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Fine Furniture & Works of Art Wednesday, 14th January, 2015 33 Broughton Place Edinburgh

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Page 1: Fine Furniture & Works of Art | 14/01/2015

Fine Furniture & Works of Art

Wednesday, 14th January, 201533 Broughton PlaceEdinburgh

33 Broughton Place, Edinburgh EH1 3RRTel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

email. [email protected]

182 Bath Street, Glasgow G2 4HGTel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ESTel +44 (0)20 7930 9115Fax +44 (0)20 7930 7274

LYON

& TU

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LL AU

CTION

EERS ED

INB

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FINE FU

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ITUR

E & W

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F AR

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Y, 2015

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Local DeliveriesA&S Pert Removals. Tel. +44 (0)7876 343520.

Thistle RemovalsTel: +44 (0)7836 774712Email: [email protected]

New Leaf RemovalsTel: +44 (0)7999 926261Email:[email protected]

Packing and Shipping Please note that we do not packor ship items. The followingsuggested carriers will be ableto arrange packing andshipping; please contact themdirectly to receive a quote. Youmay wish to contact analternative courier.

Smaller items & PicturesMailboxes Etc44/46 Morningside RoadEdinburgh EH10 4BF Tel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email: [email protected]

Furniture and larger itemsConstantineConstantine HouseNorth Caldeen RoadCoatbridgeNorth Lanarkshire ML5 4EFTel: +44(0)1236 750055Fax: +44(0)1236 750077E-mail: [email protected]

A Van Man TransportUnit 5, Benridge ParkHolyrood Close,CreekmoorPoole, Dorset BH17 7BDTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 206Email: [email protected]

Aardvark Art Services LtdBirks Farm, Ballam RoadLytham, Lancashire FY8 4NLTel: +44 (0)1253 794673Fax: +44 (0)1253 730580Email:[email protected]

Arrangements for Sold Lots All bought items will be heldfree of charge at BroughtonPlace until the Fridayfollowing the sale.

Thereafter lots will beremoved to store in Edinburghand a charge incurred.

Administration fee:£20 + VAT

Storage charges per lot perday are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

CateringRefreshments will beavailable at the saleroom onview days and day of sale.

Waverley Station

ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom.

Lyon & Turnbull saleroom

St Andrew Square

© Lyon and Turnbull Ltd. 2015. All rights reserved. No part of thispublication may be reproduced, stored in a retrieval system ortransmitted by any form or by any means without the prior writtenpermission of Lyon and Turnbull Ltd.

T York Place Tram Station

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Fine Furniture & Works of Art

Wednesday, 14th January, 2015at 11am

Sale Number LT427

ViewingSunday, 11th January 12 noon - 4pmMonday, 12th January 10am - 5pmTuesday, 13th January 10am - 5pmMorning of sale from 9am

SpecialistsDouglas [email protected]

Theo [email protected]

Catalogue: £15

BUYER’S PREMIUM25% up to £50,00020% thereafter. VAT will be charged on the premium at the rate imposed by law.†20% VAT chargeable on the lot itself*5% import VAT on the lot§Droit de Suite (artist’s resale rights)applies (see our Terms and Conditionsof Sale and Information for Buyers).

ENQUIRIES AND COMMISSION BIDSLyon and Turnbull Ltd.33 Broughton PlaceEdinburgh EH1 3RRTel. 0131 557 8844 Fax. 0131 557 8668 email. [email protected]

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L Y O N & T U R N B U L L

Important informationfor buyers

2

Telephone biddingIf you are unable to attend the salewe can normally arrange for you tobid on the telephone. This service isavailable entirely at our discretionand at the bidder’s risk. Alltelephone bids must be confirmed inwriting, listing the relevant lots andappropriate number to be called. Werecommend that a covering bid isalso left in the event that we areunable to make the call. We cannotguarantee that lines will beavailable, or that we will be able tocall you on the day, but willendeavour to undertake such bids tothe best of our abilities. All bidrequests must be received an hourbefore the sale.

Methods of PaymentGoods purchased will not bereleased until we have received fullpayment.

Bank TransferPlease find details in any emailinvoice we issue or upon requestfrom our accounts department.

CashCash payments can be made at theaccounts desk during or after a sale.

Credit or Debit CardsPayment can be made by Visa Debit,Maestro, Mastercard or Visa Creditcards. Please note there is a 2%surcharge on credit card paymentsand we do not accept Amex..

Online PaymentsWe no longer accept card paymentsby phone, please use our onlinepayment service (powered byCredorax). You will find a link to thisservice in any email invoice issue oryou can visit the payments section ofour website.

ChequeCheques should be made payable toLyon and Turnbull Ltd. We reservethe right to wait until cheques havebeen cleared by our bankers beforereleasing bought goods. Chequescan be cleared prior to sale onrequest. Cheques drawn by thirdparties cannot be accepted. If payingby post please include the slip fromyour invoice.

CollectionIt is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not beingheld at our main saleroom.

CITESPlease be aware that lots markedwith the symbol Y contain materialwhich may be subject to CITESregulations when exporting outsidethe EU. For more information visithttp://www.defra.gov.uk/ahvla-en/imports-exports/cites/

BiddingPlease note that all first timebidders at Lyon & Turnbull will beasked to supply the followingdocuments in order to facilitateregistration:

1 – Government issued photo ID(Passport/ Driving licence)

2 – Proof of address (utility bill/ bankstatement)

You may present these documents inperson or, alternatively, fax or emailcopies to us. We may, at our option,also ask you to provide a bankreference and/ or deposit.

At the SalePotential buyers must register andcollect a bidding number before thesale begins, and show that numberif successful in purchasing a lot.Please ensure that the auctioneerrepeats the number correctly whenconfirming the sale. If there is anydoubt at this stage as to thehammer price or buyer it must bebrought to the auctioneer’s attentionimmediately. All lots will be invoicedto the name and address given onyour registration form, which is non-transferable. If you have purchaseda lot you may take your biddingnumber to the accounts departmentand receive an invoice immediately.If you have not been successfulplease leave the number at theRegistration or Reception desks.

In writingBid forms are available at the saleand/or the back of the catalogue.These should be submitted inperson, by post, or by fax as soon aspossible prior to the sale and we willbid on your behalf up to the limitindicated. In the event of receivingtwo identical bids the first onereceived will take precedence. Allbids must be received an hourbefore the sale. This service entirelyat the bidder’s risk.

By telephoneBids submitted by telephone mustbe confirmed in writing.

All royalty charges are paid to theappropriate collecting organisationand no handling costs or additionalfees are retained by the auctioneer.Resale royalties are not subject toVAT.Please note that the royalty paymentis calculated on the rate of exchangeat the European Central Bank on thedate of the sale.More information on Droit de Suiteis available at www.dacs.org.uk

Damage and RestorationOccasionally, when a lot hassuffered extensive damage and/orrestoration it is indicated in thecatalogue. This is mentioned entirelyat our discretion for the benefit ofbuyers. Where there is no mentionof damage and/or restoration thisshould not be taken to mean thatthere is none. It is the buyer’sresponsibility to ensure that thecondition of lots is to theirsatisfaction (see our Terms andConditions of Sale).

Condition ReportsIf potential buyers are unable toinspect lots in person our specialistswill be happy to prepare detailedCondition Reports on individual lotsas quickly as possible. These are forguidance only and all lots are sold‘as found’ (see our standard Termsand Conditions of Sale).

Electrical GoodsLots that were once operated bymains electricity are bought entirelyat the buyer’s risk. They are offeredfor sale for display or historicalpurposes and may not comply withcurrent regulations.

Import/ExportProspective buyers are advised thatseveral countries prohibit theimportation of property containingmaterials from endangered species,including but not limited to rhinohorn, ivory, coral and tortoiseshell.Accordingly, prospective buyersshould familiarize themselves withall relevant customs regulationsprior to bidding if they intend toimport lots to another country.It is the buyer’s sole responsibility toobtain any relevant export or importlicence. The denial of any licence orany delay in obtaining licences shallneither justify the recession of anysale nor any delay in making fullpayment for the lot.

Buying at AuctionThis sale is subject to our standardTerms and Conditions of Sale. If you have not bought at auctionbefore we will be delighted to adviseyou.

EstimatesEstimates are printed below each lotand do not include the buyer’spremium. The sale will beconducted in pounds sterling.

DimensionsDimensions are for guidance only; itis the buyer’s responsibility toensure that they are correct.

Buyer’s PremiumThe buyer shall pay the hammerprice together with a premiumthereon.

25% up to £50,000 / 20% thereafter.

VAT will be charged on the premiumat the rate imposed by law. (see ourTerms and Conditions of Sale).

VATThe symbol † by a lot numberindicates that VAT is payable by thepurchaser at the standard rate onthe hammer price. The symbol * by a lot numberindicates that the lot has beentemporarily imported from outsidethe EU and that VAT is payable bythe purchaser at the rate of 5% onthe hammer price.No VAT is payable on the hammerprice or premium for books boughtat auction.

Droit de SuiteThis symbol § indicates works whichmay be subject to the Droit de Suiteor Artist’s Resale Right, which tookeffect in the United Kingdom on 14thFebruary 2006. We are required tocollect a royalty payment for allqualifying works of art. Under newlegislation which came into effect on1st January 2012, this applies toliving artists and artists who havedied in the last 70 years. This royalty will be charged to thebuyer on the hammer price and inaddition to the buyer’s premium. Itwill not apply to works where thehammer price is less than €1,000(euros). The charge for works of artsold at and above €1,000 (euros) andbelow €50,000 (euros) is 4%. Foritems selling above €50,000 (euros),charges are calculated on a slidingscale.

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Wednesday, 14th January, 2015 at 11am

1-60 Collection of Lady Lanesborough

61-77 Property from a Highland Estate

78-343 British Furniture & Works of Art

155-161 A Private Collection of Clocks

344-414 Continental Furniture & Works of Art

415-442 Asian, Indian & Middle Eastern Works of Art

443-463 Rugs & Carpets

464-473 Natural History

474-486 Walking Sticks & Canes

487-502 Arms & Militaria and Sporting Guns

492-500 The Alan Brown Collection of Sporting Guns

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Fine Furniture & Works of Art

IMPORT/EXPORTProspective buyers are advised that several countries prohibit theimportation of property containing materials from endangeredspecies, including but not limited to rhino horn, ivory, coral andtortoiseshell. Accordingly, prospective buyers should familiarizethemselves with all relevant customs regulations prior to bidding ifthey intend to import lots to another country.

It is the buyer’s sole responsibility to obtain any relevant export orimport licence. The denial of any licence or any delay in obtaininglicences shall neither justify the recession of any sale nor any delayin making full payment for the lot.

IMPORT OF IVORY INTO THE USAPlease note that there are now revised rules with regards the importof ivory and items containing ivory into the USA – as the situationcurrently stands it is not possible to import any items containingivory into the USA.

CONDITION REPORTSPlease note that damage and/or restoration is indicated in thecatalogue at our discretion. We are pleased to provide conditionreports on all lots for those who cannot view in person.

ONLINE CATALOGUEFor colour illustrations of all lots in this sale please consult ourwebsite at www.lyonandturnbull.com

TELEPHONE BIDDINGPlease note that all absentee and telephone bid requests must bereceived an hour before the sale.

SHOTGUN CERTIFICATESPlease note that lots 492-499 and 501 requires the purchaser tohave a valid firearm certificate or RFD, and/or a shotgun certificate.

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The Collection of Lady Lanesborough previously at Swithland Hall, Leicestershire

The present Swithland Hall was built for George JohnDanvers-Butler, later 5th Earl of Lanesborough.Designed by the architect James Pennethorne, it wasoccupied by 1834, and finished by 1852. The house isbuilt of stuccoed and painted granite and slate rubbleand brick, with Swithland slate roofs concealed by aparapet. The house replaced an earlier house on theestate and T.R. Potter records in his History andAntiquities of Charnwood Forest of 1842:

“The residence of the owners of Swithland was, tillthe present generation, situated near the Church.It was a considerable pile, but so surrounded on allsides, even in front, by stables, dovecotes and highwalls, and so close to the public road, that thepresent proprietor has judiciously pulled it down,and erected on a higher ground a mansion moresuited to the taste of the age.”

The Earl of Lanesborough was a title in the Peerageof Ireland. It was created in 1756 for HumphreyButler, 2nd Viscount Lanesborough. The Butler familydescended from Theophilus Butler, who representedCounty Cavan and Belturbet in the Irish House ofCommons. In 1715 Theophilus Butler was raised tothe Peerage of Ireland as Baron Newtown-Butler, ofthe County of Fermanagh, and was succeeded by hisbrother, Brinsley, who became the second Baron. In1728 Brinsley was created Viscount Lanesborough inthe Peerage of Ireland and was, in turn, succeeded byhis son, Humphrey, the aforementioned secondViscount, who was elevated to the earldom in 1728.The first Earl was succeeded by his son, Brinsley,who became the second Earl and represented CountyCavan in the Irish House of Commons. His grandsonGeorge, the fifth Earl, sat in the British House of

Lords as an Irish Representative Peer from 1849 to1866. The latter was succeeded by his nephew, thesixth Earl. He served as Lord-Lieutenant of Cavanfrom 1876 to 1900 and was an Irish RepresentativePeer from 1870 to 1905. He was succeeded by hisson, the seventh Earl. He was an Irish RepresentativePeer from 1913 to 1929. On his death the titlespassed to his younger brother, the eighth Earl. Thetitles became extinct on the death of the latter’seldest son, the ninth Earl, in 1998.

Denis Anthony Brian Butler, the 9th Earl ofLanesborough took on the 3,000 acre estate,Swithland Hall in 1950. As well as the estate the earlinherited crippling death duties. These forced him tosell Swithland Hall, and many of the contents weresold at auction in 1978. The family title now survivesmainly in the name of the Lanesborough Hotel offHyde Park Corner, London, on the site of St George’sHospital, itself based on the family home of the IrishViscount Lanesborough which was sold in 1733.

Swithland Hall, Leicestershire, The Country Seats of the Noblemen andGentlemen of Great Britain, 1866, page 268

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1 SV254/12PAIR OF LOUIS XVI GREY PAINTED AND PARCEL GILTFAUTEUILS19TH CENTURYwith rectangular padded backs and bowed seats, themoulded frames carved with ribbon twist on flutedtapering legs (2)

65cm wide, 94cm high, 54cm deep

£1,000-1,500

2 SV254/153DUTCH SATINWOOD AND MAHOGANYCENTRE TABLELATE 18TH CENTURYthe oval chequer banded top centred by afloral marquetry panel above a frieze drawer,raised on fluted square tapering legs

105cm wide, 76cm high, 70cm deep

£800-1,200

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3 SV254/52GOOD GEORGE III GILTWOOD OPEN ARMCHAIR IN THE MANNER OF THOMAS CHIPPENDALECIRCA 1760the oval back and wide serpentine seat in floral needlework upholstery,flanked by part padded scroll arms, the frame carved with entrelac and afluted seat rail, raised on cabriole legs headed by anthemion and carvedwith swags and ending on in-scrolled toes

65cm wide, 94cm high, 50cm deep

Note:This armchair relates to a number of unprovenanced suites of seat furniture which derivefrom documented patterns produced by Chippendale. For a comparative example, seeChristopher Gilbert, ‘The Life and Work of Thomas Chippendale’, p.108, pl 183

£4,000-6,000

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6 SV254/83AGEORGE III MAHOGANY AND BRASSMOUNTED TRIPOD TABLEEARLY 19TH CENTURYthe circular dished top on a tapered flutedcolumn raised on scrolled legs ending inbrass casters

61.5cm diameter, 71cm high

£300-500

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5 SV254/131BGEORGE III MAHOGANY PIECRUST TRIPODTABLE18TH CENTURYthe dished serpentine tilt top on a balusterturned column raised on cabriole legs endingin pointed pad feet

55cm wide, 68cm high, 55cm deep

£400-600

4 SV254/129GEORGE III MAHOGANY AND ROSEWOODFOLDOVER CARD TABLE18TH CENTURYthe demilune foldover top opening to a greenbaize playing surface, raised on square taperinglegs with line inlay ending in spade feet

90cm wide, 73cm high, 45cm deep (closed)

£250-350

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8 SV254/310CAST IRON FIRE BACK18TH CENTURYthe arched panel cast with a figure ofBritannia and a rampant lion under themotto ‘PRO PATRIA’

61cm wide, 84cm high

£300-500

9 SV254/151GEORGE III MAHOGANY PEMBROKETABLE18TH CENTURYthe rectangular top with drop leaf sideswith angled corners, above a friezedrawer and a dummy drawer opposing,raised on square tapered legs ending inbrass caps and casters

90cm wide, 70cm high, 116cm deep

£300-500

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7 SV254/15CHARLES II OAK CHEST17TH CENTURYthe quadruple panel hinged top above afoliate scroll carved frieze and panel frontcarved with geometric lozenges andscrolling foliage, raised on stile feet

156cm wide, 77cm high, 61cm deep

£600-800

10 SV254/175ALATE GEORGE III MAHOGANY WORKTABLEEARLY 19TH CENTURYthe hinged crossbanded top opening tobaize lined writing slope, above twoshort and one long drawer, raised online inlaid square tapered legs ending onbrass caps and casters

51cm wide, 70.5cm high, 50cm deep

£300-400

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12 SV254/33PAIR OF GEORGE III SATINWOOD ANDCALAMANDER FOLDOVER CARD TABLESLATE 18TH CENTURYthe D-shaped tops opening to red baize linedplaying surfaces on double gatelegs, above aninlaid frieze, raised on square tapered legs withfurther inlay (2)

93cm wide, 74cm high, 45cm deep

£2,000-3,000

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11 SV254/49PAIR OF GEORGE III GREY PAINTED AND PARCEL GILTOPEN ARMCHAIRSCIRCA 1780the curved oval backs above wide shaped seats with flutedseat rails and flanked by part padded scrolling arms, raisedon square tapered legs with bead moulding and headed bypaterae and ending on block feet (2)

62cm wide, 92cm high, 48cm deep

£700-900

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13 SV254/140FRENCH BRONZE FIGURE GROUPEARLY 19TH CENTURYmedium brown patina, depicting a younggirl seated on a goat feeding it grapes, on arectangular ebonised wood base

14cm wide, 14.5cm high

£400-600

14 SV254/139PAIR OF RENAISSANCE STYLE BRONZEEWERS AFTER NICOLAS DELAUNAY,BASED ON DESIGNS BY ENEA VICOONE 18TH CENTURY, THE OTHER 19TH CENTURYwith gadrooned spouts and pantherhandles, the tapering bodies cast withmasks, portrait roundels and entrelac,on domed leaf cast and reeded circularbases (2)

32.5cm high

Note:This ewer is directly inspired by a silver-gilt ewermade by Delaunay in 1696-97 for the private altarservice of Cardinal Louis-Joseph deMontmorency-Laval. The unusual form of thehandle, modelled as a standing panther, firstappears Enea Vico's studies of antique vases,published in Italy in 1533.

£1,000-1,500

Drawing of a ewer by Enea Vico, 1533

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15Y SV254/175FGILT METAL MOUNTED TORTOISESHELL PATCH BOX19TH CENTURYof circular form, with allover ozier designs,7.5cm diameter; together with a HORN PATCHBOX, inset with a faceted citrine, and a glassbase, 6.5cm diameter (2)

£120-180

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17 SV254/113PAIR OF AUSTRIAN NOVELTY PATINATED ANDGILT BRONZE CANDLESTICKS19TH CENTURYeach in the form of a crouching frog with onearm on a dumbbell, holding a nozzle with theother (2)

13cm high

£250-350

18Y SV254/31FRENCH GILT METAL AND HARDSTONE MOUNTEDDESK SET19TH CENTURYin the Renaissance Revival style, the pen restmounted with malachite, lapis lazuli, and carnelian,11.5cm wide; and an inkwell with a carved coralmask finial quatrefoil body 9.5cm high (2)

£200-400

16 SV254/142PAIR OF EMPIRE BRONZE PERFUMEBURNERSEARLY 19TH CENTURYthe pierced domed covers with foliate giltmetal covers (2)

11cm high

£150-250

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19 SV254/111REGENCY MAHOGANY SOFA TABLECIRCA 1815the rounded rectangular top with drop ends, overtwo short frieze drawers and two dummy drawersopposing, raised on fluted squared columnsupports on outswept legs ending in brass capsand casters

152cm wide, 72cm high, 62cm deep

£600-800

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20 SV254/157REGENCY MAHOGANY CHEVAL MIRRORCIRCA 1815the rectangular mirror plate in a plain framewith reeded and foliate carved supports joinedby stretchers and raised on reeded splayedlegs ending in hairy paw brass caps andcasters

81cm wide, 184cm high, 78cm deep

£800-1,200

21 SV254/101REGENCY MAHOGANY DUMBWAITERCIRCA 1820with two dished and graduated circulartiers on a baluster turned support raisedon scrolled outswept reeded legs withbrass casters

62cm diameter, 92cm high

£600-800

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The son of a cabinet maker and carver, Henry Bone (1755-1834) was born in Cornwall in 1755. Appointed Enamel Painterto George III, the Prince of Wales (later George IV), and WilliamIV, and a Royal Academy Member, he became famous for theskill and scale of his works, his copies after oil paintingsgaining him the reputation as the ‘Prince of Enamellers’.

Starting as an apprentice at the Plymouth Porcelain Works, hemoved on to the Bristol China Works in 1772. Over thefollowing six years Bone developed his talent, dedicatinghimself to china decoration and artistic studies. Upon theclosure of the Bristol China Works in 1779, he moved toLondon and found employment decorating fans and watchesbefore his first Royal Academy Exhibition in 1781. Following theexposure he gained from these exhibitions he decided to focussolely on enamel painting, a regular feature at the RoyalAcademy. He exhibited A Muse and Cupid in 1789, at the timethe largest enamel painting ever executed. He later went on tosurpass himself in 1811 with his most famous piece, a workafter Titian’s Bacchus and Ariadne. Previous work in enamelhad only been a few inches across, featuring in miniatures andjewellery. At the time the process involved bonding the enamelpaint onto a metal sheet, usually copper, through a firingprocess. The firing would often last for several hours but asthe colours would fuse at different temperatures, there was arisk that certain paints may crack and buckle while otherswere still setting. To reduce the risk of deformation artistswould only enamel onto small pieces. Bone experimented withthe firing process as well as with his enamel paint formulasand developed enamel paints that would fuse reliably within anarrow heat range and true to colour, enabling him to producesuch large, high quality works.

Henry Bone’s stature had grown so much that he received4,000 visitors while exhibiting Bacchus and Adrianne at hishouse in Berners Street, eventually selling it for the large sumon 2200 guineas. It is now in the collection of the Cleveland

Museum of Art, who purchased it at auction in 2013 for£313,875. His next great projects included a series of eighty-five historical portraits of figures from the time of Elizabeth I, aseries of Civil War cavaliers, and also a series of portraits ofmembers of the Russell family. While the Elizabethan portraitswere not a financial success for Bone they are consideredamong his greatest works.

The following four portraits are prime examples of Bone’sprowess, skill and attention to detail. The portrait of ElizabethCarey, later Lady Berkeley, is a cool study of Elizabethancomposure, wealth and status. Bone’s original pencil gridsketch for this portrait (shown on the accompanying page) inthe collection of the National Portrait Gallery illustrates hismeticulous precision; while the extravagant portrait of a manwearing a white ostrich plume hat, originally believed to beRobert Dudley, Earl of Leicester but now identified as possiblyKing Christian IV of Denmark or Edward Somerset, 4th Earl ofWorcester, displays all the confidence and swagger of agentleman at the top of his social and political world. Bone’sannotated grid sketch for this large and fantastic portrait, acopy of an original at Knole House, survives and is also in thecollection of National Portrait Gallery and shown here.

Suffering from failing eyesight and poor health, Bone offered tosell his collection of enamels to the nation but it was declined.After his death in 1834, it was dispersed and sold at auction byChristie’s in 1836. It is believed these four came into thecollection of the 5th Earl of Lanesborough, who was furnishingSwithland Hall at this time. It is a rarity to have four of HenryBone’s remarkable portraits available at one time and fromone source.

Henry Bone (1755-1834)

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23 SV254/27HENRY BONE, R.A. (BRITISH, 1755-1834)AFTER CORNELIUS JONSONSIR WALTER RALEIGHenamel on copper, three quarter lengthportrait, the subject wearing a black cut silkdoublet with a high lace collar and cuffs, agold braid belt and sword, his right handresting on a globe, signed and dated, in agilt and gesso frame, paper exhibition labelto reverse

17.5cm x 13cm

£3,000-5,000

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22 SV254/28HENRY BONE, R.A. (BRITISH, 1755-1834) AFTER HANS HOLBEINSIR THOMAS SMYTHEenamel on copper, three quarter length portrait,the subject in black robes and cap and a fur stole,his right hand resting on a globe, in a gilt andgesso frame, signed on the slip ‘ENAMEL H.BONE’, paper exhibition label to the reverse

17.5cm x 13cm

Note:Sir Thomas Smythe (c. 1558-1625) was an English merchantand politician. He was the first governor of the East IndiaTrading Company and was elected a member of Parliamentin 1614 and 1622. Bone’s portrait of Smythe is after apainting once at Hill Hall, Essex.

£3,000-5,000

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24 SV254/26HENRY BONE, R.A. (BRITISH, 1755-1834)ELIZABETH CAREY, DAUGHTER OF LORDHUNSDON, AFTERWARDS LADYBERKELEYenamel on copper, three quarter lengthportrait, in a black velvet dress with laceruff collar and double strand pearl choker,and wearing a long triple strand goldchain, garnet and seed pearl necklace, ina gilt gesso frame, inscribed on the slip‘ENAMEL H BONE, R.A.’, paper exhibitionlabel to the reverse

18cm x 13.75cm

Note:Elizabeth Carey (1576-1635) was the only child ofGeorge Carey, 2nd Baron Hunsdon and ElizabethSpencer. She was a courtier and patroness of theArts, and the dedicatee of works by Thomas Nashe.She married Sir Thomas Berkeley in 1596, aged 19,and after his death in 1611 remarried Sir ThomasChamberland in 1622. Bone’s portrait is after theoriginal at Berkeley Castle.

£4,000-6,000

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Original pencil drawing for transfer by Henry Bone,dated 1825, National Portrait Gallery, NPG D17152

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25 SV254/25HENRY BONE, R.A. (BRITISH, 1755-1834)POSSIBLY KING CHRISTIAN IV OFDENMARK, OR HENRY SOMERSET, 1STMARQUESS OF WORCESTERenamel on copper, three quarter lengthportrait standing by a table with a redcloth, the subject with a gold hoop earring,wearing a white satin doublet with lacecollar and cuffs, a black cloak over hisright shoulder, and black jewelled hat withwhite ostrich feathers, the Order of theGarter hanging on a blue satin ribbonaround his neck and a sword at his waist,holding gloves in his right hand, signed, ina gilt and gesso frame

20cm x 16.5cm

£4,000-6,000

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Original pencil drawing for transfer by Henry Bone,dated January 1818. National Portrait Gallery, NPGD17117

Note:The subject of this flamboyant portrait of aJacobean gentleman remains a bit of a mystery.Copied from the original oil painting at KnoleHouse by Bone in the early 19th century, it wasbelieved at that time to be of Robert Dudley, 1stEarl of Leicester. The handwritten label on thereverse, as well as those on the preparatory griddrawing now in the National Portrait Gallery ofthe same subject, indicate this. The originalKnole oil portrait was attributed to FredericoZucchero, a 16th century Italian Manneristpainter, who was commissioned by Dudley topaint portraits of himself and Elizabeth I. Thisattribution is now considered incorrect and thepainter of the Knole portrait is currently listed as‘unknown’ as is the identity of the subject.

Subsequent research now finds two other likelysitters for the portrait. The first is King ChristianIV of Denmark, the other is Henry Somerset, 1stMarquess of Worcester. Both have portraitsconsistent with the Knole portrait but with someminor differences, in particular the fullness of thebeard and the Cross of St George medal. It is acommon occurrence that attributions from the18th and 19th century have been changed oramended as more thorough research andcomparisons with known portraits becomeavailable. Although Robert Dudley would havebeen a compelling subject for Henry Bone’sseries of Elizabethan portraits, it is unlikely thisportrait, magnificent as it is, can firmly be said tobe him.

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27 SV254/137FRENCH DIRECTOIRE MAHOGANY,SATINWOOD AND BRASS BANDEDCOMMODE19TH CENTURYthe later rectangular top over two short andfour graduated long brass lined drawers on aplinth base

132cm wide, 109cm high, 56cm deep

£700-900

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26 SV254/135NEOCLASSICAL GILT AND EBONISEDOVERMANTEL MIRRORMID 19TH CENTURYthe arched cresting centred by a portraitmedallion over a rectangular mirror platewithin a fluted frame carved with rosettes

137cm wide, 224cm high

£1,000-2,000

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28 SV254/30VIENNESE ENAMEL AND GILT METALMOUNTED EBONISED TABLE CABINET19TH CENTURYthe stepped top surmounted with a satyrriding a lion, with two cupboard doorsenclosing three drawers above a longdrawer, mounted allover with enamel panelsdepicting mythological scenes, on bracketfeet

28cm wide, 35cm high, 19cm deep

£3,000-5,000

29 SV254/85MEISSEN FIGURAL AND GILT BRONZEMOUNTED MANTEL CLOCKEARLY 19TH CENTURYdepicting Cupid placing a laurel wreath onMars’ head who kneels on a stack of shields,beside a pillar set with a white enamel clockdial with Roman and Arabic numeralsinscribed ‘ROMILLY / A PARIS’, a portraitroundel of Caesar at its base, on a rococoscroll gilt bronze base, underglaze bluecrossed swords mark

28cm wide, 26cm high

£800-1,200

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30 SV254/69MEISSEN FIGURE OF THE COURT JESTERHOFNARR FROHLICH19TH CENTURYformerly with a nodding head now fixed, after themodel by J.J. Kandler, the figure wearing yellowpantaloons with braces and a black jacket withwhite ruff at the neck, on an oval rococo base withapplied flowers, small blue crossed swords mark,incised no. 134, and pressnumber 35

19cm high

£300-500

31 SV254/65TWO MEISSEN FIGURES OF CHILDRENDRESSED AS ADULTSEARLY 19TH CENTURYthe boy seated in a chair and reading abook, the girl seated and holding a shell, onrococo scroll bases, underglaze bluecrossed swords marks and incised C28 (2)

13cm high

£300-400

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32 SV254/9FRENCH PORCELAIN THERMOMETER BYLOUCHET, PARIS19TH CENTURYthe oval plaque painted with flowers andmounted with a mercury filled tube and withgauges in Reaumur and Fahrenheit scales,within an openwork scrolling metal frame witha fox mask and a stag and hounds mounted ona red plush board

22cm high excluding back board

£250-350

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34 SV254/28BBERLIN PORCELAIN PLAQUEOF PHILIPPINE WESLER19TH CENTURYin a Florentine giltwoodframe, with a German tradelabel to the reverse

23cm high,15.5cm wide

£800-1,200

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33 SV254/28ABERLIN PORCELAIN PLAQUEOF COUNTESS POTOCKA19TH CENTURYin a Florentine giltwoodframe, with a German tradelabel to the reverse

23cm high, 15.5cm wide

£800-1,200

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36 SV254/98SET OF TWELVE WILLIAM IVMAHOGANY DINING CHAIRSCIRCA 1835with curved top rails onmoulded supports, the stuffover seats upholstered in fauxleather canvas, raised onturned and octagonal taperedlegs (12)

48cm wide, 87cm high, 43cm deep

£1,500-2,500

35 SV254/40WILLIAM IV GILTWOODOVERMANTEL MIRRORCIRCA 1830in the Rococo style with arectangular plate, the broadframe carved with foliate scrolls,shells and cabochons

180cm wide, 137cm high

£1,000-1,500

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37 SV254/100WILLIAM IV ROSEWOOD LIBRARYTABLECIRCA 1835the rounded rectangular top above along frieze drawer, on quadruplecolumn supports joined by a turnedstretcher on arched bar feet raised onbrass casters

127cm wide, 73cm high, 68cm deep

£500-700

38 SV254/99SUITE OF FOUR WILLIAM IV MAHOGANY SIDE CHAIRSCIRCA 1835two with curved button upholstered backs and loosecushion seats in faux leather canvas, raised on turnedtapering legs, and two with caned backs and seats withloose button upholstered seats in similar upholstery,raised on turned and tapered legs (4)

51cm wide, 87cm high, 44cm deep

£800-1,200

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39 SV254/50EDWARDIAN SATINWOOD VITRINE CABINETEARLY 20TH CENTURYthe arched case with a glazed door and sides with amirror lined base, raised on square tapered legs

47.5cm wide, 134cm high, 46cm deep

£1,000-1,500

40 SV254/11EDWARDIAN SATINWOOD AND INLAY VITRINE TABLEEARLY 20TH CENTURYwith hinged glazed top and sides inlaid with scrolled lines,raised on square tapering legs ending in spade feet and joinedby curved X-form stretchers

62cm wide, 74cm high, 43cm deep

£300-500

41 SV254/185DMICHELE DE VITO (ITALIAN, 19TH CENTURY)EARLY 19TH CENTURYcollection of thirty-nine gouache and watercolourillustrations on paper, including Neapolitanreligious figures, costume studies, street scenesand copies of Pompeii frescoes, some signed andinscribed (39)

largest 46cm x 36cm

£800-1,200

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43 SV254/38ROCOCO REVIVAL PAINTED AND PARCEL GILTNEEDLEWORK UPHOLSTERED STOOLCIRCA 1830the serpentine shape floral needleworkupholstered seat on a grey painted and giltframe carved with rocaille, C-scrolls, flowerheads, raised on cabriole legs ending inscrolled toes

58cm wide, 43cm high, 51cm deep

£800-1,200

42 SV254/107COALPORT PART DESSERT SERVICE19TH CENTURYpainted with birds and flower sprays within gilt scrollcartouches, against a cobalt ground, comprising apair of fruit coolers, a pair of covered sauce dishesand stands, six shell-shaped dishes, four squaredishes; four oval dishes, a footed centre dish, andeighteen dessert plates, with gilt details, some withgreen printed mark (qty)

cooler 26cm high; plate 22cm diameter

£2,000-3,000

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44 SV254/106BPAIR OF SEVRES BISQUEBUSTS OF MARIEANTOINETTE AND LOUIS XVILATE 19TH CENTURYraised on blue columnsbearing royal monograms andhighlighted with gilding, blueinterlaced L marks (2)

34cm high and 29cm high

£250-400

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46 SV254/10FRENCH ORMOLU MUSICAL CLOCK19TH CENTURYthe circular white enamel dial with Roman andArabic number in a drum case flanked by oakleaves and surmounted by a putto, therectangular base with figures of Henry IV ofFrance and the Duc de Sully, the eight daymovement striking a bell and signed ‘DePasquier Paris’; the base concealing a musicalmovement, raised on paw feet

51cm wide, 54cm high, 23cm deep

£2,000-3,000

45 SV254/106SEVRES BISQUE FIGURE OF L’AMOURMENACANT, AFTER ETIENNE-MAURICEFALCONET19TH CENTURYon a separate shaped circular baseinscribed ‘Qui Que tu sois, voice tonmaitre il lest, le fut, ou le doit etre’, blueinterlaced Ls mark

30cm high

£300-500

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47 SV254/116FRENCH WALL CLOCK19TH CENTURYthe circular white enamel dial with Romannumerals and signed ‘E. Verge a Dinon’, the caseand pendulum of embossed metal withemblematic trophies

170cm high

£500-800

48 SV254/92DPAIR OF LOUIS XVI STYLE GILT BRONZEWALL LIGHTS19TH CENTURYin the form of a torch with an urn finialand issuing three scrolling candle arms,fitted for electricity (2)

47cm high

£300-500

49 SV254/92ESET OF FOUR LOUIS XV STYLE GILTBRONZE WALL LIGHTS19TH CENTURYthe serpentine foliate backplate issuinga two scrolling foliate candle arms,impressed 5476 and N170, fitted forelectricity (4)

50cm high

£600-800

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50 SV254/125MINIATURE MAHOGANY CHEST OF DRAWERS ANDGAMING PIECES19TH CENTURYthe rectangular top over three long drawers with boneescutcheons and fruitwood stringing; the drawers filledwith various gaming pieces including a group ofChinese Export mother of pearl counters, and aquantity of bone and ebony dominoes (qty)

chest 32cm wide, 26cm high, 15cm deep

£200-300

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53 SV254/34GILTWOOD STANDARD LAMP19TH CENTURYthe spiral and reeded column on acircular base

185cm high

£150-250

54 SV254/185ECOLLECTION OF CHINESE EXPORTPAINTINGS ON RICE/PITH PAPER19TH CENTURYdepicting figures, flowers, birds andanimals, contained in two albums, with afurther framed example (qty)

£150-250

52Y SV254/108SEVEN VICTORIAN PAGE TURNERSMOSTLY 19TH CENTURYvarious dates, makers and materials; includingfour ivory examples, two with silver handles; asilver inlaid tortoiseshell example; a carvedwood Japanese example; and a pokerworkexample (7)

largest 41cm long

£300-400

51 SV254/92GGEORGE IV MAHOGANY TEA CADDYCIRCA 1825of sarcophagus form, the cover carved withflowers and a beaded border, opening to aninterior fitted with three covered wells, abovea bead moulded base on bracket feet

32cm wide, 20cm high, 20cm deep

£150-250

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56 SV254/169TWO SIMILAR VICTORIAN MAHOGANY MARBLETOP POT CUPBOARDS19TH CENTURYeach with an inset marble top above a cylindricalbody with a door, on octagonal base (2)

One: 37.5cm diameter, 75cm high; the other 36.5cm diameter,

72cm high

£400-600

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55 SV254/164VICTORIAN ROSEWOOD WHATNOTMID 19TH CENTURYwith three serpentine tiers raised and dividedby turned supports, on brass casters

45cm wide, 83cm high, 33cm deep

£400-600

57 SV254/163WILLIAM & MARY STYLE OAK STOOL19TH CENTURYthe square padded seat covered inneedlework upholstery, raised on spiralturned legs joined by an X-form stretcher

41cm wide, 40cm high, 41cm deep

£250-350

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58 SV254/54VICTORIAN GILTWOOD MIRRORED FLOOR SCREEN19TH CENTURYcomprised of two panels of rococo design withmirror glazed panels divided by scrolled bars, thebases carved with baskets of flowers

106cm wide, 174cm high

£600-900

60 SV254/40AVICTORIAN BURR WALNUT,TULIPWOOD MARQUETRYCENTRE TABLELATE 19TH CENTURYthe serpentine shaped oval topwith floral marquetry inlay, raisedon cabriole legs with gilt metalmounts throughout

85cm wide, 74cm high, 54cm deep

£800-1,200

59 SV254/113AGEORGE IV GILTWOODOVERMANTEL MIRRORCIRCA 1825the egg and dart moulded corniceover an acanthus moulded friezeand rectangular plate flanked bytriple cluster columns with palmcapitals

147cm wide, 124cm high

£300-500

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Property of aHighland Estate

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61 HA146/18AMATCHED PAIR OF GEORGE III MAHOGANYFRAME WINDOW SEATS18TH CENTURYeach with a serpentine padded seat raised onacanthus carved cabriole legs ending in scrolledtoes; one in needlework upholstery the other inpale green velvet (2)

98cm long, 42cm high, 43cm deep

£1,000-2,000

62 HA146/4GEORGE III MAHOGANY OPEN ARMCHAIRCIRCA 1760the foliate carved serpentine crest rail over apierced and carved splat above a drop in seatwith needlework upholstery, flanked byscrolling arms and raised on chamferedstraight legs joined by peripheral stretchers

67cm wide, 96.5cm high, 48cm deep

£800-1,200

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65 HA146/8GEORGE III MAHOGANY FOLDOVER GAMESTABLECIRCA 1760the foldover top opening to a baize lined playingsurface and counter wells above a plain friezeand carved apron, raised on acanthus carvedcabriole legs and ball and claw feet, bearing oldFrank Partridge trade label

92cm wide, 74cm high, 45cm deep

£1,500-2,500

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63 HA146/26GEORGE III MAHOGANY AND BRASS BOUNDHEXAGONAL CELLARETTECIRCA 1770the moulded hinged top with brass handles,raised on square legs with fretwork bracketsand ending on brass casters

44cm wide, 79cm high, 44cm deep

£1,200-1,800

64 HA146/66MATCHED PAIR OF GEORGE III STYLEPAINTED SATINWOOD AND CANED OPENARMCHAIRSONE 18TH CENTURY, THE OTHER LATERwith shield backs with pierced splats abovecaned seats raised on square tapered legsending in spade feet; bearing FrankPartridge ivorine trade plaque (2)

61cm wide, 93cm high, 45cm deep

£400-600

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69 HA146/20GEORGE III MAHOGANY BUTLER’S TRAY18TH CENTURYof staved oval form with twin handles,bound with two brass bands

59cm wide

£500-700

68 HA146/6PAIR OF VENETIAN MIXED METAL CANDLESTICKS19TH CENTURYin brass with white metal roundels, each with aknopped vasiform stem on a domed base, engravedallover with panels depicting gods, warriors andscrolling foliage, signed FILIPPINI GIUSEPPE INVENEZIA (2)

26cm high

£400-600

66 HA146/14LEONARD JARVIS LIMITED EDITION TOBY JUGMID 20TH CENTURYmodelled as Sir Winston Churchill in the Ralph Woodstyle, signed L. JARVIS, NO. 24, with the inscriptionTHE RT. HON. WINSTON S. CHURCHILL O.M., C.H.,F.R.S., M.P.

18.5cm high

£300-500

67 HA146/17ENGLISH SLIPWARE LOVING CUPLATE 19TH CENTURYin yellow and brown glazes, bearingthe inscription ‘THE BEST IS NOTTO GOOD FOR YOU’ and the date1675 under the rim above a band ofstylised flowers, with old paperlabels to the base

13cm high, 17cm diameter

£300-500

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71 HA146/12BGROUP OF FIVE ASTBURY-WHIELDON TYPEORCHESTRA FIGURESPOSSIBLY 18TH CENTURY, AND LATERincluding four musicians and a seated figurereading a book, all with labels A.C.J. WALLCOLLECTION (5)

largest 16cm high

£600-800

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70 HA146/12AGROUP OF TWELVE ASTBURY-WHIELDONTYPE ORCHESTRA FIGURESPOSSIBLY 18TH CENTURY, AND LATERincluding musicians playing violins, pipes andcastanets, all with labels A.C.J. WALLCOLLECTION, and four with labels for FRANKPATRIDGE & SONS LTD. (12)

largest 16.5cm high

£1,500-2,500

72 HA146/13ARALPH WOOD TYPE FIGURE OFA FINCH18TH CENTURYmodelled perched on a treestump in brown, blue and greenglaze

7.5cm high

£500-700

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73 HA146/19SCOTTISH GEORGE III MAHOGANY AND INLAIDLONGCASE CLOCK BY DALLAWAY & SON, EDINBURGH18TH CENTURYthe high swan neck pediment above an arched brass dialwith a boss inscribed with the maker’s name, above aRoman numeral chapter with subsidiary seconds andcalendar dials, flanked columns with gilt metal Corinthiancapitals, above a trunk door inlaid with a fan medallionand flanked by brass mounted quarter columns, on aplinth base raised on bracket feet

49cm wide, 229cm high, 25cm deep

£1,500-2,500

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74 HA146/13FINE GEORGE III MAHOGANY KETTLE STANDCIRCA 1760the circular top with a gallery rail on fluted andacanthus carved C-scroll supports raised on acabriole legs carved with acanthus and endingin scrolled toes, bearing a Frank Partridgeivorine trade plaque and BADA paper exhibitionlabel dated 1932

24cm diameter; 76cm high

£4,000-6,000

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75 HA146/1GEORGE III MAHOGANYBUREAU BOOKCASEMID 18TH CENTURYthe straight cornice with ahusk-carved frieze, above apair of panelled doors withcarved perimeter mouldings;the lower part with a fall-frontopening to an interior fittedwith foliate-carved drawersand pigeon holes arrangedaround a shell-carved door,above three frieze drawersover three further longgraduated drawers, withcarved ogee bracket feet

130cm wide

Note:This bookcase is closely related to aset of four bookcases probably madeby Thomas Chippendale for SirRowland Winn’s London House in St.James’s Square, circa 1766 and nowat Nostell Priory. See ChristopherGilbert ‘The Life and Work ofThomas Chippendale’, p. 41, pl 65.

£3,000-5,000

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76 HA146/16AGOOD GEORGE II MAHOGANY BREAKFRONT BOOKCASE IN THE MANNER OF VILE AND COBBCIRCA 1755of shallow breakfront outline, the broken arch pediment abovea pair of doors with arched glazed panels and foliate carvedcorner mouldings opening to shelves, flanked by further setback glazed doors; the lower part with a central cupboard doorwith oval mouldings marked at the sides with acanthus carving,flanked by cupboard doors carved with ribbon tied fruit andfoliate trails, raised on shaped bracket feet

166cm wide, 250cm high, 40cm deep

Provenance:Collection of B. Coppinger Prichard

Literature:Featured in The Dictionary of English Furniture, vol. I, Antique Collectors’Club, Woodbridge, p.84

Note:

The partnership of Messrs. Vile & Cobb was first listed in the LondonDirectory in 1750 and continued with great success until 1765 when WilliamVile retired with John Cobb continuing to trade until 1778. William Vile isconsidered the principle cabinet maker of the two, while John Cobb waslisted as an upholsterer. This arrangement was rather typical of the periodfor furniture makers. They are considered to be Thomas Chippendale’sgreatest rivals and their work of the period is arguably some of the finestEnglish made furniture produced in the mid 18th century. Favoured byGeorge III and Queen Charlotte, a great deal of their work was by Royalcommission.

Although no published designs exist for the firm and they did not mark theirfurniture, known pieces produced by Vile & Cobb provide a visual guide to thecharacteristics they typically employed. Straddling the divide between theheavy architectural style of Palladianism as executed by William Kent in the1730s and 40s and the lighter and more feminine Rococo style of ThomasChippendale gaining popularity in the 1750s, Vile and Cobb producedfurniture of the highest quality. A signature motif employed by Vile is thecarved acanthus clad oval or circular moulding found on door panels, oftenflanked by further carved details like pendant fruit swags as seen on thepresent bookcase. A bookcase of similar proportion and outline illustrated inAnthony Coleridge, ‘Chippendale Furniture’, pl 33, and described ‘in the styleof Vile’ is nearly identical to the present bookcase with the addition of moreelaborate carved mouldings to the pediment and mullions.

The present bookcase appears in Ralph Edwards ‘The Shorter Dictionary ofEnglish Furniture’, pg 53, pl 9 (see illustration) with no attribution or mentionin the text with the exception of the caption accompanying the illustrationstating it comes from the Coppinger Prichard Collection. It is believed thebookcase was purchased by the present owner’s family from Frank Partridge& Son from whom they purchased much of the furniture in the collection.

£20,000-30,000

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77 HA146/21GOOD GEORGE III MAHOGANY BREAKFRONT LIBRARY BOOKCASECIRCA 1760with a Greek key straight cornice over a blind fret carved frieze andfour Gothic astragal glazed doors, the projecting breakfront base withfour ‘plum pudding’ panelled doors, on a plinth base; with a carvedflame finial, detached

287cm wide, 242cm high, 60cm deep; finial 33cm high

Note:See Thomas Chippendale’s ‘The Gentleman and Cabinetmakers Director’, 1753 pl.LXXI, for a design for a library bookcase which relates directly to this lot. Theexecution of the ‘Gothic’ astragal glazed doors on the upper bookcase and generaloutline of the lower cupboards closely follow Chippendale’s design, albeit withsimplified moulded doors on the base. While the complete pediment and cornice islacking on the present bookcase, it most likely would have had a broken archpediment centred by the finial which still accompanies it, as seen on other designs inthe ‘Director’.

£6,000-8,000

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79 HA597/1SMALL OAK SETTLE17TH CENTURY AND LATERthe triple panel back above slope armsand a hinged panel box seat, raised onshort bracket feet

97cm wide, 99cm high, 55cm deep

£300-500

80 HA976/1PAIR OF ITALIAN WALNUT STOOLSEARLY 17TH CENTURYthe panel seats with a carved moulded edgeover a deep frieze with notch carved moulding,raised on scrolled supports (2)

43cm wide, 53cm high, 32cm deep

£500-700

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Other Properties

78 HA597/3CHARLES I CARVED OAK PANEL CHAIR17TH CENTURY AND LATERthe arched panel back above a plank seatraised on baluster turned front legs joinedby three quarter peripheral stretchers

59cm wide, 122cm high, 35cm deep

£300-500

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81 HA659/6PAIR OF LARGE OAK TORCHERES19TH CENTURYthe carved writhen columns on cruciformbases, converted to electricity (2)

84cm wide, 223cm high

Provenance:Lord and Lady Rochdale

£1,500-2,500

82 HA847/6BAROQUE STYLE MAHOGANY AND COPPERMIRROR19TH CENTURYthe rectangular bevelled mirror plate enclosedby bevelled margin plates within a foliateembossed copper and moulded frame

118cm wide, 96cm high

£400-600

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83 HA659/5SOUTH GERMAN PINE, WALNUT, ELM,MAPLE, EBONY AND FRUITWOODMARQUETRY AND PARQUETRY CABINET ONSTAND, AFTER DESIGNS BY LORENZ STOERLATE 16TH CENTURY, THE STAND LATERthe rectangular cabinet fitted with anarrangement of moulded drawers andcupboard doors inlaid with town views, metalhandles to the sides; the later stand with anlong frieze drawer, raised on fluted inlaid legsjoined by an undertier and ending on bun feet

91cm wide, 131cm high, 39cm deep

Provenance:Lord and Lady Rochdale

Note:Lorenz Stoer’s influential book ‘Geometria etPerspectiva’, first published in 1567. The textless bookincluded eleven wood block prints of studies of artificialruins filled with geometric solids and was subtitled‘Herein are a few ruined buildings, useful tocabinetmakers working in inlaid wood, and for thespecial pleasure of many other amateurs, arranged andpresented by Lorenz Stoer, painter and citizen ofAugsburg’. Originally the cabinet would have had a fallfront opening to reveal the elaborate inlay on the interiordrawer fronts. For a comparable cabinet, see theMetropolitan Museum of Art, 25.135.112.

£4,000-6,000See illustration opposite

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85 HA539/5PAIR OF CHARLES II STYLE OAK X-FRAME ARMCHAIRS19TH CENTURYthe padded backs, seats and arms indark red upholstery, on curved X-formsupports centred by a carved rosette (2)

66cm wide, 87cm high, 50cm deep

£400-600

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84 HA659/14WILLIAM & MARY WALNUT TABLE CABINETLATE 17TH CENTURYthe moulded top over a pair of moulded paneldoors opening to an arrangement of drawers,raised on ogee bracket feet

45cm wide, 41cm high, 29cm deep

Provenance:Lord and Lady Rochdale

£400-600

86 HD504/1WILLIAM & MARY WALNUTAND INLAY CHEST OFDRAWERSLATE 17TH CENTURYthe rectangular top over fourlong drawers with line inlay,raised on bun feet

76.5cm wide, 87cm high, 54cm deep

£800-1,200

87 HA800/151QUEEN ANNE OAK TOILETMIRROREARLY 18TH CENTURYthe shaped mirror plate in amoulded frame above a fall frontopening to drawers and pigeonholes, above three longserpentine drawers, raised onbracket feet

37cm wide, 83cm high, 20cm deep

Provenance:Selected contents from Denston Hall,Suffolk

£250-350

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88 HD502/1VICTORIAN OAK GOTHIC REVIVAL REFECTORYTABLE19TH CENTURYthe rectangular three plank top over a mouldededge, raised on arched supports on trestle legsjoined by a cross stretcher

213cm long, 78cm high, 77cm deep

£600-800

89 SV388/8SET OF SIX STAINED ASHLADDERBACK CHAIRS19TH CENTURYcomprising four side and twoarmchairs of typical form withshaped splats over rush seatsraised on turned legs withstretchers, on raised pad feet(6)

50cm wide, 99cm high, 37cm deep

£600-800

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91 HA663/1PAIR OF WILLIAM & MARY WALNUT AND CANEDHIGH BACK SIDE CHAIRSLATE 17TH CENTURYthe pierced foliate carved cresting above a canedpanels and needlework upholstered seat, raisedon scrolled cabriole legs ending in hoof feet (2)

51cm wide, 127cm high, 40m deep

£1,500-2,500

90 HA659/11WILLIAM & MARY WALNUT AND MARQUETRY CABINETON CHESTLATE 17TH CENTURYthe moulded cornice above a cushion moulded friezedrawer over a pair of cupboard doors covered in floralmarquetry and opening to an arrangement of drawers,secret compartments and pigeon holes around a centralcupboard door; the lower part with two short over twolong graduated drawers

109cm wide, 169cm high, 52cm deep

Provenance:Lord and Lady Rochdale

£2,000-3,000

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92 HB68/3GEORGE I OAK CHEST ON STAND18TH CENTURYthe moulded cornice over two short and threelong graduated drawers; the separate standwith a brushing slide and three short drawersabove a shaped apron, raised on balusterturned legs joined by a wavy peripheralstretcher raised on squat bun feet

113cm wide, 177cm high, 59cm high

£1,500-2,000

93 HD504/2GEORGE III OAK PANEL COFFER18TH CENTURYthe hinged top over a triple panelfront raised on stile feet

120cm wide, 54cm high, 48cm deep

£250-350

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94 HB68/2WELSH OAK TRIDARNCUPBOARDEARLY 18TH CENTURYthe moulded cornice above anopen space with display shelfover three arched panelcupboard doors; the lowerpart with three frieze drawersabove a pair of arched panelcupboard doors, raised onstile feet

146cm wide, 207cm high,

56cm deep

£800-1,200

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95 HA358/3GEORGE III OAK AND MAHOGANY BANDED DRESSER18TH CENTURYthe inverted breakfront cornice above a serpentine frieze andopen shelves flanked by shelves and cupboard doors; the lowerpar with a pair of cupboard doors flanked by banks of two shortdrawers, above a serpentine apron, raised on short cabriole legsending in carved claw feet

169cm wide, 202cm high, 46cm deep

£1,000-1,500

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97 SV388/2GEORGE I WALNUT CROSSBANDEDBUREAUEARLY 18TH CENTURYthe slant featherbanded front openingto an arrangement of drawers andpigeon holes and a sliding drawercompartment, over two short and twograduated drawers raised on bun feet

80cm wide, 98cm high, 49cm deep

£1,000-1,500

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96 SV388/1GEORGE I WALNUT CHEST ON CHESTEARLY 18TH CENTURYthe moulded cornice with canted angles,above three short drawers and three longgraduated drawers flanked by flutedangles; the lower part with two short overa long drawer, all with line inlay, raisedon cabriole legs ending on pad feet

90cm wide, 162cm high, 50cm deep

£1,000-1,500

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99 HA715/4CHRISTIAN FRIEDERICH ZINCKE (ANGLO-GERMAN 1683/84-1767)enamel on copper, oval portrait of a prettyyoung woman, her upswept brown hair fixedwith a pearl and feather adornment, wearing awhite gold embroidered bodice with a pearlclosure and a blue cloak with ermine trimming,in a gilt metal frame

4.8cm x 4cm

£1,500-2,000

100 HA715/3CHRISTIAN FRIEDERICH ZINCKE (ANGLO-GERMAN, 1683/84-1767)enamel on copper, oval portrait of a handsomeyoung man with brown hair tied with a black ribbon,wearing a blue jacket with gold braid trim, greywaistcoat and white cravat, in a gilt metal frame

4.8cm x 4cm

£1,500-2,000

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98 HB136/172GEORGE I STYLE GILTWOOD STOOL19TH CENTURYwith a needlework seat, on cabriolelegs with ball and claw feet

53cm wide, 42cm high, 37cm deep

£300-500

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101 HB136/148GEORGE II WALNUT CHEST ON CHESTMID 18TH CENTURYthe moulded cornice above three short overthree long featherbanded graduateddrawers, flanked by fluted canted angles; thelower part with two short over two longfeatherbanded graduated drawers flanked bysimilar angles, on ogee bracket feet

112cm wide, 184cm high, 56cm deep

£2,000-3,000

102 HB66/7IRISH GEORGE II MAHOGANY TEA TABLEMID 18TH CENTURYthe dished rectangular top over a scrollingfrieze centred by a carved shell. raised oncabriole legs ending in foliate carved trifidfeet

78cm wide, 71cm high, 51cm deep

£2,000-3,000

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103 HA800/96GEORGE II JAPANNED LONGCASE CLOCK BYJOHN STOKES, ST. IVES18TH CENTURYwith 8 day movement, the arched dial with silveredring inscribed ‘Tempus Fugit’ and ‘No 656’,containing a silvered rocking figure of Chronos,the silvered chapter ring with subsidiary secondsdial and calendar aperture, in a black japannedcase with Chinoiserie decoration

235cm high

Provenance:Selected contents from Denston Hall, Suffolk

£1,500-2,500

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104 HA896/6GEORGE II MAHOGANY TILT TOPWINE TABLECIRCA 1750the dished circular tilt top on abaluster turned column raised oncabriole legs ending in pad feet

44cm wide, 73cm high, 43cm deep

£400-600

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106 HA321B/3GEORGE III MAHOGANY CORNER CABINET18TH CENTURYthe arched moulded cornice above a pair ofpanelled doors opening to shelves, and afitted drawer; the lower part with a pair ofdoors opening to shelves, on a plinth base

115cm wide, 220cm high, 95cm deep

£400-600

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105 FH361/2GEORGE III MAHOGANY CELLARETTE18TH CENTURYthe hinged sloping top with cantedcorners, the front divided by stop-flutedhalf columns, with brass handles andraised on brass casters

61cm wide, 54cm high, 37cm deep

£400-600

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108 SV408/66LATE GEORGE III MAHOGANY ANDSATINWOOD BUREAU BOOKCASELATE 18TH CENTURYthe straight cornice above a wide friezeinlaid with fan motif above a pair ofastragal glazed doors opening to shelves;the lower part with a slant front openingto a baize lined writing surface and anarrangement of pigeon holes and drawers,above four graduated long drawers raisedon bracket feet

122cm wide, 224cm high, 59cm deep

£800-1,200

107 SV370/1AMERICAN CHIPPENDALE MAHOGANYCADDY TOP CHEST OF DRAWERSCIRCA 1780the rectangular top over a pair of short andthree long graduated drawers, raised onbracket feet

91cm wide, 86cm high, 52cm deep

£800-1,200

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110 HA800/3GEORGE III HEXAGONAL MAHOGANY ANDBRASS BOUND CELLARETTE18TH CENTURYfitted with a lead-lined interior and raised onreeded square tapered legs with brass casters

61cm wide, 47cm high

Provenance:Selected contents from Denston Hall, Suffolk

£400-600

109 HA548/1GEORGE III MAHOGANY CHEST OFDRAWERSMID 18TH CENTURYthe rectangular top with a mouldededge above three short drawers andthree long drawers, raised on ogeebracket feet

110cm wide, 102cm high, 54cm deep

£400-600

111 HA847/3GEORGE III MAHOGANY BOWFRONTSIDEBOARD18TH CENTURYthe bowfront top above a central friezedrawer and arched recess drawer,flanked by a pair of deep drawers, raisedon tapered collared legs

156cm wide, 93cm high, 63cm deep

£400-600

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112 HA800/80LARGE GEORGE III MAHOGANY BOOKCASE18TH CENTURY, ADAPTEDthe later swan neck pediment above a plainfrieze and twin astragal glazed doors openingto adjustable shelves, on a later stand raisedon carved ball and claw feet

193cm wide, 273cm high, 44cm deep

Provenance:Selected contents from Denston Hall, Suffolk

£800-1,200

113 HA576/5GEORGE III STYLE MAHOGANY SERPENTINECOMMODEthe serpentine top with a moulded edge overtwo short and two long drawers flanked byblind fret carved canted corners, raised onshaped bracket feet

118cm wide, 87cm high, 68cm deep

£800-1,200

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114 HA800/112FOUR PAIRS OF GEORGE III MAHOGANYSIDE CHAIRSCIRCA 1760all with shaped top rails and interlaced vaseshape splats, some with carved details; threepairs with drop in seats, one pair with stuffover seats, raised on square chamfered legsunited by H-shaped stretchers; together withtwo other single GEORGE III MAHOGANYSIDE CHAIRS (10)

54cm wide, 94cm high, 43cm deep (various)

Provenance:Selected contents from Denston Hall, Suffolk

£800-1,200

115 HA847/2GEORGE III STYLE MAHOGANY DINING TABLE19TH CENTURY AND LATERcomprising of a pair of D ends on pedestal supportsraised on tripod legs with brass caps and caster, and agateleg drop leaf centre section raised on square taperedlegs

415cm long, 75cm high, 147cm deep

£800-1,200

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117 HA800/156GEORGE III MAHOGANY AND INLAYBAROMETER18TH CENTURYthe pierced cresting over a glazed dooropening to a printed paper gaugesigned ‘Braithwaite’ and thermometertube, above a long squared trunk andoctagonal cistern cover inlaid with ashell motif

101cm high

Provenance:Selected contents from Denston Hall, Suffolk

£300-500

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116 HA539/7GEORGE III MAHOGANY LINEN PRESSLATE 18TH CENTURYthe moulded cornice above a pair of mouldedpanel doors opening to sliding trays; the lowerpart with three long graduated drawers, raisedon splayed feet

123cm wide, 189cm high, 53cm deep

£600-800

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118 HA847/1LARGE GEORGE III MAHOGANYLIBRARY BOOKCASELATE 18TH CENTURY AND LATERthe moulded cornice over a pair ofastragal glazed doors open to afabric lined interior with shelves,above five short base drawers; theassociated lower part with twopairs of moulded cupboard doorsopening to sliding trays, on bracketfeet

184cm wide, 276cm high, 48cm deep

£700-1,000

119 HA927/2GEORGE III STAINED MAHOGANY LONGCASE CLOCKBY CHARLES GRETTON, LONDON18TH CENTURYthe high swan neck pediment above a dentil and blindfret carved frieze over a square brass dial inscribed‘Chas Gretton London’ with silver chapter with Romannumerals and a subsidiary seconds dial, dateaperture and pierced brass spandrels, flanked byfluted columns with gilt metal Corinthian capitals,above an arched trunk door and plinth base raised onturned bun feet

49cm wide, 215cm high, 28cm deep

£1,000-1,500

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120 HA847/4SET OF EIGHT GEORGE III STYLE MAHOGANYDINING CHAIRS19TH CENTURYcomprising six side chairs and a pair of armchairsin the Chippendale taste with pierced and carvedsplats above leather stuff over seats, raised onacanthus carved cabriole legs ending on claw andball feet (8)

52cm wide, 97cm high, 43cm wide

£800-1,200

121 HA898/2GEORGE III SMALL BOWFRONTMAHOGANY SIDEBOARDLATE 18TH CENTURYthe bowfront top above a centralfrieze drawer and arched recess,flanked by cupboard doors, raised onsquare tapered legs

146cm wide, 92cm high, 88cm deep

£500-700

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122 HA847/7GEORGE III STYLE MAHOGANY BREAKFRONT BOOKCASE19TH CENTURYthe plain cornice above a pair of astragal glazed doors flankedby further doors opening to shelves, the lower part withmoulded panel doors, raised on shaped bracket feet

208cm wide, 236cm high, 48cm deep

£800-1,200

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124 HA896/1LATE GEORGE III MAHOGANY DRUMLIBRARY TABLECIRCA 1800the circular top with a green leatherinset writing surface, above four realand four dummy drawers, on a taperedcolumn raised on four curveddownswept legs ending in brass capsand casters

105cm diameter, 74cm high

£800-1,200

123 HA896/8GEORGE III STYLE MAHOGANYSERVING TABLELATE 19TH CENTURYthe serpentine top with a brassgallery rail above three short friezedrawers, raised on square taperedlegs ending in spade feet

135cm wide, 114cm high, 60cm deep

£500-800

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126 HA977/1GEORGE III STYLE MAHOGANY BACHELOR’SCHEST OF DRAWERS18TH CENTURY AND LATERthe foldover top with a green leather writingsurface over two short and three longgraduated drawers, raised on bracket feet

67cm wide, 82cm high, 41cm deep

£800-1,200

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127 HA980/1GEORGE III MAHOGANY BIRDCAGETRIPOD TABLEMID 18TH CENTURYthe circular tilt top above a birdcage,on a baluster turned column raisedon cabriole legs ending in pad feet

79cm wide, 71cm high, 78cm deep

£400-600

128 SV408/77GEORGE III DEMILUNE MAHOGANYAND ROSEWOOD FOLDOVER GAMESTABLE18TH CENTURYthe crossbanded top opening to a baizelined playing surface above a satinwoodinlaid frieze, raised on square taperedlegs ending on spade feet

90cm wide, 73cm high, 44cm deep

£250-400

125 HA597/6SET OF EIGHT GEORGE III STYLE OAKDINING CHAIRS19TH CENTURYcomprising eight side chairs with shieldshaped backs with pierced splats abovestuff over seats, raised on squaretapered legs joined by stretchers (8)

50cm wide, 96cm high, 41cm deep

£400-600

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130 HA927/3GEORGE III MAHOGANY AND BRASS BOUNDCELLARETTECIRCA 1760the octagonal hinged top opening to a laterfitted interior raised on square tapered legsending in brass caps and casters, with brasslion mask loop handles

52cm wide, 61cm high, 40cm deep

£600-800

129 HD501/1GEORGE III MAHOGANY BOOKCASE18TH CENTURY AND LATERthe moulded fluted cornice above apair of astragal glazed doors openingto shelves, over a pair of mouldedcupboard doors on a plinth base

150cm wide, 218cm high, 52cm deep

£1,000-1,500

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131 HA539/3GEORGE III STYLE MAHOGANY SERVINGTABLE19TH CENTURYthe rectangular top over a fluted friezecentred by a carved paterae and raised onsquare tapered legs headed by furtherpaterae and ending in spade feet

152cm wide, 81cm high, 59cm deep

£800-1,200

133 HB68/7PAK TONG AND STEEL FIRE GRATE19TH CENTURYthe arched steel fire crate above a piercedpac tong apron centred by an eagle,raised on scroll supports with urn finials

52cm wide, 60cm high, 33cm deep

£600-800

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132 HA800/152MAHOGANY BUTLER’S TRAY AND STAND19TH CENTURY, THE STAND LATERof typical form with cut out handles

67cm wide, 87cm high, 52cm deep

Provenance:Selected contents from Denston Hall, Suffolk

£300-500

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134 HB120/1SET OF TWELVE ‘MONTHS OFTHE YEAR’ MEZZOTINTS AFTERWILLIAM HAMILTON, R.A.EARLY 20TH CENTURYfrom a series of stipple engravedprints by W.J. Allingham, ingiltwood and gesso frames (12)

33cm x 28cm sight size

£600-800

135 HB76/1GEORGE III MAHOGANY AND BRASSPLATE BUCKETLATE 18TH CENTURYof typical form with slat slides and abrass bound top with swing handle, nowfitted with a brass liner

31cm diameter, 29.5cm high

£800-1,200

136 HB76/6GEORGIAN MAHOGANY ANDSATINWOOD TEA CADDYof rectangular form, inlaid withsatinwood borders and pateraereserves, opening to reveal threelidded compartments

24cm wide

£250-350

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140Y FB789/47JOHN BOGLE (SCOTTISH, 1746-1803)MINIATURE PORTRAIT OF A YOUNGLADY, LATE 18TH CENTURYsigned, painted on ivory, in a giltmetal frame inset to verso with a redtortoiseshell border and a paintedporcelain plaque

10.5cm high, 9cm wide (excluding frame)

£600-800

138 HA715/2ABIRMINGHAM ENAMEL OVALPLAQUEMID 18TH CENTURYpainted with a young womanwith pearls in her hair

5.5cm x 4.5cm

£300-500

139 HA715/2FINE BATTERSEA OVAL PRINTEDENAMEL PLAQUECIRCA 1750-60transfer printed in grey depicting ayoung romantic couple by a spring

5cm x 4cm

£500-700

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137 HB136/157PAIR OF GEORGE III GILT BRONZE AND FELDSPAR CASSOLETTES IN THE MANNER OF MATTHEW BOULTON18TH CENTURYeach with a flaming finial cover and two handleshung with swags, on a turned and fluted spreadingcolumn and square plinth base (2)

19cm high

£1,500-2,500

(reverse)

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141 HA604/46ENGLISH DELFT BLUE AND WHITEFLOWER BRICK18TH CENTURYof rectangular form with pierced holes tothe top, decorated with flowers andfoliage

11cm wide

£200-300

142 HA845/12ABOW PLATECIRCA 1770with a serpentine rim, the centre painted with acobalt blue eight-point star with two birds sittingin branches with scattered butterflies andinsects, red anchor and dagger mark; withpaper collection label ‘Basford Collection / 170’

20cm diameter

£200-300

143 HA845/12BBOW WHITE GLAZED FIGURE OF A NUNCIRCA 1750the standing figure reading from a book,on a domed circular base

17cm high

£350-250

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144 HA546/1GEORGE III SATINWOOD AND KINGWOODCROSSBANDED CHEVAL MIRRORLATE 18TH CENTURYthe arched pierced pediment above a slidingrectangular bevelled mirror plate, betweensquared uprights surmounted by brass urnfinials and with associated brass candle arms,on a trestle base joined by a galleriedundertier, raised on brass caps and casters

94cm wide, 166cm high, 76cm deep

£1,500-2,500

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145 HA597/20GEORGE III MAHOGANY SECRETAIRE CHESTEARLY 19TH CENTURYthe rectangular top over a fall front drawersopening to an interior fitted with drawers andpigeon holes, above a pair of cupboard doorsraised on splay feet

123cm wide, 106cm wide, 60cm deep

£300-500

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146 HA551/1GOOD GEORGE IIISATINWOOD DISPLAYCABINETLATE 18TH CENTURYthe arched moulded cornicewith corner finials above apair of oval glazed doorsopening to a cream silk linedinterior with glass shelves;the lower part with two shortover two long drawers raisedon splay feet

123cm wide, 221cm high,

58cm deep

£3,000-5,000

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148 HA847/8GEORGE III MAHOGANY AND INLAIDFOLDOVER TEA TABLELATE 18TH CENTURYthe D-shaped foldover top above a long friezedrawer, raised on slender square taperedlegs ending in spade feet

92cm wide, 73cm high, 44cm deep

£400-600

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147 HA659/18LATE GEORGE III MAHOGANY AND INLAY CHEST OF DRAWERSLATE 18TH CENTURYthe cushion moulded top over a chequer inlaypanel frieze, above two short and three longgraduated drawers flanked by cluster columnscorners, raised on scroll bracket feet

134cm wide, 125cm high, 55cm deep

Provenance:Lord and Lady Rochdale

£400-600

149 HA896/11GEORGE III MAHOGANYSERPENTINE SIDEBOARD18TH CENTURYthe shaped top over a centredrawer and arched recessflanked by cupboard doors,raised on square tapered legsending in spade feet

184cm wide, 92cm high, 65cm deep

£400-600

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150 HA898/1GEORGE III MAHOGANY BOOKCASEON CHEST18TH CENTURYthe straight moulded cornice above apair of astragal glazed doors openingto shelves; the associate lower partwith two short over three longdrawers raised on splay feet

107cm wide, 211cm high, 50cm deep

£400-600

151 HA800/47GEORGE III MAHOGANY ANDSATINWOOD INLAY HANGINGCORNER CUPBOARDLATE 18TH CENTURYthe moulded cornice over a friezeinlaid with shell and fan motifs, abovea pair of panelled doors, flanked byinlaid ‘fluted’ canted corners

96cm high, 84cm wide

Provenance:Selected contents from Denston Hall, Suffolk

£250-350

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152 HA800/160LATE GEORGE III MAHOGANYPEDESTAL DESKEARLY 19TH CENTURYthe rectangular top with a greenleather writing surface and mouldededge over three frieze drawers,raised on banks of three shortdrawers on a plinth base, the sameopposing

150cm wide, 77cm high, 105cm deep

Provenance:Selected contents from Denston Hall, Suffolk

£1,500-2,500

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153 HA800/155PAIR OF GOOD VICTORIANNEOCLASSICAL GILTWOODMIRRORS19TH CENTURYthe rectangular mirror platesenclosed by margin platesand a bead moulded framesurmounted by a flower filledbasket issuing trailing floralgarlands (2)

79cm wide, 168cm high

Provenance:Selected contents from DenstonHall, Suffolk

£1,000-1,500

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154 HD506/4NEOCLASSICAL PAINTED MARBLE TOPPEDTORCHERE19TH CENTURYthe circular grey marble top over a friezemounted with gilt metal entrelac raised onsquare fluted and tapered legs headed bybrass lions’ mask handles, joined by a shapedundertier and raised on gilt paw feet

32cm diameter, 102cm high

£800-1,200

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A Private Collection of Clocks

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155Y HB127/5WILLIAM IV TORTOISESHELL AND GILT METALMANTEL TIMPIECE BY DWERRIHOUSE, OGSTON & BELL, LONDONCIRCA 1835the eight day movement in a drum case with a brassRoman numeral dial signed by the maker, raised on arectangular plinth with gilt metal flowerhead and foliatemounts, on gilt metal ball feet, the backplate engraved‘Dwerrihouse, Ogston & Bell, London’

26cm high, 20cm wide, 10cm deep

£2,500-3,500

156 HB127/6FRENCH BRASS, ONYX AND FOUR GLASSMANTEL CLOCKLATE 19TH CENTURYthe cream enamel dial with Arabic number anddecorated with floral swags, in a four glass casewith a stepped onyx and brass banded top andbase, the eight day movement striking a bell

18cm wide, 33cm high, 13cm deep

£300-500

157 HB127/4VICTORIAN GILT BRASS STRUT CLOCK INTHE MANNER OF THOMAS COLE, LONDONMID 19TH CENTURYthe arched silvered dial with Roman numeralchapter ring and blued steel fleur-de-lyshands against an engraved floral a foliateground, within a foliate engraved brass casewith pivotting leg support and folding handle,the dial engraved with retailer ‘E. & E.Emanuel / Portsea’

10cm wide, 12cm high

£2,500-3,500

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159 HB127/3GEORGE III MAHOGANY LONGCASE CLOCK BYWILLIAM NICHOLSON, WHITEHAVEN18TH CENTURYthe swan neck pediment over an arched brassdial with a moon phase dial and subsidiaryseconds and date dials above a silvered brassRoman number chapter with a seconds dial anddate aperture pierced spandrels flanked byfluted columns; above a blind fret carved friezeand shaped trunk door flanked by stop flutedquarter columns, on a moulded plinth base withogee bracket feet

49cm wide, 228cm high, 23cm deep

£2,000-3,000

160 HB127/2ROSEWOOD CASED MARINECHRONOMETER NO. 1636 BY JOHN POOLE, LONDONMID 19TH CENTURYthe silvered brass dial with Romannumeral chapter and subsidiaryup/down and seconds dials, inscribed‘John Poole / Maker To TheAdmiralty, / London No. 1636’ ; thecase with brass bound corners, andbearing a ivory plaque inscribed‘John Poole / 1 Upper East Smithfield/ and Commercial Road’

dial 11.5cm diameter; case 17cm wide,

18.5cm high, 17cm deep

£2,000-3,000

158 HB127/7FRENCH BRASS AND FOURGLASS MANTEL CLOCK19TH CENTURYthe white enamel dial withRoman numerals, the eightday movement striking on abell, with a mercury filledpendulum

15cm wide, 26cm high,

13.5cm deep

£300-500

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161 HB127/1GEORGE III MAHOGANY BRACKET CLOCKBY THOMAS WAGSTAFFECIRCA 1760the bell top case with brass urn finialsabove a silvered dial with Roman andArabic numerals and a Strike/Silentsubsidiary dial and dater aperture, signed‘Thos Wagstaffe / London’, with piercedbrass spandrels and side frets, raised onbrass ogee bracket feet; the eight daymovement striking a bell

31cm wide, 61cm high, 19cm deep

£5,000-7,000

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Other Vendors

162 HA667/1MAHOGANY LONG CASE REGULATOR BY DENT19TH CENTURYno. 58844, the silvered dial with large minuteschapter and subsidiary seconds and hours dials,inscribed ‘DENT / CLOCKMAKER TO THE KING’ and‘61 STRAND & 4, ROYAL EXCHANGE LONDON’; in aplain case with a moulded pediment and glazedtrunk door, on a plinth base

49cm wide, 187cm high, 28cm deep

£8,000-12,000

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163 HA998/5REGENCY MAHOGANY, EBONYAND GILT BRONZE MOUNTEDCALENDAR TABLE CLOCK BY VULLIAMY, LONDONCIRCA 1820the circular silvered Romannumeral dial with calendarday/date chapters and inscribed‘Vulliamy / London’, in a gilt metalcircular bezel cast as a serpentbiting its tail, in a rectangularrosewood case with ebonybanding and a gilt metal casteagle mount, on an ebony plinthbase; the back plate engraved‘Vulliamy / London’

13cm wide, 20cm high, 10cm deep

Provenance:Formerly the property of Francis JohnCarruthers J.P. (1868-1945), and thenceby family descent.

£10,000-15,000See illustration opposite

164 HA974/9PAIR OF ANGLO-CHINESEHARDWOOD ARMCHAIRS18TH CENTURYwith serpentine carved top railcarved with Chinese shou symbolsand dragons above central splatscarved with the coat of arms of theBlood family and motto ‘HonorVirtutis Praemium’ over a drop inpadded seat raised on squaretapered legs (2)

55cm wide, 97cm high, 42cm deep

Note:The Latin inscription “Honor VirtutisPraemium” translates as Honor is thereward for virtue and forms part of the Bloodfamily coat of arms. An ancestor of the Bloodfamily was Colonel Thomas Blood (1618 - 24August 1680) an Anglo-Irish officer and self-styled colonel best known for his attempt tosteal the Crown Jewels of England from theTower of London in 1671.

£3,000-5,000

165 HA896/16REGENCY MAHOGANY AND EBONYCHEVAL MIRRORCIRCA 1815the rectangular mirror plate in aconforming frame between turnedsupports joined by turned crossstretchers and raised on outswepttrestle supports with brass caps andcasters

80cm wide, 170cm high, 61cm deep

£400-600

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166 HB68/9REGENCY ROSEWOOD AND SATINWOODCROSSBANDED FOLDOVER CARD TABLECIRCA 1815the D-shape foldover top opening to a redbaize lined playing surface, raised on lineinlaid square tapered legs ending incollared feet with brass caps and casters

91cm wide, 73cm high, 45cm deep

£400-600

167 HA706/1GOOD REGENCY MAHOGANY FALL FRONTSECRETAIRE ATTRIBUTED TO GILLOWSCIRCA 1815the three quarter gallery top above a fall front friezedrawer opening to pigeon holes, the moulded panelfall front opening to an arrangement of drawers andpigeon holes, above a long drawer stamped withinitials ‘TN’ and pair of cupboard doors, raised on aplinth base

104cm wide, 149cm high, 44.5cm deep

£2,000-3,000

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168 HD506/1FINE REGENCY MAHOGANY ARCHITECT’S DESK BY GILLOWS OF LANCASTERCIRCA 1815the double ratcheted metamorphic rectangular top with abrown leather inset surface above a central long drawerflanked by banks of two short drawers, raised on turnedand reeded tapered legs ending in brass caps and casters

137cm wide, 76cm high, 70cm deep

£5,000-7,000

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169 HA800/153REGENCY GILTWOOD AND GESSO CONVEX MIRRORCIRCA 1815the convex mirror plate within a black slip andleaftip and bead moulded frame with an ebonisedeagle surmount and ram’s head drop finial

51cm wide, 82cm high

Provenance:Selected contents from Denston Hall, Suffolk

£400-600

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170 HA660/1REGENCY MAHOGANY WATERFALLBOOKCASECIRCA 1815with four open graduated shelves over apair of moulded doors raised on splayfeet

78cm wide, 164cm high, 38cm deep

£800-1,200

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171 HA706/17FINE REGENCY GILTWOOD AND PAINTED DAYBEDCIRCA 1815the long rectangular padded seat and high scroll ends upholstered in bluevelvet, the ends carved with gilt lions’ head finials, raised on foliate carvedcabriole legs ending in lion paw feet

208cm long, 69cm high, 69cm deep

Note:The present daybed relates directly to an illustration for a daybed with carved lions’ headterminals to the four corners in Ackermann’s Repository of Arts. Ackermann’s design isdistinct in that although the daybed is designed to be freestanding, the pair of heads on theback side sit slightly forward compared to the pair on the nearer side. This subtle shift inplacement permits the daybed to be flush and all four lions’ heads to be visible if it is placedagainst a wall.

£2,500-3,500

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172 FC765/206PAIR OF VENETIAN BRASS ‘HIPPOCAMP’GONDOLA OARLOCKSEARLY 19TH CENTURYthe flattened figures on waisted bases andrectangular marble plinths (2)

34cm wide, 36cm high

£300-500

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175 HA551/2PAIR OF REGENCY SILKWORKPICTURESCIRCA 1815each oval panel depicting anallegorical female representingSpring and Autumn, within foliateborders, framed and glazed (2)

39.5 x 34cm (excluding frame)

£250-350

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174 HA413/1PAIR OF REGENCY PATINATED ANDGILT METAL LAMPS19TH CENTURYeach converted from a candlestick, witha cast acanthus leaf sconce and drip trayabove the baluster column andcorresponding base, raised on lions’ pawtripod legs on a plinth base, with apleated cream silk shade (2)

28cm high (excluding fittings)

£600-800

173 SV333/193REGENCY BLUE JOHN SALTEARLY 19TH CENTURYthe shallow bowl with a lippedrim, raised on a polished AshfordBlack Marble stem and squarebase

9cm diameter, 9.5cm high

£500-700

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176 HA789/1SIR JOHN STEELL, RSA (SCOTTISH, 1804-1891)ALEXANDER TRAINING BUCEPHALUS, 19THCENTURYbronze, inscribed JN. STEELL SCULPT EDINBR.1833

51cm high

£1,000-1,500

The son of an Edinburghsculptor, Sir John RobertSteell(1804-1891) worked atthe top of his profession,creating sculptures destinedto be landmarks of his nativecity. A member of the RoyalScottish Academy andappointed sculptor to QueenVictoria, there is little Steellfailed to achieve in his career.His statue of Sir Walter Scottfor the Scott Monument onPrince’s Street, was the firstmarble statue evercommissioned in Scotlandfrom a native artist.

Beginning in his father’s shopage fourteen, he went on tostudy at the Edinburgh LifeAcademy and soon beganindependent sculpturalprojects. After travelling tostudy in Rome in 1829 he wasoverwhelmed withcommissions on his return,mainly from wealthyresidents requiring busts.Having established hisreputation, he began work on

one of his finest and mostfamous sculpture, AlexanderTaming Bucephalus.Commissioned by the NorthBritish Fire and InsuranceCompany, the piece was firstcarved in wood and displayedin London. This brought himthe attention of not only awider public but alsoinfluential patrons, andthough he received numerousrequests to stay in London,he was resolute aboutreturning to Edinburgh. Hewas conscious of hisresponsibility to developScotland’s artistic characterand his foundry was the firstin Scotland to introduceartistic casting.

The sculpture’s subject istaken from one of the early

defining moments inAlexander the Great’s life. Thelegend tells of how anuntamable horse waspresented to King Phillip,Alexander’s father. After theking refused the beast, atwelve year old Alexanderclaimed that he could tamethe horse. He took the reinsand spoke softly to it, turninghim to face the sun as he

realized Buchephalus wasafraid of his own shadow.

Through a lack of financesthe statue’s journey frominception to realization wouldtake over fifty years and Steelwould only live for eight yearsafter the large version wasfinally cast in 1883. The hugebronze was presented to thecity of Edinburgh in 1884 andoriginally resided in St.Andrew Square until it wasmoved to the City Chambersin 1916. This reduction wouldhave been cast as part of agroup in Steell’s workshop,probably in 1833.

John Steell, R.S.A.- Alexander and Bucephalus

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177 HA800/163PAIR OF SILVERED BRASS NEOCLASSICALTABLE LAMPS19TH CENTURYthe central urn with a flame finial andissuing three scroll arms, above a furtherurn with rams’ masks, raised on a steppedcircular base cast with swags and leaf tips,weighted and converted to electricity (2)

68cm high

Provenance:Selected contents from Denston Hall, Suffolk

£600-800

178 HA800/165GROUP OF FIVE REGENCYSTYLE BRASS HALLLANTERNS20TH CENTURYcomprising a pair ofhexagonal brass framed andglazed lanterns with scrollingsupports mounted withanthemions, 52cm high; asmaller example, en suite,43cm high; and two furtherbrass framed lanterns withfive serpentine glazed panels,56cm high and 50cm high (5)

Provenance:Selected contents from DenstonHall, Suffolk

£500-700

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Three of five illustrated

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181 HA128/1REGENCY MAHOGANY WHATNOTCIRCA 1815the square top with turned urncorner finials over two further tiersand an open recess compartment,raised on straight circular legsending in brass caps and casters

48cm wide, 126cm high, 48cm deep

£500-700

179 HA800/143REGENCY GILTWOOD TRIPLE OVERMANTEL MIRRORCIRCA 1815the breakfront cornice above a bead moulded friezewith laurel swags, over a divided rectangular mirrorplate flanked by triple cluster columns with palmettecapitals

183cm wide, 86cm high

Provenance:Selected contents from Denston Hall, Suffolk

£300-500

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180 SV347/30REGENCY ROSEWOOD SOFA TABLECIRCA 1815the rounded rectangular top withdrop sides over a pair of shortfrieze drawers with dummydrawers opposing, raised onsquared end supports ending indownswept legs terminating inbrass caps and casters

146cm wide, 72cm high, 71cm deep

£400-600

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182 HA983/1SET OF REGENCY SPECIMEN WOOD NEST OF TABLESBY GILLOWS OF LANCASTERCIRCA 1815each with a rectangular top, one in burr walnut, one inrosewood, one in birch and one with a chessboard,crossbanded variously in birch, thuya and rosewood onrosewood turned baluster spindle legs joined bystretchers, the smallest with a bowed undertier (4)

largest 68cm wide, 82cm high, 32cm deep

£8,000-12,000

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184 HA544/6PAIR OF GEORGIAN STYLE ETCHED GLASSBELL LANTERNS19TH CENTURYeach etched with grapes and pendant leaves,with brass collars, chains and a three lightfitting, under a domed glass cover (2)

39cm high (excluding fittings)

£500-700

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185 HA544/6ATWO GEORGIAN STYLE ETCHED GLASSBELL LANTERNS19TH CENTURYeach etched with grapes and pendantleaves, with brass collars, chains, and athree light fitting; one with a domedglass cover (2)

One 33cm high; the other 26cm high (not

including fittings)

£300-500

186 HA665/80LATE REGENCY BRASS INLAIDMAHOGANY TEA CADDYof sarcophagus form with lion mask andloop handles, the hinged lid with a flutedband, opening to reveal a void interior,on four lion paw feet, 37cm wide;together with a GEORGIAN BANDEDMAHOGANY TEA CADDY, of rectangularform with brass mounts, opening toreveal three brass mounted containers,20cm wide (2)

£200-300

183 HA896/10REGENCY MAHOGANY BOTTLE TRAYEARLY 19TH CENTURYof rectangular form with two coveredcompartments to one end

43cm long

£300-500

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187 HB76/21REGENCY PENWORK BOX19TH CENTURYof rectangular form with a canted lidopening to reveal a void interior, withallover decoration depicting Japanesefigures within foliate borders, on fourbrass ball feet

28.5cm wide

£400-600

188 HB68/11SCOTTISH REGENCY GILT BRONZEAND CUT GLASS CEILING LIGHTCIRCA 1820the shallow frosted glass dish with athistle and rose cast pierced coronaand a large thistle drop finial

49cm diameter

£1,000-1,500

189 HB76/20REGENCY ROSEWOOD AND BRASSINLAID WRITING SLOPECIRCA 1820the rectangular case inlaid andbanded in brass, opening to brownleather writing slip, brasscandleholders and compartments

46cm wide, 18cm high, 26.5cm deep

£600-800

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190 HA666/1LARGE REGENCY GILTWOOD CONVEXMIRRORCIRCA 1815the circular mirror plate in a black reededslip and moulded frame mounted withballs, surmounted by a carved giltwoodeagle cresting with foliate scrolls

87cm wide, 132cm high

£2,000-3,000

192 HB66/5‘GRAND TOUR’ PATINATED BRONZEBRAZIER, AFTER THE ANTIQUE19TH CENTURYthe dished top raised on three heronsupports on a tripod base centred by aclassical male figure on an urn andending on paw feet

20cm diameter, 70cm high

£300-500

191 HA927/4FINE SCOTTISH REGENCY MAHOGANYBAROMETER, BY A. ADIE, EDINBURGHEARLY 19TH CENTURYwith a signed silvered vernier scale, thebow fronted case with reeded domedpagoda top and urn finial, correspondingbulbous base with lotus leaf pendant

103cm high

£1,500-2,500

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193 HA896/9GOOD REGENCY SCISSOR ACTION MAHOGANYDINING TABLECIRCA 1815with four leaf extensions, the rounded rectangular topwith drop leaf ends raised on spiral and leaf carvedlegs

369cm long extended, 76cm high, 131cm deep

£6,000-8,000

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194 HA983/2RARE PAIR OF GEORGE IV ROSEWOOD ROCOCO REVIVAL SIDECHAIRS BY GILLOWS & CO.CIRCA 1825the serpentine acanthus carved toprails with scrolled acanthuscarved ears, above a button upholstered waisted back in widereeded and bead moulded frames over a stuff over seat, all in paleblue silk floral upholstery, with acanthus carved seat rails, raisedon turned and carved urn and baluster forelegs headed by beadedcorner blocks and ending on lobed bun feet, the rear legs carvedwith laurel to the inner facings and ending on scrolled toes raisedon lobed bun feet; one chair stamped ‘H.LEE’ (2)

50cm wide, 91cm high, 47cm deep

Note:This pair of chairs were most likely part of drawing room suite of furniture madefor a ‘G. Bamford’ between 1815-1835. The plan was prepared by Gillows & Co. ofOxford Street incorporating the new taste for the exuberant Rococo style that wasgaining in popularity. A drawing of the suite showing a sofa, armchair and stool isin the Lancaster City Museums. One of the chairs in the present lot bears thestamp of ‘H. LEE’. for Henry Lee of Ogle Mews, London, who was a journeymanchair maker for Gillows and was probably commissioned to make the wholesuite. Between 1813 to 1840 the main focus of Gillows business became the OxfordStreet, London premises, where designs for very richly carved seat furniture withextravagant neo-rococo decoration became the fashion and it was at this timethat Oxford Street received such prestigious commissions as the magnificenttwelve armchairs for Lord Fitzwilliam’s Whistle-jacket Room at WentworthWoodhouse in Yorkshire and the giltwood suite of seat furniture for the RedDrawing Room at Tatton Park, Cheshire.

£5,000-8,000

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196 HA597/13PAIR OF REGENCY ROSEWOOD FOLDOVER CARD TABLESCIRCA 1820each rounded rectangular foldover top opening to a greenbaize lined playing surface, over a scroll carved apron, ona tapered facetted column support and shapedquatreform base, raised on sabre legs ending in foliatecast brass caps and casters (2)

92cm wide, 72cm high, 90cm deep (open)

£1,000-1,500

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195 HD506/5REGENCY ROSEWOOD MARBLE TOPPEDCREDENZACIRCA 1815the breakfront white marble top above along frieze drawer and a pair of mouldeddoors with green velvet lining, flanked bycupboard doors with metal grille insertsraised on carved giltwood hairy paw feet

108cm wide, 106cm high, 28cm deep

£3,000-4,000

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200 HA539/4REGENCY X-FRAME HALL SEATCIRCA 1820the curved panel seat raised on x formsupports joined by stretchers

55cm wide, 72cm high, 39cm deep

£200-300

197 HA983/3FINE REGENCY MAHOGANY CANTERBURY BYGILLOWS OF LANCASTERCIRCA 1820the two section top with a cut out central handleand corner finials above lobed baluster spindlesand a single long base drawer with beadmoulding, raised on lobed bun feet and brasscaps and casters

63cm wide, 58cm high, 41cm deep

£2,500-3,500

199 HB75/6REGENCY MAHOGANY ANDUPHOLSTERED STOOLCIRCA 1820the padded square top covered in floralneedlework upholstery and blue velvet,raised on reeded and turned tapering legs

38cm wide, 41cm high, 35cm deep

£250-350

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198 HA551/5GOOD REGENCY MAHOGANY,EBONY AND BRASS MOUNTEDSIDEBOARDCIRCA 1820the breakfront stage back witha brass gallery abovebreakfront brass banded top,over a central short drawerand arched recess drawerflanked by cupboard doors withbrass lion mask handles, onefitted as a cellaret, raised onlobed and reeded tapered legsending on brass lion paw feet

184cm wide, 131cm high, 69cm deep

£2,000-3,000

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201 FD739/10REGENCY MAHOGANY BREAKFRONTBOOKCASECIRCA 1820the moulded cornice above a pair of doorsflanked by further doors all with brass grilleinserts backed by pale yellow silk; the lowerpart with three cupboard doors, on a plinthbase

151cm wide, 212cm high, 48cm deep

£1,000-1,500

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202 HA971/3WILLIAM IV ROSEWOOD CANTERBURYCIRCA 1835the X form dividers centre by carved laurelwreaths, above a frieze drawer, and tulip carvedlegs, with brass caps and casters

52cm wide, 54cm high, 36cm deep

Note:The design for this canterbury was taken from J.C.Loudon’s ‘Furniture Designs from the Encyclopedia ofCottage, Farmhouse and Villa Furniture’, 1833, p.1070,fig.1966

£300-500

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204 HA983/4GOOD REGENCY MAHOGANY CHEVAL MIRRORBY GILLOWS OF LANCASTERCIRCA 1820the rectangular mirror plate in a conformingframe with carved cresting between spiral carveduprights mounted with brass adjustable candlearms, raised on scroll carved trestle supportsjoined by a turned stretcher and ending on carvedlion paw feet with casters

83cm wide, 168cm high, 64cm deep

£2,000-3,000

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203 HA551/4REGENCY MAHOGANY CROSSBANDED EXTENDING DINING TABLECIRCA 1815the rounded rectangular top with five locking leaf extensions and areeded edge, raised on inset reeded tapered legs ending in brasscaps and casters

362cm long, 74cm high, 157cm wide

£2,000-3,000

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205 HA539/6SCOTTISH REGENCY MAHOGANY FOLDOVERTEA TABLE ATTRIBUTED TO WILLIAMTROTTERCIRCA 1820the well figured rectangular top with a beadmoulded edge over a beaded frieze, raised onscroll supports with flower head terminals, ona quadriform base with reeded scroll legsending in brass caps and casters

92cm wide, 74cm high, 46cm deep

£500-700

206 HA974/1REGENCY ROSEWOOD AND BRASS INLAIDTRIPOD TABLE ATTRIBUTED TO GILLOWSCIRCA 1820the rectangular top on a turned and flutedsupport raised on a triform base and mouldedscrolling feet with brass casters

67cm wide, 77cm high, 44cm deep

£1,200-1,800

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207 HA395/1REGENCY ROSEWOOD SOFA TABLECIRCA 1820the long rounded rectangular top withdrop ends above a pair of friezedrawers, with curved bracket supportsand squared end columns raised onoutswept legs ending on casters

189cm wide, 70cm high, 61cm deep

£500-700

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208 HA974/8PAIR OF REGENCY FAUX BAMBOOCANED ARMCHAIRSCIRCA 1820with spindle backs and curveddownswept arms over caned seats,raised on round legs joined bystretchers (2)

113cm wide, 109cm high, 17.5cm deep

£500-700

209 HA971/4REGENCY ROSEWOODCHIFFONIERCIRCA 1820the three-quarter gallerysuperstructure above a pair ofshort drawers over lattice-work cupboard doors, raisedon bracket feet

92cm wide, 112cm high, 28cm deep

£700-1,000

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210 HA798/1REGENCY MAHOGANYCELLARETTECIRCA 1820of sarcophagus form, with abrass loop handle to the front,raised on carved paw feet

62cm wide, 52cm high, 40cm deep

£700-1,000

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211 LT2014/27PAIR OF FINE ROSEWOOD AND SPECIMEN MARBLEETAGERES19TH CENTURYeach with a three quarter brass gallery and white marblerectangular top over a grey veined marble open shelf and afaux marble painted recess and a cupboard door with a brassgrille insert backed with faded red silk, raised on square legsjoined by a further veined grey marble undertier raised ontapered feet, the whole outlined in gilt metal beading (2)

38cm wide, 102cm high, 27cm deep

Provenance:The estate of Diana, Countess of Albemarle

Note:Possibly supplied to Quidenham Hall, Norfolk, in 1820 when the interiorswere redone under the supervision of the architect and designer CharlesHeathcote Tatham (1742-1842) on direction of the 4th Earl of Albemarle.

£8,000-12,000

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212 SV377/4WILLIAM IV ROSEWOODBRASS MOUNTED SIDECABINETCIRCA 1835of inverted breakfront outline,the long top over a pair of silklined arched panel doorsflanked by further cupboarddoors, all with brassmouldings, on a conformingplinth base

216cm wide, 99cm high,

41.5cm deep

£1,000-1,500

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213 HA597/10GEORGE IV ROSEWOOD AND UPHOLSTERED SOFACIRCA 1825the low scroll back and arms above a stuff over seat withfoliate and scroll carved facings, raised on short lobed andturned feet, in pale pink upholstery

236cm long, 85cm high, 72cm deep

£600-900

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217Y HB76/27REGENCY PAINTED JEWELLERYBOX19TH CENTURYof canted rectangular form withan ivory escutcheon, decoratedwith a scene of a church withinfoliate borders, the interior witha re-lined lift-out tray, on foursquat bun feet

26.5cm wide

£300-500

218 HB76/33MAHOGANY CASED SIX VOLUMESET LEATHER BOUND BIBLE,ANNOTATED BY THOMAS SCOTTLONDON, 1825the mahogany cabinet with twodoors, containing six brown leatherand gilt embossed volumes,descended in the Burrows family,with handwritten birth, death andmarriage notations to the insidecover, volume I

40cm wide, 33cm high, 24.5cm deep

£150-250

216Y HB76/25REGENCY PAINTED AND BANDEDMAHOGANY TEA CADDYCIRCA 1820of sarcophagus form, with an ivoryescutcheon, painted with flower swags and abrass flower basket plaque to the lid,opening to reveal two lidded wells and aglass mixing bowl, raised on bun feet

28cm wide

£350-450

214Y HA859/9SCOTTISH TORTOISESHELL AND PAINTED SNUFF BOX ANDCOVER19TH CENTURYof circular form, the cover inset with panel finely painted withfigures in a pastoral landscape with a castle in the distance,within a gilt brass border

9.5cm diameter

Provenance:Anton’s Hill, Berwickshire

£200-300

215 HA859/10WHITE METAL MASONIC SNUFF BOX19TH CENTURYthe shaped arched box engraved allover with Masonic symbolsand inscription WILLIAM HUNTER, the sliding cover withelaborate locking mechanism and sharp pin deterrent button

4.3cm wide

£200-300

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219 HA579/1GEORGE IV MAHOGANY AND EBONY INLAYBOOKCASE CABINETCIRCA 1825the moulded cornice over a pair of glazed doorsopening to shelves, above a long drawer and a pair ofmoulded cupboard doors flanked by reeded andspiral carved pilasters, raised on carved paw feet

121cm wide, 234cm high, 55cm deep

£1,000-1,500

220 SV152/20GEORGE IV MAHOGANY CELLARETTECIRCA 1825of sarcophagus form with knop handles to the sides,opening to a lined interior, raised on squat turned feetwith casters

58cm wide, 45cm high, 42cm deep

£700-1,000

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221 HA138/3GEORGE IV ROSEWOOD CREDENZACIRCA 1825the pediment back panel above twograduated tiers raised on S scrollsupports, over a pair of cupboarddoors with Doric pilaster panelfronts, on a moulded plinth base

112cm wide, 160cm high, 43cm deep

£400-600

222 HA516/2WILLIAM IV MAHOGANY EXTENDING DININGTABLECIRCA 1835with three leaf inserts, the rounded rectangular topwith a moulded edge raised on turned and lobedbaluster legs ending in brass caps and casters

305cm long, 70cm high, 120cm deep

£700-900

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224 HA143/27BRONZE BUST OF A YOUNG MAN19TH CENTURYpossibly Percy Bysshe-Shelley, mediumbrown patina, on a square socle base

28cm high

£200-300

225Y HA329/2ENGLISH SCHOOL, PORTRAIT MINIATURE OF SUSANEUPHEMIA DOUGLAS-HAMILTON (NEE BECKFORD),DUCHESS OF HAMILTON (1786-1859)19TH CENTURYon ivory, signed indistinctly signed ‘****viro Pizzetto’, ina giltwood frame with a handwritten label to verso

11.5cm high, 8.5cm wide (excluding frame)

Note:Susan Douglas-Hamilton (1786-1859) (née Beckford) was the wife ofthe Alexander Douglas-Hamilton, the 10th Duke of Hamilton,following their marriage in 1810. She was the daughter of thenovelist William Beckford. She had two children, William Hamilton,the 11th Duke of Hamilton and a daughter, Lady Susan Hamilton.

£400-600

223 HA800/145PARIANWARE BUST OF A GENTLEMAN19TH CENTURYunmarked, raised on a turned woodpedestal; together with a TUNBRIDGWAREDESK STAND, 29cm wide; and a TREENWASSAIL CUP AND COVER, 25cm high (3)

44cm high overall (including pedestal)

Provenance:Selected contents from Denston Hall, Suffolk

£300-500

226 HB57/1YARD OF PORT GLASS, ASSOCIATED TOETON COLLEGE19TH CENTURYof typical form with a bulbous reservoirleading to a fluted opening, tied with afaded pale blue silk ribbon

91.5cm long

£200-300

227 HB76/19SET OF FOUR VICTORIAN CUT GLASSCANDLESTICKS19TH CENTURYeach with an everted rim above theknopped and cut stem, on a largecircular foot (4)

30.5cm high

£400-600

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228 HA597/17WILLIAM IV GILTWOOD OVERMANTELMIRRORCIRCA 1835the rectangular mirror plate in a blackreeded slip and moulded gilt andgesso frame with a moulded cornice

154cm wide, 80cm high

£300-500

229 HA597/18WILLIAM IV EBONISED ANDUPHOLSTERED ADJUSTABLEDAY BEDCIRCA 1835with an open back and highbutton tufted arms, above aloose cushion seat with twobolsters, one end extending, inan ebonised frame raised onreeded tapered bulbous feet; inlight blue and cream floralupholstery

161cm long, 83cm high, 71cm deep;

191cm long extended

£300-500

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230 HA658/2WILLIAM IV ROSEWOOD BREAKFAST TABLECIRCA 1835the circular tilt top raised on a carved supportwith lobed collar, on a lotus form base raisedon lion paw feet with brass casters

125cm diameter, 71cm high

£700-900

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231 HA539/2EARLY VICTORIAN MAHOGANYWASHSTAND19TH CENTURYthe shape top with a three quarter gallery,raised on turned and tapered legs endingin brass caps and casters

138cm wide, 84cm high, 69cm deep

£400-600

232 HA598/8WILLIAM IV ROSEWOOD WARDROBECIRCA 1835the plain cornice above a pair ofcupboard doors with bead and reelmoulding, opening to an interior withdrawers and hanging space, on a plinthbase

142cm wide, 197cm high, 65cm deep

£300-500

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233 HA974/7WILLIAM IV MAHOGANY AND LEATHERLIBRARY ARMCHAIRCIRCA 1835the button upholstered dark brownleather back continuing to enclosedscroll arms and stuff over seat withmahogany facings, raised on lotuscarved tapered legs ending in brass capsand casters

78cm wide, 100cm high, 46cm deep

£2,000-3,000

234 HA847/5WILLIAM IV ROSEWOOD CENTRE TABLECIRCA 1835the circular top above a moulded frieze, on afluted and acanthus carved baluster supporton a triform base raised on flattened bunfeet

126cm diameter, 73cm high

£400-600

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236 HB106/2LARGE CASED MODEL OFTHE CLIPPER SHIP ‘ARIEL’20TH CENTURYfinely modelled and executedin mahogany, beech andbamboo, in a modern glazedcase

Ship: 166cm long; case 194cm wide,

137cm high, 66cm deep

Note:One of the most famous of the Chinatrade clipper ships, the Ariel came aclose second in the 1866 Tea Racefrom Foochow to London completingthe journey in 99 days and dockingonly twenty minutes behind thewinning ship, the Taeping. In 1872,on a journey bound for Australia, theAriel was lost at sea with all hands.Presumably the victim of a storm inthe South Pacific seas, no wreckagewas found.

£600-800

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235 HA764/1SAILOR’S WOOLWORK PICTUREMID 19TH CENTURYdepicting a three masted ship flyinga British red ensign, in an oakshadow box frame

60.35cm wide, 48cm high

£300-500

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237 HB68/1LARGE SHIPBUILDER’S HALF MODEL OF THE S.S. BRENDACIRCA 1918painted black to the waterline and pink below, with a four bladepropeller, bilge keels and accommodation ladder slungoverside, with plated metal fittings and details includinganchor, cable and windlass, cargo winches, ventilators, openbridge with wheel and binnacle, in a period mirror backmahogany display case with an ivorine builder’s plaque forCraig, Taylor & Co. Stockton on Tees

246cm long, 84cm high, 28cm deep

Note:The SS Brenda was a 397 ton steam cargo ship of 397 tons measuring 325Feet and originally launched in 1918 as the SS Maindy Dene for MaindyShipping Co Ltd. (Jenkins, Richards & Evans, Cardiff). She was sold toFrederick Dawson Ltd. Newcastle in 1922 and renamed Lady Brenda. In 1934she was sold to the Russian Merchant Navy and renamed the SS Sukona.She was torpedoed and sunk by German aircraft on September 13th 1942 enroute to Northern Russia.

£2,000-3,000

238 HB76/46EARLY VICTORIAN OAK AND BRASS BOUND RUM BARRELEARLY 19TH CENTURYthe oval hinged top mounted with substantial brass fittingsabove a conforming staved oval body with five brass straps

74cm wide, 83cm high, 47cm deep

£1,000-1,500

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240 HA590/1PAIR OF EARLY VICTORIAN MAHOGANYAND LEATHER UPHOLSTERED OPENARMCHAIRS BY MACKENZIE & MITCHELL,EDINBURGHCIRCA 1840the button upholstered square backs andseats and padded arms covered in brownleather, raised on lobed and tapered legsheaded by foliate carved blocks and endingon ceramic casters; both stamped on thehessian ‘MACKENZIE & MITCHELL /MANUFACTURERS / EDINBURGH’ (2)

66cm wide, 92cm high, 51cm deep

£800-1,200

239 HA590/2EARLY VICTORIAN MAHOGANY AND LEATHERUPHOLSTERED CHESTERFIELD BY MACKENZIE &MITCHELL, EDINBURGHCIRCA 1840of typical form with a low back and scroll arms withbrown leather button upholstery, raised on lobed andturned legs ending in brass caps and ceramic casters; thehessian stamped ‘MACKENZIE & MITCHELL /MANUFACTURERS / EDINBURGH’

209cm wide, 77cm, 60cm deep

£1,000-1,500

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241 HA590/3SET OF EIGHT EARLYVICTORIAN MAHOGANY ANDLEATHER UPHOLSTEREDSIDE CHAIRS BY MACKENZIE& MITCHELL, EDINBURGHCIRCA 1840the padded buttonupholstered backs and seatscovered in brown leather,raised on lobed and flutedtapered legs ending in brasscaps and ceramic casters,one stamped on the hessian‘MACKENZIE & MITCHELL/MANUFACTURERS/EDINBURGH’ (8)

49cm wide, 89cm high, 49cm deep

£1,000-1,500

242 HA539/1VICTORIAN WALNUT BREAKFASTTABLE19TH CENTURYthe oval quarter veneered tilt top with amoulded edge over a plain frieze, on aleaf carved column raised on acanthuscarved cabriole legs ending in scrolledfeet on porcelain casters

136cm wide, 73cm high, 100cm deep

£1,000-1,500

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243 HA510/2VICTORIAN MAHOGANY SECRETAIREBOOKCASEMID 19TH CENTURYthe moulded cornice above astragalglazed doors opening to shelves; over afall front long drawer with a fittedinterior above a pair of panel doors,raised on bun feet

122cm wide, 237cm high, 55cm deep

£500-700

244 HA597/12VICTORIAN AMBOYNA AND EBONISED AND PARCEL GILTTRIPOD BOOKSTANDCIRCA 1880the circular top over a triform lower tier with spindle rails,raised on a turned support raised on outswept legs

49cm wide, 73cm high

£300-500

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245 HA518/1VICTORIAN PINK VEINED MARBLEFIRE SURROUND19TH CENTURYthe shaped mantel with a mouldededge over a serpentine frieze flankedby moulded side panels

112cm wide, 103cm high, 35cm deep; opening

76cm wide, 88cm high

£600-800

246 HA544/1GOOD VICTORIAN GILTWOOD AND GESSOOVERMANTEL GIRANDOLE MIRROR19TH CENTURYthe oval mirror plate surmounted by a pair ofdoves, ribbons and floral spray cresting, withina guilloche moulded frame flanked by scrollingfoliate candle arms and display shelf, above atrellis base

152cm wide, 167cm high

£1,000-1,500

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249 HA544/5HOWARD AND SONS ‘BRIDGEWATER’ ARMCHAIRLATE 19TH CENTURYthe button tufted low back and scroll arms above aloose cushion seat, on turned legs with brasscasters, the rear leg stamped ‘HOWARD & SONSLTD BERNERS STREET’ 13226 267, in modernburgundy pattern upholstery

74cm wide, 74cm high, 68cm deep approx.

£600-800

248 SV202/8EARLY VICTORIAN ROSEWOOD LIBRARYTABLECIRCA 1840the shaped rectangular top over a singlefrieze drawer, raised on scrolling X-formend supports ending on scroll carved feetand porcelain casters and joined by ascrolling foliate carved stretcher

139cm long, 78cm high, 78cm deep

£600-900

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247 HA597/9VICTORIAN GILTWOOD AND GESSOOVERMANTEL MIRROR19TH CENTURYthe arched mirror plate within amoulded frame with acanthus cresting

152cm wide, 108cm high

£400-600

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252 HA597/8VICTORIAN BUTTONUPHOLSTEREDCHESTERFIELD19TH CENTURYof typical form with a dropdown end, in aubergine velvetupholstery, raised on turnedlegs

208cm long 70cm high, 86cm deep

£400-600

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250 HA597/16VICTORIAN MAHOGANY ETAGERE19TH CENTURYwith three mirror backed tiers abovetwo shaped shelves, raised anddivided by open spiral turned andbaluster supports, on turned feet

71cm wide, 151cm high, 33cm deep

£300-500

251 HA827/4VICTORIAN SCOTTISH CARVED OAKTRIPOD TABLE19TH CENTURYthe circular top with a scroll moulded edgeabove a deep frieze carved with thistles,flower heads and scrolling leaves, on acarved column with C-scroll brackets andraised on acanthus carved cabriole legs

60cm diameter, 65cm high

£250-350

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255 HA551/8VICTORIAN WALNUT AND EBONISEDDECANTER BOX19TH CENTURYthe hinged lid and sides with oval bevelledglass panels, opening to a gilt frame holdingfour decanters etched with stags and withrococo cartouches, with blue glass facetedstoppers and sixteen matching liqueurglasses, on a moulded base

37cm wide, 28cm high, 28cm deep

£400-600

254Y HA659/24VICTORIAN BOULLE DESK STANDthe hinged lids decorated with inlaid brass scrollingfoliage and a plaque with initials MC, opening to reveala fitted mahogany interior and leather writing slope

34.5cm wide

Provenance:Lord and Lady Rochdale

£250-350

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253Y HA730/16VICTORIAN COROMANDEL AND BRASS MOUNTEDGAMES COMPENDIUM19TH CENTURYof domed rectangular form with a brass monogramto the hinged lid, opening to reveal a fittedleather interior and games board, with aninscribed retailer’s plaque H.RODRIGUES/ 42 PICCADILLY, withcarved ivory dice, chess pieces, draughtsand domino counters, including stainedexamples, and a sycamore dice shaker

32cm wide, 10cm high, 21.5cm deep

£600-800

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258 HB76/17VICTORIAN WALNUT AND BRASS MOUNTEDWRITING SLOPE, BY GEORGE BETJEMANN &SONS, LONDONthe hinged covers with decorative brassmounts, opening to reveal a coromandelinterior fitted with a leather slope, glassinkwells and covered compartments, the locksigned G. BETJEMANN & SONS/ LONDON

35.5cm wide, 11cm high, 25cm deep

£600-800

256 HA730/35VICTORIAN OAK STATIONERY CABINET19TH CENTURYof rectangular form, with a fall front writingslope, fitted with a hinged stationery rack linedwith leather pen holders and with two smalldrawers to the side, one with glass inkwell,another three small drawers and various othercompartments above, with brass lock andhandles

38cm wide, 37cm high, 25cm deep

£250-350

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257 HB76/18VICTORIAN MINIATURE INLAID WALNUTTILT TOP TABLEthe circular inlaid top depicting an exoticbird perched on a bowl of fruit andflowers, raised on a carved tripod base

23cm high, 29cm diameter

£500-700

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Harriet Hosmer (1830-1908) was arguably the leading femalesculptor of the 19th century. Throughout her career she battledagainst the myth that sculpture was physically beyond women’scapabilities.

Coming from a privileged background outside Boston,Massachussets, she studied anatomy with her physician fatherbefore moving to Rome aged nineteen to continue her trainingunder the Welsh sculptor John Gibson. While in Rome sheassociated with a group of ex-pat artists and writers includingNathaniel Hawthorne, Thackeray, George Eliot and GeorgeSand. Hosmer’s privilege enabled her to overcome femalerestrictions to a certain extent, her family was wealthy enoughto support her through her studies and she attended respectedschools making valuable connections that would lead tobeneficial patrons. It was financial security that allowed her tochoose her own subjects and ultimately her skill as a sculptorthat won her recognition.

She became known for her untraditional depictions of femalesubjects and was considered at the time an “emancipatedfemale” as she undertook everyday activities unaccompanied.Critics resorted to highlighting her unfeminine childhood inwhich she ran, swam and rowed to explain her “masculine”ambitions. Many of her works explored female figures in eithercaptive or desperate situations at the hands of men. Oftenchoosing classical tales, she would depict moments of despair,such as her Medusa (1854) at the moment she loses herbeauty to become a monster, or her Oenone (1855) as she isleft by her husband Paris. The most famous sculpture in thisvein is her masterpiece, Zenobia. Queen Zenobia ruled Palmryauntil it was sacked by the Roman Emperor Aurelian and shewas taken prisoner. Hosmer studied various literary andhistorical works for her portrayal, all written by men,describing Zenobia as defeated and weighed down with jewelsand unable to walk. Hosmer’s Zenobia refuses to conform tothis historical account, she stands defiant as a prisoner withless jewellery and the only chains on her wrists beingmanacles. The figure is stoic, head held high, carrying herrestraints and exuding authority in a situation to be overcomerather than defeated by.

The fine figure of Puck on a Toadstool demonstrates Hosmer’stalent for capturing the spirit of her subject. Literary themes

were very popular in the 19th century and Hosmer chose themischievous fairy from Shakespeare’s A Midsummer Night’sDream. Executed at a time when her finances were runninglow, the figure was immediately successful, being purchasedby the Prince of Wales and the Crown Princess of Germanywho, upon seeing the work, remarked, “Oh, Miss Hosmer, youhave such talent for toes!” The commercial success of Puckon a Toadstool enabled the sculptor freedom to explore othersubjects. “I have another order for Puck; he has alreadybrought me his weight in silver.” Harriet Hosmer, in CorneliaCrow Carr, ed., Harriet Hosmer: Letters and Memories, 1913.In 1858, two years after creating Puck, Hosmer created acompanion piece to the work, this time borrowing from folklorewith her treatment of Will-o-the-Wisp which didn’t achieve thesame level of popularity as Puck on a Toadstool.

Harriet Hosmer with her sculpture of Thomas HartBenton (1782-1858), circa 1860.

Harriet Hosmer - Puck on a Toadstool

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259 HA358/5HARRIET HOSMER (AMERICAN 1830-1908)PUCK ON A TOADSTOOL, CIRCA 1856white marble, signed ‘HARRIET HOSMERFECIT ROMAE’; on a scagliola Siennamarble square plinth

79cm high; pedestal 93cm high

£10,000-15,000

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260 MONUMENTAL VICTORIAN GILWOODAND GESSO OVERMANTEL MIRROR19TH CENTURYin the rococo style, the shapedrectangular plate within a frame withC-scrolls and flower heads, andsurmounted with acanthus cresting

206cm wide, 297cm high

£1,000-1,500

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262 HA927/1GEORGE III STYLE MAHOGANYCROSSBANDED SIDEBOARDLATE 19TH CENTURYthe serpentine ledge back with abrass gallery rail above serpentinebase with a central frieze drawerover an arched recess flanked byfurther drawers and cupboarddoors, raised on square taperedlegs ending in spade feet

186cm wide, 142cm high, 69cm deep

£800-1,200

261 HA663/2PAIR OF VICTORIANGILTWOOD AND GESSOMIRRORS19TH CENTURYthe shaped and divided mirrorplate within an elaborategiltwood and gesso framecarved with C-scrolls,acanthus, flowerheads,trailing bellflowers androckwork (2)

162cm high, 89cm wide,

£1,500-2,500

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263 HA598/30ENGLISH PORCELAIN PART DESSERT SERVICE19TH CENTURYcomprising a pair of footed sauce tureens, a pairof oval dishes, a pair of square dishes, a pair ofshaped circular dishes, and seventeen cakeplates, all decorated with floral reserves withincobalt and gilt borders, red/black pattern no. 611(qty)

cake plate 21.5cm wide; tureen 22cm wide

£500-800

264 HA597/14VICTORIAN PAINTED WOOD DOLL’S HOUSEMID 19TH CENTURYmodelled as a brick house with a peaked roofand double chimney stacks, the front with fourwindows opening to a four room interior,raised on turned legs

67cm wide, 99cm high, 38cm deep

£300-500

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268Y HB76/5VICTORIAN NOVELTY OLIVEWOOD ELEPHANTTRAVELLING INKSTAND19TH CENTURYwith ivory tusks and fitted with a pen, hinged at thebody and opening to reveal a white metal inkpot

15.5cm wide

£400-600

265 HB76/4VICTORIAN WALNUT AND BRASS MOUNTEDTABLE TOP STATIONERY STAND19TH CENTURYthe hinged slant front opening to anarrangement of compartments, trays andperpetual calendar apertures, over a singlebase drawer

33cm wide, 32cm high, 26cm deep

£600-800

266Y HA659/35ASPREY ALLIGATOR SKIN JEWELLERY CASECIRCA 1900the interior with a rising tray, all lined withbrown velvet, with gilt embossed ‘AspreyLondon’ and registration number

36cm wide, 13.5cm

Provenance:Lord and Lady Rochdale

£200-300

267 HB76/9VICTORIAN COROMANDEL AND BRASSSTATIONERY BOX19TH CENTURYthe domed cover with elaborate brass strap hingesopening to a compartmented interior above a singlebase drawer, with further strap bands to thecorners and brass loop handles to the sides

26cm wide, 24cm high, 17cm deep

£400-600

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270 HA862/9VICTORIAN GILT METAL ‘CATHEDRAL’MANTEL CLOCKMID 19TH CENTURYin the form of a Gothic cathedral with a belltower and crocketted spires, on a steppedbase, the eight day movement striking abell

18cm wide, 47.5cm high, 11.5cm deep

£600-800

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269 HA961/1NEAR PAIR OF LITHYALIN GLASS URNS19TH CENTURYeach facet cut, with an everted rim abovethe bell shaped bowl and knopped stem,on a plain circular foot (2)

26.5cm and 25.5cm high

£400-600

271 HA666/4MATCHED PAIR OF BRISTOL BLUE GLASSDECANTERS19TH CENTURYeach of compressed bottle form, engravedwith thistles, roses and shamrocks,associated cork stoppers (2)

20.5cm high

£300-400

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273 HA659/10VICTORIAN GILTWOOD MIRROR19TH CENTURYthe rectangular bevelled mirror plate within acushion moulded frame with entrelac andmarked at the corners with acanthus

87cm wide, 89cm high

Provenance:Lord and Lady Rochdale

£300-500

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272 HB52/1VICTORIAN GILTWOOD ANDGESSO MIRROR19TH CENTURYin the George III style, the ovalmirror plate in a moulded giltwoodand gesso frame surmounted byan urn with laurel leaf trailinggarlands and a foliate drop finial

58cm wide, 123cm high

£400-600

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274 HA896/7VICTORIAN BEECH AND UPHOLSTEREDSIDECHAIR19TH CENTURYthe padded balloon back with scroll carvedcresting centred by a cartouche, above a paddedseat, raised on short cabriole legs with brasscasters; in floral needlework upholstery

50cm wide, 119cm high, 44cm deep

£400-600

275 HA973/1VICTORIAN GILTWOOD AND GESSO MIRRORMID 19TH CENTURYin the Rococo style, the bevelled oval mirrorplate within a leaf moulded frame with C-scroll and foliate scroll cresting

84cm wide, 134cm high

£600-800

276 HB75/1VICTORIAN LARGE WALNUT FRAMEDFOOTSTOOL19TH CENTURYthe padded rectangular top in blue velvetupholstery, the frame carved with thistlesand raised on short cabriole legs endingon porcelain casters

116cm long, 45cm high, 73cm deep

£600-800

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277 HA971/6VICTORIAN MAHOGANY CHIFFONIERMID 19TH CENTURYthe scroll carved cresting over shelfraised on turned supports above a pairof arched moulded doors, on a plinthbase

97cm wide, 155cm high, 40cm deep

£400-600

278 HB68/5VICTORIAN SATINWOOD WORK TABLE19TH CENTURYin the George III style, the serpentinerectangular top over a frieze drawer andsliding silk lined work drawer, raised ongilt metal mounted square cabriole legs

58cm wide, 73cm high, 42cm deep

£400-600

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279 HB68/6EARLY VICTORIAN GILTWOODGIRANDOLE MIRROR19TH CENTURYthe oval mirror plate within a leaf tip andlaurel wreath banded frame with ribbontied floral cresting and issuing fourscrolling candle arms

81cm wide, 122cm high

£600-800

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281 HB68/8VICTORIAN WALNUT AND BRASS MOUNTEDREVOLVING BOOKSTAND19TH CENTURYthe circular top over a four section lower tier withbrass galleries raised on a turned column withtriform base and flattened turned feet

56cm wide, 68cm high, 56cm deep

£300-500

280 HD506/2VICTORIAN WALNUT AND INLAIDWHATNOT19TH CENTURYthe three quarter pierced brass galleryabove two tiers raised on turned andfluted tapered columns over a singlebase drawer on lobed feet with brasscasters

56cm wide, 109cm high, 37cm deep

£1,500-2,500

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283 HB76/14SET OF VICTORIAN GRADUATED HORNBEAKERScomprising of twelve polished beakers,each with a glass base, contained withina leather travelling case embossed withthe initials H.L.

largest 9.5cm diameter

£600-800

284 HB76/16VICTORIAN PAPIER MACHE WRITING SLOPEthe hinged domed cover and slope painted withdogs within gilded borders, opening to reveal areplaced green leather skiver, fittedcompartments, and two glass inkwells

37.5cm wide

£500-700

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282Y HB76/10EARLY VICTORIAN MAHOGANY AND BRASSMOUNTED DRAUGHTSMAN’S BOXMID 19TH CENTURYthe rectangular box with brass banded cornersand vacant cartouche on the cover; the interiorwith removable trays fitted with a variety ofdraughtsman’s tools made of wood, bone,steel and ivory by various makers

45cm wide, 11cm high, 19.5cm deep

£700-900

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285 HB92/1AMERCIAN CAST IRON MECHANICAL BANK BYSHEPARD HARDWARD CO., ‘STUMP SPEAKER’PATENTED 8 JUNE 1886modelled as a man on his stump stand, with amechanism to move the articulated jaw, amechanical arm and a carpet bag opening toreceive the coin, marked PAT. JUNE 8 1886

25cm high

£300-500

287 SV252/206VICTORIAN COROMANDEL DRESSING BOX19TH CENTURYof rectangular form with a gilt brassplaque, opening to reveal a velvet linedinterior fitted with silver topped glass jarsand boxes, hallmarked London 1873, abovea drawer fitted for jewellery

30.5cm wide

£400-600

286 HB76/29VICTORIAN COROMANDEL, BRASS AND JASPERWAREMOUNTED PERFUME CASKETLATE 19TH CENTURYthe domed lid inset with a jasperware plaque and brassrope-twist mounts, opening to reveal three cut glassperfume bottles

18.5cm wide, 11cm high, 8.5cm deep

£400-600

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288 HB76/32TWO VICTORIAN OLIVE WOOD AND BRASS MOUNTED FRAMES19TH CENTURYthe first modelled as a fence gate with brass large hinges on aneasel support opening to an arrangement of eight individualframes, 18cm wide, 29cm high; the other modelled as a bookwith strapwork binding hinges opening to a pair of frames,14cm wide, 17cm high (2)

£300-500

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289 HB75/4VICTORIAN MAHOGANY AND BRASS COATSTAND19TH CENTURYthe tapered centre column with two tiers ofupturned arms surmounted by a cross armfor hats, with a circular brass umbrellastand and raised on a tripod base

194cm high

£400-600

290 HB76/26VICTORIAN OAK AND BRASSMOUNTED JEWELLERY CHESTLATE 19TH CENTURYthe inverted breakfront top over anarched glazed door flanked byfluted columns with brassCorinthian capitals and bases,opening to three lined drawers, ona plinth base

28cm wide, 30cm high, 20cm deep

£400-600

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291 HB136/159VICTORIAN WALNUT, MARQUETRY AND GILT METALMOUNTED KIDNEY SHAPED WRITING TABLE19TH CENTURYthe leather inset moulded shaped top with inlaid scrollingbanding, above a frieze drawer and gilt metal ball moulding, oncarved square baluster and fluted column triple end supports,joined by a fluted turned stretcher, on downswept legs withacanthus carved scrolled feet fitted with brass casters

122cm wide, 76cm high, 58cm deep

£3,000-5,000

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292 HA896/2ORKNEY ASH AND RUSHARMCHAIR19TH CENTURYof traditional form, with adrop in frame seat and scrollend arms

53cm wide, 105cm high, 42cm deep

£400-600

293 SV408/51ORKNEY ASH AND RUSHARMCHAIREARLY 20TH CENTURYof typical form, with straightlegs and arms

53cm wide, 110cm high, 41cm deep

£250-400

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295 HB75/3VICTORIAN RENAISSANCE REVIVALCARVED OAK SETTLE19TH CENTURYcarved allover with gryphons, masks andwinged grotesques within scrolling foliage

139cm wide, 148cm high, 48cm deep

£400-600

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294 HA597/4SET OF NINE VICTORIAN OAK FRAMEDWILLIAM & MARY STYLE DINING CHAIRS19TH CENTURYcomprising a pair of armchairs and seven sidechairs with foliate carved cresting above paddedbacks flanked by bobbin turned sided rails,above stuff over seats raised on block andbobbin turned legs ending on casters, thearmchairs with part padded arms ending incarved dragon head terminals (9)

49cm wide, 107cm high, 42cm deep

£500-800

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296 HA597/15VICTORIAN ‘AESTHETIC’ PERIODGILTWOOD AND PAINTED OVERMANTELMIRRORCIRCA 1870the rectangular bevelled mirror platesurmounted by painted panels simulatingmosaics depicting fruiting branches andurns, flanked by further bevelled mirrorplates and display shelves

155cm wide, 162cm high

£400-600

297 HA544/5AEDWARDIAN UPHOLSTEREDARMCHAIREARLY 20TH CENTURYwith a wide low back and scroll armsover a loose cushion seat raised onturned forelegs with brass casters, insage green lined velvet with tasseltrimming

81cm wide, 80cm high, 75cm deep

£400-600

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300 SV274/35GROUP OF ROYAL WORCESTER BLUSH IVORY PORCELAINLATE 19TH / EARLY 20TH CENTURYall painted with flowers, comprising a basket-weave bowl,shape G441, date mark 1904, 23cm wide; a potpourri vase,shape 1313, dated 1892, 20cm high; and two globular budvases, shape 1039, date mark 1892 and 1910,11cm and10cm high (4)

£300-500

298 SV274/27TWO ROYAL WORCESTER VASESDATED 1908, SHAPE 294including a covered vase, signed A.C. Lewis, painted with pinkroses, shape 294, dated 1908, 33cm high; together with aHADLEY’S WORCESTER POT POURRI VASE, shape 241, paintedwith flowers, 19.5cm high (2)

£200-300

299 SV333/95PAIR OF GEORGE JONES MAJOLICA OYSTER DISHESDATE MARK FOR 1874each with a central oyster shell-shaped reservoir above thelobed dish moulded with seaweed on a blue ground, with animpressed Victorian lozenge mark and the initials GJ (2)

20cm wide

£300-500

301 SV274/34GROUP OF ROYAL WORCESTER PORCELAINall with maker’s marks, comprising of: a signed Hadley figuralcomport, dated 1884 with impressed lozenge mark, 21cm high;a vase with basket-weave moulding and gilt highlights,indistinctly marked, 20cm high; a gilt and cream candlestick,dated 1893, shape 1088, 12cm high; together with a ROYALCHINA WORKS POT POURRI BOWL AND COVER, with maker’smarks, 7.5cm high (4)

£250-350

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303 HA143/31ANGLO-INDIAN HARDWOOD BERGERESUITEEARLY 20TH CENTURYcomprising a sofa and a pair of armchairswith padded backs and caned side panelsabove loose cushion seats, the frames carvedwith laurel garlands and raised on carved bunfeet, in modern foliate tapestry upholstery (3)

Sofa 183cm long, 75cm high, 72cm deep; armchair

80cm wide, 72cm high, 70cm deep

£800-1,200

302 HA800/158GEORGE III STYLE MAHOGANY ANDCROSSBANDED SERPENTINE SIDEBOARD20TH CENTURYthe serpentine top over a pair of centraldrawers flanked by cupboard doors, raised onsquare tapered legs ending in spade feet

151cm wide, 93cm high, 53.5cm deep

Provenance:Selected contents from Denston Hall, Suffolk

£400-600

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304 HA551/7PAIR OF GEORGE III STYLE MAHOGANY, SATINWOOD ANDKINGWOOD CROSSBANDED DEMILUNE TABLESMODERNthe demilune tops over crossbanded frieze raised on squaretapered legs with collared feet (2)

114cm wide, 82cm high, 48cm deep

£500-800

305 HB83/1SET OF SIX GEORGE III STYLEMAHOGANY DINING CHAIRSEARLY 20TH CENTURYcomprising a pair ofarmchairs and four sidechairs, with serpentine foliatecarved top rails with scrolledears above pierced andinterlaced splats and drop inseats, raised on acanthuscarved cabriole legs ending inclaw and ball feet (6)

56cm wide, 96cm high, 45cm deep

£600-800

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306 HA971/5VICTORIAN AESTHETIC PERIODAMBOYNA AND EBONISED CREDENZACIRCA 1880the tiered superstructure with a spindlegallery and mirror back, above a pair ofdrawers and carved panel cupboarddoors painted with birds and flowers,raised on turned feet

90cm wide, 150cm high, 36cm deep

£400-600

307 HB76/2EARLY VICTORIAN OAKBASKETof square form, the lid carvedto simulate wicker, with aslatted reeded framesurmounted by four brassfinials, on brass caps andcasters

38cm high, 39cm wide, 32cm deep

£800-1,200

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308 HA800/146CASED MAHOGANY BAROGRAPH,BY NEGRETTI & ZAMBRA,LONDONEARLY 20TH CENTURYthe hinged glazed case enclosingbrass and white metal instruments,above a chart drawer

36cm wide

Provenance:Selected contents from Denston Hall,Suffolk

£200-300

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311 HA659/20COLLECTION OF THEATRE COSTUME STUDIESBY PERCY MACQUOID (BRITISH 1852-1925)EARLY 20TH CENTURYwatercolour and pencil on paper, comprisingtwenty-two individual designs, most labelledand signed depicting late 18th and early 19thcentury characters and costumes; nine doubleframed, four single framed, (13)

largest 40cm x 25.5cm

Provenance:Lord and Lady Rochdale

£800-1,200

310 FH546/3ETWO ENGLISH GLASS PAPERWEIGHTS, POSSIBLYBY H.G. RICHARDSON, STOURBRIDGEPROBABLY EARLY 20TH CENTURYeach with concentric millefiori bands, includingone with a paper label to the underside, DATE1844-48/ MADE AT STOURBRIDGE FOR PARISEXHIBITION (2)

8.5cm diameter and 9cm diameter

£200-300

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309 HA800/20TWO BRONZE MAQUETTESLATE 19TH / EARLY 20TH CENTURYdark brown patina, the first a standing nude femaleholding a sphere, on a later wood base, 29cm high;the other a standing male nude holding a broom,33cm high (2)

Provenance:Selected contents from Denston Hall, Suffolk

£400-600

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312 HA597/7EDWARDIAN SATINWOOD AND INLAYTRIPOD BOOKSTANDEARLY 20TH CENTURYthe circular top inlaid with floral medallionsand swags, above an triform lower tier withtrellis sides, raised on a tapered columnand outswept square legs

46cm wide, 74cm high

£300-500

313 HA971/2EDWARDIAN ROSEWOOD ANDMARQUETRY MUSIC CABINETEARLY 20TH CENTURYthe mirror back upper section over adoor with upper panels inlaid withurns and classical motifs above aglazed lower panel, opening toshelves, on ceramic casters

58cm wide, 132cm high, 38cm deep

£500-700

314 HA980/2EDWARDIAN SATINWOOD PAINTEDOCCASIONAL TABLECIRCA 1910the oval galleried top with a shell medallioninlay above a frieze painted with floral swags,raised on square tapered legs ending in spadefeet and joined by arched stretchers surmountedby an urn finial

42cm wide, 76cm high, 28.5cm deep

£400-600

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315 HA659/9EDWARDIAN WALNUTFRAMED KNOLE SOFAEARLY 20TH CENTURYupholstered in green floralpattern silk, with drop downsides and a loose cushionseat outlined in tasseltrimming

169cm long, 109cm high,

69cm deep

Provenance:Lord and Lady Rochdale

£600-800

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316 HB126/2EDWARDIAN CARVED PINE FIRESURROUND19TH CENTURYthe breakfront mantel above anentablature carved with fruit andscrolling foliage

141cm wide, 130cm high, 22cm deep; Interior

opening 100cm wide, 100cm high

£400-600

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320 HD506/8NOVELTY TARTAN WARE INKSTANDEARLY 20TH CENTURYin the form of a canoe, with a cut glassinkwell and two covered compartments,the oars fitted for pen nibs, with paintedinscriptions MACDUFF

23.5cm wide

£400-600

318Y HB284/2TORTOISESHELL VENEERED AND IVORYBANDED CIGAR BOXEARLY 20TH CENTURYof rectangular form, the hinged lid opening toreveal a sandalwood interior, 19.5cm wide;together with a FAUX TORTOISESHELL INKSTAND, with a pen tray, pen, and silver mountedcut glass ink well, hallmark CD, London, 1922,stand 26.5cm wide (2)

£350-450

319Y HB284/1SILVER MOUNTED TORTOISESHELL BOX,RETAILED BY ASPREY OF LONDONLONDON, 1912of serpentine outline, raised on four ogee feet,bearing hallmark MBA inscribed ASPREY,LONDON

16cm wide

£250-350

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317Y HB284/3GOLD MOUNTED TORTOISESHELL DESK SET,RETAILED BY ASPREY OF LONDONLONDON, 1912comprising a pen tray with a cut glass inkwell,hallmark MBA, 19cm wide; and a matchingblotter, marked ASPREY, LONDON, 27.5 x21cm (2)

£350-450

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321 HB76/13CROSS BLACK LEATHER PICNIC CASEEARLY 20TH CENTURYthe rectangular case embossed withmonogram ‘C.S.B.’ and the Cross label,the interior fitted with a Stanleythermos, tin sandwich box, pair oftransfer printed plates, and cutlery

39.5cm wide, 14.5cm high, 26.56cm deep

£300-500

322 HB68/4PAIR OF VICTORIAN WHITE PAINTEDCAST IRON URNS AND STANDS19TH CENTURYof upright lotus form on a socle base,raised on a stepped foot and squareplinth base (2)

85cm high

£400-600

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323 HA800/161EDWARDIAN MAHOGANY LEATHER UPHOLSTEREDDESK CHAIREARLY 20TH CENTURYthe horseshoe shaped back and arms abovemoulded columnar splats, over a circular stuff overseat, all in brown leather; raised on oak legs withbrass casters

61cm wide, 90cm high, 50cm deep

Provenance:Selected contents from Denston Hall, Suffolk

£300-500

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324 HA658/3WHYTOCK & REID MAHOGANY PEDESTALDESKEARLY 20TH CENTURYthe shaped top with a tooled leather writingsurface above a central frieze drawerflanked by banks of five drawers andcupboards opposing, raised on ogee bracketfeet

148cm wide, 77cm high, 87cm deep

£1,000-1,500

325 HD506/6WHYTOCK & REID EASY ARMCHAIR20TH CENTURYin original Whytock & Reid calico, the loosecushion back and seat flanked by low scrolledarms, raised on square tapered legs ending inbrass caps and castors

75cm wide, 81cm high, 60cm deep

£600-800

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326 HA825/8EDWARDIAN MAHOGANY DINING TABLEEARLY 20TH CENTURYcomprising two D ends and a square centre table, therounded rectangular top with a reeded edge, above a plainfrieze, raised on square tapered legs ending in spade feet

261cm long, 77cm high, 132cm wide

£500-800

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327 HA551/6SET OF FOURTEENUPHOLSTERED DININGCHAIRSMODERNthe arched and button tuftedbacks above stuff over seatsraised on stained square legsjoined by stretchers; inburgundy and cream finestriped upholstery with tasseltrimmings (14)

54cm wide, 102cm high, 45cm deep

£1,000-1,500

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331 HA800/167TESSA CAMPBELL FRASER,F.R.B.S. (SCOTTISH, B.1967)HIGHLAND COWbronze, signed T.C.F. 8/9

23.5cm high, 37cm long

Provenance:Selected contents from DenstonHall, Suffolk

£200-300

328 HA974/6PAIR OF MAHOGANY AND PAINTEDBEDSIDE CABINETSthe bowfront tops with a threequarter gallery over two drawers,raised on white painted trestlesupports joined by a curved stretcher(2)

46cm wide, 68cm high, 25cm deep

£500-700

329 HB76/3PAIR OF NOVELTY CARVEDHARDWOOD FOOT STOOLS20TH CENTURYeach modelled as a turtle, with anupholstered leather back (2)

43cm long

£800-1,200

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330 HA800/49UPHOLSTERED OTTOMANMODERNthe scroll ends, hinged seatand sides covered in floralpatterned fabric

166cm wide, 89cm high, 54cm deep

Provenance:Selected contents from DenstonHall, Suffolk

£200-300

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332 HB76/12LOUIS VUITTON CALF’S LEATHERSUITCASECIRCA 1925the brown leather exterior initialled‘L.V.’ to the brass closures, the interiorbearing paper Louis Vuitton tradelabel and stamped no. 73291

66cm wide, 21.5cm high, 38cm deep

£1,000-1,500

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333 HB76/45LOUIS VUITTON STEAMER TRUNKEARLY 20TH CENTURYin LV monogram canvas with metal and beechwood straps, with various hotel and shippinglabels, the lined interior with a paper ‘LouisVuitton 1 Rue Scribe Paris, 149 New Bond StreetLondon’ and serial number 155780

110cm long, 38cm high, 56cm deep

£4,000-6,000

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334 FF170/3PAIR OF GILT BRONZE THREE LIGHTWALL APPLIQUES20TH CENTURYeach comprising three ribbon-tiedtorches, with moulded frosted ‘flame’glass shades, wired for electricity (2)

58cm high overall

£800-1,200

336 HA800/24SET OF SIX GEORGE III STYLEMAHOGANY ANDUPHOLSTERED SIDE CHAIRSMODERNwith oval padded backs andstuffed over seats, raised onsquare tapered legs;upholstered in various fabrics (6)

53cm wide, 91cm high, 47cm deep

Provenance:Selected contents from Denston Hall,Suffolk

£200-300

337 HA800/157UPHOLSTERED EASYARMCHAIRMODERNthe square cushion back over aloose cushion seat and scrollarms, in light blue upholsterywith tassel trimming

93cm wide, 86cm high, 53cm deep

Provenance:Selected contents from Denston Hall,Suffolk

£300-500

335 HA738/1BOWMORE BICENTENARY BOTTLE OFWHISKY1979distilled and bottled by Morrison’s BowmoreDistillery to commemorate their Bicentenary(1779-1979), single malt whisky, 75.7cl, bottlenumber G549, in a wooden presentation casewith certificate and documentation; togetherwith MACALLAN ‘ELEGANCIA’ 12 YEAR OLDBOTTLE OF WHISKY, distilled and bottled byThe Macallan Distillers Ltd., single malt, 1litre, 40% volume, in presentation box (2)

£500-700

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339 HA658/1LARGE TRIPLE SEAT KNOLE SOFAMODERNwith an arched back and drop ends and loose cushionseat, covered in yellow damask upholstery

271cm long, 93cm high, 56cm deep

£600-800

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338 HA551/9UPHOLSTERED AND SLIPCOVERED SOFAMODERNwith a low straight loose cushion back and higharms, above a double loose cushion seat, in abeige slipcover with tassel trim over a green andcream print floral and bird upholstery

212cm long, 71cm high, 78cm deep

£400-600

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340 HA800/170THREE PAIRS OF LINED ANDINTERLINED CURTAINS ANDPELMETSin printed linen with pink andyellow cabbage roses (6)

Pelmet 221cm wide; each panel

322cm drop, 250cm wide

Provenance:Selected contents from Denston Hall,Suffolk

£500-700

341 HA800/169TWO PAIRS OF LINED ANDINTERLINED CURTAINSin pink and rose chintz depictingflowering urns tied with swags(4)

Pelmet 183cm wide; each panel

300cm drop, 170cm wide

Provenance:Selected contents from Denston Hall,Suffolk

£300-500

342 HA800/168FOUR PAIRS OF LINED ANDINTERLINED CURTAINS ANDPELMETSin gold and salmon damask (8)

Pelmet 193cm wide; Each panel

292cm drop, 233cm wide

Provenance:Selected contents from Denston Hall,Suffolk

£600-800

343 EZ774/47FOUR PAIRS OF LINED CREAMSILK CURTAINS AND PELMETSOf recent manufacturewith red foliate pattern borders(8)

drop 320cm (126 in) approx.

Provenance:The Forbes Sale, Ex Battersea House,

£400-600

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340

343342

341

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ContinentalFurniture

& Works of Art

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345Y HA597/11INDO-DUTCH CALAMANDER AND IVORYINLAY BRAZIEREARLY 18TH CENTURYthe lobed tiers outlined with ivory stringingand raised on baluster tuned supports, thecentre fitted with a brass hammered basin

80cm diameter, 27cm high

£400-600

344 HA542/1DUTCH CARVED OAK AND PARCEL GILTBOOKCASE CABINETMID 18TH CENTURYthe heavily carved projecting cornice abovea glazed door opening to serpentineshelves, over a pair of panel doors, raisedon bun feet

112cm wide, 224cm high, 37cm deep

£700-1,000

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346 SV152/22DUTCH WALNUT ANDMARQUETRY DISPLAYCABINET19TH CENTURYthe arched moulded cornicecentred with a foliate carvedfinial, above a glazed caseopening to shelves, the lowerpart with a pair of cupboarddoors, raised on turned feet

92cm wide, 220cm high, 42cm deep

£700-1,000

347 SV152/25DUTCH MARQUETRY FOLDOVER CARD TABLE19TH CENTURYthe rectangular foldover top with an inlaid games boardand trompe l’oeuil playing cards, raised on squaretapered legs, with flowering urn and garland marquetrythroughout; together with a DUTCH MARQUETRY SIDECHAIR, 18th century, with a vasiform splat and drop inseat, raised on cabriole legs ending in hoof feet,51cm wide, 112cm high, 39cm deep (2)

82cm wide, 79cm high, 40.5cm deep

£400-600

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348 SV93A/15DUTCH BURR WALNUT LONGCASECLOCK BY WILLIAM GIB, ROTTERDAMLATE 17TH / EARLY 18TH CENTURYthe high caddy top above a hood withblind fret carved arched frieze and brassurn and eagle finials, the pierced archbrass dial with Roman and Arabicchapters, subsidiary seconds dial, dateaperture and three winding holes,engraved WILLIAM GIB/ ROTTERDAMabove the long trunk with an archeddoor with a star etched lenticle, on aplinth base raised on turned bun feet,the eight day movement striking on ninebells

46cm wide, 252cm high, 26cm deep

Provenance:The Contents of Mullanhead House, Balfron

£3,000-5,000

349 SV152/1DUTCH MARQUETRY LONGCASE CLOCK18TH CENTURYthe dentil moulded cornice over a brassdial with silvered chapter ring withArabic and Roman numbers, subsidiaryseconds dial and date aperture, andpierced brass spandrels. flanked bythree quarter columns with gilt metalCorinthian capitals, above a trunk withlenticle and brass cover depicting Time,with fan and floral marquetrythroughout, raised on bun feet

49cm wide, 214cm high, 26cm deep

£700-1,000

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350Y HA974/3FLEMISH EBONY, TORTOISESHELL AND IVORY GILT METALMOUNTED CABINET ON STAND19TH CENTURYthe rectangular cabinet with a central cupboard door opening to amirrored recess resembling a miniature baroque interior, flanked byebonised columns with gilt metal Corinthian columns and enclosedby an arrangement of small drawers with oval boss fronts; thestand with a brushing slide over a shaped apron with alternatingdrop finials and turned baluster legs joined by a shaped undertier

109cm wide, 154cm high, 45cm deep

£7,000-9,000

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351 SV333/49FRENCH LIMOGES ENAMEL AND GILTWOOD JEWEL CASKET18TH CENTURYof sarcophagus form with carved pillars ateach corner, the gilt wood frame inset withpainted Limoges panels on copper, depictingurns, cornucopia and foliage, raised on fourbun feet

17cm wide, 15.5cm high

£400-600

352 HA97/14LARGE SAMSON PORCELAINFIGURE GROUP19TH CENTURYmodelled with two allegoricalfigures of children representingWinter and Spring, on a rococodomed base, gilt anchor mark

26cm high

£300-500

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353Y HB68/15PAIR OF GERMAN CARVED IVORY ‘JEWELLED’FIGURESLATE 18TH CENTURYcarved as a boy in hunting attire with a quiver,15.5cm high; and a girl in costume holding aflute, 15cm high, on ebonised bases (2)

£800-1,200

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354 HA988/3FRENCH GILT BRONZE MANTEL CLOCK, BYT. A. SIMPSON & CIE.19TH CENTURYthe white enamel dial with Roman and Arabicnumbers inscribed ‘T.A. Simpson & Cie / AParis’ in a cylinder case surmounted by apair of putti with a dove, and on a foliatescroll cast base raised on leaf clad feet; theeight day movement striking on a bell

42cm wide, 33cm high

£1,000-1,500

355 HD506/7JEAN-LOUIS GREGOIRE (FRENCH, 1840-1890)LOVE TAKING AIMbronze, dark brown patina, modelled as apair of winged putti, one taking aim with abow, signed ‘J. Gregoire’, on a circularSienna marble moulded base

29cm high

£1,500-2,500

356 HA988/2FRENCH GILT BRONZE AND PORCELAINMOUNTED MANTEL CLOCK19TH CENTURYthe porcelain dial with Roman number reservesagainst a pink ground, in a foliate cast casesurmounted by a pair of putti writing on a tabletand mounted with further Sevres style porcelainplaques; the eight day movement striking a bell

28cm wide, 33cm high

£500-700

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357 HB66/1FRENCH CHINOISERIE THREE PIECE PORCELAINCLOCK GARNITURE19TH CENTURYthe white enamel Arabic number dial set in an elaborateblue and white glazed porcelain case with dragons, anda cockerel surmount, on a gilt bronze base, the eight daymovement striking a gong; the twin branch candelabrasupported by blue and white porcelain fu lions on giltbronze bases (3)

Clock, 49cm high; candelabra, 46cm high

£1,500-2,500

358Y HB76/30FRENCH ROSEWOOD, BRASS, PEWTER, IVORY ANDABALONE BOULLE MARQUETRY TEA CADDY19TH CENTURYof slightly bombe form, the sides and cover richly inlaid withcartouches, strapwork, C and foliate scrolls, opening to a twocovered tea wells

22cm wide, 11.5cm high, 11cm deep

£500-700

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359 HB148/10FRENCH (NEVERS) FAIENCEWALL BRACKET19TH CENTURYof rococo style, painted withdancing figures, birds andfloral sprays,

31cm wide, 25cm high, 17cm deep

£200-300

360 SV274/24SEVRES STYLE GILT BRONZEMOUNTED POT POURRI VASELATE 19TH/ EARLY 20THCENTURYthe domed cover above apierced metal collar and bodypainted with reserves ofromantic couples andlandscapes, mounted withtwin mask handles, on asocle base, blue interlaced Lmark

31cm high

£200-300

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362 HB136/120LOUIS XIV ON HORSEBACK, AFTER THE MODEL BY PIERRE CARTELLIERAND LOUIS-MESSIDON-LEBON PETTITOT19TH CENTURYbronze, dark brown patina, on an ebonisedwood plinth

58cm long, 75cm high total height

£3,000-5,000

361 HD506/3LOUIS XV STYLE KINGWOOD, MARBLE AND GILT BRONZEMOUNTED ETAGERELATE 19TH CENTURYthe rectangular breche marble brass banded top above fourquarter veneered and crossbanded tiers, raised on squarecabriole legs with gilt metal mounts

61cm wide, 105cm high, 49cm deep

£2,000-3,000

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363 HB136/45FINE FRENCH WALNUT, TULIPWOOD, INLAID ANDGILT METAL MOUNTED OCCASIONAL TABLELATE 19TH CENTURYin the Louis XV style, the cartouche shaped top witha figured walnut centre and floral scrollingmarquetry and tulipwood crossbanded border,above a similarly decorated shaped frieze drawer,on cabriole legs with scroll cast mounts and sabots

81cm wide, 77cm high, 43cm deep

£3,000-5,000

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365 HA971/1LOUIS XVI STYLE KINGWOOD, MAHOGANY ANDMARQUETRY SIDE TABLEEARLY 20TH CENTURYthe oval crossbanded top centred by a marquetry floralspray, raised on slender cabriole legs joined by anundertier, with gilt metal mounts throughout

56cm wide, 74cm high, 37cm deep

£300-500

364 HA552/1LOUIS XV STYLE KINGWOOD ANDVERNIS MARTIN DISPLAY CABINETLATE 19TH CENTURYthe arched cornice over a glazedserpentine door and side panels openingto glass shelves, decorated with scenedepicting a courting couple and landscapeviews, raised on cabriole legs; the wholeoutlined in gilt bronze

80cm wide, 198cm high, 34cm deep

£1,500-2,500

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366 HB68/16PAIR OF SEVRES GILT BRONZEMOUNTED BRULE-PARFUMS19TH CENTURYdecorated with reserved portraits ofLouis XV and Marie Leszczynska withmonogrammed reserves opposing,against a bleu celeste ground, with giltbronze mounts (2)

19cm high

£400-600

367 SV274/22GROUP OF FRENCH PORCELAIN19TH / EARLY 20TH CENTURYcomprising a Sevres navette shaped dishpainted with a romantic couple against ablue ground, on a gilt metal base, printedmarks, 28.5cm wide; and a pair of Sevres-style covered urns, with pseudo blue marks,17cm high; together with an ENGLISHPORCELAIN JARDINIÈRE, painted withfloral reserves against a cobalt ground,14.5cm high (4)

£250-350

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368 HA351/11TWO FRENCH PORCELAIN BONBONNIERES19TH CENTURYmoulded as a mating cockerel and hen, afterthe Meissen model, one with a blue birdmark to the interior; together with aFRENCH ENAMEL SCENT BOTTLE in theform of a courgette with a dove cast giltmetal stopper, 9cm long (3)

9.5cm long

£250-350

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369 HA988/1FRENCH GILT BRONZE AND ONYXTHREE PIECE CLOCK GARNITURE19TH CENTURYin the Louis XV style, the whiteenamel dial with Roman and Arabicnumbers in a drum case with puttiand a musical trophy cresting, on ashaped white onyx base, the eightday movement striking a bell; thecandelabra with a putto supportingfive urn and foliate candle branches(3)

31cm wide, 29cm high; candelabra

34cm high

£1,000-1,500

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370 HB69/1FRENCH TRANSITIONALSTYLE KINGWOOD ANDAMARANTH PARQUETRYCOMMODE19TH CENTURYthe breakfront black marbletop above three long drawerswith trellis and barber poleparquetry, raised on taperedlegs

144cm wide, 83cm high, 66cm deep

£1,000-1,500

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371 HA551/3FRENCH ONYX AND CHAMPLEVÉ ENAMELCLOCK GARNITURE19TH CENTURYthe four glass case clock in a brass and onyxframe decorated with champlevé enamels,flanked by a pair of onyx and gilt metalmounted urns similarly enamelled (3)

clock 43cm high; urn 30cm high

£800-1,200

373 HB68/13PAIR OF FRENCH ORMOLU FIGURALCANDELABRA, PROBABLY BY HENRI PICCARD19TH CENTURYthe central leaf-cast column held by awinged putto and issuing five scrolling andone stiff central candle arms ending in leafand berry cast candle nozzles, on a shapedsquare base (2)

55cm high

£1,500-2,000

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372 HA413/2PAIR OF RESTAURATION PATINATED AND GILTMETAL LAMPS19TH CENTURYeach converted from a candlestick, with an urnshaped nozzle above the reeded column andcircular foot with flowerhead decoration, with apleated cream silk shade (2)

29.5cm high (excluding fittings)

£600-800

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374 HB66/3PAIR OF LARGE AND IMPRESSIVE SEVRES STYLEPORCELAIN COVERED VASES19TH CENTURYeach with a domed cover with pinecone finial, thebaluster bodies painted with opposing reservesdepicting a boar hunt, signed M Brouard, against acobalt ground richly detailed with gilt, on a soclefoot and square gilt bronze base cast with draperyswags (2)

92cm high

£8,000-12,000

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375 HA800/28AFTER MICHELANGELO, LARGE CARRARAMARBLE BUST OF DAVIDMODERN67cm high; together with a SCAGLIOLASIENNA MARBLE PEDESTAL, LATE 19TH/EARLY 20TH CENTURY, 91cm high (2)

Provenance:Selected contents from Denston Hall, Suffolk

£1,000-1,500

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376 HA896/5THREE HANDCOLOURED ENGRAVINGSAFTER GIOVANNI BATTISTA FERRARI(ITALIAN 1584-1655)botanical studies of citrus fruit from‘Hesperides Sive de Malorum AureorumCultura et Usu Libras Quatuor’, comprisingpl. 321 Lumia Valentina; pl. 389 AvrantiumCrisps Folio, and pl. 405 AvrantiumFoetiferum, framed (3)

20.5cm wide, 31cm high sight size

£300-500

One of three

377 SV377/1LOUIS XVI STYLE KINGWOOD AND MARQUETRYMARBLE TOPPED SIDE CABINETLATE 19TH CENTURYthe breche marble top over a pair of frieze drawersand panel doors inlaid with marquetry, raised ontaped legs

118cm wide, 104cm high, 44cm deep

£1,000-1,500

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378 HA413/4PAIR OF FRENCH PATINATED AND GILDEDBRONZE LAMPS19TH CENTURYeach converted from a vase, of twin-handledamphora form, with a parcel gilt friezedepicting classical nudes dancing with a faun,raised on a marble base, with a pleatedcream silk shade (2)

49.5cm high (excluding fittings)

£1,000-1,500

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380 HA800/166SET OF SIX GILT METAL WALL LIGHTSWITH TOLE SHADESMODERNthe fruit and flower case backplate issuingtwo scrolling candle arms with leaf cladstems and red tole and gilt decoratedshades (6)

64cm high

Provenance:Selected contents from Denston Hall, Suffolk

£700-1,000

379 HA746/1SEVRES STYLES PORCELAIN AND GILT METALMOUNTED COVERED URN19TH CENTURYthe domed cover with a berry finial above an ovoidbody painted with two oval reserves depictingNapoleon on the battlefield, one signed ‘H. Deprez /Sevres’, against a cobalt body highlighted with giltdetails and mounted with gilt metal handles, on asocle and square gilt metal base, the cover marked inred ‘M Imp le Sevres’ and ‘Tena’

65cm high

£1,500-2,500

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381 HA413/3PAIR OF FRENCH MODERATEUR PATINATEDAND GILT METAL LAMPSADAPTED, 19TH CENTURY AND LATEReach converted from an oil lamp, of bottle formwith ribbed and repeating spot decoration withinbands, raised on a cast quadriform base,marked LAMPE AUREOLE CY PARIS CY, with apleated cream silk shade (2)

41.5cm high (excluding fittings)

£800-1,200

382 HB68/12PAIR OF FRENCH EMPIRE GILT METALCANDELABRAEARLY 19TH CENTURYthe slender tapered leaf-cast column supportingfive scrolling and one stiff candle arms on acylindrical base and square foot (2)

64cm high

£800-1,200

383 HA664/1LOUIS XV STYLE KINGWOOD, MARQUETRYAND GILT METAL MOUNTED CENTRETABLE19TH CENTURYthe serpentine oval top and shaped apronwith floral marquetry inlay, above a friezedrawer and four cabriole legs with gilt metalmounts

130cm long, 76cm high, 70cm deep

£1,000-1,500

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385 HA597/19DUTCH WALNUT AND FRUITWOODMARQUETRY COMMODECIRCA 1800the rectangular top with a chequerbanded edge over two short and threelong drawers, with fine scrolling branchinlay throughout, raised on bracket feet

129cm wide, 106cm high, 59cm deep

£500-800

384 HB68/10FRENCH MAHOGANY MARBLE TOPPED PETITESECRETAIRE A ABATTANT STAMPED ‘L.GUEUNIERES JEUNE / EBENISTE’CIRCA 1880the rouge marble top with a three quarter piercedbrass gallery above a fall front opening to anarrangement of drawers and pigeon holes, over along drawer fitted with a hinged green leatherwriting surface, above a pair of moulded cupboarddoors opening to four further long drawers, raisedon short cabriole legs with sabots, stamped twice onthe back

72cm wide, 106cm high, 33cm deep

£800-1,200

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386 HA896/20CONTINENTAL WALNUT, BIRCH ANDFRUITWOOD MARQUETRYNEOCLASSICAL COMMODELATE 18TH CENTURYthe rectangular top over four longdrawers raised on turned feet, withtrailing husks, scrolling foliate andflowering urn inlay throughout

128.5cm wide, 110cm high, 64cm deep

£1,000-1,500

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387 HA145/6BEIDERMEIER BURR WOOD AND UPHOLSTEREDARMCHAIR19TH CENTURYthe arched top rail and enclosed scroll arms intaupe plush upholstery, raised on square taperedlegs

60cm wide, 90cm high, 48cm deep

Provenance:Property of a Lady

£300-500

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388 HA896/15FRENCH PROVINCIAL STAINED BEECHARMOIRE19TH CENTURYthe moulded cornice above a pair ofmoulded panel doors opening to hangingspace, and raised on short cabriole legs

130cm wide, 218cm high, 66cm deep

£400-600

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389 HA982/1FRENCH BRETON CARVEDOAK BEDLATE 19TH CENTURYthe head and footboards withcarved panels depicting ruralfigures in a country setting,with spindled details

146cm wide, 169cm high,

203cm long

£700-900

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392 HA819/8FRENCH GILT BRASS CARRIAGE CLOCK19TH CENTURYthe four glass case with fretworkdecoration and reeded columns,enclosing a cream enamelled chapterring with Arabic numerals, with aninscription to the top surface, containedwithin a leather travelling case

15cm high (including handle)

£200-300

390 HB68/14VERNACIO VALMITJANA (SPAIN, 1830-1919)PEASANT GIRL WITH TAMBOURINEbronze, reddish brown patina, the figureleaning on a column with a tambourine in herleft hand, signed on the base ‘Valmitjana’

66cm high

£1,200-1,800

391 HA720/26FRENCH GILT BRASS REPEATERCARRIAGE CLOCK19TH CENTURYthe four glass case with a whiteenamel dial and Roman numerals,the movement striking on a gong

18cm high (including handle)

£300-500

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393 HB354/3FRENCH TAXIDERMY BIRDMUSICAL AUTOMATONCIRCA 1870the domed wirework cage enclosingtwo full mount birds, one whichflaps its wings and the other whichpecks the ground, with an old paperlabel to the underside

38cm high

£500-700

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394 HB66/6FINE AND LARGE FRENCH WHITE MARBLEAND FOUR GLASS CALENDAR MANTELCLOCK WITH BAROMETER ANDTHERMOMETER19TH CENTURYretailed by LISTER & SONS, NEWCASTLE, theworks stamped ‘J.D.B.’ and No. 25797-24-8,the white enamel dial with black Romannumerals flanked by two temperature gaugesin Fahrenheit and Reaumur scales, above ametallic barometer gauge, and a twelve monthcalendar dial with subsidiary day, date andmoon phase dials, all set within an engravedbrass mask; the movement striking a bell

33cm wide, 49cm high, 24cm deep

£10,000-15,000

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397 HB147/1LARGE SITZENDORF PORCELAINFIGURE GROUP20TH CENTURYmodelled as three ladies and twogentlemen toasting one another arounda table, on a rococo style base, withunderglaze blue mark

51cm wide

£400-600

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Fine Furniture & Works of Art

176

396 HB66/2FRENCH LARGE FOUR GLASS, BRASS ANDMARBLE MANTEL CLOCKLATE 19TH CENTURYthe white enamel dial with Roman numbersin a brass and four glass case with a veinedmarble top and base; the eight daymovement striking on a gong

31cm wide, 53cm high, 20cm deep

£1,200-1,800

395 HA665/133FRENCH GILT BRASS REPEATINGCARRIAGE CLOCK19TH CENTURYthe white enamel dial with Romannumerals in an engraved scrolling foliatemask and gorge case, the eight daymovement striking on a gong, no. 14331

9.5cm wide, 18cm high (handle up), 8.5cm deep

£600-800

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398Y HB76/11FRENCH SILVER FITTED GREEN LEATHERVALISE BY KIRBY, BEAR & CO., PARIS20TH CENTURYthe rectangular case covered in dark greenleather, the interior with a smaller removablegreen leather toiletry case fitted with anaccoutrement of silver gilt bottles, brushes andivory manicure accessories, French marks

49cm wide, 14.5cm high, 32cm deep

£1,000-1,500

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Fine Furniture & Works of Art

177

400 HB76/7FRENCH SILVERED METAL NOVELTY MANTELCLOCK, OF EQUESTRIAN INTERESTLATE 19TH CENTURYin the form of a horseshoe and bit, engravedpresentation inscription ‘1898 / Prix desBOSQUETS / 2 me’

19cm wide, 26cm high

£500-700

399 HB76/8FRENCH GILT AND PATINATED BRONZE MARBLEMOUNTED MANTEL CLOCK, OF EQUESTRIAN INTEREST19TH CENTURYthe rider and horse finial above the silvered and gilt dial,with acanthus leaf mounts and feet, the movement strikingon a bell and stamped GUYERDET AINE, PARIS

45.5cm high, 31cm wide

£600-800

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402 HA143/13PAIR OF AUSTRIAN PAINTED AND GILT GLASSCOVERED JARSLATE 19TH CENTURY / EARLY 20TH CENTURYthe domed covers and finials above a lobedquadriform bodies decorated with flower-filledcartouches and gilt foliate scrolls, on a circularfoot (2)

25.5cm high

£200-300

L Y O N & T U R N B U L L

Fine Furniture & Works of Art

178

401 HA330/9TWO VIENNESE ENAMEL BOXES19TH CENTURYdecorated with reserves depicting Venus and Cupidaccompanied by maidens within painted borders, withgilt metal mounts; one oval, the other circular (2)

circular 10.5cm diameter; oval 11cm wide

£300-500

403 HB238/1HEREND ‘ROTHSCHILD BIRD’ PATTERN PARTCOFFEE SERVICE20TH CENTURYcomprising a small coffeepot, small cream jug,leaf form dish, six demi-tasse cups and saucers,and a shaped oval tray; together with a smallHEREND QUEEN VICTORIA PATTERN CREAMJUG, 7cm high (17)

Coffeepot 15cm high; cup 6.8cm diameter;

saucer 11.5cm diameter; tray 40cm long

£200-300

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405 HB76/22AUSTRAIN COLD PAINTED BRONZE DOGLATE 19TH/ EARLY 20TH CENTURYrealistically modelled as a recumbent colliedog next to a large bag, opening to reveal avoid interior

11cm long

£350-450

404 HB76/23AUSTRIAN COLD PAINTED BRONZE BULLDOGLATE 19TH/ EARLY 20TH CENTURYrealistically cast, with white painted decorationand dark brown patina

14.5cm long

£500-600

406 SV408/69AUSTRIAN COLD PAINTED BRONZE FIGURE OF A CATLATE 19TH/ EARLY 20TH CENTURYcast carrying a shoulder yoke with two removablebuckets

8.5cm high

£100-200

407 HB76/24FRANZ XAVER BERGMAN (AUSTRIAN, 1861-1936)FEMALE BLACKBIRD, LATE 19TH/ EARLY 20TH CENTURYbronze, with dark patina, with maker’s/foundry marks

17cm long

£400-600

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409 HA391/1CONTINENTAL MAJOLICA COVERED COMPORT19TH CENTURYthe domed cover with a pinecone finial over abody moulded with grotesque masked andflanked by mermaid handles, on a stem andcircular foot moulded with further masks andfoliate scrolls, impressed clover leaf mark andmould 110

38cm wide, 41cm high

£800-1,200

L Y O N & T U R N B U L L

Fine Furniture & Works of Art

180

408 HB3/19RUSSIAN GILT BRONZE AND MALACHITE TAZZA19TH CENTURYthe malachite veneered dish top on a urn shapedcolumn with winged male masks flanked by twowrithing female figures, on a shaped circular basecast with further masks and female busts, signed

24cm diameter, 32cm high

£800-1,200

410 HA604/43WÜRTTEMBERGISCHE METALLWARENFABRIK(WMF) PLATED COMPORTLATE 19TH CENTURYthe cut glass bowl above the classical maidenholding an engraved presentation plaque, raised onan ornate base with a putto, on four scrolled feet,marked WMF

59.5cm high

£500-800

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412 HA518/2EGYPTIAN REVIVAL BRONZEAND IRON FIRE GRATEEARLY 20TH CENTURYthe squared fire basketflanked by obelisks

91cm wide, 56cm high, 37cm deep

£400-600

411 HA896/17BIEDERMEIER BIRCH AND EBONISED CHESTOF DRAWERSCIRCA 1830the rectangular moulded top over three longdrawers inlaid with fan motifs and geometricpanels, raised on slender splayed feet

108cm wide, 93cm high, 48cm deep

£1,000-1,500

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413 HB76/31BLACK FOREST CARVED MANTEL CLOCKEARLY 20TH CENTURYcarved with a cockerel, hen and chick on theroof of a shed with a fox below, the dial withblue enamel Roman numerals, the eight daymovement striking a bell; signed and dated1918 to the door interior

35cm wide, 41cm high, 15cm deep

£800-1,200

414 HB76/28BLACK FOREST CARVED ‘BEAR’ CIGAR BOXLATE 19TH CENTURYcarved as a seated bear clutching bound sticksin one hand for the purpose of matches, and afurther stick in the other hand

35cm high

£500-700

L Y O N & T U R N B U L L

Fine Furniture & Works of Art

182

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Asian, Indian &Middle Eastern

Works of Art

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415Y HA397/2SOUTHEAST ASIA CARVED IVORY HANDMIRROR FRAME, POSSIBLY BURMESE19TH CENTURYthe oval back and handle finely carved inrelief with elephants amongst trees

21cm long

£150-250

418Y SV347/9CHINESE CANTON IVORY FAN19TH CENTURYwith twenty-nine pierced sticks depicting a centraloval reserve and scrolling leaves and foliage

27cm long

£200-300

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Fine Furniture & Works of Art

184

416Y FH443/1CHINESE EXPORT CARVEDAND STAINED IVORY CHESS SET ANDBOARD19TH CENTURYthe red set carved as Chinese figures, the white set asEuropeans, contained in an associated mahogany box;the chess board with ivory and ebony squares (qty)

king 11cm high; pawn, 5cm high; board 49cm x 49cm

Note:Please be aware that this lot contains material which may be subjectto import/export restrictions, especially outside the EU, due to CITESregulations. Please note it is the buyer’s sole responsibility to obtainany relevant export or import licence. For more information visithttp://www.defra.gov.uk/ahvla-en/imports-exports/cites/

£400-600

417Y HA397/3GROUP OF CHINESE CARVED IVORY AND BONE PIECES19TH CENTURYcomprising: a cylindrical ivory counter box, 11cm high; asmall ivory double gourd bottle, with a carved ivory ballto the interior, 5.5cm high; an oval shaped ivory pendant,6.5cm long; a pierced ivory page turner, 24.5cm long;and a small bone fan, 19cm long (5)

£200-300

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419Y HA397/1CHINESE CARVED IVORY CARD CASE19TH CENTURYof rectangular form, carved with shaped lozengereserves depicting figures, temples and trees withina carved foliate border

11cm high

£250-350

422Y HD506/9CHINESE EXPORT CARVED AND STAINEDIVORY CHESS SET AND DOMELATE 19TH CENTURYthe red pieces carved as Chinese figures, thewhite pieces carved as Europeans, displayedin a three tier plush lined stand with glassdome (32)

White king 11cm high; pawn 5.5cm high

£400-600

421 SV254/20TWO CHINESE BLANC DE CHINE FIGURES OF GUANYINQING DYNASTY, 19TH CENTURYthe standing robed figures wearing a crown and headcovering, the hair painted black, on a domed cloud base(2)

39.5cm high

Provenance:Property of Lady Lanesborough.

£500-700

420 HB58/1CHINESE CANTON FAMILLE ROSE PUNCH BOWL19TH CENTURYof typical form, decorated to the interior and exteriorwith figural and foliate reserves with birds andbutterflies

37cm diameter

£250-350

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423 HA800/148PAIR OF LARGE CHINESE BLUE AND WHITEJARDINIERES ON STAND20TH CENTURYdecorated with coiling five clawed dragonschasing flaming pearls above waves, onstained hardwood scrolling openwork stands(2)

49cm diameter, 45cm high, with stand 67cm high

Provenance:Selected contents from Denston Hall, Suffolk

£400-600

424 HB134/1CHINESE BLUE AND WHITE GINGER JARKANGXI MARKS, BUT LATERof typical ovoid form, decorated with a figureupon a mythical beast and attendants, withblue double ring marks, but later, with anassociated hardwood cover

22cm high

£200-300

425Y HA659/23CHINESE EXPORTLACQUERED WORKBOX19TH CENTURYof canted rectangular form,decorated with gilt figureswithin foliate borders, thehinged lid opening to reveal afitted lift-out tray above asingle drawer, with ivorypieces, raised on four pawfeet

35.5cm wide

Provenance:Lord and Lady Rochdale

£300-500

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Fine Furniture & Works of Art

186

426 HA800/35PAIR OF CHINESE FAMILLEROSE JARDINIERESMODERNdecorated with peacocks andchrysanthemums betweenruyi border, with hardwoodstands (2)

31cm diameter, 31cm high

Provenance:Selected contents from DenstonHall, Suffolk

£250-350

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428 HA597/5CHINESE FOUR PANELLACQUER SCREEN19TH CENTURYeach fold with a silk panelabove a carved andpolychrome lacquer basedepicting figures and dragonsin a frame with lotusblossoms

199cm high, 244cm long

£400-600

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187

427 HA220/2CHINESE RED LACQUER,CARVED AND GILT SEVENPANEL FLOOR SCREENLATE 19TH CENTURYeach fold with carved andpainted panels depicting bats,figures, shou symbols andexotic flowers

196cm long, 142cm high

£300-500

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430 HB68/17CHINESE BLACK LACQUER ANDGILT DOME TOP CHESTLATE 18TH / EARLY 19TH CENTURYdecorated allover with landscapeviews with pavilions, temples andmountains, with engraved brasshandles and lock plate, void interior

119cm long, 65cm high, 52cm deep

£1,500-2,000

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188

429 HB102/3CHINESE BRASS, ABALONE AND MOTHER OFPEARL INLAID HARDWOOD BOX19TH CENTURYof circular form, the cover inlaid with scenes offishermen and rice farmers within a key border,opening to a compartmented tray above a voidinterior

9cm high, 22cm diameter

£300-500

431 HA862/10PAIR OF COPPER AND MIXED METALTIBETAN HORNS19TH CENTURYof curved tapering form mounted withembossed silvered metal dragon masks(2)

44cm long

£200-300

432 HB138/1PAIR OF JAPANESE PATINATEDBRONZE CENSERSeach with a domed cover surmounted bya bird final, above an ovoid reservoirraised on a knopped column andcircular foot, decorated with figural andlandscape scenes (one A/F) (2)

55cm high

£250-350

433 SV152/13JAPANESE KUTANI VASELATE 19TH / EARLY 20TH CENTURYof tapered ovoid form decorated in thetypical palette depicting samuraiwarriors between decorative borders,highlighted with gilt, twelve charactermark

36.5cm high

£200-300

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435 HA800/78LARGE PAIR OF JAPANESE KUTANIVASESMEIJI PERIODthe flared necks and baluster sidesdecorated in low relief with panelsdepicting exotic birds amongstfoliage, reserved against a black giltenriched geometric ground, with laterwooden stands (2)

94cm high (excluding stands)

Provenance:Selected contents from Denston Hall, Suffolk

£1,000-2,000

434 HB75/2JAPANESE HARDWOOD DISPLAY CABINETEARLY 20TH CENTURYwith an arrangement of cupboard doors,sliding compartments, drawers and galleriedshelves, carved allover with eagles, geese,songbirds, chrysanthemums, and ho-ho birds,on a moulded base with scroll feet; the doorsmounted with mixed metal handles

129cm wide, 169.5cm high, 42cm deep

£400-600

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439Y HB381/1IMPRESSIVE PAIR OF INDIANIVORY VENEERED BOTTLEVASESPROBABLY MURSHIDABAD,EARLY 19TH CENTURYeach with a slender neck witha stiff leaf carved and flaredmouth and collar, above aspiral carved globular body ofivory panels, raised on a leafcarved socle foot, (2)

39cm high

£10,000-15,000See illustration opposite

437 HA598/2LARGE ANGLO-INDIAN PADOUK, INLAY ANDBRASS BOUND WORK BOX19TH CENTURYthe brass banded hinged lid centred by a mother-of-pearl star motif, opening to a compartmentedinterior fitted with a recessed well and secretcompartments, with two external drawers andmetal handles

56cm wide, 24cm high, 26cm deep

£300-500

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190

436Y HB354/6INDIAN SANDALWOOD AND IVORY WORKBOX19TH CENTURYof sarcophagus form, carved with exotic birds,animals and flowers with ivory banding, theinterior with an arrangement of coveredcompartments and ivory fittings above a secretdrawer

43cm wide

£300-500

438 HA949/1BURMESE BRONZE FIGURE OFVISHNUcast with four arms, holding achakra, a conch and playing theflute, raised on a square base

32.5cm high

£300-500

Note:Murshidabad, the nawabi capital ofBengal, is a well known area forworks made from ivory. Westerninfluences were often incorporatedinto traditional Indian design andreflect the cultural synthesis thatwas popular amongst the Britishand Indian elite at that time.Traditionally, vases of this shapewould have been used as scentedwater sprinklers and could havebeen made of metal, glass, orpottery. This sumptuous pair, mostlikely were made as a display ofwealth rather than any practicaluse.

£10,000-15,000See illustration opposite

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440 HA351/10TWO IZNIK TILES19TH CENTURYboth decorated in blue andgreen glazes depicting foliatemotifs (2)

20.5cm x 20.5cm

£400-600

441 LT2014/38QAJAR LACQUERED PAPIERMACHE MIRROR CASE18TH CENTURYthe front and back panelsdecorated with Christianscenes of the Holy Family

16cm wide, 23cm high

£500-700

442 HA730/15TWO SILVER MOUNTED KHATAM BOXESIRAN, 19TH CENTURYthe rectangular boxes profusely inlaid with bandsof star-shaped designs surrounding a centralsilver panel on the top decorated in relief withfigures in various activities, with further silverpanels on each side decorated with figures,animals and flowers, one box with Arabicinscription to the front within a silver panel (2)

21cm wide, 7.5cm high, 12cm deep

£600-800

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Rugs & Carpets

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445 HA995/1CENTRAL PERSIAN CARPETPOSSIBLY KIRMAN, LATE 20TH CENTURYthe field with allover polychrome densefoliate lattice pattern, within rustrectangular cartouche border betweencamel bands

313cm x 211cm

£300-500

443 HB135/1TURKOMAN CARPETTURKMENISTAN, 20TH CENTURYthe dark red field with three columns ofeight Ersari style guls, within triplebrown geometric borders betweenbands

398cm x 341cm

£400-600

444 HB135/2TURKOMAN CARPETTURKMENISTAN, 20TH CENTURYthe dark red field with threecolumns of eight Ersari styleguls, within reddish browngeometric border betweenivory bands

364cm x 285cm

£400-600

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446 HA979/1SHIRVAN RUGEAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURYthe ivory field with allover polychromegeometric foliate pattern, withinmultiple narrow borders

222cm x 132cm

£800-1,200

447 HA979/2USHAK CARPETWEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURYthe plain red field with green star medallion, orangeand pink spandrels, within green palmette and vineborder with outer red band

366cm x 277cm

£1,000-1,500

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448 SV93A/60LARGE USHAK CARPETWEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURYthe red field with allover stylisedvine and cypress tree pattern,cream spandrels, within purple-blue palmette and vine borderbetween bands

710cm x 467cm

Provenance:Mullanhead House, Balfron.Previously Parkhall House, Balfron.

£3,000-5,000

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449 HA981/1USHAK CARPETWEST ANATOLIA, LATE19TH/EARLY 20TH CENTURYthe indigo field with camelhexagonal medallion, creamand blue spandrels, withincamel rosette and foliateborder between blue and greybands

338cm x 278cm

£300-500

450 HA896/21SERABEND CARPETWEST PERSIA, LATE 20TH CENTURYthe indigo field with allover small botehpattern, within multiple narrow borders

495cm x 320cm

£300-500

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451 HA979/3KAZAK RUGSOUTH CAUCASUS, LATE19TH/EARLY 20TH CENTURYthe field with four polychromestepped hooked medallionson similar ground, within ivorywine glass and serrated leafborder with blue outer band

250cm x 124cm

£300-500

452 HA659/30THREE TEKKE RUGS AND A BAGFACETURKMENISTAN, LATE 19TH/EARLY 20TH CENTURYeach with rust field with columns of guls,geometric borders and elem panels (4)

130cm x 115cm; 120cm x 106cm; 115cm x 73cm;

103cm x 100cm

Provenance:Lord and Lady Rochdale

£300-500

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198

453 HA975/2KASHAN RUGCENTRAL PERSIA, 20TH CENTURYthe cream field with fadedrust medallion, flanked bybirds in trees, blue spandrels,within faded rust foliateborder between bands

217cm x 142cm

£300-500

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455 HA981/2ANATOLIAN KELLEHPOSSIBLY SIVAS OR SPARTA, LATE 19TH/EARLY 20TH CENTURYof Kuba design, the indigo field witharrowhead palmette and foliate pattern,within camel geometric border betweenred and blue bands

372cm x 167cm

£300-500

454 HB63/1SILK KASHAN PRAYER RUGPOSSIBLY ‘MOHTASHAM’, LATE19TH/EARLY 20TH CENTURYthe ivory field with dense foliatetree pattern, within brick redpalmette, rosette and arabesquevine border between bands

202cm x 128cm

£1,500-2,500

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200

456 HA146/27KURDISH RUNNERNORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURYthe indigo field with allover foliate botehpattern, within cream serrated vineborder between red bands

360cm x 96cm

£300-500

457 HA146/9KUBA RUNNEREAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURYthe abrash indigo field with alloverpalmette and foliate pattern, within ivoryfoliate vine border between red bands

815cm x 111cm

£600-900

458 HA146/53NORTHWEST PERSIAN RUNNERLATE 19TH/EARLY 20TH CENTURYthe abrash indigo field with alloverherati pattern, within red stylised vineborder between blue bands

570cm x 90cm

£200-300

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459 HA800/127LARGE MAHAL CARPETWEST PERSIA, EARLY 20TH CENTURYthe red field with alloverpalmette and foliate vinepattern, within indigopalmette and foliate vineborder between cream andred bands

632cm x 398cm

Provenance:Selected contents from DenstonHall, Suffolk

£1,500-2,500

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461 HA146/78TABRIZ CARPETNORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURYthe indigo field with red medallion,light blue and red spandrels, withinred palmette border between lightblue bands

400cm x 274cm

£400-600

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460 HA847/9DONEGAL CARPETNORTHWEST IRELAND, LATE 19TH/EARLY 20TH CENTURYof Ushak design, the camel field with rosette,palmette and foliate pattern, within blue palmette,serrated leaf and vine border between red bands

505cm x 326cm

£700-1,000

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462 HA146/69KASHAN CARPETCENTRAL PERSIA, LATE19TH/EARLY 20TH CENTURYthe ivory field with alloverfoliate tree pattern,interspersed with birds,animals and buildings, floralvase to base, within redanimal and buildingcartouche border betweenblue and other bands

420cm x 272cm

£1,200-1,800

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463 HA146/38TABRIZ ‘HUNTING’ CARPETNORTHWEST PERSIA, LATE19TH/EARLY 20TH CENTURYthe brick red field with smallblue medallion and alloverpattern of animals amidstpalmettes and scrollingfoliate vine, within indigopalmette and vine borderbetween cream and red bands

579cm x 403cm

£4,000-6,000

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Natural History

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467 HA851/1LARGE AMMONITE FOSSILMESOZOIC ERA, 112-125 MILLION YEARS OLDMiddle Cretaceous Period, Aptian Stage, GenusProcheloniceras species, from Agadir, Morocco

27cm across

£150-250

464 HB354/5RUBY IN ZOISITELONGIDO, TANZANIAof natural form, raised on ablack painted stand

10.5cm long

Note:This lot comes with a note fromBrian Jackson, the Principal Curatorof Mineralogy at the NationalMuseums of Scotland, detailing theorigins and specifics of the ruby.

£250-350

465 HB354/2CARVED NATURAL RUBYPOSSIBLY FROM LONGIDO, TANZANIAof oval faceted form, carved to the crown with two leaves,raised on a black wooden stand

4cm long

Note:This lot comes with a note from Brian Jackson, the Principal Curatorof Mineralogy at the National Museums of Scotland, detailing thedescription, possible origins and general condition of the piece.

£250-350

466 HA851/3LARGE POLISHED AMMONITE FOSSILDEVONIAN, 350 MILLION YEARS OLDGoniatites species, from the Atlas Mountains,Morocco, contained within its own rock matrix

25cm wide, 21.5cm high

£150-250

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469 HA851/2MOSASAUR PARTIAL JAW BONE FOSSILUPPER CRETACEOUS, 80 MILLION YEARS OLD APPROX.from Oued Zem, Morocco, with five teeth

20cm across

Note:The Mosasaur lived on almost every continent 75 - 85 million years agoduring the Cretaceous period of the Mesozoic Era. Mosasaurs were thelargest lizards ever to evolve with a length of almost 60 feet, with a longsnake-like tail and flippered feet.

£200-300

470Y HB354/1SOUTH PACIFIC CARVEDSPERM WHALE UPPER SKULLcarved with native hunters withspears, palm trees, a crocodileand other animals in low relief,mounted on a modern blackstand

125cm high; 184cm high (including

stand)

£1,500-2,500

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468 HB354/4FOSSILISED MAMMOTHMOLAR AND PARTIAL JAWBONE

34cm long

£600-800

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473 HB354/8AMERICAN WALRUS SKINSUITCASEEARLY 20TH CENTURYwith gilt brass mountsinscribed PRESENTED TOHUGH HOWAT BY THEEMPLOYEES/ HOLYOKEMACHINE COMPANY 1910,with a fitted silk lined interior

61cm wide

£200-300

471 HB354/7BLONDE COCO DE MER(LODOICEA MALDIVICA)of typical form, with apolished patina

30cm long

£300-500

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472Y HA800/162FEMALE WALRUS SKULLEARLY 20TH CENTURY

40cm long approx.

Provenance:Selected contents from Denston Hall,Suffolk

£150-250

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Walking Sticks & Canes

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474 HA604/47PORCELAIN AND GILT METALMOUNTED WALKING STICK19TH CENTURYthe Malacca shaft surmounted with aporcelain neck decorated with an ovalportrait reserve of an 18th centurywoman, the T-shaped and embossedmetal handle indistinctly marked andbearing monogram ‘GMB’, 83cm long;together with a FRENCH ENAMEL ETUICASE, late 18th century, with floralreserves against a pale blue ground,9.5cm long (2)

£300-500

477Y HB76/37TWO NOVELTY CARVEDDOG’S HEAD WALKINGSTICKS19TH CENTURYthe first with glass eyes andan ivory collar above an ashshaft, 97cm long; the secondwith his head tilted to theright and with glass eyes,94cm long (2)

£350-450

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475 HB76/44NOVELTY CARVED CAT AUTOMATONHANDLE AND GOLD MOUNTEDPARASOLLATE 19TH CENTURYthe handle carved as a seated cat withmoving head and tail when a button ispushed, above a gold collar and bambooshaft with a taupe silk parasol

90cm long

£300-500

476 HB76/34TWO NOVELTY CARVED WOODWALKING STICKS AND APARASOL19TH CENTURYthe first a folk art carved with ayoung woman’s head withflowers in her hair, 91cm long;the second carved with aneagle’s head handle, 94cm long;and the last a black silk parasolwith a bamboo shaft and handlecarved as a Chinese man holdinga fan, 91cm long (3)

91cm long

£500-700

478 HB76/39BAMBOO ‘HORSE MEASURE’ WALKINGSTICK19TH CENTURYthe burr wood knopped end sliding outto reveal a measure marked in metersand hands, in a bamboo shaft with silvermetal ferrule

92cm long

£300-500

479 HB76/40VICTORIAN SILVER MOUNTED HORNSWORDSTICK19TH CENTURYthe embossed silver pommel engravedwith an armorial and the ‘Capt. Butler /Bletchingley / Surrey’ withdrawing asteel blade, in a Malacca shaft withsilver gilt collar and ferrule

91cm long

£500-700

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480Y HB76/41WHALEBONE WALKING STICK19TH CENTURYthe knopped pommel over aring and spiral carved taperingshaft

91cm long

£1,000-1,500

481 HB76/42UNUSUAL PIQUE ANDHARDWOOD WALKING STICKOF CRIMEAN WAR INTERESTMID 19TH CENTURYthe pommel and shaft inlaidwith crowns, flower pots, stars,flowerheads and geometricmotifs and the inscription ‘USEME WHEN WANTED /HONOUR THE QUEEN / FEARGOD / SEBASTOPOL SEPT 8TH1855’

93cm long

£700-900

482Y HB76/43RARE JADE MOUNTED CARVEDWHALEBONE WALKING STICK19TH CENTURYthe flattened green jadepommel centred by a gilt metalrampant lion medallion, above afoliate and spiral carved shaftdivided by pair of carvedclasped hands, the endunscrewing to reveal a compass

95cm long

£2,000-3,000

483 FE458/14LARGE GROUP OF WALKINGSTICKS AND CANESvarious sizes, with taxidermy,horn and natural handles in avariety of woods (qty)

£300-500

484 FG586/56GROUP OF THREE NOVELTY WALKING STICKSLATE 19TH / EARLY 20TH CENTURYcomprising a stick in the form of a Sunday club, stamped‘C. Anderson & Sons, St Andrews Scotland’, 87cm long;an antler and silver mounted stick with a bamboo shaft,90cm long; and a folk art stick, the knopped end carvedas an African man’s head, 97cm long (3)

£250-350

480 481 482

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485 FE458/13GROUP OF EIGHT WALKING STICKSAND CANESLATE 19TH / EARLY 20TH CENTURYcomprising an antler handle cane cavedwith a squirrel, with a gilt metal collar,113cm long, a Chinese silver handlecane with a bamboo shaft, 82cm long; asilver handled cane with an ebonisedshaft, 90cm long; an ebony cane with awhite metal tip and collar, 90cm long; ahorn handle cane carved with a thistle;a stick with a repoussé silver platedpommel depicting trout, 89cm long; abrass handled cane, 89cm long; and astick with a resin pommel in the formof a grouse, 90cm long (8)

£300-500

486 HB75/7LARGE VICTORIAN OAK AND BRASS STICK STAND19TH CENTURYcomprised of three sections with brass dividers andmetal drip trays, bearing ivorine trade label‘W.S.Brown & Sons, 65 George St., Edinburgh’

248cm long, 78cm high

£800-1,200

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Arms & Militaria

and

Sporting Guns

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487 HA998/6ROYAL COMPANY OF ARCHER’S UNIFORM(QUEEN’S BODYGUARD FOR SCOTLAND)comprising of: a tunic with major’s badge ofrank, a pair of trousers, with a sash, a Romansword, and sword belt, cape and a leather capesling, two bonnets, a pair of boots (size 6), andan evening tail coat with a velvet collar, withtwo eagle feathers, two arrows, contained in amilitary tin trunk with brass plaque engravedMAJOR F. J. CARRUTHERS OF DORMONT (qty)

Note:This uniform belonged to Francis John Carruthers, J.P.(1868-1945), a man whose military career spanned hislifetime. He was Lieutenant-Colonel to the late KingsOwn Scottish Borderers, which involved campaigns inEgypt in 1888 and in South Africa during 1900-02. He wasalso a Brigadier for the Royal Company of Archers,Queen’s Bodyguard for Scotland in 1900 and DeputyAssistant Director at the War Office, 1915-19. He thenwent on to become Brevet Lieutenant-Colonel in 1917 aswell as Honorary Colonel 1931-1936, 5th Battalion beforehis appointment as H.M. Lieutenant in 1935 and C.B. in1943.

£600-800

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488 HA859/1GERMAN BEARING SWORDEARLY 17TH CENTURYwith scroll crossguard, long wavy blade, with two projectinglugs, ball pommel, missing grip and leather binding forward ofthe crossbar

overall 181cm long

£3,000-5,000

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489 HA666/9HIGHLAND REGIMENTAL OFFICER’S BROAD SWORD,FOR THE GORDON HIGHLANDERSCIRCA 1930with a plated basket hilt, wooden grip covered in fish skinand bound with a double twist of silver wire, pasteboardliner covered with red velvet and with a maroon fringe, theetched blade with cipher for King George V and theregimental badge of the Gordon Highlanders, in a platedscabbard, with leather field service scabbard and outertravelling case

length of blade 82cm

£500-600

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491 HA859/4PERCUSSION DOUBLEBARREL OFFICER’S PISTOL19TH CENTURYwith captive swivel ramrod,engraved iron furniture,engraved back action, locks,with a full walnut stock andchequered butt, with a plainsilver escutcheon, in an oakfitted case, withaccompanying accessories

barrel length 25cm

£500-800

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490 HA859/7FLINTLOCK FOWLING PIECECIRCA 1770the rounded lock plate signed HUDSON,iron mounts, long two-stage barrel, fullwalnut stock (split and repaired at thehand), replacement ramrod

barrel length 160cm

£400-600

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The Alan Brown Collection of Sporting Guns

493 FE458/3.22-250 HOWA BOLT ACTION, MODEL 1500serial number B 161219, in brushed alloy, with rubberisedstock, and with 8x56 KLASSIK telescopic sight, bi pod, withsound moderator

barrel length 78cm (including sound moderator)

£400-600

492 FE458/2.243 SAKO BOLT ACTION TARGET RIFLEserial number H0 4855, barrel of brushed alloy, stock ofhardened rubber, with 8x46 SCHMIT & BENDER scope

barrel length 68.5cm

£1,000-1,500

494 FE458/1.22/.410 STEPHENS COMBINATION RIFLE & SHOTGUNover and under serial number 2259397, with a moulded figuredglass fibre stock, single trigger hammer action with selector,with LEUPOLD telescopic sight

barrel length 61cm

£200-300

Alan Brown was a family man, business owner and dog lover. His many interests includedthe study of ballistics and the use of rifles in target and game shooting. It was Alan's wish that his firearms should be sold to allow others to continue his interests.

Please note that lots 492-499 and 501 requires the purchaser to have a valid firearmcertificate or RFD, and/or a shotgun certificate.

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497 FE458/6.12 BORE MOSSBERG PUMP-ACTION SHOTGUNserial number R 729719, with full camouflage stock action andfore end, with a sling

barrel length 63.5cm

£100-200

495 FE458/4.22 RUGAR MAGAZINE RIFLEserial number 23912342, with a short barrel carbine with acoated spiral barrel, brushed alloy action, curved clear plasticmagazine, telescopic sight, bipod and leather rifle sling

barrel length 50cm

£200-300

496 FE458/5.22 ANSCHUTZ BOLT ACTION RIFLEserial number 3104204, with a wooden full stock with thumbhole grip, Legend Scope sound moderator and leather sling

barrel length 62cm

£200-300

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498 FE458/7.12 BORE WINCHESTER OVER UNDER SHOTGUNchambered for 3 inch cartridges, serial number K456625,model 101 XTR, with pistol grip stock and raised ventilated rib,detachable chokes

barrel length 68.5cm

£200-300

500 FE458/9COLLECTION OF SHOOTING PARAPHERNALIAincluding: a leather cartridge bag, various gunslips, two rifle bipods, a telescopic sight, aBushnell range finder, a pair of field glasses, and avariety of shooting related objects (qty)

£100-200

499 FE458/8.12 BORE WINCHESTER PIGEON GRADE SIDE-BY-SIDESINGLE TRIGGER BOX LOCK EJECTOR SHOTGUNchambered for 3 inch cartridges, serial number PWK001504,with pistol grip stock with plated action, barrel length 71cm;together with a MIDLAND GUN COMPANY 12 BORE BOX LOCKEJECTOR SHOT GUN, serial number 5204, chambered for 2 3/4cartridges pistol grip stock, barrel length 76cm (2)

£200-300

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502 HB160/1PRESENTATION FOUR PIECE GREENHEARTSALMON FLY RODMID 19TH CENTURYthe butt cap engraved CHEVALIER/ BOWNESS& SON/ 12 & 14 BELL YARD/ TEMPLE BAR andwith an engraved depiction of a salmon, theapplied silver plaque engraved STIRLINGFISHING CLUB PRIZE ROD/ FOR BEST FLYFISHING IN LOCHS/ WON ON LOCHARD 22NDMAY 1849/ BY WILLIAM FINLAY ESQR.;together with a GREENHEART ROD; and aSPLIT CANE ROD (3)

£100-150

END OF SALE

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501 HA656/3.12 BORE BOXLOCK EJECTOR SIDE BY SIDE SHOTGUN,BY WHEATER, HULL, ENGLANDthe walnut stock chequered at the hand, fore-end andbutt, signed on the top rib, nitro proof, chambered for 3¼ inches, serial number 134204, barrel 71cm long;together with a 12 BORE BOXLOCK EJECTOR SIDE BYSIDE SPORTING SHOTGUN, BY WEBLEY AND SCOTT,serial number 127474, barrel 76cm long; a .22 BOLTACTION SINGLE BARREL RIFLE, BY REMINGTON; and a12 BORE SINGLE BARREL HAMMER GUN, BY MIDLANDGUN CO. (4)

Provenance:The late Bill Hepworth collection of taxidermyNote:This lot requires the purchaser to have a valid UK firearm certificateor RFD and shotgun certificate.

£600-800

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1. DEFINITIONSIn these Conditions of Sale (Sellers): “Auctioneer” means Lyon & TurnbullLtd or its authorised auctioneer, asappropriate; “Buyer“ is the person who makes thehighest possible bid or offer acceptedby the auctioneer, and/or suchperson’s principal where bidding asagent; “Buyer‘s Premium” is the commissionpayable by the Buyer on the HammerPrice at the rates set out in the SaleCatalogue Guide to Prospective Buyersand an amount in respect of applicableVAT; “Hammer Price” is the highest bidaccepted by the auctioneer by the fallof the hammer or in the case of a post-auction sale, the agreed sale price; “Item” means each and every itemconsigned for sale following expresswritten agreement between Lyon &Turnbull and the Seller; “Lot“ means each Item offered for saleby Lyon & Turnbull; “Lower Estimate” means the lowestimate provided by Lyon & Turnbullto the Seller in relation to each Item, orin relation to any Item which Lyon &Turnbull holds on behalf of the Seller; “Lyon & Turnbull” means the companywhich has its registered office at 33Broughton Place, Edinburgh, EHI 3RRregistered in Scotland No. 191166 “Net Sale Proceeds” are the HammerPrice, less commissions and othercharges, of the Lot sold, to the extentreceived by Lyon & Turnbull in clearedfunds; “Proposed Sale” means the intendedsale through which the items will besold on “Purchase Price” is the Hammer Priceand applicable Buyer‘s Premium; “Reserve” means the lowest pricebelow which an item cannot be sold; “Upper Estimate” means the highestimate provided by Lyon & Turnbullto the Seller in relation to each Item, orin relation to any Item which Lyon &Turnbull holds on behalf of the Seller; “Terms of consignment” means thestipulated terms and rates ofcommission on which the Auctioneeraccepts instructions from Sellers ortheir agents; “You”, “Your” means the seller“Us”, “Our”, “We” etc refers to Lyon &Turnbull LtdThe singular includes the plural andvice versa as appropriate.

2. WARRANTY OF TITLE ANDAVAILABILITY

The Seller warrants:-(a) that you are the true owner of theproperty consigned or are properlyauthorised by the true owner toconsign it for sale and are able totransfer good and marketable title tothe property free from any third partyclaims.(b) that all requirements have beencomplied with, legal or otherwise,relating to any export or import of theproperty consigned, all duties andtaxes in respect of the export or importof the lot have (unless agreed in writing

with us) been paid and, so far as youand any principal for whom they areacting in relation to the lot are aware,all third parties have complied withsuch requirements in the past.(c) that you have provided Lyon &Turnbull with any and all informationconcerning the item’s provenance orany concerns expressed by thirdparties concerning its ownership,condition, authenticity, attribution, andexport or import history; and(d) Unless the Seller advises Lyon &Turnbull in writing to the contrary ondelivery of the item to Lyon & Turnbull,there are no restrictions on Lyon &Turnbull rights to reproducephotographs or other images of theitem in connection with the sale or anyother marketing which will be done inaccordance with good taste anddecency.

3. PREPARATION FOR SALE(a) Lyon & Turnbull shall decide theway in which a lot may be included inthe sale, how any lot is described andillustrated in the catalogue or anyreport, and the marketing, promotion,date, place and conduct of the sale. (b) Lyon & Turnbull will instruct,consult with, and rely on, any outsideexperts or restorers, agents or otherthird parties, and carry out suchother due diligence, inquiries,research or tests in relation to theproperty or its provenance, eitherbefore the Proposed Sale as it maydeem appropriate in its reasonablediscretion.(c) Any oral or written estimate orevaluation or report provided by Lyon& Turnbull is a genuinely held opiniononly. It may not be relied on as aprediction of the selling price or valueof the Item, and may in Lyon &Turnbull’s absolute discretion berevised from time to time.(d) The Seller acknowledges thatattribution of Items is a matter ofopinion and not of fact, and isdependent upon (amongst other things)information provided by the Seller, thecondition of the property, the degree ofresearch, examination or testing that ispossible or practical in thecircumstances, and the status ofgenerally accepted expert opinion atthe time of cataloguing

4. TERMS OF SALEThe Seller acknowledges that lots aresold subject to these Conditions andon the Terms of Consignment asnotified to the consignor at the time ofthe entry of the lot.

5. STANDARD SELLER FEES ANDCHARGES (Subject to VAT)(1) Commission: 15% is charged on theselling price of each lot, (subject to aminimum charge of £30). Loss anddamage warranty: 1.5% on value of lotssold. Photography: min charge £30.Online Listing: £10 per lot.(2) Transport: Items for sale must beconsigned to the sale room by anystated deadline and at your expense.We may be able to assist you with thisprocess. When organised on theSeller’s behalf the provision oftransport will be contracted to thirdparties. Fees for transport will bededucted at the initial settlement.

(3) Illustrations: The cost of anyillustrations will be borne by the Seller, unless agreed otherwise prior. Thecopyright in respect of suchillustrations shall be the property of us,the auctioneers, as is the text of thecatalogue.

6. RESERVES(a) You are entitled to place, prior to theauction, a reserve on any lot consigned,being the minimum hammer price atwhich that lot may be sold. Reservesmust be reasonable and we maydecline to offer goods which in ouropinion would be subject to anunreasonably high reserve.(b) Firm reserves may be no greaterthan lower pre-sale estimate level.(c) A reserve once set cannot bechanged except with our agreement.(d) You may not bid or instruct orpermit any other person to bid onyour behalf on your own property. Ifthe Seller breaches this prohibition,Lyon & Turnbull may treat the Selleras bound as Seller and as Buyer butwithout the benefit of Lyon &Turnbull Authenticity Guarantee or thereserve, and/or pursue otherremedies.(e) We may sell lots below the reserveprovided we account to you for thesame sale proceeds as you would havereceived had the reserve been thehammer price.

7. LOSS & DAMAGE WARRANTY(a) Subject to condition 7(c) below Lyon& Turnbull will assume liability for lossor damage to an item, commencing atthe time that item is taken into physicalcontrol and possession by Lyon &Turnbull and ceasing on the earliestdate of; (i) when risk passes to the Buyer of thelot following its sale; (ii) for unsold lots, when the lot isreleased to the Seller, or, within 3months of the sale;or (iii) 6 months from the date of deliveryto Lyon & Turnbull for items still in thepossession of Lyon & Turnbull but notconsigned for sale (unless part of along-term storage agreement).(b) Lyon & Turnbull shall charge a lossand damage warranty fee of 1.5% ofthe hammer price, plus VAT. (c) If any loss or damage should occurto the lot during the period identified inparagraphs (a) above, Lyon & Turnbull’sliability to compensate the Seller inrespect of that loss shall be restrictedto a maximum of the upper estimate,or actual loss incurred, whichever islower. This compensation will besubject to a deduction of a 1.5% loss &warranty fee (subject to VAT).

8. UNSOLD ITEMS(1) If an item is unsold it may, with yourconsent, be re-offered at a future sale.Where in our opinion an item is notsuitable for a future sale we may eitherrequest (a) you collect such items fromthe saleroom promptly on being soinformed. We shall be entitled tocharge you for storage costs, chargesshall be made at a reasonable dailyrate; or (b) suggest that the item betransferred to a secondary saleroomfor sale without reserve. Alltransferred lots will be sold for thebest price on the day, this may not bear

any reflection on the item’s originalestimate. Lyon & Turnbull are notliable for any items (whether it beselling price or loss & damage) whentransferred. (2) Aftersales: We reserve the right toaccept an after-auction offer on a loton behalf of the seller, at the agreedreserve price or above, for up to 48hours after the original auction. Inwhich case the same charges will bepayable as if such lots had been sold atauction and so far as appropriate theseConditions apply.

9. LOT WITHDRAWAL If a Seller wishes to withdraw a lotorganised for sale, a withdrawal feewill apply; (a) if withdrawn over 28 working daysprior to the sale, this will be charged at10% of the mid estimate along with anyancillary charges incurred (such asphotography), all subject to VAT at thecurrent rate.(b) if withdrawn within 28 working daysof the sale, this will be charged at 20%of the mid estimate along with anyancillary charges incurred (such asphotography), all subject to VAT at thecurrent rate.(c) Lyon & Turnbull may withdraw a lotfrom the proposed sale without anyliability if: (i) Lyon & Turnbull reasonably believesthat there is any doubt as to the lot‘sauthenticity or attribution; or (ii) it reasonably doubts the accuracy ofany of the Seller’s warranties; or (iii) the Seller breaches any provisionsof the Conditions of Sale in anymaterial respect; or (iv) the lot suffers from loss or damageso that it is not in the state in which itwas when Lyon & Turnbull tookdelivery of it. (d) if an item is withdrawn from saleunder Condition 9(c) (i), or (iv), theSeller shall not be charged awithdrawal fee and the item shall bereturned to the Seller or dealt withpursuant to Clause 8, as the Sellerdecides.

10. AUTHORITY TO DEDUCTCOMMISSION AND EXPENSES ANDRETAIN PREMIUM AND INTEREST.The Seller authorises us to deductcommission at the stated rate, and allexpenses incurred for your accountfrom the hammer price, and consentsto our right to retain beneficially thepremium paid by the Buyer inaccordance with these Conditions ofSale and any interest earned on thesale proceeds until the date ofsettlement.

11. NON-PAYMENT BY THE BUYER(a) Lyon & Turnbull will, where itconsiders appropriate, take reasonablesteps to investigate the ability ofbidders to pay for lots and will usereasonable endeavours, in consultationwith the Seller, to enforce payment ofthe Hammer Price by any Buyer.(b) Lyon & Turnbull, in consultationwith the Seller, will decide whether topursue any of the remedies available toit, including those set out in Condition10 of the Condition of Sale (Buyers)including the right to cancel the saleand return the property to the Seller.

14/5

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only and disclaims any responsibilityfor default by Sellers or Buyers.

17. DATA PROTECTIONIn connection with the managementand operation of our business and themarketing and supply of Lyon &Turnbull’s services, or as required bylaw, we may ask the Seller to providepersonal information about themselvesor obtain information about the Sellerfrom third parties (e.g. creditinformation). Lyon & Turnbull will notgive out personal information except asmay be required by law. If you would like further information onLyon & Turnbull policies on personaldata, or to make corrections to yourinformation, please contact us on +44(0)131 557 8844.

18. LAW AND JURISDICTION(a) Governing Law: These Conditions ofSale and all aspects of all matters,transactions or disputes to which theyrelate or apply shall be governed by,and interpreted in accordance with,Scots law (b) Jurisdiction: The Seller agrees thatthe Courts of Scotland are to haveexclusive jurisdiction to settle alldisputes arising in connection with allaspects of all matters or transactionsto which these Conditions of Salerelate or apply.

Lyon & Turnbull will inform the Sellerof any action which it contemplatestaking against the Buyer.(c) lf the Seller elects to take actionagainst any Buyer on its own behalfLyon & Turnbull will provide the Sellerwith such assistance as may bereasonably necessary to pursue thataction.(d) The Seller hereby agrees to informLyon & Turnbull of any action which itchooses to take against the Buyer toenforce payment of the amount due tothe Seller.(e) In the event that a Buyer fails to payfor a lot in accordance with theConditions of Sale for Buyers, that lotwill be treated in the same way as anunsold or collected lot.

12. SETTLEMENT PAYMENTSSubject to full payment by the Buyer,payment of the net proceeds of saledue to you will be made over to you 28working days following a sale. Providedwe have received cleared funds.Payment will be made by cheque orBACS (if requested).

13. SALE BY PRIVATE TREATY(a) The same Conditions of Sale(Sellers) shall apply to sales by privatetreaty. (b) Private treaty sales made under

these Conditions are deemed to besales by auction and subject to ouragreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes toinform the Seller of any offers itreceives in relation to an item prior toany Proposed Sale, excluding thenormal method of commission bids.(d) For the purposes of a private treatysale, if a lot is sold in any othercurrency than Sterling, the exchangerate is to be taken on the date of sale.

14. THIRD PARTY LIABILITYAll members of the public on ourpremises are there at their own riskand must note the lay-out of theaccommodation and securityarrangements. Accordingly neither theauctioneer nor our employees oragents shall incur liability for death orpersonal injury (except as required bylaw by reason of our negligence) orsimilarly for the safety of the propertyof persons visiting prior to or at a sale.

15. GENERAL(a) We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctionsby any person.(b) Any notice to any Buyer, Seller,bidder or viewer may be given by email,or if not available then first class mail,in which case it shall be deemed to

have been received by the addressee 48hours after posting.(c) Notices to Lyon & Turnbull shouldbe in writing and addressed to NickCurnow at 33 Broughton Place,Edinburgh EH1 3RR, quoting thereference number specified at thebeginning of the sale catalogue.(d) Should any provision of theseConditions of Sale be heldunenforceable for any reason, theremaining provisions shall remain infull force and effect.(e) These Conditions of Sale are notassignable by either party without theother’s prior written consent, but arebinding on the seller’s successor andrepresentatives. No act, omission ordelay by Lyon & Turnbull shall bedeemed a waiver or release of any ofits rights.(f) The contract between the partiesmay be varied by the parties byagreement and in writing.

16. AGENCY Lyon & Turnbull acts as agent solelyfor and in the interests of the Seller.We do not act for Buyers in this roleand does not give advice to Buyers.When Lyon & Turnbull make astatement about a lot it is doing so onbehalf of the Seller of the lot. The Auctioneer normally acts as agent

The Auctioneer carries on businesswith bidders, Buyers and all thosepresent in the auction room prior to, orin connection with, a sale on thefollowing General Conditions and onsuch other terms, conditions andnotices as may be referred to herein.

1. DEFINITIONS In these Conditions of Sale (Buyers): “Auctioneer” means Lyon & TurnbullLtd or its authorised auctioneer, asappropriate; “Hammer price” means the level ofbidding reached (at or above anyreserve) when the Auctioneer bringsdown the hammer; “Lot” means each Item offered for saleby Lyon & Turnbull; “Purchase Price” is theh ammer Priceand applicable Buyer‘s Premium; “Reserve” means the lowest pricebelow which an item cannot be sold; “Total amount due” means thehammer price in respect of the lot soldtogether with any premium, ValueAdded Tax or other taxes chargeableand any additional charges payable bya defaulting Buyer under theseConditions; “You”, “Your” means the Buyer“Us”, “Our”, “We” etc. refers to Lyon &Turnbull LtdThe singular includes the plural andvice versa as appropriate.

2. AGENCYLyon & Turnbull acts as agent solelyfor and in the interests of the Seller.We do not act for Buyers in this roleand does not give advice to Buyers.When Lyon & Turnbull make astatement about a lot it is doing so on

behalf of the Seller of the lot. The Auctioneer normally acts as agentonly and disclaims any responsibilityfor default by Sellers or Buyers.

3. BIDDING PROCEDURES AND THEBUYER (a) Bidders are required to registertheir particulars before bidding and tosatisfy any security and creditreferences or arrangements beforeentering the auction room to view orbid; (b) The maker of the highest bidaccepted by the Auctioneer conductingthe sale shall be the Buyer and anydispute shall be settled at theAuctioneer’s absolute discretion. (c) Once made, no bid may bewithdrawn. (d) Our right to bid on behalf of Sellersis expressly reserved up to the amountof any reserve. (e) The right to refuse any bid is alsoreserved.(f) Commission Bids: While prospectiveBuyers are strongly advised to attendthe auction and are always responsiblefor any decision to bid for a particularlot and shall be assumed to havecarefully inspected and satisfiedthemselves as to its condition we shall,if so instructed, clearly and in writingexecute bids on their behalf. Neitherthe Auctioneer nor our employees noragents shall be responsible for anyfailure to do so. Where two or morecommission bids at the same level arerecorded we reserve the right in ourabsolute discretion to prefer the firstbid so made. (g) Telephone Bids: If a prospectiveBuyer makes arrangements with usprior to the commencement of the sale

we will use reasonable efforts tocontact them to enable them toparticipate in bidding by telephone. Wedo not accept liability for failure to doso or for errors and omissions inconnections. (h) Online Bidding: We will usereasonable efforts to carry out onlinebids and do not accept liability forequipment failure, inability to accessthe internet or software malfunctionsrelated to execution of online bids/ livebidding.

4. INCREMENTSBidding increments shall be at theAuctioneer’s sole discretion.

5. THE PURCHASE PRICE For each lot purchased a Buyer‘sPremium of 25% is payable on the first£50,000 of the hammer price, 20%thereafter. VAT at the appropriate rateis charged on the Buyer‘s Premium. NoVAT is payable on the hammer price orpremium for printed books orunframed maps bought at auction.Live online bidding is subject to anadditional 3% premium (charged by thelive bidding service providerInvaluable). This additional premium issubject to VAT at the appropriate rateas above.

6. VALUE ADDED TAX Value Added Tax is charged at theappropriate rate prevailing by law atthe date of sale and is payable byBuyers of relevant lots. (1) Lots affixed with (†): Value AddedTax on the hammer price is imposed bylaw on all items affixed with a dagger(†). This imposition of VAT maybebecause the Seller is registered for VATwithin the European Union and is not

operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rateof Value Added Tax on the hammerprice of 5% is payable. This indicatesthat a lot has been imported fromoutwith the European Union. Thisreduced rate is applicable to Antiqueitems. (3) Lots affixed with [Ω]: Standard rateof Value Added Tax on the hammerprice and premium is payable. Thisapplies to items that have beenimported from outwith the EuropeanUnion and do not fall within thereduced rate category outlined above.

7. DROIT de SUITEThis symbol § indicates works whichmay be subject to the Droit de Suite orArtist’s Resale Right, which took effectin the United Kingdom on 14thFebruary 2006. We are required tocollect a royalty payment for allqualifying works of art. Under newlegislation which came into effect on1st January 2012 this applies to livingartists and artists who have died in thelast 70 years. This royalty will becharged to the Buyer on the hammerprice and in addition to the Buyer’spremium. It will not apply to workswhere the hammer price is less than€1,000 (euros). The charge for works ofart sold at and above ¤1,000 (euros)and below €50,000 (euros) is 4%. Foritems selling above €50,000 (euros),charges are calculated on a slidingscale. All royalty charges are paid tothe Design and Artists CopyrightSociety (‘DACS’) and no handling costsor additional fees are retained by theauctioneer. Resale royalties are notsubject to VAT. Please note that theroyalty payment is calculated on therate of exchange at the EuropeanCentral Bank on the date of the sale.

BUYERS

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More information on Droit de Suite isavailable at www.dacs.org.uk.

8. PAYMENT (1) Within 7 days of a lot being sold youwill: (a) Pay to us the total amount due incash or by such other method as isagreed by us. We accept cash, banktransfer (details on request), debitcards and Visa or MasterCard creditcards. We do not accept AmericanExpress.(b) Please note there is a surcharge of2% when using credit cards. (c) Please note that under The MoneyLaundering Regulations 2007 wecannot accept cash payments over¤15,000 (euros). (2) Any payments by you to us may beapplied by us towards any sums owingby you to us howsoever incurred andwithout agreement by you or youragent, whether express or implied.

9. TITLE AND COLLECTION OFPURCHASES (1) The ownership of any lotspurchased shall not pass to you untilyou have made payment in full to us ofthe total amount due. (2) You shall at your own risk andexpense take away any lots that youhave purchased and paid for not laterthan 7 working days following the dayof the auction or upon the clearance ofany cheque used for paymentwhichever is later. We can provide youwith a list of shippers. However, we willnot be responsible for the acts oromissions of carriers or packerswhether or not recommended by us. (3) No purchase can be claimed orremoved until it has been paid for. (4) It is the Buyer’s responsibility toascertain collection procedures,particularly if the sale is not being heldat our main sale room and thepotential storage charges for lots notcollected by the appropriate time.(5) Export of goods: Buyers intendingto export goods should ascertain (a)whether an export licence is requiredand (b) whether there is any specificprohibition on importing goods of thatcharacter, e.g. items that may containprohibited materials such as ivory orrhino horn. It is the buyer’s soleresponsibility to obtain any relevantexport or import licence. The denial ofany licence or any delay in obtaininglicences shall neither justify therecession of any sale not any delay inmaking full payment for the lot.

10. REMEDIES FOR NON·PAYMENT ORFAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full andtaken away in accordance with theseConditions or if there is any otherbreach of these Conditions, we, asagent for the Sellers and on theirbehalf, shall at our absolute discretionand without prejudice to any otherrights we may have, be entitled toexercise one or more of the followingrights and remedies: (a) to proceed against you for damagesfor breach of contract; (b) to rescind the contract for sale ofthat lot and/or any other lots sold by usto you; (c) to resell the lot (by auction orprivate treaty) in which case you shallbe responsible for any resultingdeficiency in the total amount due(after crediting any part payment andadding any resale costs).

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agreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes toinform the Seller of any offers itreceives in relation to an item prior toany Proposed Sale, excluding thenormal method of commission bids.(d) For the purposes of a private treatysale, if a lot is sold in any othercurrency than Sterling, the exchangerate is to be taken on the date of sale.

15. THIRD PARTY LIABILITY All members of the public on ourpremises are there at their own riskand must note the lay-out of theaccommodation, safety and securityarrangements. Accordingly, neither theAuctioneer nor our employees oragents shall incur liability for death orpersonal injury or similarly for thesafety of the property of personsvisiting prior to, or at, a sale.

16. GENERAL (a) We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctionsby any person.(b) Any notice to any Buyer, Seller,bidder or viewer may be given by emailif not available then first class mail inwhich case it shall be deemed to havebeen received by the addressee 48hours after posting.(c) Notices to Lyon & Turnbull shouldbe in writing and addressed to NickCurnow at 33 Broughton Place,Edinburgh EH1 3RR, quoting thereference number specified at thebeginning of the sale catalogue.(d) Should any provision of theseConditions of Sale be heldunenforceable for any reason, theremaining provisions shall remain infull force and effect.(e) These Conditions of Sale are notassignable by either party without theother’s prior written consent. No act,omission or delay by Lyon & Turnbullshall be deemed a waiver or release ofany of its rights.(f) The contract between the partiesmay be varied by the parties byagreement and in writing.

17. DATA PROTECTION In connection with the managementand operation of our business and themarketing and supply of Lyon &Turnbull’s services, or as required bylaw, we may ask the Buyer to providepersonal information about themselvesor obtain information about the Buyerfrom third parties (e.g. creditinformation). Lyon & Turnbull will notgive out personal information except asmay be required by law. If you would like further information onLyon & Turnbull policies on personaldata, or to make corrections to yourinformation, please contact us on +44(0)131 557 8844.

18. LAW AND JURISDICTION(a) Governing Law: These Conditions ofSale and all aspects of all matters,transactions or disputes to which theyrelate or apply shall be governed by,and interpreted in accordance with,Scots law (b) Jurisdiction: The Buyer agrees thatthe Courts of Scotland are to haveexclusive jurisdiction to settle alldisputes arising in connection with allaspects of all matters or transactionsto which these Conditions of Salerelate or apply.

(d) to remove, store and insure the lotin the case of storage, either at ourpremises or elsewhere and to recoverfrom you all costs incurred in respectthereof; (e) to charge interest at a rate notexceeding 1.5% per month above thecurrent base rate on all sumsoutstanding for more than 7 workingdays after the sale;(f) to retain that or any other lot sold toyou until you pay the total amount due; (g) to reject or ignore bids from you oryour agent at future auctions or toimpose conditions before any such bidsshall be accepted; (h) to apply any proceeds of sale ofother lots due or which become due toyou towards the settlement of the totalamount due by you and to exercise alien over any of your property in ourpossession for any purpose until thedebt due is satisfied.

11. DESCRIPTIONS AND CONDITION(1) whilst we seek to describe lotsaccurately, it may be impractical for usto carry out exhaustive due diligence oneach lot. Prospective Buyers are givenample opportunities to view andinspect before any sale and they (andany independent experts on theirbehalf) must satisfy themselves as tothe accuracy of any description appliedto a lot. Prospective Buyers also bid onthe understanding that, inevitably,representations or statements by us asto authorship, genuineness, origin,date, age, provenance, condition orestimated selling price involve mattersof opinion. We undertake that any suchopinion shall be honestly andreasonably held and only acceptliability for opinions given negligentlyor fraudulently. Subject to the foregoingneither we the auctioneer or ouremployees or agents accept liability forthe correctness of such opinions andno warranties, whether relating todescription, condition or quality of lots,express, implied or statutory, are given.(2) Condition reports: Condition reportsare provided on our website or uponrequest. The absence of a report doesnot imply that a lot is withoutimperfections. Large numbers of suchrequests are received shortly beforeeach sale and department specialistsand administration will endeavor torespond to all requests although weoffer no guarantee. Any statement inrelation to the lot is merely anexpression of opinion of the Seller orLyon & Turnbull and should not berelied upon as an inducement to bid onthe lot. Lots are available forinspection prior to the sale and you arestrongly advised to examine any lot inwhich you are interested prior to thesale. Our condition reports are notprepared by professional conservators,restorers or engineers.(3) Estimates: Estimates are placed oneach lot to help Buyers gauge thesums involved for the purchase of aparticular lot. Estimates do not includethe Buyer’s Premium or VAT.Estimates are a matter of opinion andprepared in advance. Estimates maybe subject to change are for guidanceonly and should not be relied upon.(4) Catalogue Alterations: Lotdescriptions and estimates areprepared in advance of the sale andmay be subject to change. Anyalterations will be announced on thecatalogue alteration sheet, madeavailable prior to the sale. (5) Electrical Goods: are sold as

“works of art” only and if bought foruse must be checked over forcompliance with safety regulations by aqualified electrician first. Use of suchgoods is entirely at the risk of theBuyer and no warranties as to safety ofthe goods are given.(6) Upholstered items: are sold as“works of art” only and if bought foruse must be checked over forcompliance with safety regulations(items manufactured prior to 1950 areexempt from any regulations). Use ofsuch goods is entirely at the risk of theBuyer and no warranties as to safety ofthe goods are given.(7) Special terms may be used incatalogue descriptions of particularclasses of items (Books, Jewellery,Paintings, Guns, Firearms etc.) inwhich case the descriptions must beinterpreted in accordance with anyglossary appearing in the catalogue.These notices and terms will also formpart of our terms and conditions ofsales.

12. BOOKS, CLOCKS & WATCHES(1) Books-Collation: If on collation anyNAMED item in the sale catalogueproves defective, in text or illustrationthe Buyer may reject the lot providedhe returns it within 21 days of the salestating the defect in writing. This,however, shall not apply in the case ofunnamed items, periodicals,autographed letters, music M.M.S.,maps, drawings NOR in respect ofdamage to bindings, stains, foxing,marginal worm holes or other defectsnot affecting the completeness of thetext NOR in respect of Defectsmentioned in the catalogue, or at thetime of sale, NOR in respect of lotssold for less than £300. (2) Clocks & Watches: All lots are sold“as seen”, and the absence of anyreference to the condition of a clock orwatch does not imply that the lot is ingood condition and without defects,repairs or restorations. Most clocksand watches have been repaired in thecourse of their normal lifetime andmay now incorporate parts not originalto them. Furthermore, Lyon & Turnbullmakes no representation or warrantythat any clock or watch is in workingorder. As clocks and watches oftencontain fine and complex mechanisms,bidders should be aware that a generalservice, change of battery or furtherrepair work, for which the Buyer issolely responsible, may be necessary.Bidders should also be aware that Lyon& Turnbull cannot guarantee a watchwill remain waterproof if the back isremoved. Bidders should be awarethat the importation of watches suchas Rolex, Frank Muller and Corum intothe United States is highly restricted.These watches may not be shipped tothe USA and can only be importedpersonally.

13. CITESPlease be aware that all lots markedwith the symbol Y are subject to CITESregulations when exporting these itemsoutside the EU. These regulations maybe found athttp://www.defra.gov.uk/ahvla-en/imports-exports/cites/

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale(Buyers) shall apply to sales by privatetreaty. (b) Private treaty sales made underthese Conditions are deemed to besales by auction and subject to our

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Fine Furniture & Works of ArtWednesday, 22nd April 2015

33 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

MASSIMILIANO SOLDANI-BENZI(ITALIAN, 1656-1740)GANYMEDE AND THE EAGLE

Provenance:From the Collection of Lady Lanesborough.Formerly at Swithland Hall, Leicestershire.

£20,000-30,000)

EnquiriesDouglas GirtonTel: +44 (0)131 557 8844 [email protected]

Theodora BurrellTel: +44 (0)131 557 [email protected]

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Local DeliveriesA&S Pert Removals. Tel. +44 (0)7876 343520.

Thistle RemovalsTel: +44 (0)7836 774712Email: [email protected]

New Leaf RemovalsTel: +44 (0)7999 926261Email:[email protected]

Packing and Shipping Please note that we do not packor ship items. The followingsuggested carriers will be ableto arrange packing andshipping; please contact themdirectly to receive a quote. Youmay wish to contact analternative courier.

Smaller items & PicturesMailboxes Etc44/46 Morningside RoadEdinburgh EH10 4BF Tel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email: [email protected]

Furniture and larger itemsConstantineConstantine HouseNorth Caldeen RoadCoatbridgeNorth Lanarkshire ML5 4EFTel: +44(0)1236 750055Fax: +44(0)1236 750077E-mail: [email protected]

A Van Man TransportUnit 5, Benridge ParkHolyrood Close,CreekmoorPoole, Dorset BH17 7BDTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 206Email: [email protected]

Aardvark Art Services LtdBirks Farm, Ballam RoadLytham, Lancashire FY8 4NLTel: +44 (0)1253 794673Fax: +44 (0)1253 730580Email:[email protected]

Arrangements for Sold Lots All bought items will be heldfree of charge at BroughtonPlace until the Fridayfollowing the sale.

Thereafter lots will beremoved to store in Edinburghand a charge incurred.

Administration fee:£20 + VAT

Storage charges per lot perday are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

CateringRefreshments will beavailable at the saleroom onview days and day of sale.

Waverley Station

ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom.

Lyon & Turnbull saleroom

St Andrew Square

© Lyon and Turnbull Ltd. 2015. All rights reserved. No part of thispublication may be reproduced, stored in a retrieval system ortransmitted by any form or by any means without the prior writtenpermission of Lyon and Turnbull Ltd.

T York Place Tram Station

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Fine Furniture & Works of Art

Wednesday, 14th January, 201533 Broughton PlaceEdinburgh

33 Broughton Place, Edinburgh EH1 3RRTel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

email. [email protected]

182 Bath Street, Glasgow G2 4HGTel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ESTel +44 (0)20 7930 9115Fax +44 (0)20 7930 7274

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