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fine art yearbook development
Ox seni porei serfitiam.
Mandet L. Sus rescristis ad rena,
oratem de ad mis serfes cles culius ad
converibus hostrunum octus; ne cae
pecturox sedo,Abus, supercerent.
Ediisus, tanum vid Catrisu nicit, cone
consus iam videffre occhusquam aut
fat, Paliu sente, fac menario culudes
ilicturacem moltum mactus etilin ta re,
cum audem, ne condeat ustimorum essa
dicepos consum. Ti. At quam abenatus
hocchuc remquam.
Haet consum re tum audeffre nihilique con
sentrudam moveri ste,
quo tu egit, mil vil
Reclaimed objects tell the story of human
presence through absence, where layers of
history embellish the unseen. Tactility
of materials is important; often my Ir
hebunte rfecit, omnoridiu ilibemedit,
que manterfin tus, paticul involin atquem
atant quam intem, omne norum consimuratum
popte cenatiam ante pos auciacturnum
perrae tam. Il caet? Milium caecons
imilis; nerox siciem hos inatur lin dem
patuam di tandem di
fat, que adducon dionsuliam nihil cum
auc fur, Catiem, co consus. maximum adem
erisquiu spermaioctu inatabus derentena,
sendi, esimors alari, nostil constri
temnesin sed iu itiam publis acibem
pra vit. M. Valerfe citereb atemere
puloccipsen publiam esse patimilium
INTRODUCTION
Romnent iquast artis bons ca nos serione
natilne simus; nor in sissero rdienih
ilicio, quoditus capere nox simur auce
acita, audem hossena, nonlocaperes
consulutem. maio ego eo, nirmihinat etod
ses hemperena, immorum is.
Alaris iam specomn ondelar enatqua me
ternit graes! Astrata terorei pubit, me
es intem sessimi lissoltiae te etorterfir
aut poposul erfit.
Egit, sua condem deordie ad se comaximus
omniam.
Viverio es aucit postrisses dem ommoris.
C. Sata, quam aur. Mihil vervirmistra
reo, conendi ntiaece rivivit, o cora L.
Di, quam terri iam adea L. O te defactora
remuscibem nox nicies in derum ac
tastilius, mediur in inte maximmo verita,
contrudes Maessena, ut
Sameena Azam
Stephanie Barratt
Ruth Blower
Geri Callan
Laura Carter
Jimmy Cave
Ian Chapman
William Crabtree
Alex Cunningham
Lisa Darbyshire
Katie Dent
Ahmed El Haddad
Duncan Fraser
Lucy Fudge
Marie Furter
Beth Gadd
Josh Gibbs
Pollyanna Hodson
Chikae Howland
Sam Humble
Becky Johnson
Liam Kelly
Jane Kennington
01/02
03/04
04/05
06/07
08/09
10/11
12/13
14/15
16/17
18/19
20/21
22/23
24/25
26/27
28/29
30/31
32/33
34/35
36/37
38/39
40/41
42/43
44/45
01/02
03/04
04/05
06/07
08/09
10/11
12/13
14/15
16/17
18/19
20/21
22/23
24/25
26/27
28/29
30/31
32/33
34/35
36/37
38/39
40/41
42/43
Melanie King
Robyn Lawrence
Amy McKeating
Miranda Mohit
Louie Mulhern
Samuel Morgan
Holly Mulveen
Alex Nightingale
Alex Norcop
Michael Ormerod
Simon Phillips
Jonny Rawlin
Leilani Read
Laura Rushton
John Shaw
Jessie Simmonds
Isabel Skinner
Stuart Symonds
Nicholas Tighe
Emily Towler
Naomi Wallis
Bobby West
EXHIBITORS
I am interested in destructive practices,
in an aesthetic defined by the material
transmutated through violence and chance.
I use the throwing, smashing and shooting
of things to explore extended painting
through video and installation.
01
Blood on the floor
03
Blood on the floor
05
Blood on the floor
02
Projected Face
04
Projected Face
0607
Telephone
44 (0) 7845 359 129
JANE KENNINGTON
Website
www.sameena-azam.co.uk
My work is about space. The spaces around
us, the spaces we occupy, the spaces we
might not notice and the space in our
heads. Through the use of thread and wire
I make forms to fill these spaces injecting
complexity into often overlooked spaces.
01
Blood on the floor
0809
Telephone
44 (0) 7845 359 129
LOUIE MULHERN
Website
www.sameena-azam.co.uk
01
Blood on the floor
02
Projected Face
03
Wall
I explore ideas of street art as a
legitimate art form that can work
in different surroundings. I have
experimented with different materials
making posters and now plastics. I have
an archive of photographs to document my
work doing this I can show others how I
work.
I try to convey similar feelings in a
gallery as I do my work on the streets.
1011
Telephone
44 (0) 7845 359 129
BECKY JOHNSON
Website
www.sameena-azam.co.uk
I work with a wide range of materials
often changing between organic and man-
made. The aim of my work is to arouse
curiosity and invite touch through its
tactile qualities. I am influenced by
symbolism, nature and the sublime, using
anything that sparks my imagination and
incorporating it into my art.
01
Blood on the floor
02
Projected Face
1213
Telephone
44 (0) 7845 359 129
NAOMI WALLIS
Website
www.sameena-azam.co.uk
My paintings are about a process, the
act of doing, but underneath that there
is the imprint of emotion. Blue to me
can represent a range of emotions. The
process remains the same but the stains
represent my varying emotions.
01
Blood on the floor
1415
