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Final Exam
• 50 multiple-choice questions • Questions will come from historical
lectures, technical lectures, theoretical lectures, readings, and assignments
• Readings and Historical questions will cover new content
• Technical questions will cover content from the entire semester
Final Exam Practice Test
Final Exam Review
Susan Sontag’s In Plato’s Cave
• Review main ideas • Review homework questions
Edward Weston, Pepper No. 30, 1930
Group f 64
Dorothea Lange, Migrant Mother, Nipomo, California, 1936
Farm Security Administration
(FSA)
Walker Evans, Alabama Cotton Tenant Farmer Wife, 1936
Gordon Parks American Gothic, Washington, DC 1942
Edward Steichen: The Family of Man
The Family of Man Exhibition, Museum of Modern Art, 1955 503 photos from 68 countries curated by Edward Steichen
“The exhibition demonstrates that the art
of photography is a dynamic process of giving
form to ideas and of explaining man to man. It was conceived as a mirror of the universal elements
and emotions in the everydayness of life- as a
mirror of the essential oneness of mankind
throughout the world.”
-Edward Steichen
Robert Frank, Parade, Hoboken, NJ, 1955-56
Robert Frank: The Americans
Robert Frank, Department Store, Lincoln, Nebraska, 1955-56
Robert Frank, Bar, New York City, 1958
Social Landscape Photography
Social Landscape Photography
Lee Friedlander, Galax, Virginia, 1962
Gary Winogrand, World’s Fair, New York City, 1964
Diane Arbus, Boy with a Straw Hat Waiting to March
in a Pro-War Parade,1967
Nick Ut, Children Fleeing a Napalm Strike, 1972
Jerry Uelsmann, Untitled, 1969
Conceptual Art
Conceptual Art = Idea over Object
Robert Adams, Colorado Springs, 1969
New Topography
New Topographics: Photographs of Man-Altered Landscape, 1975
Bernd & Hilla Becher, 1963-75
Stephen Shore, El Paso St., El Paso, Texas, July 5, 1975
Pop Art
Andy Warhol, Marilyn Diptych, 1962
Performance Art
Vito Acconci, Proximity Piece, 1970
Modernism in Art
Jackson Pollock, No. 31, 1949
Modernism in Photography
Edward Weston, Pepper No. 30, 1930
Postmodern Art
Louise Lawler, Pollock and Tureen, Arranged by Mr. and Mrs. Burton Tremaine, Connecticut, 1984
Modernism vs. Postmodernism
Jackson Pollock No. 31 1949
Louise Lawler, Pollock and Tureen, Arranged by Mr. and Mrs. Burton
Tremaine, Connecticut, 1984
Modernism vs. Postmodernism
Ad Reinhardt, Black Paintings, 1961 Martha Rosler, Cleaning the
Drapes, 1967-72
Terry Barrett Modernism and Postmodernism
Edward Weston Neil 1925 Sherrie Levine, Untitled (After Edward Weston), 1981
Barbara Kruger Untitled (I shop therefore I am) 1987
Richard Prince, Untitled (cowboy), 1989
Cindy Sherman, Untitled Film Still #21, 1978
Carrie Mae Weems, From Here I Saw What Happened and I Cried, 1995
Martin Parr
Petra Collins, from the Selfie series
Pelle Cass
Keith Cottingham Fictitious Portraits
Sophie Kahn
Erik Kessels, 24 Hrs In Photos
November 13, 2015
Jon Rafman, 9-eyes.com, ongoing
SLR vs. Mirror less vs. Point and Shoot
Pixels
18 ppi
36 ppi
360 ppi
Resolution
5184 x 3456= 17,926,272
18 MP
Megapixel
Sensor Size
JPEG vs. RAW?
Raw vs. JPEG
White Balance?
White Balance
Auto
Cloudy
Tungsten
Auto Sunny Tungsten
Underexposed
Overexposed
Exposed Properly
Exposure
Stop of light?
F 5.6 1/50
F 5.6 1/25 F 5.6 1/13
F 5.6 1/100 F 5.6 1/200
Original
+1 +2
-1 -2
Aperture?
Aperture
Depth of Field?
F11 1/15
F 2.8 1/250
Depth of Field
Shutter Speed?
Shutter Speed
Shutter Speed?
1/15 sec F16
1/500 sec F2.8
Capturing Motion
Tripod
ISO?
ISO
ISO 100 F3.5 1/5 ISO 6400 F3.5 1/320
ISO 80 F4 0.5” ISO 1600 F4 1/40
Equivalent Exposures
F11 1/60 F 2.8 1/1000
Exposure Modes
• Automatic • Programmed • Shutter Priority • Aperture Priority • Manual
18% Gray
Original +1 Stop of Light
Original -1 stop of light
Original
+1 +2
-1 -2
Bracketing
Exposure Compensation
Histogram
PPI?
• 1 bit image= 2 possible values for each pixel
• 8 bit image = 28 = 256 possible values for
each pixel
Bit Depth: specifies how much color information is available for each pixel in an image.
Red, Green, Blue = Primary Colors of Light
RGB Color Mode
RAW Processing
+ Instructions =
Raw Processing Software?
RAW vs. JPEG Processing
What three factors affect Depth of Field?
Colleen Plumb
Fast Lens
Zoom Lens
Macro Lens
Catherine Chalmers
Fisheye Lens
Donald Miralle
Polarizing Filter
Inkjet Printer
Subtractive Primary Colors
DPI