Upload
trinhthuan
View
223
Download
1
Embed Size (px)
Citation preview
Flute Sonata BWV 1032
by J. S. Bach
In A major
For Flute and Obligato Keyboard
Completed and typeset by Peter Billam
© Peter J Billam, 2000
This score may be freely photocopied, and redistributedin paper form. It may be freely performed to live audiences;performing rights are waived. It may not be redistributed in
electronic form, and all other rights, such as those of recordingand broadcast, remain reserved by the arranger, Peter Billam,
GPO Box 669, HobartTAS 7001, Australia.
This printing 13 December 2009.
http://www.pjb.com.au
Notice
You hav edownloaded a PDF filedirectly from www.pjb.com.au/mus/free/The files in this directory are out-of-date.
They were superseded about two years ago.They are no longer maintained.
You hav ebeen given an out-of-date URL :-(
Please consult:
www.pjb.com.au/mus/arr.htmlor
www.pjb.com.au/mus/arr/a4/or
www.pjb.com.au/mus/arr/us/
for up-to-date versions, available in achoice of A4 and US-Letter page sizes.
Flute Sonata BWV 1032
Johann Sebastian Bach has left us three flute sonatas with obligato keyboard parts.There are also two or three flute sonatas with continuo accompaniments; theauthenticity of one of these is contested.
The manuscript of the Sonata in A is titledSonata a 1 Traversa è Cembaloobligato di J. S. Bach in Bach’s handwriting. Itwas discovered by von Winterfeldin an antique shop in Breslau and presented to thePreuß. Staatsbibliotekin Berlin;during the second world war it was moved to the monastery of Grüssau in centralSilesia. Atthe end of the war, it was removed by the Polish government to theJagiellon University in Cracow, and in 1977 was presented to theDeutscheStaatsbibliotekin Berlin. The manuscript is written on nineteen staves, and apartfrom this sonata it also contains a concerto for two keyboards and string orchestra.The concerto occupies the top sixteen staves on each page, and, with typicaleconomy, the Sonata fills up the lowest three staves. Eightof the manuscript pagesare intact, but unfortunately, on six of the pages the lowest part has been cut away,so that we lack some forty-five bars at the end of the first movement.
Completions of the first movement have been published by Gustav Schreck(Peters), Georges Barrère (Boston), Alfred Dürr (Bärenreiter), William Bennett(Chester), and Bart Kuijken (Breitkopf u. Härtel). The copyright status of thesecompletions being unclear, this edition provides a new completion, bars 63 to 87,by Peter Billam.Also, since the manuscript leaves the right hand of the keyboardpart blank in bars 9, 10, 13, 14, 15, 25, 26, 27, and in the last beat of bar 37, thesebars have also been completed by Peter Billam.
Www.pjb.com.au also offers versions of this sonata transposed into C major forAlto recorder, and into G major for Descant recorder.
Peter J Billam
www.pjb.com.au/mus
3J. S. Bach
Flute Sonata, BWV 1032
Completion (bars 63−87) (c) 1999 Peter J Billam
Vivace44
44
4444
tr
5tr
10
tr
tr 15
Free from www.pjb.com.au !
4 J. S. Bach, Flute Sonata BWV 1032
Completion (bars 63−87) (c) 1999 Peter J Billam
tr
tr
20 tr
tr
tr
25
tr
30
Free from www.pjb.com.au !
5J. S. Bach, Flute Sonata BWV 1032
Completion (bars 63−87) (c) 1999 Peter J Billam
tr
tr
tr
35
40
45
Free from www.pjb.com.au !
6 J. S. Bach, Flute Sonata BWV 1032
Completion (bars 63−87) (c) 1999 Peter J Billam
50
55
Free from www.pjb.com.au !
7J. S. Bach, Flute Sonata BWV 1032
Completion (bars 63−87) (c) 1999 Peter J Billam
60
PJB . . .
65
Free from www.pjb.com.au !
8 J. S. Bach, Flute Sonata BWV 1032
Completion (bars 63−87) (c) 1999 Peter J Billam
70
tr
tr tr
75
Free from www.pjb.com.au !
9J. S. Bach, Flute Sonata BWV 1032
Completion (bars 63−87) (c) 1999 Peter J Billam
80
tr
tr
tr
85
tr
tr
tr
JSB . . .
tr
Free from www.pjb.com.au !
10 J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
Largo e dolce68
tr
68
tr
68
tr
tr
5
10 tr
tr tr
tr 15
Free from www.pjb.com.au !
11J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
tr
20 tr
25
30
tr
tr
35
Free from www.pjb.com.au !
12 J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
Allegro38
38
38
tr 5 tr
10
tr
15 20
tr
tr 25
30 tr 35
Free from www.pjb.com.au !
13J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
tr
tr
40 tr
tr
45
50
tr
tr
tr
55
tr 60
tr
tr
65
tr
tr
tr 70
tr
Free from www.pjb.com.au !
14 J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
75
tr
tr
80
tr
tr
85 tr 90
95
100
Free from www.pjb.com.au !
15J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
tr
105
tr
110 115
120tr
tr 125
tr tr
tr
130
tr
135
Free from www.pjb.com.au !
16 J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
tr tr 140
tr tr
tr tr
145tr
150
155
tr
160
tr
165
Free from www.pjb.com.au !
17J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
170
175
180 tr
tr
tr tr
185
190
tr tr
Free from www.pjb.com.au !
18 J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
195
200 205
tr tr tr
210
tr 215
tr
220
Free from www.pjb.com.au !
19J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
225
230
tr
tr 235
240
245
250
Free from www.pjb.com.au !
20 J. S. Bach
Flute Sonata, BWV 1032, Solo Part
Completion (bars 63−87) (c) 1999 Peter J Billam
Vivace44
44
4444
tr
5
tr
10 tr
15tr
20 tr
Free from www.pjb.com.au !
21J. S. Bach, Flute Sonata BWV 1032
Completion (bars 63−87) (c) 1999 Peter J Billam
25
tr
30
tr 35 tr
40
45
50
55
Free from www.pjb.com.au !
22 J. S. Bach, Flute Sonata BWV 1032
Completion (bars 63−87) (c) 1999 Peter J Billam
60
PJB . . . 65
70
tr
tr 75
80
tr
tr 85
tr tr
JSB . . . tr
Free from www.pjb.com.au !
23J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
Largo e dolce
68
trtr
5
10
tr tr 15
tr 20
25
30 tr
35
Free from www.pjb.com.au !
24 J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
Allegro38
38
tr
5
tr
10 15tr
20
tr 25
30 35
tr 40 tr
45 50
tr 55
60 65
tr70
75
80 85
Free from www.pjb.com.au !
25J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
90
95 100
tr 105 tr
110
115
120
125tr tr
130
tr 135tr tr
140 tr145tr
150
155
160tr
165
170
Free from www.pjb.com.au !
26 J. S. Bach, Flute Sonata BWV 1032
(c) 1999 Peter J Billam
175 180
tr 185tr
190 tr tr
195 200
205 tr tr
210 215
tr 220
225
230 tr 235
240
245
250
Free from www.pjb.com.au !
Peter Billam was born in London in 1948, studied piano, and lived in Switzerland from 1973 to1983, where he studied composition, classical guitar, flute and voice, worked as Musical Directorof the Théâtre Populaire Romand, and as recording engineer, record producer and computerprogrammer. He moved to Tasmania in 1983, lectured in composition at the Conservatorium,conducted recorder ensembles and choirs, studied recorder, voice and harpsichord.He foundedwww.pjb.com.au, becoming the first composer to sell scores on-line, with on-line delivery,taking scores from Composer to Performer in one immediate step.Www.pjb.com.auoffers a newapproach to music publishing. These pieces arewritten to be read, made to be played !
Compositionsat www.pjb.com.auinclude:Five Short Pieces, guitar, 1979;Divisions on an ItalianGround, flute and guitar, 1980;Five Rounds, choir, 1986;Go Forth and Multiply, choir, 1986;Three ViolinDuets, 1987; Fable, for piano, 1987;To Erich Jantsch, SAATTB recorders, 1988;A Suite of Curves,trombone (or horn) and piano, 1990;Two Recorder Duets, alto recorders, or other melody instruments,1991; Tr ombone Quintet, trombone, flute, piano, bass, and percussion, 1994;Three Songs, on poems byJack Kerouac, Vikram Seth and Dylan Thomas, voice and piano (only the first and third of these are available),1994;Piano Study, piano, 1994;Four Dances, various ensembles including recorder quartet, string quartet,1995;The Poet in the Clouds, on a poem by S. T. Coleridge,SATB choir, 1995;Tr es Casidas del Diván delTamarit, on poems by Federico García Lorca, voice and piano, 1997;Three Suites, for the solo line, piano,and piano and a solo line, 2000;Die Zeiten, on poems by Kästner, Bachman and Jünger, choir (only thesecond and third of these are available), 2000;Three Duetsfor flutes, 2001;For Four Handsfor piano fourhands, 2002;Three Preludesfor piano, 2003;Second Solo Suitefor flute, violin, viola or cello, 2003;Guitar Duet for two guitars, 2006;We Who Mourn for choir, 2007; Trio With Guitar for guitar and twoclarinets or two recorders or two violas, 2008.
Arrangements include: By J. S. Bach:Trio BWV 655, piano and flute;Vor deinen Thron BWV 668,piano;Fugue in F minor BWV 689, SATB recorders;Flute Sonata BWV 1031transposed into G major foralto recorder and keyboard;Flute Sonata BWV 1032completed by Peter Billam for flute and keyboard, alsoin C major for alto recorder, and in G major for descant;Ricercare a 3, from the Musikalisches Opferforkeyboard; Ricercare a 6, for sSATBG recorders, or strings, or two keyboards; Fuga Canonica inEpidiapentefor keyboard and melody instrument; from theArt of Fugue: Contrapuncti 1, 4 and 9 forkeyboard, andContrapunctus 14as completed by D. F. Tovey, for keyboard, or for SATB recorders, or forstrings;Passacaglia and Fugue in cfor piano four hands;Chorales with Descantfor melody instrumentand piano;Cello Suites I, II and III for flute or alto recorder, Forty Chorales for piano,Der Geist hilftforSATB-SATB recorders. By Johannes Brahms:Fugue in Ab minor for organ, for SATB recorders andgamba, in A minor;Choralvorspiele for organwith previous settings by Isaac, Bach, Praetorius, recorders.By Franz Schubert:Four Songs, voice and guitar;Schubert Dances, recorders and guitar, Schubert Dances,piano 4 hands. By G. F. Händel: Concerto Grosso in A minorop 6 no 4, harpsichord and recorders;Recorder Sonata in Bbno 5, in G for tenor recorder and keyboard. By other composers:ClaudioMonteverdi, Ecco Mormorar l’Onde, SSATB recorders;Twelve Italian Songs, voice and guitar;JohnWilbye, Draw on sweet Night, SSATTB recorders, and for flute choir;Telemann, Twelve Flute Fantasias,recorder;John Carr, Divisions on an Italian Ground, flute or recorder and guitar;Fourteen Folk DanceTunes, recorder and guitar;Easy Classical Pieces, Bb trumpet and piano.
Www.pjb.com.auoffers innovative and unusuallygenerous and useful licensing conditions:
• You may not redistribute the piece in electronic form
• You may print out or photocopy as many copies as you wish
• You may give these copies to whoever you want
• You may freely perform the piece to live audiences; performing rights are waived
These are extremely practical and generous copyright conditions, and have been devised so as tobe as useful to you as possible. Feel free to visit. . .
www.pjb.com.au