First Name Last Name Email Address Title Year ISBN No. Publisher Notes

Charles Abramovic abrajac@temple.edu The solo piano works of Boris Papandopulo 1990 Thesis (D.M.A.)--Temple University

Beth Bolton beth.bolton@temple.edu

Book 3, Jump Right In: The Music Curriculum. Third grade books and cd recordings. Music textbook series for kindergarten through eighth grade 2004 GIA

With: Taggart, C., Valerio, W., Reynolds, A., Gordon, E, Book three Teacher’s Edition, Piano Accompaniment Book, Student Book and compact disc recordings (producer)

Beth Bolton beth.bolton@temple.edu Muzikos zˇaismas [Music play] 2004 KrontaWith: Valerio, W. H., Reynolds, A. M., M., Taggart, C. C., and Gordon, E. E.

Beth Bolton beth.bolton@temple.eduYinyue youxi [Music play], translated by Gan Wang and Hao Liu 2004

China Translation and Publishing Corporation

With: Valerio, W. H., Reynolds, A. M., M., Taggart, C. C., & Gordon, E. E.

Beth Bolton beth.bolton@temple.edu

An Examination of Vocal/Verbal Responses in Infants and Toddlers Attending a Music Class 2004

Psychology and Music Education Conference Proceedings, University of Padua, Italy, November 2004

Beth Bolton beth.bolton@temple.edu Rock A Bye Blues 2003New Zealand Musical Parenting

With: Wylie, J., Rankin, B.; Compact disc recording for early childhood music. Includes 7 original compositions by Beth Bolton

Beth Bolton beth.bolton@temple.eduThe Childsong Collection Book 2: Learning the Language of Music 2002 Bestbael Music

A second volume of original songs in varied tonalities and meters with suggestions for simple vocal harmony and lyrics

Beth Bolton beth.bolton@temple.edu Music play. (Helen K. Yi, trans.) 2002 IEC Music EnglishWith: Valerio, W. H., Reynolds, A. M., B., Taggart, C. C., & Gordon, E. E

Beth Bolton beth.bolton@temple.edu Jump Right In: The Music Curriculum 2001 GIA

With: Taggart, C., Valerio, W., Reynolds, A., Gordon, E.; Second grade books and cd recordings. Music textbook series for kindergarten through eighth grade. Book 2 Teacher’s Edition, Piano Accompaniment Book, Student Book, and compact disc recordings

Beth Bolton beth.bolton@temple.eduVaiko muzikalumo puoselejimas: dainos ir skanduotes 2000

With: Gordon, E., Cameron, C., Hicks, W., Taggart, C; In: Publication of the Early Childhood Experimental Song and Chant Book 1 in Lithuania

Beth Bolton beth.bolton@temple.eduPickles and Pie Composer, performer, producer 2000 Bestbael Publications

Compact disc recording and songbook for early childhood music teachers and families.

Beth Bolton beth.bolton@temple.eduNeonates and Music: Providing a Sound Environment 2000

Invited paper for the conference monograph. Topics in Creative Arts Therapy in Neonatal Intensive Care Conference, Beth Israel Medical Center, New York, NY

Beth Bolton beth.bolton@temple.edu“Harmonic Development: Music’s Impact to Age Three 2000

In Sound Ideas: Canterbury Studies in Music Education Volume 3, No. 3

Beth Bolton beth.bolton@temple.eduAutumnsong: Early Childhood Music Guidebook for Teachers and Parents 2000 Bestbael Music

Original songs and lesson plans for childrenage birth to four years

Beth Bolton beth.bolton@temple.edu Jump Right In: The Music Curriculum 2000

With: Taggart, C., Valerio, W., Reynolds, A., Gordon, E; First grade books. Music textbook series for kindergarten through eighth grade. Book 1 Teacher’s Edition, Piano Accompaniment Book, Student Book,and compact disc recordings

Beth Bolton beth.bolton@temple.eduMusicianship: Development of Tonal and Rhythm Skill 2000 Bestbael Music

Sourcebook for developing aural skills in music

Beth Bolton beth.bolton@temple.eduThe Childsong Collection Book 1: Learning the Language of Music 1999 Bestbael Music

103 original songs without words in varied tonalities and meters with suggestions for simple vocal harmony and lyrics.

Beth Bolton beth.bolton@temple.edu“An Investigation of Children’s Readiness to Improvise Harmonically” 1999

School of Music, University of Illinois at Urbana-Champaign.

Research abstract in Coffman, D. “Multidisciplinary Perspectives on Musicality: The Seashore Symposium” Council for Research in Music Education Bulletin, No. 140

Beth Bolton beth.bolton@temple.eduMUSIC PLAY: The Early Childhood Music Curriculum 1998 GIA

With: Reynolds, A., Valerio, W., Taggart C., Gordon, E; textbook and compact disc recording

Beth Bolton beth.bolton@temple.edu

“Music, The Brain, and Music Learning” Eckart Altenmüller and Wilfried Gruhn, and “Taking Another Look and the Advanced Measures of Music Audiation” by Edwin E. Gordon 1998 GIA

With: Taggart, C.; GIML Research Monograph Number 2

Beth Bolton beth.bolton@temple.edu

Music Play: The Early Childhood Music Curriculum Guide for Parents Teachers & Caregivers Spiral 1998 1579990274 GIA Publications

Beth Bolton beth.bolton@temple.edu“Listen and Move: Preparing Your Students for Instrumental Music Classes” 1997 The GIML Audea Volume 3, Number 2

Beth Bolton beth.bolton@temple.edu“Review of Research in Instrumental Music” PMEA News 1997

Journal of the Pennsylvania Music Educators Association

Beth Bolton beth.bolton@temple.edu

The Early Childhood Music Curriculum : Experimental: Songs and Chants Without Words : Book One 1997 999907524X GIA Publications

Beth Bolton beth.bolton@temple.edu

“Was That A Musical Response? Eliciting and Evaluating the Earliest Musical Behaviors in Very Young Children” 1996

Early Childhood Connections Journal for Music and Movement

Beth Bolton beth.bolton@temple.edu“Singing Melody and Harmony: A Middle School Vocal Experience” 1995 The GIML Audea, Volume 1, Number 4

Beth Bolton beth.bolton@temple.edu

“Effective Teaching Through Audiation and the National Standards in Music” (Winter 1995) 1995 The GIML Audea Volume 1, Number 2

Beth Bolton beth.bolton@temple.eduThe Early Childhood Experimental Song and Chant Book 1 1994 GIA With: Gordon, E, Taggart, C., Hicks, W.

Beth Bolton beth.bolton@temple.edu

An Investigation of same and different as manifested in the developmental musical aptitudes of students in first, second, and third grades 1985 Thesis

Karen Bond jmeglin@temple.edu

"I Feel Like I'm Going to Take Off!": Young People's Experiences of the Superordinary inDance

2000 Dance Research Journal Vol. 32 No. 2

Karen Bond kbond003@temple.eduDance Therapy Redefined: A Body Approachto Therapeutic Dance

1996 0398059136

Charles C. Thomas, Publisher Ltd on pages x, xxii,xxvii

Karen Bond kbond003@temple.edu Gender issues in dance history pedagogy 1994

American Alliance for Health, Physical Education, Recreation, and Dance

In the book: Dance dynamics by Joellen Meglin

Alexander Brinkman alex.brinkman@temple.eduOn the Track: A Guide to Contemporary Film Scoring 2004 0415941369 Routledge “Click Book” (film score timing data)

Alexander Brinkman alex.brinkman@temple.edu

The Effect of Key Color and Timbre on Absolute Pitch Recognition in Musical Contexts 2000 Music Perception Vol. 18, No. 2

Alexander Brinkman alex.brinkman@temple.edu

The Effect of Modulation and Formal Manipulation on Perception of Tonic Closure by Expert Listeners 1999 Music Perception Vol. 16, No. 4

Alexander Brinkman alex.brinkman@temple.edu

Using the Tools to Teach the Tools: Teaching Multimedia Programming in Music Curricula 1997 Music Theory Online, Vol 3, No. 5

Alexander Brinkman alex.brinkman@temple.eduCD-ROMs, HyperCard, and the Theory Curriculum: A Retrospective Review 1996 Journal of Music Theory Pedagogy Vol. 10

Alexander Brinkman alex.brinkman@temple.edu Pascal programming for music research 1990 0226075079University of Chicago Press

i

Alexander Brinkman alex.brinkman@temple.edu Pascal Programming for Music Research 1990 0226075079University of Chicago Press

Alexander Brinkman alex.brinkman@temple.edu

Review of 'Microcomputers and Music' by Gary E. Wittlich, John W. Schaffer, and Larry R. Babb 1987 Integral Vol. 1

Alexander Brinkman alex.brinkman@temple.eduA Binomial Representation of Pitch for Computer Processing of Musical Data 1986 Music Theory Spectrum, Vol. 8

Alexander Brinkman alex.brinkman@temple.eduRepresenting Musical Scores for Computer Analysis 1986 Journal of Music Theory, Vol. 30, No. 2

Alexander Brinkman alex.brinkman@temple.eduThe Melodic Process in Johann Sebastian Bach's "Orgelbuchlein" 1980 Music Theory Spectrum, Vol. 2

Alexander Brinkman alex.brinkman@temple.edu

Johann Sebastian Bach's Orgelbüchlein a computer-assisted study of the melodic influence of the cantus firmus on the contrapuntal voices 1978 Thesis

Alexander Brinkman alex.brinkman@temple.eduStyle and structure in the five-voice canzone of Samuel Scheidt Thesis (M.A.)--University of Rochester

Alexander Brinkman alex.brinkman@temple.edu Contemporary Music Analysis Package with Craig HarrisAlexander Brinkman alex.brinkman@temple.edu Score-11

Darlene Brooks darlene.brooks@temple.eduA History of Music Therapy Journal Articles Published in the English Language 2003 Journal of Music Therapy Vol. 40, No. 2

Darlene Brooks darlene.brooks@temple.eduBook Reviews: "Case Studies in Music Therapy," by Ken Bruscia 1999 Music Therapy Perspectives Vol. 17, No. 1

Darlene Brooks darlene.brooks@temple.eduAnima experiences of men in guided imagery and music 1998

Dissertation: Thesis (Ph. D.)--Temple University, 1998

Kenneth Bruscia kenneth.bruscia@temple.eduOngaku ryoho kesu sutadi. 003 2004 4276122627 Ongakunotomosha

Kenneth Bruscia kenneth.bruscia@temple.eduGuided imagery and music : the Bonny method and beyond 2002 1891278126 Barcelona Publishers

Kenneth Bruscia kenneth.bruscia@temple.eduA Qualitative Approach to Analyzing Client Improvisations 2001 Music Therapy Perspectives Vol. 19, No.1

Kenneth Bruscia kenneth.bruscia@temple.edu Ongaku ryoho o teigisuru 2001 4486015479Tokaidaigakushuppanka

Kenneth Bruscia kenneth.bruscia@temple.edu Sokkyo ongaku ryoho no shoriron 1999 4890071121 Ningentorekishisha

Kenneth Bruscia kenneth.bruscia@temple.edu The Dynamics of music psychotherapy 1998 1891278053 Barcelona Publishers

Kenneth Bruscia kenneth.bruscia@temple.edu Defining music therapy 1998 189127807X Barcelona Publishers

Kenneth Bruscia kenneth.bruscia@temple.edu Definiendo musicoterapia 1996 8481960632 Amarú

Kenneth Bruscia kenneth.bruscia@temple.edu Case studies in music therapy 1991 0962408018 Barcelona Publishers

Kenneth Bruscia kenneth.bruscia@temple.edu Defining music therapy 1989 Spring House Books

Kenneth Bruscia kenneth.bruscia@temple.eduMaster's theses in music therapy : index and abstracts 1988

Temple University, Esther Boyer College of Music

Kenneth Bruscia kenneth.bruscia@temple.eduMethods of teaching and training the music therapist 1988

Temple University, Esther Boyer College of Music

Kenneth Bruscia kenneth.bruscia@temple.eduPerspectives on music therapy education and training 1987

Temple University, Esther Boyer College of Music

Kenneth Bruscia kenneth.bruscia@temple.edu Improvisational models of music therapy 1987 0398052727 C.C. Thomas

Kenneth Bruscia kenneth.bruscia@temple.edu Putting blind students in touch with music 1985 Music Educators Journal Vol. 72, No. 2

Kenneth Bruscia kenneth.bruscia@temple.eduA curriculum for teaching optacon music-reading 1983 0961408073 Tembrook Press

Kenneth Bruscia kenneth.bruscia@temple.eduAuditory short-term memory and selective attention among the mentally retarded 1979

Dissertation: Thesis--(Ph.D) New York University, 1979

David Cannata david.cannata@temple.edu Rachmaninoff and the symphony 1999 3706512408 Studien Verlag

David Cannata david.cannata@temple.eduZwei Sätze für Streichquartett =Two movements for string quartet 1998 H. Sikorski Music Score

David Cannata david.cannata@temple.eduPerception & Apperception in Liszt's Late Piano Music 1997 Journal of Musicology Vol. 15, No. 2

David Cannata david.cannata@temple.edu Rachmaninoff's Concept of Genre 1995Studies in Music from the University of Western Ontario Vol. 15

David Cannata david.cannata@temple.edu

Trio élégiaque : für Klavier, Violine und Violoncello, g-Moll = for piano, violin and violoncello, G minor (1892) 1994 H. Sikorski Music Score

David Cannata david.cannata@temple.edu

Russische Rhapsodie : für 2 Klaviere vierhändig = Russian rhapsody : for 2 pianos,four hands 1994 H. Sikorski Music Score

David Cannata david.cannata@temple.eduAn Ancient Crisis in Music Bibliography: The Need for Incipits 1993

Notes-Quarterly Journal of the Music Library Association Vol 50, No. 2

David Cannata david.cannata@temple.eduRachmaninoff's changing view of symphonic structure 1993 U.M.I Thesis( Ph. D.)--New York University

David Cannata david.cannata@temple.edu

Book Reviews: Twentieth Century-- "Sergej Rachmaninoff, 1873-1943, zwischen Moskauund New York: Eine Kunstlerbiographie" by Maria Biesold 1993

Notes-Quarterly Journal of the Music Library Association

David Cannata david.cannata@temple.edu

Romance : Valse : fur Klavier sechshandig = for piano six hands / fur Klavier vierhandig = for piano four hands 1993 H. Sikorski Music Score

David Cannata david.cannata@temple.edu

Romance für Klavier vierhändig = for piano four hands ; Valse für Klavier sechshändig = for piano six hands 1993 H. Sikorski Music Score

David Cannata david.cannata@temple.edu

Music Reviews: Keyboard Music-- Sergei Rachmaninoff "Preludes for Piano: Op.3, no.2, Ten Preludes, op.23 and Thirteen Preludes, op.32"; Sergei Rachmaninoff "Sonata no.2, op.36 for piano" 1993

Notes-Quarterly Journal of the Music Library Association Vol 50, No. 2

David Cannata david.cannata@temple.edu Frühe Klavierwerke =Early piano works 1992 H. Sikorski Music Score

David Cannata david.cannata@templ.eduLied : für Violoncello und Klavier = Lied : for violoncello and piano 1992 H. Sikorski Music Score

David Cannata david.cannata@temple.eduBook Reviews: "The Oxford History of New Zealand Music," by John Mansfield Thomson 1992

Notes-Quarterly Journal of the Music Library Association Vol. 48, No.3

David Cannata david.cannata@temple.edu

Music Reviews: Keyboard Music "Frühe Sowjetische Klaviermusik", ed. by Nicolai Koptschewski 1989

Notes-Quarterly Journal of the Music Library Association Vol. 46, No. 2

David Cannata david.cannata@temple.eduMusic Reviews: Keyboard Music "Russian Piano Music", ed. by Dmitry Feofanov 1989

Notes-Quarterly Journal of the Music Library Association Vol. 46, No. 2

Orlando Coleeric.schweingruber@temple.edu Changing the positions, op. 8 1949 Elkan-Vogel Studies & exercises, etudes 24 p. of music

Orlando Coleeric.schweingruber@temple.edu

[Letter, 1936, summer, St. Wolfgang, Austria,to] Landy [Orlando Cole, Rockport, Me.]

1936 Thesis

Jeffrey Cornelius jeffrey.cornelius@temple.edu Music Faculty and Professional Service 1995National Association of Schools of Music, Proceedings 83

Jeffrey Cornelius jeffrey.cornelius@temple.edu

Institutional Factors and Job Turnover Among Music Administrators at the College Level 1989

Journal of Research in Music Education Vol. 37, No. 4

Jeffrey Cornelius jeffrey.cornelius@temple.edu

The relationship of institutional factors to job turnover among chief music administrators in selected American colleges and universities 1985

Dissertation: Thesis (Ed. D.)--Temple University

Bill Cunliffe bcunliffe@sbcglobal.net All's well in Wellington 2001 Kendor Music Music score

Bill Cunliffe bcunliffe@sbcglobal.netJazz keyboard toolbox : the nuts and bolts guide to learning jazz keyboard 2000 0739007262

Alfred Publishing Co., Inc Music score

Bill Cunliffe bcunliffe@sbcglobal.net Samba de Milton 1994 Kendor Music score

Bill Cunliffe bcunliffe@sbcglobal.netFarewell to peace: soprano saxophone & piano 1981 Dorn Publications Music score

Cheryl Dileo cdileo@temple.edu Medical Music Therapy: Care Reports. 2005Cherry Hill, NJ: Jeffrey Books. (in preparation for 2005)

Cheryl Dileo cdileo@temple.edu Music Therapy at the End of Life 2005Cherry Hill, NJ: Jeffrey Books. With Loewy, J. (in preparation for 2005)

Cheryl Dileo cdileo@temple.edu Medical Music Therapy: Case Reports. 2005Cherry Hill, NJ: Jeffrey Books. (in preparation for 2005)

Cheryl Dileo cdileo@temple.edu Music Therapy in Cancer Care. 2005Cherry Hill, NJ: Jeffrey Books. With Magill, L (in preparation for 2005)

Cheryl Dileo cdileo@temple.eduMedical Music Therapy: A Meta-Analysis of the Literature and Future Trends. 2004

Cherry Hill, NJ: Jeffrey Books. With Bradt, J. (in press for 2004)

Cheryl Dileo cdileo@temple.eduShindo onkyo ryoho: ongaku ryoho eno iyo kogakuteki apurochi 2003 4890071342 Ningentorekishisha

Cheryl Dileo cdileo@temple.edu

Pain and the Body Schema: Effects of Pain Severity on Mental Representations of Movement 2002

With Schwoebel, J. , Coslett, H.B., Bradt, J., Friedman, R. In Neurology, Vol 59, pp 775-777

Cheryl Dileo cdileo@temple.eduMusiktherapie und MusikMedicine in anderenLandern: Amerika und Estland 2001

In Musik und gesundhein, Ausgabe, pp 16-19

Cheryl Dileo cdileo@temple.eduEthics in music therapy supervision. In: M. Forinash (Ed.), Supervision in Music Therapy 2001 Barcelona Publishers

Cheryl Dileo cdileo@temple.eduMusic Therapy. In Encyclopedia of Psychology, 1st Edition 2001

American Psychological Association

Cheryl Dileo cdileo@temple.edu Ethical Thinking in Music Therapy. 2000Cherry Hill, NJ: Jeffrey Books.

Cheryl Dileo cdileo@temple.edu Ethical thinking in music therapy 2000 Jeffrey Books

Cheryl Dileo cdileo@temple.eduMusic therapy and medicine: theoretical and clinical applications 1999 1884914004

American Music Therapy Association

Cheryl Dileo cdileo@temple.eduMusic Therapy and Medicine: Clinical and Theoretical Applications. 1999

Silver Spring, MD: American Music Therapy Association.

Cheryl Dileo cdileo@temple.edu

Entrainment, resonance and pain-related suffering. In: C. Dileo (Ed.), Music Therapy and Medicine: Clinical and Theoretical Applications 1999

American Music Therapy Association With Bradt, J

Cheryl Dileo cdileo@temple.edu

Sound and psyche: seven days-- 8th World Congress of Music Therapy, Hamburg 1999 387204401X Eres

Cheryl Dileo cdileo@temple.edu

Introduction to music therapy and medicine: Definitions, theoretical orientations and levelsof practice. In: C. Dileo (Ed.), Music Therapy and Medicine: Clinical and Theoretical Applications 1999

American Music Therapy Association

Cheryl Dileo cdileo@temple.edu

Songs for Living: Music Therapy in the Treatment of Oncology Patients. In: C. Dileo (Ed.), Music Therapy and Medicine: Clinical and Theoretical Applications 1999

American Music Therapy Association

Cheryl Dileo cdileo@temple.edu

A Bibliography of Music Medicine and Music Therapy with Pediatric Patients. In: J. Loewy (Ed.) Music Therapy and Pediatric Pain 1997 Jeffrey Books

Cheryl Dileo cdileo@temple.edu Music vibration and health 1997 Jeffrey Books

Cheryl Dileo cdileo@temple.edu

Reflections on Medical Music therapy: Biopsychosocial Perspectives of the Treatment Process. In: J. Loewy (Ed.) Music Therapy and Pediatric Pain 1997 Jeffrey Books

Cheryl Dileo cdileo@temple.edu Music Vibration and Health. 1997Cherry Hill, NJ: Jeffrey Books. With Wigram, T.

Cheryl Dileo cdileo@temple.eduIntroduction. In: T. Wigram and C. Dileo (Eds.), Music Vibration and Health 1997 Jeffrey Books

Cheryl Dileo cdileo@temple.edu

Clinical and Ethical Issues in Vibroacoustic Therapy. In: T. Wigram & C. Dileo (Eds.), Music Vibration and Health 1997 Jeffrey Books

Cheryl Dileo cdileo@temple.eduMusic Therapy: An International View.In: H.H. Decker-Voigt (Ed.) 1997 In Lexicon of Music Therapy

Cheryl Dileo cdileo@temple.eduMusic Process in Medical Patients. In: P. Del Campo (Ed.). Music and the Human Process 1997

Cheryl Dileo cdileo@temple.eduMusic Process in Medical Patients. In: Danish Bulletin of Music Therapy 1997

Cheryl Dileo cdileo@temple.edu

The Context of Music and Medicine. In: T. Wigram and C. Dileo (Eds.) Music Vibration and Health 1997 Jeffrey Books

Cheryl Dileo cdileo@temple.edu

Biopsychosocial aspects of music performance. In R. Spintge & R. Droh (Eds.). MusicMedicine II 1996 MMB

Cheryl Dileo cdileo@temple.eduA Cognitive Model of Music Medicine. In R. Spintge and R. Droh (Eds.). MusicMedicine II 1996 MMB

Cheryl Dileo cdileo@temple.edu

Research in Medical Music Therapy. In M.A. Froehlich (Ed.). Music Therapy with Hospitalized Children: A Child-Life Approach 1996 Jeffrey Books

Cheryl Dileo cdileo@temple.eduReviewing the literature. In B. Wheeler (Ed.). Research in Music Therapy 1995 Barcelona Books

Cheryl Dileo cdileo@temple.edu

Foreward. In: T. Wigram, R. West and B. Saperston (Eds.). The Art and Science of Music Therapy: A Handbook 1995

Harwood Academic Press

Cheryl Dileo cdileo@temple.edu Preface. Journal of British Music Therapy 1995

Cheryl Dileo cdileo@temple.eduEthics in music therapy research. In B. Wheeler (Ed.). Research in Music Therapy 1995 Barcelona Books

Cheryl Dileo cdileo@temple.edu

Medical Applications of Music Therapy. In T. Wigram and M. Heal (Eds.). Music Therapy in Health and Education 1993

Jessica Kingsley Publications

Cheryl Dileo cdileo@temple.eduReport of the MedArt International Congress on Arts and Medicine 1993 In Music Therapy: International Newsletter

Cheryl Dileo cdileo@temple.eduForeward. In C.D. Maranto (Ed.). Music Therapy: International Perspectives 1993 Jeffrey Books

Cheryl Dileo cdileo@temple.edu

An historical overview of music therapy. In C.D. Maranto (Ed.). Music Therapy: International Perspectives 1993 Jeffrey Books

Cheryl Dileo cdileo@temple.edu

Music Therapy and Stress Management. In R. Woolfolk and P. Lehrer (Eds.).Principles and Practices of Stress Management (2nd Ed.) 1993 Guilford Press

Cheryl Dileo cdileo@temple.edu

Music Therapy in the USA. In C.D. Maranto (Ed.). Music Therapy: International Perspectives 1993 Jeffrey Books

Cheryl Dileo cdileo@temple.edu

Clinical practice in music therapy: a global perspective. In C.D. Maranto (Ed.). Music Therapy: International Perspectives 1993 Jeffrey Books

Cheryl Dileo cdileo@temple.edu Music Therapy: International Perspectives. 1993Pipersville, PA: Jeffrey Books

Cheryl Dileo cdileo@temple.edu Music therapy: international perspectives 1993 Jeffrey Books

Cheryl Dileo cdileo@temple.edu

International Initiatives. In C.D. Maranto (Ed.).Music Therapy:International Perspectives 1993 Jeffrey Books

Cheryl Dileo cdileo@temple.edu

A Comprehensive Definition of Music Therapy with an Integrative Model for Music Medicine. In R. Spintge and R. Droh (Eds.). MusicMedicine 1992 MMB

Cheryl Dileo cdileo@temple.eduEthical Guidelines: World Federation of Music Therapy 1992

Cheryl Dileo cdileo@temple.eduGuidelines for Registration: World Federationof Music Therapy.

1992

Cheryl Dileo cdileo@temple.edu

Music in the Treatment of Immune-Related disorders. In R. Spintge and R. Droh (Eds.) MusicMedicine 1992 MMB

Cheryl Dileo cdileo@temple.edu

Music Therapy in the Treatment of Performance Anxiety in Musicians. In R. Spintge and R. Droh (Eds.). MusicMedicine 1992 MMB

Cheryl Dileo cdileo@temple.eduGuidelines for Research: World Federation ofMusic Therapy, Inc. 1992

Cheryl Dileo cdileo@temple.edu Applications of Music in Medicine. 1991

Washington, D.C.: National Association for Music Therapy, Inc.

Cheryl Dileo cdileo@temple.eduMusic and Immune Response. Proceedings, Canadian Association for Music Therapy 1991

Cheryl Dileo cdileo@temple.eduMusic Therapy in Japan. Music Therapy Perspectives 1991

Cheryl Dileo cdileo@temple.eduReport of the NAMT Task Force on Music and Medicine. Music Therapy Perspectives 1991

Cheryl Dileo cdileo@temple.edu

A Conceptual Model of Music in Medicine. In C. Maranto (Ed.). Applications of Music in Medicine 1991

National Association for Music Therapy, Inc.

Cheryl Dileo cdileo@temple.edu

The effects of music and directed biological imagery on immune response. In C. Maranto (Ed.) Applications of Music in Medicine 1991

National Association for Music Therapy, Inc

With: Tsao, C.C., Gordon, T., Lerman, C., &Morasko, D

Cheryl Dileo cdileo@temple.edu

Medical and Psychological Problems of Musicians: An Overview. In C. Maranto (Ed.).Applications of Music in Medicine

1991

National Association for Music Therapy, Inc With: Habbousche, F.

Cheryl Dileo cdileo@temple.edu

Music and medicine in China: The effects of music electro-acupuncture on cerebral hemiplegia. In C. Maranto (Ed.). Applications of music in Medicine 1991

National Association for Music Therapy, Inc. With: Shi Jin, Li

Cheryl Dileo cdileo@temple.eduEthical Considerations in Music Therapy Research. Music Therapy Perspectives 1991

Cheryl Dileo cdileo@temple.edu

Brochure: Music Therapy Makes a Difference. Brochure of the National and American Associations for Music Therapy 1990 With: Broucek, M., & Briggs, C

Cheryl Dileo cdileo@temple.edu

Performance Anxiety: A Meta-Analysis of Experimental Research and Clinical Implications. Proceedings, the Seventh Annual Symposium on Medical Problems of Musicians and Dancers 1989

Cheryl Dileo cdileo@temple.edu

The Comprehensive Training of the Music Therapist: The NAMT Standards and the Temple University Music Therapy Program. Proceedings, International Society for Music Education, Melbourne, Austrailia Conference 1989 MMB

Cheryl Dileo cdileo@temple.edu

Summary, Conclusions, and Recommendations: Symposium on Music Therapy Education and Training. Music Therapy Perspectives 1989

Cheryl Dileo cdileo@temple.eduMaster's Theses in Music Therapy: Index and Abstracts. 1989

Philadelphia: Temple University, Esther BoyerCollege of Music.

With Bruscia, K.

Cheryl Dileo cdileo@temple.edu

Accountability in music therapy education and training and future trends. Music Therapy Perspectives 1989

Cheryl Dileo cdileo@temple.edu

The status of music therapy education and training. The International Journal of the Arts in Psychotherapy 1989 With Bruscia, K

Cheryl Dileo cdileo@temple.edu

The Comprehensive Training of the Music Therapist: The Temple University Studies on Music Therapy. Proceedings, Provo Conference on Music Therapy Education 1989 MMB

Cheryl Dileo cdileo@temple.eduContinuing concerns in music therapy ethics. Music Therapy. 1989

Cheryl Dileo cdileo@temple.edu

The California Symposium on Clinical Practice: Summary and Recommendations. Music Therapy Perspectives 1989

Cheryl Dileo cdileo@temple.edu

Music therapy: Future trends. Journal of the International Association for Music and the Handicapped 1989

Cheryl Dileo cdileo@temple.eduMethods of Teaching and Training the Music Therapist. 1988

Philadelphia: Temple University, Esther BoyerCollege of Music.

With Bruscia, K.

Cheryl Dileo cdileo@temple.eduAIDS: Information and issues for music therapists 1988

Music Therapy Perspectives, Vol. 5, pp 78-81

Cheryl Dileo cdileo@temple.eduCode of Ethics: National Association for Music Therapy, Inc. 1988

Cheryl Dileo cdileo@temple.edu

Ethical Issues in Music Therapy Education and Training. In C.D. Maranto and K. Bruscia(Eds.). Perspectives on Music Therapy Education and Training 1987

Esther Boyer College of Music, Temple University

Cheryl Dileo cdileo@temple.edu

Continuing themes in the literature on music therapy education and training. In C.D. Maranto and K. Bruscia (Eds.). Perspectives on Music Therapy Education and Training 1987

Esther Boyer College of Music, Temple University

Cheryl Dileo cdileo@temple.eduPerspectives on Music Therapy Education and Training. 1987

Philadelphia: Temple University, Esther BoyerCollege of Music.

With Bruscia, K.

Cheryl Dileo cdileo@temple.edu The teaching of ethics in music therapy 1986With: Wheeler, B In: . Music Therapy Perspectives, Vol 3, pp 17-19

Cheryl Dileo cdileo@temple.eduConfidentiality and the music therapist: Ethical considerations 1985

With: Ventre M In: Music Therapy, Vol 5, pp 61-65

Cheryl Dileo cdileo@temple.edu

A comparison of digit span scores, rhythm span scores, and diagnostic factors of mentally retarded persons 1984

With: Decuir, A., & Humphrey, T In: Music Therapy, Vol. 4, pp 84-90

Cheryl Dileo cdileo@temple.eduEthics in Music Therapy: A Programmed Text. 1981

Baton Rouge:Louisiana State University. (Unpublished Doctoral Dissertation)

Cheryl Dileo cdileo@temple.eduRatings of entry level skills by music therapy clinicians, educators and interns 1980

In: Journal of Music Therapy, Vol. 17, pp 133-147

Cheryl Dileo cdileo@temple.edu

A survey of clinical practice in music therapy Part I: The institutions in which music therapists work and personal data 1979

With Braswell, C., & Decuir, A In: Journal of Music Therapy, Vol 16, pp 2-16

Cheryl Dileo cdileo@temple.edu

A survey of clinical practice in music therapy Part II: Clinical practice, educational, and clinical training 1979 In:

Cheryl Dileo cdileo@temple.eduAnalysis of visual and auditory rhythmic perception abilities of piano majors 1979

In: Perceptual and Motor Skills, Vol. 49, pp 659-664

Cheryl Dileo cdileo@temple.edu

A survey of clinical practice in music therapy Part II: Clinical practice, educational, and clinical training 1979

With Braswell, C., & Decuir, A In: Journal of Music Therapy, Vol. 16, pp. 70-82.

Cheryl Dileo cdileo@temple.eduIndividual study programs in music therapy, Loyola University, New Orleans, Louisiana 1977 Loyola University

Cheryl Dileo cdileo@temple.edu Individual Study Programs in Music Therapy. 1977New Orleans: Loyola University. With Braswell, C. and Decuir, A.

Cheryl Dileo cdileo@temple.edu

The relationship of diagnostic and social factors to the singing ranges of institutionalized, mentally retarded persons 1976

In: Journal of Music Therapy, Vol. 13, pp 17-28.

Cheryl Dileo cdileo@temple.edu

The use of a token economy program with educable, mentally retarded persons in a music therapy setting 1975

In: Journal of Music Therapy, Vol. 12, pp 155-159.

Cheryl Dileo cdileo@temple.edu

Ethics in Research. In B. Wheeler (Ed.). Research in Music Therapy: Quantitative and Qualitative Perspectives Barcelona Publishers

Cheryl Dileo cdileo@temple.edu

Song-Writing: Multicultural Applications in Oncology and Hospice Work. In: T. Wigram & F. Baker (Eds.). Song-Writing in Music Therapy. With Magill, L. (in preparation)

Cheryl Dileo cdileo@temple.edu

Music Therapy in Stress Management. In: P. Lehrer and R. Woolfolk (Eds.). Principles and Practice of Stress Management (3rd Ed.) Guilford Press.

Cheryl Dileo cdileo@temple.edu

Songs at the End of Life. In: C. Dileo & J. Loewy (Eds.). Music Therapy at the End of Life Jeffrey Books in preparation

Cheryl Dileo cdileo@temple.edu

Ethical Issues in Feminist Therapy. In: S. Hadley (Ed.). Music Therapy: Feminist Perspectives in preparation

Cheryl Dileo cdileo@temple.edu

In-Between: Music Therapy with Patients Awaiting Heart Transplantation. In: C. Dileo &J. Loewy (Eds.). Music Therapy at the End ofLife Jeffrey Books With Zanders, M (in preparation)

Cheryl Dileo cdileo@temple.edu

Music Therapy at the End of Life: State of theArt. In: C. Dileo & J. Loewy (Eds.). Music Therapy at the End of Life Jeffrey Books With Dneaster, D (in preparation)

Cheryl Dileo cdileo@temple.eduA View from America: Music Therapy and MusicMedicine in Germany

Musiktherapeutische Umschau (Invited article)

Cheryl Dileo cdileo@temple.eduBiography. In: J, Moreno (Ed.) Music Therapists of our time: Profiles in Creativity submitted for publication

Cheryl Dileo cdileo@temple.edu Music Therapy Thesaurus

Software, Contributed to the DICS-Music Therapy (International Documentary and Communication System in Music Therapy).

Cheryl Dileo cdileo@temple.edu

The Relationship of Music, Imagery and positive Emotion to the immune system. In G.L. Kreps and D. O'Hair (Eds.). Relational Communication and Health Outcomes Hampton Press

With Tsao, C., Gordon, T., Lerman, K., Murasko, D

Cheryl Dileo cdileo@temple.edu

Reviewing the Literature. In B. Wheeler (Ed.).Research in Music Therapy Quantitative and Qualitative Perspectives Barcelona Publishers

Cheryl Dileo cdileo@temple.edu

Meta-Analysis as a Tool in Music Therapy Research. In B. Wheeler (Ed.). Research in Music Therapy: Quantitative and Qualitative Perspectives Barcelona Publishers With Bradt, J

Cynthia Folio cynthia.folio@temple.eduThrough window's lattices : a celebration of the 900th birthday of Hildegard von Bingen 1999 Hildegard Pub. Co Music Score

Cynthia Folio cynthia.folio@temple.edu"The Great Symphonic Theme": Multiple Takes on "Stella's" Scheme 1998 Annual Review of Jazz Studies Vol. 9

Cynthia Folio cynthia.folio@temple.edu Four 'scapes 1998 Portfolio Publications Music Score

Cynthia Folio cynthia.folio@temple.eduTouch the angel's hand : SATB, S. solo, organ 1998 Hildegard Pub. Co Music Score

Cynthia Folio cynthia.folio@temple.edu Authors' Responses to Forte's Questions 1998 Annual Review of Jazz Studies Vol. 9

Cynthia Folio cynthia.folio@temple.eduReviews: "The Music of Gershwin," by Steven E. Gilbert 1997 Journal of Music Theory Vol. 41, No. 2

Cynthia Folio cynthia.folio@temple.eduTwentieth century music for flute and piano or flute solo 1997 Hildegard Pub. Co Music Score

Cynthia Folio cynthia.folio@temple.edu Arca sacra 1997 Hildegard Pub. Co Music Score

2Cynthia Folio cynthia.folio@temple.eduLuciano Berio's Revision of "Sequenza" for Flute: A New Look and a New Sound? 1996

Flutist Quarterly--the Official Magazine of the National Flute Association Vol. 21, No.

Cynthia Folio cynthia.folio@temple.edu Pentacle : for full orchestra 1995 Cynthia Folio Music ScoreCynthia Folio cynthia.folio@temple.edu Trio for flute, cello and piano 1994 Hildegard Pub. Co Music Score

Cynthia Folio cynthia.folio@temple.eduAnalysis and Performance: A Study in Contrasts 1993 Integral Vol. 7

Cynthia Folio cynthia.folio@temple.edu Desert winds : for concert band 1992 Cimarron Music Score

Cynthia Folio cynthia.folio@temple.eduEar Training for Twentieth-Century Music by Michael L Friedmann 1992 Journal of Music Theory Vol. 36 No 2

Cynthia Folio cynthia.folio@temple.eduBook Review: 'Musical Structure and Performance' by Wallace Berry 1991 Journal of Music Theory Vol. 35, No. 1-2

Cynthia Folio cynthia.folio@temple.edu Luciano Berio's Sequenza for Flute 1990Flutist Quarterly--the Official Magazine of the National Flute Association Vol. 15 No. 4

Cynthia Folio cynthia.folio@temple.eduDeveloping hues : three movements for flute & bass clarinet 1990 Seesaw Music Corp Music Score

Cynthia Folio cynthia.folio@temple.edu Sun dagger 1989 Cynthia Folio Music ScoreCynthia Folio cynthia.folio@temple.edu Timepieces 1989 Music Score

Cynthia Folio cynthia.folio@temple.edu

An analysis and comparison of four compositions by Joseph Schwantner : And the mountains rising nowhere; Wild angels of the open hills; Aftertones ofinfinity; and Sparrows 1985

Dissertation: Thesis (Ph. D.)--University of Rochester

Cynthia Folio cynthia.folio@temple.edu One for four: for flute quartet 1985 Shawnee Press Music ScoreCynthia Folio cynthia.folio@temple.edu Sketches: for flute and piano 1985 Cynthia Folio Music ScoreCynthia Folio cynthia.folio@temple.edu The Elements 1985 Cynthia Folio Music Score

Cynthia Folio cynthia.folio@temple.edu

The Synthesis of Traditional and Contemporary Elements in Joseph Schwantner's "Sparrows" 1985 Perspectives of New Music Vol. 24, No. 1

Cynthia Folio cynthia.folio@temple.edu Time pieces 1979 Cynthia Folio Music Score

Cynthia Folio cynthia.folio@temple.eduSilence as a compositional device in selectedtwentieth century musical compositions 1979

Dissertation: Thesis (M.A.)--University of Rochester

Cynthia Folio cynthia.folio@temple.edu Flute fantasy 1976 Music Score

Eva Gholson egholson@temple.edu

Image of the Singing Air: Presence And Conscience In Dance And Music Collaboration 2004 0761829997

University Press of America

Eva Gholson egholson@temple.edu Media reviews 1995 Impulse. Champaign, Ill. v. 3, no. 3

Jeremy GillDunn songs : for soprano, flute, viola, violoncello and piano 2003 Music Score

Matthew

Jeremy Gill Novas :for orchestra 2002 Music ScoreJeremy Gill Variations: for string quartet 2001 Music Score

Jeremy GillDos sonetos de amor : for violoncello and piano 2000 Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu Dance moments : for flute & piano 2002 Tunbridge Music Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu Untimely observations : for viola & piano 2002 Tunbridge Music Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu Amulet : for solo piano 2000 Tunbridge Music Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu Nod quiet ox : for oboe & piano 1999 Tunbridge Music Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu

On the river the shadowy group :for baritone saxophone (Eb) and piano 1998 Tunbridge Music Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu Nod quiet ox : (1994) : for oboe and piano 1994 Tunbridge Music Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu Psalter : 1991 1991 Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu

On cannibals : for alto flute, clarinet (Bb), violin, cello, pian : (1987 1987 Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu Mischsprache 1986

American Composers Alliance Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu

Commedia : 1986 : for trp., trb., tba., vl., vla., vlc., cb., hp., pno. 1986

American Composers Alliance Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu Aria sopra passacaglia 1985 Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu The Overture in England, 1800-1840 1984 0824038444 Garland Pub Music Score

MatthewGreenbaum

matthew.greenbaum@temple.edu One symphony 1984 0824038525 Garland Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu Chamber music : for flute, cello, and piano 1983

McGinnis & Marx MusicPublishers

Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu

Two chaconnes for flute, cello, and piano, 1975 1975 M. Greenbaum Music Score

Matthew Greenbaummatthew.greenbaum@temple.edu String quartet 1974 Music Score

Philip Grosser pgrosser@temple.edu Wolfzahn, Felice, photographs 1980 Dance PhotographsAlan Harler aharler2ck@aol.com Ave Maria : for SSAATTBB chorus (1830 1985 Roger Dean Pub Music Score

Alan Harler aharler2ck@aol.comResonet in laudibus : from magnum opus musicum, 1604 1975 Roger Dean Music Score

Alan Harler aharler2ck@aol.com In hora ultima = In the final hour 1974 R. Dean Pub. Co Music Score

Lawrence Indik lindik@temple.edu

The Science of Control Theory Applied to Singing, or "I Could Control Myself if I Could Only Let Go so I Could Control Myself 2002

Journal of Singing - The Official Journal of the National Association of Teachers of Singing Vol. 58 No. 4

Lawrence Indik lindik@temple.edu Consonant Feedback in Singing 2001

Journal of Singing - The Official Journal of the National Association of Teachers of Singing Vol. 57 No. 4

Luke Kahlich lkahlich@temple.edu Media review 1996 Impulse. v. 4, no. 2Luke Kahlich lkahlich@temple.edu Getting caught in the "Web". 1996 Impulse. v. 4, no. 3Luke Kahlich lkahlich@temple.edu Media review 1995 Impulse. v. 3, no. 1 (

Luke Kahlich lkahlich@temple.eduUnderstanding dance in higher education : student and faculty roles 1994 Impulse. v. 2, no. 4

Luke Kahlich lkahlich@temple.edu Media review 1994 Impulse. v. 2, no. 3

Luke Kahlich lkahlich@temple.edu

An analysis of the master of fine arts degree as preparation for dance faculty roles in United States' institutions of higher education 1990 Thesis (Ed. D.)--Temple University, 1990

Luke Kahlich lkahlich@temple.eduMovement design for Faustus! as environmental theatre 1975 Lubbock, Tex

Michael Klein kleinml@temple.edu Chopin's Fourth Ballade as Musical Narrative 2004

Music Theory Spectrum - The Journal of the Society for Music Theory Vol 26 No. 1 Reference: Music Theory Spectrum - The Journal of the Society for Music Theory Vol. 26 No. 1

Michael Klein kleinml@temple.eduTexture, Register, and Their Formal Roles in the Music of Witold Lutoslawski 1999 Indiana Theory Review Vol 20 No 1

Michael Klein kleinml@temple.edu Festival Ruvo di Puglia 1998 Jazz Podium Vol 47 No. 11

Steven Kreinberg kreinber@temple.edu

Strategic marketing in admissions : predicting the college choice of prospective graduate music students using the Extended Fishbein Model of behavioral intention 1990 Thesis (Ed. D.)--Temple University

Steven Kreinberg kreinber@temple.eduThe element of realism in Ruggiero Leoncavallo's La bohème 1979 Thesis (M.M.)--Indiana University.

Jan Krzywicki jkrzywic@temple.eduFour songs on texts by Li Po : for soprano and piano 2003 T. Presser Co. Music Score

Jan Krzywicki jkrzywic@temple.edu Nocturnals : for solo piano 2001 Music Score

Jan Krzywicki jkrzywic@temple.eduPastorale : for baritone horn and wind ensemble : 1970 2000 Tuba-Euphonium Press Music Score

Jan Krzywicki jkrzywic@temple.edu Deploration : for brass quintet 2000 T. Presser Co. Music Score

Jan Krzywicki jkrzywic@temple.eduDirge in woods : for mezzo-soprano and piano 2000 T. Presser Music Score

Jan Krzywicki jkrzywic@temple.edu Sonate pour trompette en ut et piano 2000 A. Leduc Music Score

Jan Krzywicki jkrzywic@temple.edu Concerto for tuba and orchestra 1999 Tuba-Euphonium Press Music Score

Jan Krzywicki jkrzywic@temple.eduConcerto in D minor : for viola d'amore, lute [guitar], strings and basso continuo 1998 2895000042 Les Productions d'Oz Music Score

Jan Krzywicki jkrzywic@temple.eduConcerto in G major (RV 532) for two mandolins, strings, and basso continuo 1998 2895000069 D'Oz Music Score

Jan Krzywicki jkrzywic@temple.edu Starscape : for solo harp : 1980/83 1997 Lyra Music Co Music ScoreJan Krzywicki jkrzywic@temple.edu String quartet (1994) 1997 T. Presser Music Score

Jan Krzywicki jkrzywic@temple.eduFour songs after Rexroth : for mezzo-soprano, harp, piano, and percussion 1997 T. Presser Music Score

Jan Krzywicki jkrzywic@temple.eduConcerto in C major (RV 425) for mandolin (guitar), strings, and basso continuo 1997 2895000050 D'Oz Music Score

Jan Krzywicki jkrzywic@temple.edu This is thy hour, O soul : for chorus and violin 1997 Music Score

Jan Krzywicki jkrzywic@temple.eduConcerto in D major (RV 93) for lute, two violins, and basso continuo 1997 2895000034 D'Oz Music Score

Jan Krzywicki jkrzywic@temple.edu Snow night : for marimba and piano 1996 Penn Oak Press Music Score

Jan Krzywicki jkrzywic@temple.eduNocturne II for soprano, vibraphone, harp, and piano 1995 Presser Music Score

Jan Krzywicki jkrzywic@temple.edu Fantasia for two guitars 1995 T. Presser Music ScoreJan Krzywicki jkrzywic@temple.edu Two poems : for chorus 1993 Music Score

Jan Krzywicki jkrzywic@temple.eduVariations on a hymn of Persichetti : for brass quintet 1992 T. Presser Music Score

Jan Krzywicki jkrzywic@temple.eduTrio in G minor for lute (guitar), violin, and basso continuo, RV 85 1991 T. Presser Music Score

Jan Krzywicki jkrzywic@temple.edu Planctus : for oboe and harp 1990 Music ScoreJan Krzywicki jkrzywic@temple.edu Nocturne I for soprano and four guitars 1985 Music Score

Jan Krzywicki jkrzywic@temple.eduBOOKS: "Opera & Vivaldi", edited by MichaelCollins and Elise K. Kirk (Book Review) 1985 The Opera Quarterly Vol. 3, No. 2

Jan Krzywicki jkrzywic@temple.edu

Les ondes, rondeau : (from Pièces de clavecin 1713, fifth order) for baritone (or trombone), baritone and tuba 1984 Theodore Presser Music Score

Jan Krzywicki jkrzywic@temple.edu Ballade for baritone or tuba and piano 1984 Heilman Music Music ScoreJan Krzywicki jkrzywic@temple.edu Starscape : for solo harp 1983 Jan Krzywicki Music ScoreJan Krzywicki jkrzywic@temple.edu Convocare : for 2 trumpets and 3 horns 1977 Music ScoreJan Krzywicki jkrzywic@temple.edu Continuum 1975 Music Score

Music Score

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Jan Krzywicki jkrzywic@temple.edu Idyll : for fourteen strings 1971 Music Score

Jan Krzywicki jkrzywic@temple.edu Pastorale : for baritone horn and band (1970) 1970 Music Score

Jan Krzywicki jkrzywic@temple.edu Four songs : for soprano and piano 1966 Jan KrzywickiMusic Score

Jan Krzywicki jkrzywic@temple.edu Fantasy for tuba and strings 1964 Music Score

Edward Latham elatham@temple.edu

“Binary Oppositions in Arnold Whittall’s Exploring Twentieth-Centur Music: Traditionand Innovation (Cambridge University Press, 2003) and Their Implications for Analysis.” 2004 Music Theory Online 10.3

Edward Latham elatham@temple.edu

With Joellen Meglin “Motivic Design and Physical Gesture in L’Après-midi d’un Faune.” In Richard Parncutt, Annekatrin Kessler, and Fränk Zimmer, eds. 2004

Abstracts of the Conference on Interdisciplinary Musicology, 110-111

Edward Latham elatham@temple.edu

“Britten’s Strategic Use of Tonality: A ReviewEssay on Philip Rupprecht’s Britten’s MusicalLanguage (2001).”

2003 Theory and Practice 28, 137-146.

Edward Latham elatham@temple.edu“Physical Motif and Aural Salience: Sounds and Symbols in Die glückliche Hand, op. 18.” 2000

New York: Garland Publishing

In Schoenberg and Words: The Modernist Years, ed. Charlotte M. Cross and Russell A. Berman, 179-202

Edward Latham elatham@temple.edu

“The Prophet and the Pitchman: Dramatic Structure and its Musical Elucidation in Moses und Aron, Act I, Scene 2.” 2000

New York: Garland Publishing

In Political and Religious Ideas in the Worksof Arnold Schoenberg, ed. Charlotte M. Cross and Russell A. Berman, 131-158

Edward Latham elatham@temple.eduLinear-Dramatic Analysis: An Analytical Approach to Twentieth-Century Opera. 2000 PhD Dissertation: Yale University

Edward Latham elatham@temple.edu“Physical Motif and Concentric Amplification in Godard/Lully’s Armide.” 1998 Indiana Theory Review 19, 55-86

Edward Latham elatham@temple.edu“Review of Ethan Haimo’s ‘Atonality, Analysisand the Intentional Fallacy.’” 1997 Music Theory Online 3.2

Joyce Lindorff jlindorff@aol.comContemporary harpsichord music : issues for composers and performers 1982 Thesis (D.M.A.)--Juilliard School

Joellen Meglin jmeglin@temple.edu

Behind the Veil of Translucence: An Intertextual Reading of the "Ballet Fantastique" in France, 1831-1841: Part One: Ancestors of the Sylphide in the "Conte Fantastique" 2004

Dance Chronicle - Studies in Dance and theRelated Arts Vol. 27 No. 1

Joellen Meglin jmeglin@temple.edu

With Edward Latham “Motivic Design and Physical Gesture in L’Après-midi d’un Faune.” In Richard Parncutt, Annekatrin Kessler, and Fränk Zimmer, eds. 2004

Abstracts of the Conference on Interdisciplinary Musicology, 110-111

Joellen Meglin jmeglin@temple.eduBook Review: Novel Choreographies, Never Mind the Neologisms 2003

Dance Chronicle - Studies in Dance and theRelated Arts Vol. 26, No. 1

Joellen Meglin jmeglin@temple.edu Reviews. 2001 Dance research journal v. 32, no. 2

Joellen Meglin jmeglin@temple.edu

"Sauvages," Sex Roles, and Semiotics: Representations of Native Americans in the French Ballet, 1736-1837, Part One: The Eighteenth Century 2000 Dance chronicle v 23 no. 2

Joellen Meglin jmeglin@temple.edu Reviews. 2000 Dance research journal v. 32, no. 1

Joellen Meglin jmeglin@temple.edu

Sauvages, sex roles and semiotics : representations of Native Americans in the French ballet, 1736-1837, part two, the nineteenth century 2000 Dance chronicle v. 23, no. 3

Joellen Meglin jmeglin@temple.edu Reviews 1999 Dance research journal v. 31, no. 1

Joellen Meglin jmeglin@temple.eduMarriage and the inhuman : La sylphide's narratives of domesticity and community 1997 0819563250

University Press of New England

In the book: Rethinking the sylph : new perspectives on the Romantic ballet by Lynn Garafola

Joellen Meglin jmeglin@temple.eduReview : feminism, the academic moment, and research rigor 1997 Dance chronicle. v. 20, no. 1

Joellen Meglin jmeglin@temple.edu

Feminism or fetishism : La Révolte des femmes and women's liberation in France in the 1830s. 1997 0819563250

University Press of New England

In the book: Rethinking the sylph / Lynn Garafola, ed. c1997. p. 69-90. ill

Joellen Meglin jmeglin@temple.eduRepresentations and realities analyzing gender symbols in the Romantic ballet 1995 Thesis (Ed. D.)--Temple University, 1995

Joellen Meglin jmeglin@temple.eduLe Diable boîteux : French society behind a Spanish façade 1994 Dance chronicle v. 17, no. 3

Joellen Meglin jmeglin@temple.eduDance dynamics : gender issues in dance education 1994

American Alliance for Health, Physical Education, Recreation, and Dance

Robin Moore rodmoore@temple.eduReview of Culturas encontradas, ed. Rafael Hernández and John H. Coatsworth. 2004

The Americas: A Quarterly Review of Inter-American Cultural History pp. 294-296.

Robin Moore rodmoore@temple.edu Cuban Music from A to Z. 2004Durham: Duke University Press.

Fifteen brief articles (150-750 words) on Cuban music

Robin Moore rodmoore@temple.edu

Review of The City of Musical Memory: Salsa, Record Grooves, and Popular Culture in Cali, Colombia by Lise Waxer. 2004

Ethnomusicology vol. 48 no. 3 (Fall 2004), pp. 451-53.

Robin Moore rodmoore@temple.edu

“Afrocubanismo and Son.” Aviva Chomsky, Barry Carr, and Pamela Maria Smorkaloff, eds., 2004

The Cuba Reader. History, Culture, Politics, pp. 192-200.

Robin Moore rodmoore@temple.edu“Transformations in Cuban Nueva Trova, 1965-95.” 2003

Ethnomusicology vol. 47 no. 1 (Winter 2003), pp. 1-41.

Robin Moore rodmoore@temple.edu

Encyclopedia of Cuba: People, History, Culture, ed. Luis Martínez-Fernández, J.H. Figueredo Jr., and Louis A. Pérez. 2003

New York: The Oryx Press

Fourteen brief articles (200-500 words) on Cuban music

Robin Moore rodmoore@temple.eduMúsica y mestizaje : revolución artística y cambio social en La Habana, 1920-1940 2002 8493231118 Editorial Colibrí

Robin Moore rodmoore@temple.edu“Sones and Socialism: Dance Music in Cuba, 1959-99.” 2002 New York: Routledge

Situating Salsa: Global Markets and Local Meanings in Latin Popular Music, ed. Lise Waxer.

Robin Moore rodmoore@temple.edu“Échale salsita: el son y la revolución musical en La Habana.” 2002

Caracas, Venezuela: Departamento de Lengua y Literatura, Universidad Simón Bolívar.

Estudios. Revista de Investigaciones Literarias y Culturales Año 10 vol. 19 (July, 2002), pp. 229-244.

Robin Moore rodmoore@temple.edu “La fiebre de la rumba.” 2002Encuentro de la cultura cubana vol. 23 (Winter 2001-2002), pp. 175-194.

Robin Moore rodmoore@temple.edu

“’Revolución con pachanga’?: Debates Over the Place of Fun in the Dance Music of Socialist Cuba.” 2002

Canadian Journal of Latin American and Caribbean Studies vol. 26, No. 52, pp. 151-177.

Robin Moore rodmoore@temple.edu“From the canción protesta to the nueva trova, 1965-85.” 2001

International Journal of Qualitative Studies in Education vol. 14 no. 2, pp. 177-200.

Robin Moore rodmoore@temple.edu “Santiago de Cuba.” 2001New York: Grove’s Dictionaries.

Article revision, New Grove's Dictionary of Music and Musicians, 2nd edition vol. 22 pp. 257-58.

Robin Moore rodmoore@temple.edu “Cuba II: Traditional Music.” 2001New York: Grove’s Dictionaries

New Grove's Dictionary of Music and Musicians, 2nd edition vol. 6 pp. 763-69.

Robin Moore rodmoore@temple.edu “Sánchez de Fuentes y Peláez, Eduardo.” 2001New York: Grove’s Dictionaries

New Grove's Dictionary of Music and Musicians, 2nd edition vol. 22 pp. 226-7.

Robin Moore rodmoore@temple.edu

Review of Music in Cuba by Alejo Carpentier,translated by Alan West-Durán and edited byTimothy Brennan. 2001

Latin American Music Review vol. 22 no. 2 (Fall/ Winter 2001) pp. 255-258.

Robin Moore rodmoore@temple.edu

Review of Music of the Warao of Venezuela: Song People of the Rainforest by Dale Olsen. 2001

Ethnomusicology (Spring/Summer 2001), pp. 359-361.

Robin Moore rodmoore@temple.eduReview of Music in Latin American Culture: Regional Traditions, ed. by John Schechter. 2000

Fontes Artis Musicae vol 47 #1 (Jan-Mar 2000) pp. 74-76.

Robin Moore rodmoore@temple.edu

Review of the compact discs The Bahamas: Islands of Song and Cuba in �Washington, both released by Smithsonian Folkways. 2000

Ethnomusicology vol. 44 no. 2 (Spring-Summer 2000), pp. 354-56.

Robin Moore rodmoore@temple.edu“Nacionalizar la africanía: el auge del afrocubanismo en La Habana, 1920-1940.” 2000

Nueva época, Revista de ciencias sociales no. 8 (Jan 2000), pp. 39-85.

Robin Moore rodmoore@temple.edu

Review of Latin Jazz: The First of the Fusions, 1880 to Today by John Storm Roberts. 2000

Fontes Artis Musicae vol 47 #1 (Jan-Mar 2000) pp. 72-74.

Robin Moore rodmoore@temple.edu

“Poetic, Visual, and Symphonic Interpretations of the Cuban Rumba: Towards a �Model of Integrative Studies.” 1998

Lenox Avenue, A Journal of Interartistic Inquiry �vol. 4 pp. 93-112.

Robin Moore rodmoore@temple.edu

Review of Carnival Canboulay and Calypso: Traditions in the making by John �Cowley. 1998

Notes: Quarterly Journal of the Music Library Association vol 54 no. 1 (September 1998), pp. 87-89.

Robin Moore rodmoore@temple.eduReview of Global Pop: World Music, World Markets by Timothy D. Taylor. 1998

Notes: Quarterly Journal of the Music Library Association vol. 55 no. 1 �(September 1998), pp. 130-132.

Robin Moore rodmoore@temple.edu

Review of Merengue: Dominican Music and Dominican Identity by Paul �Austerlitz. 1997

Yearbook for Traditional Music vol. 29 (1997), pp. 162-163.

Robin Moore rodmoore@temple.eduNationalizing blackness afrocubanismo and artistic revolution in Havana, 1920-1940 1997 0585043973

University of Pittsburgh Press

Robin Moore rodmoore@temple.edu

Review of Caribbean Currents: Caribbean Music From Rumba to Reggae, ed. �Peter Manuel. 1996

Notes: Quarterly Journal of the Music Library Association vol. 53 #1 (September 1996), pp. 89-91.

Robin Moore rodmoore@temple.edu

Review of Cuba canta y baila: Discografía de la música cubana vol. 1, 1898 a 1925 by Cristóbal Díaz Ayala 1996

Latin American Music Review vol. 17 no. 1 (Spring-Summer 1996), pp. 78, 81.

Robin Moore rodmoore@temple.edu

Review of Music is My Flag: Puerto Rican Musicians and Their New York �Communities, 1917-1940 by Ruth Glasser. 1996

Hispanic American Historical Review vol. 76 no.4 (November 1996), pp. 761-63.

Robin Moore rodmoore@temple.edu

Review of Cuando salí de la Habana, 1898-1997. Cien años de música cubana por el Mundo by Cristóbal Díaz Ayala. 1996

Latin American Music Review vol. 20 no. 2 (Fall/Winter 1999), pp. 319-321.

Robin Moore rodmoore@temple.edu“The Commercial Rumba: Afrocuban Arts asInternational Popular Culture.” 1995

Latin American Music Review vol. 16 no. 2 (Fall/Winter 1995) pp. 165-198.

Robin Moore rodmoore@temple.eduThe commercial rumba in Afrocuban arts as international popular culture. 1995

Revista de mu̱sica latino americana (Latin American music review) v. 16, no. 2

Robin Moore rodmoore@temple.edu

“Representations of Afrocuban Expressive Culture in the Writings of Fernando �Ortiz.” 1994

Latin American Music Review vol. 15 no. 1 (Spring/Summer 1994), pp. �32-54.

Robin Moore rodmoore@temple.edu “Reflections on 1990s Havana.” 1994Austin: The Univ. of Texas at Austin.

Institute of Latin American Studies Newsletter vol. 27 #3 (Spring 1994), pp. 9, 16.

Robin Moore rodmoore@temple.edu

“Directory of Latin American and Caribbean Music Theses and Dissertations Since �1988.” 1993

Latin American Music Review 14 no. 1 (Spring/Summer 1993).

Robin Moore rodmoore@temple.edu

“The Decline of Improvisation in Western Art Music Since 1840: An Interpretation �of Change.” 1992

The International Review of the Aesthetics and Sociology of Music vol. 23 no. 1 (June 1992), pp. 61-84.

Robin Moore rodmoore@temple.edu“‘Primitivism’ and Afrocuban Music: Developmental Parallels” 1991

The Carribbean Studies Journal vol. 7 nos. 2 and 3 (Winter 1989/Spring 1990), pp. 181-88.

�Studies Journal vol. 7 nos. 2 and 3 (Winter1989/Spring 1990), pp. 181-88.

Lambert Orkis lorkis@aol.com Aftersong : for violin and piano 1993European American Music Corp Music score

Alison Reynolds reynolds@temple.eduService-Learning in Music Teacher Education: An Overview 2004

Journal of Music Teacher Education Vol. 13 No. 2

Alison Reynolds reynolds@temple.eduService-Learning in Music Education Methods: Perceptions of Participants 2003

Bulletin of the Council for Research in Music Education Vol. 155

Alison Reynolds reynolds@temple.eduParticipants in a Service-Learning Partnership: Agents of Change 2003

Bulletin of the Council for Research in Music Education Vol. 157

Alison Reynolds reynolds@temple.edu

Music play : the early childhood music curriculum guide for parents, teachers and caregivers 1998 1579990274 GIA Publications

Alison Reynolds reynolds@temple.edu

An investigation of the movement responses performed by children 18 months to three years of age and their caregivers to rhythm chants in duple and triple meters 1995 Thesis (Ph. D.)--Temple University

Deborah Sheldon dsheldon@temple.edu

Comparing prospective freshmen and pre-service music educator majors' observations of music interactions. 2004

Journal of Music Teacher Education, 14(1), 39-44. With DeNardo, G.

Deborah Sheldon dsheldon@temple.edu

Effects of Multiple Listenings on Error-Detection Acuity in Multivoice, Multitimbral Musical Examples 2004

Journal of Research in Music Education Vol. 52 No. 2

Deborah Sheldon dsheldon@temple.eduWith Q. Hilliard: Chorales and rhythmic etudes for superior bands. 2004

Ft. Lauderdale: FJH Music

Deborah Sheldon dsheldon@temple.eduThe Difficult Art of Writing Creative Music for Young Bands 2003 The Instrumentalist Vol. 57, No. 12

Deborah Sheldon dsheldon@temple.eduWith Q. Hilliard: Superior bands in sixteen weeks. 2003

Ft. Lauderdale: FJH Music

Deborah Sheldon dsheldon@temple.eduWith R. Sheldon: Lessons in performance, Book 1: Around the world 2003

Ft. Lauderdale: FJH Music

(collection of 15 band works and rehearsal plans)

Deborah Sheldon dsheldon@temple.edu

Instrumentalists in Singapore: Assessment ofSolo Performances with Compact Disc, Piano, or No Accompaniment (with Ruth Britten and Tian Tee Lee) 153-154

2002Bulletin of the Council for Research in Music Education

Deborah Sheldon dsheldon@temple.edu Unit Plan: Puszta. In R. Miles (ed.) 2002 Chicago: GIA.Teaching Music Through Performance in Band - Vol. IV (pp.527-542)

Deborah Sheldon dsheldon@temple.edu Unit Plan: Puszta. 2002 Chicago: GIA

In R. Miles (ed.), Teaching Music Through Performance in Band - Vol. IV (pp. 228-221)

Deborah Sheldon dsheldon@temple.edu Unit Plan: Three Chinese Miniatures. 2002 Chicago: GIA

In R. Miles (ed.), Teaching Music Through Performance in Band - Vol. IV (pp. 228- 221)

Deborah Sheldon dsheldon@temple.edu

Instrumentalists in Singapore: Assessment ofSolo Performances with Compact Disc, Piano, or No Accompaniment

2002Bulletin of the Council for Research in Music Education Vol. 153-154

Deborah Sheldon dsheldon@temple.edu Peer and Cross-Age Tutoring in Music 2001 Music Educators Journal Vol. 87 No. 6

Deborah Sheldon dsheldon@temple.edu

Response to Judith A Jellison's "How Can AllPeople Continue to Be Involved in Meaningful Music Participation?". 2001 Illinois Music Educator, 62(1), 63-65.

Deborah Sheldon dsheldon@temple.edu Unit Plan: Prehistoric Suite. 2000 Chicago: GIAIn R. Miles (ed.), Teaching Music Through Performance in Band - Vol. III (pp. 290-301)

Deborah Sheldon dsheldon@temple.eduBand Music from Down Under: A Graded Listof Music by Australian Composers

2000 The Instrumentalist Vol. 55, No. 5

Deborah Sheldon dsheldon@temple.eduResearch into practice: Music advocacy through arts education partnerships. 2000

Illinois Music Educator, 61(3), 98-200. With DeNardo, G.

Deborah Sheldon dsheldon@temple.edu

Preservice and In-Service Teachers' Perceptions of Band Music Content and Quality Using Self-Report and Behavioral Measures 2000

Journal of Research in Music Education Vol. 48 No. 1

Deborah Sheldon dsheldon@temple.eduExploring Claude T. Smith's Classic "God of Our Fathers" 2000 The Instrumentalist Vol. 55, No. 1

tDeborah Sheldon dsheldon@temple.edu Working together towards common goals. 2000

Connecticut Music Educators Association News, 11(3), 15-18, 20, 21. With DeNardo, G.

Deborah Sheldon dsheldon@temple.edu

Research into practice: Band performance athe Illinois School for the Deaf - 1920s through 1940s. 2000 Illinois Music Educator, 61(1), 64-67.

Deborah Sheldon dsheldon@temple.eduResearch into practice: A closer look at improvisation. 2000 Illinois Music Educator, 60(3), 65-68.

Deborah Sheldon dsheldon@temple.eduEffects of music expression and conductor disposition on school musicians' affect. 2000

Quaderni Della SIEM: Semestrale di Ricerca e Didattica Musicale, 16, 287-293.

Deborah Sheldon dsheldon@temple.edu

The effect of singing while listening on undergraduate music majors' ability to detect pitch and rhythm errors. 2000

Journal of Band Research, 36(1), 26-46. With Byo, J. L.

Deborah Sheldon dsheldon@temple.eduCan we talk? Verbalizing in music teaching and learning (reprinted with permission). 1999 Florida Music Director, 53(5), 12-15.

Deborah Sheldon dsheldon@temple.edu

The confluence of music education and academic achievement (reprinted with permission). 1999 Triad, 67(3), 46-48.

Deborah Sheldon dsheldon@temple.eduResearch into practice: The confluence of music education and academic achievement. 1999 Illinois Music Educator, 59(3), 78-80.

Deborah Sheldon dsheldon@temple.edu When spring is over. 1999 The Instrumentalist, 53(11), 2.Deborah Sheldon dsheldon@temple.edu Exciting Works for Young Bands 1999 The Instrumentalist Vol. 54, No. 1

Deborah Sheldon dsheldon@temple.eduResearch into practice: The case for community music. 1999 Illinois Music Educator, 60(2), 84-86.

Deborah Sheldon dsheldon@temple.eduSociety for Music Education Professional Literature Project 1999 MENC, Reston, VA Music Educators National Conference.

Deborah Sheldon dsheldon@temple.eduResearch into practice: Can we talk? Verbalization in music teaching and learning. 1999 Illinois Music Educator, 60(1), 71-73.

Deborah Sheldon dsheldon@temple.edu

The Effects of Live Accompaniment, Intelligent Digital Accompaniment, and No Accompaniment on Musicians' Performance Quality 1999

Journal of Research in Music Education Vol. 47 No. 3

Deborah Sheldon dsheldon@temple.edu Great Works for Young Bands 1999 The Instrumentalist Vol. 54, No. 11

Deborah Sheldon dsheldon@temple.eduResearch into practice: Music expression in research and teaching. 1998 Illinois Music Educator, 59(2), 80-82.

Deborah Sheldon dsheldon@temple.edu Notes From Northfield: My Director, For Life 1998 The Instrumentalist Vol. 53, No. 2

Deborah Sheldon dsheldon@temple.edu

Dissertation Reviews: "An Analysis of Marching Band Methods Books for Principlesof Comprehensive Musicianship" by Tracy Lee Heavner 1998

Bulletin of the Council for Research in Music Education Vol 136

Deborah Sheldon dsheldon@temple.eduParticipation in Community and Company Bands in Japan 1998

Update - Applications of Research in Music Education Vol. 17 No. 1

Deborah Sheldon dsheldon@temple.eduEffects of Contextual Sight-Singing and AuralSkills Training on Error-Detection Abilities

1998

Journal of Research in Music Education Vol 46 No. 3

Deborah Sheldon dsheldon@temple.eduResearch into practice: Getting started with research. 1998 Illinois Music Educator, 59(1), 62-63.

Deborah Sheldon dsheldon@temple.edu

David Holsinger's "Hymnsong": An Interpretive Analysis of a Grade 3 Composition for Band 1998 The Instrumentalist Vol. 52, No. 9

Deborah Sheldon dsheldon@temple.edu

Research into practice: Teaching students with special needs and studies about string and orchestra music education. 1998

Illinois Music Educator, 58(3), 62-65. With DeNardo, G.

Deborah Sheldon dsheldon@temple.eduThe complete woodwind instructor : a guidebook for the music educator 1997 C.L. Barnhouse Co

Deborah Sheldon dsheldon@temple.eduBook Reviews: "Musical Elaborations," by Edward Said 1997

Bulletin of the Council for Research in Music Education 134

Deborah Sheldon dsheldon@temple.eduPerception of Tempo Modulation by Listenersof Different Levels of Educational Experience 1997

Journal of Research in Music Education Vol 45 No. 3

Deborah Sheldon dsheldon@temple.edu

Research into practice: Pullout music study, conceptual learning/teaching in rehearsals, and thoughts on solo performance. 1997 Illinois Music Educator, 58(2), 68-70.

Deborah Sheldon dsheldon@temple.edu

Research into practice: Students' music preferences and impact of parental involvement. 1997 Illinois Music Educator, 58(1), 64-65.

Deborah Sheldon dsheldon@temple.edu Does comprehensive mean compromise? 1997Connecticut Music Educators Association News, 98(2), 24-26

Deborah Sheldon dsheldon@temple.eduThe Illinois School for the Deaf Band: A Historical Perspective 1997

Journal of Research in Music Education Vol 45 No. 4

Deborah Sheldon dsheldon@temple.eduConductor's Clinic: Putting Student Teachers on the Firing Line 1996 The Instrumentalist Vol. 52, No. 6

Deborah Sheldon dsheldon@temple.eduSelecting Music for Beginning and Developing Bands 1996

Journal of Music Teacher Education Vol 6 No. 1

Deborah Sheldon dsheldon@temple.eduResearch into practice: Issues in motivation and competition in performing ensembles. 1996 Illinois Music Educator, 56(3), 52-53.

Deborah Sheldon dsheldon@temple.edu

Visual Representation of Music: Effects of Beamed and Beamless Notation on Music Performance 1996 Journal of Band Research Vol. 31 No. 2

Deborah Sheldon dsheldon@temple.edu

Between Classes: The Effects of Non-Traditional Instruction and Background Musicon Music Learning and Preference

1995 Contributions in Music Education 22

Deborah Sheldon dsheldon@temple.edu

Comparing Continuous versus Static Measurements in Music Listener's Preferences 1995

Journal of Research in Music Education Vol 43 No 1

Deborah Sheldon dsheldon@temple.edu

The effects of competitive versus noncompetitive performance goals on music students' ratings of band performances. 1994

Bulletin of the Council for Research in Music Education, 121, 29-41

Deborah Sheldon dsheldon@temple.eduFactors concerning qualitative judgments of band music. 1994

Response Special Research Interest Group Newsletter, 15(1), 2-3.

Deborah Sheldon dsheldon@temple.edu

Effects of Tempo, Musical Experience, and Listening Modes on Tempo Modulation Perception 1994

Journal of Research in Music Education Vol. 42, No. 3

Deborah Sheldon dsheldon@temple.edu

An Empirical Method for Measuring the Aesthetic Experience to Music (with Ruth Britten and Cliffortd K. Madsen) 1993

Journal of Research in Music Education Vol. 41, No. 1

Deborah Sheldon dsheldon@temple.eduAesthetic response to music: Musicians versus nonmusicians. 1993

Journal of Music Therapy, 30(3), 174-191. With Madsen, C. K., Byrnes, S. R., & Brittin,R. V.

Deborah Sheldon dsheldon@temple.eduMusic teachers: Perceiving yourself - Taping your teaching. 1992 New Ways in Music Education, 8(2), 8.

Deborah Sheldon dsheldon@temple.edu

Self-Perception of Aesthetic Experience Among Musicians and Non-Musicians in Response to Wind Band Music 1992 Journal of Band Research Vol. 28, No. 1

Deborah Sheldon dsheldon@temple.edu

Use of the continuous response digital interface (CRDI) in evaluating music responses of special populations. 1991

Journal of the International Association of Music for the Handicapped, 6(2), 3-15. With Madsen, C. K., & Johnson, C. M.

Deborah Sheldon dsheldon@temple.edu

The effects of aural, visual, and motoric cues on accuracy and latency of tempo modulationdiscrimination among musicians and nonmusicians 1991 Thesis (Ph. D.)--Florida State University

Deborah Sheldon dsheldon@temple.edu

Reliability of the continuous response digital interface for data collection in the study of auditory perception. 1989

Southeastern Journal of Music Education, 1, 19-32.

Deborah Sheldon dsheldon@temple.eduIdentification of musical expression through figurative language and musical terminology.

Journal of Research in Music Education. In Press.

n@temple.edu

Deborah Sheldon dsheldon@temple.edu

Sex and instrumentation distribution in an international cross-section of wind and percussion ensembles.

Bulletin of the Council for Research in Music Education. In Press. With Price, H.E.

Deborah Sheldondsheldon@temple.edudsheldo

An analysis of band method books: Implications of culture, composer, and type ofmusic.

Bulletin of the Council for Research in Music Education. In Press. With Brittin, R.V.

Jeffrey Solow solowcello@aol.com Diamonds in the Rough 2004 Strings Vol. 18 No. 6Jeffrey Solow solowcello@aol.com REVIEWS: Books & Music 2003 American String Teacher Vol. 53 No. 1

Jeffrey Solow solowcello@aol.comIn Print: Reviews - "Schubert: The Complete String Trios," Edited by Werner Aderhold 2003 Strings Vol. 18 No. 2

Jeffrey Solow solowcello@aol.com Reviews: Cello - "Sonata II" 2003 American String Teacher Vol 53 No. 1

Jeffrey Solow solowcello@aol.com

Reviews: New Urtext Editions for Cello and Double Bass - "Rondo in G Minor, Op. 94," "Cello Concerto in A Minor, Op. 33", "Double Bass Concerto 'No. 1'," and "Elephant" 2003 American String Teacher Vol 53 No. 1

Jeffrey Solow solowcello@aol.com

In Print: Reviews - "Ludwig van Beethoven: String Quartet in A Minor, Op. 132," Edited by Emil Platen 2003 Strings Vol. 17 No. 7

Jeffrey Solow solowcello@aol.com "Johannes Brahms: Life and Letters" 2003 American String Teacher Vol. 53 No. 2Jeffrey Solow solowcello@aol.com In Print: Reviews - Briefly Noted 2003 Strings Vol. 18 No. 2Jeffrey Solow solowcello@aol.com Old King Cole [Cellist Orlando Cole] 2003 The Strad Vol. 114 No. 1362Jeffrey Solow solowcello@aol.com In Print: Reviews - The Last Word? 2003 Strings Vol. 18 No. 2Jeffrey Solow solowcello@aol.com Take a Bow 2002 Strings Vol. 16 No. 7

Jeffrey Solow solowcello@aol.comPaper Chase: Bach Cello Suites: The Critical Editions 2002 Strings Vol. 16 No. 7

Jeffrey Solow solowcello@aol.com Passings [Dimitry Markevitch] 2002 Strings Vol. 16 No. 8Jeffrey Solow solowcello@aol.com news & NOTES: bench MARKS 2002 Strings Vol. 16 No. 8

Jeffrey Solow solowcello@aol.comPre-Professional Perspectives: Essential Reading for the New Music Teacher 2001 American String Teacher Vol 51 No. 2

Jeffrey Solow solowcello@aol.com A Who's Who for Cellists 2001 Strings Vol. 98Jeffrey Solow solowcello@aol.com Inside Story 2001 Strings Vol. 16 No. 2

Jeffrey Solow solowcello@aol.com

In Print: Who Was That Guy, Anyway? - Historical Editors of Cello and Chamber-Music Repertoire, Part I 2001 Strings Vol. 15 No. 8

Jeffrey Solow solowcello@aol.com

Short Takes: Sheet Music - J. S. Bach: "Six Suites a Violincello Solo Senza Basso, Scholarly Critical Performing Edition," edited by Bettina Schwemer and Douglas Woodfull-Harris 2001 Strings Vol. 15 No. 6

Jeffrey Solow solowcello@aol.com

In Print: Does It Exist? Where Can I Find It? -Sources and References for Cello and Chamber-Music Repertoire

2001 Strings Vol. 15 No. 6Jeffrey Solow solowcello@aol.com Cellists' Choice, Part II 2000 Strings Vol. 14 No 5Jeffrey Solow solowcello@aol.com Sorcerer's Apprentice 2000 The Strad Vol 111 No. 1324Jeffrey Solow solowcello@aol.com Chamber Music America, Take Two 2000 Strings Vol 14 No. 7Jeffrey Solow solowcello@aol.com In Person: Celebrating Starker's 75th 2000 Strings Vol. 14 No. 5Jeffrey Solow solowcello@aol.com In the Hot Seat 2000 Strings Vol 111 No. 1317

Jeffrey Solow solowcello@aol.comIn Print: Cellists' Choice: A Guide to the Standard Cello Repertoire, Part I 1999 Strings Vol. 14 No 4

Jeffrey Solow solowcello@aol.comCello Forum: Bach's Cello Suites--"A Guide for the Editionally Perplexed" 1996 American String Teacher Vol. 46 No. 2

Jeffrey Solow solowcello@aol.comBooks and Videotapes: "New Directions in Cello Playing" by Victor Sazer 1996 American String Teacher Vol. 46 No. 2

Jeffrey Solow solowcello@aol.com Shift for Yourself 1991 American String Teacher Vol. 41 No. 2

Jeffrey Solow solowcello@aol.comToccata capricciosa : für Violoncello-Solo, op. 36 1979 Breitkopf & Härtel Music Score

Merian Soto msoto@temple.edu Embodying Venezuela 2000 0415194539 RoutledgeWritten by: Coco Fusco, Corpus delecti : performance art of the Americas

Merian Soto msoto@temple.edu Familias : anatomy of a process 1998Movement research performance journal No. 15

Robert Stroker rstroker@temple.edu

A comparison of selected areas of thinking styles between music cooperating teachers and higher education music methods teachers 1993 Thesis (Ph. D.)--Michigan State University

Ann Vachon vachon@temple.eduJosé Limón: Mazurkas : origins, choreography, significance 2002 0415965810 Routledge Edited by June Dunbar

Ann Vachon vachon@temple.edu Perspectives on the healthy dancer 2001Harwood Academic Publishers Choreography and dance. v. 6, pt. 1

Ann Vachon vachon@temple.edu From the horse's mouth 2001 Ballet review. New York. v. 29, no. 4Ann Vachon vachon@temple.edu José Limón : the artist re-viewed 2000 9057551217 Harwood Academic

Ann Vachon vachon@temple.edu Inhabiting the the choreographic process 2000Dancing in the Millennium, proceedings. p. 434-436

Ann Vachon vachon@temple.edu

Immortalizing, preserving, interpreting, and creating : a Limón documentary film 1998

Society of Dance History Scholars (U.S.). Conference (21st : 1998 : University of Oregon). Proceedings. p. 149-152

Darrel Walters dwalt@temple.eduThe readable thesis : a guide to clear and effective writing 1999 1890765023 Avocus Pub

Darrel Walters dwalt@temple.edu Edwin Gordon's Music Aptitude Work 1991The Quarterly Journal of Music Teaching and Learning Vol. 2 No. 1-2

g

Darrel Walters dwalt@temple.edu Readings in music learning theory 1989 0941050173 G.I.A. Publications

Darrel Walters dwalt@temple.edu

Jump right in : the music curriculum : learninsequence activities introductory manual : an overview of the learning sequence activities component of the Jump right in general music curriculum 1987 G.I.A. Publications, Inc

Darrel Walters dwalt@temple.edu

The relationship between personal tempo in primary-aged children and their ability to synchronize movement with music 1984 Thesis (Ph. D.)--University of Michigan

Darrel Walters dwalt@temple.edu

William L. Stewart : the man who built an instrumental music department for the Muskegon Public Schools and who set a standard for high school instrumental performance 1980 Darrel Lee Walters

KariamuWelsh-Asante kariamu@temple.edu African dance 2004

0791076415 0791077764

Chelsea House Publishers

KariamuWelsh-Asante kariamu@temple.edu

Zimbabwe dance : rhythmic forces, ancestral voices : an aesthetic analysis 2000 086543493X Africa World Press

KariamuWelsh-Asante kariamu@temple.edu Umfundalai : an African dance technique 1997

0865434905 0865434913 Africa World Press

KariamuWelsh-Asante kariamu@temple.edu

African dance : an artistic, historical, and philosophical inquiry 1996

0865431965 0865431973 Africa World Press

KariamuWelsh-Asante kariamu@temple.edu In memory of Pearl Primus (1919-1994) 1996

Originally appeared in: Black women in America: an historical encyclopedia, Darlene Clark Hine, ed. (1993)

KariamuWelsh-Asante kariamu@temple.edu

African dance : an artistic, historical, and philosophical inquiry 1994 Africa World Press

KariamuWelsh-Asante kariamu@temple.edu

Zimbabwean dance : an aesthetic analysis ofthe Jerusarema and Muchongoyo dances 1993 Thesis (D. Ed.)--New York University

KariamuWelsh-Asante kariamu@temple.edu

The African aesthetic : keeper of the traditions 1993 0313265496 Greenwood Press

KariamuWelsh-Asante kariamu@temple.edu African culture : the rhythms of unity 1990 0865431345 Africa World Press

KariamuWelsh-Asante kariamu@temple.edu African culture : the rhythms of unity 1985 0313244049 Greenwood Press

KariamuWelsh-Asante kariamu@temple.edu African culture the rhythms of unity 1985 0313042128 Greenwood Press

KariamuWelsh-Asante kariamu@temple.edu

Great Zimbabwe : an ancient African city-state 1983

Journal of African civilizations. New Brunswick, NJ 5 (1-2), April and November 1983, pages 84-91.

KariamuWelsh-Asante kariamu@temple.edu A guide to African and African-American art 1980 093636002X

Museum of African and African American Art and Antiquities

Stephen Willier swillier@temple.eduBooks: "German Opera: From the Beginnings to Wagner" 2003 The Opera Quarterly Vol 19 No. 1

Stephen Willier swillier@temple.eduBooks: "The Life of Verdi"; "Verdi in Performance" 2002 The Opera Quarterly Vol 18 No. 4

Stephen Willier swillier@temple.eduBooks: "Heart to Heart: Expressive Singing inEngland 1780-1830" 2002 The Opera Quarterly Vol 18 No.2

Stephen Willier swillier@temple.edu Vincenzo Bellini : a guide to research 2002 0815338058 Routledge

Stephen Willier swillier@temple.edu "Vincenzo Bellini: 'Norma'," by David Kimbell 2001 The Opera Quarterly Vol 17 No. 1

Stephen Willier swillier@temple.eduRecordings: "Madame Sans-Gêhe," UmbertoGiordano 2001 The Opera Quarterly Col 17 No. 1

Stephen Willier swillier@temple.eduRecordings :L'étoile du nord. Giacomo Meyerbeer 2000 The Opera Quarterly Vol 16 No. 1

Stephen Willier swillier@temple.eduBook Reviews: "Maria Callas: Sacred Monster" by Stelios Galatopoulos 2000

Notes - Quarterly Journal of the Music Library Association Vol 56 No. 3

Stephen Willier swillier@temple.edu

Gasparo Paccierotti in London: The 1779-1780 Season in Susanna Burney's "Letter-Journal" 2000 Studi Musicali Vol 29 No. 2

Stephen Willier swillier@temple.eduBooks: "Opera: A Listener's Guide" by Jack Sacher 2000 The Opera Quarterly Vol. 16 No 1

Stephen Willier swillier@temple.edu Videos: "Salome" 1999 The Opera Quarterly Vol. 15 No. 3

Stephen Willier swillier@temple.edu Books: "The Life of Bellini" by John Rosselli 1999 The Opera Quarterly Vol. 15 No. 1

Stephen Willier swillier@temple.edu

Reviews: "The Urbanization of Opera: Music Theater in Paris in the Nineteenth Century" by Anselm Gerhard 1999

Notes - Quarterly Journal of the Music Library Association Vol. 56 No 1

Stephen Willier swillier@temple.edu

Books: "The Last Prodigy: A Biography of Erich Wolfgang Korngold" by Brendan G. Carroll 1999 The Opera Quarterly Vol. 15 No. 2

Stephen Willier swillier@temple.edu

Books: "Renata Tebaldi: The Voice of an Angel," by Carlamaria Casanova, translated and edited by Connie Mandracchio DeCaro 1997 The Opera Quarterly Vol. 13 No. 2

Stephen Willier swillier@temple.edu

Book Reviews--Nineteenth Century: "The BelCanto Operas of Rossini, Donizetti, and Bellini," by Charles Osborne

1996Notes - Quarterly Journal of the Music Library Association Vol 52 No. 3

Stephen Willier swillier@temple.edu RECORDINGS: Bellini: "La straniera" 1995 The Opera Quarterly Vol 11 No. 3

Stephen Willier swillier@temple.edu RECORDINGS: Rossini: "La scala di seta" 1995 The Opera Quarterly Vol 11 No 2

Stephen Willier swillier@temple.eduA Celebrated Eighteenth-Century Castrato: Gasparo Pacchierotti's Life and Career 1995 The Opera Quarterly Vol. 11 No. 3

Stephen Willier swillier@temple.edu Books: "Montserrat Caballe: Casta Diva" 1995 The Opera Quarterly Vol 12 No 1

Stephen Willier swillier@temple.eduBook Reviews: "Adelina Patti: Queen of Hearts," by John Frederick Cone 1995

Notes - Quarterly Journal of the Music Library Association Vol 52 No. 1

Stephen Willier swillier@temple.edu

BOOKS: "Singers of Italian Opera: The History of a Profession" by John Rosselli (Book Review) 1995 The Opera Quarterly Vol 11 No. 1

Stephen Willier swillier@temple.edu RECORDINGS: Donizetti: "Maria Padilla" 1994 The Opera Quarterly Vol. 10 No 4

Stephen Willier swillier@temple.eduRECORDINGS: Dame Eva Turner: Opera Arias and Songs 1990 The Opera Quarterly Vol 7 No. 3

Stephen Willier swillier@temple.eduRECORDINGS: Samuel Ramey: Operatic Arias 1990 The Opera Quarterly Vol. 7 No. 2

Stephen Willier swillier@temple.edu Madness, the Gothic, and Bellini's "Il pirata" 1989 The Opera Quarterly Vol 6 No. 4

Stephen Willier swillier@temple.edu

BOOKS: "Mascagni: An Autobiography Compiled, Edited and Translated from Original Sources" by David Stivender (Book Review) 1989 The Opera Quarterly Vol 6 No 4

Stephen Willier swillier@temple.eduEarly nineteenth-century opera and the impact of the gothic 1987

Thesis (Ph. D.)--University of Illinois at Urbana-Champaign

Stephen Willier swillier@temple.edu

STUDIES AND REPORTS: Rhythmic Variants in Early Manuscript Versions of Caccini's Monodies 1983

Journal of the American Musicological Society Vol 36 No. 3

Stephen Willier swillier@temple.edu

The present location of libraries listed in Robert Eitner's Biographisch-bibliographisches Quellen-Lexikon 1981

Maurice Wright wright@temple.edu Marimba music 2001 HoneyRock Music ScoreMaurice Wright wright@temple.edu Marimba concerto, 1993 1993 Music ScoreMaurice Wright wright@temple.edu Brass quintet: New Version with Tuba 1992 Music Score

Maurice Wright wright@temple.eduMusic for 10 players and electronic sound, 1981 1989

American Composers Alliance Music Score

Maurice Wright wright@temple.edu Night scenes (1989) 1989 Maurice Wright Music ScoreMaurice Wright wright@temple.edu The fifth string: an opera in one act 1989 Music Score (with John Philip Sousa)Maurice Wright wright@temple.edu Brass quintet (1986) 1986 Music ScoreMaurice Wright wright@temple.edu Chamber symphony : for 8 instruments 1985 Music ScoreMaurice Wright wright@temple.edu Grand duo 1985 Music Score

Maurice Wright wright@temple.eduChamber symphony : for 8 instruments (1985) 1985 M. Wright Music Score

Maurice Wright wright@temple.eduDrei Lieder = Three songs for bass voice (1931) 1985

Mobart Music Publications Music Score

Maurice Wright wright@temple.edu Duo for flute and Bb clarinet (1974) 1984 Mobart Music Music ScoreMaurice Wright wright@temple.edu Quartet (1983) 1983 Music ScoreMaurice Wright wright@temple.edu Suite : for Piano 1983 Music ScoreMaurice Wright wright@temple.edu Set-up music 1982 HoneyRock Music Score

Maurice Wright wright@temple.edu Marimba music ; Interlude ; Set-up music 1982American Composers Alliance Music Score

Maurice Wright wright@temple.edu Sobolo : new music for solo oboe 1982Association for the Promotion of New Music Music Score

Maurice Wright wright@temple.eduWinds of change : for flute, oboe, clarinet, bassoon, horn 1982

Association for the Promotion of New Music Music Score

Maurice Wright wright@temple.edu Sonata (1982) 1982 Music Score

Maurice Wright wright@temple.edu Riverside 1981American Composers Alliance Music Score

Maurice Wright wright@temple.edu Chamber symphony : for woodwind quintet 1979Mobart Music Publications Music Score

Maurice Wright wright@temple.edu Like an autumn sky : for SATB and 3 players 1979Association for the Promotion of New Music Music Score

Maurice Wright wright@temple.edu idea exchange: Tuning In Context 1979 The Instrumentalist Vol. 33 No. 6Maurice Wright wright@temple.edu Stellae : (for orchestra, 1978) 1978 Mobart Music Music Score

Maurice Wright wright@temple.edu The bottom line: for tuba and piano 1978

Association for the Promotion of New Music, Music Score

Maurice Wright wright@temple.edu Traveling music 1978Association for the Promotion of New Music Music Score

Maurice Wright wright@temple.edu Music from the fifth string: for orchestra 1978Association for the Promotion of New Music Music Score

Maurice Wright wright@temple.edu The bottom line: for tuba and piano 1978 Mobart Music Music Score

Maurice Wright wright@temple.eduNight watch : song-cycle for soprano and piano 1978

Association for the Promotion of New Music Music Score

Maurice Wright wright@temple.eduCantata no. 3, for mixed voices (SATB), a cappella 1978

Mobart Music Publications Music Score

Maurice Wright wright@temple.edu Chamber symphony for piano and tape 1977Mobart Music Publications Music Score

Maurice Wright wright@temple.edu Mozartian constraint (1974) 1977

Boelke-Bomart, Inc., Mobart Music Publications Music Score

Maurice Wright wright@temple.edu Madrigals: SATB 1977Association for the Promotion of New Music Music Score

Maurice Wright wright@temple.eduSonnet at trifling intervals : for soprano, flute, clarinet 1976

Association for the Promotion of New Music Music Score (with Elisabeth Sullivan)

Maurice Wright wright@temple.eduA noise did rise like thunder in my hearing : concerto : for bass trombone & 5 instruments 1976

Mobart Music Publications Music Score

Maurice Wright wright@temple.eduBasilio's lament : for soprano, flute, piano, 1976 1976

Association for the Promotion of New Music

Maurice Wright wright@temple.edu Electronic composition : (1973 - 7') 1976 Mobart Music Music Score

Maurice Wright wright@temple.eduCantata : for tenor voice, percussion and electronic sounds 1976

Mobart Music Publications Music Score

Maurice Wright wright@temple.edu Music for Trombone: 1976 1976Association for the Promotion of New Music Music Score

Maurice Wright wright@temple.edu Basilio's lament: for soprano, flute, piano 1976Association for the Promotion of New Music Music Score

Maurice Wright wright@temple.eduMusic for trombones : 1975 : for 3 trbns, 1 btrbn. 1975

Association for the Promotion of New Music Music Score

Maurice Wright wright@temple.edu Three compositions : for viola solo. 1975 Boelke-Bomart Music Score

Maurice Wright wright@temple.eduMusic for trombones : (1975-6) 1975

Mobart Music Publications Music Score

Maurice Wright wright@temple.edu Music for trombones : 1975 1975Mobart Music Publications Music Score

Maurice Wright wright@temple.edu Orchestral composition 1974 Music Score

Maurice Wright wright@temple.eduChamber symphony no. 2 (1974-10') for 2 flutes, 2 horns and 2 cellos 1974

Mobart Music Publications Music Score

Maurice Wright wright@temple.edu The constant flow : for 3 cls, 1 b cl 1974Association for the Promotion of New Music Music Score

Maurice Wright wright@temple.edu The constant flow 1974 Music Score

Maurice Wright wright@temple.eduMozartian constraint : for soprano, fl, vl, bsn, gt 1974

Association for the Promotion of New Music, Music Score

Maurice Wright wright@temple.edu Organ sonata (1973) 1973Mobart Music Publications Music Score

Maurice Wright wright@temple.edu Organ sonata (1973) 1973American Composers Edition Music Score

Maurice Wright wright@temple.edu Sonatas : Organ 1973

Association for the Promotion of New Music, Music Score

Maurice Wright wright@temple.eduDiscover Music... Through a Community Band 1973 The Instrumentalist Vol. 28 No. 2

Maurice Wright wright@temple.edu Sonata for organ 1973Association for the Promotion of New Music Music Score

Maurice Wright wright@temple.eduSonata exotica : for trombone and piano (1973 12') 1973

Association for the Promotion of New Music Music Score

Maurice Wright wright@temple.eduA vision of St. John, the Divine : (1972) : for carillon 1972 Music Score

Maurice Wright wright@temple.edu Three arias for soprano and piano 1972 Music ScoreMaurice Wright wright@temple.edu Variations, 1972 1972 Music ScoreMaurice Wright wright@temple.edu Aulos for oboe and small string ensemble 1971 Music Score

Steven Zohn szohn@temple.edu “Bach and the Concert en Ouverture.” 2005Chicago: University of Illinois Press

Bach Perspectives, vol. 6. Edited by Gregory Butler.

Steven Zohn szohn@temple.edu “Telemann in the Marketplace: The Composer as Self-Publisher.” 2005

Journal of the American Musicological Society 58/2

Steven Zohn szohn@temple.edu

“Images of Telemann: Narrative Archetypes in the Composer’s Anecdote of the Eighteenth Century.” 2004 Journal of Musicology 21/4

Steven Zohn szohn@temple.edu“The Sonate auf Concertenart and Conceptions of Genre in the Late Baroque.” 2004 Eighteenth-Century Music 1/2

Steven Zohn szohn@temple.edu“Der ‘gutmüthige’ Kapellmeister und andere Telemann-Mythen” 2004

Hildesheim: Georg Olms,

Biographie und Kunst als historiographisches Problem. Bericht über die Internationale Wissenschaftliche Konferenz anläßlich der 16. Telemann-Festtage, Magdeburg, Edited by Joachim Kremer, Wolf Hobohm, and Wolfgang Ruf, 223-232

Steven Zohn szohn@temple.edu Revisions to twenty-five articles 2003Harvard University Press The Harvard Dictionary of Music

y

Steven Zohn szohn@temple.edu

Review: Georg Philipp Telemann, "Miriways";"Die Last-tragende Liebe, oder Emma und Eginhard" 2002

Notes - Quarterly Journal of the Music Library Association Vol 59 No. 2

Steven Zohn szohn@temple.eduReview: "Dokumente zur Telemann-Rezeption, 1767 bis 1907," by Christine Klein 2001

Notes - Quarterly Journal of the Music Library Association Vol 58 No.1

Steven Zohn szohn@temple.edu Telemann, Georg Michael 2001 MacmillanNew Grove Dictionary of Music and Musicians

Steven Zohn szohn@temple.edu Telemann, Georg Philipp 2001 MacmillanNew Grove Dictionary of Music and Musicians

Steven Zohn szohn@temple.edu"New Sources for Telemann's Instrumental Music" 2001 Magdeburger-Telemann Studien Vol. 17

Steven Zohn szohn@temple.edu Twelve trios: Georg Philipp Telemann 2000 089579456X A-R Editions Music Score

Steven Zohn szohn@temple.edu

“Music Paper at the Dresden Court and the Chronology of Telemann's Instrumental Music.” 2000

New Castle, Delaware: Oak Knoll Press; London: The British Library

Puzzles in Paper: Concepts in Historical Watermarks. Essays from the International Conference on the History, Function, and Study of Watermarks, Roanoke, Virginia. Edited b Daniel W. Mosser, Michael Saffle,and Ernest W. Sullivan II. 125-168

Steven Zohn szohn@temple.edu

Book Reviews: Reference - "Georg Philipp Telemann: Thematisch-Systematisches Verzeichnis seiner Werke: Telemann-Werkverzeichnis (TWV): Instrumentalwerke, Vol. 3," Edited by Martin Ruhnke 2000

Notes - Quarterly Journal of the Music Library Association Vol 57 No. 1

Steven Zohn szohn@temple.edu

Review of Ballet Music from the Mannheim Court, Parts I, II, and III in Recent Researches in the Music of the Classical Era,vol. 45, vol. 47, and 52 2000

Madison: A-R Editions, 1996, 1997, and 1998 Dance Research Journal 32/1, 155-158

Steven Zohn szohn@temple.edu MUSIC REVIEWS 1999Notes - Quarterly Journal of the Music Library Association Vol. 56 No. 2

Steven Zohn szohn@temple.eduMusic Reviews: Georg Philipp Telemann [Sacred Vocal Works] 1999

Notes - Quarterly Journal of the Music Library Association Vol. 55 No. 3

Steven Zohn szohn@temple.edu

Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1) 1999

Journal of Musicology - A Quarterly Review of Music History, Criticism, Analysis, and Performance Practice Vol. 17 No. 4

Steven Zohn szohn@temple.edu 3 articles 1999 Fitzroy DearbornReader's Guide to Music: History, Theory, Criticism

Steven Zohn szohn@temple.edu Reviews 1999Notes: Journal of the Music Library Association Vol. 55 No. 2

Steven Zohn szohn@temple.eduNew Light on Quantz's Advocacy of Telemann's Music 1997 Early Music Vol. 25 No. 3

Steven Zohn szohn@temple.edu

"When is a Quartet not a Quartet?: Relationships Between Scoring and Genre in the German Quadro 1997 Fasch-Studien vol. 6

Steven Zohn szohn@temple.edu

Music Reviews--Georg Philipp Telemann, "Douze solos, à violon ou traversière" [Twelve Solos for Violin or Flute], edited by Jeanne R. Swack; "Zwölf Fantasien für Violine solo" [Twelve Fantasies for Solo Violin], edited by Yvonne Morgan 1996

Notes - Quarterly Journal of the Music Library Association Vol. 52 No. 3

Steven Zohn szohn@temple.edu

400 articles on composers, performers, and writers of the seventeenth to twentieth centuries 1996

Harvard University Press Harvard Biographical Dictionary of Music

Steven Zohn szohn@temple.edu

Arne, Handel, Walsh, and Music as Intellectual Property: Two Eighteenth-Century Lawsuits 1995

Journal of the Royal Musical Association Vol. 120 No. 1

Steven Zohn szohn@temple.edu REPORTS: "Opera Buffa" in Mozart's Vienna 1995 Current Musicology Vol 57

Steven Zohn szohn@temple.edu

The ensemble sonatas of Georg Philipp Telemann : studies in style, genre, and chronology 1995 Thesis (Ph. D.)--Cornell University

Steven Zohn szohn@temple.eduReview: Georg Philipp Telemann: Autographe 1995 Music & Letters Vol 76 No. 1

Steven Zohn szohn@temple.edu Review: Rhythmic Alteration 1994 Music and Letters Vol. 75 No. 3

Steven Zohn szohn@temple.edu

Review: Martin Ruhnke, ed. "Georg Philipp Telemann: Thematisch-Systematisches Verzeichnis seiner Werke: Telemann-Werkverzeichnis. Instrumental Werke 2." (Book Review) 1993 Current Musicology Vol 54