will push blood through your

‰ œ. œ# . ‰ œ. ‰ œ# . œ.Will push blood through your



Û ‰ jÛ Û Û Û Û Û3

veins un til you can raise Your

œ ‰ jœ# œ# œ œ œ œ3


œ# ‰ jœ# œ œ œ œ œ3




- - -

- - -

- - -

-

-

-

8

&

&

V

?

43

43

43

43

43

S

A

T

B

N53 .Û Û .Û Û jÛ ‰ Œ

eyes to face the blank,

.œ# œ .œ# œ Jœ ‰ Œeyes to face the blank,

.œ œ# .œ œ jœ ‰ Œeyes to face the blank,

œ œ# œ œ œ œ œ œ(ee)

œ# œ œ œ œ œ œ œ(oo)

F

F

Û Û Û Û Û Û ‰ ‰ Û3

and be gin to make out. Whereœ# œ œ# œ# œ œ ‰ jœ3eee Where

œ œ œ œ œ œ ‰ jœ#3

and be gin to make out. ooo

œ œ œ œ# œ œ œ œ


P

P

Û Û Û Û Û Œ3

dark thins to a gloom,

œ œ œ œ œ Œ3

dark thins to a gloom,

œ œ# œ# œ œ Œ3



jÛ ‰ Û Û Û Œ ‰ Û Û3 3

how, gra dual ly, Like aœ# œ œ# œ# Ó3

ahh

jœ ‰ œ œ œ Œ ‰ œ œ#3 3

how, gra dual ly, Like a



F -- -

- - -

&

&

V

?

43

43

43

43

43

44

44

44

44

44

S

A

T

B

N57 Û Û Û jÛ

>‰

dim mer turned up

œ# œ# œ œdim mer turned up

œ œ# œ# œ#dim mer turned up

œ œ Ó

œ# œ Ó

Û Û Û Û jÛ ‰ Œstreng the ning the light.

œ œ# œ# œ .œ# ‰streng the ning the light.

œ# œ œ œ# .œ# ‰streng the ning the light.

œ# œ œ# œ# .œ ‰streng the ning the light

œ# œ œ# œ# .œ ‰streng the ning the light

f

f

f

fÛ Û Û ‰ Û Û Û jÛ ‰

3

Like a blush fil ling the skin,

œ ‰ œ# ‰ œ ‰ œ# ‰blush blush blush blush

œ œ# œ œ#mmm mmm

œ# œ œ# œmmm mmm

œ ‰ œ# ‰ œ ‰ œ ‰boom boom boom boom

p

p

p

p

warm

warm

warm

warm

-

- -

- -

- - -

-

- - -

- -

9

&

&

V?

42

42

42

42

42

44

44

44

44

44

S

A

T

B

N60 Œ jÛ

>‰ Û Û Û Œ

3

air per me ates.

œ ‰ œ# ‰ œ œ# œ Jœ ‰3

blush blush per me ates e

œ œ# œ œ# œ œ3

mmm

œ# œ œ# œ œ œ3

mmm

œ ‰ œ# ‰ œ œ# œ Jœ ‰3

boom boom boom boom boom boom

ÓJœ# ‰ Jœ ‰

ven ly

œ# œ

œ œ#jœ ‰ jœ# ‰

boom boom

Û Û Û Œ Û Û Œ3

E ven ly, slow ly,

œ œ# œ œ Jœ .œ#3

ah ah

œ œ# œ œ jœ .œ#3

E ven ly, slow ly

œ# œ œ œ jœ .œ3

E ven ly, slow ly

œ. œ# . œ. Œ œ œ# Œ3

boom boom boom boom

- -- - -

- - - -

- - -

- - -

&

&

V

?

S

A

T

B

N63 Û Û ‰ Û Û Û Û

3

co lour suf fu ses per

œ œ# œ œ# œ œ œ3

ah ah

œ œ# œ œ# œ œ œ3

co lour suf fu ses per

œ# œ œ œ œ# œ œ3

co lour per spec tive per

œ œ# œ œ œ œ œ3

boom boom boom boom boom boom

legato

legato

legato

legato

Û Û Œ ‰ Û Û Û3

spec tive Through which a

œ# ˙ ‰ œ œ# œ3

ah

œ# ˙ ‰ œ œ# œ3

spec tive through which a

œ ˙# ‰ œ œ œ3

spec tive ooo

œ ˙ ‰ œ œ# œ3

boom boom boom boom boom

F

F

F

F

Û Û Û Û>

Œbo dy can move.

œ œ# œ# œ œ œ#

œ œ# œ# œ œ œbo dy can move

œ# œ œ œ œ œ#move

œ œ œ# œ œ œboom boom boom boom boom boom

- -- - - -

- - - - -

- - - - -

-

10

&

&

V?

S

A

T

B

N66 !

˙ Ó

˙ Ó˙ Ó˙ œ> œ# œ#

3

Miles from the

f

f

Ó Û Û Û Û3

Miles from the

Ó œ> œ œ# œ#3

Miles from the

Ó œ# > œ œ œ#3

Miles from the

œ>

œ# œ# ˙3

Miles from the Falls

˙ œ œ# œ#3

Falls Miles from the

f

fÛ Œ Û Û Û Û Û

3

Falls Wa ter spills to the

.œ ‰ œ œ œ# œ# œ3

Falls Wa ter spills to the

.œ# ‰ œ œ# œ œ# œ3

Falls Wa =ter spills to the

œ œ# œ# ˙3


˙ œ œ# œ#3


Û ‰ jÛ Û Û Û ‰plain And wi dens

œ ‰ Jœ# œ# œ œ ‰plain And wi dens

œ ‰ jœ# œ# œ œ ‰plain And wi dens

œ œ# œ# ˙3


˙ œ œ# œ#3


- -

- -

- -

&

&

V?

43

43

43

43

43

S

A

T

B

N70 Û Û Û Û Û Ó

3

o ver the le vels.

œ œ# œ# œ# œ ˙3

o ver the ooo

œ# œ œ œ œ# Ó3

o ver the le vels

œ œ# œ# Ó3

Miles from the

œ .˙Falls. ooo

P

P

!w

!

!

w

p

p

pure like the sky

pure like the sky

Ó ‰ jÛ Û Û Û3

Walk out of your

wÓ ‰ jœ œ# œ œ3

Walk out of your

Ó ‰ jœ œ# œ œ3

Walk out of your

w

stagger breathing

stagger breathing

P

PSOLO

(tutti)

Û Û Û Û Œ Û Û Û3

house one mor ning in to the

w

œ# œ œ# œ Œ œ œ œ3

house one morn ing in to the

œ# œ œ# œ Œ œ œ œ3

house one morn ing in to the

w

- - - -

-

- - - -

- -

11

&

&

V?

43

43

43

43

43

44

44

44

44

44

43

43

43

43

43

S

A

T

B

N74 Û Œ Û Û Û

3

town In to the

œ Œ œ œ# œ3

In to the

˙ œ œ œ#3town in to the˙ œ œ# œ3

town In to the

.˙

P( )

Û>

Œ Û Û ‰ Ûblue no mark to

˙ œ œ# œ œblooo

wblooo˙ œ œ# ‰ œ

blue no mark to

w

p

P

TUTTI

pure like the sky

.Û Û Û Û ‰ Û Ûfix di men sion As a

.œ# œ# œ œ œ œ œ#

.˙

.œ# œ# œ œ ‰ œ œ#fix di men sion As a

.˙

.Û Û Û Û>

Û ‰place to be un der.

.œ œ œ œ# œ#

.˙

.œ œ œ œ# jœ# ‰place to be un der

.˙

stagger breathing

-- - - -

-

- - -

-

-

&

&

V?

44

44

44

44

44

S

A

T

B

N78 Œ ‰ Û Û .Û Û

It is just the

Œ ‰ œ# œ .œ œ#It is just the

.˙Œ ‰ œ# œ .œ œ#

It is just the

.˙

P

Û>

Œ Óair.

œ Œ Óair.

w

œ Œ Óair.

w

Û Û Û Û Œ Û Û Û3 3

Scarce vis i ble, comes to your

!

wœ œ# œ# œ Œ œ# œ œ3 3

Scarce vis i ble, comes to your

w

F

Û Û Û ‰ Û Û Ûsight by chance The on ly

!

wœ# œ œ# ‰ œ œ œ#

sight by chance The on ly

w

-

-

- -

- -

12

&

&

V?

43

43

43

43

43

44

44

44

44

44

S

A

T

B

N82 Û ‰ Û Û .Û Û Û Û

wisp in the whole un weigh ty

Jœ. ‰ Œ Ówisp

wœ ‰ œ œ# .œ œ œ# œ#

wisp in the whole un weigh ty

w

PSOLO

Û>

Ósky:

!

.˙

œ Ósky:

.˙

TUTTI

jÛ Û Û Û Û ‰ jÛ>

Half moon at ze nith high

Jœ œ# Jœ œ# œ ‰ œHalf moon at ze nith ha

!

wooo

w

p

F

pure like the sky

‰ Û Û Û Û Û Û Œin the a zure sta tioned.

œ œ# œ# œ# œ œ# œ# Œ

!

ww

stagger breathing

-

-

- - - - -

-

- -

&

&

V?

S

A

T

B

N86 Œ Û Û jÛ ‰ Û Û Û

3

Curve of nail cu ti cle

wooo

Œ œ œ# Jœ ‰ œ œ œ3Curve of nail cu ti cle

wŒ œ œ# jœ ‰ œ œ œ3

Curve of nail cu ti cle

p

P

P

Œ Û Û ‰ Û Û Ûstreng thens like a rind

wŒ œ œ# ‰ œ œ œ

streng thens like a rind

wŒ œ# œ ‰ œ œ œ

streng thens like a rind

Û Û Û Œ Û Û>

Û " Ûhar den ing, The in fill's di

wœ# œ œ Œ œ œ .œ# œ#

har den ing The in fills di

wœ œ# œ ‰ ‰ œ# œ# .œ œ#

har den ing The in fills di

- -

~~~

~~~

- - - - -

- - - - - - -

- - - - - - -

13

&

&

V?

S

A

T

B

N89 Û Û Û Œ ‰ jÛ Û Û Û

3

a pha nous, a frag ment of

Ó Œ Jœ. ‰wisp

wahh

Jœ. ‰ Œ Ówisp

œ# œ œ œ ‰ Jœ œ œ œ3

a pha nous a frag ment of

p

P

P

same soloist as m. 82

SOLO

bring out

Û Û Û Œ ‰ jÛstip pled veil Tran

Œ Jœ. ‰ Ówisp

w

Jœ. ‰ Œ Ówisp

œ œ œ# œ ‰ Jœstip pled veil Tran

Û Û .Û Û Û Û Ûspa rent threads the wind might move

Œ Jœ. ‰ Œ Jœ. ‰wisp wisp

w

Jœ. ‰ Œ Jœ. ‰ Œwisp wispœ# œ .œ œ œ œ œspa rent threads the wind might move

‰ . rÛ Û Û Óbut does n't.

!

˙ Ó

Œ Jœ. ‰ Ówisp

‰ . œ œ# œ Óbut does n't.

- - -- - - -

- - - - - - -

&

&

V?

&?

S

A

T

B

N93 Œ ‰ jÛ Û Û Û Û Û Û

No per so nal ap point ment

œ œ# Œ Ódoes n't.

!

!

!

Œ ‰ jœb œb œ œ œ œ œÓ œb œ œb

Piano P legato without pedal

$‰ jÛ Û Û Û Û ‰ jÛ

or pas sio nate need Has

!

!

!

!

‰ jœb œ œ œ .œb ‰Œ œb œN .œ Jœb

Û Û Û ‰ ‰ jÛ Û Û Ûdrawn you here, this day like a

!

!

!

!

œ œb œ ‰ Jœœb . œœb . œœ. œœ.

œb œ .˙

- - -- - -

-

14

&&V?

&?

S

A

T

B

N96 Û Û Û ‰ . rÛ Û Û Û ‰

ho li day, A day that sheds

!!!!

œœb . œœb . œœ. ‰ . Rœ ˙

˙b ‰ Jœ œœb

‰ Û Û Û Û Û Û jÛ ‰On no thing ve ry love ly,

!!!!

œœ œb œœb œ œ œ œœb œb..˙ Œ

‰ jÛ Û Û Û Û ‰ ‰ Û3

no Tow ers of Strength, On

!!!!

œb Œ jœ œb œ œ œ œœ ‰ Jœb3

‰ jœb jœ œœb œ œ œ œ œœ ‰ Jœb3

f P

-- - - - -

&

&

V?

&?

S

A

T

B

N99 Û Û Û Û Û Û ‰ Û Û Û Û Û

3 3 3

no thing ex cep tio nal or de sir a ble

!

!

!

!

œœb œ œ œœ œ œ ‰ œ œ œœœœn#gggg œ œ3 3 3

œœbb . ‰ œœ . ‰ Ó

ÓU ‰ Û Û ÛBe ne vo

ÓU ‰ œb œ œBe ne vo

ÓU Œ œb œne vo

ÓU Œ ‰ jœvo

ÓU ÓÓU ‰ œb œ œ

‰ œb œÓ Œ° ‰

jœ

P

P

P

TUTTI

TUTTI

rit

rit

rit

rit

rit

rit jÛ ‰ Œ Ólence.

wbleh

wbleh

wleh

wbleh˙b Ó˙b˙

*Ó˙b

P

- - - - - -

- -

- -

-

- - - -

-

15

&

&

V?

&?

S

A

T

B

N102 ‰ jÛ Û Û Û Û ‰ Û

>Û Û Û Û

3 3

A grub by wo man heaves her self off the

w

www

Ó ‰ œb > œ Œ3

‰ Jœb œn œb œ œ ‰ ‰ Jœb > œb > œœb œœœ3

3

p

p

p

p

F clumsy

Û ‰ ‰ Û Û Û Û jÛ ‰3

bus and hob bles a way.

w

www

!œœœbbb ‰ ‰ œ œœn# . œœ# . œœn . jœ# ‰3

stagger breathing

stagger breathing

stagger breathing

stagger breathing

‰ . rÛ Û Û " Û Û Û ÛA well dressed Ja mai can youth

w

www

!‰ . Rœb œœœb œb " œ œœ œ œœ

not clumsyP

-- - - - - - -

&

&

V?

&?

S

A

T

B

N105 Û ‰ Û Û Û Û Œ

turns and ap pro aches:

œ ‰ œb œ œ œ Œand ap pro aches:


œ ‰ œ œ œ œ Œand ap pro aches:


!œb œœ œœœb œœœœb œœœœ Ó

F

F

F

!!

!

‰ . Rœb œb œ Ó'Ex cuse me'.

!

!!

bring outSOLO

SOLO

Ó Û Û Û ‰an xious ly;

!

œ Œ Ó'Yes?'

!

!

!Ó œb . œ. œ. ‰

bring out

P

- -

-

-

-

-

- -

-

-

- -

-

16

&

&

V?

&?

S

A

T

B

N108 Û Û Œ Ó

peer ing.

!

!

Ó ‰ Jœb œ>'Your scarf'.

!

œ œb Œ Ó!

‰ Û Û Û ÓNot hear ing:

!

Ó ‰ jœb Œ'My ?'

!

!

Œ œ œb Ó‰ Jœb Œ Ó

!!

!

‰ œb œ œb œ œ œ Jœ ‰'You left your scarf on the bus.

!

!!

laughingly

- -

&

&

V?

&?

43

43

43

43

43

43

43

44

44

44

44

44

44

44

S

A

T

B

N111 !

!

!

‰ œ œ œb œb " œ œ œ œ œI picked it up. And then I could n't

!

!!

!!

Ó Œ œb œb ‰'Ohœb œ Œ Ó

see you.'

!

!!

!!

Œ œb œb Œthank you.

!

!

!!

Ó Û Û Û Û Ûfling ing out hands as

!

œb>œ œb Œ Ó

Thank you'

!

!

Ó Œ œb œÓ œb œ œ œ

realizing

-

-

17

&

&

V?

&?

42

42

42

42

42

42

42

44

44

44

44

44

44

44

S

A

T

B

N115 Û Û Û Û Û jÛ ‰ Œ

if to wel come a child

!

Ó Œ ‰ jœb'It's

!

!

œœb œ œœ œb œ ˙

˙ ˙

!!

œ œb œ œ ‰ œ œ> œbve ry spe cial. I'm so glad

!

!

!!

!!

œb œb œ œ œ ‰ œb œ œ3

not to have lost it. How ve ry

!

!

!!

!!

œ>

œb jœ ‰good of you.'

!

!

!!

-

- - -

&

&

V?

&?

44

44

44

44

44

44

44

S

A

T

B

N119 Œ ‰ jÛ Û Û Œ

The young one

˙b ˙ah gah

wbah

wah

wbahœœbb Œ Óœœb ‰ Jœ

œœœb œ Œ

F

F

F

F

F

TUTTI

TUTTI

Û Û Û jÛ ‰ Û Û Û Û3

cros ses the road, laughing ly they

.˙ œpay

wwbgah

˙ ˙gah

‰ ‰ Jœb . œœœœbb jœ œ œœ œœ jœ œ3

œb . œb . ‰ Œ jœN .œ jœNjœ

3

Û Û Û Û Û ‰ jÛges ture their good byes The

œ œ œb œ ‰ Jœtheir good byes ah

wgah

˙pay

wjœ œ œœb œœb œœ ...œœœbb Jœ

jœ œb œb œ .œ jœ

same soloist as m. 28-- - -

- -

18

&&V?

&?

43

43

43

43

43

43

43

S

A

T

B

N122 Û ‰ jÛ Û Û Û jÛ ‰

3

shafts that beam from their eyesœb jœb ‰ œ jœ ‰ee uh ee uh

ww˙ ˙b

payœb œœb œœœ œœœœb œ œ œœ œœœ œœœœ œ3 3

œb œœ œœœb œœœœb œ œ œœ œœœ œœœœ œ3 3

(mf)

.Û Û Û Û Û ‰ Ûmeet throughdense traf fic, exœb jœb ‰ ˙bee uh love

wbpay

wwœb œœb œœœ œœœœb œ œ œœ œœœ œœœœ œ

3 3

œb œœ œœœb œœœœb œ œ œœ œœœ œœœœ œ3 3

TUTTI

Û Û Û Û ‰ jÛ Û Û Û3

chan gingplea sure,Conspi ring in

w

˙lovew

love

˙ ˙bloveœb œœb œœœ œœœœb ‰ jœ œ. œ. œb .

3

œb œœ œœœb œœœœb ‰ Jœ œb . œ. œ.3

- -~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~~- - -

&

&

V?

&?

43

43

43

43

43

43

43

44

44

44

44

44

44

44

S

A

T

B

N125 Û Ó

love..˙love

.˙

.˙blove

.˙b

..œœ Jœœb œœb œœ

..˙˙bb

Œ ‰ jÛ .Û ÛThe day be

!

!

!

!..œœb œœb œœ œœ ..œœb œœ#

..œœbb Jœb .œ œN

Û Û Û Û ‰ " rÛgins to ti re. The

!

!

!

!

œœ# œœ# œœ œœ ‰ " rœœ#œ œ# œ œ ‰ " rœ#

P

.Û Û Û Û Óshops are crow ded.

!

!

!

!

..œœ# œœ# œœœœ# œ ˙

.œ# œ# œœœ# œ ˙

SOLO

SOLO

‰ Û Û Û .Û Û Û ÛTwo peo pleweave a cross the

‰ œ œ# œ .œ# œ œ œTwo peo ple doo doodoo doo

!

!

‰ œ œ# œ œ# œ œ œ œ œTwo peo ple weave dooww

ww#

P

P

sustain ped. slightly into each next chord

like a quiet bellp

- - - - -

-

-

19

&

&

V?

&?

S

A

T

B

N130 Û Û Û Û .Û Œ Û

>road to the che mist She

œ# œ œ# œ .œ Œ œ#doo doo doo She

!

!

œ# œ œ# œ .œ Œ œ#doo doo doo dooww##

ww##

FÛ Û .Û Û Û Û Û

>‰

tur ning back to shep herd him,

œ# œ .œ# œ œ# œ# œtur ning back to shep herd him

!

!.˙ œ>

himww##ww#

‰ Û Û Û ‰ Û Û Ûwhose ha bit (Sup por ting

.˙ Œ

!

!

‰ œ œ# œ# ‰ œ œ œwhose ha bit sup port ingww#

ww#

F

-- - - - -

- -

- - -

&

&

V?

&?

S

A

T

B

N133 Û

>Œ ‰ jÛ Û

>her) makes him

wher

!

!

œ> Œ ‰ jœ œ>her makes him

wwww#

Û Û Û Û Û Ó3

reach for her el bow.

œ# œ# œ œ œ# Ó3

reach for her el bow

!

!œ œ œ# œ# œ Ó

3

reach for her el bow

ww##ww#

Û Û Û Û .Û ‰ Û ÛThick stoc kings wrin kle in to

œ œ# œ# œ. œ# . œ. œ. ‰ œ œThick stoc kings wrin kle wrin kle in to

!

!

œ œ œ# œ# . œ. œ. œ. ‰ œ# œThick wrin kle wrin kle in to

ww##ww#

P

P

Û Û Û ‰ Û Û Û ‰out sized plim solls.

œ# œ# œ ‰ œ œ œ ‰out sized plim solls

!

!œ œ œ ‰ œ œ œ ‰out plim

wwww#

- - - - - -

-

- - - -

- - -

- - -

20

&

&V?

&?

S

A

T

B

N137 Œ Û

>Û ‰ jÛ Û

His face is large

Œ œ# œ# œ œ œ#woo large

!!

Œ œ# œ# ‰ jœ œHis face is large

ww##ww##

F‰ Û Û Û Ó

and mot tled.

‰ œ œ# œ# Óand mot tled

!!

‰ œ# œ# œ Ómot mot tled

ww##ww#

Û Û Û Û Œ Û Û Û3

Some how they get In to the

œ œ# œ œ Œ œ œ œ#3

some how ooo in the

!!

œ œ# œ œ Œ œ œ œ#3

ooo they get in to

ww#ww#

PÛ .Û Œ Û Û Û Û Û

3

che mist's. They a po lo gize

œ# .œ Œ ‰ jœ# œ œ œ3

che mist's a po lo gize

!!

œ# .œ Œ ‰ jœ œ œ œ3

che mist's a po lo gize

wwww#

- -- - - - -

--

- -

-

-

-

- - -

- - -

&

&

V?

&?

S

A

T

B

N141 ‰ jÛ Û Û Û Û Û Û ‰

3

To peo ple who block their way;

‰ jœ# œ œ# œ œ# œ œ#3

oo oo oo oo

!

!

‰ Jœ œ# œ# œ œ# œ# œ3

to peo ple who

ww##ww#

Œ jÛ ‰ Û Û Û ‰you fol low in.w

!

!

wŒ œ# - œ# - œ- œ-Œ œ# - œ# - œ- œ-

F

Ó ‰ jÛ Û Û Û3

He wor ries he

Ó ‰ jœ# œ œ# œ#3

oo oo

!

!

Ó ‰ Jœ œ# œ# œ3

He wor ries he

ww

Û Û Û>

Û Û Û jÛ>

‰3

let the door bang in your face

œ# œ œ# œ> œ œ jœ ‰3

oo oo bang in your face

!

!œ œ# œ# œ> œ œ Jœ ‰

3

wor ries door bang in your face

!Ó ˙˙˙˙##ggg >roll

down

- - -

- - -

21

&

&

V?

&?

43

43

43

43

43

43

43

S

A

T

B

N145 ‰ Û Û Û Û Û Û Û Û

Turns back to hold it for you now.

‰ œ# œ œ# œ# œ œ œ œmm hold it hmm

!

!

‰ œ œ# œ# œ œ# œ œ œmm hmm

!˙˙˙˙ Ó

!!

!

!

Œ œ# œ# œ ‰ œ#'So sor ry To

!!

bring outF out of breath

Ó ‰ jÛ .Û Û'Oh no you

!

!

!

œ# œ œ ‰ Ópush in front'

Ó ‰ jœ .œ# œ#!

bring out

Û Û Œ Ódid n't'

!

!

!

Ó .œ œ œ#'Did the door

jœ . .˙!

-

-~ ~

&

&

V?

&?

43

43

43

43

43

43

43

44

44

44

44

44

44

44

S

A

T

B

N149 !

!

!

!

Œ œ#>

œ ‰ Jœ#Hit you? How

!!

!!

!

!

œ# y y Œrude of me!'

!!

out of range

Û Û Û jÛ ‰ Ó'No, not at all'

!

!

!

Ó ‰ œ œ œ'I do a

œ œ# œ# .˙#!

Ó ‰ Û Û ÛYou want to

!

!

!œ œ# œ Œ Ó

pol o gize.'

Ó ‰ œ œœ# œœœŒ ‰ jœ# œ œ œœ# œœœ

---

22

&

&

V?

&?

S

A

T

B

N153 Û

>Û Œ Œ ‰ Û Û

tell him but he's

!

!

!

!

Jœœ## .œ Œ ‰ œ œwww#

Û Û Û " Û Û Û Û ‰am bled off To find his wife

!

!

!

!

œ# œ .œ œ# œ œœ# œœœ# ?

œœœ Œ œ œœ# œœœ#

Œ Û Û .Û Û Û Ûor the things they've come to

!

!

!

!

Œ œ œ# ..œœ œ# œ# œŒ .˙

Û Û Œ Ópur chase.

!

!

!

!jœ . .˙#w

ww

- -

&

&

V?

??

S

A

T

B

N157 !

Œ ‰ Jœ Jœ# .œCha ris ma

Œ ‰ jœ# jœ .œCha ris ma

Œ ‰ Jœ Jœ# .œCha ris ma

Œ ‰ Jœ Jœ .œCha ris ma

ww &

ww

F

F

F

F

TUTTI

TUTTI

warm & clear

warm & clear

warm & clear

warm & clear

!œ œ# œ# ˙#

is not looks

œ œ# œ ˙#is not looksœ œ# œ# ˙is not looks

œ œ œ ˙#is not looks

!!

!œ ‰ jœ ˙#

or voice

œ ‰ jœ ˙or voice

œ ‰ Jœ ˙#or voice

œ ‰ Jœ ˙or voice

!!

!œ ‰ jœ œn œ# Œ

or witch craft.

œ ‰ jœ œ œ# Œor witch craft.

œ ‰ Jœ œ œ Œor witch craft.œ ‰ Jœ œ œ Œor witch craft.

!!

P

P

PP

-

-

-

-

- -

- -

- -

- -

23

&

&

V

?

S

A

T

B

N161 !

Œ œ œ# ˙#But a grace

Œ œ œ# ˙But a grace



!œ œ œ# Jœ# .œ

of at ten tion,

œ œ# œ Jœ# .œof at ten tion,

œ œ# œ Jœ# .œof at ten tion,

œ œ œ# Jœ# .œof at ten tion,

f

f

f

f

!œ ‰ œ œ# .œ œ œ#

ir re sis ti bly

œ ‰ œ# œ .œ œ œ#ir re sis ti bly

œ ‰ œ# œ# .œ œ œir re sis ti bly

œ ‰ œ œ# .œn œ# œir re sis ti bly

FF

F

F

!œ ‰ jœ

jœ .œ#at trac tive,

œ ‰ jœ jœ# .œat trac tive,

œ ‰ Jœ Jœ .œat trac tive,

œ ‰ Jœ Jœ .œat trac tive,

- - - - -

- - - - -

- - - - -

- - - - -

- - -

- - -

- - -

- - -

&

&

V

?

&?

43

43

43

43

43

43

43

S

A

T

B

N165 !

œ ‰ jœ œ# œ .œ# œAf fec tio nate re

œ ‰ jœ œ# œ# .œ œAf fec tio nate re

œ ‰ jœ# œ œ .œ œAf fec tio nate re

œ ‰ Jœ# œ# œ .œ œAf fec tio nate re

!!

!.˙# ‰ Jœ

gard, a

.˙ ‰ Jœgard, a

.˙# ‰ Jœgard, a

.˙ ‰ Jœgard, a

!!

f

f

f

f

Ó Œ ‰ jÛYouœ# œ œ Jœ ‰ Œ

che ri shing.

œ œ œ Jœ ‰ Œche ri shing.

œ# œ œ Jœ ‰ Œche ri shing.

œ œ œ Jœ ‰ Œche ri shing.

Ó Œ ‰ jœb! P

ƒ

ƒ

ƒ

ƒ

Û Û Û Û Û Û ‰ ‰ Ûwant to see them a gain, to

!

!

!

!œœbb œ œœ œb œ ..œœ jœ

.œb jœb ˙b

- - -

- - -

- - -

- - -

-

- - -

- - -

- - -

- - -

24

&

&

V?

&?

43

43

43

43

43

43

43

44

44

44

44

44

44

44

S

A

T

B

N169 Û Û Û Û Û ‰ Œ

know them a lit tle.

!

!

!

!

œœ œ œb œ .œ œ..˙bb



‰ jÛ jÛ ‰ ÛA few pleased

‰ Jœb Jœ ‰ œhm hm

!

!

‰ jœb jœb ‰ œhm hm

‰ jœb œ œ œ œ3

‰ jœb œb œ œb

p

pÛ ‰ jÛ Û Û Û Û Û

3

words and cour te sies to the

œb ‰ jœ œb œ œ œ œ3

hm hm hm

!

!œb ‰ Jœ œ œ œ œ œ

3hm hm hm

œ œb œ œ ‰ jœ jœ>œb œb œb œ

3

œb œ œ œ Œ Ó

-- -

&

&V?

&?

S

A

T

B

N172 Û Û Œ Û

>Œ

till girl Then

œ œb Œ œb> ŒThen

!!

œb œ Œ œb> Œ

Then

Ó œb œœb

Ó ˙b

Û Û Û Û Û Û ‰ Û Û Û Û3 3

clut ching their pac ka ges and each o ther's

œ œb œ œ œ œ ‰ œ œb œ œ3

3

clut ching clut ching clut ching and each o ther's

!!

œb œ œ œb œ œ ‰ œ œ œ œ3

3clut ching clut ching clut ching o ther'sœb œœb œ œ œœ œœ ‰ ..œœ

3 3œb œb œ œ ‰ ..œœ3

P

P

Û Œ Û Û Û Û Û3

hands Sway ing in tan dem

˙ œb œb œ œ œ3hands sway ing sway ing

!!

˙ œb œ œ œ œ3

hands sway ing sway ing

˙ œb œb œ œ3˙bb œ œ œ œ3

-- - - - -

- - -

- - - -

- - -

- -

25

&

&

V?

&?

S

A

T

B

N175 ‰ jÛ

>Û>

" Û .Û Û jÛ ‰zig zag they cross the road.

‰ Jœ> œ> " œ .œb œ jœ ‰zig zag they cross the road

!

!

‰ jœb> œb> " œ .œ œ Jœ ‰zag zig they cross the road

‰ Jœ œ " œ .œb œ œ

‰ jœb œb " œ .œb œb œb

Œ ‰ jÛ Û Û Û Û Û ÛHe turns un stea dy at the

Œ ‰ jœb œ œ œ œ œ œturns turns un stea dy at the

!

!

Œ ‰ jœb œn œ œ œ œ œun steh un steh dee

w˙ ‰ œb . ‰ œ.

unsteady

unsteady

unsteady

p

p

jÛ ‰ ‰ Û Û Û Û ‰ Ûkerb and in tri umph Thumbs

jœ ‰ ‰ œ œb œ œb ‰ œkerb and in tri umph thumbs

!

!jœn ‰ ‰ œb œ œb > œ> œ> œ>

and in tri umph tri umph

Jœb . ‰ Œ œœb > œœœb > œœœœ> œœœœ

>

jœ.‰ ‰ œœb œœœb œœœœb > œœœœ> œœœœ> œœœœ>

f

f

-- - -

- - -

- - -

- -

&&V?

&?

S

A

T

B

N178 Û Û Û Û Û Û Œ ‰ jÛ

up to the o ther side, a

œb œ œ œb œ œ Œ ‰ jœup a

!!

œ œb œb œ œ œb Œ ‰ Jœup to the o ther side, aœœœœbbb œ œœ Óœb œ œ œ Œ ‰ Jœ

p

p

pÛ Û Û ‰ Û Û Û ‰ jÛra di ance Of con cern and

œ œb œ œ œ œ œ œ .œ Jœra di ance of con cern and

!!

œb œ œ œ œ .œb Jœra di ance of con cern and

Œ œb œœb ˙

Jœœb . .. .. .˙

warm

warm

warm

Û Û Û ‰ jÛ Û Û Û Û ‰ten der ness and plea sure in it.

œb œ œ œ œ œb œ œ œ ‰ten der ness and plea sure in it.

!!

œ œb œ œ œ œ œ œb œ ‰ten der ness and plea sure in it.

Œ œb œœb ˙b

Jœ . .. .˙˙b

- -- - - - -

-

- - - - - -

- - - - - -

26

&

&

V?

&?

S

A

T

B

N181 Œ ‰ jÛ Û Û Û Û ‰

And those who see it

Œ ‰ jœb œ œ œ œ ‰And those who see it



Œ ‰ Jœb œ œ œ œ ‰And those who see it

Œ œb œœb ˙

Jœ . .. .˙b

p

p

p

p

TUTTI

TUTTI

warm

warm

Œ Û>

Û Û ‰ Ûknow it is for

Œ œ œ œ ‰ œknow it is for




Œ œb œœb ...œœœ Jœ

Jœb . .. .˙b

jÛ ‰ Œ Óthem.

wbthemmm

wbthemmm

wbthemmm

wbthemmm.œb œ. œ. œ. œ. œ. œ. œ

!P playful

&

&

V?

&?

S

A

T

B

N

%

184 ‰ jÛ Û Û Û jÛ ‰ Œ3

The ru in ous force,

w

w

ww

‰ Jœœœbb œœœb œœœ œœœb ˙b

3

‰ Jœœœbb œœœbb œœœ œœœ ˙b

3Ï

Û ‰ Û Û Û Û Û jÛ ‰leashed by the gorge it has made,

.˙ Œ

.˙ Œ

.˙ Œ

.˙ Œœ œ œb œb ‰ ‰ œœœœb œœœœ œœœœb œœœœ œœœœ œœœ

œ œb œb œ ‰ ‰ jœœœbœœœb œœœ œœœ

œœœœb

Œ Û Û Û Û Û Û Û3

Thun de ring through the moun tains

Œ œb œ œ œb œ œ œb3








Œ œœœb œœœb œœœ œœœœbb œœœœ œœœœ œœœ3

Œ œœœœbbbggggg °œœœœggggg

œœœœbbggggg*

ƒ

ƒ

ƒ

ƒ

- -

-

-

-

-

- - -

- -

- -

- -

- -

27

&

&

V?

&?

S

A

T

B

N187 ‰ jÛ .Û Û Û Û Û

be comes the great ri ver,

‰ jœn .œ# œn œ# œ œbe comes the great ri ver,



‰ Jœn .œ# œn œ# œ œbe comes the great ri ver,

Œ œn œœn ˙#

Jœn > . .. .˙#

p

p

p

p

p

Œ ‰ jÛ Û Û Û Œ3

An ar te ry

œ ‰ jœ œ œ# œ# œ3

An ar te ry


An ar te ry


An ar te ryœ ‰ Jœ œ œ# œ# œ3

An ar te ry

Œ œ œœ ˙

Jœ# . .. .˙˙

Û Û Û jÛ ‰ ‰ jÛ Û Û Û3 3

feed ing a land where peo ple can

œ œ# œ# œ œ œ œ œ# œ3 3


œ œ# œ# œ œ œ œ œ# œ3 3


œ œ# œ# œ œ œ œ œ# œ3 3


œ œ# œ# œ œ œ œ œ# œ3

3feed ing a land where peo ple can

Œ œ œœ ˙

Jœ# . .. .˙

-

-

-

-

-

- - - - -

- - - - -

- - - - -

- - - - -

- - - - -

&

&

V?

&?

S

A

T

B

N190 Û Œ Ó

live.

wlive.

wlive.

wlive.

wlive.

Œ œ œœ ...œœœ# Jœ#

Jœ . .. .˙

!w

w

wwœ œ œ ‰ Œ œ œ

Œ ‰ Jœ# œ œŒ

(no ped.)

!w

w

ww

Jœ ‰ Œ œ œ œ ‰‰

œ# œ œŒ ‰ Jœ

!œ Œ Ó

œ Œ Ó

œ Œ Ó

œ Œ Ó

!œ Œ Ó$

niente

niente

niente

niente

28

Documents

for narrator, SATB choir or madrigal quartet & piano poem by …williamvollinger.com/pdf/Torrent.pdf · 2015-01-15 · for narrator, SATB choir or madrigal quartet & piano poem by