Flamenco on the Global StageHistorical, Critical andTheoretical PerspectivesEdited by K. Meira Goldberg, Ninotchka Devorah Bennahum and Michelle Heffner Hayes$45 softcover (7 x 10) ISBN 978-0-7864-9470-5 2015Ca. 40 photos, notes, glossary, bibliography, index Ebook ISBN 978-1-4766-2102-9

The language of the body is a central text in the study of flamenco on the global stage. From the records of the Inquisition,to 16th century literature, to European travel diaries, the Spanish dancer beguiles and fascinates. The word flamenco evokesthe body of a sensuous and rebellious woman—the bailaora—whose lascivious movements seduce the audience, only to rejecttheir invasive gaze with a stomp of defiance. The flamenco dancer’s body is an agent of ideological resistance, conveying adesire for subjectivity and autonomy and implying deeply held ideas about history, national identity, femininity and masculinity.

This collection of new essays by flamenco historians, critics and cultural theorists provides an overview of flamenco schol-arship, illuminating flamenco’s narrative and addressing some of the stereotypes that exist in flamenco studies. The contribu-tors bring new information into flamenco’s chronology, offer fresh perspectives on age-old themes and suggest new para-digms for flamenco as a cultural practice.

K. Meira Goldberg teaches at Sarah Lawrence College and at the Fashion Institute of Technology; she has taught at andguest lectured at NYU, Flamenco Festival International in Albuquerque, Ballet Hispanico, Bryn Mawr, Princeton, Duke, andSmith College. She lives in Bronx, New York. Ninotchka Devorah Bennahum is Professor of Dance History/Theory/Performance Studies in the Department of Theater & Dance at the University of California, Santa Barbara. She lives inGoleta, California. Dancer, choreographer, and dance scholar Michelle Heffner Hayes is currently Professor and Chair of theDepartment of Dance at the University of Kansas in Lawrence.

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