Final Jumpology

8/8/2019 Final Jumpology

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By the Same Authors

THE SECOND INFERTADA (1987)

THE GLANCE OF THE PYRAMID (1993)

THE HORIZONTAL LATTER (2009)

Dedicated to J.D. : J.M. : C.G.: G.E.


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Jumpology

Land of Escape

The Rogue Eye

Landscapes as Gestalt Recreations of the Spectacle

It Only Needs to Work Once

Bjorn Gay & Celest Etra

Translated by Arturo Wills

Chimichuri PressBaxia, Portugal

Copyleft, 2010


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Jumpology1

and Landscapes as Gestalt Recreations of the Spectacle, or, It Only Needs to Work Once

1Artistic estrangement: Philippee Halsman + Joesph Beuys

Jumpology

Land of Escape, or, The Rogue Eye


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Indicating ExistenceIMPERSONAL

EXPRESSIONS

a lion in the house

she called me

drawing the shades


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testament momentary humming

token of (im)personal jump


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penstamen testament


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to rogue too pentacle

spectacle !

molecular

rogue text b


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to rogue eye, bird-jump, minute

hanging mid-airthe impersonal flower attracting the impersonal

spectacle, vestibule, carpel


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un-soled, un-isolated


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the literal is

hanging mid-air

as sight is hangingmid-air, wired through

though, and sundry

this


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to rogue eye, bird-jump, minute

hanging mid-air

the impersonal flower attracting the impersonal

spectacle, vestibule, carpel

un-soled, un-isolated

the secret was french. the birds stamen, rouge.


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THERE IS A SUN. THERE ARE SEVERAL.

There he goes, getting Mystical. Grammar

was a practice of distraction from the orig. :

[Word.] The cider proportionally less, less

more than, and rich in tannin. There, certain

an obscurity in his explanation,

asymmetrical explanation to this,

closer, obscurity.


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Kredi, Kuri, Ludi


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ESCAPE

Il ne faut pas oublier que les languesartificielles nont pas souvent

russi............

Do not put me so near to the window,

I prefer a place near the door.


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sparse the apo-tropic joy of this

sparse the lip

when the tooth jumpsthrough its

hoops

apo-prosody


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Kredi, Kuri, Ludi : To believe, To Run, To Play.

Simple simplicity. Beautiful beauty. Drunk drunkenness. What is better

than health? I have the largest dictionary of all. Do you know me?


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next

next

lonely numinous

where


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this is what they said to latch the artifact


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What happens when you take the figures out of the pictures? Does thatmake it a landscape?

No, the displacement of the signifier changes what is signified. It is the differance2.

2Derrida. Jaques. 1982. "Diffrance," as it appears in Margins of Philosophy; pp.1-28.

this is that


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myself


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TRICKY LITTLE

reflexive bird words

ego-next next-nest

i knew what to say

by knowing saying


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it figures

like what cannot be thought


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elegiac jump


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complicity

he is in hell, or not here, or dying.

a lionness with wings illegible has killed

a man with her sky-lit

marble-harvested

real petal of cold sense


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variety of the world arises from actions

jungle cushion


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trance objects of enjoyment

phone calls

utopia/distopia


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waiting for

to die is

to be held above mourni

of torso, cat-jump

the nucleus


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breaking porcelain

thick description

his narrative held above everyone elses

idea of what happened

sparkling coalmy death shrine


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typo


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The technology of this chrysanthemum was just now invented.

I am talking about the flower printed

from years ago.

complicit flowers, pleated in a landsca


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ephemera &

vice

& versa


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And of how we see time in the fabric,

and still want to cut through.

Its a tissue and its a dye, a temporary thing

I got so interested in form and function,

I almost forgot

the bruises beneath language, colors stamina,

stamens wet with pollen jumping.


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the expense of land

and bruise under


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myself

escape


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there, there

there are

not enough

peopled words

for the peopledpictures

the famous place called


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ecstasis / excess


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then he put the ravishers to flight


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ekphrastic life

learning to fly i mean

like an excess articluate

bird-daemon

this well-lit life

photo


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i could ask for nothingthat ground-speak of god-speed

and place my wings

back in place

those fragile wrecks of art,

Documents

Final Jumpology