First Person Notes From Nadje

06Catherine Peake talks to Margaret Brandman about her music

First Person

Paul Cooke appraises Franz Doppler The Paganini of the Flute 17

OCTOBER 2021

The Language of Jazz18Leita Hutchings studies the unique vernacular that evolved from the art of Jazz

Barry O’Sullivan chats with Nadje Noordhius

Notes From Nadje 10

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Our cover features Australian-born New York-based trumpeter/composer Nadje Noordhuis, who according to interviewer Barry O’Sullivan, possesses one of the most unforgettably lyrical voices in modern music. And don’t miss Louise Levy’s portrait of Pannonica ‘Nica’ Rothschild, the heiress who forsook her family for the excitement and glamour of the 1950s New York jazz scene.

This month marks a minor technological milestone for Fine Music Magazine. In Catherine Peake’s First Person interview with Margaret Brandman, we have for the first time embedded a video clip of one of her pieces mentioned in the article. We intend to use these sparingly, where listening

to a new musical work while reading about it will improve appreciation. We understand however that multimedia engagement is a balancing act between positive experience and visual overload. Feedback is always welcome.

One of our most prolific feature writers, Nicky Gluch, will be resigning in December from her role as Classical Content Coordinator to focus on her PhD. We are sorry to see her go, and thank her for her sterling contribution to Fine Music Magazine over the last six years. Catherine Peake, our Assistant Editor, will be joining the digital content team Paul Cooke and Keith Pettigrew from January.

Don’t forget to check out our new website at www.2mbsfinemusicsydney.com. Access to Fine Music Magazine is now free, so tell your friends about us and the wonderful music our station provides.

[email protected]

Catherine Peake talks to Margaret Brandman about her music

Derek Parker remembers Malcolm Arnold

First Person 06.

The Paganini of the Flute

The Language of Jazz

Great Jazz from Fine Music: Blue

Notes from Nadje Paul Cooke appraises Franz Doppler

Leita Hutchings studies the unique vernacular that evolved from the art of Jazz

Favourite Albums from the Fine Music Jazz Crew


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Her Name Was Nica Louise Levy looks at the intriguing story of Pannonica Rothschild, who left her illustrious family to become a jazz patron in New York

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Nicky Gluch introduces Hans Rott

If Life were a Fairy Tale 08.

I N D E X

CD Reviews22.

05.

Emotional diversity and astonishing range

N O T E S F R O M T H E E D I T O R

25. Program GuideListeners’ Letters24. Composers List 53.

P R O G R A M M E R S A N D P R E S E N T E R S

OCTOBER Rodrigo Azaola, Charles Barton, Peter Bell, Nina Beretin, Eddie Bernasconi, Dan Bickel, Chris Blower, David Brett, John Buchanan, Rex Burgess, Janine Burrus, Lloyd Capps, Vince Carnovale, Lyn Chong, Andrew Clark, Adam Cockburn, Angela Cockburn, Liam Collins, Paul Cooke, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Brian Drummond, Andrew Dziedzic, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Joe Goddard, Albert Gormley, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes, Gerald Holder, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, David Knapp, Ray Levis, Krystal Li, Anne-Louise Luccarini, Christina MacGuinness, Meg Matthews, Stephen Matthews, Sue McCreadie, Neil McEwan, Jeannie McInnes, Terry McMullen, Angus McPherson, Maureen Meers, Camille Mercep, Peter Mills, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gail Monjo, James Nightingale, Barry O’Sullivan, Calogero Panvino, Derek Parker, Denis Patterson, Keith Pettigrew, Andrew Piper, Peter Poole, Frank Presley, Mark Renton, Katy Rogers-Davies, Paul Roper, Marilyn Schock, Jon Shapiro, Julie Simonds, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Madilina Tresca, Robert Vale, Ron Walledge, Christopher Waterhouse, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, John Xuereb, Orli Zahava, Tom Zelinka

PROGRAM SUBEDITORS Jan Akers, Chris Blower, Di Cox, Elaine Siversen, Jill Wagstaff, Teresa White

LIBRARIANS Jan Akers, Rex Burgess, Di Cox, Helen Dignan, Lynden Dziedzic, Peter Goldner, David Hilton, Dawn Jackson, Michael Marchbank, Phillip McGarn, Judy Miller, Helen Milthorpe, Susan Ping Kee, Mark Renton, Jacky Ternisien, Ricky Yu

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13. Volunteer Spotlight – Alex Siegers Pamela Newling talks with Alex Siegers









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MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED

Fine Music Sydney is owned and operated by the Music Broadcasting Society of New South Wales Co-operative Limited. Fine Music is a registered charitable organisation with a Charity Fundraising Number and is listed with the Register of Cultural Organisations. Fine Music Sydney is a Community Radio station and a member of the Community Broadcasting Association of Australia. Fine Music Sydney (formerly known as 2MBS and Fine Music 102.5) is Australia’s first stereo FM radio station. The station was officially opened on 1 February 1975 and we have now been on air for over 45 years. Fine Music Sydney plays an important role in encouraging emerging musicians and music lovers in their ambitions to be professional musicians or broadcasters. Fine Music Sydney is an integral part of Sydney’s cultural landscape promoting and encouraging an active live classical and jazz music scene in our community and supporting music education. The Fine Music Emerging Artist program includes: Artists in Residence, Young Composer Award, Young Virtuoso Award, Stefan Kruger Scholarship, Ken Weatherley Jazz Scholarship and our Emerging Artist Workshops and Fine Music Showcase broadcasts.

Mission Statement

To share the love of fine music through broadcasting

Goals 1. To be Sydney’s preferred broadcaster of classical music, jazz and other specialist music genres

2. To maintain and improve high standards in all we do

3. To promote Australian musicians and composers, with particular focus on the young

4. To provide a supportive and enjoyable work environment for volunteers and staff

5. To develop a sustainable financial model for the organisation

FINE MUSIC HONORARY AND ARTISTIC PATRONS Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales

Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO

Artistic Patrons: Elena Kats-Chernin, Simon Tedeschi, Richard Tognetti AO, Brett Weymark OAM

Emerging Artists Patron: Roger Benedict

Young Composer Award 2019: Callum O'Reilly

Young Virtuoso Award 2019: Justinn Lu

Stefan Kruger Scholar 2020: Harry Sdraulig

Ken Weatherley Scholar 2020: Kate Wadey

Artists in Residence 2019: Marais Project

Associate Artist in Residence 2019: States of Chaos and Elysian Fields

PERSONNEL: It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station.

BOARD OF DIRECTORS: Chair: Michael Morton-Evans OAM Deputy Chair: Roger Doyle Secretary: Robert Gilchrist Directors: Nicky Gluch, Sue Jowell, Jayson McBride, Sue Ping Kee, Peter Poole Appointed Directors: Bruce Hambrett, Peter Stavrianos

STAFF: Station Manager: Ray Kington Marketing and PR Manager: Mona Omar Studio & Production Manager: Joe Goddard Office Manager: Sharon Sullivan Digital Content Producer: Lyndon Pike Executive Assistant: Hamish Mathers-Jones General Assistant: Sophie McCulloch

TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon OAM Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride

COMMITTEE CHAIRS: Jazz: Jeannie McInnes Fundraising: Sue Jowell Library: Sue Ping Kee Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Sue Nicholas Finance: Peter Poole

Contents and concept of Fine Music Sydney Copyright © 1975-2021

F I N E M U S I C S Y D N E Y

Editor David Ogilvie Assistant Editor Catherine Peake Designer Lyndon Pike Digital Content Coordinators Paul Cooke, Nicky Gluch, Keith Pettigrew Guide Management Coordinators (acting)James Nightingale and Elaine Siversen

Program Guide Formatter Peter Bell Proof Readers Mona Omar, Pamela Newling,Catherine Peake Contributors Dan Bickel Xavier Bichon Lloyd Capps Paul Cooke Nicky Gluch Leita Hutchings Louise Levy Pamela Newling James Nightingale Barry O’Sullivan Derek Parker Lyndon PikeCatherine Peake Keith Pettigrew

Cover Image Tanya Volt

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Transmitter Governor Phillip Tower, Circular Quay

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ORGANISATION DETAILS

Emotional diversity and astonishing range

Malcolm Arnold – the centenary of whose birth we celebrate on 21 October – was subject throughout his life to severe depression and extreme mood swings which, with acute alcoholism, led to several suicide attempts. But the unbalanced nature of his emotional life undoubtedly played a part in fostering the emotional diversity and astonishing range of his music. He composed over 500 works, including nine symphonies, seven ballets, two operas, twenty concertos, chamber music, scores for brass and wind, and well over a hundred film scores; in all of this there is nothing less than interesting, much that is sparklingly inventive and original, and a great deal that is immediately attractive and memorable.

It was a live performance by Louis Armstrong that encouraged 12-year-old Malcolm to take up the trumpet. Four years later, he became a student at the Royal College, and by the time he was 22 he was principal trumpet of the London Philharmonic. Arnold had also studied composition, and this aspect of his musical interests became compulsive; by 1948 he was ready to leave his desk to become a full-time composer. In a remarkably short time, he rivalled Benjamin Britten as the young English composer to whom orchestras came for new works. Many of them were ‘popular’ in every sense: the unconventional overtures; the suites of regional dances; and his film music (for the St Trinian’s films among others, including the Oscar-winning score for The Bridge on the River Kwai which featured a countermarch to Kenneth Alford’s Colonel Bogey). The public found no difficulty in enjoying all this, but professional critics failed to appreciate even such beautiful work as the slow movement of Arnold’s Guitar Concerto, let alone his often unconventional symphonies.

Escape from London to Cornwall failed to alleviate Arnold’s emotional problems, but his deep love of the county was expressed in his Cornish Dances and in a march he wrote for the Padstow lifeboatmen. He moved to Ireland, but was still pursued by depression; this deepened when, on the death of Arthur Bliss, the position of Master of the Queen’s Music went to Malcolm Williamson even though his friends had passionately argued for his appointment.

Arnold eventually alienated even his closest friends, and descended to living on the streets. Placed into care in the 1980s, he was given only a year to live; but he survived, and continued to compose, even taking a bow at a Promenade concert after a performance of his Guitar Concerto. He received many honorary doctorates and fellowships from his fellow musicians, and was finally knighted in 1993, four years before his death.

If the personal life is tragic, the music triumphs, unlikely in future to be as neglected by critics and musicologists as it was in Arnold’s lifetime. As far as the musical public are concerned, he remains, simply, one of the most important of all 20th century English composers.

Derek Parker remembers Malcolm Arnold

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Illustration by Lyndon Pike

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For Australian composer, performer, and educator Margaret Brandman, 2021 has been a year of noteworthy events, not the least being her recent 70th birthday. But there have also been musical highlights; performances, awards, new compositions, and travel – via Zoom at least, if not via an actual plane.

Earlier this year Brandman was the recipient of the Best Foreign Composition award for her symphonic tone poem Spirit Visions, conferred by the Artemis Women in Action Film Festival in Los Angeles. Brandman says that she first composed the piece for two pianos which she later orchestrated.

Based on an expansive theme that came to Brandman as she was improvising on the Sydney Town Hall pipe organ, Spirit Visions interprets the sounds of the organ with its changing stops that inspired both the melodic content and orchestration. With the Covid restrictions meaning she could not be there in person, Brandman engaged with the recording of Spirit Visions by the Moravian Philharmonic Orchestra using technology, overseeing the recording remotely. The subsequent June release of Spirit Visions on the CD Polarities Vol. 2 is a testament to overcoming the restrictions of Covid. (See Paul Cooke’s Polarities Vol. 2 review in the current edition of Fine Music Magazine).

In discussing Spirit Visions, Brandman says, “The exciting, syncopated dance-like rhythms played by the marimba create an irresistible urge to dance – at times you may think you are visiting Mexico or Cuba!” She comments that while influenced by many styles she has a particular feel for Latin-American music.

The Latin American influence is an integral part of others of her pieces, such as Warm Winds in Havana written for saxophone quartet. Brandman is also currently working on a suite of eight Latin-American works, commissioned by Australian violinist Vov Dylan for his ensemble, the Quintet from the Palace Orchestra. The suite will be part of a stage production incorporating music and dance, with her music ‘weaving a storyline through the work’.

In another highlight this year, Brandman was the recipient of the 2020/2021 Prestige NSW Business award, Music Educator of the Year. As a music educator and piano teacher, she has developed her own method of teaching and has produced a series of music education resources. In a drawing together of her work as composer and educator, several of her compositions have been chosen for the AMEB syllabus, including Minnamurra Rainforest Dreaming, Spider on the Mirror, and Jucaro Rumba.

When talking about her music more broadly, Brandman expands on the composition process: “I find the challenge when composing any work is to get a balance between the unity of thematic material and the introduction of enough variety for interest. Writing music is a puzzle at the best of times, and I take ideas and I interweave them, while striving to create a structure so that the music feels like it’s taking you on a spiritual journey and bringing you safely home again.” Focusing on the aspect of her music that connects with experience, Brandman adds: “I very much enjoy the exhilaration in the process of sculpting sound, and I’m inspired by lyrics, landscape, love, and life experiences both dramatic and uplifting.”

First Person Margaret Brandman Catherine Peake talks to Margaret Brandman about her music

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The piece Firestorm Symphony from her CD Sensations shows how Brandman illustrates life experience through music, taking as her starting point the bushfire she experienced in the Blue Mountains in 1994. The first movement sets the scene with a depiction of the searing heat, the birdcalls, the fire moving in; the second movement with its introductory three bells reflects a facet of later bushfires in Victoria, an echo of a memorial for those lost in the fires, a depiction of devastation and loss; the third and final movement celebrates the regeneration that comes after bushfires, with life and energy returning. The entire work illustrates a life experience in total, as well as being a depiction of landscape through music.

Brandman has regularly performed and recorded her music in Australia and internationally, and in addition to numerous orchestral, chamber, solo and instrumental works, her compositions for voice have been received with acclaim. Baritone Martin Cooke, who has premiered many of her vocal works, says: “Margaret’s compositions for singers display an innate understanding of the attributes of the human voice that are necessary in the art of singing: the use of language, breathing technique, tessitura and legato phrasing.”

For the remainder of 2021, Brandman plans to be as busy as ever. She says, “I predict a [continuing] lively year of composing, recording, and performing new works.”

Photo by Roger Dilernia

08Illustration by Lyndon Pike

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If Life were a Fairy Tale

It was only by reading Dickens, Andersen’s contemporary, that I came to appreciate that the authors were not conjurers but mirrors, creatively reflecting their societies to entertain and comfort the children of the day. Fiction is often at its most alluring when it flickers with truth. Enter, then, Hans Rott, born when Dickens was 46 and Andersen 53. His mother was a teenage actress, his father a 50-something married man. At the age of four, he was legitimised, paving the way for a musical education, but by 18 he was an orphan. He needed a fairy godmother; alone, he was ill prepared to face the world.

The teenage Rott was impressionable; a student of Bruckner’s, he became a fine organist, but musically, Wagner was king. In 1876, he attended the first Bayreuth festival, and his early compositions were apparently so heavily Wagnerian that, to quote Jens F. Laurson, he was asked to ‘tone it down’. But that wasn’t the main thorn in his side. Every fairy tale needs a villain, and to Rott, this was Brahms. In 1880, Rott sought a government stipend: as part of the application, he showed his newly finished Symphony in E to Johannes, desperately hoping for a warm appraisal. Alas, Brahms ridiculed the work, going so far as to accuse Rott of plagiarism (unhelped by Rott having quoted Brahms’ own first symphony).

His criticism took form, haunting Rott so much that he became convinced that the older composer had a plot against him – cunningly lacing a train with dynamite, no less!

Had it only been true, authors would have called it inspiration. Had Rott more mystique, he might have become a figure of 19th century folklore. But alas, in that era, delusion was a death sentence and Rott was committed to a mental hospital. By 1883, recovery was ruled out, and a year later he had succumbed to the time’s other great affliction – tuberculosis. Dickens would have nodded in recognition.

And so Rott’s earthly life came to an end. But what of the heavenly solace, the promised turn of fates? Well, in the 1980s, musicologist Paul Banks found the score to Rott’s symphony and, blowing off the dust, brought it back to life. In 1989, the work received its premiere performance – and what did the audience hear? Musicologically, we could say a bit of Wagner, a bit of Mahler, and a whole lot of youthful ebullience. But sentimentally, I would argue that one hears Andersen’s world. There are galloping horses and snowy forests. There are castles, and battles, and dances and duels. It’s a fairy tale in sound, romantic and grand, in which the ever-ringing triangle could be oh so many things – sleigh bells, perhaps, or the tinkling of a fairy’s wings.

Nicky Gluch introduces Hans Rott

Growing up in Australia, a land bereft of castles, to read Hans Christian Andersen’s collected tales was to step into a world of pure fantasy. I marvelled at his imagining of princes and princesses, of snow and frozen rivers, not quite understanding that, in Europe, reality was closer than it appeared. Sitting cross-legged in the school library, leather-bound book in my lap, I poured over the tales, finding them far more moral than, but never quite as cheerful as, those of Disney. No, these stories were dark, the characters cruel; happy endings were found in heaven, not on earth.

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Notes from Nadje

Described as ‘one of the most compelling voices to emerge on her instrument in recent years’ (Dan Bilawksy, All about Jazz), Australian-born New York based trumpeter/composer Nadje Noordhuis possesses one of the most unforgettably lyrical voices in modern music. Her deeply felt, clarion tone and evocative compositional gift meld classical rigor, jazz expression, and world music accents into a sound that is distinctively her own. Noordhuis was one of ten semi-finalists in the 2007 Thelonious Monk International Jazz Trumpet Competition and was selected as a Carnegie Hall Young Artist in 2010. Based in New York since 2003, she is a member of the multiple Grammy winning Maria Schneider Orchestra, Grammy nominated Darcy James Argue’s Secret Society orchestra, and the Anat Cohen Tentet. She has four albums of original compositions on her record label, Little Mystery Records, and with her group, is currently working on her next release with support from a Chamber Music America Performance Plus grant. On her brief sojourn returning to Australia to perform and visit family, I caught up with Nadje and posed these questions to her.

When did jazz first enter your musical life and who were these artists?

I have been aware of jazz since I was about eight when I had my first gig at the Manly Jazz Festival. I played When the Saints with a roving group of students and adults – we played and walked up The Corso. I even earned a Swatch watch for my efforts, which was really cool at the time. But I never really listened to jazz, even though I played in my high school big band for a few years. It wasn’t until I was about twenty when I decided to audition for a degree in Improvisation. I only owned two jazz albums – Miles Davis’ Kind of Blue and Dave Brubeck’s Time Out. I played along to those records, and miraculously was accepted into the Victorian College of the Arts in Melbourne.

When did you decide on a musical career and where have you studied?

I like to joke that I haven’t decided on a career yet! It’s such a bizarre business – there are so many different hats to wear in order just to get some music out into the world. My original plan was to be a rock producer, and so I did a degree in sound engineering and music industry studies at Southern Cross University, but had the hardest time trying to find and maintain work. So I decided on a whim over a conversation with a friend that I would try something different and go back to playing trumpet. I had played in a funk band in order to pay my bills when I was studying in Lismore. I then did an Honours degree at VCA, and moved to New York to do my Masters in Jazz Trumpet at Manhattan School of Music.

Why and what circumstances led you to pursue a career in America?

It was a series of serendipitous events that saw me move to New York. I was about to enter my fourth year at VCA and was so tired of studying. I really wanted to travel, and so my sister called a travel agent to see how much a flight to New York was. Three days later, we both flew there. I bumped into a Melbourne pianist in a club, who invited me to play at her gig at the 55 Bar in Greenwich village. The drummer of that gig then invited me to play at her gig the next night. And at that gig, the saxophone player told me to do my Masters at Manhattan School of Music. I laughed at him! But it set the ball rolling for eighteen months of grant applications, financial aid forms, and audition tapes, and the plan actually worked, much to my surprise.


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You’ve performed in duets, dectets and large jazz orchestras. How does each experience differ for you personally?

I love the variety of being able to perform in all these settings. A duet can be so intimate and can really draw in the listener. I can utilise a range of dynamics, especially the softer ones, which makes people lean in. That’s hard to do when you have more people involved! Playing in larger ensembles uses a different skill set. It’s about balance, blend, and delivering what it needs to support the melody and the ensemble in the moment. There is nothing quite like being in a trumpet section playing the shout chorus of a tune. There’s so much power, and with excellent teamwork, it can be just the best feeling to play. If people in the audience are smiling, I know I’ve done my job well.

What are the benefits and the challenges of being a foreign, female musician in New York and how did you utilise and overcome them?

For the first five years after moving to New York, I primarily played with all-women bands. It was such a bizarre concept for me, but I discovered that there was this incredible network of talented women and non-binary musicians, but I had never heard of any of them. It was this network that supported me for years. It felt so strange not to be hired by men, and for years I couldn’t work out why that was the case. It wasn’t until I rehearsed for the big band called Secret Society, which was making waves in the scene, that I was validated as a player. I had to prove that I could play – it was assumed that I couldn’t because I was a woman. It was quite heartbreaking, really. My career really took a long time to establish in the US, much longer than if I was a man. Thankfully, after the #metoo movement started in 2017 there began to be some huge shifts in the scene. I now work with mentoring programs such as the Women in Jazz Organization, and also do clinics and masterclasses in universities internationally, and talk about the gender inequities in our field. It has been quite a journey!

What are some of the aspects of the New York scene that you feel would benefit the Australian jazz scene if they were applied to here?

The scene in New York is a double-edged sword – there are so many incredible players that there’s always an extreme shortage of gigs. The competition is high. There is a push to always be at the top of your game, because if you don’t play well when you are called for a performance, there’s a line of a hundred players that are waiting to take your place. Since I’ve been back in Australia this year, it’s been hard to prioritise practice time over going to the beach

Photos by Mireya Acierto / ABC

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or for a bushwalk. It’s such an incredible country, and it’s hard not to be out in nature as often as possible. When I have visited Australia in the past, and have organised some gigs, I’ve noticed that some players wouldn’t look at the music or listen to the tracks before rehearsal. There’s the laidback ‘she’ll be right’ attitude that can sometimes infiltrate the preparation time. This would never work in New York. You would never be hired again if you turned up unprepared.

What is your current musical project?

I’ve just released my fourth album, Gullfoss, which was recorded live in Switzerland a few years ago. I’m now writing for a new recording in November in New York. I’m taking my quintet in an unchartered direction, which will fuse rock and metal elements into the jazz aesthetic.

What are your other interests outside of your musical career?

I forget what they are, most of the time! I enjoy watching movies, and I knit. I don’t mind cooking. I love a walk to a decent coffee shop! Can that be called a hobby?

You’re home alone on a Sunday night and want to relax. What music would you listen to?

This can really vary a lot. I love music of all genres. This past weekend, I listened to Arooj Aftab’s Sufi/minimalist album Vulture Prince, on which I played some flugelhorn. I also listened to some heavy metal, an old Slipknot album. Next week will be completely different.

What are your current and future musical challenges and how do you plan to surmount them?

My challenges are usually what surrounds the music, i.e. the promotion and marketing aspects. I don’t have a manager. It’s always best to outsource these tasks to professionals, but it’s so expensive. My plan is to keep making music and trust that people will find it, even without the industry machine to promote it. The pandemic has presented an enormous challenge, of course. I had some amazing tours booked, but all my gigs disappeared overnight. I’ve had to regroup and focus on teaching, in order to pay my bills. I’m still working on my projects, so once things get back to whatever our new normal is going to be, my music will be ready.

www.nadjenoordhuis.com www.littlemysteryrecords.com

Photo by Tanya Volt

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Abundant musical talent, an eclectic taste in music and endless energy drive Alex Siegers’ extraordinarily busy life.

Aged two, videos captured her bellowing out Waltzing Matilda and the Australian National Anthem in the backyard; singing Supercalifragilisticexpialidocious at preschool aged four; and on stage in the lead role in the local production of Annie aged nine. Alex says: “Being a very tall child, I also managed to sneak my way into the Year 2-6 choir at primary school, when I was only in kindergarten.”

After studying jazz at Sydney Conservatorium of Music, Alex undertook an exchange at the University of California, Santa Barbara. While there, she trained and presented on a local radio station. She says: “I hopped on my bike at 3.30am for a 6km ride to present the 4.00-6.00am program, called Acaholics Anonymous (sic), which featured contemporary a cappella music. I was hooked!”

On her return to Sydney, Alex resumed her role as alto in the Choir of St James’ King Street, working alongside Christopher Waterhouse, well-known former presenter and board member at 2MBS. When Christopher moved to Tasmania, with a little serendipity Alex was quickly in training with Jeannie McInnes and a few weeks later presenting her first Friday Jazz Session.

Alex says: “I have a reputation for having my fingers in lots of pies. I am a permanent member of the Choir of St James’ King St, singing a minimum of two services a week; I run the Contemporary Vocal Ensemble at SCEGGS Darlinghurst; I perform for Musica Viva in Schools for eight weeks of the year with Da Vinci’s Apprentice; I am an Associate Artist with The Song Company, and work as a freelance singer and musical director. When I am not singing, I work as the Music Engagement Assistant at UNSW.”

Of 2MBS Fine Music Sydney, Alex comments: “I find programming Friday Jazz Session fascinating. Programming a radio show is much like programming a performance, but with countless more possibilities, and different limitations. On the

internet, we can access almost every recording ever made, and the Fine Music CD library holds many albums which are no longer commercially available, which at first is a bit overwhelming.”

Alex says she has been lucky enough to have some incredible opportunities to perform here in Australia and around the world… “More recently, I travelled to ANZAC Cove in Gallipoli with The Choir of St James’ King Street to participate in the ANZAC Day commemorations in 2017 and 2018. Singing in the freezing cold as the sun rose over the Mediterranean was a truly moving experience, and something that I will always remember with pride.”

Friday Jazz Session – every Friday at 7pm

Pamela Newling talks with Jazz Presenter Alex Siegers

Programming a radio show is much like programming a performance, but with countless more possibilities, and different limitations.

Volunteer Spotlight Alex Siegers

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Recently, I had lunch with Robert Vale, a presenter at Fine Music. He told me about a woman who fell in love with jazz and became affectionately known as ‘The Jazz Baroness’. Listening to the story I was very impressed by Baroness Kathleen Annie Pannonica Rothschild’s life, and went home wanting to know more about what had happened to her.

Online I found out that the Baroness’ nickname was Nica, she was born in December 1913, and had grown up in a privileged, wealthy family at a mansion called Waddesdon Manor. At the age of 22 Nica married a French diplomat, Baron Jules Adolphe de Kœnigswarter, producing two children before the advent of World War II.

During the war she worked in North Africa with her husband. After hostilities had ended, they had another three children, but a few years later her marriage was over, and she would take holidays away from her family.

One time, the story goes, she was in New York about to travel to where her husband was working in Mexico, when a friend told her to listen to the song Round Midnight by Thelonious Monk. She sat there and listened repeatedly, about 20 times, missing her flight and deciding to stay in New York permanently.

I was curious about the reason for Nica’s decision to relocate to New York. I wondered if the song had ignited a reaction in her, finally pushing her to follow a different path. If you haven’t heard the song, find the lyrics online, listen, and make your own decision about its meaning.

In New York, she started driving her pale blue Bentley to jazz clubs late at night, listening to musicians and meeting many jazz players including Miles Davis, Sonny Rollins, Horace Silver, and Charlie Rouse. She befriended Charlie Parker, the man who helped evolve the jazz saxophone and revolutionise jazz with a new style called Bebop.

Many times, Nica would help musicians financially, buying groceries, paying bills, rent or the pawn shop for a musician’s instrument, even looking after their cats!

One time, Charlie Parker, who was a difficult person to be around, knocked on Nica’s apartment door. He was not well, but he knew that Nica would help. Unfortunately, Charlie refused to go to the hospital, and a few days later died of a heart attack on Nica’s couch.

From her base in New York, she continued to try and arrange for a meeting with Thelonius Monk, who was a composer, pianist, and bandleader. In 1954, Nica flew to Paris and asked pianist Mary Lou Williams to introduced her to Monk, meeting him for the first time.

Nica had always thought that Monk was a genius, so that when they did meet again in New York after a couple of years, they became inseparable. Together with Monk’s wife Nellie, Nica helped to sustain Monk, and enabled him to create his special, wonderful, magic songs and music.

Over 20 songs were written and dedicated to Nica by various jazz players. They include Monk’s Ba-lue Bolivar  and Pannonica, Horace Silver’s Nica’s Dream, Gigi Gryce’s Nica’s Tempo, Freddie Redd’s Nica Steps Out, Sonny Clark’s Nica and Kenny Drew’s Blues for Nica.

While researching Nica online, I came across a podcast called Tales from No Man’s Land by Frank Turner where he and various guests discuss how and why he created each of 13 songs on his album of the same name. Jumoké Fashola, a BBC journalist, presenter, and jazz singer spoke to Turner about Nica, song number four. Turner admits that Nica is not a ‘jazz’ song, but that it could be, and suggests that Fashola might sing it like that, which if it ever happens would be a fascinating song to hear.

Her Name Was Nica Louise Levy looks at the intriguing story of Pannonica Rothschild, who left her illustrious family to become a jazz patron in New York

Many times, Nica would help musicians financially, buying groceries, paying bills, rent or the pawn shop for a musician’s instrument, even looking after their cats!

15Illustration by Lyndon Pike

16Franz Doppler by Ágost Elek Canzi 1853The Picture Art Collection / Alamy Stock Photo

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The Paganini of the Flute

“Jimmy ‘lit a bonfire’ with his superb playing ... playing that embraces all the elements of the greatest artistry.” But not even James Galway (thus described by an LSO colleague in the 1960s) was able to rescue the reputation of Franz Doppler, born 200 years ago this month. A New York Times review of a Galway concert in 1984 said that Doppler’s Hungarian Pastoral Fantasy ‘sank under its burden of sentimentality and pointless ornateness’; similarly, in 1997 the Irish Times wrote of Doppler’s Airs Valaques as a showpiece ‘where effect is all and substance nothing’.

Has Doppler (some of whose compositions were written with his younger brother Karl) been ill-served by posterity and changing fashion? Contrast those scathing reviews with this contemporary (1855) appraisal by the musicologist Eduard Hanslick of the Fantasy and Variations on Verdi’s Rigoletto: “...all this art of the double staccato, series of thrills and interval leaps, these two brothers play them with such purity, serenity and steadiness that the greatest sworn enemy of the flute would be unable to deny his keenest interest.”

Born in Lemberg, in the Austrian Empire (now Lviv, over the border from Poland in western Ukraine), Doppler made his debut as a flautist at the age of 13. A few years later he had moved to Pest, where he played in theatre orchestras. He also turned his hand to composition, writing a number of operas which were staged at the Hungarian National Theatre. They were informed by Italian composers such as Donizetti but also included other influences, from Russian in Benyoszky to Polish in Wanda.

Many Romantic composers were preoccupied by opera — and here the young Doppler conformed — but they were also focused on writing for the piano, while spurning certain other instruments. For an accomplished flautist, therefore, the more rewarding path was to follow the violinist Paganini’s example and compose pieces that could form the backbone of recitals and concerts. In Doppler’s case these compositions reflected popular tastes of the mid to late 19th century and were typically based on existing folk and operatic melodies.

It made good sense to revisit The Barber of Seville and Rigoletto: Rossini had become the most popular composer – ever – of music for the stage, and Verdi was his obvious successor. Along with Liszt and Brahms, Doppler was also in the vanguard in engaging with ethnic music. His Airs Valaques takes its inspiration from music of the principality of Wallachia (in modern Romania). The Hungarian Pastoral Fantasy uses folk melodies, rhythms, and structures; while shepherd pipes were part of Hungarian folk heritage, transverse flutes were not, and it was Doppler who employed them in the verbunkos form based on slow (lassú) and fast (friss) movements.

Doppler was not quite content to rest on his laurels. He wrote another opera, Judith, together with a number of ballets which were popular in their time. He also composed a concerto for two flutes and orchestra, more serious in intent and owing much to the early Romantics. But his enduring legacy was to show the musical world that here was an instrument capable both of technical virtuosity and of nuances of tone and expression – a challenge taken up by Paul Taffanel and the French Flute School of the 1890s, resulting in an increasing prominence of the flute in substantial orchestral and chamber music.

Paul Cooke appraises Franz Doppler

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The Language of Jazz

Ever noticed how jazz has its own vernacular? Bebop, liquorice stick, layin’ down the clams, cool? Ever won-dered why Nina Simone wanted ‘sugar‘ in her bowl, or where Beyoncé got the idea that ‘you gotta work your jelly’?

Why do jazz musicians speak a different lingo? What’s the fascination with the play of words, so infused in the genre? For sure, it’s shaped with a pidgin shorthand from the early merging of African and English languages; but it’s the quick wittedness of it all, that ability to invent and reply on the spot, an improvisation, that modelled vocabulary. That colloquial brilliance was adopted by jazz musicians regardless of ethnicity or colour, and created a unique platform for respect to generate between musicians.

The product was so damn cool, it was reflected in poetry, writing, art, theatre, culture, and even real estate. The great American model Arabella Chamber-lain (cousin of English PM Neville Chamberlain) turned ‘scat’ from a verb into a noun, addressing the band at Moodies saying, “Boys, time to scat!”. Arne Birger, one of the earliest known Danish Jazz musicians, was doc-umented as saying, “Bring that axe baby and let’s jam”. There was a strong merging of attitudes by musicians in Paris; during and after the world wars, and with the post-war settlement of musicians like Bechet in France, the language really took hold in Europe.

According to American publication DownBeat Magazine, ‘In Nazi-occupied France during the war, Jazz and its offshoots became insanely popular.’ Bukowski spoke jazz in his poetry, Kerouac wrote On the Road with jazz flow, and the whole Roger Vadim-Brigette Bardot phenomena happened in the 50s with French New Wave cinema, with our heroines and coquettes dancing or lisping Je t’aime, Je t’aime, tragically, to jazz beats. Remember Miles Davis’ brilliant improvisation to Ascenseur Pour L’Échafaud, with Jeanne Moreau?

Did you know John Coltrane’s 1960 album Giant Steps was the most feared song in jazz, due to its complex chord changes? The album’s name was so evocative, the concept of a ‘Giant Step’ or a ‘Giant Leap’ became rooted in our popular perceptions. Rothko was an artist who aspired to be a jazz musician, and Lakla Hadil, confirmed she painted to Bird’s Bloomdido. The most fly President of the United States, Barack Obama, not only hosted International Jazz Day in the White House, but also sang Sweet Home Chicago onstage with Buddy Green and B. B. King back in 2012. And even the infamous New Orleans Axeman promised not to kill anyone in a home where jazz was playing, way back in 1918.

This fusion of language and jazz inspired Satchmo to assert that ‘If ya ain’t got it in ya, ya can’t blow it out’. Hampton mentioned ‘Let’s steal some apples’ to Pow-ell, and Lady Day commented that Lester was ‘fly’. To ‘dig it’, to ‘get real’, to be ‘cookin’, ‘hot’, or to have ‘some bread’ can all be attributed to the language of jazz. It’s evolved into our common vernacular and continues to evolve. Rap for example, observes its rhythm, its dis-arming honesty, and fully employs language for street cred.

The bottom line is there’s not really a lot of truth in this article; only half of it is true. But just like jazz, it’s sure been nice improvising with you.

Leita Hutchings studies the unique vernacular that evolved from the art of Jazz

19 Collage/Illustration by Lyndon Pike

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Great Jazz from Fine Music: Blue

Kind of Blue – Miles Davis 30th Street, New York – 1959 – Columbia Records

Miles Davis was an American trumpeter, bandleader and composer, one of the most important jazz musicians of the 20th century, and whose influence can still be felt. Raised in St Louis, his 13th birthday present was a new trumpet. At 15, he had a band. At 18, he started studying at the Juilliard School in New York, but dropped out to join Charlie Parker’s Quintet. He also had his first child.

He learnt to play with a clear mid-range tone, no vibrato, a round sound with not too much tremolo or bass. From the bebop of the Charlie Parker Quintet, he contributed to the next era with The Birth Of Cool, a collection of tracks from 1949-1950. Hard bop followed in the early 50s. 1957 saw ‘Round About Midnight with John Coltrane and Paul Chambers. He explored orchestral jazz with Gill Evans including

Sketches of Spain, and band recordings such as Milestones. Then there was Kind Of Blue in 1959, still one of the most popular jazz albums of all time.

Kind Of Blue is an exploration of modal jazz. Instead of a set of chords to form a tonal centre over which a soloist can improvise, modal jazz uses a set of scales with particular melodic and harmonic intervals, giving rise to an overall feel. It is structured, but allows considerable artistic freedom to improvise.

For Lloyd, Kind of Blue has topped his desert island shortlist for decades. It took post-bop jazz into uncharted waters and it remains the inspiration for performers and jazz enthusiasts in all the years following its 1959 release. Its opening track  So What has provided the opening theme music for The Jazz Beat for its past 15 years.

Nominated by Lloyd Capps The Jazz Beat - Tuesdays at 7 pm

Favourite Albums from the Fine Music Jazz Crew

In articles in this series, we continue to profile favourite jazz albums of our Fine Music Fine Jazz presenters. Fine Music has 15 jazz programs throughout the week, ranging from ragtime, through swing, bebop, west coast cool, European and middle east jazz, jazz interpretations of popular music, laid-back jazz, late night jazz, and cutting edge jazz just off Sydney’s jazz campuses. What makes Fine Jazz so good is the enthusiasm that our presenters bring to their weekly playlists.

With that enthusiasm comes knowledge and favourites. This month, the theme for our presenters favourite albums is blue. Well, a kind of blue, perhaps a midnight blue.

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Midnight Blue – Kenny Burrell Van Gelder Studio, New Jersey – 1963 – Blue Note

Kenny Burrell was born into a musical family in 1931, his mother played piano and sang in a Baptist church choir while his father played banjo and ukulele.

-He aspired to play saxophone, but wartime metal shortages lead him to acoustic guitar. At 20, he recorded with Dizzie Gillespie and John Coltrane. Although amongst the best jazz guitarists at the time, he studied classical guitar, and on graduation toured with the Oscar Peterson Trio. He credits Django Reinhardt with showing him how to get your own individuality into an instrument. When he arrived in New York in 1956, he quickly became the goto sideman and studio guitarist. The list of stellar musicians with whom he has played is long and extraordinary.

In 1971, he started leading college seminars, including a specific course called “Ellingtonia”, about Duke Ellington, although never having collaborated with him. He is the founding director of Jazz Studies at UCLA. But it is Midnight Blue that is often cited as a career highlight.

Midnight Blue is an enduring album that continues to find new generations of fans, with an opening track Chitlins con Carne that keeps getting covered. Mule and Soul Lament reflect Burrell’s introspective, thoughtful playing and his exquisite touch. Kenny is backed by amazing musicians: Ray Barretto on conga; and Stanley Turrentine on tenor sax; Major Holley Jr on bass; and Bill English on drums. The overall sound is pure soul-jazz-blues. It exemplifies the defining sound that is Blue Note.

For Xavier, this album represents real cool jazz with pure and clean guitar tones whilst the double bass has a resonance all of its own. It is the guitar edge and cleanliness that is almost magical. It reflects a new approach to some very old forms of guitar jazz playing, subtle phrasing in relaxed and bluesy bop solos, with Turrentine’s tenor sax, full of slurs, calls and basic blues-based bop licks and a gentle rhythm section in the background.

Nominated by Xavier Bichon Planet Jazz - Wednesdays at 7:00pm

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Polarities Vol. 2 Moravian Philharmonic Orchestra; Zagreb Festival Orchestra; Janáček Philharmonic OrchestraNavona Records NV6353

American Quintets Kaleidoscope Chamber CollectiveChandos CHAN 20224

CD REVIEWS

American Quintets is the debut recording from the English musicians of the Kaleidoscope Chamber Collective. There are three works on the disc, piano quintets by Amy Beach and Florence Price, and Samuel Barber’s Dover Beach for voice and string quartet. The starting point for this project was Kaleidoscope’s encounter with Amy Beach’s Quintet, a work of lyrical invention that was seen as old fashioned at the time it was composed. This could also be said of Price’s Quintet, which dates from the 1930s but was only rediscovered in an

abandoned attic in 2009. In the 1930s, Price was the first African-American woman to have her music played by the Chicago Symphony, but her music has been largely overlooked until recent times. Her Quintet is a work full of warm and folksy melodies. The Kaleidoscope Chamber Collective gives a fine reading of all three pieces and the singer, Matthew Rose, gives a warm reading of Dover Beach, the best-known work in this collection. It’s an engaging disc for lovers of relaxing chamber music.

- James Nightingale

Polarities Vol. 2 presents works by six composers for orchestra or large ensemble, some featuring solo instruments. The stated aim is music ‘that expresses the emotions, sensations, and scenes associated with the extremities of conversation and change’. I struggled to discern this concept – and the otherwise excellent notes on the Navona website don’t clarify it either – but individually, these compositions are worthy of attention. One is by the Australian composer Margaret Brandman, whose Spirit Visions was inspired by the tone colours of the Sydney Town Hall organ, after a meeting with the organist Robert

Goode (once upon a time, my revered high school French teacher). Wind and brass sonorities inform a theme that is both majestic and pastoral, with timpani providing momentum and marimba and glockenspiel adding further colour. Beth Mehocic’s Tango Concerto for piano, accordion, and bandoneon is captivating and adds to the repertoire for those instruments. Brian Latchem’s Suffolk Variations features solo viola emerging from a bed of strings in alternating fugal and dance sections. Not a groundbreaking album, but charming and diverting.

— Paul Cooke

Barry Conyngham might be regarded as an elder statesman among Australian composers. Born in Sydney in 1944, he was initially interested in jazz but turned to orchestral writing after study with Raymond Hanson, Richard Meale and Peter Sculthorpe. His recent double CD release, Gardener of Time: Barry Conyngham at 75, comprises seven works performed by the Ormond Ensemble and the Melbourne Conservatorium String Ensemble, together with soloists Ken Murray (guitar), Robert Nairn (double bass) and Linda Barcan (mezzo-soprano). Some of these compositions were inspired by a sense of place

in the Australian landscape, such as Kangaroo Island: Concerto for Double Bass and Orchestra, Petrichor and Bushfire Dreaming. Petrichor comprises three sections, Dry Spell, Deluge, and Petrichor, with the word ‘petrichor’ (from the Greek) being the name given to the pleasant scent given off by the earth after rain on a hot day. My favourite composition here is Gardener of Time, which shows an affinity to Japanese music from Conyngham’s time spent studying with Toru Takemitsu. This CD set reflects the culmination of a long composing career.

- Dan Bickel

Gardener of a Time: Barry Conyngham at 75 Barry Conyngham Move Records MD 3455

Retired dentist Edward Blankman moved to a cosy seaside house in Cape Cod in the 1970s. Shortly thereafter, his wife, Natalie, died suddenly from a stroke. Seeking refuge in his other great love—music—Blankman bought a used Wurlitzer electric piano and began to compose. In 1989, the new owner of Blankman’s former cottage found a cardboard box in the attic. Inside was Blankman’s sheet music, his notebooks, some photos, and the TEAC reel-to-reel tapes from his one-and-only recording session. Through that accidental discovery, we can enjoy Blankman’s legacy of elegant, minimalist jazz. A charming backstory to a delightful album, except none of it is true. Edward Blankman’s tale is the concept of Brendan Eder, and, along with his Ensemble, he has created an album of charming jazz pieces, segues and

sketches that all revolve within a sound originated by artists such as Satie, Miles Davis, Gil Evans and 60s lounge exotica. Centring around his beloved Wurlitzer, pieces such as Overgrown Garden, Discovery at The Beach and West Coast, coloured by the addition of cello, alto saxaphone, the upright bass and a very considered use of painterly percussion take us right there to the coastal home. Recorded in a single session at the famed Electro Vox studio using vintage equipment including the legendary Neve-8028 console, Eder gathered a small but amazing team of musicians, who all studied together at the Hancock Institute of Jazz. It’s the playfulness coupled with a melancholy and sense of romance that give this album it’s charm and a welcome escape from modern life.

- Lyndon Pike

Edward Blankman/Cape Cod CottageBrendan Eder EnsembleJazz Dad Records

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The Yugoslav Attack is a Melbourne based jazz band featuring the guitar and vocals of James Wiley. This new recording is a follow-up to their debut recording Fianchetto. Wiley plays guitar and sings his songs, primarily modern-day ballads of yearning, frustration, and life contemplations. The music on this outing is more jazz focussed and straight-ahead than their previous album, with some fine horn playing from Flora Carbo, Bede Ford-Gaddes, and Hector Harley augmented by the rhythm section of Luke Andresen and Robbie Finch. Stalwart jazz piano man Mark Fitzgibbon excels whenever he appears. On the track Come Home the band performs the only track without any vocals, moving between structure and freely improvised passages and creating a truly impressive piece of music. Favourite tracks, Falling,

The Separation (‘love is lovely but it’s clearly for losers’) and Confidence are sung by Wiley with pathos and longing, augmented with some stunning saxophone solos. While, at times, a little rough around the vocal edges, an unpolished authenticity is always part of the charm here. The album concludes with the heartfelt vocals of Pamphleteer, a track written by the Indie/Rock Canadian band the Weakerthans (“The rhetoric and treason of saying that I’ll miss you”). Wiley ably tackles the vocals while the band, in a full flight, delivers their rock version of it with some jazz improvisation at the conclusion. There is also an audiophile black wax vinyl issue available in addition to the digital download.

- Barry O’Sullivan

IllusionsThe Yugoslav Attack Bandcamp YouTube

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LISTENERS’ LETTERS

In the Dog House I would humbly suggest to the Friday 7pm jazz presenter next time she plays a piece connected with our canine friends she does not play Doggie In The Window, a song from the worst era of pop music, and one that was a long way from the genre of her program. I suggest Yellow Dog Blues by Louis Armstrong or Bessie Smith (the lyrics may be considered risqué by some), Yard Dog Mazurka by Jimmy Lunceford (a riffy tune that gave birth to Stan Kenton’s Intermission Riff), Pooch McGooch by Art Pepper or others. A book titled The B Side tells how the Great American Songbook dried up on the radio after the Swing Era when songs such as Doggie in the Window hit the airwaves.

– Paul Carroll

Serenity NowI love the variety of programs on 2MBS and the calm and mellow voices of the announcers and hosts. I discovered Shostakovich, Prokofiev and a universe of other great composers and musicians of many varied genres through your exceptional station. I listen to 2MBS when I’m working on the railways, gazing out the window at the clouds moving across the sky, preparing my dinner, and sitting on the recliner late at night reflecting on the uncertainties and anxieties of our current lives.

– Michael Carr

Lifting Spirits Hoping you are all safe and well. I wanted to thank you for today’s exceptionally beautiful playlist, from the Mozart Clarinet concerto during Breakfast to the lovely Louis Spohr concerto now playing. What a treat for the tired spirits of us folks in the harshest lockdown area!  

– Linda

Turgid Miasma Can you please play other performances of the Four Last Songs? Jessye Norman’s performance of the final song is one of the longest (almost two minutes longer than most recordings), and the most turgid of performances on record. It virtually disappears at the end and does not respond to the poetry and lilt that other Strauss performers give.  You are always playing this version as though it is the greatest performance across 70 years – it is not so…

– Gar Jones

Memory LaineThe Cleo Laine songs played by Julie Simonds today and last week are delightful. Another of Cleo’s albums which you may enjoy is Sometimes When We Touch with Sir James Galway. It’s the only LP which I actually wore out! And that was on a high quality turntable with magnetic cartridge.

– Mark Smith.

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13:00 DULCIE HOLLANDA musical missionary Part 1Prepared by Neil McEwanHolland, D. Nocturne (1947). Dulcie Holland, pf.Jade JADCD 1058 4In tribute (1932). Goetz Richter, vn; Jeanell Carrigan, pf.Wirripang Wirr 105 8The scattering of leaves (1940). Ronan Apcar, pf. 17Violin sonata (1937). Asmira Woodward-Page, vn; Scott Davie, pf.Artworks AW034 15Four Mary Gilmore songs (1945-60). Wendy Dixon, sop; David Miller, pf.Wirripang Wirr 036 10Piano sonata (1952). Ronan Apcar, pf. 23

14:30 ROMANTIC BRITISH COMPOSERSPrepared by James NightingaleElgar, E. Overture: Froissart, op 19 (1890). English Northern Philharmonia/David Lloyd-Jones.Hyperion CDA66515 13Parry, H. Partita in D minor (1877-86). Benjamin Nabarro, vn; Tim Horton, pf.Hyperion CDA68243 16Hurlstone, W. Four characteristic pieces. John Bradbury, cl; James Cryer, pf.Naxos 8.570539 17Smyth, E. Serenade in D (1890). BBC PO/Odaline de la Martinez.Chandos CHAN 9449 35

16:00 FINE MUSIC DRIVEincluding Arts Calendar at 5.00pm

19:00 FRIDAY JAZZ SESSIONWith Alex SiegersA focus on the current Sydney jazz scene mixed with a range of international jazz stars and an occasional guest interview

20:00 EVENINGS WITH THE ORCHESTRAOrchestral variety showPrepared by Robert SmallMartinu, B. Overture (1953). Basle SO/Vladimir Ashkenazy.Ondine ODE 1158-2 7Beach, A. Piano concerto in C sharp minor, op 45 (1897-99). Danny Driver, pf; BBC Scottish SO/Rebecca Miller.Hyperion CDA68130 35Tchaikovsky, P. Symphony no 5 in E minor (1888). Russian NO/Mikhail Pletnev.DG 479 1429 47

Westlake, N. Suite from Antarctica (1992). Tim Kain, gui; Tasmanian SO/David Porcelijn.Tall Poppies TP169 22

22:00 BAROQUE AND BEFORESongs of angelsPrepared by Susan FoulcherGautier de Coinci. This morning at the break of day. New London Consort/Philip Pickett.Decca 460 794-2 8Rovetta, G. Ach, Herr, lass deine lieben Engelein. Andreas Scholl, ct; Concerto di Viole; Basel Consort.Harmonia Mundi HMG 501651 8Charpentier, M-A. Dialogue between angels and shepherds on the birth of the Lord. Tracy Smith Bessette, sop; Christine Stelmacovitch, cont; David Nortman, ten; Curtis Streetman, bass; Aradia Ensemble/Kevin Mallon.Naxos 8.557036 21Kapsperger, G. Toccatas: no II, Arpeggiata (arr. A. Savall); no VI. Arianna Savall, hp.Alia Vox AV9941 8Sammartini, G.B. Il pianto degli angeli della pace (1751). Silvia Mapelli, sop; Ainhoa Soraluze, mezz; Giorgio Tiboni, ten; Filippo Ravizza, hpd; Capriccio Italiano Ensemble/Daniele Ferrari.Naxos 8.557432 45Gabrieli, G. Sonata pian e forte; Canzon no 12 à 10 (pub. 1597). His Majestys Sagbutts and Cornetts.ASV GAU 122 8Handel, G. Angels, ever bright and fair, from Theodora, HWV68 (1750); Let the bright seraphim, from Samson, HWV57 (1743). Sara Macliver, sop; O of the Antipodes/Brett Weymark.ABC 476 4362 9

Saturday 2 October

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SATURDAY MORNING MUSICWith David Garrett

09:00 WHAT'S ON IN MUSICOur weekly guide to musical events in and around Sydney

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFASTincluding Arts Calendar at 7.30am

09:00 DIVERSIONS IN FINE MUSICSomething borrowedPrepared by Jacky TernisienAvison, C. Concerto grosso in A after Scarlatti (pub. 1744). Berlin Ensemble.Schwann 316 015 F1 10Thomas, J. Duet on subjects from Bizet’s Carmen. Lipman Harp Duo.Harmonious Resonance HR20130313 10Berlioz, H. The beautiful traveller; Sunset, from Nine melodies after Moore, op 2 (1829). Thomas Hampson, bar; Geoffrey Parsons, pf.EMI 5 75187 2 10Bantock, G. Old English suite, after Gibbons, Dowland, Bull, Farnaby and Byrd (1909). Czecho-Slovak State PO/Adrian Leaper.Naxos 8.555473 15Liszt, F. Concert paraphrase on Verdi’s Rigoletto, S434 (1851; transcr. 1859); O du, mein holder Abendstern, from Wagner’s Tannhäuser (1845; transcr. 1848). Michele Campanella, pf.Brilliant Classics 94610 15Stravinsky, I. Suite after Pergolesi (1925). Ray Chen, vn; Timothy Young, pf.Melba MR 301128 18

10:30 CONCERT HALLPrepared by Gerald HolderBeethoven, L. Overture to Coriolan, op 62 (1807). Bavarian RSO/Colin Davis.CBS MDK 44790 10Cooke, A. Clarinet concerto no 1 (1955). BBC SO/Michael Collins, cl & dir.Chandos CHAN 10891 28Glazunov, A. Symphony no 2 in F sharp minor, op 16 (1886). Moscow SO/Alexander Anissimov.Naxos 8.553769 45

12:00 A JAZZ HOURWith Barry O'SullivanContemporary and modern sounds of 'now' in jazz from all corners of the globe with a focus on contemporary jazz from Australia and regular interviews with local and visiting musicians

Friday 1 October

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18:00 STAGE AND SCREENPrepared by Sue JowellWilliams, J. Theme from Jaws. City of Prague SO/Derek Wadsworth.UCJ 9849607 2Throne room and end title, from Star Wars. Hollywood Bowl SO/John Mauceri.Philips 468 161 8Love theme, from Star Wars Episode 2. Cincinatti Pops O/Erich Kunzel.Telarc 80700 3Flying theme, from E.T. The extraterrestrial. Hollywood Bowl SO/John Mauceri.Philips 468 161 4Theme from Schindler’s list. Nicola Benedetti, vn; Bournemouth SO. 4Hymn to the fallen, from Saving Private Ryan. Tanglewood Festival Ch/Boston SO. 6Theme from Far and away. Itzhak Perlman, vn; Pittsburgh SO.Sony 63005 6Getting out the vote, from Lincoln. Robert Chen, vn; Chicago Symphony Ch. 3Trad. The race to the house, from Lincoln (arr. Taylor). Robert Chen, vn; Jim Taylor, gui, banjo. 3Williams, J. The Peterson House and Finale; Call to muster; Battle cry of freedom, from Lincoln. 13Chicago SO (3 above)Sony 446852 John Willliams, cond (6 above)

19:00 EMERGENT JAZZWith Keith PettigrewAustralian jazz of the 21st century featuring high school jazz combos, tracks from Sydney's pre-eminent jazz programs at UNSW and 'The Con' and new Australian and international jazz releases

20:00 THE LIFE OF A COMPOSERCharles GounodPrepared by Jacky TernisienGounod, C. Fantasy on the Russian National Hymn (1885). Roberto Prosseda, pf; Swiss Italian O/Howard Shelley.Hyperion CDA67975 9Reicha, A. Clarinet quintet in B flat, op 89 (pub. 1820). Ludmila Peterková, cl; Bennewitz Quartet.Supraphon SU 4061-2 26Gounod, C. Je veux vivre; Amour, ranime mon courage, from Romeo and Juliet (1867). Kathleen Battle, sop; Paris Opéra-Bastille Ch & O/Myung-Whun Chung.DG 479 1116 9

13:00 OPERA IN MINIATUREPrepared by Angela CockburnPuccini, G. Il tabarro. Opera in one act. Libretto by Giuseppe Adami. First performed New York, 1918. MICHELE: Robert Merrill, barLUIGI: Mario del Monaco, tenGEORGETTA: Renata Tebaldi, sopFlorence Maggio Musicale Ch & O/Lamberto Gardelli.Decca 411 665-2 54Michele witnesses a clandestine meeting between his wife, Georgetta and Luigi. Michele decides to add some zest to their next meeting. At the appointed time, he comes upon Luigi as he eagerly awaits his love, forces a confession from him, strangles him and wraps the body in his own cloak. When Georgetta appears, Michele invites her to shelter under his cloak where surely a wife can find love and happiness. As Georgetta approaches him he opens wide the folds of his cloak and throws her down on Luigi’s body.Mario! Mario! Mario! Son’ qui! from Tosca (1900). Montserrat Caballé, sop; José Carreras, ten; Piero de Palma, ten; William Elvin, bass; Royal Opera House Ch & O/Colin Davis.Philips 434 986-2 14

14:30 SATURDAY MATINEERott and his peersPrepared by Robert GilchristDvorák, A. Violin concerto in A minor, op 53 (1879). Richard Tognetti, vn; Nordic CO/Christian Lindberg.BIS CD-1708 31Smetana, B. String quartet no 2 in D minor (1882-83). Lindsay String Quartet.ASV DCA 777 17Strauss, R. Cello sonata in F, op 6 (1884). Yo-Yo Ma, vc; Emanuel Ax, pf.CBS MK 44980 29Rott, H. Symphony in E (1878-80). Norrköping SO/Leif Segerstam.BIS CD-563 1:04

17:00 SOCIETY SPOTFolk Federation of NSWWith Kate Delaney

09:05 THE PIANO ALONEPrepared by Jennifer FoongBach, J.S. Partita in A minor, BWV827 (1731). Vladimir Ashkenazy, pf.Decca 478 2163 17Rameau, J-P. Gavotte. Robert Casadesus, pf.Philips 456 739-2 7Balakirev, M. Toccata in C sharp minor (1902). Michael Lewin, pf.Centaur CRC 2134 5Schumann, C. Piano sonata in G minor, op 22 (1833-38). Yoshiko Iwai, pf.Naxos 8.553501 20

10:00 MUSICAL JOURNEYSPrepared by Andrew ClarkNelegatti, C. Three Argentinian themes. Virginia Taylor, fl; Timothy Kain, gui.Move MCD 454 10Gardel, Carlos. Mi Buenos Aires querido (1934). José Carbó, bar; Slava Grigoryan, gui; Leonard Grigoryan, gui.ABC 476 4833 3Piazzolla, A. Le grand tango (1982). Trish O’Brien, vc; Renate Turrini, pf.MBS CD41 12Ginastera, A. Dances from Estancia, op 8a (1943). New World SO/Michael Tilson Thomas.Argo 436 737 -2 13Guastavino, C. Three Argentinian romances. Martha Argerich, pf; Mauricio Vallina, pf.EMI 3 58472 2 18Tirao, C. Conciertango Buenos Aires (1978). Edoardo Catemario, gui; O Vincenzo Galilei/Nicola Paszkowski.Arts 47728-8 23

11:30 ON PARADEPrepared by Owen FisherBellstedt, H. Napoli. Ivan Hutchison, solo; Band of Her Majesty’s Royal Marines/John Perkins.EMI 7243-5-21450 6Rossini, G. Ballet music from William Tell. Allentown Band/Ronald Demkee.AMP 99207 10Khachaturian, A. Adagio from Spartacus. National Band of New Zealand.RAYJON CDR 0045 5Stevens, C. Morning has broken. Black Dyke Mills Band/James Watson.Doyen DOY 060 3

12:00 URBAN JAZZ LOUNGEWith Leita HutchingsNew, hip, fun and traditional jazz: tons of cool jazz, presented in a chilled and laid-back, lounge style

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15:00 SUNDAY SPECIALFranco-Belgian connectionsPrepared by Elaine SiversenVieuxtemps, H. Violin concerto no 2 in F sharp minor, op 19 (1836). Mischa Keylin, vn; Janácek PO/Dennis Burkh.Naxos 8.554114 21Gounod, C. O nuit d'amour, from Faust (1859). Angela Gheorghiu, sop; Roberto Alagna, ten; Royal Opera House O/Richard Armstrong.EMI 5 56117 2 5Ballet music from Faust (1859). Czecho-Slovak Radio SO/Ondrej Lenard.Naxos 8.550081 16Ah! je veux vivre, from Roméo et Juliette (1867). Renée Fleming, sop; London PO/Charles Mackerras.Decca 467 049-2 4Franck, C. Cello sonata in A (1886). Jacqueline du Pré, vc; Daniel Barenboim, pf.EMI CZS 5 68132 2 29Lalo, E. Symphonie espagnole, op 21 (1873). Anne-Sophie Mutter, vn; French NO/Seiji Ozawa.EMI CDC 7 47318 2 33

17:00 HOSANNAPrepared by Stephen MatthewsHymns. We have a gospel to proclaim; Be thou my vision; O for a thousand tongues to sing. Huddersfield Choral Society; Darius Battwalla, org; Joseph Cullen, cond.Signum SIGCD079 9Finzi, G. Magnificat. Choir of St John’s College, Cambridge/Christopher Robinson.Brilliant Classics 95928/12 9Tchaikovsky, P. Magnificat. National Academic Choir of Ukraine/Yevhen Savchuk.Brilliant Classics 95969/1 4Hymns. Lord watch over me; Long ago, Lord thou gavest. Oulainen Youth Choir/Tapani Tirila.Alba NCD46 4Charpentier, M-A. Dixit Dominus, Capella Ricecar.Ricecar RIC126 7Battishill, J. O Lord, look down from Heaven. Figuralchor Köln; Martina Mailander, org; Richard Mailander, cond.Carus 2.106/99 5Humfrey, P. O give thanks unto the Lord. Choir of Her Majesty’s Chapel Royal, St James’ Palace.Delphian DCD43237 11

10:00 THE CLASSICAL ERAPrepared by Brian DummondRosetti, A. Symphony in C (1773-76). Compagnia di Punto/Annie Laflamme, Christian Binde.DHM 88875143452 14Mozart, W. Giunse alfin il momento ... Deh vieni, non tardar, from The marriage of Figaro, K492 (1786). Joan Sutherland, sop; Valda Aveling, hpd; National PO/Richard Bonynge.Decca 421 883-2 6Viotti, G. Violin concerto no 12 in B flat (1787). Franco Mezzena, vn; Viotti CO/Luciano Borin.Dynamic CDS 63 23Haydn, J. Se tu mi sprezzi, ingrata (1788). Aldo Baldin, ten; Lausanne CO/Antal Dorati.Philips 473 851-2 6Symphony in G, Hob.I:92, Oxford (1789). English Sinfonia/Charles Groves.IMP PCD 916 26Dussek, J. Duetto in F, op 26 (1794). Masumi Nagasawa, hp; Richard Egarr, pf.Etcetera KTC1436 17Kozeluch, L. Sinfonia in G minor (1787). Czech Chamber PO/Marek Štilec.Naxos 8.573627 17

12:00 CLASSIC JAZZ AND RAGTIMEWith Maureen MeersThe early days of jazz and ragtime as recorded during the first 30 years of the 20th century

13:00 WORLD MUSICWhirled WideWith Linda MarrShowcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia

14:00 FAMOUS FOURS Part 5Prepared by Chris BlowerBeethoven, L. Grosse Fuge, op 133 (1825-26). Harmonia Mundi HMU 807481.83 16Schubert, F. String quartet in C minor, D703, Quartettsatz (1820). Harmonia Mundi HMU 807427 12Beethoven, L. String quartet in D, op 18 no 3 (1800). RCA 09026 61284 2 25Tokyo String Quartet (all above)

Bizet, G. Suite from La jolie fille de Perth (1866). Melbourne SO/John Lanchbery.ABC 456 669-2 13Gounod, C. Waltz, from Faust (1859; arr. Liszt). Geoffrey Saba, pf.Carnegie Concerts CC012 11Little symphony in B flat (1885). Athena Ensemble.Chandos CHAN 6543 20Ballet music from Faust (1859). London SO/Richard Bonynge.Decca 452 772-2 19

22:00 SATURDAY NIGHT AT HOMEAssemble, ye maidens and ladiesPrepared by Elaine SiversenHolst, G. Assemble, all ye maidens, from Seven partsongs, op 44 (1925-26). Isobel Collyer, sop; Holst Singers & O/Hilary Davan Wetton.Hyperion CDA66329 11Parry, H. Lady Radnor’s suite (1894). London SO/Adrian Boult.Lyrita SRCD 220 13Schubert, F. String quartet no 14 in D minor, D810, Death and the maiden (1824). Quartetto Italiano.Philips 475 439-2 39Carr, E. Ballet for young people: The snow maiden (1963). Queensland SO/Edwin Carr.LP ABC/Kiwi-Pacific SLD 55 22Trad. The singing maiden from afar; The fairy maiden scatters flowers. Shu-Cheen Yu, sop; Sinfonia Australis/Antony Walker.ABC 472 223-2 8Weill, K. Symphonic nocturne: Lady in the dark (1940; arr. Robert Bennett). Bournemouth SO/Marin Alsop.Naxos 8.557481 18

Sunday 3 October


06:00 SUNDAY MORNING MUSICWith Stephen Wilson

09:00 MUSICA SACRAPrepared by Stephen MatthewsZelenka, J. Missa Sanctae Caeciliae (c1711). Ensemble Inegal; Prague Baroque Soloists/Adam Viktora.Nibiru 01672231 44Charpentier, M-A. Supplicatio pro defunctus Regis. Ensemble Pierre Robert.Alpha 138 12

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14:00 THE ARTISTRY OF MURRAY PERAHIAPrepared by Frank MorrisonSchumann, R. Introduction and allegro appassionato in G, op 92 (1849). Berlin PO/Claudio Abbado.Sony SK 64577 14Berg, A. Piano sonata (1907-08). Sony SX4K 63380 10Bach, J.S. Brandenburg concerto no 5 in D, BWV1050 (c1720). Jaime Martin, fl; Kenneth Sillito, vn; Jakob Lindberg, theorbo; Academy of St Martin in the Fields/Murray Perahia.Sony SK 87326 21Beethoven, L. Piano sonata no 28 in A, op 101 (1816). Sony SK 93043 20Schumann, R. Der Spielmann, op 40 no 4 (1840). Peter Pears, ten.Sony SX4K 63380 3Brahms, J. Piano quartet no 1 in G minor, op 25 (1861). Norbert Brainin, vn; Peter Schidlof, va; Martin Lovett, vc.Sony SX4K 63380 40Murray Perahia, pf (all above)

16:00 FINE MUSIC HOLIDAYincluding Arts Calendar at 5.00pm

19:00 JAZZ PULSEWith Chris WetherallJazz across the wide spectrum from early Louis to Coltrane, with plenty of Ellington and Basie, through to hard bop

20:00 STORMY MONDAYWith Austin Harrison

22:00 JAZZ AFTER HOURSLate night jazz, to listen and engage, and relax

Tuesday 5 October



06:00 FINE MUSIC BREAKFASTincluding Arts Calendar at 7.30amWith Julie Simonds

09:00 DIVERSIONS IN FINE MUSICColours of the keyboardPrepared by Di CoxRameau, J-P. Les sauvages; La poule from Nouvelles suites de pièces de clavecin (1728). Nicholas Parle, hpd.Tall Poppies TP057 9

09:00 DIVERSIONS IN FINE MUSICA year in retrospect: 1951Prepared by Dan BickelAlwyn, W. Festival march (1951). Jonathan Small, ob; Eleanor Hudson, hp; Royal Liverpool PO/David Lloyd-Jones.Naxos 8.570144 8Arnold, M. English dances, set 2, op 33 (1951). Queensland SO/Andrew Penny.Naxos 8.553526 9Banks, D. Divertimento (1951). Australia Ensemble.Vox Australis VAST020-2 11Barber, S. Souvenirs, op 28 (1951-52). Daniel Pollack, pf.Naxos 8.550992 19Bliss, A. The enchantress (1951-52). Linda Finnie, mezz; Ulster O/Vernon Handley.Chandos CHAN 8818 18Menotti, G. Suite from Amahl and the night visitors (1951). New Zealand SO/Andrew Schenck.Koch 3-7005-2 6Shostakovich, D. Prelude and fugue in C, op 87 no 1 (1951). Alexander Melnikov, pf.Harmonia Mundi HMC 902019.20 6

10:30 CONCERT HALLPrepared by Jacky TernisienRufinatscha, J. Overture: The bride of Messina (c1850). BBC PO/Gianandrea Noseda.Chandos CHAN 10665 14Hofmann, L. Flute concerto in G. Kazunori Seo, fl; Nicolaus Esterházy Sinfonia/Béla Drahos.Naxos 8.554747 22Schmidt, F. Symphony no 1 in E (1896-99). Malmö SO/Vassily Sinaisky.Naxos 8.570828 46

12:00 SWING SESSIONSWith John BuchananFeaturing bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions

13:00 NATURE’S ENCHANTMENTPrepared by Elaine SiversenLyadov, A. The enchanted lake, op 62 (1909). Queensland SO/Vladimir Verbitsky.ABC 476 3510 9MacDowell, E. Woodland sketches, op 51 (1896). James Barbagallo, pf.Marco Polo 8.223631 19Hovhaness, A. Symphony no 63, op 411, Loon Lake (1988). Royal Scottish NO/Stewart Robertson.Naxos 8.559336 26

18:00 SMALL FORCESPrepared by Anne IrishMahler, G. Piano quartet in A minor, op 33 (c1876-78). Nicola Benedetti, vn; Tom Dunn, va; Leonard Elschenbroich, vc; Alexei Grynyuk, pf.Decca 478 3529 12Mozart, W. Violin sonata no 21 in E minor, K304 (1778). Itzhak Perlman, vn; Daniel Barenboim, pf.DG 410 896-2 11Bruch, M. Kol nidrei, op 47 (1881). Jacqueline du Pré, vc; Gerald Moore, pf.EMI CZS 5 68132 2 10Ries, F. Sextet, op 142. Dieter Klöcker, cl; Karl Hartmann, bn; Nury Guarnaschelli, hn; Wolfgang Güttler, db; Edward Witsenburg, hp; Werner Genuit, pf.Schwann CD 310 001 H1 20

19:00 SUNDAY NIGHT CONCERTPrepared by Jacky TernisienElgar, E. Overture: Cockaigne, op 40, In London town (1901). Sydney SO/Bernard Heinze.ABC 446 282-2 15Sperger, J. Symphony in F. Musica Aeterna/Peter Zajicek.Naxos 8.554764 26Dvorák, A. Slavonic rhapsody in A flat, op 45 no 3 (1878). Scottish NO/Neeme Järvi.Chandos CHAN 9002 12Rheinberger, J. Organ concerto no 1 in F, op 137. Paul Skevington, org; Amadeus O/Timothy Row.Naxos 8.557787 27

20:30 NEW HORIZONSPrepared by Calogero PanvinoGyger, E. Inferno (2013). Michael Kieran Harvey, pf.Move MD 3376 55Norgård, P. Symphony no 6, At the end of the day (1999). Oslo PO/John Storgards.Dacapo 6.220645 31

22:00 JAZZ AFTER HOURSWith Sue JowellLate night jazz, to listen and engage and relax

Monday 4 October


06:00 FINE MUSIC BREAKFASTincluding Arts Calendar at 7.30amWith James Hunter

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Wednesday 6 October




09:00 DIVERSIONS IN FINE MUSICRescued from the shadowsPrepared by Elaine SiversenHotteterre, J-M. Suite in E minor, from Première livres de pièces, op 2 (pub. 1708). Walter van Hauwe, baroque fl; Catherine Finnis, bass viol; Robert Clancy, theorbo.Fine Music tape archive 15Sartorio, A. Quando voglio, from Julius Caesar in Egypt (1676); Orfeo, tu dormi, from L’Orfeo (1672). Patricia Petibon, sop; Venice Baroque O/Andrea Marcon.DG 477 8763 8Muffat, G. Suite VIII Indissolubilis amicitia, from Florilegium II (1698). Concentus Musicus Vienna/Nikolaus Harnoncourt.Archiv 479 1045 17Dussek, J. Duet in F, op 26 (1794). Masumi Nagasawa, hp; Richard Egarr, fp.Etcetera KTC1436 17Witt, F. Septet in F for winds and strings, op 62. Consortium Classicum.cpo 777 486-2 24

10:30 CONCERT HALLPrepared by Jennifer FoongBrian, H. Comedy overture: Doctor Merryheart (1911-12). RTÉ NSO/Adrian Leaper.Naxos 8.572014 16Rode, P. Violin concerto no 1 in D minor, op 3 (1795). Friedemann Eichhorn, vn; Jena PO/Nicolás Pasquet.Naxos 8.572755 32Bruch, M. Symphony no 2 in F minor, op 36 (pub. 1870). Gewandhaus O/Kurt Masur.Philips 462 164-2 34

12:00 JAZZ SKETCHESWith Robert ValeFocussing on contemporary jazz, often gathered from emerging cultures and Australian

14:00 PARDON MY FRENCHPrepared by Jacky TernisienFauré, G. Suite from Pelléas et Mélisande, op 80 (1898). Loire PO/Marc Soustrot.Pierre Verany PV 792051 17Coste, N. Souvenirs de Flandres, op 5 (c1835). Frédéric Zigante, gui.Naxos 8.554194 19Farrenc, L. Sextet in C minor for piano and winds, op 40 (1852). Eric Le Sage, pf; Les Vents Français. Warner Classics 0825646231850 24Boïeldieu, A. Maintenant, from La dame blanche (1825). Juan Diego Flórez, ten; Bologna Communale Theatre Ch & O/Roberto Abbado.Decca 478 5948 9Vierne, L. Claire de lune, from 24 Pièces de fantaisie, suite II, op 53 (1926-27). Olivier Latry, org.naïve V 5338 10Massenet, J. Piano concerto in E flat (1902). Aldo Ciccolini, pf; Monte Carlo PO/Sylvain Cambreling.EMI CDM 7 64277 2 30


19:00 THE JAZZ BEATWith Lloyd CappsSmooth small group jazz from the 50s on, and with a visit from Miles Davis each week

20:00 JUST INWith Michael FieldA selection from the latest recordings to arrive at the Fine Music Library

22:00 CHAMBER SOIRÉEPrepared by Albert GormleySchubert, F. Piano trio no 1 in B flat, D898 (c1828). Beaux Arts Trio.Philips 442 9375 36Spohr, L. String quartet no 14 in F minor, op 45 no 3 (1818). New Budapest Quartet.Marco Polo 8.223258 35Borodin, A. Piano quintet in C minor (1862). Alexander Mndoiantz, pf; Moscow String Quartet.Brilliant Classics 94410 26Vivaldi, A. Violin sonata in A minor, RV32. Salvatore Accardo, vn; Rohan de Saram, vc; Bruno Canino, hpd.Newton 8802034 13

Bach, C.P.E. Trio sonata in A, Wq146 (1731/47). Ensemble of the Classic Era.ABC 456 365-2 12Hummel, J. Piano variations on a theme from Das Fest der Handwerker, op 115 (1830). London Mozart Players/Howard Shelley, pf & dir.Chandos CHAN 10255 15Marais, M. Suite in F (1717). Christophe Coin, bass viol; Christopher Hogwood, hpd.L’Oiseau-Lyre 436 185-2 11Moscheles, I. Grand duo, op 102, Homage to Weber (c1841). Stephanie McCallum, Erin Helyard, pf.TRPTK TTK0005 15Saint-Saëns, C. Septet in E flat, op 65 (1881). Paul Archibald, tpt; Marcia Crayford, vn; Jeremy Williams, vn; Roger Chase, va; Christopher van Kampen, vc; Rodney Slatford, db, Ian Brown, pf.Virgin VC 7 90751-2 18

10:30 CONCERT HALLPrepared by James NightingaleCasella, A. Divertimento per Fulvia, op 64 (1940). Swiss-Italian O/Damian Ioro.Naxos 8.573748 15Salieri, A. Triple concerto in D (c1770). Heinz Holliger, ob; Thomas Demenga, vc; Camerata Bern/Thomas Füri, vn & dir.Archiv 410 599-2 25Brahms, J. Symphony no 4 in E minor, op 98 (1885). London PO/Marin Alsop.Naxos 8.570233 42

12:00 JAZZ RHYTHMWith Jeannie McInnesAn eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

13:00 MUSICIANS CONSIDER LOVEPrepared by Derek ParkerWilcher, P. Mozart in love (2007). Rachel Tolmie, cora; Bourbaki Ensemble/David Angell.Wirripang Wir 018 8Ropartz, J. First-love: Bluette, op 6 (1886). Stephanie McCallum, pf.Toccata TOCC 0326 5Whitwell, S. Winter love. Acacia Quartet.ABC 481 1704 5Brandman, M. Adagio for strings: Love brings change. Moravian PO/Petr Vronský.Navona Records NV6041 5Finzi, G. Suite from Love’s labours lost, op 28 (1946). English String O/William Boughton.Nimbus NI 5101 27

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Thursday 7 October



06:00 FINE MUSIC BREAKFASTincluding Arts Calendar at 7.30amWith Simon Moore

09:00 DIVERSIONS IN FINE MUSICThe instruments: StringsPrepared by Anabela PinaOffenbach, J. Cello duet in A, op 51 no 1 (1847). Andrea Noferini, vc; Giovanni Sollima, vc.Brilliant Classics 94475 12Widor, C-M. Serenade, op 10 (1870). Thies Roorda, fl; Junko Naito, vn; Benedikt Enzler, vc; Bert Mooiman, harmonium; Alessandro Soccorsi, pf.Naxos 8.573764 8Coste, N. Consolazione, romance sans paroles, op 25; Les regrets, cantilène, op 36; Marche, op 33. Jeffrey Crellin, ob; Peter Lynch, gui.Move MD 3090 9Haydn, J. Baryton trio in D, Hob.XI:97, Birthday (c1766). Munich Baryton Trio.Claves 50-609 21Bruch, M. Romance, op 85 (c1912). Rainer Moog, va; Rhenish PO/Wolfgang Balzer.EBS ebs6071 8Praetorius, M. Four dances, from Terpsichore (pub. 1612; arr. for guitar quartet). Saffire.ABC 476 5695 9Lawes, W. Suite no 8 in C, from Royall Consort suites (c1620s). Nigel North, theorbo; Paul O'Dette, theorbo; Purcell Quartet.Chandos CHAN 0584/5 14

10:30 CONCERT HALLPrepared by Frank MorrisonDebussy, C. Jeux (1912). Ulster O/Yan Pascal Tortelier.Chandos CHAN 8903 18Field, J. Piano concerto no 5 in C, Fire by lightning (1815). Míceál O'Rourke, pf; London Mozart Players/Matthias Bamert.Chandos CHAN 9495 27Sibelius, J. Symphony no 4 in A minor, op 63 (1911). Berlin PO/Herbert von Karajan.EMI CDM 7 69244-2 39

20:00 AT THE OPERAPrepared by Elaine SiversenVerdi, G. Rigoletto. Opera in three acts. Libretto by Francesco Maria Piave. First performed Venice, 1851. DUKE OF MANTUA: Roberto Alagna, tenRIGOLETTO: Renato Bruson, barMONTERONE: Giorgio Giuseppini, bassGILDA: Andrea Rost, sopSPARAFUCILE: Dimitri Kavrakos, bassLa Scala Ch & O/Riccardo Muti.Sony 88697448212 2:01The Duke of Mantua, a lecherous philanderer, seduces wives and daughters while his hunchbacked jester Rigoletto mocks their husbands and fathers. The tables turn on the jester when a furious father, Monterone, whose daughter has been dishonoured by the Duke, curses him. The curse is realised when the Duke seduces Rigoletto's beautiful daughter, Gilda, the only true joy in his miserable life. Vowing revenge, Rigoletto hires Sparafucile, an assassin, to kill the Duke. Tragically, however, his daughter is killed instead.Celeste Aïda, from Aïda (1871). DG 481 056-9 3Introduzione, La vita è inferno ... O tu che in seno agli angeli, from La forza del destino (1862). EMI 5 56567 2 11Roberto Alagna, ten; Berlin PO/Claudio Abbado (2 above)

22:30 MUSIC OF THE NIGHTPrepared by James NightingaleRespighi, O. Three preludes on Gregorian themes (1919-21). Arabella Teniswood-Harvey, pf.Move MD 3410 17Barati, G. Chant of darkness (1993). Czech RSO/Vladimir Válek.Naxos 8.559063 17Hsieh, A. Quartet: Towards the beginning (2010). Syzygy Ensemble.Private recording 7Adams, J. Luther Become desert (2018). London PO/Marin Alsop.Cantaloupe Records CA21161 40

13:00 THE CLARINET OF THEA KING Prepared by Paul CookeMendelssohn, F. Concert piece in F minor, op 113 (1833). Thea King, cl; Georgina Dobrée, bshn; London SO/Alun Francis.Hyperion CDD 22017 8 Schubert, F. Der Hirt auf dem Felsen, D965 (1828). Heather Harper, sop; Thea King, cl; Benjamin Britten, pf.BBC 8011-2 13Mozart, W. Clarinet quintet in A, K581 (1789). Thea King, basset cl; Gabrieli String Quartet.Hyperion CDA20199 33

14:00 ON THE STEPPEPrepared by Dan BickelBorodin, A. In the steppes of Central Asia (1880). Suisse Romande O/Ernest Ansermet.Decca 455 632-2 7Trad. In the Central Steppes (arr. Yachinov). Red Army Choir/Vikto Eliseev.FGL 479 2311 6Prokofiev, S. Suite from On the Dnieper, op 51bis (1933). Ukrainian State SO/Theodore Kuchar.Naxos 8.550968-9 22Scythian suite, op 20, Ala and Lolli (1914). Birmingham SO/Simon Rattle.EMI 7 54577 2 20Glazunov, A. Symphonic poem: Stenka Razin, op 13 (1885). Suisse Romande O/Ernest Ansermet.Decca 480 0038 15Rachmaninov, S. Symphonic poem: Prince Rostislav (1891). Sydney SO/Vladimir Ashkenazy.Exton EXCL-00018 16Janácek, L. Taras Bulba, rhapsody after Gogol (1915-18). Czech PO/Jirí Belohlávek.Chandos CHAN 9080 23


19:00 PLANET JAZZWith Xavier BichonA musical journey to different parts of the world where jazz meets other musical traditions, from Africa to Europe, with a slice of Australia

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Widor, C-M. Three pieces (1909; arr. Rey). Alexei Ogrintchouk, ob; Alessandro Soccorsi, pf.Naxos 8.573764 12Schubert, F. Sonata in A minor, D821, Arpeggione (1823; arr. Duka). Norbert Duka, db; Phillip Moll, pf.Naxos 8.572187 22

10:30 CONCERT HALLPrepared by Elaine SiversenBeethoven, L. Overture no 3 to Leonore, op 72a (1805-06). Tasmanian SO/Sebastian Lang-Lessing.ABC 476 7736 14Wagenseil, G. Cello concerto in C. Györgyi Körösi, vc; Salieri CO/Tamás Pál.Arkadia CDAK 130.1 24Tchaikovsky, P. Symphony no 3 in D, op 29, Polish (1875). Concertgebouw O/Bernard Haitink.Decca 478 5867 44

12:00 A JAZZ HOURWith Barry O'Sullivan

13:00 DOHERTY’S OBOEPrepared by James NightingaleBach, J.S. Concerto in A, BWV1055 (1735-40). Diana Doherty, ob d’amore; Ironwood.ABC 476 3673 15Edwards, R. Yanada (1998). ABC 465 782-2 4Schumann, R. Drei Fantasiestücke, op 73 (1849; arr.). Ben Martin, pf.Fine Music concert recording 11Westlake, N. Oboe concerto, Spirit of the wild (2016). Sydney SO/Nigel Westlake.ABC 481 7899 22Diana Doherty, ob (3 above)

14:00 TRACING THE MUSICAL HERITAGE Part 10Prepared by Chris BlowerVaughan Williams, R. Fantasia on a theme of Thomas Tallis (1910). Queensland SO/Patrick Thomas.ABC 476 4565 15Te Deum (1928). Choir of Worcester Cathedral/Christopher Robinson.Chandos CHAN 6550 7Tailleferre, G. Concertino (1927). Gillian Benet, hp; Women's PO/JoAnn Falletta.Koch 3 7169 2H1 16Ravel, M. La valse (1921). Yuja Wang, pf.DG 477 8795 12Rapsodie espagnole (1907). Zurich Tonhalle O/Lionel Bringuier.DG 479 5524 15

20:00 THE WORLD OF A SYMPHONYPrepared by Paul CookeLoewe, C. Esther, op 52 (1835). Ruth Ziesak, sop; Cord Garben, pf.cpo 999 543-2 15Schumann, R. Suite in folkstyle, op 102 (1849). David Pereira, vc; David Bollard, pf.Tall Poppies TP078 17Liszt, F. Symphonic poem no 5: Prometheus (1850/55). London PO/Bernard Haitink.Philips 438 751-2 13Mendelssohn, Fanny. Piano trio in D, op 11 (1846). Oliver Butterworth, vn; Michael Evans, vc; Frank Wibaut, pf.Hyperion CDH55078 27Mayer, E. Symphony no 4 in B minor (1849-50; arr. Malzew). New Brandenburg PO/Stefan Malzew.Capriccio C5339 37

22:00 ZHUKOV PLAYS BEATHPrepared by Elaine SiversenBeath, B. Key connections (2003); Prelude to play (2010); Light through a stained glass window. Wirripang Wirr 045 6Dreams and visions (1999). Wirripang Wirr 010 16Katie Zhukov, pf (2 above)

22:30 ULTIMA THULEAmbient and atmospheric music

Friday 8 October




09:00 DIVERSIONS IN FINE MUSICSomething borrowedPrepared by Chris BlowerRodrigo, J. Fantasia para un gentilhombre (1955; arr. Galway). Lisa Hansen, fl; Mexico State SO/Enrique Bátiz.EMI 5 65900 2 21Bach, J.S. Lute suite in E minor, BWV996 (1727-31; arr.). Alice Giles, hp.Fine Music concert recording 12Spohr, L. Potpourri on themes of Mozart, op 22 (1807). Academy of St Martin in the Fields Chamber Ensemble.Chandos CHAN 9424 14

12:00 JAZZ, PURE AND SIMPLEWith Maureen MeersSwing to Mainstream, with the Great American Songbook making regular appearances

13:00 WINDS FRONT AND CENTREPrepared by Krystal LiDebussy, C. Rhapsodie (1909-19). Jean-Marie Londeix, alto sax; French National RT O/Jean Martinon.EMI 5 72360 2 10Massonneau, L. Oboe quartet in F (c1798). Paul Goodwin, ob; Terzetto.Harmonia Mundi HMU 907220 14Berwald, F. Concert piece (1827). Patrik Håkansson, bn; Gävle SO/Petri Sakari.Naxos 8.555370 12Guastavino, C. Sonata (1970). Michael Collins, cl; Michael McHale, pf.Chandos CHAN 10901 17

14:00 GREAT CONDUCTORSZubin MehtaPrepared by Jacky TernisienSuppé, F. Overture to Poet and peasant (1846). Vienna PO.CBS MK 44932 10Verdi, G. Teneste la promessa ... Attendo, nè a me giungon mai ... Addio del passato, from La traviata (1853). Kiri Te Kanawa, sop; Florence Maggio Musicale Ch & O.Decca 478 6419 7Vivaldi, A. Triple concerto in F, RV551. Pinchas Zukerman, vn; Itzhak Perlman, vn; Isaac Stern, vn; New York PO.Sony SM2K 66 472 11Strauss, R. Mein Elemer! from Arabella (1933). Jane Eaglen, sop; Yuri Gandelsman, va; Israel PO.Sony SK 60042 8Ravel, M. La valse (1921). Los Angeles PO.Decca 475 7470 12Bruch, M. Scottish fantasy in E flat, op 46 (1880). Midori, vn; Natalie Tal Glazer, hp; Israel PO.Sony SK 58967 31Zubin Mehta, cond (all above)


19:00 THE NEW JAZZ STANDARDWith Frank PresleyA fresh perspective on modern music contributing to the standard jazz repertoire, with fine jazz interpretations from the world of pop, rock, film and contemporary jazz

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13:00 IN A SENTIMENTAL MOODWith Maureen MeersNostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes

14:00 CHAMBER INTERLUDEPrepared by Jacky TernisienMilhaud, D. Sonatine (1922). Emmanuel Pahud, fl; Eric Le Sage, pf.EMI 5 56488 2 9Clementi, M. Piano trio, op 21 no 2 (pub. 1788). Trio Fauré.Dynamic CDS 93 10Fasch, J. Quartet in D minor for oboe, bassoon, violin and basso continuo. Members of Epoca Barocca.cpo 777 204-2 7

14:30 SATURDAY MATINEEOperetta in the afternoonPrepared by Angela CockburnStrauss, J. II The goddess of reason. Operetta in three acts. Libretto by Alfred Willner and Bernhard Buchbinder. First performed Vienna, 1897. JACQUELIN: Wolfgang Veith, tenERNESTINE: Isabella Ma-Zach, sopCOLONEL FURIEUX: Manfred Equiluz, tenCAPTAIN ROBERT: Kirlianit Cortes, tenBONHOMME: Franz Födinger, tenCOMTESSE MATHILDE: Veronika Groiss, sopFrantisek Figura, vn; Slovak Sinfonietta/Christian Pollack.Naxos 8.660280-81 1:24Jacquelin, an artist, is on the run because of his political caricatures during Robespierre’s ‘reign of terror’. He and his lover, Ernestine, are planning to escape from France and need passports from Colonel Furieux. Furieux refuses to issue them when Ernestine is delayed by an engagement in the theatre as the goddess of reason. He threatens to execute Jacquelin if she does not come. Ernestine’s carriage is surrounded by a drunken mob. They seize Bonhomme and mock marry him to the goddess of reason. The Countess Mathilde is trying to escape but has no passport. Bonhomme declares that she is the expected prima donna, Ernestine. Jacquelin, hoping to save himself, introduces her to Colonel Furieux as Ernestine. Furieux invites the Countess to dinner with the officers where she is to choose her cavalier. All except Captain Robert line up to be chosen, but it is he whom she chooses. Later Furieux makes advances to her but Robert comes to her aid.Furieux sees his caricature in Jacquelin’s sketchbook. Afraid for his life, Jacquelin admits that the Countess is not Ernestine. Furieux orders the Countess to be arrested as an

Saturday 9 October


06:00 SATURDAY MORNING MUSICWith Stephen Wilson


09:05 THE PIANO ALONEPrepared by Anne IrishBusoni, F. Toccata (1920). Alfred Brendel, pf.Philips 456 733-2 9Liszt, F. Sacred dance and final duet, from Verdi’s Aïda, S436 (1871; transcr. 1877). Michele Campanella, pf.Brilliant Classics 94610 11Schubert, F. Impromptu in G flat, D899 no 3 (1828). Radu Lupu, pf.Decca 478 5644 6Schumann, R. Concert sans orchestre, first version of Piano sonata no 3 in F minor, op 14 (1836). Maurizio Pollini, pf.DG 471 369-2 22

10:00 MUSICAL JOURNEYSPrepared by David BrettWestlake, N. Suite from Antarctica (1992). Tim Kain, gui; Tasmanian SO/David Porcelijn.Tall Poppies TP169 22Rautavaara, E. Cantus arcticus, concerto for birds and orchestra, op 61 (1972). Lahti SO/Osmo Vänskä.BIS CD-1038 17Vaughan Williams, R. Symphony no 7, Sinfonia Antartica (1949-52). Patricia Rozario, sop; BBC Women’s Ch & SO/Andrew Davis.Teldec 0630-13139-2 43

11:30 ON PARADEPrepared by Robert SmallNewsome, R. Concorde (1973). 5Chabrier, E. España (1883; arr. Langford). 5Chandos CHAN 6539 (2 above) Fauré, G. Pavane (arr. Langford). Chandos CHAN 4533 6Ball, E. Rhapsody on Negro spirituals no 2. Chandos CHAN 6539 9Black Dyke Mills Band/Roy Newsome (all above)

12:00 URBAN JAZZ LOUNGEWith Leita Hutchings

Introduction and allegro for harp, flute, clarinet and string quartet (1906). Peter-Lukas Graf, fl; Hans Rudolf Stalder, cl; Ursula Holliger, hp; members of Die Kammermusiker Zürich.Claves CD 50-280 11Fauré, G. Dolly suite, op 56 (1894-97). Darryl Coote, Max Cooke, pf.Move MD 3158 15Violin concerto in D minor, op 14 (1880). Philippe Graffin, vn; Ulster O/Thierry Fischer.Hyperion CDA67294 16


19:00 FRIDAY JAZZ SESSION

20:00 EVENINGS WITH THE ORCHESTRADanish National Radio Symphony OrchestraPrepared by Frank MorrisonHorneman, C. Ouverture héroïque (1867). Michael Schønwandt, cond.Chandos CHAN 9373 13Nielsen, C. Sleep, op 18 (1903/04). Danish National Radio Choir; Leif Segerstam, cond.Chandos CHAN 8853 19Arensky, A. Suite no 2, op 23, Silhouettes (1892). Neeme Järvi, cond.Chandos CHAN 8898 19Gade, N. Overture: Echoes from Ossian, op 1 (1840). Dmitri Kitaienko, cond.Chandos CHAN 9075 15Sibelius, J. Symphony no 1 in E minor, op 39 (1899). Leif Segerstam, cond.Chandos CHAN 9107 43Danish National RSO (all above)

22:00 BAROQUE AND BEFOREPrepared by Andrew DziedzicBiber, H. Sonata representativa in A (1669). Romanesca.Harmonia Mundi HMU 907134.35 13Vespro della Beata Vergine; Psalmi de B.M. Virgine, (1693); Delectus sacrarum cantionum, op 1 (1669; arr. Kerll). Cantus Cölln; Concerto Palatino/Konrad Junghänel.Accent ACC 24286 45Zelenka, J. Capriccio no 2 in G. Das Neu-Eröffnete O/Jürgen Sonnentheil.cpo 999 458-2 14Missa Dei Filii (1740-41). Nancy Argenta, sop; Michael Chance, ct; Christoph Prégardien, ten; Gordon Jones, bass; Stuttgart Chamber Choir; Tafelmusik Baroque O/Frieder Bernius.Harmonia Mundi RD 77922 42

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Schubert, F. String quartet no 6 in E flat, D87 (1813). L'Archibudelli.Sony SK 53982 26Haydn, J. Andante and variations in F minor, Hob.XVII:6 (1793). Sviatoslav Richter, pf.Stradivarius STR 33343 13Mozart, W. Symphony no 20 in D, K133 (1772). Danish Radio Sinfonietta/Ádám Fischer.Da Capo 6.220541 25

12:00 CLASSIC JAZZ AND RAGTIMEWith Dave Mac

13:00 WORLD MUSICWhirled WideWith Orli Zahava

14:00 FAMOUS FOURS Part 6Prepared by Chris BlowerDvorák, A. Bagatelle, op 47 no 1 (1878). Rudolph Firkusny, pf.CBS M2YK45672 18Schubert, F. String quartet no 13 in A minor, D804 (1824). CBS M2YK 45617 37Juilliard String Quartet (2 above)

15:00 SUNDAY SPECIALScintillating Tchaikovsky Part 2Prepared by Paolo HookeTchaikovsky, P. Suite from The nutcracker, op 71 (1892; arr. Pletnev). Mikhail Pletnev, pf.Melodiya/BMG 74321 25181 2 17Capriccio italien, op 45 (1880). USSR SO/Yevgeny Svetlanov.Melodiya/BMG 74321 34164 2 14Piano concerto no 1 in B flat minor, op 23 (1875). Sviatoslav Richter, pf.Melodiya 74321 17083 2 34Symphony no 5 in E minor, op 64 (1888). DG 419 745-2 43Leningrad PO/Yevgeny Mravinsky (2 above)

17:00 HOSANNAPrepared by Meg MatthewsHymns. Christ triumphant; All my hope on God is founded; King of glory, King of peace. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond.Hyperion CDP 12101 8Tallis, T. If ye love me. Tallis Scholars/Peter Phillips.Gimell 454 993-2 2Schütz, H. Psalm 122, I was glad; Psalm 23, The Lord is my shepherd (1619). Cantus Cölln; Concerto Palatino/Konrad Junghänel.Harmonia Mundi HMG 501652-53 9

Chandos CHAN 9960 10Symphony no 4, op 82 (2000). Chandos CHAN 9960 29BBC PO/Sachio Fujioka (2 above)

22:00 SATURDAY NIGHT AT HOMEPrepared by James NightingaleFauré, G. Piano quartet no 2 in G minor, op 45 (1885-86). Antoine Tamestit, va; Trio Wanderer.Harmonia Mundi HMC 902032 33Campra, A. Énée et Didon. Les Arts Florissants/William Christie.BIS CD-428 15Farrenc, L. Viola sonata no 2 in A, op 39 (1850-55). Nancy Oliveros, va; Mary Ellen Haupert, pf.Centaur CRC 3271 29Debussy, C. Estampes (1903). Roger Woodward, pf.ABC 472 170-2 15Mozart, W. Symphony no 31 in D, K297, Paris (1778). Freiburg Baroque O/Gottfried von der Goltz.Harmonia Mundi HMX 2908601.30 21

Sunday 10 October


06:00 SUNDAY MORNING MUSICWith Robert Small

09:00 MUSICA SACRAPrepared by Paul CookeTallis, T. Missa, Salve intemerata. Oxford Camerata/Jeremy Summerly.Naxos 8.557770 28Cherubini, L. Credo for eight voices (1806). Italian RT Chamber Choir; Giuseppe Agostini, org; Nino Antonellini, cond.LP Italia 70051 27

10:00 THE CLASSICAL ERAPrepared by Di CoxWeber, C.M. Overture to Der Freischütz (1821). Vienna PO/Carlos Kleiber.Artists FED 013/14 10Bach, C.P.E. Cello concerto in A, Wq172 (1753). Anner Bijlsma, vc; O of the Age of Enlightenment/Gustav Leonhardt.Virgin VC 7 90800-2 19Boccherini, L. Flute quintet in D, op 17 no 1 (1773). Alexandre Magnin, fl; Janácek Quartet.Naxos 8.553719 11Haydn, M. Die Verwandlungen. Die Singphoniker.cpo 999 333-2 4

aristocrat. Robert stands by her but is revealed as a marquis. Bonhomme, as a delegate to the Convention, declares that he is arresting them and taking them away for the severest punishment and threatens to arrest Furieux. Ernestine, as the goddess of reason, sways the crowd’s opinion in favour of Bonhomme’s action. Ernestine gives the passports which Jacquelin had obtained for her and himself to the Countess and Robert who escape and later marry, as do Jacquelin and Ernestine.Graduation ball (1840; arr. Dorati). Willi Boskovsky, cond.Decca 436 781-2 34Wine, women and song, op 333 (1869). Zubin Mehta, cond.Sony 88875035492 10Vienna PO (2 above)

17:00 SOCIETY SPOTOrgan Music Society of NSWThe King of InstrumentsWith John Hanna

18:00 STAGE AND SCREENPrepared by Maureen MeersArlen, H. Excerpts from The Wizard of Oz (1939). Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, voices; MGM Studio O.Turner Classics 71559 26Arnold, M. Suite from The sound barrier (1952). 8Suite from Hobson's choice (1954). 17London SO/Richard Hickox (2 above).Chandos CHAN 9103

19:00 EMERGENT JAZZWith Keith Pettigrew

20:00 THE LIFE OF A COMPOSERTakashi YoshimatsuPrepared by James NightingaleYoshimatsu, T. Saxophone concerto, op 59, Cyber-bird (1993). Nobuya Sugawa, sax; BBC PO/Sachio Fujioka.Chandos CHAN 9737 23Digital bird suite (1982). Manuela Wiesler, fl; Noriko Ogawa, pf.BIS BIS-CD-1059 16And the birds are still, op 72 (1997-98). Manchester Camerata/Sachio Fujioka.Chandos CHAN 9652 8Wind color vector. Craig Ogden, gui.Chandos CHAN 9743 11White landscapes, op 47a (1991-97). Manchester Camerata/Sachio Fujioka.Chandos CHAN 9652 10Atom hearts club suite no 1, op 70b (1997/2000).

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Beethoven, L. Symphony no 3 in E flat, op 55, Eroica (1803). Vienna PO/Andris Nelsons.DG 028948370719 52

12:00 SWING SESSIONSWith John Buchanan

13:00 CHAMBER MUSIC WITH BASSPrepared by James NightingaleRies, F. Sextet, op 142. Dieter Klöcker, cl; Karl Hartmann, bn; Nury Guarnaschelli, hn; Wolfgang Güttler, db; Edward Witsenburg, hp; Werner Genuit, pf.Schwann 310 001 H1 20Westlake, N. Songs from the forest (1994). Joel Westlake, db; Slava Grigoryan, gui; Leonard Grigoryan, gui.ABC 476 574-4 7Stravinsky, I. Suite from The soldier's tale (1918). William Blount, cl; Frank Morelli, bn; Chris Gecker, cornet; Michael Powell, tb; Rolfe Schulte, vn; John Feeney, db; Gordon Gottlieb, perc.MusicMasters 01612-67152-2 25

14:00 EUROPEAN HOLIDAYS Prepared by Jacky TernisienOffenbach, J. Ballet: Gaîté parisienne (1866; arr. Rosenthal 1938). Berlin PO/Herbert von Karajan.Decca 478 5630 29Addinsell, R. Warsaw concerto (1941). Isador Goodman, pf; Melbourne SO/Patrick Thomas.ABC 476 4565 8Granados, E. Excerpts from Spanish dances, op 5 (arr.). Pro Arte Guitar Trio.ASV WHL 2061 16Ireland, J. Excerpts from London pieces. John Lenehan, pf.Naxos 8.553700 14Mendelssohn, F. Symphony no 3 in A minor, op 56, Scottish (1842). CO of Europe/Nikolaus Harnoncourt.Apex 2564 67391-0 40


19:00 JAZZ PULSEWith Chris Wetherall


22:00 JAZZ AFTER HOURSWith Gail Monjo

Ye, X. Four poems of Lingnan, op 62 (2011). Shi Yijie, ten; Macau O/ Lü Jia.Naxos 8.573131 18Brophy, G. Air (2017). Riley Lee, shakuhachi; Enigma Quartet.ABC 481 7998 6Yu, J. Sol de la re (2000/12) Robert Schubert, cl; Isin Cakmakcioglu, vn; Danielle Arcaro, va; Rachel Atkinson, vc.Move MD 3351 5Armanini, M. Incense and flowers (2002). Heidi Krutzen, hp; Latvian NSO/John Zoltek.Centrediscs CMCCD 13108 32

22:00 JAZZ AFTER HOURSWith Deborah Evans

Monday 11 October



09:00 DIVERSIONS IN FINE MUSICA year in retrospect: 1872Prepared by Frank MorrisonDvorák, A. Piano quintet in A, op 5 (1872). Ivan Klansky, pf; Vlach Quartet Prague.Naxos 8.555377 24Delibes, L. The maids of Cadiz (1872; arr. Gamley). Yvonne Kenny, sop; Melbourne SO/Vladimir Kamirski.ABC 442 509-2 3Grieg, E. Homage march, from Three orchestral pieces from Sigurd Jorsalfar, op 56 (1872; arr.). Eva Knardahl, pf.BIS CD-109 10Saint-Saëns, C. Cello concerto no 1 in A minor, op 33 (1872). János Starker, vc; London SO/Antal Dorati.Mercury 432 010-2 19Raff, J. String octet in C, op 176 (1872). Academy of St Martin in the Fields Chamber Ensemble.Chandos CHAN 8790 24

10:30 CONCERT HALLPrepared by Gerald HolderCimarosa, D. Overture to La circe (1783). Toronto CO/Kevin Mallon.Naxos 8.570279 10Mendelssohn, F. Piano concerto no 2 in D minor, op 40 (1837). Jean-Yves Thibaudet, pf; Gewandhaus O/Herbert Blomstedt.Decca 468 600-2 21

Zelenka, J. Sanctus; Benedictus; Dona nobis pacem, from Missa Sancti Josephi (1732). Julia Lezhneva, sop; Daniel Taylor, alto; Tilman Lichdi, ten; Stuttgart Chamber Choir & Baroque O/Frieder Bernius.Carus SWR 2 12Liszt, F. Children’s chorus of welcome, from The legend of St Elisabeth (1864). Nyiregyháza Children’s Ch; Budapest Ch; male Ch of Hungarian People’s Army/Arpád Joó.Hungaraton HCD 12694-96 5Verdi, G. Chorus of the Hebrew slaves, from Nabucco. German Opera Berlin Ch & O/Giuseppe Sinopoli.DG 410512-2 5Vaughan Williams, R. O taste and see; Valiant-for-truth; For all the saints. Choir of Worcester Cathedral/Christopher Robinson.Chandos CHAN 6550 9

18:00 SMALL FORCESPrepared by Paul CookeHumperdinck, E. String quartet movement in E minor (1873). Diogenes Quartet.cpo 777 547-2 12Hindemith, P. Sonata (1938). Alexei Ogrintchouk, ob; Leonid Ogrintchouk, pf.BIS BIS-2023 11Beethoven, L. Piano trio no 5 in E flat, op 70 no 2 (1808). Moscow Conservatory Trio.Origin OR 009 30

19:00 SUNDAY NIGHT CONCERTPrepared by Anabela PinaSuk, J. Pohádka, fairy tale suite, op 16 (1899-1900). Northwest German PO/Alun Francis.cpo 999 576-2 30Kalliwoda, J. Oboe concertino in F, op 110 (1844). Diana Doherty, ob; Queensland SO/Werner Andreas Albert.ABC 456 681-2 16Rodrigo, J. Concerto-serenade (1952). Nicanor Zabaleta, hp; Berlin RSO/Ernst Märzendorfer.DG 463 648-2 23Herschel, W. Symphony no 13 in D (1762). London Mozart Players/Matthias Bamert.Chandos CHAN 10048 12

20:30 NEW HORIZONSPrepared by Krystal LiLoader, F. Lorikeet corroboree (2015). Ensemble Offspring.ABC 481 9361 6Miyoshi, A. Kyo-so (2006). Tomoe Kawabata, pf; Aura Go, pf.Master Performers MP 015 13

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Wednesday 13 October




09:00 DIVERSIONS IN FINE MUSICRescued from the shadowsPrepared by Anabela PinaAlbrechtsberger, J. Aria de passione Domine: O Traurigkeit, O Herzeleid (ed. Hanlon). Monica Groop, mezz; Christian Lindberg, tb; Ann Wallström, vn; Marit Bergman, vn; Olof Larsson, vc; Björn Gäfvert, org.BIS CD-548 8Carvalho, J. de Sousa Overture to L’amore industrioso (1769). Algarve O/Alvaro Cassuto.Naxos 8.557207 9Lanzetti, S. Sonata no 5 in B flat, op 1 (1740). Francesco Galligioni, vc; L’Arte dell’Arco.Brilliant Classics 95525 16Vorisek, J. Six variations in B, op 19 (1825). Olga Tverskaya, pf.Opus 111 OP30241 10Muffat, G. Concerto XII in G Propitia sydera (pub. 1701). Musica Aeterna/Peter Zajicek.Naxos 8.555743 18Saint-Georges, J. Sonata in E flat. Amélie Michel, fl; Sandrine Chatron, hp.Ambroisie AM 179 9Mysliveček, J. Ti parli in seno amore, from Farnace (1767). Vince Yi, ct; Armonia Atenea/George Petrou.Decca 478 8094 8

10:30 CONCERT HALLPrepared by Jacky TernisienGlinka, M. Overture to Ivan Susanin (1836). USSR State Academic SO/Yevgeny Svetlanov.Melodiya MEL 10011824 9Finzi, G. Cello concerto, op 40 (1955). Yo-Yo Ma, vc; Royal PO/Vernon Handley.Lyrita SRCD.236 41Mozart, W. Symphony no 36 in C, K425, Linz (1783). Mozart Akademie Amsterdam/Jaap ter Linden.Brilliant Classics 94295 31

12:00 JAZZ SKETCHESWith Robert Vale

14:00 THE 18TH CENTURY RELAXESPrepared by Derek ParkerArne, T. Overture no 8 in G minor (pub. 1751). Academy of Ancient Music/Christopher Hogwood.L’Oiseau-Lyre 436 859-2 9Handel, G. Suite no 1 in F, HWV348 (1715/36). Aradia Ensemble/Kevin Mallon.Naxos 8.557764 29Boyce, W. Corydon and Miranda, a pastoral interlude (1750). Opera Restor'd/Peter Holman.Hyperion CDA66935 17Haydn, M. Violin concerto in B flat (1760). Concerto Amsterdam/Jaap Schröder, vn & dir.Pro Arte CDD 330 22Mozart, W. Divertimento no 2 in D, K131 (c1772). Orpheus CO.DG 431 689-2 33


19:00 THE JAZZ BEATWith Lloyd Capps

20:00 JUST INWith James NightingaleA selection from the latest recordings to arrive at the Fine Music Library

22:00 CHAMBER SOIRÉEPrepared by Anne IrishMendelssohn, F. Piano sextet in D, op 110 (1824). Andra Darzins, va; Wolfgang Wagner, db; Batholdy Piano Quartet.Naxos 8.550966 31Weber, C.M. Clarinet quintet in B flat, op 34 (1815). Benny Goodman, cl; Berkshire String Quartet.Music Masters 5027-2-C 25Sibelius, J. Malinconia, op 20 (1901). Heinrich Schiff, vc; Elisabeth Leonskaja, pf.Philips 412 732-2 12Beethoven, L. Piano trio in B flat, op 97, Archduke (1810-11). Pinchas Zukerman, vn; Jacqueline du Pré, vc; Daniel Barenboim, pf.EMI CMS 7 63124-2 41

Tuesday 12 October




09:00 DIVERSIONS IN FINE MUSICThe colours of the keyboardHaydn, J. Keyboard sonata no 58 in C, Hob.XVI:48 (1789). Lola Odiaga, fp.Titanic Ti-156 12Stravinsky, I. Concerto (1935). Vladimir Ashkenazy, pf; Andrei Gavriolov, pf.Decca 473 810-2 20Schumann, R. Märchenbilder, op 113 (1851). Vinciane Béranger, va; Anne-Lise Gastaldi, pf.Harmonia Mundi ZZT2010401 16Bach, J.S. Toccata in E minor, BWV914 (c1710). Kenneth Gilbert, hpd.Archiv 431659-2 8Ravel, M. Piano trio in A minor (1914). Rotraud Schneider, vn; Anthea Scott-Mitchell, vc; Daniel Herscovitch, pf.Fine Music concert recording 25

10:30 CONCERT HALLPrepared by Dan BickelSchumann, R. Overture, scherzo and finale, op 52 (1841/45). Hanover Band/Roy Goodman.RCA 09026 61931 2 17Bartók, B. Concerto for orchestra (1943). Royal PO/Rafael Kubelik.EMI CZS 5 68223 2 37Hanson, H. Symphony no 2, op 30, Romantic (1930). Eastman-Rochester O/Howard Hanson.Mercury 478 5092 28

12:00 JAZZ RHYTHMWith Jeannie McInnes

13:00 AUSTRALIANS IN CHAMBERPrepared by Elaine SiversenDvorák, A. Serenade in D minor, op 44 (1878). Amadeus Wind Players/John Gray.MBS 8 27Borodin, A. String quartet no 2 in D (1881). Flinders Quartet.Fine Music concert recording 28

3736

10:30 CONCERT HALLPrepared by Rita FeltonMussorgsky, M. St John’s night on Bald Mountain (1867; orch. Rimsky-Korsakov 1886). Royal Liverpool PO/Charles Mackerras.Virgin VC 7 91174-2 11Telemann, G. Overture in C: Hamburg ebb and flow. King's Consort/Robert King.Hyperion CDA66967 23Berlioz, H. Symphonie fantastique, op 14 (1830). Sydney SO/Willem van Otterloo.LP ABC AO 7009/10 49

12:00 JAZZ, PURE AND SIMPLEWith Maureen Meers

13:00 FOR TWO PIANOSPrepared by Frank MorrisonArensky, A. Suite no 1, op 15 (1888). Stephen Coombs, pf; Ian Munro, pf.Hyperion CDA66755 14Stravinsky, I. Three movements from Petrushka (1911/1947). Katia Labeque, pf; Marielle Labeque, pf.Philips 420 822-2 15Beach, A. Suite on Irish melodies, op 104 (c1920). Virginia Eskin, pf; Kathleen Supove, pf.Koch 3-7254-2 24

14:00 FRANCK AND FRIENDSPrepared by Derek ParkerFranck, C. Symphonic variations (1885). Jorge Bolet, pf; Concertgebouw O/Riccardo Chailly.Decca 421 714-2 17Chausson, E. Andante et allegro (1881). Céleste Zewald, cl, David Kuykken, pf.RN Music MCCN120 9Duparc, H. L'invitation au voyage (1870). Yvonne Kenny, sop; Malcolm Martineau, pf.Walsingham WAL 8022 4Franck, C. Violin sonata in A (1886). Gil Shaham, vn; Gerhard Oppitz, pf.DG 429 729-2 29Vierne, L. Clair de lune, from 24 Pièces de fantaisie, op 53 (1926-27). Olivier Latry, org.naïve V 5338 10Franck, C. Symphony in D minor (1887-88). Philharmonia O/Carlo Maria Giulini.EMI CZS 7 67723 2 40


19:00 THE NEW JAZZ STANDARDWith Frank Presley

rescue, she leads her army in victorious battle against the Russians, capturing Dscherikoff. Still loving him, she pleads for his life. However, her father, Amul Beg, who had been blinded by a Russian bullet, blames Sarema and opposes her leniency towards the captive. Filled with guilt, she kills herself, still avowing her love for Dscherikoff.

22:00 MUSIC OF THE NIGHTPrepared by Paul CookeBerg, A. Lyric suite (1926). Alban Berg Quartet.EMI 5 55190 2 27Tveitt, G. Piano concerto no 4, op 130, Aurora borealis (1947). Håvard Gimse, pf; Royal Scottish NO/Bjarte Engeset.Naxos 8.555761 30Gubaidulina, S. Sonata for violin and cello: Rejoice! (1988). Oleg Kagan, vn; Natalia Gutman, vc.Live Classics LCL 121 34Butterley, N. Meditations of Thomas Traherne (1968). Melbourne SO/Isaiah Jackson.ABC 446 478-2 24

Thursday 14 October




09:00 DIVERSIONS IN FINE MUSICThe instruments: StringsPrepared by James NightingaleBach, J.S. Sonata no 3 in G minor, BWV1029 (1739-50). Daniel Yeadon, va da gamba; Neal Peres da Costa, hpd.ABC 476 3394 15Tórroba, F. Moreno Suite castellana. Pepe Romero, gui; Academy of St Martin in the Fields/Neville Marriner.Decca 478 5669 8Arnold, M. Fantasy, op 117. Elinor Bennet, hp.Nimbus NI 5441 10Hindson, M. Jungle fever (1998). David Pereira, vc; Timothy Young, pf.Tall Poppies TP222 8Schnittke, A. Suite in the old style (1972). Ivana Tomásková, vn; Renata Adrasevová, pf.Tomásková CD1 14Arriaga, J. String quartet no 2 in A (1824). Camerata Boccherini.Naxos 8.557628 23

13:00 PIANO HOURPrepared by James NightingaleEdwards, R. A flight of sunbirds (2001).Viney-Grinberg Piano Duo.ABC 481 7683 9Bach, C.P.E. Sonata in F sharp minor, Wq52 no 4 (1744). Danny Driver, pf.Hyperion CDA67908 17Chaminade, C. Solitude, op 27 no 2; Les pêcheurs de nuit, op 127 no 4 (c1908); L’Ondine, op 101 (c1900). Peter Jacobs, pf.Hyperion CDA66584 12Schubert, F. Twelve German dances, D790 (1823). Mitsuko Uchida, pf.Philips 475 6282 15

14:00 DRAMATIC RUSSIANSPrepared by Ron WalledgeTchaikovsky, P. Overture: 1812. Oslo PO/Mariss Jansons.EMI 5 741132 15Prokofiev, S. Suite from The love for three oranges, op 33a (1919). Philadelphia O/Eugene Ormandy.Sony SBK 53 261 16Stravinsky, I. Suite no 2 from The firebird (1919). Royal Concertgebouw O/Mariss Jansons.RCO Live RCO 08002 22Shostakovich, D. Piano concerto no 2 in F, op 102 (1957). Dimitri Shostakovich, pf; I Musici de Montréal/Maxim Shostakovich.Chandos CHAN 8443 18Glazunov, A. Symphony no 6 in C minor, op 58 (1896). Moscow SO/Alexander Anissimov.Naxos 8.554293 38


19:00 PLANET JAZZWith Xavier Bichon

20:00 AT THE OPERAPrepared by Elaine SiversenZemlinsky, A. Sarema or The Rose of the Caucassus. Opera in three acts. Libretto by composer and Arnold Schoenberg. First performed Munich, 1897. SAREMA: Kari Clarke, sopDSCHERIKOFF: Laslo Lukas, barASSLAN: Norbert Kleinhenn, tenAMUL BEG: Andreas Scheel, barTrier Theatre Ch; Trier City O/István Dénes.Koch 3-6467-2 1:44Sarema, a Circassian, has fallen in love with her captor, the Russian army commander, Dscherikoff. Asslan, her countryman, who is in love with her, comes to rescue her. Sarema is torn between love and patriotism but, after her

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Smyth, E. String quintet in E, op 1 (1884). Joachim Griesheimer, vc; Mannheim String Quartet.cpo 999 352-2 26Viardot, Pauline. My river (1865). Miriam Alexandra, sop; Eric Schneider, pf.OEHMS OC 1878 7Schumann, C. Piano trio, op 17 (pub. 1847). Eva Zurbrügg, vn; Angela Schwartz, vc; Erika Radermacher, pf.SRI 002.2 27



20:00 EVENINGS WITH THE ORCHESTRAPrepared by Chris BlowerKodály, Z. Dances of Galánta (1933). Buffalo PO.www.bpo.org 5 659002 17Herbert, V. Cello concerto no 1 in D, op 8 (1884). Mark Kosower, vc; Ulster O.Naxos 8.573517 25Martines, M. Sinfonia in C (1770). Bay Area Women’s PO.Newport Classic NCD 60102 15Fuchs, K. Out of the dark (1986). Timothy Jones, hn; London SO.Naxos 8.559224 15Strauss, R. Suite from Incidental music to Le bourgeois gentilhomme, op 60 (1912). Buffalo PO.Naxos 8.573460 36JoAnn Falletta, cond (all above)

22:00 BAROQUE AND BEFORETwo anniversariesPrepared by Elaine Siversen

Fayrfax, R. Sumwhat Musyng; That was my joy; To complayne me, alas (c1500). Cardinall's Musick/Andrew Carwood, David Skinner.ASV GAU 142 10

Weber, C.M. Variations on a theme from Silvana, op 33. Dieter Klöcker, cl; Werner Genuit, pf.cpo 999 626-2 16Koetsier, J. Introduction and variations on Smetana’s Vysehrad theme, op 71 (1976). Alice Giles, hp; Budapest Brass Quintet.Koch Schwann 3-1173-2 22

10:30 CONCERT HALLPrepared by Denis PattersonSaint-Saëns, C. Orchestral suite in D, op 49 (1863). Paris Orchestral Ensemble/Jean-Jacques Kantorow.EMI 7 54913 2 19Pleyel, I. Cello concerto in C, op 26. Ivan Monighetti, vc; Akademie für Alte Musik Berlin/Stephan Mai.Harmonia Mundi HMX 2908601.30 22Liszt, F. Symphony on Dante’s Divine Comedy (1866). Gillian Keith, sop; Female voices of City of Birmingham Symphony Ch; BBC PO/Gianandrea Noseda.Chandos CHAN 10524 42


13:00 DULCIE HOLLANDA musical missionary Part 2Prepared by Neil McEwanHolland, D. Ballad (1952). Clive Amadio, cl; Olga Krasnik, pf.Jade JADCD 1058 5Sonata (1954). Margery Smith, sax; Daniel Herscovitch, pf.Tall Poppies TP132 13Conversations (1954). Ronan Apcar, pf.Private recording 9Elegy (1964). Christine Draeger, fl; Nigel Butterley, pf.Jade JADCD 1036 8Divertimento (1953). Marina Marsden, vn; Clemens Leske, pf.Wirripang Wirr 025 11Joyful departure (1977). Lawrence Bartlett, org.Jade JADCD 1037 6Three humours for violin unaccompanied (1975). Stan Kornel, vn.Jade JADCD 1053 10Piano trio (1944). Eggner Trio.ABC 481 7995 16

14:30 CLARA AND COLLEAGUESPrepared by James NightingaleSchumann, C. Piano sonata in G minor, op 22 (1833-38). Yoshiko Iwai, pf.Naxos 8.553501 20

20:00 THE WORLD OF A SYMPHONYPrepared by Di CoxElgar, E. Introduction and allegro for strings, op 47 (1904-05). BBC SO/Andrew Davis.Teldec 9031-73279-2 15Prokofiev, S. Overture in C minor on Hebrew themes, op 34. Berlin Soloists.apex 0927 44395 2 9Hindemith, P. Viola concerto, The swan turner (1935). Geraldine Walther, va; San Franciso SO/Herbert Blomstedt.Decca 433 809-2 27Ravel, M. Gaspard de la nuit (1908). Jean-Yves Thibaudet, pf.Decca 433 5152 22Vaughan Williams, R. A poison tree (1957-58); The piper (1957-58). John Mark Ainsley, ten; Gareth Hulse, ob.Hyperion CDA67168 4Walton, W. Symphony no 2 (1957-60). London PO/Bryden Thompson.Chandos CHAN 8772 29

22:00 STRING QUARTETDohnányi, E. String quartet no 2 in D flat, op 15 (1906). Kodály Quartet.Hungaroton HCD 11853 26

22:30 ULTIMA THULE

Friday 15 October




09:00 DIVERSIONS IN FINE MUSICSomething borrowedPrepared by Paul CookeHandel, G. Passacaglia (arr. Halvorsen). Alexandra Koll, vn; Heinrich Koll, va.Naxos 8.557606 8Britten, B. Movement for clarinet and orchestra (1942-43; arr. Matthews). Thea King, cl; English CO/Barry Wordsworth.Hyperion CDA66634 6Bizet, G. Suite from Carmen (1873-74; arr. Haislip). Solid Brass.Dorian DO8-90108 13Rode, P. Variations on Nel cor più non mi sento from La Molinara by G. Paisiello (c1798). Friedemann Eichhorn, vn; Jena PO/Nicolás Pasquet.Naxos 8.573054 15

400thANNI V ERSARY

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Duettino on American motifs, op 37 (1841). Paul Fried, fl; Alan Weiss, fl; Bryan Pezzone, pf.Gold Tone GTR-006 8Doppler, K. Shepherd’s tune (c1860). Ingrid Kertesi, sop; Claudi Arimany, fl; János Bálint, fl; Michel Wagemans, pf.Capriccio C5296 8Doppler, F. Double flute concerto in D minor. Kazunori Seo, fl; Sinfonia Finlandia/Patrick Gallois, fl & dir.Naxos 8.570378 19

14:30 SATURDAY MATINEEPrepared by Anabela PinaMessager, A. Ballet: The two pigeons (1886). Welsh National Opera O/Richard Bonynge.Decca 476 2448 1:03Campra, A. Opéra-ballet: L’Europe galante (1697). Rachel Yakar, sop; Marjanne Kweksilber, sop; René Jacobs, ct; La Petite Bande/Gustav Leonhardt.Harmonia Mundi GD 77059 50Verdi, G. Ballet music, La peregrina, from Don Carlos (1867). BBC PO/Edward Downes.Chandos CHAN 9788 17

17:00 SOCIETY SPOTClassical Guitar SocietyWith Sue McCreadie

18:00 STAGE AND SCREENPrepared by Paul CookeShostakovich, D. The tale of the priest and his worker Balda, op 36 (1934). State Cinematographic O/Walter Mnatsakanov.Delos DRD 2005 15O’Riada, S. Mise Éire (1959). RTÉ SO/Seán O’Riada.Gael-Linn CEFCD 080 15Thomson, V. Suite from The river (1937). Symphony of the Air/Leopold Stokowski.Vanguard OVC 8013 24


20:00 THE LIFE OF A COMPOSEREdouard LaloPrepared by Di CoxLalo, E. Overture to Le roi d'Ys (1875). Suisse Romande O/Ernest Ansermet.Decca 425 083-2 12De tous côtés j’aperçois dans la plaine, from Le roi d’Ys (1888). Elina Garanca, mezz; Bologna Comunale Theatre PO/Yves Abel.DG 479 0071 7Suite no 1 from Namouna (1882). Detroit SO/Paul Paray.Mercury 475 6268 20

Falla, M. de Ballet: Love the magician, Andalusian gypsy scenes (1915). Gloria Lane, mezz; BBC SO/Leopold Stokowski.BBC BBCL 4005-2 24Moscheles, I. Anticipations of Scotland: A grand fantasy, op 75 (1828). Tasmanian SO/Howard Shelley.Hyperion CDA67276 15

11:30 ON PARADEMusic that’s bandPrepared by Owen FisherGrafula, C. Skyrocket march. Allentown Band/Ronald Demkee.AMP WWFM-1 3Williams, J. Summon the heroes. Band of Her Majesty’s Royal Marines/Nick Grace.ABC 278-0272 5Kosma, J. Autumn leaves. Fairey Aviation Band.Delta 60357 3Gershwin, G. Embraceable you. Cory Band/Robert Childs.Doyen DOY 215 4Forsyth, M. Dido and Aeneas, from Aenied impressions. Parramatta City Brass Band/Jonathon Gatt.Private recording 9


13:00 FRANZ DOPPLER: FLUTE VIRTUOSOPrepared by Paul Cooke

Doppler, F. Idylle: Birds of the woods, op 21. Daniele Ruggieri, fl; Andrea Toschi, harmonium.Brilliant Classics 95011 6Nocturne. Claudi Arimany, fl; Javier Bonet, hn; Cristian Chivu, vn; O of Cambra Terrassa 48/Quim Térmens.Capriccio C5301 6Andante and rondo, op 25. Jean-Pierre Rampal, fl; Claudi Arimany, fl; John Steele Ritter, pf.Delos DE 3212 8Casilda fantasy (arr. Zamara). Robert Aitken, fl; Erica Goodman, hp.BIS CD-320 12Hungarian pastoral fantasy, op 26. Karl-Bernhard Sebon, fl; Berlin RSO/Uros Lajovic.Schwann 11608 11

Sweelinck, J. Mein junges Leben hat ein End. Barbara Borden, sop; Netherlands Chamber Choir; Willem Bremer, cornett, dulcian; Harry Ries, sackbutt; Wim Bécu, sackbutt; René van Laken, shawm, dulcian; Paul van Nevel, cond.BFO Centre Netherlands Music A 10 7Echo fantasia in the Ionian mode. Kurt Ison, org.KJI CDKJ001 10Fayrfax, R. Missa, O bone Ihesu (ed. Skinner). Cardinall’s Musick/Andrew Carwood.ASV GAU 184 41Sweelinck, J. Fantasy no 4 in D. Gustav Leonhardt, org.Harmonia Mundi GD 77148 14Te Deum laudamus. Capella Amsterdam; David Jansen, org; Orphira Zakai, lute; Daniel Reuss, cond.Harmonia Mundi HMC 902033 15Da pacem, Domine, in diebus nostris. Gustav Leonhardt, org.Harmonia Mundi GD 77148 9

Saturday 16 October


06:00 SATURDAY MORNING MUSICWith David Garrett


09:05 THE PIANO ALONEPrepared by Chris BlowerClementi, M. Capriccio in E minor, op 47 no 1 (1821). Howard Shelley, pf.Hyperion CDA 67850 19Brahms, J. Piano sonata no 1 in C, op 1 (1852-53). Anatol Ugorski, pf.DG 479 1965 31

10:00 MUSICAL JOURNEYSPrepared by Jennifer FoongPfitzner, H. Overture to Das Katchen von Heilbrunn, op 17 (1905). Berlin Opera O/Christian Thielemann.DG 449 571-2 17Respighi, O. The pines of Rome (1924). Minneapolis SO/Antal Dorati.Mercury 478 5092 19Sarasate, P. de Souvenir of Domont, op 8. Tianwa Yang, vn; Markus Hadulla, pf.Naxos 8.570192 4

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17:00 HOSANNAPrepared by Richard MungeHymns. The King of Love my Shepherd is; Love divine, all loves excelling. Choir of St Anne’s Anglican Church, Strathfield; Mark Bensted, org; Peter McMillan, cond. 5Psalm. No 94. Choir of St Andrew’s Cathedral, Sydney; Mervyn Byers, org; Michael Deasey, cond. 6MBS 25 (2 above) Darke, H. Evening service in F. Choir of St Paul’s Cathedral, London; Christopher Dearnley, org; John Scott, cond.Helios H 55402 10Allegri, G. Psalm 50/51: Miserere, mei Deus. Choir of Canterbury Cathedral; Michael Harris, org; David Flood, cond.York 107 12Stanford, C. Villiers Anthems: Beati quorum via; Justorum animae. Cathedral Singers; Andrej Kouznetsov, org; Brett McKern, cond.TCS 04 7Hymns. When morning gilds the skies; Tell out, my soul. Choir of St Paul’s Cathedral, London; John Scott, org; Barry Rose, cond. 6Bach, J.S. Prelude in B minor. Richard Lea, org.Priory PRCD 1042 6

18:00 SMALL FORCESPrepared by Frank MorrisonHaydn, J. Keyboard trio in C for piano, violin and cello, Hob.XV:27 (bef. 1797). Borodin Trio.Chandos CHAN 8655 20Danzi, F. Wind quintet in D minor, op 68 no 3 (pub. 1823). Michael Thompson Wind Quintet.Naxos 8.554694 17Smetana, B. String quartet no 2 in D minor (1882-83). Lindsay String Quartet.ASV DCA 777 17

19:00 SUNDAY NIGHT CONCERTPrepared by Nicky GluchBrahms, J. Excerpts from Hungarian dances (1853-69). Royal PO/Walter Weller.Decca 466 691-2 20Wieniawski, H. Violin concerto no 2 in D minor, op 22 (1862). Wanda Wilkomirska, vn: Warsaw National PO/Witold Rowicki.Olympia OCD 309 24Schumann, R. Symphony no 2 in C, op 61 (1845-46). Bavarian RSO/Rafael Kubelik.Sony SBK 48 269 39

Schubert, F. Piano sonata in E, D459 (1816). Tessa Birnie, pf.ABC 476 647-9 26Manfredini, V. Excerpts from Carlo Magno (1764). Silvana Brazzoni, sop; Cecilia Bartoli, mezz; Swiss Radio and Television Ch; Jean-Marc Goujon, fl; I Barocchisti/Diego Fasolis.Decca 478 6767 19Haydn, M. Divertimento in D (1764). Mihai Zágoni, cl; Mircea Neamtu, tb; Ioan Silaghi, bn; Ecaterina Botàr, hpd; Oradea PO/Romeo Rîmbu.Olympia OCD 485 52

12:00 CLASSIC JAZZ AND RAGTIMEWith Jeannie McInnes

13:00 WORLD MUSICWhirled WideWith Ian Carswell

14:00 FAMOUS FOURS Part 7Prepared by Chris BlowerDvorák, A. Piano quintet no 1 in A, op 5 (1872). Piers Lane, pf.Hyperion CDA67805 27Elgar, E. String quartet in E minor, op 83 (1918). Hyperion CDA67857 28Goldner String Quartet (2 above)

15:00 SUNDAY SPECIALMalcolm ArnoldPrepared by Derek Parker

Arnold, M. Beckus the dandipratt, comedy overture, op 5 (1943). BBC Concert O/Vernon Handley.Sony 88875181702 8Four Cornish dances, op 91 (1966). Queensland SO/Andrew Penny.Naxos 8.553526 10Guitar concerto (1958-59). Julian Bream, gui; City of Birmingham SO/Simon Rattle.EMI 7 54661 2 23Little suite no 2, op 93 (1967). Grimethorpe Colliery Band/Elgar Howarth.Sony 88875181702 6Symphony no 5, op 74 (1961). Chandos CHAN 9385 33Suite from The bridge on the River Kwai (1957). Chandos CHAN 9100 29London SO/Richard Hickox (2 above)

Air de Margared, from Le roi d'Ys (1888). Denyce Graves, mezz; Monte Carlo PO/Marc Soustrot.Fnac 592056 5Piano trio no 3 in A minor, op 26 (1881). Trio Henry.Pierre Verany PV 794031 30Symphonie espagnole in D minor, op 21. Isaac Stern, vn; Philadelphia O/Eugene Ormandy.CBS MPK 45555 33

22:00 SATURDAY NIGHT AT HOMEPrepared by Frank MorrisonPleyel, I. String quartet in D, op 2 no 4 (1784). Ensö Quartet.Naxos 8.557497 20Schumann, R. Six intermezzi, op 4 (1832). Christoph Eschenbach, pf.Philips 456 763-2 20Debussy, C. Nocturnes (1897-99). Royal Concertgebouw O/Bernard Haitink.Philips 438 742-2 24Mozart, W. Divertimento no 17 in D, K334, Robinig (1779). Vienna Chamber Ensemble.Denon CO-77882 46

Sunday 17 October


06:00 SUNDAY MORNING MUSIC

09:00 MUSICA SACRAPrepared by Jacky TernisienBenda, G. Cantata: Bald wird ihn die himmlische Jugend empfangen (1761). Dorothy Mields, sop; Britta Schwarz, cont; Jörn Lindemann, ten; Andreas Post, ten; Klaus Mertens, bass; Telemann CO Michaelstein/Ludger Rémy.cpo 999 650-2 16Stainer, J. I saw the Lord (c1856). Vasari Singers; Jeremy Filsell, org; Jeremy Backhouse, cond.Naxos 8.572504 7Palestrina, G. da Missa, Papae Marcelli (pub. 1567). Choir of Westminster Abbey/Simon Preston.Decca 478 3640 32

10:00 THE CLASSICAL ERAPrepared by Paul CookeSchobert, J. Piano quartet in F minor, op 7 no 2 (1764). Chiara Banchini, vn; Véronique Méjean, vn; Philipp Bosbach, vc; Luciano Sgrizzi, fp.Harmonia Mundi HMX 2908250.79 13

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22:00 JAZZ AFTER HOURSWith Eddie Bernasconi

Tuesday 19 October




09:00 DIVERSIONS IN FINE MUSICColours of the keyboardPrepared by Frank MorrisonRavel, M. Violin sonata no 2 in G (1923-27). Alina Ibragimova, vn; Cédric Tiberghien, pf.Hyperion CDA67820 18Bach, J.S. Organ concerto in G, BWV592 (c1714). Marie-Claire Alain, org.Erato 2292-45561-2 8Clementi, M. Sonata in B flat, op 46 (1820). Howard Shelley, pf.Hyperion CDA67814 24Martinu, B. Two pieces (1935). Christopher D. Lewis, hpd.Naxos 8.573364 8Borodin, A. Piano trio in D. Moscow Trio.Brilliant Classics 94410 22

10:30 CONCERT HALLPrepared by Jacky TernisienBoïeldieu, A. Overture to Zoraïme and Zulnar (1798). English CO/Richard Bonynge.Decca 466 434-2 9Carmichael, J. Trumpet concerto. Kevin Johnston, tpt; West Australian SO/David Measham.ABC 442 374-2 24Grainger, P. Suite: In a nutshell (1905-16). City of Birmingham SO/Simon Rattle.EMI 5 56412 2 19Rubbra, E. Symphony no 5 in B flat, op 63 (1947-48). Melbourne SO/Hans-Hubert Schönzeler.Chandos CHAN 6576 29


Mozart, W. Symphony no 41 in C, K551, Jupiter (1788). Freiburg Baroque O/René Jacobs.Harmonia Mundi HMX 2908601.30 36


13:00 BELGIAN VIOLINPrepared by Chris BlowerBériot, C-A. de Violin concerto no 9 in A minor, op 104 (1854). Takako Nishizaki, vn; Belgian RT SO/Alfred Walter.Naxos 8.555104 15Vieuxtemps, H. Ballad and polonaise, op 38 (1860). Misha Keylin, vn; Slovak RSO/Andrew Mogrelia,Naxos 8.570974 15Léonard, H. Grand concert duo. Vera Beths, vn; Anner Bijsma, vc.EMI CDC 7 49009 2 12Ysaÿe, E. Exil (1917). Jerrold Rubenstein, vn; Belgian NO/Mendi Rodan.Schwann CD 311099 H1 10

14:00 THE GREAT CONDUCTORSLorin MaazelPrepared by Jacky TernisienRimsky-Korsakov, N. Overture: Russian Easter Festival, op 36 (1888). Cleveland O.Decca 480 6627 15Dukas, P. Symphonic poem: The sorcerer's apprentice (1897). French NO.CBS MYK 42610 12Tchaikovsky, P. Pezzo capriccioso, op 62 (1887). Lynn Harrell, vc; Cleveland O.Decca 480 6617 8Puccini, G. Vogliatemi bebe ... Bimba dagli occhi, from Madama Butterfly (1904). Renata Scotto, sop; Plácido Domingo, ten; Ambrosian Opera Ch; Philharmonia O.Sony 88875123122 7Lorin Maazel, cond (all above)Saint-Saëns, C. Tone poem: Danse macabre, op 40 (1874). French NO/Lorin Maazel, vn & dir.CBS MYK 42610 7Bizet, G. Jeux d’enfants, Petite suite, op 22 (1871). Cleveland O.Decca 480 6620 12Strauss, R. Sinfonia domestica, op 53 (1902-03). Royal Concertgebouw O.Radio Nederland RCO12004 46Lorin Maazel, cond (2 above)


20:30 NEW HORIZONSPrepared by Nev DorringtonKenniff, K. The time it takes (2020). Keith Kenniff, pf.Western Vinyl WV210 48Chronik, H. Along the path; Piano works (2020). Hior Chronik, pf.Kitchen, Label Kl-026 36

22:00 JAZZ AFTER HOURS

Monday 18 October


06:00 FINE MUSIC BREAKFASTincluding Arts Calendar at 7.30amWith James Hunter

09:00 DIVERSIONS IN FINE MUSICA year in retrospect: 1921Prepared by Jacky TernisienRoussel, A. For a spring fête, op 22 (1921). Paris O/Jean-Pierre Jacquillat.EMI 5 65154 2 11Saint-Saëns, C. Sonata, op 166 (1921). Colin Maier, ob; Alison Wiebe, pf.Centrediscs CMCD 001 11Poulenc, F. Four poems by Max Jacob (1921). Franck Leguérinel, bar; Philippe Bernold, fl; Olivier Doise, ob; André Moisan, cl; Marc Bauer, tpt; Philippe Hanon, bn; Pierre-Michel Durand, cond.Naxos 8.553614 7Ravel, M. La valse (1921). Louis Lortie, pf; Hélène Mercier, pf.Chandos CHAN 8905 11Vierne, L. Marche triomphale du centenaire de Napoléon I (1921). Christopher Bowers-Broadbent, org; London Gabrieli Brass Ensemble/Christopher Larkin.Hyperion CDA66275 8Fauré, G. Piano quintet no 2 in C minor, op 115 (1921). Domus.Hyperion CDA66766 31

10:30 CONCERT HALLPrepared by Gerald HolderTchaikovsky, P. Fantasy overture: Romeo and Juliet (1869/80). Royal Concertgebouw O/Edo de Waart.Philips 434 220-2 21Rachmaninov, S. Rhapsody on a theme of Paganini, op 43 (1934). Daniil Trifonov, pf; Philadelphia O/Yannick Nézet-Séguin.DG 479 4970 25

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Brahms, J. Violin concerto in D, op 77 (1878). Christian Ferras, vn; Berlin PO/Herbert von Karajan.DG 480 6655 42Mendelssohn, F. Symphony no 4 in A, op 90, Italian (1833). Tasmanian SO/Sebastian Lang-Lessing.ABC 476 3623 28


13:00 INCIDENTALLYPrepared by Elaine SiversenLocke, M. Incidental music for Thomas Shadwell’s operatic version of The Tempest (1674). Parley of Instruments Renaissance Violin Band/Peter Holman.Hyperion CDA 66667 16Kalinnikov, Vasily. Incidental music to Tolstoy’s tragedy, Tsar Boris (1899).Budapest SO/Antal Tancscovis.Marco Polo 8.223135 38

14:00 THE ARTISTRY OF PAUL MEYERPrepared by Frank MorrisonBax, A. Sonata (1934). Paul Meyer, cl; Eric Le Sage, pf.Denon CO-18016 13Fuchs, R. Clarinet quintet in E flat, op 102 (1914). Paul Meyer, cl; Carmina Quartet.Denon CO-78801 30Mozart, W. 12 Pieces, K487 (1786). Paul Meyer, cl; Michel Portal, cl.EMI 5 56732 2 20Copland, A. Sonata (1986). Paul Meyer, cl; Eric Le Sage, pf.Denon CO-18016 19Shostakovich, D. Waltz no 3, from The return of Maxim (1937; arr. Atovmyan). Emmanuel Pahud, fl; Paul Meyer, cl; Eric Le Sage, pf.EMI 5 57948 2 3Pleyel, I. Clarinet concerto in C (1797). Paul Meyer, cl; Franz Liszt CO/Jean-Pierre Rampal.Denon CO-78911 24



22:00 CHAMBER SOIRÉEPrepared by Frank MorrisonBerwald, F. Grand septet in B flat (1828). Gaudier Ensemble.Hyperion CDA66834 22Lachner, F. Wind quintet no 2 in E flat (1829). Vienna-Berlin Ensemble.DG 423 591-2 24Elgar, E. String quartet in E minor, op 83 (1918). Brodsky String Quartet.ASV DCA 526 27Copland, A. Sextet for clarinet, piano and string quartet (1937). Wonkak Kim, cl; Eun-Hee, pf; members of Enhake.Naxos 8.559692 15Alkan, C-V. Trio in G minor, op 30 (1840). Dong-Suk Kang, vn; Yvan Chiffoleau, vc; Olivier Gardon, pf.Timpani IC 1013 21





09:00 DIVERSIONS IN FINE MUSICRescued from the shadowsPrepared by Jennifer FoongFasch, J. Overture in F. Tempesta di Mare/Gwyn Roberts, Richard Stone.Chandos CHAN 0791 20Hoffmeister, F. Divertimento no 4 in B flat. Consortium Classicum.cpo 999 107-2 10David, Félicien. String quartet no 1 in F minor (1868). Quatuor Cambini.Ambroisie AM206 25Fux, J. Sonata in G à 4. Claude Wassmer, bn; Bruce Dickey, cornett; Charles Toet, tb; Dana Maiben, vn; Frances Fitch, org.EMI CDM 7 63419 2 8Jacquet de la Guerre, E-C. Sonata VI in A (1707). Lina Tur Bonet, baroque vn; Patxi Montero, bass viol; Kenneth Weiss, hpd.Pan Classics PC 10380 16

10:30 CONCERT HALLPrepared by Michael FieldHenze, H. Telemanniana (1967). North West German PO/Gerhard Markson.cpo 999 322-2 13

13:00 A LINK BETWEEN RAVEL AND SONDHEIMPrepared by Paul CookeRavel, M. Valses nobles et sentimentales (1911). Zurich Tonhalle O/Lionel Bringuier.DG 479 5524 15Sondheim, S. Overture; Liaisons, from A little night music (1973). Michael Bulman, Susan Flannery, Dinah Harris, Martin Nelson, Hilary Western, Elizabeth Welch, voices; O/John Edwards.TER Mus C N17 9Ravel, M. La valse (1921). Yuja Wang, pf.DG 477 8795 12Last midnight, from Into the woods (1986; orch. Tunick). Helen Dallimore, voice; Opera Australia O/Kellie Dickerson.ABC 481 6820 3Piano concerto in D for the left hand (1931). Louis Lortie, pf; London SO/Rafael Frühbeck de Burgos.Chandos CHAN 8773 20Sondheim, S. Goodbye for now (1981), Sally Maer, vc; Sally Whitwell, pf.ABC 476 5162 2Ravel, M. L’enfant et les sortilèges, part 11 (1920-25). Soloists; Netherlands Chamber Choir; Boys Choir of St Bavo Cathedral, Haarlem; Royal Concertgebouw O/Charles Dutoit.Radio Nederland RCO 08005 17

14:30 AUSTRALIAN PERFORMERSPrepared by James NightingaleFrançaix, J. Wind quintet no 1 (1948). Sydney Omega Ensemble/David Rowden.Fine Music concert recording 21Bach, J.S. Pastoral in F, BWV590 (c1710; transcr. Whittaker). Antony Gray, pf.ABC 476 5171 13Hanson, R. Violin sonata, op 5. Susan Collins, vn; David Miller, pf.Tall Poppies TP197 17Mozart, W. Double concerto in C, K299 (1778). Jane Rutter, fl; Louise Johnson, hp; Sydney Bach O/Richard Bonynge.ABC 476 6475 29



20:00 JUST INWith Charles BartonA selection from the latest recordings to arrive at the Fine Music Library

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13:00 PLACES IN AUSTRALIAPrepared by Elaine SiversenSculthorpe, P. Kakadu (1988). Sydney SO/Stuart Challender.ABC 434 715-2 15Lloyd, R. Nullarbor (1987). Robert Lloyd, octaban; Leigh Giles, octaban; David Montgomery, timbales.Move MD 3171 18Conyngham, B. Vast II: The coast (1988). Australian Youth O/John Hopkins.ABC 432 528-2 15Edwards, R. Ulpirra suite (1993-98). Deborah de Graaff, cl; Len Vorster, perc.Walsingham WAL80442 13Carmichael, J. Excerpts from Thredbo suite (1980). James Galway, fl; Sydney SO/Louis Frémaux.LP RCA VRL1 7373 4Conyngham, B. Vast IV: The cities (1988). Australian Youth O/John Hopkins.ABC 432 528-2 16

14:30 A COPLAND CONCERTPrepared by Derek ParkerCopland, A. Quiet city (1940). David Guerrier, tpt; Anne Clément, cora; Picardy O/Pascal Verrot.Caliope CAL 9391 10Four dance episodes, from Rodeo (1942). Detroit SO/Antal Dorati.Decca 414 273-2 20Clarinet concerto (1947-48). Martin Fröst, cl; Lucy Reeves, hp; Benjamin Martin, pf; Australian CO/Richard Tognetti.BIS SACD 1863 16Ballet: Billy the Kid (1938). Detroit SO/Leonard Slatkin.Naxos 8.559862 33



20:00 THE WORLD OF A SYMPHONYPrepared by James NightingaleVilla-Lobos, H. Dawn in a tropical forest (1953). Czecho-Slovak RSO/Roberto Duarte.Marco Polo 8.223357 10Milhaud, D. Duo concertant, op 351 (1956). Michael Collins, cl; Michael McHale, pf.Chandos CHAN 10804 7

Thursday 21 October




09:00 DIVERSIONS IN FINE MUSICThe instruments: StringsPrepared by Jennifer FoongHandel, G. Chaconne in G, HWV435 (pub. 1733). Hille Perl, va da gamba; La Folia Baroque O.DHM G0100036503747 10Taverner, J. Dum transisset sabbatum. Choir of Winchester Cathedral; James Lancelot, org; viols of the Consort of Musicke; Martin Neary, cond.ASV GAU 119 8Mendelssohn, F. String quartet in E minor, op 44 no 1 (1837). Australian String Quartet.Fine Music concert recording 24Blow, J. And art thou griev'd (pub. 1688). Richard Wistreich, bass; Roderick Skeaping, vn; William Thorp, vn; Jane Compton, vn; David Watkin, bass vn; Robin Jeffrey, theorbo, gui; Celia Harper, org.Saydisc SDL 385 4Bach, J.S. Sonata no 3 in G minor, BWV1029 (c 1741). Laura Vaughan, va da gamba; Elizabeth Anderson, hpd.Move MD 3396 16Saint-Saëns, C. Septet in E flat, op 65 (1881). Paul Archibald, tpt; Marcia Crayford, vn; Jeremy Williams, vn; Roger Chase, va; Christopher van Kampen, vc; Rodney Slatford, db, Ian Brown, pf.Virgin VC 7 90751-2 18

10:30 CONCERT HALLPrepared by Peter PooleSchumann, C. Piano concerto in A minor, op 7 (1835-36). Angela Cheng, pf; Women's PO/JoAnn Falletta.Koch 3 7169 2H1 22Rimsky-Korsakov, N. Suite from The tale of Tsar Saltan (1899). Queensland SO/Vladimir Verbitsky.ABC 438 880-2 22Prokofiev, S. Symphonic suite from Semyon Koto, op 81bis (1939). Scottish NO/Neeme Järvi.Chandos CHAN 8803 37

20:00 AT THE OPERAPrepared by Elaine SiversenMozart, W. Ascanio in Alba, K111. Pastoral opera in two acts. Libretto by Giuseppe Parini. First performed Milan, 1771. VENUS: Lorna Windsor, sopASCANIO: Michael Chance, ctSILVIA: Jill Feldman, sopACESTE: Howard Milner, tenParis-Sorbonne Choir; Concerto Armonico, Budapest/Jacques Grimbert.Naxos 8.660040-1 2:39The action takes place in the idyllic landscape of the future city of Alba Longa. Ascanio, the son of the goddess Venus and Aeneas, loves the nymph Silvia although they have not met. He is told by Venus that he will marry Silvia and, before the day has ended, he will rule this beautiful country. He is concerned that, as Silvia does not know him, she will not love him but Venus tells him that Cupid, in Ascanio’s shape, has been wooing her in her dreams. Ascanio is forbidden to reveal his identity to her for the present. Silvia is told by the priest Aceste that she is to marry Ascanio but she is concerned because she has fallen deeply in love with the man of her dreams. Aceste tells her this is Ascanio.When Ascanio, pretending to be a foreigner, approaches Silvia, she recognises him as the man of her dreams but he is about to leave for foreign parts to announce the building of Alba. Thinking that ‘the foreigner’ can’t be Ascanio, Silvia declares that she will love no one but Ascanio. Venus unites Silvia and Ascanio saying that she intended this ruse to be a test of Silvia’s virtue. It only remains for Ascanio to perpetuate the race of Aeneas and guide the city of Alba to prosperity.

23:00 MUSIC OF THE NIGHTPrepared by James NightingaleHindemith, P. Symphonia serena (1946). BBC PO/Jan Pascal Tortelier.Chandos CHAN 9217 30Tulve, H. A travers (1998). NYYD Ensemble/Olari Elts.ECM 476 6389 10Crane, L. John White in Berlin (2003). Michael Kieran Harvey, pf.Another timbre at74x2 13

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14:00 TRACING THE MUSICAL HERITAGE Part 11Prepared by Chris BlowerFibich, Z. Piano trio in F minor (1872). Smetana Trio.Supraphon SU 3927-2 16Grieg, E. Holberg suite, op 40 (1884). Academy of St Martin in the Fields/Neville Marriner.Philips 432 192-2 21Moscheles, I. Piano concerto no 1 in F, op 45 (1818). Tasmanian SO/Howard Shelley, pf & dir.Hyperion CDA67385 22Concertante in F. Marc Grauwels, fl; Joris van den Hauwe, ob; Belgian RT SO/André Vandernoot.Naxos 8.555977 14Clementi, M. Capriccio in E minor, op 47 no 1 (1821). Howard Shelley, pf.Hyperion CDA 67850 19Symphony in D, op 18 no 2 (1787). Philharmonia O/Francesco d’Avalos.ASV DCS 247 17



20:00 EVENINGS WITH THE ORCHESTRAOrchestras conducted by JoAnn FallettaPrepared by Paul CookeMendelssohn, Fanny. Overture (c1830). Women's PO.Koch 3 7169 2H1 11Massenet, J. Under the linden trees, from Alsatian scenes (1881). John Fullam, cl; Roman Mekinulov, vc; Buffalo PO.Beau Fleuve 6Jacquet de la Guerre, E-C. Cantata no 4: Jonas (1708). Judith Nelson, sop; Bay Area Women’s PO.Newport Classic NCD 60102 19Schmitt, F. Le palais hanté, op 49 (1900- 04). Buffalo PO.Naxos 8.573521 14Herbert, V. Cello concerto no 2 in E minor, op 30 (1894). Mark Kosower, vc; Ulster O.Naxos 8.573517 23Tyberg, M. Symphony no 3 (1943). Buffalo PO.Naxos 8.572236 37JoAnn Falletta, cond (all above)

Bellman, C. Fredmans Epistel no 12: Elegy on the punch-up at the Green Grove (arr. Andersson). Marais Project/Jenny Eriksson, Tommie Andersson.Move MCD 512 5Tartini, G. Violin concerto no 2 in E minor, D55 (transcr. for organ). Björn Gäfvert; org; Drottningholm Baroque Ensemble.BIS CD-1975 15Busoni, F. Ten variations on Chopin’s C minor prelude (1884/1922). Wolf Harden, pf.Naxos 8.570891 13

10:30 CONCERT HALLPrepared by Michael FieldRimsky-Korsakov, N. Fairy tales, op 29 (1879-80). USSR SO/Yevgeny Svetlanov.Melodiya MA 23325 009 18Franck, C. Symphonic variations (1885). Jorge Bolet, pf; Concertgebouw O/Riccardo Chailly.Decca 421 714-2 17Schubert, F. Symphony no 9 in C, D944, Great C Major (1825-28). Royal Concertgebouw O/John Eliot Gardiner.Radio Nederland RCO11004 48


13:00 LESSER-KNOWN STRINGED INSTRUMENTSPrepared by Elaine SiversenTrad. The Lancashire pipes set. Jordi Savall, treble viol, lyra viol; Andrew Lawrence-King, baroque hp.Alia Vox AVSA 9878 8Pisador, D. Conde claros con cierta diferencias, from Libro de música de vihuela (1552). Toyohiko Satoh, vihuela.Channel Classics CCS 3091 8Boyd, A. Cloudy mountain (1981). Jim Denley, fl; Satsuki Odamura, koto.Vox Australis VAST022-2 9Lalor, S. Ballade (1989). Stephen Lalor, domra; Louise Johnson, hp.Fine Music concert recording 4Piccinini, A. Romanesca con partite variate, from the Intavolatura di liuto et di chitarrone, bk 1. Nigel North, chitarrone.Arcana A 6 8Marais, M. Suite in D, from Pièces en trio (pub. 1697). Belinda Webster, fl; Heather Stewart, vn; Tommie Andersen, theorbo.Fine Music concert recording 15

Ginastera, A. Sonata no 1, op 22 (1952). Fernando Viani, pf.Naxos 8.557911 15Guarnieri, C. Chôros (1951). Davi Graton, vn; São Paulo SO/Isaac Karabtchevsky.Naxos 8.574197 18Gnattali, R. Retratos (1956). Slava Grigoryan, gui; Leonard Grigoryan, gui.ABC 472 824-2 20Barber, S. Summer music, op 31 (1955). Canberra Wind Soloists.ABC 456 357-2 11Villa-Lobos, H. Symphony no 11 (1955). São Paulo SO/Isaac Karabtchevsky.Naxos 8.573777 28

22:00 VALLEYSPrepared by Stephen WilsonLiszt, F. Tristia, transcription of The Obermann Valley (1840). Trio Chausson.Mirare MIR 089 18Grandison, M. Tasmanian sparkling; Eden Valley riesling; Pinot noir, from Cellar door suite (2016). Cellists of Metropolitan O/Mark Grandison.Fine Music concert recording 10

22:30 ULTIMA THULE

Friday 22 October




09:00 DIVERSIONS IN FINE MUSICSomething borrowedPrepared by Stephen WilsonHandel, G. Organ concerto in F, HWV293 (1735-36; transcr. Williams). John Williams, gui; Academy of St Martin in the Fields/Kenneth Sillito.CBS MK 39560 8Paganini, N. Variations on The Carnival of Venice (1829). Franco Mezzena, vn; Adriano Sebastiani, gui.Dynamic CDS 03 13Holst, G. Excerpts from The perfect fool (arr. Parkes). John Foster Black Dyke Mills Band/Peter Parkes.Chandos CHAN 4507 11Rossini, G. Quartet no 1 in F (c1804; arr. Berr, Zachert). Canberra Wind Soloists.ABC 434 718-2 11

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14:30 SATURDAY MATINEEOratorios from the Royal Court in DresdenPrepared by Stephen and Meg MatthewsZelenka, J. I penitenti al sepolcro del Redentore. Magdalena Kozená, cont; Martin Prokes, ten; Michael Pospisil, bass; Capella Regia Musicalis/Robert Hugo.Supraphon SU 3785-2 231 1:07Il serpente di bronzo. Hana Blazíková, sop; Petra Noskaiová, cont; Alex Potter, alto; Jaroslav Brezina, ten; Peter Kooij, bass; Ensemble Inégal/Adam Viktora.Nibiru Nibiru 0146-2211 1:07

17:00 SOCIETY SPOTSydney Schubert SocietyWith Ross Hayes

18:00 STAGE AND SCREENMusicals: not so hidden messagesPrepared by Angela CockburnEllis - Myers. Excerpts from Mr Cinders (1928). Denis Lawson, Christina Matthews, voices; Revival London Cast; Michael Reed, cond.Orbis/TER MSCN24 17Wilson, S. Excerpts from Valmouth (1958). Beatrice Reading; Fenella Fielding, Doris Hare, Robert Helpmann, voices; O/John Owen Edwards.Orbis/TER MUSCN37 16Ornadel, C. Excerpts from Pickwick (1963). Harry Secombe, ten; Michael Howe, Ruth Madoc, David Cardy, voices; Original Revival Cast; Fraser Skeoch, cond.Orbis/TER MUSCN13 16


20:00 THE LIFE OF A COMPOSERAlexander ZemlinskyPrepared by Paul Cooke

Zemlinsky, A. Trio in D minor, op 3 (1897). Deborah de Graaff, cl; Georg Pedersen, vc; Natalia Sheludiakova, pf.Fine Music concert recording 26Incidental music to A ray of light (1901). Silke Avenhaus, pf.Naxos 8.557331 18Six songs to poems by Maurice Maeterlinck (1910-1913). Anne Sofie von Otter, mezz; North German RSO/John Eliot Gardiner.DG 439 928-2 20String quartet no 3, op 19 (1924). LaSalle Quartet.DG 479 1976 23

10:00 MUSICAL JOURNEYSPrepared by Di CoxMendelssohn, F. Overture: The Hebrides, op 26, Fingal's Cave (1830). Philharmonia O/Walter Weller.Chandos CHAN 9099 10Debussy, C. Fragrances of the night, from Images: Iberia (1905-12). Cincinnati SO/Jésus López-Cobos.Telarc 80574 8Saint-Saëns, C. Piano concerto no 5 in F, op 103, Egyptian (1896). Magda Tagliaferro, pf, Lamoureux Concerts O/Jean Fournet.Philips 438 959-2 29Berlioz, H. The unknown isle, from Summer nights, op 7 no 6 (1840-41). Diane Montague, mezz; Lyon Opera O/John Eliot Gardiner.Apex 0927 49583 2 3Britten, B. Overture: Canadian carnival, op 19 (1939). English CO/Steuart Bedford.Naxos 8.557198 13Grainger, P. Scandinavian suite (1902). Joel Moerschel, vc; Stephen Drury, pf.Northeastern NR 228 16

11:30 ON PARADEPrepared by Chris BlowerArnold, M. Little suite no 1 for brass band, op 80 (1963). Grimethorpe Colliery Band/Elgar Howarth.Sony 88875181702 8Bantock, G. Comedy overture: The frogs. Grimethorpe Colliery RJB Band/Peter Parkes.Chandos CHAN 4553 8Langford, G. An Offenbach fantasy. Grimethorpe Colliery Band/Peter Parkes.Chandos CHAN 4542 10


13:00 IN A SENTIMENTAL MOODWith Maureen MeersNostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes

14:00 SLAVA GRIGORYAN AND FRIENDS PLAY WESTLAKEPrepared by James NightingaleWestlake, N. Shards of Jaisalmer (2007). Slava Grigoryan, gui; Leonard Grigoryan, gui; Doug de Vries, gui.ABC 476 3658 10Jovian moons (2001/02). Slava Grigoryan, gui; Michael Kieran Harvey, pf.ABC 476 574-4 16

22:00 BAROQUE AND BEFOREFrom the frozen northPrepared by Robert GilchristRoman, J. Sonata (1727). Marais ProjectFine Music concert recording 12Buxtehude, D. Arias: More Palantino in C with 12 variations, BuxWV247. Lars Ulrick Mortenson, hpd.Naxos 8.570580 16Roman, J. Birthday cantata (1725). Ilona Maros, sop; Béla Szilágyi, bar; Savaria Vocal Ensemble/Capella Savaria/Pál Németh.Hungaroton HCD 12943 27Niewerth, H. Allemande, courante, sarabande. Tommie Andersson, lute.Musica Rediviva MRCD 003 6Buxtehude, D. Cantata: Ich habe Lust abzuscheiden, BuxWV47. Emma Kirkby, sop; Suzie LeBlanc, sop; Peter Harvey, bass; Purcell Quartet.Chandos CHAN 0691 10Scheibe, J. Flute concerto in A. Maria Bania, fl; Concerto Copenhagen/Andrew Manze.Chandos CHAN 0535 16Agrell, J. Sonata II in C (c1746). Anna Paradiso, hpd, clvdBIS BIS-2135 14Buxtehude, D. Accedite gentes, BuxWV1. Theatre of Voices/Paul Hillier.Dacapo 6.220534 6

Saturday 23 October


06:00 SATURDAY MORNING MUSICWith Peter Bell


09:05 THE PIANO ALONEPrepared by Jacky TernisienSchumann, R. Scenes from a childhood, op 15 (1838). DG 479 5096 18Chopin, F. Nocturne in F, op 15 no 1 (1839). DG 477 7557 4Liszt, F. Hungarian rhapsody no 6 in D flat (1846-85). DG 476 114-7 6Ravel, M. Gaspard de la nuit (1908). DG 476 114-7 22Martha Argerich, pf (all above)

150thANNI V ERSARY

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Choir of Trinity College, Cambridge (2 above)Magnificat; Nunc dimittis, from The Gloucester service. Choir of St John’s College, Cambridge; Glen Dempsey, org; Andrew Nethsingha, cond.Signum SIG588 12Vaughan Williams, R. O how amiable are Thy dwellings. Elora Festival Singers; Thomas Fitches, org; Noel Edison, cond.Naxos 8.554826 4Vierne, L. Sanctus; Benedictus; Agnus Dei, from Messe solennelle. Choir of Westminster Cathedral; Joseph Cullen, org; James O’Donnell, cond.Hyperion CDA66898 11Taverner, J. Quemadmodum. Choir of St James’ Church, Sydney/Warren Trevelyan-Jones.Hyperion CDA68105 6Shephard, R. Jesu, dulcis memoria. Choir of Wellington Cathedral; Andrew Macmillan, org; Philip Walsh, cond.Herald HAPV 191 4Vaughan Williams, R. Hymn: O God of earth and altar. Choir of Trinity College, Cambridge; Christopher Allsop, org; Richard Marlow, cond.Conifer 75605 51249 2 2Vierne, L. Final, from Symphony no 3. Jeremy Filsell, org.Signum SIG063 6

18:00 SMALL FORCESPrepared by Angus McPhersonMozart, W. The village musicians, K522 (1787). Gunnar Wennberg, hn; Lars Frydén,vn; Tullo Galli, vn; Per Sandklef, va; Bengt Ericson, vc; Göte Nylén, db.BIS CD-134 19Vine, C. Piano trio: The village (2013). Benaud Trio.ABC 481 7164 17Higdon, J. Voices (1993). Nicholas Kitchen, vn; Melissa Kleinbart, vn; Hsin-Yun Huang, va; Wilhelmina Smith, vc.Naxos 8.559298 18

19:00 SUNDAY NIGHT CONCERTPrepared by Frank MorrisonJanácek, L. Taras Bulba, rhapsody after Gogol (1915-18). Royal PO/Rafael Kubelik.EMI CZS 5 68223 2 22Viotti, G. Violin concerto no 11 in A (1787). Franco Mezzena, vn; Viotti CO/Luciano Borin.Dynamic CDS 63 20Balakirev, M. Symphony no 1 in C (1864-97). BBC PO/Vassily Sinaisky.Chandos CHAN 9667 42

Beethoven, L. Violin concerto in D, op 61 (1806). Isabelle Faust, vn; O Mozart/Claudio Abbado.Harmonia Mundi HMC902105 41


13:00 WORLD MUSICWhirled WideWith Gerry Myerson

14:00 FAMOUS FOURS Part 8Prepared by Chris BlowerHaydn, J. String quartet in F minor, Hob.III:61, Razor (1788). ASV DCA 906 24Smetana, B. String quartet no 1 in E minor, From my life (1880). ASV DCA 777 28Lindsay String Quartet (2 above)

15:00 SUNDAY SPECIALA prolonged farewellPrepared by Derek ParkerMozart, W. Light of my life, farewell! K528 (1887). Kiri Te Kanawa, sop; Vienna CO/György Fischer.Decca 478 6419 9Mussorgsky, M. Boris’s farewell and death scene, from Boris Godunov (1874). Feodor Chaliapin, bass; London PO/Vincenzo Bellezza.Naxos 8.110748 12Moscheles, I. The troubadours’ farewell. Consortium Classicum.LP Schwann VMS 1051 13Mahler, G. The farewell, from The song of the earth (1908-09). Elizabeth Campbell, mezz; Sydney SO/Stuart Challender.ABC 476 595-7 31Haydn, J. Symphony in F sharp minor, Hob.I:45, Farewell (1772). Vienna CO/Ernst Märzendorfer.Musical Heritage Society OR H-201-249 27Wagner, R. Leb wohl, du kühnes, herrliches Kind, from Die Walküre (1854-56). Simon Estes, bass-bar; Staatskapelle Berlin/Heinz Fricke.Newton 8802071 17

17:00 HOSANNAHymn. I heard the voice of Jesus say. Christopher Allsop, org; Richard Marlow, cond.Conifer 75605 51249 2 3Howells, H. Psalm 122. Stephen Layton, cond.Hyperion CDA68105 3

Sinfonietta, op 23 (1934). New Zealand SO/James Judd.Naxos 8.570240 22

22:00 SATURDAY NIGHT AT HOMEPrepared by Chris BlowerMartinu, B. Suite no 1 from Spalícek (1931-33/40). Brno State PO/Jirí Waldhans.LP Supraphon 1 10 1129 23Farrenc, L. Trio in E flat, op 44 (1854-56). Deborah de Graaff, cl; Georg Pedersen, vc; Natalia Sheludiakova, pf.Fine Music concert recording 27Mahler, G. Symphony no 4 in G (1900). Barbara Bonney, sop; Vienna PO/Riccardo Muti.Radio Nederland transcription 1:00

Sunday 24 October


06:00 SUNDAY MORNING MUSICWith Stephen Wilson

09:00 MUSICA SACRAPrepared by Nicky GluchByrd, W. Mass for five voices. Choir of Winchester Cathedral/David Hill.Decca 478 5637 23Mendelssohn, F. O, for the wings of a dove (arr. McCann). Phillip McCann, cornet; Simon Lindley, org.Chandos CHAN 4521 6Scarlatti, D. Missa breve, La stella (1705). The Sixteen/Harry Christophers.Collins 15042 24

10:00 THE CLASSICAL ERAPrepared by Jacky TernisienKraus, J.M. Overture in D minor (1792). Swedish CO/Petter Sundkvist.Naxos 8.554777 10Boïeldieu, A. Sonata in E flat, op 8 (pub. 1818). Hans Rudolf Stalder, cl; Zsuzsanna Sirokay, pf.Jecklin 578-2 12Raupach, H. I go to my death, from Alceste (1758). Cecilia Bartoli, mezz; I Barocchisti/Diego Fasolis.Decca 478 6767 13Bach, C.P.E. Flute quartet no 3 in G, Wq95 (1788). Les Adieux.DHM GD 77052 18Jadin, H. Sonata in F sharp minor, op 4 no 2 (pub. 1795). Jean-Claude Pennetier, pf.Harmonia Mundi HMC 901189 15

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22:00 JAZZ AFTER HOURSWith Gail Monjo

Tuesday 26 October




09:00 DIVERSIONS IN FINE MUSICColours of the keyboardPrepared by Elaine SiversenLiszt, F. St Francis of Paola walking on the waves (1863). Nikolai Demidenko, pf.Hyperion CDA66616 9Cramer, J. Piano quintet in B flat, op 79 (1832). Nepomuk Fortepiano Quintet.Brilliant Classics 94377 20Mendelssohn, F. Sonata no 3 in A (1844). Heinrich Gurtner, org.Claves CD 50-715 10Bach, J.S. Triple concerto in C, BWV1064. Kenneth Gilbert, hpd; Lars Ulrik Mortensen, hpd; English Concert/Trevor Pinnock, hpd & dir.Archiv 471 754-2 16Beethoven, L. Sonata no 21 in C, op 53, Waldstein (1804). Jean-Efflam Bavouzet, pf.Chandos CHAN 10798(3) 24

10:30 CONCERT HALLPrepared by James NightingaleMoszkowski, M. Spanish dances, bk I, op 12 (1876). London SO/Ataulfo Argenta.Decca 443 580-2 14Bacewicz, G. Violin concerto no 2 (1945). Joanna Kurkowicz, vn; Polish RSO/Lukasz Borowicz.Chandos CHAN 10673 31Szymanowski, K. Symphony no 2 in B flat, op 19 (1909-10/36). Wojciech Musial, vn; Polish Radio NSO/Jacek Kasprzyk.EMI CDM 5 65082 2 37


13:00 SPANISH CONCERTPrepared by Jacky TernisienNin, J. Suite espagnole (1930). David Pereira, vc; David Bollard, pf.Tall Poppies TP010 9

Ravel, M. Piano trio in A minor (1914). Rotraud Schneider, vn; Anthea Scott-Mitchell, vc; Daniel Herscovitch, pf.Fine Music concert recording 25

10:30 CONCERT HALLPrepared by Elaine SiversenProkofiev, S. Suite from The love for three oranges, op 33a (1919). Scottish NO/Neeme Järvi.Chandos CHAN 8729 15Respighi, O. Brazilian impressions (1928). West Australian SO/Jorge Mester.ABC 442 348-2 20Brahms, J. Piano concerto no 1 in D minor, op 15 (1854-58). Nelson Freire, pf; Gewandhaus O/Riccardo Chailly. Decca 475 7637 47


13:00 AN EVENING IN A PARIS SALONPrepared by Derek ParkerFranck, C. Violin sonata in A (1886). Arthur Grumiaux, vn; György Sebok, pf.Philips 468 307-2 27Fauré, G. Piano trio, op 120 (1923). Trio Wanderer.Harmonia Mundi HMC 902192 19Satie, E. Je te veux (1897). Kathryn Stott, pf.Chandos CHAN 10493 6Debussy, C. String quartet in G minor, op 10 (1893). Australian String Quartet.ABC 476 690-4 27Saint-Saëns, C. Piano quartet in B flat, op 41 (1875). Quatuor Élyséen.Arion ARN 68242 31

15:00 AT HOME AND IN FOREIGN LANDSPrepared by Elaine SiversenNovák, V. In the Tatra Mountains, op 26 (1902). Royal Liverpool PO/Libor Pesek.Virgin 5 45251 2 16Chopin, F. Fantasia in A on Polish themes, op 13 (1828). Idil Biret, pf; Slovak State PO/Robert Stankovsky.Naxos 8.554541 16Moszkowski, M. From foreign lands, op 23 (1884). Polish National RSO/Antoni Wit.Naxos 8.553989 22



20:30 NEW HORIZONSVale Louis AndriessenPrepared by James NightingaleAndriessen, L. Life (2009). Aurelia Saxophone Quartet.Canteloupe Records CA21074 13Smetanin. M. Swell (2008). Ensemble Offspring.Private recording 8Finsterer, M. Tract (1993). David Pereira, vc.Tall Poppies TP075 6Neal, K. Particle zoo II (2010/13). Arcko Symphonic Ensemble/Tim Phillips.Crackbell Records 18Ricketson, D. Heaven only empty (2014). www.ensembleoffspring.com 5Moore, K. Blackbird song (2018). ABC 481 9361 9Ensemble Offspring (2 above)Andriessen, L. Racconto dall’ínferno (2004). Cristina Zavalloni, voice; musikFabrik/Reinbert de Leeuw.Wergo WER 6853 2 20


Monday 25 October


06:00 FINE MUSIC BREAKFASTincluding Arts Calendar at 7.30amWith Robert Small

09:00 DIVERSIONS IN FINE MUSICA year in retrospect: 1914Prepared by Gerald HolderProkofiev, S. Scythian suite, op 20, Ala and Lolli (1914). Birmingham SO/Simon Rattle.EMI 7 54577 2 20Bridge, F. Love went a-riding (1914). Yvonne Kenny, sop; Caroline Almonte, pf.ABC 476 158-1 2Nielsen, C. Serenata in vano (1914). Bergen Wind Quintet.BIS CD-428 7Sibelius, J. Two pieces, op 77 (1914). Nils-Erik Sparf, vn; Bengt Forsberg, pf.BIS CD-525 9Vaughan Williams, R. The lark ascending (1914). Richard Tognetti, vn; Australian CO/Roland Peelman.ABC 481 4571 17

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13:00 THREE DOHNÁNYISPrepared by Nichy GluchStrauss, J. II Zeitgeister, op 25 (1846). Polish State PO/Oliver Dohnányi.Marco Polo 8.223205 8Mozart, W. Oboe concerto in C, K314 (1777).Jon Mack, ob; Cleveland O/Christoph von Dohnányi.Decca 466 247-2 22Dohnányi, E. Concert piece in D, op 12 (1903-04). Raphael Wallfisch, vc; London SO/Charles Mackerras.Chandos CHAN 8662 24

14:00 SEA CHANGESMacDowell, E. Sea pieces, op 55 (1898). James Barbagallo, pf.Marco Polo 8.223631 15Scott, C. Neptune, poem of the sea (1933/35). BBC PO/Martyn Brabbins.Chandos CHAN 10211 24Carmichael, J. Quartet, Sea changes. Belinda McFarlane, vn; Morgan Goff, va; Matthew Lee, vc; Antony Gray, pf.ABC 476 156-1 19Stanford, C. Villiers Songs of the sea, op 91 (1904). Benjamin Luxon, bar; Birmingham Symphony Ch & O/Norman Del Mar.LP HMV ASD 4401 19Arnold, M. Three sea shanties (1943). Vega Wind Quintet.LDR LDRC 1002 7Mills, R. Seaside dances (1989). Queensland SO/Richard Mills.ABC 432 251-2 24



20:00 AT THE OPERAPrepared by Camille MercepDonizetti, G. La favorita. Opera in four acts. Libretto by Alphonse Royer and Gustav Vaez. First performed Paris, 1840. FERNANDO: Ramón Vargas, tenLÉONORA DE GUZMAN: Vesselina Kasarova, mezzKING ALPHONSO: Anthony Michaels-Moore, barBavarian Radio Choir; Munich RO/Marcello Viotti.RCA 74321-66229-2 2:30Fernando, a novice, wishes to leave the monastery as he has fallen in love with Leonora, unaware that she is the mistress of King Alfonso. Although she loves him, she fears his rejection when he knows her

Dussek, J. Concert duo, op 73 (1811). Masumi Nagasawa, hp; Richard Egarr, fp.Etcetera KTC1436 23Mendelssohn, F. Piano quartet no 1 in C minor, op 1 (1822). Bartholdy Piano Quartet.Naxos 8.550966 31





09:00 DIVERSIONS IN FINE MUSICRescued from the shadowsPrepared by Chris BlowerZach, J. Harp concerto in C minor. Marielle Nordmann, hp; Auvergne O/Jean-Jacques Kantorow.FNAC 592099 13Ferguson, L. Sonata in D for four hands (c1817). Alexander Bakhchiyev, Yelena Sorokina, pf.Chandos CHAN 9418 11Pisendel, J. Violin concerto in D. Concerto Amsterdam/Jaap Schröder, vn & dir.Pro Arte CDD 330 12Ryba, J. Pastorely. Magdalena Kozená, mezz; Capella Regia Musicalis/Robert Hugo.Archiv 477 8365 11Vachon, P. String quartet in D, op 7 no 2 (1772). Rasumovsky Quartet.ASV GAU 151 14Müller, I. Clarinet quartet no 2 in E minor. Friederike Roth, cl; Berolina Ensemble.Naxos 8.572885 18

10:30 CONCERT HALLPrepared by Denis PattersonVerdi, G. Overture to Luisa Miller (1849). Vienna PO/Giuseppe Sinopoli.Philips 468 183-2 6Weber, C.M. Clarinet concerto in F minor no 1, op 73 (1811). City of London Sinfonia/Michael Collins, cl & dir.Chandos CHAN 10702 21Dohnányi, E. Symphony no 1 in D minor, op 9 (1900). BBC PO/Matthias Bamert.Chandos CHAN 9647 55


Mouton, C. Chaconne in C minor, La belle espagnole, from Pieces for lute. Konrad Junghänel, lute.Harmonia Mundi 77037-2-RC 5Granados, E. Danse espagnole (1892-1900; arr. Kreisler). Shlomo Mintz, vn; Clifford Benson, pf.DG 477 5448 3Marttinen, T. Concerto espagnole, op 114 (1978). Petri Alanko, alto fl; Lahti SO/Osmo Vänskä.BIS CD-687 15Ravel, M. Rhapsodie espagnole (1907; arr. Ravel). Michel Béroff, pf; Jean-Philippe Collard, pf.EMI 5 74112 2 16Lalo, E. Symphonie espagnole, op 21 (1873). Anne-Sophie Mutter, vn; French NO/Seiji Ozawa.EMI CDC 7 47318 2 33

14:30 A BLISS CONCERTPrepared by Derek ParkerBliss, A. Suite: Things to come (1935). National PO/Bernard Herrmann.Decca 448 954-2 15Five dances, from Checkmate (1937). West Australian SO/Hans-Hubert Schönzeler.Chandos CHAN 6576 20Hymn to Apollo (1928/65). London SO/Arthur Bliss.Lyrita SRCD.225 10A colour symphony (1921/32). BBC Welsh SO/Barry Wordsworth.Nimbus NI 5294 33



20:00 JUST INWith David GarrettA selection from the latest recordings to arrive at the Fine Music Library

22:00 CHAMBER SOIRÉEPrepared by Gerald HolderTelemann, G. Overture in B flat, from Musique de table III (pub. 1733). Paul Goodwin, ob; Catherine Latham, ob; Roy Goodman, vn; Miles Golding, vn; Jane Compton, va; Jane Coe, vc; Peter Buckoke, db; Robert King, hpd & dir.Hyperion CDA66278 28Ravel, M. String quartet in F (1902-03). Melos Quartet.DG 479 0529 29

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Bizet, G. Suite no 2, from L’arlésienne (1872). Philharmonia O/Herbert von Karajan.EMI CDM 1 66424 2 19



20:00 THE WORLD OF A SYMPHONYPrepared by Frank MorrisonBizet, G. Overture: Patrie, op 19 (1873). Montreal SO/Charles Dutoit.Decca 452 102-2 13Smetana, B. String quartet no 2 in D minor (1882-83). Lindsay String Quartet.ASV DCA 777 17Beach, A. Four sketches, op 15 (1892). Virginia Eskin, pf.Koch 3-7254-2 11Strauss, J. II Gypsy quadrille, op 24. Vienna PO/Riccardo Muti.DG 474 900-2 5Brahms, J. Violin sonata no 2 in A, op 100 (1886). Anne-Sophie Mutter, vn; Lambert Orkis, pf.DG 477 8767 19Mahler, G. Die zwei blauen Augen, from Lieder eines fahrenden Gesellen (1883-85). Dietrich Fischer-Dieskau, bar; Daniel Barenboim, pf.EMI 4 76780 2 5Dvorák, A. Symphony no 7 in D minor, op 70 (1885). Sydney SO/Charles Mackerras.Sydney Symphony SSO 200705 36

22:00 AMY DICKSON PLAYS GLASSPrepared by James NightingaleGlass, P. Morning passages, from The hours (2002; arr. Barclay, Dickson for saxophone). 6Sonata (2008; arr. Dickson for saxophone). 20Amy Dickson, sax; Catherine Milledge, pf (2 above)Sony 88985411942

22:30 ULTIMA THULE

Friday 29 October




Schmitt, F. Suite: Habeyssé, op 110 (1947). Beata Halska, vn; Claudio Chaiquin, pf.Naxos 8.573169 12

10:30 CONCERT HALLPrepared by Frank MorrisonKhachaturian, A. Suite no 2 from Gayaneh (1942/52/67). Armenian PO/Loris Tjeknavorian.ASV DCA 884 22Hummel, J. Trumpet concerto in E (1803). Håkan Hardenberger, tpt; Academy of St Martin in the Fields/Neville Marriner.Philips 420 203-2 18Sibelius, J. Symphony no 2 in D, op 43 (1901) Royal Concertgebouw O/George Szell.Radio Netherlands RCO 05001 42


13:00 FOR THE PIANOPrepared by Ray LemondGinastera, A. Piano sonata no 1, op 22 (1952). Fernando Viani, pf.Naxos 8.557911 15Debussy, C. Images I (1905). Arturo Benedetti Michelangeli, pf.Memoria ABM 999-001 16Mozart, W. Piano sonata no 8 in A minor, K310 (1778). Alfred Brendel, pf.Philips 454 244-2 22

14:00 CELEBRATIONSPrepared by Jacky TernisienLortzing, A. Overture to Undine (1845). Leipzig RSO/Horst Neumann.LP Marco Polo 6.220310 8Bortnyansky, D. Sacred concerto no 20 (c1792). Russian State Symphonic Cappella/Valery Polyansky.Chandos CHAN 9840 13Hanson, H. Suite from ballet Nymphs and satyr (1979). Doris Hall-Gulati, cl; Holly Blake, bn; Philadelphia Virtuosi CO/Daniel Spalding.Naxos 8.559251 13Strauss, J. II Treasure waltz, op 418 (1885). Vienna PO/Mariss Jansons.Sony 88875174772 8Scarlatti, D. Concerto grosso no 12 in D (1744; arr. Avison). Academy of St Martin in the Fields/Neville Marriner.Philips 438 806-2 15Liszt, F. Tarantella. Stephen Hough, pf.Virgin 5 61129 2 8Paganini, N. Guitar quartet no 1 in A minor, op 4 no 1 (1806-16). Bruno Pignata, vn; Lorenzo Lugli, va; Paolo Mosca, vc; Pino Briasco, gui.Dynamic CDS 17/1-2 22

situation, so she hands him a commission in the army; he decides to win her by his achievements. Threatened with a papal interdict, Alfonso gives up Leonora. Fernando saves the kingdom and as a reward is given Leonora, who is unable to tell him of her love. The nobles taunt Fernando for marrying the king’s mistress. He returns to the monastery where he grieves for his lost love. Leonora appears, explains, begs his forgiveness and dies in his arms.Verdi, G. Overture to The force of destiny (1862/69). Vienna PO/Giuseppe Sinopoli.Philips 468 183-2 7

23:00 MUSIC OF THE NIGHTPrepared by Paul CookeCasella, A. In deepest night, op 30bis (1921). Sun Hee You, pf; Rome SO/Francesco La Vecchia.Naxos 8.572414 21Lutyens, E. Constants, op 110 (1976). Paul Watkins, vc; Huw Watkins, pf.Chandos CHAN 10862 13Broadstock, B. Toward the shining light, symphony no 1 (1988). Melbourne SO/Richard Mills.ABC 426 807-2 21

Thursday 28 October




09:00 DIVERSIONS IN FINE MUSICThe Instruments: StringsPrepared by Paul CookeFauré, G. Suite: Dolly, op 56 (1906; arr.). Amsterdam Guitar Trio.Newton 8802093 14Piston, W. Capriccio (1963). Therese Elder Wunrow, hp; Seattle SO/Gerard Schwartz.Naxos 8.559162 10Handel, G. Chaconne in G. Hille Perl, va da gamba; La Folia Baroque O.DHM G0100036503747 15Bloch, E. Suite hébraïque (1952). Zina Schiff, vn; Royal Scottish NO/José Serebrier.Naxos 8.557757 13Marais, M. Suite for three viols, from Quatrième livre (1717). Marais Project.Marais Project PARD3505001 14

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Verdelot, P. Ultimi miei sospiri à 5. 3Monte, P. de Missa, Ultimi miei sospiri à 6. 23Cinquecento (2 above)Hyperion CDA 67658 Verdelot, P. Madonna somm’acorto. Alison Crum, treble viol; John Bryan, tenor viol; Ibi Aziz, bass viol; Andrew Kerr, bass viol; Roy Marks, great bass viol.Delphian DCD34115 2Monte, P. de La dolce vista della donna mia à 6 (c1565). David James, ct; Paul Elliott, ten; Leigh Nixon, ten; Paul Hillier, bass; Kees Boeke, fl; Titia de Zwart, bass viol.EMI-Electrola CDM 7 63428 2 2Schöndorff, P. Missa super la dolce vista à 6 (1587). Cinquecento.Hyperion CDA 67854 17Monte, P. de Psalm 136/137: Super flumina Babylonis à 8 (1583). Choir of New College, Oxford/Edward Higginbottom.CRD 3520 6Byrd, W. Pavan and galliard in F, Tregian. Davitt Moroney, hpd.Harmonia Mundi HMC 901241/42 7Monte, P. de Occhi vaghi amorosi (1581). Maite Arruabarrena, sop; Josep Benet, ten; Marius Van Altena, ten; Anneke Pols, viol; Richte Van der Meer, viol.Accent ACC 8864 4Missa, Si ambulavero à 6 (1587). Choir of New College, Oxford/Edward Higginbottom.CRD 3520 23

Saturday 30 October


06:00 SATURDAY MORNING MUSIC


09:05 THE PIANO ALONEPrepared by Peter PooleBeethoven, L. Piano sonata no 10 in G, op 14 no 2 (c1799). Paul Lewis, pf.Harmonia Mundi HMC 901903/5 17Villa-Lobos, H. Petizada (1912). Sonia Rubinsky, pf.Naxos 8.557735 10Schumann, R. Carnaval, op 9 (1833-35). Nelson Freire, pf.Decca 473 902 2 23

Hyde, M. Five pieces for flute and piano (1936-62). Christine Draeger, fl; James Muir, pf.Walsingham 2WAL8036-2 16Kats-Chernin, E. Second door on the left (2006). Acacia Quartet.Vexations840 840-1202 3Greenbaum, S. Sonata (2013). Viney-Grinberg Piano Duo.ABC 481 4591 21Westlake, N. Oboe concerto Spirit of the wild (2016). Diana Doherty, ob; Sydney SO/Nigel Westlake.ABC 481 7899 22



20:00 EVENINGS WITH THE ORCHESTRAFantasiesPrepared by Peter PooleSchubert, F. Wanderer fantasy, D760 (1822; orch. Liszt). Jorge Bolet, pf; London PO/Georg Solti.Decca 425 689-2 22Lehár, F. Hungarian fantasy, op 45. Robert McDuffie, vn; Cincinnati Pops O/Erich Kunzel.Telarc 80402 8Liszt, F. Grand symphonic fantasy on themes from Berlioz’s Lélio (1834). Leslie Howard, pf; Budapest SO/Karl Anton Rickenbacher.Hyperion CDS44595 30Rodrigo, J. Fantasy for a gentleman (1954). Andrés Segovia, gui; Symphony of the Air/Enrique Jordá.MCA MCAD 42067 22Parry, H. Symphonic fantasia: Symphony no 5 in B minor (1912). London PO/Matthias Bamert.Chandos CHAN 8955 27

22:00 BAROQUE AND BEFOREPhilippe de Monte, born 1521

Monte, P. de Comme la tourterelle à 5 (1575). David James, ct; Paul Elliott, ten; Paul Hillier, bass; Bruce Dickey, cornett; Charles Toet, tb; Richard Lister, tb.EMI-Electrola CDM 7 63428 2 2Magnificat quarti toni à 4. Cinquencento.Hyperion CDA 67854 7Parsons, R. In nomine à 7: nos 4 and 5; The songe called Trumpetts à 6. Hespèrion XX.Alia Vox AV 9804 8

09:00 DIVERSIONS IN FINE MUSICSomething borrowedPrepared by Elaine SiversenBritten, B. Matinees musicales after Rossini, op 24 (1941). English CO/Alexander Gibson.EMI 1 66442 2 16Pasculli, A. Grand concerto on themes from The Sicilian Vespers by Verdi. Ivan Paisov, ob; Natalia Shcherbakova, pf.Naxos 8.570567 15Carr-Boyd, A. Three fantastic dances after Shostakovich (1993). Sydney Mandolins/Adrian Hooper.Jade JADCD 1037 12Chopin, F. Variations on Là ci darem la mano, from Mozart’s Don Giovanni, op 2 (1827). Emil Gilels, pf.DG 479 6288 15Gieseking, W. Variations on a theme by Grieg (1932). Ali Goldsmith, fl; Miles Graber, pf.Titanic Ti-281 22

10:30 CONCERT HALLPrepared by Rita FeltonGlazunov, A. Finnish fantasy, op 88 (1909). Moscow SO/Igor Golovschin.Naxos 8.553839 16Field, J. Piano concerto no 2 in A flat (1811). Míceál O'Rourke, pf; London Mozart Players/Matthias Bamert.Chandos CHAN 9368 35Bizet, G. Symphony in C (1855). French National RSO/Thomas Beecham.EMI CDC 7 47794 2 28


13:00 DULCIE HOLLANDA musical missionary Part 3Prepared by Neil McEwanHolland, D. Sonata (1993) Minah Choe, vc; Jeanell Carrigan, pf.Wirripang Wirr105 15Sonatina (1993). Ray Lemond, pf.Jade JADCD 1041 9String quartet (1996). Orpheus String Quartet.Jade JADCD 1068 29Symphony for pleasure (1971). South Australian SO/Henry Krips.ABC AC1002 23Autumn pastorale (1995). Dulcie Holland, pf.Jade JADCD 1059 5

14:30 AUSTRALIAN COMPOSERSPrepared by James NightingaleGrainger, P. Suite: In a nutshell (1905-16). City of Birmingham SO/Simon Rattle.EMI 5 56412 2 19

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17:00 THE ARTISTRY OF THE EMERSON STRING QUARTETPrepared by Frank MorrisonPurcell, H. Fantazia no 6 in F (1680). Decca 4815204 4Haydn, J. String quartet in D, Hob.III:63, Lark (1790). DG 471 327-2 18Shostakovich, D. Quartet no 2 in A, op 68 (1944). DG 463 284-2 33Emerson String Quartet (all above)

18:00 STAGE AND SCREENPrepared by Peter PooleYoung, V. Gulliver’s travels (1939). Moscow Symphony Ch & O/William Stromberg.Naxos 8.573368 17Ireland, J. Suite from The overlanders (1946-47; ed. Mackerras). London PO/Adrian Boult.Lyrita SRCD.240 20Tiomkin, D. Suite from The Alamo (1960); Theme from Rawhide. Andrew Playfoot, voice; London SO/Richard Kaufman.LSO Live LSO 0720 15


20:00 THE LIFE OF A COMPOSERMargaret SutherlandPrepared by Krystal LiSutherland, M. Haunted hills (1953). Melbourne SO/Patrick Thomas.ABC 446 285-2 15Violin sonata (1925). Marina Marsden, vn; Robert Chamberlain, pf.Tall Poppies TP116 27String quartet no 1 (c1939). Jonathan Allen, vn; Peter Exton, vn; Helen Sergeant, va; Susan Pickering, vc.Canberra School of Music CSM: 7 24Sonata (1949). Nigel Westlake, cl; David Bollard, pf.Tall Poppies TP004 8Six songs to poems of Judith Wright (1967). Lisa Harper-Brown, sop; David Wickham, pf.Stone Records 5060192780390 17Oboe concertante (1961). Jirí Tancibudek, ob; Melbourne SO/Patrick Thomas.LP ABC AC1075 18

22:00 SATURDAY NIGHT AT HOMEPrepared by Rita FeltonSchumann, R. Piano concerto in A minor, op 54 (1841-45). Alfred Cortot, pf; London PO/Landon Ronald.Naxos 8.110612 30

14:30 SATURDAY MATINEEOperetta in the afternoonPrepared by Elaine SiversenHerbert, V. Naughty Marietta. Operetta in two acts. Libretto by Rida Johnson Young. First performed New York, 1910. CAPTAIN DICK: John Pickle, tenÉTIENNE GRANDET: Ted Christopher, barNAUGHTY MARIETTA: Suzanne Woods, sopGOVERNOR GRANDET: Boyd Mackus, barADAH: Ann Marie Wilcox, mezzOhio Light Opera/Steven Byess.Albany TROY 432 1:49Captain Dick Warrington and his band of woodsmen, farmers and Indians vow to capture the pirate, Bras Piqué, who is actually Étienne Grandet, son of the acting governor of the French colony of Louisiana. Étienne has ambitions to rule Louisiana under a dictatorship and to separate it from both France and the burgeoning United States of America.Dick meets an Italian girl, known as ‘Naughty Marietta’, singing by the fountain. Marietta tells him that it has been foretold that she will love the man who can complete the melody and she asks him to try to complete it. He refuses, but finds himself whistling it soon afterwards.Governor Grandet announces that a dispatch has come from the King of France offering 10,000 francs for the return of the Contessa d'Altena who exchanged places with her maid and travelled to the colonies. The Contessa always sings a fragment of a certain tune. Étienne believes that Marietta is the contessa and hopes to marry her. He proposes to Marietta at a ball where he auctions off his slave, Adah. Dick buys Adah and sets her free. Dick now realises that he may be in love with Marietta but Marietta jealously agrees to marry Étienne, announcing that she is the lost Contessa d'Altena. Adah tells Dick that, if he tears Étienne's right sleeve, he will reveal Étienne's real identity as Bras Piqué. Dick tears off Étienne's sleeve and denounces him as the notorious pirate so Marietta refuses to marry him. The Governor threatens to send her to a convent and locks her in a room. She hears a voice outside completing her song, Ah, Sweet Mystery of Life. It is Dick, and they embrace through the window. Étienne discovers them, but Captain Dick's infantry appears to arrest Étienne and the rest of the pirates. Étienne relinquishes his claim on Marietta, and Dick and his men allow the pirates to escape without harm.Cello concerto no 1 in D, op 8 (1884). Mark Kosower, vc; Ulster O/JoAnn Falletta.Naxos 8.573517 25

10:00 MUSICAL JOURNEYSNorwayPrepared by Paul CookeBerwald, F. Reminiscence of the Norwegian mountains (1842). Gävle SO/Petri Sakari.Naxos 8.555370 9Grieg, E. In the hall of the mountain king; Wedding day at Troldhaugen, Alice Sara Ott, pf.DG 479 4631 8Lalo, E. Norwegian fantasy (1878). Philippe Graffin, vn; Ulster O/Thierry Fischer.Hyperion CDA67294 14Weber, C.M. Variations on a Norwegian air, op 22 (1806). Alexis Galpérine, vn; Jean-Louis Haguenauer, pf.Timpani 1C 1007 13Stravinsky, I. Four Norwegian moods (1942). Bergen PO/Dmitri Kitaienko.Virgin 5 61322 2 10Bax, A. Hardanger (1927). Ashley Wass, pf; Martin Roscoe, pf.Naxos 8.570413 4Delius, F. Seven songs from the Norwegian (1889-90). Yvonne Kenny, sop; Piers Lane, pf.Hyperion CDA67594 19

11:30 ON PARADEPrepared by Robert SmallGrainger, P. Irish tune from County Derry; Ye banks and braes; I’m seventeen come Sunday (1911). Sydney Defence Wind O/Howard Ward.Fine Music concert recording 10Over the hills and far away. Concert Band of RAN/G.D.C. Coxon.LP EMI SCXO 8015 7Molly on the shore (1907); Shepherd's hey (1911). London Wind O/Denis Wick.ASV WHL 2067 6The gum-suckers' march. Royal Northern College of Music Wind O/Clark Rundell.Chandos CHAN 9549 4


13:00 A GERSHWIN CONCERTPrepared by Derek ParkerGershwin, G. Catfish Row (1936). Howard Shelley, pf; BBC PO/Yan Pascal Tortelier.Chandos CHAN 9325 23Preludes nos 1 to 3 (1926). Simon Tedeschi, pf.Sony SK89233 7Piano concerto in F (1925). Leslie Stifelman, pf; Concordia/Marin Alsop.Angel CDC 54851 33An American in Paris (1928). Minneapolis SO/Antal Dorati.Mercury 478 5092 16

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Varèse, E. Density 21:5 (1936/46). Laura Chislett, fl.onepoint.fm/Laurachislettjones 4Boyd, A. Cycle of love (1981). Hartley Newnham, ct; Geoffrey Collins, fl; David Pereira, vc; Nicholas Routley, pf.Tall Poppies TP127 15

17:00 HOSANNAPrepared by Neil McEwanVictoria, T. de Motet: O quam gloriosum. Choir of Westminster Cathedral/David Hill.Hyperion CDA66114 3Vaughan Williams, R. Hymn: For all the saints. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond.Hyperion CDP12101 4Haydn, M. Kyrie; Gloria, from Missa Sancti Leopoldi. Capella Cocinite; Collegium Instrumentale Brugense/Florian Heyerick.Etcetera KTC1257 5Harris, W. Psalm 24. Choir of Salisbury Cathedral; Daniel Cook, org; David Halls, cond.Priory PRCD 1058 3Harwood, B. Anthem: O how glorious is the kingdom. Choir of St George’s Chapel, Windsor Castle; Roger Judd, org; Timothy Byram-Wigfield, cond.Delphian DCD34048 7Stanford, C. Villiers Motet: Beati quorum via. Choir of Winchester Cathedral/David Hill.Hyperion CDA66964 4Bruhns, N. Preludium in E minor. Martin Berger, org.Guma LC 01368 9Victoria, T. de Sanctus and Benedictus; Agnus Dei, from Missa pro defunctis. The Sixteen/Harry Christophers.Coro CORSACD 16033 7Schultz, J.A.P. Hymn: Jesu, son of Mary. Choir of All Saints, London/Harry Bramma.Priory PRCD 740 4

18:00 SYDNEY SOCIETY OF RECORDER PLAYERSPrepared by Susan FoulcherTelemann, G. Trio sonata in D minor. Domen Marincic, treble viol. 7Cantata: Du bist verflucht, o Schreckensstimme, from Harmonischer Gottesdienst (1725-26). Dorothee Mields, sop. 10Stefan Temmingh, rec; Daniel Rosin, vc; Wiebke Weidanz, hpd (2 above)Accent ACC 24371 Rodgers, J. Birds for Genevieve (2020). 3Skipworth, L. Cavern. 5

Spohr, L. Quintet in C minor, op 52 (1820). John Wion, fl; Arthur Bloom, cl; Donald MacCourt, bn; Howard Howard, hn; Mary Louise Boehm, pf.

LP Turnabout TV-S 34506 28Archduke Rudolph of Austria. Sonata in A, op 2 (1822). Ricardo Morales, cl; Susan Kagan, pf.Koch 3-7339-2-H1 36


13:00 WORLD MUSICWhirled WideWith Carole Garland

14:00 FAMOUS FOURS Part 9Prepared by Chris BlowerMozart, W. String quartet no 17 in B flat, K458, Hunt (1784). Westminster RC 8808678121735 27Britten, B. String quartet no 2 in C, op 36 (1945). Decca 478 5364 28Amadeus String Quartet (2 above)

15:00 SUNDAY SPECIALComposers for flute through the agesPrepared by Paul CookeTelemann, G. Flute concerto in A minor. Le Concert des Nations/Jordi Savall.Alia Vox AVSA 9877 15Quantz, J. Sonata in G minor. Mary Oleskiewicz, fl; Stephanie Vial, vc; David Schulenberg, hpd.Naxos 8.555064 8Devienne, F. Symphonie concertante, after J-B. Bréval (1783). Marc Grauwels, fl; Alain de Reijckere, bn; Walloon CO/Bernard Labadie.Naxos 8.555918 21Boehm, T. Variations on Paisiello's Nel cor più non mi sento, op 4. Christine Draeger, fl; June Tyzack, pf.Fine Music tape archive 11Doppler, F. - Doppler, K. Souvenir de Prague. Claudi Arimany, fl; Clara Nováková, fl; Elche City SO/Leonardo Martínez.Capriccio C5296 12Bonis, M. Sonata in C sharp minor (1904). Maria Cecilia Muñoz, fl; Tiffany Butt, pf.Ars ARS 38 129 18Gaubert, P. Pagan evening. Jane West, sop; Fenwick Smith, fl; Sally Pinkas, pf.Naxos 8.557305 4

Brahms, J. Trio in A minor, op 114 (1891). Richard Hosford, cl; Richard Lester, vc; Susan Tomes, pf.Hyperion CDA67251/2 25Rachmaninov, S. Rhapsody on a theme of Paganini, op 43 (1934). Ayako Uehara, pf; Sydney SO/Edvard Tchivzhel.ABC 461 654-2 25Mozart, W. String quartet no 16 in E flat, K428 (1783). The Lindsays.ASV DCA 992 32

Sunday 31 October


06:00 SUNDAY MORNING MUSICWith Peter Poole

09:00 MUSICA SACRAPrepared by Elaine SiversenRutter, J. The Lord is my light and my salvation. Turtle Creek Chorale; Dallas Women's Ch; Joel Martinson, org; Timothy Seelig, cond.Reference Recordings RR-57 10Mendelssohn, F. Psalm 115: Not unto us, O Lord, op 31 (1830). Eiddwen Harrhy, sop; Hervé Lamy, ten; Peter Kooy, bar; La Chapelle Royale; Collegium Vocale; Leo van Doeselaar, org; Paris Orchestral Ensemble/Philippe Herreweghe.Harmonia Mundi 901272 17Bach, J.S. Jesu, joy of man's desiring, BWV147 (1723; arr. Whittaker). Choir of Westminster Cathedral; Iain Simcock, org; James O'Donnell, cond.Hyperion CDA66669 6Handel, G. Chandos anthem no 1: O be joyful in the Lord, HWV246 (1718). Lynne Dawson, sop; Ian Partridge, ten; Michael George, bass; The Sixteen Ch & O/Harry Christophers.Chandos CHAN 8600 20

10:00 THE CLASSICAL ERAPrepared by Rita FeltonGiuliani, M. Sonata in C. Dieter Klöcker, cl; Sonja Prunnbauer, gui.Dabringhaus Grimm MD&G L 3319 15Mozart, W. Clarinet concerto in A, K622 (1791). Jack Brymer, cl; Royal PO/Thomas Beecham.EMI CDC 7 47864 2 31

52Collage/Illustration by Lyndon Pike

Rojas, D. ... of magic and realism (2017). Duo Blockstix.Move MCD561 7Nyman, M. Musique à grande vitesse (1993). Michael Nyman Band & O/Michael Nyman.Argo 443 382-2 27


Rodrigo, J. Summer concerto (1943). Michael Guttman, vn; Royal PO/José Serebrier.ASV DCA 855 21Haydn, M. Divertimento in D (1764). Mihai Zágoni, cl; Mircea Neamtu, tb; Ioan Silaghi, bn; Ecaterina Botàr, hpd; Oradea PO/Romeo Rîmbu.Olympia OCD 485 52

20:30 NEW HORIZONSPrepared by Brian DrummondHigdon, J. Piano trio (2003). Anne Akiko Meyers, vn; Alisa Weilerstein, vc; Adam Neiman, pf.Naxos 8.559298 13May, B. Frog dreaming. Australian SO/Brian May.Southern Cross SCCD 1019 33

Genevieve Lacey, rec; Marshall McGuire, hp (2 above)ABC 485 5894 Schultze, J. Concerto à 5 in B flat. 13Bach, C.P.E. Trio sonata in F, Wq163 (1755). Nils Mönkemeyer, va; Florian Birsak, hpd. 11Ensemble 1700/Dorothee Oberlinger, rec & dir (2 above)DHM 88875134062 Veltheim, E. A tune for the silvereye. Genevieve Lacey, rec; Marshall McGuire, hp.ABC 485 5894 3

19:00 SUNDAY NIGHT CONCERTPrepared by Di CoxBerlioz, H. Overture: Le corsaire, op 21 (1844). Scottish NO/Alexander Gibson.Chandos CHAN 8316 8

Abel, C. 1723-1787 1Adams, J. Luther b1953 6Addinsell, R. 1904-1977 11Agrell, J. 1701-1765 22Albrechtsberger, J. 1736-1809 13Alkan, C-V. 1813-1888 19Allegri, G. 1582-1652 17Alwyn, W. 1905-1985 4Andriessen, L. 1939-2021 24Archduke Rudolph of Austria. 1788-1831 31Arensky, A. 1861-1906 8,14Arlen, H. 1905-1986 9Armanini, M. 20th C 10Arne, T. 1710-1778 12Arnold, M. 1921-2006 4,9,14,17,23,27Arriaga, J. 1806-1826 14Avison, C. 1709-1770 1

Bacewicz, G. 1909-1969 26Bach, C.P.E. 1714-1788 5,10,13,24,31Bach, J.S. 1685-1750 2,4,8,12,14,17,19,21,26,31Balakirev, M. 1837-1910 24Ball, E. 1903-1989 9Banks, D. 1923-1980 4Bantock, G. 1868-1946 1,23Barati, G. 1913-1996 6Barber, S. 1910-1981 4,21Bartók, B. 1881-1945 12Bax, A. 1883-1953 20Beach, A. 1867-1944 1,14,28Beath, B. b1932 7Beethoven, L. 1770-1827 1,3,4,8,10,11,12,24,26,30Bellman, C. 1740-1795 22Bellstedt, H. 1858-1926 2Benda, G. 1722-1795 17Berg, A. 1885-1935 4,13Bériot, C-A. de 1802-1870 18Berlioz, H. 1803-1869 1,14,31Berwald, F. 1796-1868 7,19,30Biber, H. 1644-1704 8Bizet, G. 1838-1875 2,15,18,28,29Bliss, A. 1891-1975 4,26Bloch, E. 1880-1959 28Boccherini, L. 1743-1805 10Boehm, T. 1794-1881 31Boïeldieu, A. 1775-1834 5,19,24Bonis, M. 1858-1937 31Borodin, A. 1833-1887 5,6,12,19Bortnyansky, D. 1751-1825 28Boyce, W. 1711-1779 12Boyd, A. b1946 22,31Brahms, J. 1833-1897 4,5,16,17,20,25,28,30Brandman, M. b1951 5Brian, H. 1876-1972 6Britten, B. 1913-1976 15,23,29,31Broadstock, B. b1952 27Brophy, G. b1953 10Bruch, M. 1838-1920 3,6,7Bruhns, N. 1665-1697 31Busoni, F. 1866-1924 9,22Butterley, N. b1935 13Buxtehude, D. 1637-1707 22Byrd, W. 1543-1623 24,29Campra, A. 1660-1744 9,16Carmichael, J. b1930 19,27Carr, E. 1926-2003 2Carr-Boyd, A. b1938 29Carvalho, J. de Sousa 1745-1798 13Casella, A. 1883-1947 5,27Chabrier, E. 1841-1894 9Chaminade, C. 1857-1944 13Charpentier, M-A. 1643-1704 1,3Chausson, E. 1855-1899 14Cherubini, L. 1760-1842 10Chopin, F. 1810-1849 25,29Chronik, H. b1974 17Cimarosa, D. 1749-1801 11Clementi, M. 1752-1832 9,16,19,22Conyngham, B. b1944 21Cooke, A. 1906-2005 1Copland, A. 1900-1990 19,20,21Coste, N. 1806-1883 5,7

Cramer, J. 1771-1858 26Crane, L. b1961 20

Danzi, F. 1763-1826 17Darke, H. 1888-1976 17David, Félicien.1810-1876 20Debussy, C. 1862-1918 7,9,16,23,25,28Delius, F. 1862-1934 30Devienne, F. 1759-1803 31Dohnányi, E. 1877-1960 14,27Donizetti, G. 1797-1848 27Doppler, F. 1821-1883 16Doppler, K. 1825-1900 16Dukas, P. 1865-1935 18Dussek, J. 1760-1812 3,6,26Dvorák, A. 1841-1904 2,3,10,11,12,17,28

Edwards, R. b1943 13,21Elgar, E. 1857-1934 1,3,14,17,19

Falla, M. de 1876-1946 16Farrenc, L. 1804-1875 5,9,23Fasch, J. 1688-1758 9,20Fauré, G. 1845-1924 5,8,9,18,25,28Fayrfax, R. 1464-1521 15Ferguson, L. c1755-1823 27Fibich, Z. 1850-1900 22Field, J. 1782-1837 7,29Finsterer, M. b1962 24Finzi, G. 1901-1956 3,5,13Forsyth, M. 1936-2011 16Françaix, J. 1912-1997 19Franck, C. 1822-1890 3,14,22,25Fuchs, K. b1956 15Fuchs, R. 1847-1927 20Fux, J. 1660-1741 20

Gabrieli, G. c1556-1612 1Gade, N. 1817-1890 8Gautier de Coinci. 1177-1236 1Gershwin, G. 1898-1937 30Gieseking, W. 1895-1956 29Ginastera, A. 1916-1983 2,21,28Giuliani, M. 1781-1829 31Glass, P. b1937 28Glazunov, A. 1865-1936 1,6,13,29Glinka, M. 1804-1857 13Gnattali, R. 1906-1988 21Gounod, C. 1818-1893 2,3Grainger, P. 1882-1961 19,23,29,30Granados, E. 1867-1916 11Grandison, M. b1965 21Greenbaum, S. b1966 29Grieg, E. 1843-1907 11,22,30Guarnieri, C. 1907-1993 21Guastavino, C. 1912-2000 2,7Gubaidulina, S. b1931 13Gyger, E. b1968 3

Handel, G. 1685-1759 1,12,15,21,22,28,31Hanson, H. 1896-1981 12,28Hanson, R. 1913-1976 19Harwood, B. 1859-1949 31Haydn, J. 1732-1809 3,7,10,12,17,24,30Haydn, M. 1737-1806 12,17,31Henze, H. 1926-2012 20Herbert, V. 1859-1924 15,22,30Herschel, W. 1738-1822 10Higdon, J. b1962 24,31Hindemith, P. 1895-1963 10,14,20Hindson, M. b1968 14Hoffmeister, F. 1754-1812 20Hofmann, L. 1738-1793 4Holland, D. 1913-2000 1,15,29Holst, G. 1874-1934 2,22Horneman, C. 1840-1906 8Hotteterre, J-M. 1674-1763 6Hovhaness, A. 1911-2000 4Hsieh, A. b1984 6Humfrey, P. 1647-1674 3Hummel, J. 1778-1837 5,28Humperdinck, E. 1854-1921 10Hurlstone, W. 1876-1906 1Hyde, M. 1913-2005 29

Ireland, J. 1879-1962 11,30

Jacquet de la Guerre, E-C. c1666-1729 20,22Jadin, H. 1769-1802 24Janácek, L. 1854-1928 6,24

Kalinnikov, Vasily. 1866-1901 20Kalliwoda, J. 1801-1866 10Kapsperger, G. c1580-1651 1Kenniff, K. b1981 17Khachaturian, A. 1903-1978 2,28Kodály, Z. 1882-1967 15Koetsier, J. 1911-2006 15Kozeluch, L. 1747-1818 3Kraus, J.M. 1756-1792 24Lachner, F. 1803-1890 19

Lalo, E. 1823-1892 3,16,26,30Langford, G. 1930-2017 23Lanzetti, S. 1710-1780 13Lawes, W. 1602-1645 7Lehár, F. 1870-1948 29Léonard, H. 1819-1890 18Liszt, F. 1811-1886 1,7,9,15,21,23,26,28,29Lloyd, R. 20th C 21Loader, F. b1964 10Locke, M. c1621-1677 20Loewe, C. 1796-1869 7Lortzing, A. 1801-1851 28Lutyens, E. 1906-1983 27Lyadov, A. 1855-1914 4

MacDowell, E. 1860-1908 4,27Mahler, G. 1860-1911 3,23,24,28Manfredini, V. 1737-1799 17Marais, M. 1656-1728 5,22,28Martines, M. 1744-1812 15Martinu, B. 1890-1959 1,19,23Marttinen, T. 1912-1973 26Massenet, J. 1842-1912 5,22Massonneau, L. 1766-1848 7May, B. 1934-1997 31Mayer, E. 1812-1883 7Mendelssohn, F. 1809-1847 6,11,12,20,21,23,24,26,31Mendelssohn, Fanny. 1805-1847 7,22Menotti, G. 1911-2007 4Messager, A. 1853-1929 16Milhaud, D. 1892-1974 9,21Mills, R. b1949 27Miyoshi, A. 1933-2013 10Monte, P. de 1521-1603 29Moore, K. b1979 24Moscheles, I. 1794-1870 5,16,22,24Moszkowski, M. 1854-1925 25,26Mozart, W. 1756-1791 3,6,9,10,12,13,16,18,19,20,24,27,28,30,31Muffat, G. 1653-1704 6,13Müller, I. 1786-1854 27Mussorgsky, M. 1839-1881 14,24Mysliveček, J. 1737-1781 13

Neal, K. b1972 24Nelegatti, C. b1959 2Newsome, R. 1930-2011 9Nielsen, C. 1865-1931 8,25Niewerth, H. d1699 22Nin, J. 1879-1949 26Norgård, P. b1932 3Novák, V. 1870-1949 25Nyman, M. b1944 31

Offenbach, J. 1819-1880 7,11Ornadel, C. 1924-2011 23O’Riada, S. 1931-1971 16Paganini, N. 1782-1840 22,28Palestrina, G. da c1525-1594 17Parry, H. 1848-1918 1,2,29Parsons, R. c1530-1570 29Pasculli, A. 1842-1924 29Pfitzner, H. 1869-1949 16Piazzolla, A. 1921-1992 2Piccinini, A. 1566-1638 22Pisador, D. c1510-c1557 22Pisendel, J. 1687-1755 27Piston, W. 1894-1976 28

Pleyel, I. 1757-1831 15,16,20Poulenc, F. 1899-1963 18Praetorius, M. c1571-1621 7Prokofiev, S. 1891-1953 6,13,14,21,25Puccini, G. 1858-1924 2,18

Quantz, J. 1697-1773 31

Rachmaninov, S. 1873-1943 6,18,30Raff, J. 1822-1882 11Rameau, J-P. 1683-1764 2,5Raupach, H. 1728-1778 24Rautavaara, E. 1928-2016 9Ravel, M. 1875-1937 7,8,12,14,18,19,23,25,26Reicha, A. 1770-1836 2Respighi, O. 1879-1936 6,16,25Rheinberger, J. 1839-1901 3Ricketson, D. b1973 24Ries, F. 1784-1838 3,11Rimsky-Korsakov, N. 1844-1908 18,21,22Rode, P. 1774-1830 6,15Rodrigo, J. 1901-1999 8,10,29,31Rojas, D. b1974 31Roman, J. 1694-1758 22Ropartz, J. 1864-1955 5Rosetti, A. c1750-1792 3Rossini, G. 1792-1868 2,22Rott, H. 1858-1884 2Roussel, A. 1869-1937 18Rovetta, G. 1596-1668 1Rubbra, E. 1901-1986 19Rufinatscha, J. 1812-1893 4Rutter, J. b1945 31Ryba, J. 1765-1815 27

Saint-Georges, J. 1745-1799 13Saint-Saëns, C. 1835-1921 5,11,15,18,21,23,25Salieri, A. 1750-1825 5Sammartini, G.B. 1700-1775 1Sartorio, A. 1630-1680 6Satie, E. 1866-1925 25Scarlatti, D. 1685-1757 24,28Scheibe, J. 1708-1776 22Schmidt, F. 1874-1939 4Schmitt, F. 1870-1958 22,28Schnittke, A. 1934-1998 14Schobert, J. 1740-1767 17Schöndorff, P. 1558-1617 29Schubert, F. 1797-1828 2,3,5,6,8,9,10,13,17,22,29Schultze, J. 1733-1813 31Schumann, C. 1819-1896 2,15,21Schumann, R. 1810-1856 4,7,8,9,12,16,17,23,30Schütz, H. 1585-1672 10Scott, C. 1879-1970 27Sculthorpe, P. 1929-2014 21Shostakovich, D. 1906-1975 4,13,16,30Sibelius, J. 1865-1957 7,8,12,25,28Smetana, B. 1824-1884 2,17,24,28Smetanin. M. b1958 24Smyth, E. 1858-1944 1,15Sondheim, S. b1930 19Sperger, J. 1750-1812 3Spohr, L. 1784-1859 5,8,31Stainer, J. 1840-1901 17Stanford, C. Villiers 1852-1924 17,27Strauss, J. II 1825-1899 9,27,28Strauss, R. 1864-1949 2,7,15,18Stravinsky, I. 1882-1971 1,11,12,13,14,30Suk, J. 1874-1935 10Suppé, F. 1819-1895 7Sutherland, M. 1897-1984 30Sweelinck, J. 1562-1621 15Szymanowski, K. 1882-1937 26 Tailleferre, G. 1892-1983 8Tallis, T. c1505-1585 10Tartini, G. 1692-1770 22Taverner, J. c1490-1545 21,24Tchaikovsky, P. 1840-1893 1,8,10,13,18Telemann, G. 1681-1767 14,26,31Thomas, J. 1826-1913 1Thomson, V. 1896-1989 16

Tiomkin, D. 1894-1979 30Tirao, C. 1941-2007 2Tórroba, F. Moreno 1891-1982 14Tulve, H. b1992 20Tveitt, G. 1908-1981 13Tyberg, M. 1893-1944 22

Vachon, P. 1731-1803 27Vaughan Williams, R. 1872-1958 8,9,10,25Verdi, G. 1813-1901 6,7,16,27Viardot, Pauline. 1821-1910 15Victoria, T. de 1548-1611 31Vierne, L. 1870-1937 5,14,18,24Vieuxtemps, H. 1820-1881 3,18Villa-Lobos, H. 1887-1959 21,30Vine, C. b1954 24Viotti, G. 1755-1824 3,24Vivaldi, A. 1678-1741 5,7Vorisek, J. 1791-1825 13

Wagenseil, G. 1715-1777 8Wagner, R. 1813-1883 24Walton, W. 1902-1983 14Weber, C.M. 1786-1826 10,12,15,27,30Weill, K. 1900-1950 2Westlake, N. b1958 1,8,9,11,23,29Widor, C-M. 1844-1937 7,8Wieniawski, H. 1835-1880 17Wilcher, P. b1958 5Williams, J. b1932 2,16Wilson, S. 1924-2014 23Witt, F. 1770-1836 6

Ye, X. b1955 10Yoshimatsu, T. b1953 9Young, V. 1900-1956 30Ysaÿe, E. 1858-1931 18Yu, J. b1957 10

Zach, J. ?1699-1773 27Zelenka, J. 1679-1745 3,8,10,23Zemlinsky, A. 1871-1942 13,23

The following composers have works of at least five minutes on the October dates listed

Ch & O: Chorus &OrchestraCO: Chamber OrchestraFO: Festival OrchestraNO: National OrchestraNSO: National SymphonyOrchestraPO: Philharmonic OrchestraRO: Radio OrchestraRSO: Radio Symphony

OrchestraRTO: Radio & TelevisionOrchestraRTV SO: Radio andTelevision SymphonyOrchestraSO: Symphony OrchestraTO: Theatre Orchestraalto: male altoban: bandoneon

bar: baritonebshn: basset hornbass: bassbn: bassoonbass bar: bass baritonecl: clarinetclvd: clavichordcont: contraltocora: cor anglaisct: counter-tenor

db: double bassdbn: double bassoondid: didjeriduelec: electronicfl: flutefp: fortepianogui: guitarhn: french hornhp: harphpd: harpsichord

mand: mandolinmar: marimbamezz: mezzo-sopranonarr: narratorob: oboeorg: organperc: percussionpf: pianopicc: piccolorec: recorder

sax: saxophonesop: sopranotb: tromboneten: tenortimp: timpanitpt: trumpettreb: treble voiceva: violavc: cellovn: violin

Key Music duration is shown after the record and citation

Documents

First Person Notes From Nadje